Life In 'Songland': The Reality Behind NBC's New Reality Show
How Millennials (and Chrissy Teigen) Are Tearing Up 'The Rules'
Chrissy Teigen Should Have a Reality Show Just About Tweeting
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McAnally's mom and dad aren't alone in being a bit confused. The job of a songwriter is likely one of the most important and the least understood in the entire craft of music—and, these days, one of the most proportionately underpaid. All that said, probably not an immediate homerun for compelling TV.\u003c/p>\n\u003cp>But that's exactly why McAnally, who has written with the likes of Kacey Musgraves and Sam Hunt, signed on to \u003cem>Songland\u003c/em> four years ago, without seeing much more than a preliminary concept. Though he's based in Nashville, a town that recognizes the songwriter more than perhaps anywhere on earth, McAnally still was mystified by how low on the totem pole of appreciation they actually are. And in today's climate, where songwriters are now positioned as anonymous faces in the fight for fair compensation against some of the world's most powerful media corporations—Spotify, Google and Amazon, to name a few—McAnally thought that could simply no longer stand.\u003c/p>\n\u003cp>McAnally, Ryan Tedder (lead singer of OneRepublic and Grammy-winning producer for Beyoncé, Adele and Taylor Swift) and Ester Dean (a Grammy-nominated songwriter and producer for Rihanna and Nicki Minaj) comprise the judging panel on \u003cem>Songland\u003c/em>, premiering tonight at 10 p.m. ET. The concept is pretty simple: a songwriter pitches a piece of work they've created to the panel along with a guest artist, from the Jonas Brothers to Meghan Trainor to Kelsea Ballerini, who will then cut and release that song after it's massaged in a workshop setting. On this evening's premiere, piano man John Legend is on deck.\u003c/p>\n\u003cp>Not long into tonight's premiere, Tedder will pose a question to Tebby Burrows, one of the contestants. She's a Bahamian-born songwriter who lives in Miami, and is offering up a message-driven tune called \"We Need Love\" that she hopes Legend will choose. It's a big step up from the usual process of just shuffling a demo tape around—but, again, that's not exactly thrilling television.\u003c/p>\n\u003cp>\"Do you make money as a songwriter?\" Tedder asks her.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The answer, like many in her position, is no. Burrows describes herself as \"a little bit like Clark Kent,\" working a marketing job during the day and gigging at night more for passion than profit. She's likely not alone. It's not easy to make a comfortable, or even passable, living as a songwriter. A first deal at an independent publisher, if a writer is lucky enough to snag one, barely equates to minimum wage, leaving \"successful\" songwriters to find a second revenue stream. Therein lies the rub. \"To be successful, it pretty much has to take 100% of your attention,\" says Abe Stoklasa, a songwriter (Chris Lane's \"Fix,\" Charles Kelly's \"The Driver\") who says his first publishing deal was worth $15,000 a year. And that's with no health insurance, either, which isn't customarily offered to songwriters through their publisher or performance rights organization (\"PRO\") such as ASCAP or BMI.\u003c/p>\n\u003cp>Tedder agrees. Though his finances are no longer a worry, he admits on the premiere of \u003cem>Songland\u003c/em> that he used to work at Pottery Barn, back when he couldn't afford furniture himself. He hopes that \u003cem>Songland\u003c/em> helps songwriters in both direct and indirect ways: that the contestants, even if they don't win their respective episode, can use the visibility to score publishing deals or syncs (where a song is used for film or television), and that the public at large—and even some in the industry—might start to value songwriters as more than just a name on the back of a CD. But even if they do snag a publishing deal, is the path lucrative if their songs don't hit \"Old Town Road\" or \"High Hopes\" proportions?\u003c/p>\n\u003cp>\"If a guy working in the mailroom of Sony comes across the next Beyoncé, he gets more notoriety for discovering that artist than the songwriter that writes the song that becomes that artist's hit,\" says Tedder. \"Not only are we on the bottom of the food chain, the way the payment structure is set up, we get paid the least. And with streaming, that income has dropped drastically.\"\u003c/p>\n\u003cp>Indeed, things have gotten a lot more difficult for songwriters of late. It takes a massive hit for a songwriter to substantially profit from streaming services. And in the past two years, songwriters have been engaging in a score of battles, from lobbying to see the songwriter-focused Music Modernization Act signed into law—which it was, \u003ca href=\"https://www.npr.org/2018/09/19/649611777/a-music-industry-peace-treaty-passes-unanimously-through-congress\">unanimously\u003c/a>, last year—to fighting Spotify, Google, Amazon and SiriusXM/Pandora as they attempt to appeal a 2018 ruling that would \u003ca href=\"https://www.npr.org/2019/04/12/712777873/nile-rodgers-streaming-payments-songwriters-letter-spotify\">substantially increase\u003c/a> songwriter and publisher revenue. Both have been a struggle, in part because songwriters aren't generally celebrities, and it's a lot easier to garner support for a cause when there's a recognizable face at the helm.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kH9b-tBvbNg\u003c/p>\n\u003cp>Songwriting used to be a much more lucrative profession before the streaming era, and not just because of royalties. In a singles-centric landscape that is responding to \u003ca href=\"https://www.musicbusinessworldwide.com/us-recorded-music-industry-growth-slowed-in-h1-2018-with-a-dramatic-fall-in-cd-sales/\">rapidly declining\u003c/a> album sales, that means fewer chances for a songwriter to even land a cut to begin with, let alone a radio hit. And with more and more writers collaborating on a track—a Kanye West song can \u003ca href=\"https://www.youtube.com/watch?v=YdA7swZoxks\">have fifteen\u003c/a>—that means a proportionally smaller share of any royalties. \"Back in the day, you could make millions from album cuts, and then just retire to the Bahamas,\" says Tedder. \"You could have the fourth or fifth single on a Maroon 5 record. These days, if you don't have the next single, with a release date in writing, you have nothing. All that to say, it's not an easy time to be a songwriter.\"\u003c/p>\n\u003cp>Dave Stewart of the Eurythmics is one such writer happily (and literally) living in the Bahamas—though retired he is not. Stewart conceived \u003cem>Songland\u003c/em> with Emmy Award-winning producer Audrey Morrissey (\u003cem>The Voice\u003c/em>) and director Ivan Dudynsky, with Maroon 5's Adam Levine as an executive producer. Stewart came up with the seeds of the idea on a trip to Nashville. \"Nashville always stuck to this songwriting thing, and I just thought there should be a show to explore that,\" he says. \"It's not looking behind the curtains. It's like looking behind many curtains.\"\u003c/p>\n\u003cp>Stewart's right—the songwriting world is indeed shrouded in mystery. Truth is, the life of a songwriter is much more regimented than one might imagine, publishing deal or no. \"Most write every day at 11 a.m.,\" says Stoklasa. \"Some do two times a day. When I am super motivated, I am writing five days a week.\" All the while, for many, running a second shift to help pay the bills. \"I worked at night at a nursing home, and then I would go to the studio,\" says Dean.