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"content": "\u003ch4>\u003cem>California Counts Collaborative reminds candidates and voters that Californians still count in elections. \u003c/em>\u003c/h4>\n\u003cp>For the first time, California public media news organizations KQED in San Francisco, Capital Public Radio in Sacramento, KPCC in Los Angeles and KPBS in San Diego will come together in a groundbreaking collaboration to cover the 2016 elections in the nation’s most populous state. The partnership, named the California Counts Collaborative, will produce in-depth, unbiased, highly coordinated, multi-platform coverage and resources that voters can use to inform their decisions.\u003c/p>\n\u003ch5>\u003cstrong>Why “California Counts”?\u003c/strong>\u003c/h5>\n\u003cp>California is often a bellwether for challenges and solutions. California’s population and economy drive changes in governance, medical care, immigration, same-sex marriage and more. But most Californians aren’t voting. California ranks 41st in the nation for voter turnout. Whatever the reasons, many voters and candidates don’t feel that California counts.\u003c/p>\n\u003cp>The California Counts Collaborative will deploy reporters throughout the state to engage and involve Californians in the election. In cities and rural areas, reporters will speak with people who represent California’s demographic diversity as well as its economic divide. The public media organizations hope to show residents how they are connected to the issues, to each other and to their elected officials. The California Counts Collaborative hopes to give voters a greater voice in the election and to illustrate what’s at stake.\u003c/p>\n\u003cp>The California Counts Collaborative will include the following initiatives through the 2016 election cycle:\u003c/p>\n\u003cp>\u003cstrong>Activating California voters\u003c/strong>: Our team will use fresh, lively broadcast and digital storytelling approaches, social media and in-person engagement to connect with Californians who may be opting out of traditional politics and political coverage. Inspired in part by KPCC’s 2015 series #MakeAlCare, which focused on a single voter and engaged a broad audience in why elections matter, we will develop a coverage theme around voter participation as part of the larger collaborative effort. The aim will be to cover these issues in an accessible way by reporting at ground level — through the experiences and views of individuals, neighborhoods or communities. These stories and voter resources will address what many see as a crisis for democracy by looking at what people care about, what motivates voting, what keeps people from participating and how voting fits into civic life for a new generation of Californians.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Digital Voter Guide:\u003c/strong> The California Counts Collaborative will create an in-depth online voter guide that will encompass statewide races and initiatives. The guide will also include localized election information for the regions served by each partner station. It will be accessed via station websites.\u003c/p>\n\u003cp>\u003cstrong>Ballot Propositions: \u003c/strong> From a prohibition on plastic bags, to bi-lingual education in public schools and maybe even marijuana legalization, the California Counts Collaborative will produce radio and online stories that give Californians the essential, unbiased information they need to cast an informed vote on the measures appearing on the November ballot.\u003c/p>\n\u003cp>\u003cstrong>US Senate Race:\u003c/strong> The California Counts Collaborative will coordinate statewide coverage of this high profile race, tracking the candidates’ activities as they campaign around California and producing online and digital coverage. In addition, Capital Public Radio is partnering with the Pulitzer Prize-winning PolitiFact to create \u003ca href=\"http://www.politifact.com/california/\">PolitiFact California\u003c/a>. As part of this collaboration, their team will regularly fact-check the Senate candidates’ statements and political ads.\u003c/p>\n\u003cp>\u003cstrong>Resources: \u003c/strong>Stations will pool resources for hosting debates, election results coverage and post-election analysis. By sharing assignments on national and state coverage, each newsroom will free up bandwidth for additional coverage of local issues and races. Voters have told the stations that they lack enough information on local races often to make fully informed decisions.\u003c/p>\n\u003cp>“Voters face too many campaign ads and sound bites, and not enough thoughtful coverage from a trusted source,” said Suzanne Marmion, Director of News and Editorial Strategy at KPBS. “Together, public stations can pool resources to bring voters relief from spin, plus information about the smaller local races that also shape our communities.”\u003c/p>\n\u003cp>“We’re excited about teaming up with these great partners to give people a lot more coverage of California’s stakes in this election — and giving a lot more voice to the concerns and needs of our state,” said Melanie Sill, Vice President for Content at KPCC.\u003c/p>\n\u003cp>“This collaboration harnesses the substantial editorial power of our four stations for the benefit of the entire state,” said Joe Barr, Chief Content Officer at Capital Public Radio. “It’s a prime example of how public media serves our communities in a way that no one else can.”\u003c/p>\n\u003cp>“With so many people checking out of the political process, we hope to find out what people really care about, what issues affect their lives and figure out how to infuse our political coverage with the real concerns of Californians,” said Holly Kernan, Executive Editor for News at KQED public media.\u003c/p>\n\u003cp style=\"text-align: center\">###\u003c/p>\n\u003ch5>\u003cstrong>About the California Counts Collaborative Stations\u003c/strong>\u003c/h5>\n\u003cp>\u003cstrong>KQED\u003c/strong> serves the greater San Francisco Bay Area and beyond through public television, radio and digital services. It is among the top five public media stations in the nation by audience size.\u003c/p>\n\u003cp>\u003cstrong>Capital Public Radio \u003c/strong>is Sacramento’s public media outlet that serves more than 400,000 listeners a week on seven stations in Northern California and Western Nevada and 3.2 million listeners a week through the Capital Public Radio Network (CPRN).\u003c/p>\n\u003cp>\u003cstrong>KPCC\u003c/strong> reaches more than 700,000 listeners every week, Southern California Public Radio is the most listened-to public radio news service of any kind in Southern California. SCPR is a member-supported nonprofit organization that operates 89.3 KPCC in Los Angeles and Orange Counties and its repeater stations, 89.1 KUOR in the Inland Empire, 90.3 KVLA in the Coachella Valley and 89.5 KJAI - Ventura County. Additionally, SCPR operates translators at 89.9 in Santa Barbara and 93.3 in Palm Springs\u003c/p>\n\u003cp>\u003cstrong>KPBS\u003c/strong> is San Diego’s public media outlet. It serves over 1 million audience members weekly across TV, radio (89.5 FM and 97.7 FM Calexico) and the web.\u003c/p>\n\u003ch5>\u003cstrong>Media Contacts \u003c/strong>\u003c/h5>\n\u003cp>KQED, Bryce Eberhart (415) 553-8451, \u003ca href=\"mailto:beberhart@kqed.org\" target=\"_blank\">beberhart@kqed.org\u003c/a>\u003c/p>\n\u003cp>KPBS, Nancy Worlie, (619) 594-1746, \u003ca href=\"mailto:nworlie@kpbs.org\">nworlie@kpbs.org\u003c/a>\u003c/p>\n\u003cp>KPCC, Melanie Sill, (626) 583-5198, \u003ca href=\"mailto:msill@kpcc.org\">msill@kpcc.org\u003c/a>\u003c/p>\n\u003cp>Capital Public Radio, Ben Adler, (916) 930-9622, \u003ca href=\"mailto:badler@csus.edu\">badler@csus.edu\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch4>\u003cem>California Counts Collaborative reminds candidates and voters that Californians still count in elections. \u003c/em>\u003c/h4>\n\u003cp>For the first time, California public media news organizations KQED in San Francisco, Capital Public Radio in Sacramento, KPCC in Los Angeles and KPBS in San Diego will come together in a groundbreaking collaboration to cover the 2016 elections in the nation’s most populous state. The partnership, named the California Counts Collaborative, will produce in-depth, unbiased, highly coordinated, multi-platform coverage and resources that voters can use to inform their decisions.\u003c/p>\n\u003ch5>\u003cstrong>Why “California Counts”?\u003c/strong>\u003c/h5>\n\u003cp>California is often a bellwether for challenges and solutions. California’s population and economy drive changes in governance, medical care, immigration, same-sex marriage and more. But most Californians aren’t voting. California ranks 41st in the nation for voter turnout. Whatever the reasons, many voters and candidates don’t feel that California counts.\u003c/p>\n\u003cp>The California Counts Collaborative will deploy reporters throughout the state to engage and involve Californians in the election. In cities and rural areas, reporters will speak with people who represent California’s demographic diversity as well as its economic divide. The public media organizations hope to show residents how they are connected to the issues, to each other and to their elected officials. The California Counts Collaborative hopes to give voters a greater voice in the election and to illustrate what’s at stake.\u003c/p>\n\u003cp>The California Counts Collaborative will include the following initiatives through the 2016 election cycle:\u003c/p>\n\u003cp>\u003cstrong>Activating California voters\u003c/strong>: Our team will use fresh, lively broadcast and digital storytelling approaches, social media and in-person engagement to connect with Californians who may be opting out of traditional politics and political coverage. Inspired in part by KPCC’s 2015 series #MakeAlCare, which focused on a single voter and engaged a broad audience in why elections matter, we will develop a coverage theme around voter participation as part of the larger collaborative effort. The aim will be to cover these issues in an accessible way by reporting at ground level — through the experiences and views of individuals, neighborhoods or communities. These stories and voter resources will address what many see as a crisis for democracy by looking at what people care about, what motivates voting, what keeps people from participating and how voting fits into civic life for a new generation of Californians.