Cambodian-American singer Bochan was born Phnom Penh and grew up in Oakland.
Cambodia was a pretty cool place to be in the 1960s and early '70s. Psychedelic rock music was introduced to the country by North American soldiers during the Vietnam War. But when the communist Khmer Rouge took over the country in 1975, they killed all the singers and banned music (and books and dancing and poetry and pretty much anything fun or intellectually stimulating). Not surprisingly, many fled the country to avoid execution, but they still hold onto those rock songs as memories of better times.
Like Bochan Huy and her family. Bochan, now 33 and a singer in Oakland, almost died before coming to the U.S. She says her family fled Cambodia as refugees in 1980. They had to cross the jungle to the Thai border in the middle of the night, while dodging bullets from Vietnamese troops. Bochan's mom, Sein Huy, says Bochan was one month at all the time.
Bochan family in the 1980s. Bochan is sitting to the right of her father.
"I had to cover her mouth because she cry, she’s a baby," Bochan's mom remembers. "And we don’t want any noise while we try to escape. That’s why she became really sick when we get to the camp. Even to dream I don’t really want to dream about it, it’s really hard."
Bochan's family eventually made their way to Oakland and, all through their transition time, Bochan's dad would have a guitar in hand, playing the psychedelic rock music of his youth.
Bochan's dad was an accountant by trade, but he always played guitar or sang in a band. Like in 1987, when they were living in Denver, he recorded the song "Hello-Hi" (which is totally amazing):
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Bochan eventually joined her father's band as a singer, and her brother played keyboards. They'd play at weddings, birthdays, community events... anywhere Cambodians gathered. Bochan would sing cover songs of American classics, and someone else would sing the Cambodian songs. But they would never try to mix the Cambodian songs with the English ones or change any of the music up really. Bochan says people were comfortable with those familiar songs.
Bochan started her career as a singer in her father's band.
"If I came and sang one of my own songs, I would definitely have a lot of blank stares coming back at me," said Bochan.
Soon after Bochan finished high school, her dad got sick with liver cancer and passed away. Bochan decided to make the leap and release her own solo album in honor of her father. The album, called "Full Moon Monday," is a blend of hip hop, soul music, and the classic Cambodian rock that Bochan grew up with, like the song "I Am 16."
Here's how that song originally sounded, when it was sung by Cambodian singer Ros Sereysothea in the 1970s:
Bochan says Ros Sereysothea was extremely famous and at the height of her career before the Khmer Rouge took over and began a genocide, killing her and most other singers and intellectuals. That's why holding onto the music was so important for the Cambodian diaspora. Bochan says the problem was that songs like "I Am 16" was all her family ever played.
Bochan wanted to cover "I Am 16" on her first album, but she wanted to do it differently and create new memories with the song. Here's how it turned out (warning...there's an ad before the song, but it's a great song and equally great music video):
The song features local hip hop artist Raashan Ahmad. Bochan says she wanted it to appeal to the Cambodian youth born raised in the Bay Area.
"To put hip hop to it, to give them something familiar, where they can connect to it, that closes the generation gap between the first generation and second generation Cambodian refugees," Bochan says.
Bochan's song "Believe" looks at the struggles of refugee families. She wrote they lyrics after working as a counselor for at-risk Cambodian kids. Bochan says unlike her own family, who were educated in Cambodia’s capital city, she was working with Cambodian refugees who came from poor, rural villages. Parents would often be illiterate in the own language and unable to thrive in urban environments like Oakland.
"We’re looking at immigrant families where the parents don’t speak English and the kids," Bochan says. "So now there’s a discord between mom and dad. There’s already a culture gap, a generation gap, right? And now you don’t have the one thing to keep the family together: language."
Bochan is coming out with a new EP this year. It's a blend of dance music, jazz, funk, but it also includes a cover of one of her dad's songs from the 1980s. It's pretty much a mash-up of Bochan's two cultures. Bochan says she wouldn't do it any other way because her dad always used to tell her that, as a Cambodian raised in American, she gets to create her own music and her own identity.