\u003c/p>\n\u003cp>The technicalities of a songwriter's life don't quite make their way onto \u003cem>Songland\u003c/em>, but there is some jargon: Tedder, working with a contestant, talks about the number of beats, and terms like tempo and pre-chorus work their way into the criticism. Tedder wasn't worried that this type of language might scare people off—after all, plenty have learned what a sous-vide is from watching \u003cem>Iron Chef\u003c/em>. \"We know what kind of knife Jiro [Ono] uses to make his sushi, but we don't know Bernie Taupin wrote the lyrics for Elton John,\" says Tedder.\u003c/p>\n\u003cp>On \u003cem>Iron Chef\u003c/em> and the like, however, the goal is to be as creative as possible, to wow the panel with an inspired use of mushroom here, a savvy twist on ice cream there. On most musical competition shows... perhaps not so much. Original material has long been taboo on programs like \u003cem>American Idol—\u003c/em>it occasionally pops in during the audition phase, but it's generally frowned upon in favor of sport-singing successful hits.\u003c/p>\n\u003cp>Catie Offerman, a Nashville-based singer-songwriter, remembers trying out for \u003cem>American Idol\u003c/em> when she was just 15. For the audition, she performed a song she wrote herself.\u003c/p>\n\u003cp>\"When I finished, the judge looked at me said, 'don't ever come back and f****** sing an original song again,'\" she says. \"Honestly, that put everything into perspective for me.\" Offerman is not on \u003cem>Songland\u003c/em>, but she has run the gamut when it comes to reality programming, making it to Hollywood on \u003cem>Idol\u003c/em> years from that first audition but dropping out before she could get any further.\u003c/p>\n\u003cp>\"Talent goes way beyond how many notes someone can sing,\" she says. \"When I watch \u003cem>Idol\u003c/em>, it doesn't speak to me. I would rather turn on a show and see someone who can't sing but has something to say. And having something to say is way more important than hitting a bunch of octaves.\"\u003c/p>\n\u003cp>Without that vocal showboating, does \u003cem>Songland\u003c/em> actually have anything to stand on? Turns out, the process itself is pretty entertaining—but that owes a lot to the panel themselves, and not just the songwriters. It's impressive to see Legend take a song and instantly shift the mood with a slower melody, or to see McAnally, Dean and Tedder make small but insightful snap suggestions that transform a nice tune into a possible hit. Like with most musical competition shows, the judges are the real stars, which falls pretty closely in line with how being a songwriter usually goes: hand the material over, watch it shine in the hands of another and then sit back and wait for your (inconsequential, in the case of streaming) royalties.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\"You can be fifth place on the \u003cem>Voice\u003c/em> and still be more famous than the most famous songwriter,\" says Tedder. \"It's time for songwriters to have a voice. We will be a lot harder to ignore once we do.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Life+In+%27Songland%27%3A+The+Reality+Behind+NBC%27s+New+Reality+Show&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"A new competition show from the producers of 'The Voice' will search for a hitmaker and put the focus back on songwriters—one of the most underpaid professions in music.","status":"publish","parent":0,"modified":1559067665,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1744},"headData":{"title":"Life In 'Songland': The Reality Behind NBC's New Reality Show | KQED","description":"A new competition show from the producers of 'The Voice' will search for a hitmaker and put the focus back on songwriters—one of the most underpaid professions in music.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Life In 'Songland': The Reality Behind NBC's New Reality Show","datePublished":"2019-05-28T18:19:30.000Z","dateModified":"2019-05-28T18:21:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"112088 https://ww2.kqed.org/pop/?p=112088","disqusUrl":"https://ww2.kqed.org/pop/2019/05/28/life-in-songland-the-reality-behind-nbcs-new-reality-show/","disqusTitle":"Life In 'Songland': The Reality Behind NBC's New Reality Show","nprImageCredit":"NBC","nprByline":"Marissa R. Moss","nprImageAgency":"NBC","nprStoryId":"726538847","nprApiLink":"http://api.npr.org/query?id=726538847&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2019/05/28/726538847/life-in-songland-the-reality-behind-nbcs-new-reality-show?ft=nprml&f=726538847","nprRetrievedStory":"1","nprPubDate":"Tue, 28 May 2019 05:52:00 -0400","nprStoryDate":"Tue, 28 May 2019 05:00:00 -0400","nprLastModifiedDate":"Tue, 28 May 2019 05:52:40 -0400","path":"/pop/112088/life-in-songland-the-reality-behind-nbcs-new-reality-show","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\"My parents have no idea what I do,\" says Shane McAnally, calling from the airport in Los Angeles as he shuffles between his many duties: as a Grammy-winning songwriter, producer and now co-host of NBC's \u003cem>Songland\u003c/em>, a new musical competition show from the producers of \u003cem>The Voice\u003c/em> that judges songs, not those who sing them. McAnally's mom and dad aren't alone in being a bit confused. The job of a songwriter is likely one of the most important and the least understood in the entire craft of music—and, these days, one of the most proportionately underpaid. All that said, probably not an immediate homerun for compelling TV.\u003c/p>\n\u003cp>But that's exactly why McAnally, who has written with the likes of Kacey Musgraves and Sam Hunt, signed on to \u003cem>Songland\u003c/em> four years ago, without seeing much more than a preliminary concept. Though he's based in Nashville, a town that recognizes the songwriter more than perhaps anywhere on earth, McAnally still was mystified by how low on the totem pole of appreciation they actually are. And in today's climate, where songwriters are now positioned as anonymous faces in the fight for fair compensation against some of the world's most powerful media corporations—Spotify, Google and Amazon, to name a few—McAnally thought that could simply no longer stand.\u003c/p>\n\u003cp>McAnally, Ryan Tedder (lead singer of OneRepublic and Grammy-winning producer for Beyoncé, Adele and Taylor Swift) and Ester Dean (a Grammy-nominated songwriter and producer for Rihanna and Nicki Minaj) comprise the judging panel on \u003cem>Songland\u003c/em>, premiering tonight at 10 p.m. ET. The concept is pretty simple: a songwriter pitches a piece of work they've created to the panel along with a guest artist, from the Jonas Brothers to Meghan Trainor to Kelsea Ballerini, who will then cut and release that song after it's massaged in a workshop setting. On this evening's premiere, piano man John Legend is on deck.\u003c/p>\n\u003cp>Not long into tonight's premiere, Tedder will pose a question to Tebby Burrows, one of the contestants. She's a Bahamian-born songwriter who lives in Miami, and is offering up a message-driven tune called \"We Need Love\" that she hopes Legend will choose. It's a big step up from the usual process of just shuffling a demo tape around—but, again, that's not exactly thrilling television.\u003c/p>\n\u003cp>\"Do you make money as a songwriter?\" Tedder asks her.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The answer, like many in her position, is no. Burrows describes herself as \"a little bit like Clark Kent,\" working a marketing job during the day and gigging at night more for passion than profit. She's likely not alone. It's not easy to make a comfortable, or even passable, living as a songwriter. A first deal at an independent publisher, if a writer is lucky enough to snag one, barely equates to minimum wage, leaving \"successful\" songwriters to find a second revenue stream. Therein lies the rub. \"To be successful, it pretty much has to take 100% of your attention,\" says Abe Stoklasa, a songwriter (Chris Lane's \"Fix,\" Charles Kelly's \"The Driver\") who says his first publishing deal was worth $15,000 a year. And that's with no health insurance, either, which isn't customarily offered to songwriters through their publisher or performance rights organization (\"PRO\") such as ASCAP or BMI.