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The actor said Skyline “provided me with a direction and instinct to follow” and trusted that the school had done the same for the current class.\u003c/p>\n\u003cp>https://youtu.be/gpLTFzVrues\u003c/p>\n\u003cp>“Follow those instincts and understand that you have been chosen by fate to lead the way in whatever is going to be — make it a great one, would you,” Hanks said, before giving shoutouts to senior class officers and offering encouragement.\u003c/p>\n\u003cp>“You didn’t give up, you have been the best example for the rest of us to keep going,” he said.\u003c/p>\n\u003cp>Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, key member of the White House’s coronavirus task force mobilized was also on the graduation circuit with surprise graduation messages this week. Fauci addressed both \u003ca href=\"https://hub.jhu.edu/2020/05/21/commencement-2020-anthony-fauci/\" target=\"_blank\" rel=\"noopener noreferrer\">Johns Hopkins University\u003c/a> and his own alma mater, the \u003ca href=\"https://news.holycross.edu/blog/2020/05/22/holy-cross-confers-707-bachelor-of-arts-degrees-in-virtual-celebration/\" target=\"_blank\" rel=\"noopener noreferrer\">College of the Holy Cross\u003c/a>. [pullquote size=\"medium\" align=\"right\" citation=\"— Dr. Anthony Fauci\"]‘I encourage you to stay strong and unflinching. The country and the world need your talent, your energy, your resolve and your character.’[/pullquote]\u003c/p>\n\u003cp>“I am profoundly aware that graduating during this time and in this virtual way — unable to celebrate in person this important milestone in your lives with your friends, classmates and teachers — is extremely difficult. 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But Fauci’s prominent role at President Trump’s frequent coronavirus briefings has turned him into one of the most recognizable doctors in the country — the subject of \u003ca href=\"https://www.dailymail.co.uk/femail/article-8253735/Singers-parody-song-pandemic-advisor-Docta-Fauci-set-tune-Lady-Gagas-hit-Paparazzi.html\" target=\"_blank\" rel=\"noopener noreferrer\">tribute songs\u003c/a>, \u003ca href=\"http://www.apimages.com/metadata/Index/Trump-DC-Disconnect/b9fd42749334496881ba08a2fb015ae9/1/0\" target=\"_blank\" rel=\"noopener noreferrer\">posters\u003c/a> and even his own \u003ca href=\"https://twitter.com/faucifan?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">fan club\u003c/a>.\u003c/p>\n\u003cp>In his comments to new graduates at both schools, he emphasized that the global pandemic presents not only dangers but also opportunities to use the education and “moral mentorship” they had worked so hard to obtain in the classroom.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Now is the time, if ever there was one,” he told Holy Cross, “for us to care selflessly about one another.”\u003c/p>\n\u003cdiv>\n\u003cp>\u003cem>Additional reporting from Bay City News \u003c/em>\u003c/p>\n\u003c/div>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. 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"content": "‘I encourage you to stay strong and unflinching. The country and the world need your talent, your energy, your resolve and your character.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I am profoundly aware that graduating during this time and in this virtual way — unable to celebrate in person this important milestone in your lives with your friends, classmates and teachers — is extremely difficult. I deeply empathize with the situation in which you find yourselves,” said the former classics major, in his message to Holy Cross students on Friday.\u003c/p>\n\u003cp>“However, I encourage you to stay strong and unflinching. The country and the world need your talent, your energy, your resolve and your character.”\u003c/p>\n\u003cp>Just one day earlier, Fauci dropped in for a remote address to Johns Hopkins.\u003c/p>\n\u003cp>“All of you, directly or indirectly,” he told students, “will be doing your part together with the rest of us to come out from under the shadow of this pandemic.