(Photo Credit: Health Orchard)
"I get to choose my own culture. And in doing so I get to choose the best of both worlds, is what he used to say. There are wonderful things about American culture, and there are things that aren't so great about American culture. And the same goes for Cambodian culture. And those words always stuck with me because I think that’s what it means to be Cambodian-American. Here I am, I have lived and chosen the best of both worlds."
Bochan will be performing in San Francisco this Saturday at the Ninth Annual Asian Heritage Street Celebration. Her music video for "I Am 16" will be screened as part of the celebration at the Asian Art Museum on Saturday, May 18th at 2:09 pm and again at 3:09 pm.
You can listen to our interview with Bochan here:
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"disqusTitle": "Cambodian-American Singer Fuses Khmer Classics with Oakland Beats",
"title": "Cambodian-American Singer Fuses Khmer Classics with Oakland Beats",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_457\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003ca href=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/bo-apsara.jpg\">\u003cimg class=\"size-full wp-image-457\" src=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/bo-apsara.jpg\" alt=\"Cambodian-American singer Bochan grew up in Oakland.\" width=\"720\" height=\"405\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cambodian-American singer Bochan was born Phnom Penh and grew up in Oakland.\u003c/figcaption>\u003c/figure>\n\u003cp>Cambodia was a pretty cool place to be in the 1960s and early '70s. Psychedelic rock music was introduced to the country by North American soldiers during the Vietnam War. But when the communist \u003ca href=\"http://en.wikipedia.org/wiki/Khmer_Rouge\" target=\"_blank\">Khmer Rouge\u003c/a> took over the country in 1975, they killed all the singers and banned music (and books and dancing and poetry and pretty much anything fun or intellectually stimulating). Not surprisingly, many fled the country to avoid execution, but they still hold onto those rock songs as memories of better times.\u003c/p>\n\u003cp>Like \u003ca href=\"https://www.facebook.com/bochanmusic\" target=\"_blank\">Bochan Huy\u003c/a> and her family. Bochan, now 33 and a singer in Oakland, almost died before coming to the U.S. She says her family fled Cambodia as refugees in 1980. They had to cross the jungle to the Thai border in the middle of the night, while dodging bullets from Vietnamese troops. Bochan's mom, Sein Huy, says Bochan was one month at all the time.\u003c/p>\n\u003cfigure id=\"attachment_466\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-family.jpeg\">\u003cimg class=\"size-medium wp-image-466\" src=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-family-300x203.jpeg\" alt=\"Bochan's family in the 1980s. Bochan is sitting to the right of her father.\" width=\"300\" height=\"203\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bochan family in the 1980s. Bochan is sitting to the right of her father.\u003c/figcaption>\u003c/figure>\n\u003cp>\"I had to cover her mouth because she cry, she’s a baby,\" Bochan's mom remembers. \"And we don’t want any noise while we try to escape. That’s why she became really sick when we get to the camp. Even to dream I don’t really want to dream about it, it’s really hard.\"\u003c/p>\n\u003cp>Bochan's family eventually made their way to Oakland and, all through their transition time, Bochan's dad would have a guitar in hand, playing the psychedelic rock music of his youth.\u003c/p>\n\u003cp>Bochan's dad was an accountant by trade, but he \u003cem>always\u003c/em> played guitar or sang in a band. Like in 1987, when they were living in Denver, he recorded the song \"Hello-Hi\" (which is totally amazing):\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe src=\"http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F92189780&show_artwork=true\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\">\u003c/iframe>\u003c/p>\n\u003cp>Bochan eventually joined her father's band as a singer, and her brother played keyboards. They'd play at weddings, birthdays, community events... anywhere Cambodians gathered. Bochan would sing cover songs of American classics, and someone else would sing the Cambodian songs. But they would never try to mix the Cambodian songs with the English ones or change any of the music up really. Bochan says people were comfortable with those familiar songs.\u003c/p>\n\u003cfigure id=\"attachment_458\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-her-dad2.jpg\">\u003cimg class=\"size-medium wp-image-458 \" src=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-her-dad2-300x199.jpg\" alt=\"Bochan started her career as a singer in her father's band.