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Digital Voter Guide:\u003c/strong> The California Counts Collaborative will create an in-depth online voter guide that will encompass statewide races and initiatives. The guide will also include localized election information for the regions served by each partner station. It will be accessed via station websites.\u003c/p>\n\u003cp>\u003cstrong>Ballot Propositions: \u003c/strong> From a prohibition on plastic bags, to bi-lingual education in public schools and maybe even marijuana legalization, the California Counts Collaborative will produce radio and online stories that give Californians the essential, unbiased information they need to cast an informed vote on the measures appearing on the November ballot.\u003c/p>\n\u003cp>\u003cstrong>US Senate Race:\u003c/strong> The California Counts Collaborative will coordinate statewide coverage of this high profile race, tracking the candidates’ activities as they campaign around California and producing online and digital coverage. In addition, Capital Public Radio is partnering with the Pulitzer Prize-winning PolitiFact to create \u003ca href=\"http://www.politifact.com/california/\">PolitiFact California\u003c/a>. As part of this collaboration, their team will regularly fact-check the Senate candidates’ statements and political ads.\u003c/p>\n\u003cp>\u003cstrong>Resources: \u003c/strong>Stations will pool resources for hosting debates, election results coverage and post-election analysis. By sharing assignments on national and state coverage, each newsroom will free up bandwidth for additional coverage of local issues and races. Voters have told the stations that they lack enough information on local races often to make fully informed decisions.\u003c/p>\n\u003cp>“Voters face too many campaign ads and sound bites, and not enough thoughtful coverage from a trusted source,” said Suzanne Marmion, Director of News and Editorial Strategy at KPBS. “Together, public stations can pool resources to bring voters relief from spin, plus information about the smaller local races that also shape our communities.”\u003c/p>\n\u003cp>“We’re excited about teaming up with these great partners to give people a lot more coverage of California’s stakes in this election — and giving a lot more voice to the concerns and needs of our state,” said Melanie Sill, Vice President for Content at KPCC.\u003c/p>\n\u003cp>“This collaboration harnesses the substantial editorial power of our four stations for the benefit of the entire state,” said Joe Barr, Chief Content Officer at Capital Public Radio. “It’s a prime example of how public media serves our communities in a way that no one else can.”\u003c/p>\n\u003cp>“With so many people checking out of the political process, we hope to find out what people really care about, what issues affect their lives and figure out how to infuse our political coverage with the real concerns of Californians,” said Holly Kernan, Executive Editor for News at KQED public media.\u003c/p>\n\u003cp style=\"text-align: center\">###\u003c/p>\n\u003ch5>\u003cstrong>About the California Counts Collaborative Stations\u003c/strong>\u003c/h5>\n\u003cp>\u003cstrong>KQED\u003c/strong> serves the greater San Francisco Bay Area and beyond through public television, radio and digital services. It is among the top five public media stations in the nation by audience size.\u003c/p>\n\u003cp>\u003cstrong>Capital Public Radio \u003c/strong>is Sacramento’s public media outlet that serves more than 400,000 listeners a week on seven stations in Northern California and Western Nevada and 3.2 million listeners a week through the Capital Public Radio Network (CPRN).\u003c/p>\n\u003cp>\u003cstrong>KPCC\u003c/strong> reaches more than 700,000 listeners every week, Southern California Public Radio is the most listened-to public radio news service of any kind in Southern California. SCPR is a member-supported nonprofit organization that operates 89.3 KPCC in Los Angeles and Orange Counties and its repeater stations, 89.1 KUOR in the Inland Empire, 90.3 KVLA in the Coachella Valley and 89.5 KJAI - Ventura County. Additionally, SCPR operates translators at 89.9 in Santa Barbara and 93.3 in Palm Springs\u003c/p>\n\u003cp>\u003cstrong>KPBS\u003c/strong> is San Diego’s public media outlet. It serves over 1 million audience members weekly across TV, radio (89.5 FM and 97.7 FM Calexico) and the web.\u003c/p>\n\u003ch5>\u003cstrong>Media Contacts \u003c/strong>\u003c/h5>\n\u003cp>KQED, Bryce Eberhart (415) 553-8451, \u003ca href=\"mailto:beberhart@kqed.org\" target=\"_blank\">beberhart@kqed.org\u003c/a>\u003c/p>\n\u003cp>KPBS, Nancy Worlie, (619) 594-1746, \u003ca href=\"mailto:nworlie@kpbs.org\">nworlie@kpbs.org\u003c/a>\u003c/p>\n\u003cp>KPCC, Melanie Sill, (626) 583-5198, \u003ca href=\"mailto:msill@kpcc.org\">msill@kpcc.org\u003c/a>\u003c/p>\n\u003cp>Capital Public Radio, Ben Adler, (916) 930-9622, \u003ca href=\"mailto:badler@csus.edu\">badler@csus.edu\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "USC Annenberg and KQED’s The California Report Produce In-Depth “20something” Series on Lives of Young Californians",
"title": "USC Annenberg and KQED’s The California Report Produce In-Depth “20something” Series on Lives of Young Californians",
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"content": "\u003cp>Contact: Gretchen Parker, 213-740-6302, \u003ca href=\"mailto:gretchen.parker@usc.edu\">gretchen.parker@usc.edu\u003c/a>\u003c/p>\n\u003cp>Contact: Ian Hill 415-553-2216, \u003ca href=\"mailto:ihill@kqed.org\">ihill@kqed.org\u003c/a>\u003c/p>\n\u003cp>LOS ANGELES, May 18, 2012 – \u003ca href=\"http://annenberg.usc.edu/\">USC Annenberg\u003c/a> has teamed up with KQED’s statewide radio service, \u003cstrong>\u003ca href=\"http://californiareport.org\">The California Report\u003c/a>\u003c/strong>, to produce an in-depth series titled “\u003ca href=\"http://californiareport.org/20something\">20something\u003c/a>” that explores the intimate spaces of young people’s lives. The series debuts today, with new episodes airing each week for at least seven weeks.\u003c/p>\n\u003cp>The series, which includes Web content produced in collaboration with KQED and USC Annenberg’s \u003ca href=\"http://www.neontommy.com/\">Neon Tommy\u003c/a>, explores the lives of young people who come from unique backgrounds that cut across religion, ethnicity, nationality, geography, legal status and education level. The stories aim to reveal young Californians – and their goals and dreams – in their own words.\u003c/p>\n\u003cp>The series can be heard live online at 4:30 p.m. PST Fridays at \u003ca href=\"http://www.kqed.org/listen\">kqed.org/listen\u003c/a>. Web content can be found at \u003ca href=\"http://www.californiareport.org/20something\">californiareport.org/20something\u003c/a> and \u003ca href=\"http://www.neontommy.com/\">neontommy.com\u003c/a>. KQED’s \u003cstrong>The California Report\u003c/strong> airs on more than 30 public radio station across the state; in Los Angeles, it airs from 10:30 p.m. to 11 p.m. Sundays on KPCC 89.3 FM; in the Bay Area, it airs at 4:30 p.m. Fridays on KQED 88.5 FM.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The reporting was conducted by eight graduate students in USC Annenberg Professor Sandy Tolan’s advanced radio documentary class and edited by Tolan and Victoria Mauleón, associate senior producer of \u003cstrong>The California Report\u003c/strong>. The student reporters are Nicole Banner, Jake de Grazia, Raquel Estupinan, Tara Kangarlou, Michele Malkasian, Arezou Rezvani, Megan Sweas, and Yasser Zhang.\u003c/p>\n\u003cp>\"These young journalists spent many hours over four months profiling young people as their lives unfolded over time,” Tolan said. “This documentary access made possible intimate portraits that you don't hear every day.\"\u003c/p>\n\u003cp>Those profiled include a Nigerian-born global activist, a student veteran struggling to adjust, a woman working at a high school for formerly incarcerated youth, a Chinese-American real estate entrepreneur, an Iranian American confronting the image of her community in the Beverly Hills diaspora and a 23-year-old Honduran student at UCLA who is gay and seeking political asylum.\u003c/p>\n\u003cp>\"We're proud to be partnering with USC Annenberg on the '20something' project,\" Mauleón said. \"The efforts of Sandy Tolan's students allow KQED's \u003cstrong>The California Report\u003c/strong> to provide listeners around the state with a rare glimpse inside the lives of the 'Twentysomething' generation. These are important stories about people who may shape the future of our state. It's a series everyone should hear.\"\u003c/p>\n\u003cp>\u003cstrong>The California Report\u003c/strong> plans to expand the series beyond its seven parts and broadcast pieces throughout the year.\u003c/p>\n\u003cp>“The ‘20something’ series brings to light the experiences of young Californians whose stories seldom, if ever, reach beyond their own neighborhoods,” said Geneva Overholser, director of the USC Annenberg School of Journalism. “Much of what we hear is harrowing, much is hopeful; all of it is deeply moving. I'm so proud of our students' truly exceptional work and grateful to Sandy Tolan for his stewardship.”\u003c/p>\n\u003cp>For the students, the series gave them the invaluable opportunity to produce professional work for statewide public radio.\u003c/p>\n\u003cp>“They got the opportunity to really zero in on one person – and get to know not only the craft of radio but also how better to interview people and how to reflect their truth for a public audience,” Tolan said. “By doing that, they started to understand the individual threads and the fabric that make up our community.”