\u003c/p>\n\u003cp>Tedder agrees. Though his finances are no longer a worry, he admits on the premiere of \u003cem>Songland\u003c/em> that he used to work at Pottery Barn, back when he couldn't afford furniture himself. He hopes that \u003cem>Songland\u003c/em> helps songwriters in both direct and indirect ways: that the contestants, even if they don't win their respective episode, can use the visibility to score publishing deals or syncs (where a song is used for film or television), and that the public at large—and even some in the industry—might start to value songwriters as more than just a name on the back of a CD. But even if they do snag a publishing deal, is the path lucrative if their songs don't hit \"Old Town Road\" or \"High Hopes\" proportions?\u003c/p>\n\u003cp>\"If a guy working in the mailroom of Sony comes across the next Beyoncé, he gets more notoriety for discovering that artist than the songwriter that writes the song that becomes that artist's hit,\" says Tedder. \"Not only are we on the bottom of the food chain, the way the payment structure is set up, we get paid the least. And with streaming, that income has dropped drastically.\"\u003c/p>\n\u003cp>Indeed, things have gotten a lot more difficult for songwriters of late. It takes a massive hit for a songwriter to substantially profit from streaming services. And in the past two years, songwriters have been engaging in a score of battles, from lobbying to see the songwriter-focused Music Modernization Act signed into law—which it was, \u003ca href=\"https://www.npr.org/2018/09/19/649611777/a-music-industry-peace-treaty-passes-unanimously-through-congress\">unanimously\u003c/a>, last year—to fighting Spotify, Google, Amazon and SiriusXM/Pandora as they attempt to appeal a 2018 ruling that would \u003ca href=\"https://www.npr.org/2019/04/12/712777873/nile-rodgers-streaming-payments-songwriters-letter-spotify\">substantially increase\u003c/a> songwriter and publisher revenue. Both have been a struggle, in part because songwriters aren't generally celebrities, and it's a lot easier to garner support for a cause when there's a recognizable face at the helm.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kH9b-tBvbNg'\n title='//www.youtube.com/embed/kH9b-tBvbNg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Songwriting used to be a much more lucrative profession before the streaming era, and not just because of royalties. In a singles-centric landscape that is responding to \u003ca href=\"https://www.musicbusinessworldwide.com/us-recorded-music-industry-growth-slowed-in-h1-2018-with-a-dramatic-fall-in-cd-sales/\">rapidly declining\u003c/a> album sales, that means fewer chances for a songwriter to even land a cut to begin with, let alone a radio hit. And with more and more writers collaborating on a track—a Kanye West song can \u003ca href=\"https://www.youtube.com/watch?v=YdA7swZoxks\">have fifteen\u003c/a>—that means a proportionally smaller share of any royalties. \"Back in the day, you could make millions from album cuts, and then just retire to the Bahamas,\" says Tedder. \"You could have the fourth or fifth single on a Maroon 5 record. These days, if you don't have the next single, with a release date in writing, you have nothing. All that to say, it's not an easy time to be a songwriter.\"\u003c/p>\n\u003cp>Dave Stewart of the Eurythmics is one such writer happily (and literally) living in the Bahamas—though retired he is not. Stewart conceived \u003cem>Songland\u003c/em> with Emmy Award-winning producer Audrey Morrissey (\u003cem>The Voice\u003c/em>) and director Ivan Dudynsky, with Maroon 5's Adam Levine as an executive producer. Stewart came up with the seeds of the idea on a trip to Nashville. \"Nashville always stuck to this songwriting thing, and I just thought there should be a show to explore that,\" he says. \"It's not looking behind the curtains. It's like looking behind many curtains.\"\u003c/p>\n\u003cp>Stewart's right—the songwriting world is indeed shrouded in mystery. Truth is, the life of a songwriter is much more regimented than one might imagine, publishing deal or no. \"Most write every day at 11 a.m.,\" says Stoklasa. \"Some do two times a day. When I am super motivated, I am writing five days a week.\" All the while, for many, running a second shift to help pay the bills. \"I worked at night at a nursing home, and then I would go to the studio,\" says Dean.\u003c/p>\n\u003cp>The technicalities of a songwriter's life don't quite make their way onto \u003cem>Songland\u003c/em>, but there is some jargon: Tedder, working with a contestant, talks about the number of beats, and terms like tempo and pre-chorus work their way into the criticism. Tedder wasn't worried that this type of language might scare people off—after all, plenty have learned what a sous-vide is from watching \u003cem>Iron Chef\u003c/em>. \"We know what kind of knife Jiro [Ono] uses to make his sushi, but we don't know Bernie Taupin wrote the lyrics for Elton John,\" says Tedder.\u003c/p>\n\u003cp>On \u003cem>Iron Chef\u003c/em> and the like, however, the goal is to be as creative as possible, to wow the panel with an inspired use of mushroom here, a savvy twist on ice cream there. On most musical competition shows... perhaps not so much. Original material has long been taboo on programs like \u003cem>American Idol—\u003c/em>it occasionally pops in during the audition phase, but it's generally frowned upon in favor of sport-singing successful hits.\u003c/p>\n\u003cp>Catie Offerman, a Nashville-based singer-songwriter, remembers trying out for \u003cem>American Idol\u003c/em> when she was just 15. For the audition, she performed a song she wrote herself.\u003c/p>\n\u003cp>\"When I finished, the judge looked at me said, 'don't ever come back and f****** sing an original song again,'\" she says. \"Honestly, that put everything into perspective for me.\" Offerman is not on \u003cem>Songland\u003c/em>, but she has run the gamut when it comes to reality programming, making it to Hollywood on \u003cem>Idol\u003c/em> years from that first audition but dropping out before she could get any further.\u003c/p>\n\u003cp>\"Talent goes way beyond how many notes someone can sing,\" she says. \"When I watch \u003cem>Idol\u003c/em>, it doesn't speak to me. I would rather turn on a show and see someone who can't sing but has something to say. And having something to say is way more important than hitting a bunch of octaves.\"\u003c/p>\n\u003cp>Without that vocal showboating, does \u003cem>Songland\u003c/em> actually have anything to stand on? Turns out, the process itself is pretty entertaining—but that owes a lot to the panel themselves, and not just the songwriters. It's impressive to see Legend take a song and instantly shift the mood with a slower melody, or to see McAnally, Dean and Tedder make small but insightful snap suggestions that transform a nice tune into a possible hit. Like with most musical competition shows, the judges are the real stars, which falls pretty closely in line with how being a songwriter usually goes: hand the material over, watch it shine in the hands of another and then sit back and wait for your (inconsequential, in the case of streaming) royalties.