\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bochan started her career as a singer in her father's band.\u003c/figcaption>\u003c/figure>\n\u003cp>\"If I came and sang one of my own songs, I would definitely have a lot of blank stares coming back at me,\" said Bochan.\u003c/p>\n\u003cp>Soon after Bochan finished high school, her dad got sick with liver cancer and passed away. Bochan decided to make the leap and release her own solo album in honor of her father. The album, called \"\u003ca href=\"http://bochan.bandcamp.com/album/full-monday-moon\" target=\"_blank\">Full Moon Monday\u003c/a>,\" is a blend of hip hop, soul music, and the classic Cambodian rock that Bochan grew up with, like the song \"I Am 16.\"\u003c/p>\n\u003cp>Here's how that song originally sounded, when it was sung by Cambodian singer Ros Sereysothea in the 1970s:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=t68OY5NWWak?rel=0&w=420&h=315]\u003c/p>\n\u003cp>Bochan says Ros Sereysothea was extremely famous and at the height of her career before the Khmer Rouge took over and began a genocide, killing her and most other singers and intellectuals. That's why holding onto the music was so important for the Cambodian diaspora. Bochan says the problem was that songs like \"I Am 16\" was all her family ever played.\u003c/p>\n\u003cp>Bochan wanted to cover \"I Am 16\" on her first album, but she wanted to do it differently and create new memories with the song. Here's how it turned out (warning...there's an ad before the song, but it's a great song and equally great music video):\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=HohyllfineM?rel=0&w=560&h=315]\u003c/p>\n\u003cp>The song features local hip hop artist \u003ca href=\"http://raashan.net/\" target=\"_blank\">Raashan Ahmad\u003c/a>. Bochan says she wanted it to appeal to the Cambodian youth born raised in the Bay Area.\u003c/p>\n\u003cp>\"To put hip hop to it, to give them something familiar, where they can connect to it, that closes the generation gap between the first generation and second generation Cambodian refugees,\" Bochan says.\u003c/p>\n\u003cp>Bochan's song \"Believe\" looks at the struggles of refugee families. She wrote they lyrics after working as a counselor for at-risk Cambodian kids. Bochan says unlike her own family, who were educated in Cambodia’s capital city, she was working with Cambodian refugees who came from poor, rural villages. Parents would often be illiterate in the own language and unable to thrive in urban environments like Oakland.\u003c/p>\n\u003cp>\u003ciframe src=\"http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F60376705&show_artwork=true\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\">\u003c/iframe>\u003c/p>\n\u003cp>\"We’re looking at immigrant families where the parents don’t speak English and the kids,\" Bochan says. \"So now there’s a discord between mom and dad. There’s already a culture gap, a generation gap, right? And now you don’t have the one thing to keep the family together: language.\"\u003c/p>\n\u003cp>Bochan is coming out with a new EP this year. It's a blend of dance music, jazz, funk, but it also includes a cover of one of her dad's songs from the 1980s. It's pretty much a mash-up of Bochan's two cultures. Bochan says she wouldn't do it any other way because her dad always used to tell her that, as a Cambodian raised in American, she gets to create her own music and her own identity.\u003c/p>\n\u003cfigure id=\"attachment_4847\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/bo-sf-CREDIT-HeathOrchard.jpg\">\u003cimg class=\"size-medium wp-image-4847\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/bo-sf-CREDIT-HeathOrchard-300x199.jpg\" alt=\"(Photo Credit: Health Orchard)\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Photo Credit: Health Orchard)\u003c/figcaption>\u003c/figure>\n\u003cp>\"I get to choose my own culture. And in doing so I get to choose the best of both worlds, is what he used to say. There are wonderful things about American culture, and there are things that aren't so great about American culture. And the same goes for Cambodian culture. And those words always stuck with me because I think that’s what it means to be Cambodian-American. Here I am, I have lived and chosen the best of both worlds.\"\u003c/p>\n\u003cp>Bochan will be performing in San Francisco this Saturday at the \u003ca href=\"http://asianfairsf.com/activities/ahsc-cinema-showcase/\" target=\"_blank\">Ninth Annual Asian Heritage Street Celebration\u003c/a>. Her music video for \"I Am 16\" will be screened as part of the celebration at the Asian Art Museum on Saturday, May 18th at 2:09 pm and again at 3:09 pm.