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A few months ago, the 79-year-old immunologist may have made for an unlikely celebrity guest at college commencement ceremonies. But Fauci’s prominent role at President Trump’s frequent coronavirus briefings has turned him into one of the most recognizable doctors in the country — the subject of \u003ca href=\"https://www.dailymail.co.uk/femail/article-8253735/Singers-parody-song-pandemic-advisor-Docta-Fauci-set-tune-Lady-Gagas-hit-Paparazzi.html\" target=\"_blank\" rel=\"noopener noreferrer\">tribute songs\u003c/a>, \u003ca href=\"http://www.apimages.com/metadata/Index/Trump-DC-Disconnect/b9fd42749334496881ba08a2fb015ae9/1/0\" target=\"_blank\" rel=\"noopener noreferrer\">posters\u003c/a> and even his own \u003ca href=\"https://twitter.com/faucifan?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">fan club\u003c/a>.\u003c/p>\n\u003cp>In his comments to new graduates at both schools, he emphasized that the global pandemic presents not only dangers but also opportunities to use the education and “moral mentorship” they had worked so hard to obtain in the classroom.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Now is the time, if ever there was one,” he told Holy Cross, “for us to care selflessly about one another.”\u003c/p>\n\u003cdiv>\n\u003cp>\u003cem>Additional reporting from Bay City News \u003c/em>\u003c/p>\n\u003c/div>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Anthony+Fauci%3A+%27Now+Is+The+Time+...+To+Care+Selflessly+About+One+Another%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It has been so long that people often forget, but Tom Hanks never does. Bay Area is home for the Oscar-winning actor, who has been reppin' hard during his most recent media tour promoting \u003cem>Toy Story 4\u003c/em>.\u003c/p>\n\u003cp>Born in Concord in 1956, Hanks spent his formative years in the region, which he once called \"the most beautiful place on earth.\" Hanks' parents \u003ca href=\"https://www.rollingstone.com/movies/features/mr-big-19880630\">divorced when he was five\u003c/a>, and he and his siblings and step-siblings were constantly shuffled around the East Bay, including Fruitvale and Alameda.\u003c/p>\n\u003cp>Just last week, he proudly flexed some Oakland cred when evoking his childhood \u003ca href=\"https://www.youtube.com/watch?v=07C0iF2eznY\" target=\"_blank\" rel=\"noopener\">playing Spades\u003c/a>, and later bid the Oakland Coliseum adieu in this very special way.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=mYjw3B6K9qw?start=388]\u003c/p>\n\u003cp>Fair enough.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hanks does have very special memories in the Bay, which he reminds us of every so often:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>He grew up here... all over the place\u003c/strong>\u003c/li>\n\u003c/ol>\n\u003cp>The actor attended the now-closed John Swett Elementary School, Bret Harte Junior High, and Skyline High School, all in Oakland, as well as the now-closed Woodstock Elementary in Alameda.\u003c/p>\n\u003cp>Last time Hanks was in the area —at least publicly— he was reminded of his time at Woodstock Elementary by one of his classmates, who still keeps their third- and fourth-grade class pictures.\u003c/p>\n\u003cp>Hanks is in the third row, the fourth from the left, in both pictures.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Remember Mrs Castles class. I was Kathe Knight ..last one last row on 3rd grade pic. 1st one 2nd row on 4th grade. Time flies. \u003ca href=\"https://t.co/l7a5qxgTR0\">pic.twitter.com/l7a5qxgTR0\u003c/a>\u003c/p>\n\u003cp>— Kathe Hamilton (@Kathe_Hamilton) \u003ca href=\"https://twitter.com/Kathe_Hamilton/status/958585478055383042?ref_src=twsrc%5Etfw\">January 31, 2018\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Later, in the early 1970s, Hanks took a drama class with Rawley Farnsworth at Skyline High School, and life was never the same. The actor thanked Farnsworth in his \u003ca href=\"https://youtu.be/bBuDMEpUc8k\" rel=\"noopener\" target=\"_blank\">Oscar acceptance speech for \u003cem>Philadelphia\u003c/em>\u003c/a> in 1994. Farnsworth returned the honor in 2002, when his pupil received the American Film Institute's Life Achievement Award.