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"You can be fifth place on the \u003cem>Voice\u003c/em> and still be more famous than the most famous songwriter,\" says Tedder. \"It's time for songwriters to have a voice. We will be a lot harder to ignore once we do.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Life+In+%27Songland%27%3A+The+Reality+Behind+NBC%27s+New+Reality+Show&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/112088/life-in-songland-the-reality-behind-nbcs-new-reality-show","authors":["byline_pop_112088"],"categories":["pop_4","pop_3"],"tags":["pop_3166","pop_3341","pop_3056","pop_88","pop_54","pop_280","pop_3666","pop_3667"],"featImg":"pop_112089","label":"pop"},"pop_105940":{"type":"posts","id":"pop_105940","meta":{"index":"posts_1591205157","site":"pop","id":"105940","score":null,"sort":[1539090988000]},"guestAuthors":[],"slug":"how-millennials-and-chrissy-teigen-are-tearing-up-the-rules","title":"How Millennials (and Chrissy Teigen) Are Tearing Up 'The Rules'","publishDate":1539090988,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>On a recent episode of \u003cem>Watch What Happens Live\u003c/em>, Real Housewife of Orange County \u003ca href=\"https://twitter.com/RHOC_KellyDodd\">Kelly Dodd\u003c/a> was asked if she slept with her current squeeze on the first night. \"No, not at all,\" she said quickly. \"We didn't at all.\" She was contradicted almost immediately by the man in question. \"Just a little bit,\" \u003ca href=\"https://www.linkedin.com/in/frank-acosta-30882917/\">Frank Acosta\u003c/a>, also a guest on the show, blushed.\u003c/p>\n\u003cp>Dodd's jaw dropped and she began vehemently denying it. It was left to third guest, Chrissy Teigen, to calm the madness. \"It's fine,\" she said casually. \"I closed the deal the first [night].\" Teigan then explained in more detail the first day she met (and had sex with) her husband, John Legend.\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=5&v=FT1YO-0VtRg\u003c/p>\n\u003cp>The difference between 42-year-old Dodd and 32-year-old Teigen's approaches to discussing first-night sexual encounters represents a wider generational difference across America. And oh what a difference one decade makes.\u003c/p>\n\u003cp>For many heterosexual American women who came of age in the '90s, like Dodd, there were literal rules to follow when it came to having sex with a new person. \u003ca href=\"https://en.wikipedia.org/wiki/The_Rules\">\u003cem>The Rules\u003c/em> by Ellen Fein and Sherrie Schneider\u003c/a> came out in 1995 and gave single women an extraordinarily harsh set of behavioral restrictions to live by. Feminists were outspoken against the book at the time, and others suggested it was also insulting to men. \u003cem>The Rules\u003c/em> was still a smash hit that sold millions of copies and was translated into 27 languages.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The book's 35 rules are reasonably astonishing to look back on now. Chapter titles include:\u003c/p>\n\u003cul>\n\u003cli>Don't Stare at Men or Talk Too Much\u003c/li>\n\u003cli>Don't Talk to a Man First (and Don't Ask Him to Dance)\u003c/li>\n\u003cli>No More than Casual Kissing on the First Date\u003c/li>\n\u003cli>Don't Rush into Sex and Other Rules for Intimacy\u003c/li>\n\u003cli>Don't Tell Him What to Do\u003c/li>\n\u003cli>Don't Expect a Man to Change or Try to Change Him\u003c/li>\n\u003cli>Be Easy to Live With\u003c/li>\n\u003c/ul>\n\u003cp>In 2001, \u003ca href=\"https://www.theguardian.com/world/2001/mar/27/gender.uk\">Katie Roiphe wrote in \u003cem>The Guardian\u003c/em>\u003c/a>: \"I have noticed \u003cem>The Rules\u003c/em> on all sorts of intelligent people's bookshelves... I have noticed smart women buying it and following its ethos… I have heard educated, liberal women talking about how long to wait before calling a man back, or whether the date should be in her neighbourhood, or how long to wait until sleeping with him, as if there is... some mathematical principle to romantic happiness that she has yet to divine... It is strange that the '50s courtship rituals our mothers fought so hard to get away from should come to be so appealing, so necessary, to a new generation.\"\u003c/p>\n\u003cp>No matter how crazy it seems now, \u003cem>The Rules\u003c/em> really did shape a generation of daters, and, in some corners at least, the old guard is still hanging on. \u003cem>\u003ca href=\"https://www.yourtango.com/201174240/8-modern-dating-rules-every-single-should-know\">Your Tango\u003c/a> \u003c/em>says, \"Don't go all the way. At least not until well after your first date.\" \u003ca href=\"https://www.meetmindful.com/modern-dating-rules/#\">\u003cem>Meet Mindful\u003c/em>\u003c/a> advises, \"Hold the sex.\" \u003cem>\u003ca href=\"https://thoughtcatalog.com/elizabeth-overstreet/2018/02/10-non-negotiable-rules-for-dating-smart-in-2018/\">Thought Catalog\u003c/a> \u003c/em>agrees, \"I advise my female clients to hold out at least past the first date. Give him a chance to get to know you outside the bedroom.\" \u003ca href=\"https://www.muscleandfitness.com/women/dating-advice/the-new-rules-of-dating\">\u003cem>Muscle & Fitness\u003c/em>\u003c/a> even offers some surreptitious slut-shaming: \"She says, 'Let's go to yours.' She means, 'You're sexy, but I probably won't return your calls after we've spent the night together.'\"\u003c/p>\n\u003cp>For the people who came of age in the new Millennium though, attitudes are wildly different. In a dating world dominated by apps, swiping, texting and sexting, \u003cem>The Rules\u003c/em> feels positively Dickensian. Multiple dating websites reflect this. \u003ca href=\"https://www.eharmony.com.au/dating-advice/blog/the-no-rules-rules-of-dating#Q5o3pgcVeA6Pr4rA.99\">Australian eHarmony\u003c/a> has stated outright that\u003cem> The Rules\u003c/em> was \"all about playing hard to get and manipulating to get what you want.\" Earlier this year, \u003ca href=\"https://uk.match.com/pages/advice/dating-guide/dating-advice/20-new-rules-dating-2018\">\u003cem>Match\u003c/em> UK also announced\u003c/a> that \"Waiting rules are dead and gone. The three-day rule? Don’t text immediately after an amazing date? These ancient games are history.\"\u003c/p>\n\u003cp>Women's publications back up that trend, including: \u003ca href=\"https://www.bustle.com/p/9-dating-rules-you-dont-have-to-follow-according-to-love-experts-10212970\">\u003cem>Bustle\u003c/em>\u003c/a> (\"Just as rules should be thrown out the window, so should 'scheduling' when you'll have sex for the first time\"), \u003ca href=\"https://www.cosmopolitan.com/sex-love/advice/g2147/new-dating-rules-for-getting-guys/?slide=4\">\u003cem>Cosmopolitan\u003c/em>\u003c/a> (\"If it doesn't work out, it's not because you hooked up too soon\"), \u003ca href=\"https://shesaid.com/13-dating-rules-need-rethink-2018/\">\u003cem>She Said\u003c/em>\u003c/a> (\"Have sex whenever you damn well please\"), and the \u003ca href=\"https://nypost.com/2017/02/08/youre-doing-it-wrong-10-new-rules-for-dating/\">\u003cem>NY Post\u003c/em> \u003c/a>(\"Old rule: No sex until the third date. New rule: Test out the chemistry as soon as you feel like it.\") One man told \u003ca href=\"https://www.glamour.com/gallery/10-dating-rules-men-wish-you-would-break#2\">\u003cem>Glamour\u003c/em>\u003c/a>: \"If you like us, there is no reason to hold back. If you don't like us, don't sleep with us. When you know, you know.\"\u003c/p>\n\u003cp>There has been such a swift turn around in societal attitudes that the two different schools of thought sometimes find themselves clashing in ways far more dramatic than we saw on \u003cem>Watch What Happens Live\u003c/em>. One episode of \u003cem>The Doctors\u003c/em> last year proved how contentious things could get, when two male panelists fundamentally and passionately disagreed on the topic.