\u003c/p>\n\u003cp>And students quickly found the stories of their peers, although told from a young point of view, could appeal to a much broader audience.\u003c/p>\n\u003cp>“It really touches on all generations,” student reporter Nicole Banner, who just earned her journalism master’s degree, said of the series. Her story profiles a 23-year-old Inglewood man, and his mother, who together are trying to cope with the trauma he’s experienced from the violence he has seen in his community.\u003c/p>\n\u003cp>“People will get a bit more insight into the psyche of the 20-something and realize we’re dealing with a lot of the problems older adults are going through,” Banner said. “We have struggles and are dealing with social issues like everyone else. And we do have real ideas and plans for the world.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">About the USC Annenberg School for Communication and Journalism\u003c/span>\u003cbr>\nLocated in Los Angeles at the \u003ca href=\"http://www.usc.edu/\">University of Southern California\u003c/a>, the \u003ca href=\"http://annenberg.usc.edu/\">Annenberg School for Communication and Journalism\u003c/a> is a national leader in education and scholarship in the fields of communication, journalism, public diplomacy and public relations. With an enrollment of more than 2,200 students, USC Annenberg offers doctoral, graduate and undergraduate degree programs, as well as continuing development programs for working professionals, across a broad scope of academic inquiry. The school's comprehensive curriculum emphasizes the core skills of leadership, innovation, service and entrepreneurship and draws upon the resources of a networked university in a global urban environment.\u003c/p>\n\n",
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"description": "Contact: Gretchen Parker, 213-740-6302, gretchen.parker@usc.edu Contact: Ian Hill 415-553-2216, ihill@kqed.org LOS ANGELES, May 18, 2012 – USC Annenberg has teamed up with KQED’s statewide radio service, The California Report, to produce an in-depth series titled “20something” that explores the intimate spaces of young people’s lives. The series debuts today, with new episodes airing each week for",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Contact: Gretchen Parker, 213-740-6302, \u003ca href=\"mailto:gretchen.parker@usc.edu\">gretchen.parker@usc.edu\u003c/a>\u003c/p>\n\u003cp>Contact: Ian Hill 415-553-2216, \u003ca href=\"mailto:ihill@kqed.org\">ihill@kqed.org\u003c/a>\u003c/p>\n\u003cp>LOS ANGELES, May 18, 2012 – \u003ca href=\"http://annenberg.usc.edu/\">USC Annenberg\u003c/a> has teamed up with KQED’s statewide radio service, \u003cstrong>\u003ca href=\"http://californiareport.org\">The California Report\u003c/a>\u003c/strong>, to produce an in-depth series titled “\u003ca href=\"http://californiareport.org/20something\">20something\u003c/a>” that explores the intimate spaces of young people’s lives. The series debuts today, with new episodes airing each week for at least seven weeks.\u003c/p>\n\u003cp>The series, which includes Web content produced in collaboration with KQED and USC Annenberg’s \u003ca href=\"http://www.neontommy.com/\">Neon Tommy\u003c/a>, explores the lives of young people who come from unique backgrounds that cut across religion, ethnicity, nationality, geography, legal status and education level. The stories aim to reveal young Californians – and their goals and dreams – in their own words.\u003c/p>\n\u003cp>The series can be heard live online at 4:30 p.m. PST Fridays at \u003ca href=\"http://www.kqed.org/listen\">kqed.org/listen\u003c/a>. Web content can be found at \u003ca href=\"http://www.californiareport.org/20something\">californiareport.org/20something\u003c/a> and \u003ca href=\"http://www.neontommy.com/\">neontommy.com\u003c/a>. KQED’s \u003cstrong>The California Report\u003c/strong> airs on more than 30 public radio station across the state; in Los Angeles, it airs from 10:30 p.m. to 11 p.m. Sundays on KPCC 89.3 FM; in the Bay Area, it airs at 4:30 p.m. Fridays on KQED 88.5 FM.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The reporting was conducted by eight graduate students in USC Annenberg Professor Sandy Tolan’s advanced radio documentary class and edited by Tolan and Victoria Mauleón, associate senior producer of \u003cstrong>The California Report\u003c/strong>. The student reporters are Nicole Banner, Jake de Grazia, Raquel Estupinan, Tara Kangarlou, Michele Malkasian, Arezou Rezvani, Megan Sweas, and Yasser Zhang.\u003c/p>\n\u003cp>\"These young journalists spent many hours over four months profiling young people as their lives unfolded over time,” Tolan said. “This documentary access made possible intimate portraits that you don't hear every day.\"\u003c/p>\n\u003cp>Those profiled include a Nigerian-born global activist, a student veteran struggling to adjust, a woman working at a high school for formerly incarcerated youth, a Chinese-American real estate entrepreneur, an Iranian American confronting the image of her community in the Beverly Hills diaspora and a 23-year-old Honduran student at UCLA who is gay and seeking political asylum.\u003c/p>\n\u003cp>\"We're proud to be partnering with USC Annenberg on the '20something' project,\" Mauleón said. \"The efforts of Sandy Tolan's students allow KQED's \u003cstrong>The California Report\u003c/strong> to provide listeners around the state with a rare glimpse inside the lives of the 'Twentysomething' generation. These are important stories about people who may shape the future of our state. It's a series everyone should hear.\"\u003c/p>\n\u003cp>\u003cstrong>The California Report\u003c/strong> plans to expand the series beyond its seven parts and broadcast pieces throughout the year.\u003c/p>\n\u003cp>“The ‘20something’ series brings to light the experiences of young Californians whose stories seldom, if ever, reach beyond their own neighborhoods,” said Geneva Overholser, director of the USC Annenberg School of Journalism. “Much of what we hear is harrowing, much is hopeful; all of it is deeply moving. I'm so proud of our students' truly exceptional work and grateful to Sandy Tolan for his stewardship.”\u003c/p>\n\u003cp>For the students, the series gave them the invaluable opportunity to produce professional work for statewide public radio.\u003c/p>\n\u003cp>“They got the opportunity to really zero in on one person – and get to know not only the craft of radio but also how better to interview people and how to reflect their truth for a public audience,” Tolan said. “By doing that, they started to understand the individual threads and the fabric that make up our community.”\u003c/p>\n\u003cp>And students quickly found the stories of their peers, although told from a young point of view, could appeal to a much broader audience.\u003c/p>\n\u003cp>“It really touches on all generations,” student reporter Nicole Banner, who just earned her journalism master’s degree, said of the series. Her story profiles a 23-year-old Inglewood man, and his mother, who together are trying to cope with the trauma he’s experienced from the violence he has seen in his community.\u003c/p>\n\u003cp>“People will get a bit more insight into the psyche of the 20-something and realize we’re dealing with a lot of the problems older adults are going through,” Banner said. “We have struggles and are dealing with social issues like everyone else. And we do have real ideas and plans for the world.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">About the USC Annenberg School for Communication and Journalism\u003c/span>\u003cbr>\nLocated in Los Angeles at the \u003ca href=\"http://www.usc.edu/\">University of Southern California\u003c/a>, the \u003ca href=\"http://annenberg.usc.edu/\">Annenberg School for Communication and Journalism\u003c/a> is a national leader in education and scholarship in the fields of communication, journalism, public diplomacy and public relations. With an enrollment of more than 2,200 students, USC Annenberg offers doctoral, graduate and undergraduate degree programs, as well as continuing development programs for working professionals, across a broad scope of academic inquiry. The school's comprehensive curriculum emphasizes the core skills of leadership, innovation, service and entrepreneurship and draws upon the resources of a networked university in a global urban environment.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-size: medium\">\u003cstrong>\u003cem>The historic decision to be covered by KQED Public Radio and KQEDnews.org\u003cbr>\n\u003c/em>\u003c/strong>\u003c/span>\u003cbr>\nSan Francisco, March 5, 2012 — Dozens of California State Parks may soon be closed to the public as a result of the state’s continued financial struggles. You can learn more about the possible impact of this historic decision in KQED’s \u003cem>\u003ca href=\"http://www.californiareport.org/specialcoverage/ontherocks/\" target=\"_blank\">On the Rocks\u003c/a>\u003c/em>, a special month-long series that begins March 5.\u003c/p>\n\u003cp>The first segment in the series features an \u003ca title=\"Interview with Ruth Coleman, California State Parks director, on The California Report\" href=\"http://www.californiareport.org/archive/R201203050850/a\" target=\"_blank\">interview with the California State Parks Director Ruth Coleman\u003c/a> on \u003cem>\u003ca title=\"The California Report\" href=\"http://californiareport.org\" target=\"_blank\">The California Report\u003c/a>\u003c/em>, KQED’s statewide radio news service. Future \u003cem>On the Rocks\u003c/em> stories are scheduled to air March 6, as well as March 12, 19, 26 and 27, and will delve into the stories of Hendy Woods, which features two virgin redwood groves; Henry C. Coe Park, where elderly volunteers have raised $1 million to support the park; and Pio Pico, site of the last governor of Mexican California before the American takeover.