\u003c/p>\n\u003cp>You can listen to our interview with Bochan here: \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[soundcloud url=\"http://api.soundcloud.com/tracks/92345937\" params=\"\" width=\" 100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_457\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003ca href=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/bo-apsara.jpg\">\u003cimg class=\"size-full wp-image-457\" src=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/bo-apsara.jpg\" alt=\"Cambodian-American singer Bochan grew up in Oakland.\" width=\"720\" height=\"405\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cambodian-American singer Bochan was born Phnom Penh and grew up in Oakland.\u003c/figcaption>\u003c/figure>\n\u003cp>Cambodia was a pretty cool place to be in the 1960s and early '70s. Psychedelic rock music was introduced to the country by North American soldiers during the Vietnam War. But when the communist \u003ca href=\"http://en.wikipedia.org/wiki/Khmer_Rouge\" target=\"_blank\">Khmer Rouge\u003c/a> took over the country in 1975, they killed all the singers and banned music (and books and dancing and poetry and pretty much anything fun or intellectually stimulating). Not surprisingly, many fled the country to avoid execution, but they still hold onto those rock songs as memories of better times.\u003c/p>\n\u003cp>Like \u003ca href=\"https://www.facebook.com/bochanmusic\" target=\"_blank\">Bochan Huy\u003c/a> and her family. Bochan, now 33 and a singer in Oakland, almost died before coming to the U.S. She says her family fled Cambodia as refugees in 1980. They had to cross the jungle to the Thai border in the middle of the night, while dodging bullets from Vietnamese troops. Bochan's mom, Sein Huy, says Bochan was one month at all the time.\u003c/p>\n\u003cfigure id=\"attachment_466\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-family.jpeg\">\u003cimg class=\"size-medium wp-image-466\" src=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-family-300x203.jpeg\" alt=\"Bochan's family in the 1980s. Bochan is sitting to the right of her father.\" width=\"300\" height=\"203\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bochan family in the 1980s. Bochan is sitting to the right of her father.\u003c/figcaption>\u003c/figure>\n\u003cp>\"I had to cover her mouth because she cry, she’s a baby,\" Bochan's mom remembers. \"And we don’t want any noise while we try to escape. That’s why she became really sick when we get to the camp. Even to dream I don’t really want to dream about it, it’s really hard.\"\u003c/p>\n\u003cp>Bochan's family eventually made their way to Oakland and, all through their transition time, Bochan's dad would have a guitar in hand, playing the psychedelic rock music of his youth.\u003c/p>\n\u003cp>Bochan's dad was an accountant by trade, but he \u003cem>always\u003c/em> played guitar or sang in a band. Like in 1987, when they were living in Denver, he recorded the song \"Hello-Hi\" (which is totally amazing):\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F92189780&show_artwork=true\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\">\u003c/iframe>\u003c/p>\n\u003cp>Bochan eventually joined her father's band as a singer, and her brother played keyboards. They'd play at weddings, birthdays, community events... anywhere Cambodians gathered. Bochan would sing cover songs of American classics, and someone else would sing the Cambodian songs. But they would never try to mix the Cambodian songs with the English ones or change any of the music up really. Bochan says people were comfortable with those familiar songs.\u003c/p>\n\u003cfigure id=\"attachment_458\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-her-dad2.jpg\">\u003cimg class=\"size-medium wp-image-458 \" src=\"http://shukakalantari.com/journalist/wp-content/uploads/2013/05/Bo-her-dad2-300x199.jpg\" alt=\"Bochan started her career as a singer in her father's band.\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bochan started her career as a singer in her father's band.\u003c/figcaption>\u003c/figure>\n\u003cp>\"If I came and sang one of my own songs, I would definitely have a lot of blank stares coming back at me,\" said Bochan.\u003c/p>\n\u003cp>Soon after Bochan finished high school, her dad got sick with liver cancer and passed away. Bochan decided to make the leap and release her own solo album in honor of her father. The album, called \"\u003ca href=\"http://bochan.bandcamp.com/album/full-monday-moon\" target=\"_blank\">Full Moon Monday\u003c/a>,\" is a blend of hip hop, soul music, and the classic Cambodian rock that Bochan grew up with, like the song \"I Am 16.