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EPsOpqpMrwo\u003c/p>\n\u003cp>In the end, it's pretty obvious which side of this argument is going to win out eventually. Not only does Teigen's successful relationship offer concrete proof that the old rules are nonsense, but Kelly Dodd also relaxed immediately and visibly as soon as Teigen nonchalantly made her first-night admission.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Truthfully, as much as its influence remains, \u003cem>The Rules\u003c/em> came during the last gasp of pre-internet living and, arguably, was probably the last time such unreasonable restrictions could be willingly adopted by so many women. We're still seeing them because old habits die hard and sex-shame is hard to shake off once it's been ingrained. But the internet and rule-free modern dating have made these kinds of vacuums much harder to maintain, and women much harder to control—and that can be nothing but a good thing.\u003c/p>\n\n","blocks":[],"excerpt":"'The Rules' may have dominated dating in the 1990s, but in 2018, no rules is the only rule. ","status":"publish","parent":0,"modified":1539111526,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":1000},"headData":{"title":"How Millennials (and Chrissy Teigen) Are Tearing Up 'The Rules' | KQED","description":"'The Rules' may have dominated dating in the 1990s, but in 2018, no rules is the only rule. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Millennials (and Chrissy Teigen) Are Tearing Up 'The Rules'","datePublished":"2018-10-09T13:16:28.000Z","dateModified":"2018-10-09T18:58:46.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"105940 https://ww2.kqed.org/pop/?p=105940","disqusUrl":"https://ww2.kqed.org/pop/2018/10/09/how-millennials-and-chrissy-teigen-are-tearing-up-the-rules/","disqusTitle":"How Millennials (and Chrissy Teigen) Are Tearing Up 'The Rules'","path":"/pop/105940/how-millennials-and-chrissy-teigen-are-tearing-up-the-rules","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On a recent episode of \u003cem>Watch What Happens Live\u003c/em>, Real Housewife of Orange County \u003ca href=\"https://twitter.com/RHOC_KellyDodd\">Kelly Dodd\u003c/a> was asked if she slept with her current squeeze on the first night. \"No, not at all,\" she said quickly. \"We didn't at all.\" She was contradicted almost immediately by the man in question. \"Just a little bit,\" \u003ca href=\"https://www.linkedin.com/in/frank-acosta-30882917/\">Frank Acosta\u003c/a>, also a guest on the show, blushed.\u003c/p>\n\u003cp>Dodd's jaw dropped and she began vehemently denying it. It was left to third guest, Chrissy Teigen, to calm the madness. \"It's fine,\" she said casually. \"I closed the deal the first [night].\" Teigan then explained in more detail the first day she met (and had sex with) her husband, John Legend.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FT1YO-0VtRg'\n title='//www.youtube.com/embed/FT1YO-0VtRg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The difference between 42-year-old Dodd and 32-year-old Teigen's approaches to discussing first-night sexual encounters represents a wider generational difference across America. And oh what a difference one decade makes.\u003c/p>\n\u003cp>For many heterosexual American women who came of age in the '90s, like Dodd, there were literal rules to follow when it came to having sex with a new person. \u003ca href=\"https://en.wikipedia.org/wiki/The_Rules\">\u003cem>The Rules\u003c/em> by Ellen Fein and Sherrie Schneider\u003c/a> came out in 1995 and gave single women an extraordinarily harsh set of behavioral restrictions to live by. Feminists were outspoken against the book at the time, and others suggested it was also insulting to men. \u003cem>The Rules\u003c/em> was still a smash hit that sold millions of copies and was translated into 27 languages.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The book's 35 rules are reasonably astonishing to look back on now. Chapter titles include:\u003c/p>\n\u003cul>\n\u003cli>Don't Stare at Men or Talk Too Much\u003c/li>\n\u003cli>Don't Talk to a Man First (and Don't Ask Him to Dance)\u003c/li>\n\u003cli>No More than Casual Kissing on the First Date\u003c/li>\n\u003cli>Don't Rush into Sex and Other Rules for Intimacy\u003c/li>\n\u003cli>Don't Tell Him What to Do\u003c/li>\n\u003cli>Don't Expect a Man to Change or Try to Change Him\u003c/li>\n\u003cli>Be Easy to Live With\u003c/li>\n\u003c/ul>\n\u003cp>In 2001, \u003ca href=\"https://www.theguardian.com/world/2001/mar/27/gender.uk\">Katie Roiphe wrote in \u003cem>The Guardian\u003c/em>\u003c/a>: \"I have noticed \u003cem>The Rules\u003c/em> on all sorts of intelligent people's bookshelves... I have noticed smart women buying it and following its ethos… I have heard educated, liberal women talking about how long to wait before calling a man back, or whether the date should be in her neighbourhood, or how long to wait until sleeping with him, as if there is... some mathematical principle to romantic happiness that she has yet to divine... It is strange that the '50s courtship rituals our mothers fought so hard to get away from should come to be so appealing, so necessary, to a new generation.\"\u003c/p>\n\u003cp>No matter how crazy it seems now, \u003cem>The Rules\u003c/em> really did shape a generation of daters, and, in some corners at least, the old guard is still hanging on. \u003cem>\u003ca href=\"https://www.yourtango.com/201174240/8-modern-dating-rules-every-single-should-know\">Your Tango\u003c/a> \u003c/em>says, \"Don't go all the way. At least not until well after your first date.\" \u003ca href=\"https://www.meetmindful.com/modern-dating-rules/#\">\u003cem>Meet Mindful\u003c/em>\u003c/a> advises, \"Hold the sex.\" \u003cem>\u003ca href=\"https://thoughtcatalog.com/elizabeth-overstreet/2018/02/10-non-negotiable-rules-for-dating-smart-in-2018/\">Thought Catalog\u003c/a> \u003c/em>agrees, \"I advise my female clients to hold out at least past the first date. Give him a chance to get to know you outside the bedroom.\" \u003ca href=\"https://www.muscleandfitness.com/women/dating-advice/the-new-rules-of-dating\">\u003cem>Muscle & Fitness\u003c/em>\u003c/a> even offers some surreptitious slut-shaming: \"She says, 'Let's go to yours.' She means, 'You're sexy, but I probably won't return your calls after we've spent the night together.'\"\u003c/p>\n\u003cp>For the people who came of age in the new Millennium though, attitudes are wildly different. In a dating world dominated by apps, swiping, texting and sexting, \u003cem>The Rules\u003c/em> feels positively Dickensian. Multiple dating websites reflect this. \u003ca href=\"https://www.eharmony.com.au/dating-advice/blog/the-no-rules-rules-of-dating#Q5o3pgcVeA6Pr4rA.99\">Australian eHarmony\u003c/a> has stated outright that\u003cem> The Rules\u003c/em> was \"all about playing hard to get and manipulating to get what you want.\" Earlier this year, \u003ca href=\"https://uk.match.com/pages/advice/dating-guide/dating-advice/20-new-rules-dating-2018\">\u003cem>Match\u003c/em> UK also announced\u003c/a> that \"Waiting rules are dead and gone. The three-day rule? Don’t text immediately after an amazing date? These ancient games are history.\"\u003c/p>\n\u003cp>Women's publications back up that trend, including: \u003ca href=\"https://www.bustle.com/p/9-dating-rules-you-dont-have-to-follow-according-to-love-experts-10212970\">\u003cem>Bustle\u003c/em>\u003c/a> (\"Just as rules should be thrown out the window, so should 'scheduling' when you'll have sex for the first time\"), \u003ca href=\"https://www.cosmopolitan.com/sex-love/advice/g2147/new-dating-rules-for-getting-guys/?slide=4\">\u003cem>Cosmopolitan\u003c/em>\u003c/a> (\"If it doesn't work out, it's not because you hooked up too soon\"), \u003ca href=\"https://shesaid.com/13-dating-rules-need-rethink-2018/\">\u003cem>She Said\u003c/em>\u003c/a> (\"Have sex whenever you damn well please\"), and the \u003ca href=\"https://nypost.com/2017/02/08/youre-doing-it-wrong-10-new-rules-for-dating/\">\u003cem>NY Post\u003c/em> \u003c/a>(\"Old rule: No sex until the third date. New rule: Test out the chemistry as soon as you feel like it.