\u003c/p>\n\u003cp>\u003cem>The California Report\u003c/em> airs on more than 30 radio stations across the state; in northern California it can be heard at 5:50am, 6:50am and 8:50am weekdays on KQED 88.5 FM.\u003c/p>\n\u003cp>KQED’s coverage of this important issue doesn’t stop with \u003cem>The California Report\u003c/em>. \u003ca title=\"KQED News, covering the Bay Area\" href=\"http://www.kqed.org/news/bayarea/\" target=\"_blank\">The 16 newscasts that air daily on KQED 88.5 FM\u003c/a> will feature up-to-the-minute coverage of the planned closing and its impact. You also can find more information on \u003ca title=\"KQED News\" href=\"http://www.kqed.org/news/\">KQEDnews.org\u003c/a>, including a map of all the state parks, details about what happens when a park closes and facts about the state parks system.\u003c/p>\n\u003cp>With series such as \u003cem>On the Rocks\u003c/em>, KQED cements its position as the destination for in-depth look at the issues important to the Bay Area community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"The state park closings would impact a wide range of Californians - from service providers and business operators who depend on the parks for income to state travel and tourism officials hoping for revenue to balance budgets, to families who use the parks regularly for recreation,\" said Raul Ramirez, KQED’s executive director of news and public affairs. \"\u003cem>On the Rocks\u003c/em> reflects our commitment to give Californians news and vital information about the what, the how and the why of issues that affect them every day.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: medium\">\u003cstrong>\u003cem>The historic decision to be covered by KQED Public Radio and KQEDnews.org\u003cbr>\n\u003c/em>\u003c/strong>\u003c/span>\u003cbr>\nSan Francisco, March 5, 2012 — Dozens of California State Parks may soon be closed to the public as a result of the state’s continued financial struggles. You can learn more about the possible impact of this historic decision in KQED’s \u003cem>\u003ca href=\"http://www.californiareport.org/specialcoverage/ontherocks/\" target=\"_blank\">On the Rocks\u003c/a>\u003c/em>, a special month-long series that begins March 5.\u003c/p>\n\u003cp>The first segment in the series features an \u003ca title=\"Interview with Ruth Coleman, California State Parks director, on The California Report\" href=\"http://www.californiareport.org/archive/R201203050850/a\" target=\"_blank\">interview with the California State Parks Director Ruth Coleman\u003c/a> on \u003cem>\u003ca title=\"The California Report\" href=\"http://californiareport.org\" target=\"_blank\">The California Report\u003c/a>\u003c/em>, KQED’s statewide radio news service. Future \u003cem>On the Rocks\u003c/em> stories are scheduled to air March 6, as well as March 12, 19, 26 and 27, and will delve into the stories of Hendy Woods, which features two virgin redwood groves; Henry C. Coe Park, where elderly volunteers have raised $1 million to support the park; and Pio Pico, site of the last governor of Mexican California before the American takeover.\u003c/p>\n\u003cp>\u003cem>The California Report\u003c/em> airs on more than 30 radio stations across the state; in northern California it can be heard at 5:50am, 6:50am and 8:50am weekdays on KQED 88.5 FM.\u003c/p>\n\u003cp>KQED’s coverage of this important issue doesn’t stop with \u003cem>The California Report\u003c/em>. \u003ca title=\"KQED News, covering the Bay Area\" href=\"http://www.kqed.org/news/bayarea/\" target=\"_blank\">The 16 newscasts that air daily on KQED 88.5 FM\u003c/a> will feature up-to-the-minute coverage of the planned closing and its impact. You also can find more information on \u003ca title=\"KQED News\" href=\"http://www.kqed.org/news/\">KQEDnews.org\u003c/a>, including a map of all the state parks, details about what happens when a park closes and facts about the state parks system.\u003c/p>\n\u003cp>With series such as \u003cem>On the Rocks\u003c/em>, KQED cements its position as the destination for in-depth look at the issues important to the Bay Area community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_902\" class=\"wp-caption alignleft\" style=\"max-width: 199px\">\u003ca href=\"http://blogs.kqed.org/pressroom/files/2012/02/image_kitchensisters.jpg\">\u003cimg class=\"size-medium wp-image-902 \" title=\"The Kitchen Sisters (Davia Nelson & Nikki Silva)\" src=\"http://blogs.kqed.org/pressroom/files/2012/02/image_kitchensisters-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Kitchen Sisters (Davia Nelson & Nikki Silva) are spearheading KQED's new Localore project, The Making Of... Please click on the image to get a hi-res version of this photo.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Multiplatform series to chronicle the art, creativity and innovation of the San Francisco Bay Area\u003c/strong>\u003c/p>\n\u003cp>After a stiff national competition, \u003cstrong>the Association of Independents in Radio, Inc. (AIR)\u003c/strong> announced that the Peabody Award-winning producers \u003cstrong>The Kitchen Sisters (Davia Nelson & Nikki Silva)\u003c/strong> and \u003cstrong>KQED Public Radio have been\u003c/strong> awarded one of ten inaugural grants from its “Localore” initiative for a new collaboration, \u003cem>The Making Of… \u003c/em>The Localore initiative is a transmedia project challenging public media makers and stations to invent new forms of reporting that expand service to a wider public.\u003c/p>\n\u003cp>\u003cem>The Making Of…\u003c/em> will look across the San Francisco Bay Area to chronicle the art and innovation going on in backyards, workplaces, cultural institutions and public spaces throughout one of the most diverse and innovative regions in the country. The making of the Bay Bridge. The making of a jar of jam. The making of the iPhone…an opera…a surfboard. This multimedia community project will draw upon and document the diversity of the Bay Area, a hotbed rich with stories of artists, inventors, immigrant communities, traditions and new technologies.\u003c/p>\n\u003cp>This new initiative will engage people in chronicling their creative worlds — what they know, what they make, what they see. Participating in \u003cem>The Making Of…\u003c/em> will be simple — from calling in to share a story, to creating and uploading videos and photos of friends, colleagues, and community elders engaged in the act of creating.\u003c/p>\n\u003cp>Audiences will be able to access stories on the radio, online and through mobile media. Listeners will be able to add to stories and experiment with new digital tools to create their own stories. \u003cem>The Making Of\u003c/em>… will explore how longtime traditions and emerging new arts link us to our past, and move us into the future. Through this groundbreaking sharing of voices, words and images, a bigger, larger view will emerge — a community self-portrait.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We are thrilled to be part of this innovative storytelling initiative spearheaded by AIR and the Corporation for Public Broadcasting,” says Davia Nelson. “There are so many stories to tell here, and we’re excited to showcase the amazing thinkers, innovators, and neighborhood artisans who make the Bay Area such a remarkable place in which to live and work.”\u003c/p>\n\u003cp>“KQED audiences are curious, inventive and engaged members of their communities,” states Vice President and General Manager for KQED Public Radio, Jo Anne Wallace. “We know that many in the Bay Area will be delighted to hear Localore stories on air or online, and also will be interested in sharing their own stories with the project. The Kitchen Sisters, Davia and Nikki, and KQED have collaborated over many years, and we are thrilled to be working with them again. We think this new program has the potential to engage different generations of people in our community, as producers and listeners, in the future of public radio and public media.”\u003c/p>\n\u003cp>Localore is a $2 million initiative produced by Boston-based AIR, with more than $1 million in funding from the Corporation for Public Broadcasting directed to support the Localore teams at public radio and television stations for up to one year. Lead producers are tasked with bringing their ingenuity to crafting journalism projects that blend digital and broadcast technology, and \"go outside\" public media's core platforms and traditional audiences. With guidance from a distinguished selection committee, AIR chose from proposals submitted to an open call, including 61 media shorts produced by a diverse range of public radio and television stations and posted to the unprecedented Localore “Station Runway.” The competition sparked broad interest, drawing nearly 7,500 unique visitors to Localore.net since mid-September.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">ABOUT KQED\u003c/span>\u003c/strong>\u003cstrong>\u003c/strong>\u003cbr>\nKQED Inc. has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates KQED Public Radio (88.5 FM San Francisco and 89.3 FM Sacramento); the interactive platforms \u003ca title=\"http://www.kqed.org/ blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a> and \u003ca title=\"http://www.kqednews.org/ blocked::http://www.kqednews.org/ http://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>; KQED Education; and public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area) and KQET 25 (Watsonville/Monterey).\u003c/p>\n\u003cp>KQED Public Radio, home to \u003cem>Forum,\u003c/em> KQED News and \u003cem>The California Report,\u003c/em> is the most-listened-to public radio station in the nation, and the top-rated radio station—public or commercial—in the San Francisco Bay Area. Its award-winning local news and public affairs program service delivers newscasts, news features, and long-form newsmagazine and talk programs and documentary specials. Approximately 20 percent of KQED Public Radio’s weekly broadcast schedule is locally produced, with the remaining hours provided by NPR, APM (American Public Media), PRI (Public Radio International), PRX, the BBC, and others.