\"\u003c/p>\n\u003cp>Here's how that song originally sounded, when it was sung by Cambodian singer Ros Sereysothea in the 1970s:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t68OY5NWWak?rel=0'\n title='//www.youtube.com/embed/t68OY5NWWak?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Bochan says Ros Sereysothea was extremely famous and at the height of her career before the Khmer Rouge took over and began a genocide, killing her and most other singers and intellectuals. That's why holding onto the music was so important for the Cambodian diaspora. Bochan says the problem was that songs like \"I Am 16\" was all her family ever played.\u003c/p>\n\u003cp>Bochan wanted to cover \"I Am 16\" on her first album, but she wanted to do it differently and create new memories with the song. Here's how it turned out (warning...there's an ad before the song, but it's a great song and equally great music video):\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HohyllfineM?rel=0'\n title='//www.youtube.com/embed/HohyllfineM?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The song features local hip hop artist \u003ca href=\"http://raashan.net/\" target=\"_blank\">Raashan Ahmad\u003c/a>. Bochan says she wanted it to appeal to the Cambodian youth born raised in the Bay Area.\u003c/p>\n\u003cp>\"To put hip hop to it, to give them something familiar, where they can connect to it, that closes the generation gap between the first generation and second generation Cambodian refugees,\" Bochan says.\u003c/p>\n\u003cp>Bochan's song \"Believe\" looks at the struggles of refugee families. She wrote they lyrics after working as a counselor for at-risk Cambodian kids. Bochan says unlike her own family, who were educated in Cambodia’s capital city, she was working with Cambodian refugees who came from poor, rural villages. Parents would often be illiterate in the own language and unable to thrive in urban environments like Oakland.\u003c/p>\n\u003cp>\u003ciframe src=\"http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F60376705&show_artwork=true\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\">\u003c/iframe>\u003c/p>\n\u003cp>\"We’re looking at immigrant families where the parents don’t speak English and the kids,\" Bochan says. \"So now there’s a discord between mom and dad. There’s already a culture gap, a generation gap, right? And now you don’t have the one thing to keep the family together: language.\"\u003c/p>\n\u003cp>Bochan is coming out with a new EP this year. It's a blend of dance music, jazz, funk, but it also includes a cover of one of her dad's songs from the 1980s. It's pretty much a mash-up of Bochan's two cultures. Bochan says she wouldn't do it any other way because her dad always used to tell her that, as a Cambodian raised in American, she gets to create her own music and her own identity.\u003c/p>\n\u003cfigure id=\"attachment_4847\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/bo-sf-CREDIT-HeathOrchard.jpg\">\u003cimg class=\"size-medium wp-image-4847\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/bo-sf-CREDIT-HeathOrchard-300x199.jpg\" alt=\"(Photo Credit: Health Orchard)\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Photo Credit: Health Orchard)\u003c/figcaption>\u003c/figure>\n\u003cp>\"I get to choose my own culture. And in doing so I get to choose the best of both worlds, is what he used to say. There are wonderful things about American culture, and there are things that aren't so great about American culture. And the same goes for Cambodian culture. And those words always stuck with me because I think that’s what it means to be Cambodian-American. Here I am, I have lived and chosen the best of both worlds.\"\u003c/p>\n\u003cp>Bochan will be performing in San Francisco this Saturday at the \u003ca href=\"http://asianfairsf.com/activities/ahsc-cinema-showcase/\" target=\"_blank\">Ninth Annual Asian Heritage Street Celebration\u003c/a>. Her music video for \"I Am 16\" will be screened as part of the celebration at the Asian Art Museum on Saturday, May 18th at 2:09 pm and again at 3:09 pm.\u003c/p>\n\u003cp>You can listen to our interview with Bochan here: \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
},
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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"perspectives": {
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"order": 15
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"planet-money": {
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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