\") One man told \u003ca href=\"https://www.glamour.com/gallery/10-dating-rules-men-wish-you-would-break#2\">\u003cem>Glamour\u003c/em>\u003c/a>: \"If you like us, there is no reason to hold back. If you don't like us, don't sleep with us. When you know, you know.\"\u003c/p>\n\u003cp>There has been such a swift turn around in societal attitudes that the two different schools of thought sometimes find themselves clashing in ways far more dramatic than we saw on \u003cem>Watch What Happens Live\u003c/em>. One episode of \u003cem>The Doctors\u003c/em> last year proved how contentious things could get, when two male panelists fundamentally and passionately disagreed on the topic.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EPsOpqpMrwo'\n title='//www.youtube.com/embed/EPsOpqpMrwo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the end, it's pretty obvious which side of this argument is going to win out eventually. Not only does Teigen's successful relationship offer concrete proof that the old rules are nonsense, but Kelly Dodd also relaxed immediately and visibly as soon as Teigen nonchalantly made her first-night admission.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Truthfully, as much as its influence remains, \u003cem>The Rules\u003c/em> came during the last gasp of pre-internet living and, arguably, was probably the last time such unreasonable restrictions could be willingly adopted by so many women. We're still seeing them because old habits die hard and sex-shame is hard to shake off once it's been ingrained. But the internet and rule-free modern dating have made these kinds of vacuums much harder to maintain, and women much harder to control—and that can be nothing but a good thing.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/105940/how-millennials-and-chrissy-teigen-are-tearing-up-the-rules","authors":["11242"],"categories":["pop_1041"],"tags":["pop_3014","pop_159","pop_3056","pop_160"],"featImg":"pop_105972","label":"pop"},"pop_96119":{"type":"posts","id":"pop_96119","meta":{"index":"posts_1591205157","site":"pop","id":"96119","score":null,"sort":[1505332035000]},"guestAuthors":[],"slug":"chrissy-teigen-should-have-a-reality-show-just-about-tweeting","title":"Chrissy Teigen Should Have a Reality Show Just About Tweeting","publishDate":1505332035,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Chrissy Teigen is an exceptional model. She's beautiful, memorable, and has a persona that somehow manages to capture alluring sensuality and girl-next-door innocence simultaneously. Because of the popularity and appeal that's followed since the 2010 \u003cem>Sports Illustrated\u003c/em> shoot that turned her into a star, people have been giving Chrissy Teigen jobs on television. Unfortunately, she has come across poorly in almost all of them.\u003c/p>\n\u003cp>The pinnacle of this was the Billboard Music Awards in 2015. Teigen hosted the show alongside Ludacris and spent the entire evening making gratuitous references to her husband, John Legend, in a self-conscious manner that suggested she had no personality outside of being attached to his. The evening started with her introducing herself in a way that denigrated her own achievements, with the phrase: “I bang a musician.” As the show moved along, things did not improve.\u003c/p>\n\u003cp>The following year, Teigen joined Spike TV’s \u003cem>Lip Sync Battle\u003c/em> as a \u003ca href=\"https://en.wikipedia.org/wiki/Color_commentator\">“color commentator.”\u003c/a> In actuality, she stayed almost entirely silent for the first season of the show, trapped in a DJ booth that she clearly wasn’t operating. Mostly she stood around, waved her arms in the air, laughed like she may or may not pee her pants, and mimed along in a manner that, frankly, distracted from the main event. Though Chrissy Teigen’s role on the show has since \u003ca href=\"https://www.youtube.com/watch?v=F4SOYekJV9w\">improved\u003c/a>, at the start, she was left to her own devices and was, quite clearly, lost. Social media wondered aloud and repeatedly what she was even doing there.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=y8qoYyJQ5V0\u003c/p>\n\u003cp>Based on Teigen’s TV roles so far, it’s been easy to assume that she’s a person that desperately wants to be wacky and fun and self-deprecating, but doesn’t actually have the personality to pull it off. For a little while there, the woman we all desperately wanted to be more than a pretty face seemed very much like she might actually just be a pretty face.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That was until Teigen embraced \u003ca href=\"https://twitter.com/chrissyteigen?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Twitter\u003c/a> with both thumbs and ran with it.\u003c/p>\n\u003cp>Sure, she’s always had her moments. In 2014, we got a flash of what was to come when Teigen tweeted this:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/511973456385409024?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fwww.whowhatwear.com%2Fchrissy-teigen-twitter\u003c/p>\n\u003cp>That same year produced this classic:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/504427837487456256?lang=en\u003c/p>\n\u003cp>Since 2016 though, Chrissy Teigen has turned into one of the most entertaining celebrities on social media, thanks to her unfiltered observations, knack for defending fellow celebrities, clapping back at critics in a manner that can only be described as DGAF, and making herself vulnerable in the hopes of making other women feel less alone.\u003c/p>\n\u003cp>When the public pries into her and Legend’s fertility issues, she makes no effort to bite her tongue if the question is frustrating and/ or judgey. After Teigen revealed she was undergoing IVF treatment, this happened:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM.png\">\u003cimg class=\"aligncenter size-full wp-image-96127\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM.png\" alt=\"\" width=\"638\" height=\"403\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM.png 638w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-160x101.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-240x152.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-375x237.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-520x328.png 520w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003c/a>\u003c/p>\n\u003cp>When people kept posting photos of babies that “look more like John Legend than John Legend looks like John Legend,” Teigen got bored really quickly and shut that noise down:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/882045839576711168?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2F%3Fp%3D96119\u003c/p>\n\u003cp>A few months after Kanye West \u003ca href=\"https://twitter.com/mryeezuswest/status/690702515013156864?lang=en\">tweeted\u003c/a> that his “biggest regret” was that he’d “never be able to see [him]self perform live,” Teigen seemed to be making fun, when she posted:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/757309915580993537?