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">ABOUT THE KITCHEN SISTERS:\u003c/span>\u003c/strong>\u003cbr>\nThe Kitchen Sisters, Davia Nelson & Nikki Silva, are producers of the duPont-Columbia Award-winning and James Beard Award-nominated NPR series \u003cem>Hidden Kitchens,\u003c/em> and the two Peabody Award-winning NPR series, \u003cem>Lost & Found Sound \u003c/em>and\u003cem> The Sonic Memorial Project\u003c/em>. \u003cem>Hidden Kitchens\u003c/em>, heard on Morning Edition, explores the world of secret, unexpected, below the radar cooking across America — how communities come together through food. The series inspired the Kitchen Sisters’ first book, \u003cem>Hidden Kitchens: Stories, Recipes, and More from NPR’s The Kitchen Sisters\u003c/em>, a New York Times Notable Book of the Year for 2005 and nominated for a James Beard Award for Best Writing on Food.\u003c/p>\n\u003cp>The most recent work by the Kitchen Sisters includes the radio special \u003cem>Hidden Kitchens Texas\u003c/em>, narrated by Willie Nelson, which was nominated for a James Beard Award and was the inspiration for their second book, \u003cem>Hidden Kitchens Texas: Stories, Recipes and More from the Lone Star State\u003c/em>, and and the radio series \u003cem>Cry Me a River\u003c/em>, a portrait of three pioneering river activists and the damming of wild rivers in the West, that aired as part of the series, \u003cem>Stories from the Heart of the Land\u003c/em>.\u003c/p>\n\u003cp>The Kitchen Sisters began their radio work producing a weekly live radio program in the late 70’s on KUSP-FM in Santa Cruz, California. Their radio documentaries have been featured on NPR’s All Things Considered and Morning Edition, the BBC, the Canadian Broadcasting Corporation, Australian Broadcasting Corporation, Radio Smithsonian, California Public Radio, Pacifica Radio, Soundprint, and others. Other noted Kitchen Sisters stories include: Waiting for Joe DiMaggio, The Nights of Edith Piaf, Carmen Miranda: The Life and Times of the Brazilian Bombshell, WHER: 1000 Beautiful Watts, Guillermo Cabrera Infante: Memories of an Invented City, Tupperware, The Road Ranger, and War and Separation.\u003c/p>\n\u003cp>The Kitchen Sisters also are involved in educating and training new voices for public media in an imaginative, artistic and creative approach to storytelling. They teach at the UC Berkeley Graduate School of Journalism and frequently lecture and provide training at universities, festivals, workshops, radio stations, public forums and events throughout the country. They also train and work with interns, college students, and youth radio apprentices and participate in the life of the public radio community throughout the country. In addition to producing radio, Davia Nelson is also a screenwriter and casting director. She lives in San Francisco. Nikki Silva is also a museum curator and exhibit consultant. She lives with her family on a commune in Santa Cruz, California.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">ABOUT THE ASSOCIATION OF INDEPENDENTS IN RADIO, INC:\u003c/span>\u003c/strong>\u003cbr>\nAIR is a vibrant, tightly-networked association of more than 800 journalists, documentarians, technicians, media entrepreneurs, and sound artists. Founded in 1988, AIR has emerged as a force for identifying, cultivating, and deploying talent to accelerate public media innovation and expand service to more citizens across the U.S. AIR's membership now spans 46 states and 14 countries worldwide including leading stations, 501c3 non profits, and organizations and networks including APM, BBC, NPR, PRI, PRX, Transom, and the Third Coast International Audio Festival. In addition to CPB, financial support for Localore comes from the MacArthur Foundation, the National Endowment for the Arts, and the Wyncote Foundation.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_902\" class=\"wp-caption alignleft\" style=\"max-width: 199px\">\u003ca href=\"http://blogs.kqed.org/pressroom/files/2012/02/image_kitchensisters.jpg\">\u003cimg class=\"size-medium wp-image-902 \" title=\"The Kitchen Sisters (Davia Nelson & Nikki Silva)\" src=\"http://blogs.kqed.org/pressroom/files/2012/02/image_kitchensisters-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Kitchen Sisters (Davia Nelson & Nikki Silva) are spearheading KQED's new Localore project, The Making Of... Please click on the image to get a hi-res version of this photo.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Multiplatform series to chronicle the art, creativity and innovation of the San Francisco Bay Area\u003c/strong>\u003c/p>\n\u003cp>After a stiff national competition, \u003cstrong>the Association of Independents in Radio, Inc. (AIR)\u003c/strong> announced that the Peabody Award-winning producers \u003cstrong>The Kitchen Sisters (Davia Nelson & Nikki Silva)\u003c/strong> and \u003cstrong>KQED Public Radio have been\u003c/strong> awarded one of ten inaugural grants from its “Localore” initiative for a new collaboration, \u003cem>The Making Of… \u003c/em>The Localore initiative is a transmedia project challenging public media makers and stations to invent new forms of reporting that expand service to a wider public.\u003c/p>\n\u003cp>\u003cem>The Making Of…\u003c/em> will look across the San Francisco Bay Area to chronicle the art and innovation going on in backyards, workplaces, cultural institutions and public spaces throughout one of the most diverse and innovative regions in the country. The making of the Bay Bridge. The making of a jar of jam. The making of the iPhone…an opera…a surfboard. This multimedia community project will draw upon and document the diversity of the Bay Area, a hotbed rich with stories of artists, inventors, immigrant communities, traditions and new technologies.\u003c/p>\n\u003cp>This new initiative will engage people in chronicling their creative worlds — what they know, what they make, what they see. Participating in \u003cem>The Making Of…\u003c/em> will be simple — from calling in to share a story, to creating and uploading videos and photos of friends, colleagues, and community elders engaged in the act of creating.\u003c/p>\n\u003cp>Audiences will be able to access stories on the radio, online and through mobile media. Listeners will be able to add to stories and experiment with new digital tools to create their own stories. \u003cem>The Making Of\u003c/em>… will explore how longtime traditions and emerging new arts link us to our past, and move us into the future. Through this groundbreaking sharing of voices, words and images, a bigger, larger view will emerge — a community self-portrait.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We are thrilled to be part of this innovative storytelling initiative spearheaded by AIR and the Corporation for Public Broadcasting,” says Davia Nelson. “There are so many stories to tell here, and we’re excited to showcase the amazing thinkers, innovators, and neighborhood artisans who make the Bay Area such a remarkable place in which to live and work.”\u003c/p>\n\u003cp>“KQED audiences are curious, inventive and engaged members of their communities,” states Vice President and General Manager for KQED Public Radio, Jo Anne Wallace. “We know that many in the Bay Area will be delighted to hear Localore stories on air or online, and also will be interested in sharing their own stories with the project. The Kitchen Sisters, Davia and Nikki, and KQED have collaborated over many years, and we are thrilled to be working with them again. We think this new program has the potential to engage different generations of people in our community, as producers and listeners, in the future of public radio and public media.”\u003c/p>\n\u003cp>Localore is a $2 million initiative produced by Boston-based AIR, with more than $1 million in funding from the Corporation for Public Broadcasting directed to support the Localore teams at public radio and television stations for up to one year. Lead producers are tasked with bringing their ingenuity to crafting journalism projects that blend digital and broadcast technology, and \"go outside\" public media's core platforms and traditional audiences. With guidance from a distinguished selection committee, AIR chose from proposals submitted to an open call, including 61 media shorts produced by a diverse range of public radio and television stations and posted to the unprecedented Localore “Station Runway.” The competition sparked broad interest, drawing nearly 7,500 unique visitors to Localore.net since mid-September.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">ABOUT KQED\u003c/span>\u003c/strong>\u003cstrong>\u003c/strong>\u003cbr>\nKQED Inc. has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates KQED Public Radio (88.5 FM San Francisco and 89.3 FM Sacramento); the interactive platforms \u003ca title=\"http://www.kqed.org/ blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a> and \u003ca title=\"http://www.kqednews.org/ blocked::http://www.kqednews.org/ http://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>; KQED Education; and public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area) and KQET 25 (Watsonville/Monterey).\u003c/p>\n\u003cp>KQED Public Radio, home to \u003cem>Forum,\u003c/em> KQED News and \u003cem>The California Report,\u003c/em> is the most-listened-to public radio station in the nation, and the top-rated radio station—public or commercial—in the San Francisco Bay Area. Its award-winning local news and public affairs program service delivers newscasts, news features, and long-form newsmagazine and talk programs and documentary specials. Approximately 20 percent of KQED Public Radio’s weekly broadcast schedule is locally produced, with the remaining hours provided by NPR, APM (American Public Media), PRI (Public Radio International), PRX, the BBC, and others.