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fwww.buzzfeed.com%2Fkristinharris%2Ftimes-chrissy-teigens-twitter-was-truly-a-gift-to-univers\u003c/p>\n\u003cp>In 2017, Teigen’s social media use is now so prolific that, if her Twitter account was a TV show, it would be worthy of at least a weekly hour-long spot. What’s more, nothing about it would be boring. To give you some idea of the entertainment value involved in the last two weeks alone, Teigen has gifted us the following:\u003c/p>\n\u003cp>1. A brief analysis of 1984 horror classic, \u003cem>Children of the Corn\u003c/em>, that included this gem:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/906375038344994816?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2F%3Fp%3D96119\u003c/p>\n\u003cp>2. A moment-by-moment reaction to a naked British dating show, which culminated in an incident involving room service and Teigen pretending to watch tennis:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/907001818881970176?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2F%3Fp%3D96119\u003c/p>\n\u003cp>3. The most succinct complaint about the constraints of motherhood ever:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96124 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM.png\" alt=\"\" width=\"637\" height=\"338\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM.png 637w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-160x85.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-240x127.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-375x199.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-520x276.png 520w\" sizes=\"(max-width: 637px) 100vw, 637px\">\u003c/p>\n\u003cp>4. Humorous takes on awkward situations:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/907017978956349441\u003c/p>\n\u003cp>5. Just your average, every day interactions with fellow Twitter users:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96123 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM.png\" alt=\"\" width=\"636\" height=\"305\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM.png 636w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-160x77.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-240x115.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-375x180.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-520x249.png 520w\" sizes=\"(max-width: 636px) 100vw, 636px\">\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96125 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM.png\" alt=\"\" width=\"639\" height=\"240\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM.png 639w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-160x60.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-240x90.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-375x141.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-520x195.png 520w\" sizes=\"(max-width: 639px) 100vw, 639px\">\u003c/p>\n\u003cp>6. Political commentary/ Things most of the nation is thinking:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96126 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM.png\" alt=\"\" width=\"637\" height=\"384\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM.png 637w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-160x96.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-240x145.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-375x226.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-520x313.png 520w\" sizes=\"(max-width: 637px) 100vw, 637px\">\u003c/p>\n\u003cp>7. Excellently curated re-Tweets:\u003c/p>\n\u003cp>https://twitter.com/neilsmiles/status/905536585915084801?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2F%3Fp%3D96119\u003c/p>\n\u003cp>8. And a surprisingly dark sense of humor:\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/904203470223245312?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2F%3Fp%3D96119\u003c/p>\n\u003cp>The days when Teigen and Legend team up online are particularly special. One day they got into it with Piers Morgan on Twitter, and the exchange looked like this:\u003c/p>\n\u003cp>https://twitter.com/piersmorgan/status/739398008257810432?lang=en\u003c/p>\n\u003cp>https://twitter.com/johnlegend/status/739517340098793472\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/739579610392723456\u003c/p>\n\u003cp>https://twitter.com/piersmorgan/status/739705663111204864\u003c/p>\n\u003cp>https://twitter.com/chrissyteigen/status/739706201647108097\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>While Teigen’s \u003ca href=\"https://www.amazon.com/Cravings-Recipes-All-Food-Want/dp/1101903910\">\u003cem>Cravings\u003c/em>\u003c/a> was the second best selling cookbook of 2016, Twitter remains the only form of media that has thus far been able to truly reflect her wit, smarts, and fiery personality. If someone could figure out a way to share that with the world, she’d finally have a TV format that worked for her.\u003c/p>\n\n","blocks":[],"excerpt":"The model has never found the right role on TV, but her Twitter account is non-stop entertainment.","status":"publish","parent":0,"modified":1505332035,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":1026},"headData":{"title":"Chrissy Teigen Should Have a Reality Show Just About Tweeting | KQED","description":"The model has never found the right role on TV, but her Twitter account is non-stop entertainment.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Chrissy Teigen Should Have a Reality Show Just About Tweeting","datePublished":"2017-09-13T19:47:15.000Z","dateModified":"2017-09-13T19:47:15.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"96119 https://ww2.kqed.org/pop/?p=96119","disqusUrl":"https://ww2.kqed.org/pop/2017/09/13/chrissy-teigen-should-have-a-reality-show-just-about-tweeting/","disqusTitle":"Chrissy Teigen Should Have a Reality Show Just About Tweeting","path":"/pop/96119/chrissy-teigen-should-have-a-reality-show-just-about-tweeting","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chrissy Teigen is an exceptional model. She's beautiful, memorable, and has a persona that somehow manages to capture alluring sensuality and girl-next-door innocence simultaneously. Because of the popularity and appeal that's followed since the 2010 \u003cem>Sports Illustrated\u003c/em> shoot that turned her into a star, people have been giving Chrissy Teigen jobs on television. Unfortunately, she has come across poorly in almost all of them.\u003c/p>\n\u003cp>The pinnacle of this was the Billboard Music Awards in 2015. Teigen hosted the show alongside Ludacris and spent the entire evening making gratuitous references to her husband, John Legend, in a self-conscious manner that suggested she had no personality outside of being attached to his. The evening started with her introducing herself in a way that denigrated her own achievements, with the phrase: “I bang a musician.” As the show moved along, things did not improve.\u003c/p>\n\u003cp>The following year, Teigen joined Spike TV’s \u003cem>Lip Sync Battle\u003c/em> as a \u003ca href=\"https://en.wikipedia.org/wiki/Color_commentator\">“color commentator.”\u003c/a> In actuality, she stayed almost entirely silent for the first season of the show, trapped in a DJ booth that she clearly wasn’t operating. Mostly she stood around, waved her arms in the air, laughed like she may or may not pee her pants, and mimed along in a manner that, frankly, distracted from the main event. Though Chrissy Teigen’s role on the show has since \u003ca href=\"https://www.youtube.com/watch?v=F4SOYekJV9w\">improved\u003c/a>, at the start, she was left to her own devices and was, quite clearly, lost. Social media wondered aloud and repeatedly what she was even doing there.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/y8qoYyJQ5V0'\n title='//www.youtube.com/embed/y8qoYyJQ5V0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Based on Teigen’s TV roles so far, it’s been easy to assume that she’s a person that desperately wants to be wacky and fun and self-deprecating, but doesn’t actually have the personality to pull it off. For a little while there, the woman we all desperately wanted to be more than a pretty face seemed very much like she might actually just be a pretty face.