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">ABOUT THE KITCHEN SISTERS:\u003c/span>\u003c/strong>\u003cbr>\nThe Kitchen Sisters, Davia Nelson & Nikki Silva, are producers of the duPont-Columbia Award-winning and James Beard Award-nominated NPR series \u003cem>Hidden Kitchens,\u003c/em> and the two Peabody Award-winning NPR series, \u003cem>Lost & Found Sound \u003c/em>and\u003cem> The Sonic Memorial Project\u003c/em>. \u003cem>Hidden Kitchens\u003c/em>, heard on Morning Edition, explores the world of secret, unexpected, below the radar cooking across America — how communities come together through food. The series inspired the Kitchen Sisters’ first book, \u003cem>Hidden Kitchens: Stories, Recipes, and More from NPR’s The Kitchen Sisters\u003c/em>, a New York Times Notable Book of the Year for 2005 and nominated for a James Beard Award for Best Writing on Food.\u003c/p>\n\u003cp>The most recent work by the Kitchen Sisters includes the radio special \u003cem>Hidden Kitchens Texas\u003c/em>, narrated by Willie Nelson, which was nominated for a James Beard Award and was the inspiration for their second book, \u003cem>Hidden Kitchens Texas: Stories, Recipes and More from the Lone Star State\u003c/em>, and and the radio series \u003cem>Cry Me a River\u003c/em>, a portrait of three pioneering river activists and the damming of wild rivers in the West, that aired as part of the series, \u003cem>Stories from the Heart of the Land\u003c/em>.\u003c/p>\n\u003cp>The Kitchen Sisters began their radio work producing a weekly live radio program in the late 70’s on KUSP-FM in Santa Cruz, California. Their radio documentaries have been featured on NPR’s All Things Considered and Morning Edition, the BBC, the Canadian Broadcasting Corporation, Australian Broadcasting Corporation, Radio Smithsonian, California Public Radio, Pacifica Radio, Soundprint, and others. Other noted Kitchen Sisters stories include: Waiting for Joe DiMaggio, The Nights of Edith Piaf, Carmen Miranda: The Life and Times of the Brazilian Bombshell, WHER: 1000 Beautiful Watts, Guillermo Cabrera Infante: Memories of an Invented City, Tupperware, The Road Ranger, and War and Separation.\u003c/p>\n\u003cp>The Kitchen Sisters also are involved in educating and training new voices for public media in an imaginative, artistic and creative approach to storytelling. They teach at the UC Berkeley Graduate School of Journalism and frequently lecture and provide training at universities, festivals, workshops, radio stations, public forums and events throughout the country. They also train and work with interns, college students, and youth radio apprentices and participate in the life of the public radio community throughout the country. In addition to producing radio, Davia Nelson is also a screenwriter and casting director. She lives in San Francisco. Nikki Silva is also a museum curator and exhibit consultant. She lives with her family on a commune in Santa Cruz, California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003ch3 style=\"text-align: left\" align=\"center\">-- Innovative service back by popular demand --\u003c/h3>\n\u003cblockquote>\u003cp>\u003cem> “Finally, KQED in northern California has come up with a solution” \u003c/em>–The Atlantic\u003c/p>\n\u003cp>\u003cem> “At last, you can avoid the public radio pledge drive” \u003c/em>–CNET\u003c/p>\n\u003cp>\u003cem> “KQED is offering quite the thank-you gift to listeners”\u003c/em>\u003cstrong>\u003cem> \u003c/em>\u003c/strong>–Current.org\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan class=\"Apple-style-span\" style=\"font-style: normal\">\u003cem>August 24, 2011, San Francisco\u003c/em> --- Fundraising drives are critical for the success of listener-supported radio, but KQED recognizes that interruptions to favorite programming can become tiresome after loyal listeners have already pledged their support. With this in mind, KQED is proud to once again offer its audience an innovative thank-you gift: the \u003cstrong>Pledge-Free Stream\u003c/strong>.\u003c/span>\u003c/p>\n\u003cp>KQED made history in April when it rolled out this alternative to the classic pledge drive. The \u003cstrong>Pledge-Free Stream\u003c/strong> was the first of its kind, the first attempt by any public media station to offer audiences the satisfaction of giving without pledge break interruptions. In a survey sent to donors for the first Pledge-Free Stream, more than 98 percent of users asked KQED to bring it back. Tomorrow, the service will again be made available for the upcoming September fundraiser. By donating $45 before September 8 and choosing the Pledge-Free Stream thank-you gift, members will be able to listen to KQED Public Radio on their computers or smartphones without pledge break interruptions for the duration of the drive.\u003c/p>\n\u003cp>“The \u003cstrong>Pledge-Free Stream\u003c/strong> is a great solution for KQED supporters who know exactly what they want – great content without fundraising interruptions,” stated Donald Derheim, chief operating officer and executive vice president. “KQED strives to create the best public radio experience possible for our listeners, and we’ll continue to explore those alternative funding models that work for our audiences.”\u003c/p>\n\u003cp>The \u003cstrong>Pledge-Free Stream \u003c/strong>continues a history of innovation from KQED. Serving the technologically progressiveNorthern California audience, KQED has itself long been recognized as a leader in the public media system. The station's inventive fundraising techniques, dating back to the 1950s – notably, the concept of audience memberships, pledge nights, and televised auctions – became the national fundraising standard early on in the public broadcasting industry.\u003c/p>\n\u003cp>\u003cem>*The details\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The \u003cstrong>Pledge-Free Stream\u003c/strong> is an alternate, second live stream of KQED Public Radio, the most-listened-to radio station in the Bay Area, that carries all regular KQED radio programming, including live news reports (except for traffic updates). The \u003cstrong>Pledge-Free Stream\u003c/strong> will be hosted live by a second team of on-air announcers, who will work out of a separate studio. The stream will omit all fundraising breaks. The \u003cstrong>Pledge-Free Stream\u003c/strong> will be accessible through compatible Web browsers on a computer, smartphone, or tablet, on up to four browsers, through the end of the September 2011 Fundraiser. For more information and technical requirements, visit \u003ca href=\"http://www.kqed.org/pfs\" target=\"_blank\">kqed.org/pfs\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">About KQED\u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>KQED \u003c/strong>(\u003ca title=\"http://www.kqed.org/\nblocked::http://www.kqed.org/\nhttp://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area), and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5FM San Francisco and 89.3FM Sacramento); the interactive platforms \u003ca title=\"http://www.kqed.org/\nblocked::http://www.kqed.org/\nhttp://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a> and \u003ca title=\"http://www.kqednews.org/\nblocked::http://www.kqednews.org/\nhttp://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the nation's most-watched public television stations, is the producer of local and national series such as \u003cem>QUEST\u003c/em>; \u003cem>Check, Please! Bay Area; This Week in Northern California; Truly CA\u003c/em>; and \u003cem>Essential Pépin.\u003c/em> KQED's digital television channels include 9HD, KQED Life, KQED World, KQED Kids, and KQED V-me, and are available 24/7 on Comcast. KQED Public Radio, home of \u003cem>Forum \u003c/em>with Michael Krasny and \u003cem>The California Report\u003c/em>, is one of the most-listened-to public radio stations in the nation with an award-winning news and public affairs program service delivering more than eighteen local newscasts daily. KQED Interactive provides KQED’s cross-platform news service, \u003ca title=\"http://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>, as well as offers several popular local blogs, video and audio podcasts, and a live radio stream at \u003ca title=\"http://www.kqed.org/\nblocked::http://www.kqed.org/\nhttp://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>. KQED Education brings the impact of KQED to thousands of teachers, students, parents, and the general public through workshops, community screenings, and multimedia resources.\u003c/p>\n\u003cp align=\"center\">###\u003c/p>\n\u003cp style=\"text-align: left\" align=\"center\">Media Contact: Meredith Gandy\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>415.553.2116 / \u003ca href=\"mailto:mgandy@kqed.org\">mgandy@kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3 style=\"text-align: left\" align=\"center\">-- Innovative service back by popular demand --\u003c/h3>\n\u003cblockquote>\u003cp>\u003cem> “Finally, KQED in northern California has come up with a solution” \u003c/em>–The Atlantic\u003c/p>\n\u003cp>\u003cem> “At last, you can avoid the public radio pledge drive” \u003c/em>–CNET\u003c/p>\n\u003cp>\u003cem> “KQED is offering quite the thank-you gift to listeners”\u003c/em>\u003cstrong>\u003cem> \u003c/em>\u003c/strong>–Current.org\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan class=\"Apple-style-span\" style=\"font-style: normal\">\u003cem>August 24, 2011, San Francisco\u003c/em> --- Fundraising drives are critical for the success of listener-supported radio, but KQED recognizes that interruptions to favorite programming can become tiresome after loyal listeners have already pledged their support. With this in mind, KQED is proud to once again offer its audience an innovative thank-you gift: the \u003cstrong>Pledge-Free Stream\u003c/strong>.\u003c/span>\u003c/p>\n\u003cp>KQED made history in April when it rolled out this alternative to the classic pledge drive. The \u003cstrong>Pledge-Free Stream\u003c/strong> was the first of its kind, the first attempt by any public media station to offer audiences the satisfaction of giving without pledge break interruptions. In a survey sent to donors for the first Pledge-Free Stream, more than 98 percent of users asked KQED to bring it back. Tomorrow, the service will again be made available for the upcoming September fundraiser. By donating $45 before September 8 and choosing the Pledge-Free Stream thank-you gift, members will be able to listen to KQED Public Radio on their computers or smartphones without pledge break interruptions for the duration of the drive.