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That was until Teigen embraced \u003ca href=\"https://twitter.com/chrissyteigen?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Twitter\u003c/a> with both thumbs and ran with it.\u003c/p>\n\u003cp>Sure, she’s always had her moments. In 2014, we got a flash of what was to come when Teigen tweeted this:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"511973456385409024"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>That same year produced this classic:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"504427837487456256"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Since 2016 though, Chrissy Teigen has turned into one of the most entertaining celebrities on social media, thanks to her unfiltered observations, knack for defending fellow celebrities, clapping back at critics in a manner that can only be described as DGAF, and making herself vulnerable in the hopes of making other women feel less alone.\u003c/p>\n\u003cp>When the public pries into her and Legend’s fertility issues, she makes no effort to bite her tongue if the question is frustrating and/ or judgey. After Teigen revealed she was undergoing IVF treatment, this happened:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM.png\">\u003cimg class=\"aligncenter size-full wp-image-96127\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM.png\" alt=\"\" width=\"638\" height=\"403\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM.png 638w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-160x101.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-240x152.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-375x237.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.33.46-PM-520x328.png 520w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003c/a>\u003c/p>\n\u003cp>When people kept posting photos of babies that “look more like John Legend than John Legend looks like John Legend,” Teigen got bored really quickly and shut that noise down:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"882045839576711168"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>A few months after Kanye West \u003ca href=\"https://twitter.com/mryeezuswest/status/690702515013156864?lang=en\">tweeted\u003c/a> that his “biggest regret” was that he’d “never be able to see [him]self perform live,” Teigen seemed to be making fun, when she posted:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"757309915580993537"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In 2017, Teigen’s social media use is now so prolific that, if her Twitter account was a TV show, it would be worthy of at least a weekly hour-long spot. What’s more, nothing about it would be boring. To give you some idea of the entertainment value involved in the last two weeks alone, Teigen has gifted us the following:\u003c/p>\n\u003cp>1. A brief analysis of 1984 horror classic, \u003cem>Children of the Corn\u003c/em>, that included this gem:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"906375038344994816"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>2. A moment-by-moment reaction to a naked British dating show, which culminated in an incident involving room service and Teigen pretending to watch tennis:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"907001818881970176"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>3. The most succinct complaint about the constraints of motherhood ever:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96124 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM.png\" alt=\"\" width=\"637\" height=\"338\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM.png 637w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-160x85.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-240x127.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-375x199.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.25.01-PM-520x276.png 520w\" sizes=\"(max-width: 637px) 100vw, 637px\">\u003c/p>\n\u003cp>4. Humorous takes on awkward situations:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"907017978956349441"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>5. Just your average, every day interactions with fellow Twitter users:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96123 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM.png\" alt=\"\" width=\"636\" height=\"305\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM.png 636w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-160x77.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-240x115.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-375x180.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.23.49-PM-520x249.png 520w\" sizes=\"(max-width: 636px) 100vw, 636px\">\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96125 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM.png\" alt=\"\" width=\"639\" height=\"240\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM.png 639w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-160x60.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-240x90.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-375x141.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.26.46-PM-520x195.png 520w\" sizes=\"(max-width: 639px) 100vw, 639px\">\u003c/p>\n\u003cp>6. Political commentary/ Things most of the nation is thinking:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-96126 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM.png\" alt=\"\" width=\"637\" height=\"384\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM.png 637w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-160x96.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-240x145.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-375x226.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/09/Screen-Shot-2017-09-12-at-2.28.45-PM-520x313.png 520w\" sizes=\"(max-width: 637px) 100vw, 637px\">\u003c/p>\n\u003cp>7. Excellently curated re-Tweets:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"905536585915084801"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>8. And a surprisingly dark sense of humor:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"904203470223245312"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The days when Teigen and Legend team up online are particularly special. One day they got into it with Piers Morgan on Twitter, and the exchange looked like this:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"739398008257810432"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"739517340098793472"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"739579610392723456"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"739705663111204864"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"739706201647108097"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>While Teigen’s \u003ca href=\"https://www.amazon.com/Cravings-Recipes-All-Food-Want/dp/1101903910\">\u003cem>Cravings\u003c/em>\u003c/a> was the second best selling cookbook of 2016, Twitter remains the only form of media that has thus far been able to truly reflect her wit, smarts, and fiery personality. If someone could figure out a way to share that with the world, she’d finally have a TV format that worked for her.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/96119/chrissy-teigen-should-have-a-reality-show-just-about-tweeting","authors":["11242"],"categories":["pop_7"],"tags":["pop_3014","pop_3056","pop_1486","pop_245"],"featImg":"pop_96167","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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