\u003c/p>\n\u003cp>“The \u003cstrong>Pledge-Free Stream\u003c/strong> is a great solution for KQED supporters who know exactly what they want – great content without fundraising interruptions,” stated Donald Derheim, chief operating officer and executive vice president. “KQED strives to create the best public radio experience possible for our listeners, and we’ll continue to explore those alternative funding models that work for our audiences.”\u003c/p>\n\u003cp>The \u003cstrong>Pledge-Free Stream \u003c/strong>continues a history of innovation from KQED. Serving the technologically progressiveNorthern California audience, KQED has itself long been recognized as a leader in the public media system. The station's inventive fundraising techniques, dating back to the 1950s – notably, the concept of audience memberships, pledge nights, and televised auctions – became the national fundraising standard early on in the public broadcasting industry.\u003c/p>\n\u003cp>\u003cem>*The details\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003cstrong>Pledge-Free Stream\u003c/strong> is an alternate, second live stream of KQED Public Radio, the most-listened-to radio station in the Bay Area, that carries all regular KQED radio programming, including live news reports (except for traffic updates). The \u003cstrong>Pledge-Free Stream\u003c/strong> will be hosted live by a second team of on-air announcers, who will work out of a separate studio. The stream will omit all fundraising breaks. The \u003cstrong>Pledge-Free Stream\u003c/strong> will be accessible through compatible Web browsers on a computer, smartphone, or tablet, on up to four browsers, through the end of the September 2011 Fundraiser. For more information and technical requirements, visit \u003ca href=\"http://www.kqed.org/pfs\" target=\"_blank\">kqed.org/pfs\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">About KQED\u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>KQED \u003c/strong>(\u003ca title=\"http://www.kqed.org/\nblocked::http://www.kqed.org/\nhttp://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area), and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5FM San Francisco and 89.3FM Sacramento); the interactive platforms \u003ca title=\"http://www.kqed.org/\nblocked::http://www.kqed.org/\nhttp://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a> and \u003ca title=\"http://www.kqednews.org/\nblocked::http://www.kqednews.org/\nhttp://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the nation's most-watched public television stations, is the producer of local and national series such as \u003cem>QUEST\u003c/em>; \u003cem>Check, Please! Bay Area; This Week in Northern California; Truly CA\u003c/em>; and \u003cem>Essential Pépin.\u003c/em> KQED's digital television channels include 9HD, KQED Life, KQED World, KQED Kids, and KQED V-me, and are available 24/7 on Comcast. KQED Public Radio, home of \u003cem>Forum \u003c/em>with Michael Krasny and \u003cem>The California Report\u003c/em>, is one of the most-listened-to public radio stations in the nation with an award-winning news and public affairs program service delivering more than eighteen local newscasts daily. KQED Interactive provides KQED’s cross-platform news service, \u003ca title=\"http://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>, as well as offers several popular local blogs, video and audio podcasts, and a live radio stream at \u003ca title=\"http://www.kqed.org/\nblocked::http://www.kqed.org/\nhttp://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>. KQED Education brings the impact of KQED to thousands of teachers, students, parents, and the general public through workshops, community screenings, and multimedia resources.\u003c/p>\n\u003cp align=\"center\">###\u003c/p>\n\u003cp style=\"text-align: left\" align=\"center\">Media Contact: Meredith Gandy\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>415.553.2116 / \u003ca href=\"mailto:mgandy@kqed.org\">mgandy@kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003ch3>-- Service is first of its kind in public media fundraising --\u003c/h3>\n\u003cp>\u003cem>April 19, 2011, San Francisco\u003c/em> --- Loyal audiences have loudly voiced their support for public media during recent months, and their financial support continues even in tough economic times. Classic fundraising drives are still critical for the success of listener-supported radio, but KQED recognizes that interruptions to favorite programming can become tiresome after loyal listeners have already pledged their support. With this in mind, KQED is proud to become the first station to offer its audience an innovative thank-you gift: the \u003cstrong>Pledge-Free Stream\u003c/strong>.\u003c/p>\n\u003cp>On April 21, KQED is rolling out this history-making alternative to the classic pledge drive. The new \u003cstrong>Pledge-Free Stream\u003c/strong> is the first of its kind, the first attempt by any public media station to offer audiences the satisfaction of giving without pledge break interruptions. By donating $45 before May 5 at \u003ca title=\"http://www.kqed.org/donate\" href=\"http://www.kqed.org/donate\">kqed.org/donate\u003c/a>, members will receive special access to the \u003cstrong>Pledge-Free Stream\u003c/strong> that will enable them to listen to KQED Public Radio on a computer or smartphone without interruption for the duration of the May 2011 Spring fundraiser.\u003c/p>\n\u003cp>“We are excited to introduce the \u003cstrong>Pledge-Free Stream\u003c/strong> as an option for our listeners and loyal members,” stated Donald Derheim, executive vice president and chief operating officer, “because we want to create a better public radio experience during our on-air fundraising periods. This is, we hope, only a step toward alternative funding models that generate significant donor revenue and enable uninterrupted access to great programming. We’re hopeful that what KQED does here in the Bay Area will spread everywhere to the benefit of public radio listeners around the world.”\u003c/p>\n\u003cp>Public media outlets across the nation will be looking to KQED and the popularity of the \u003cstrong>Pledge-Free Stream\u003c/strong>. Serving the technologically progressive Northern California audience, KQED has itself long been recognized as a leading innovator in the public media system. The station's inventive fundraising techniques, dating back to the 1950s – notably, the concept of audience memberships, pledge nights, and televised auctions – became the national fundraising standard early on in the public broadcasting industry.\u003c/p>\n\u003cp>\u003cem>*The details\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The \u003cstrong>Pledge-Free Stream\u003c/strong> is an alternate, second live stream of KQED Public Radio that carries all regular KQED radio programming, including live news reports (except for traffic updates). The \u003cstrong>Pledge-Free Stream\u003c/strong> will be hosted live by a second team of on-air announcers, who will work out of a separate studio. The stream will omit all fundraising breaks. The \u003cstrong>Pledge-Free Stream\u003c/strong> will be accessible through a Web browser on a computer, smartphone, or tablet, on up to four browsers, through the end of the May 2011 Fundraiser. For more information and technical requirements, visit \u003ca href=\"http://www.kqed.org/pfs\">kqed.org/pfs\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">About KQED\u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>KQED \u003c/strong>(\u003ca title=\"blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KTEH 54 (San Jose/Bay Area), and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5FM San Francisco and 89.3FM Sacramento); the interactive platforms \u003ca title=\"blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>, \u003ca title=\"blocked::http://www.kteh.org/ http://www.kteh.org/\" href=\"http://www.kteh.org/\">kteh.org\u003c/a>, and \u003ca title=\"blocked::http://www.kqednews.org/ http://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the nation's most-watched public television stations, is the producer of local and national series such as \u003cem>QUEST\u003c/em>; \u003cem>Check, Please! Bay Area; This Week in Northern California; Truly CA\u003c/em>; and \u003cem>Essential Pépin.\u003c/em> KQED's digital television channels include 9HD, Life, World, Kids, and V-me, and are available 24/7 on Comcast. KQED Public Radio, home of \u003cem>Forum \u003c/em>with Michael Krasny and \u003cem>The California Report\u003c/em>, is one of the most-listened-to public radio stations in the nation with an award-winning news and public affairs program service delivering more than eighteen local newscasts daily. KQED Interactive provides KQED’s cross-platform news service, \u003ca href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>, as well as offers several popular local blogs, video and audio podcasts, and a live radio stream at \u003ca title=\"blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>. KQED Education brings the impact of KQED to thousands of teachers, students, parents, and the general public through workshops, community screenings, and multimedia resources.\u003c/p>\n\u003cp>###\u003c/p>\n\u003cp>Media Contact: Meredith Gandy\u003c/p>\n\u003cp>415.553.2116 / \u003ca href=\"mailto:mgandy@kqed.org\">mgandy@kqed.org\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3>-- Service is first of its kind in public media fundraising --\u003c/h3>\n\u003cp>\u003cem>April 19, 2011, San Francisco\u003c/em> --- Loyal audiences have loudly voiced their support for public media during recent months, and their financial support continues even in tough economic times. Classic fundraising drives are still critical for the success of listener-supported radio, but KQED recognizes that interruptions to favorite programming can become tiresome after loyal listeners have already pledged their support. With this in mind, KQED is proud to become the first station to offer its audience an innovative thank-you gift: the \u003cstrong>Pledge-Free Stream\u003c/strong>.\u003c/p>\n\u003cp>On April 21, KQED is rolling out this history-making alternative to the classic pledge drive. The new \u003cstrong>Pledge-Free Stream\u003c/strong> is the first of its kind, the first attempt by any public media station to offer audiences the satisfaction of giving without pledge break interruptions. By donating $45 before May 5 at \u003ca title=\"http://www.kqed.org/donate\" href=\"http://www.kqed.org/donate\">kqed.org/donate\u003c/a>, members will receive special access to the \u003cstrong>Pledge-Free Stream\u003c/strong> that will enable them to listen to KQED Public Radio on a computer or smartphone without interruption for the duration of the May 2011 Spring fundraiser.\u003c/p>\n\u003cp>“We are excited to introduce the \u003cstrong>Pledge-Free Stream\u003c/strong> as an option for our listeners and loyal members,” stated Donald Derheim, executive vice president and chief operating officer, “because we want to create a better public radio experience during our on-air fundraising periods. This is, we hope, only a step toward alternative funding models that generate significant donor revenue and enable uninterrupted access to great programming. We’re hopeful that what KQED does here in the Bay Area will spread everywhere to the benefit of public radio listeners around the world.”\u003c/p>\n\u003cp>Public media outlets across the nation will be looking to KQED and the popularity of the \u003cstrong>Pledge-Free Stream\u003c/strong>. Serving the technologically progressive Northern California audience, KQED has itself long been recognized as a leading innovator in the public media system. The station's inventive fundraising techniques, dating back to the 1950s – notably, the concept of audience memberships, pledge nights, and televised auctions – became the national fundraising standard early on in the public broadcasting industry.\u003c/p>\n\u003cp>\u003cem>*The details\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003cstrong>Pledge-Free Stream\u003c/strong> is an alternate, second live stream of KQED Public Radio that carries all regular KQED radio programming, including live news reports (except for traffic updates). The \u003cstrong>Pledge-Free Stream\u003c/strong> will be hosted live by a second team of on-air announcers, who will work out of a separate studio. The stream will omit all fundraising breaks. The \u003cstrong>Pledge-Free Stream\u003c/strong> will be accessible through a Web browser on a computer, smartphone, or tablet, on up to four browsers, through the end of the May 2011 Fundraiser. For more information and technical requirements, visit \u003ca href=\"http://www.kqed.org/pfs\">kqed.org/pfs\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cspan style=\"text-decoration: underline\">About KQED\u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>KQED \u003c/strong>(\u003ca title=\"blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KTEH 54 (San Jose/Bay Area), and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5FM San Francisco and 89.3FM Sacramento); the interactive platforms \u003ca title=\"blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>, \u003ca title=\"blocked::http://www.kteh.org/ http://www.kteh.org/\" href=\"http://www.kteh.org/\">kteh.org\u003c/a>, and \u003ca title=\"blocked::http://www.kqednews.org/ http://www.kqednews.org/\" href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the nation's most-watched public television stations, is the producer of local and national series such as \u003cem>QUEST\u003c/em>; \u003cem>Check, Please! Bay Area; This Week in Northern California; Truly CA\u003c/em>; and \u003cem>Essential Pépin.\u003c/em> KQED's digital television channels include 9HD, Life, World, Kids, and V-me, and are available 24/7 on Comcast. KQED Public Radio, home of \u003cem>Forum \u003c/em>with Michael Krasny and \u003cem>The California Report\u003c/em>, is one of the most-listened-to public radio stations in the nation with an award-winning news and public affairs program service delivering more than eighteen local newscasts daily. KQED Interactive provides KQED’s cross-platform news service, \u003ca href=\"http://www.kqednews.org/\">KQEDnews.org\u003c/a>, as well as offers several popular local blogs, video and audio podcasts, and a live radio stream at \u003ca title=\"blocked::http://www.kqed.org/ http://www.kqed.org/\" href=\"http://www.kqed.org/\">kqed.org\u003c/a>. KQED Education brings the impact of KQED to thousands of teachers, students, parents, and the general public through workshops, community screenings, and multimedia resources.\u003c/p>\n\u003cp>###\u003c/p>\n\u003cp>Media Contact: Meredith Gandy\u003c/p>\n\u003cp>415.553.2116 / \u003ca href=\"mailto:mgandy@kqed.org\">mgandy@kqed.org\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>KQED News, California Watch partner for in-depth series\u003c/em>\u003c/p>\n\u003cp>SAN FRANCISCO, March 18, 2011 – A three-part KQED News and California Watch investigation into California's juvenile justice system is set to be broadcast this week. The start of the series was delayed by ongoing coverage of the crisis in Japan.\u003c/p>\n\u003cp>California’s Department of Juvenile Justice – for years plagued by charges of violence, sky-high recidivism and exorbitant costs – was targeted for shutdown in Gov. Jerry Brown’s controversial budget proposal earlier this year. Counties have pushed back, saying they can’t absorb the most violent offenders. Next week the \u003ca href=\"http://www.kqednews.org\" target=\"_blank\">KQED News\u003c/a>project \u003cem>\u003ca href=\"http://www.californiareport.org/specialcoverage/governingcalifornia/\" target=\"_blank\">Governing California\u003c/a>\u003c/em>, in partnership with the statewide investigative reporting initiative \u003ca href=\"http://californiawatch.org/\" target=\"_blank\">California Watch\u003c/a>, will present a series of reports that examines all angles of the issue and takes listeners inside state correctional facilities.\u003c/p>\n\u003cp>The reports will air Tuesday and Wednesday on \u003cem>\u003ca href=\"http://www.californiareport.org/\" target=\"_blank\">The California Report\u003c/a>\u003c/em> and Friday on \u003cem>The California Report\u003c/em> magazine. \u003cem>The California Report\u003c/em> and \u003cem>The California Report\u003c/em>magazine are productions of KQED News and can be heard on more than 35 stations across the state. In San Francisco, the reports can be heard on KQED 88.5FM. In Sacramento, the series will air on KQEI 89.3FM. \u003cem>The California Report\u003c/em> airs at 5:50am, 6:50am, and 8:50am Monday through Friday in the Bay Area and Sacramento. \u003cem>The California Report\u003c/em> magazine airs at 4:30pm, 6:30pm, and 11pm Friday in the Bay Area and Sacramento. Listeners also can find out more online at \u003ca href=\"http://www.californiareport.org/\" target=\"_blank\">californiareport.org\u003c/a>.\u003c/p>\n\u003cp>“Juvenile justice is an often invisible part of state government... but how we fund it, who’s in charge and whether we succeed in rehabilitating young offenders makes a big difference in all of our lives,” said \u003cem>Governing California\u003c/em> editor Tyche Hendricks. “When kids break the law, who’s best positioned to handle them – the state or the counties where they live? How do we handle the toughest offenders? And for the many young people with mental health problems, how do we ensure they get treatment and get them back on the right path? Our series on juvenile justice examines the debate over shifting the job from the state to the local level.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On Tuesday, listeners will learn about a state youth correctional facility outside of Stockton where violent young offenders receive intensive vocational training and personalized psychological help as part of a renewed effort at rehabilitation. However, the cost to taxpayers is a whopping $240,000 per offender.\u003c/p>\n\u003cp>The series delves deeper into rehabilitation efforts on Wednesday, when it looks at challenges and approaches to providing kids with the care they need to get their lives on track. Listeners will follow a young woman who has grown up in juvenile detention and struggles for stability, as well as a young man whose whole family has been involved in the therapy process with him and who is now heading into a more promising adulthood.\u003c/p>\n\u003cp>On Friday, the series will take listeners to a bright spot for California’s Division of Juvenile Justice: a 65-year-old fire-fighting camp in the mountains of Amador County. The camp takes some of the state’s young offenders and has dramatically turned around the lives of many, giving them unprecedented responsibilities and skills.\u003c/p>\n\u003cp>The \u003cem>Governing California\u003c/em> project includes a blog, several online features exploring state governance, and in-depth radio reports airing through \u003cem>The California Report\u003c/em>.\u003cem>Governing California\u003c/em> is funded by the James Irvine Foundation.\u003c/p>\n\u003cp>California Watch is a project of the Center of Investigative Reporting.\u003c/p>\n\u003cp>###\u003c/p>\n\u003cp>Media Contact: Ian Hill\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>415.553.2216, \u003ca href=\"mailto:ihill@kqed.org\">ihill@kqed.org\u003c/a>\u003c/p>\n\n",
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"order": 8
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"hidden-brain": {
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"source": "NPR"
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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