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=IpXPwjjGMxM]\u003c/p>\n\u003cp>\u003cstrong>2. He \"owes it all\" to the local community college\u003c/strong>\u003c/p>\n\u003cp>After graduating from Skyline High School in 1974, Hanks attended Chabot College, in Hayward. There, he took classes that still inform his work, such as Oral Interpretation, Drama as Performance, and Studies in Shakespeare. “That place made me what I am today,” he recounted in 2015, in an \u003ca href=\"https://www.nytimes.com/2015/01/14/opinion/tom-hanks-on-his-two-years-at-chabot-college.html\" target=\"_blank\" rel=\"noopener\">opinion piece\u003c/a> for The New York Times.\u003c/p>\n\u003cp>After two years at Chabot, he transferred to Cal State Sacramento, where he majored in Theater Arts. He moved to New York City in 1979, and later settled in Southern California.\u003c/p>\n\u003cp>He never forgot his loyalties, though.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=srk0DbP9_o4]\u003c/p>\n\u003cp>\u003cstrong>3. He is very sour about the Raiders moving to Las Vegas\u003c/strong>\u003c/p>\n\u003cp>Early 2017, the team announced they were leaving Oakland, breaking the hearts of tens of thousands of fans. The actor of \u003cem>Forrest Gump\u003c/em> and \u003cem>Big\u003c/em> \u003ca href=\"https://www.mercurynews.com/2017/04/26/tom-hanks-has-something-to-say-about-raiders-move/\" target=\"_blank\" rel=\"noopener\">was ready to boycott the league\u003c/a> altogether.\u003c/p>\n\u003cp>“You cannot take the Silver and Black, put them in an air-conditioned dome in the desert, make them play on artificial turf within a stone’s throw of the fountains of Caesar’s Palace, and call them the Raiders,” said the Skyline alum, who is also a fan of the Oakland Athletics.\u003c/p>\n\u003cp>Growing up, Hanks idolized Raiders' legendary quarterback Ken Stabler, and once recalled using pliers to change the channel on his old TV set, searching for the football game.\u003c/p>\n\u003cp>Stabler's \"throw deep!\" became a motto of sorts for Hanks, who referenced it in his acceptance speech at the 2017 People's Choice Awards.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=25vOG48zJkE?start=101]\u003c/p>\n\u003cp>\u003cstrong>4. He once lived in a houseboat in Alameda\u003c/strong>\u003c/p>\n\u003cp>Back in his late teens, Hollywood's favorite everyman lived on a 1,152-square-foot, two-bedroom houseboat docked at Alameda's Barnhill Marina.\u003c/p>\n\u003cp>https://twitter.com/tomhanks/status/1050141366225915906\u003c/p>\n\u003cp>The floating home was put up for sale for $600,000 in October 2018, but only \u003ca href=\"https://www.realtor.com/realestateandhomes-detail/2394-Mariner-Square-Dr-1C_Alameda_CA_94501_M21908-36011?\" target=\"_blank\" rel=\"noopener\">sold for $400,000\u003c/a> last April.\u003c/p>\n\u003cp>\u003cstrong>5. He is fond of the Oakland Coliseum, but in a different way\u003c/strong>\u003c/p>\n\u003cp>As he recalled in his interview with Jimmy Kimmel, Hanks once sold peanuts and soda outside the Oakland Coliseum during A's games. However, he was too young to know you cannot just walk around with wads of cash.\u003c/p>\n\u003cp>\"I was robbed twice,\" he recalled. Professional vendors did not like to see him around, either.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"That guy yelled at me!\" he remembered about a particularly rude one. \"So tear that place down!\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hanks does have very special memories in the Bay, which he reminds us of every so often:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>He grew up here... all over the place\u003c/strong>\u003c/li>\n\u003c/ol>\n\u003cp>The actor attended the now-closed John Swett Elementary School, Bret Harte Junior High, and Skyline High School, all in Oakland, as well as the now-closed Woodstock Elementary in Alameda.\u003c/p>\n\u003cp>Last time Hanks was in the area —at least publicly— he was reminded of his time at Woodstock Elementary by one of his classmates, who still keeps their third- and fourth-grade class pictures.\u003c/p>\n\u003cp>Hanks is in the third row, the fourth from the left, in both pictures.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Remember Mrs Castles class. I was Kathe Knight ..last one last row on 3rd grade pic. 1st one 2nd row on 4th grade. Time flies. \u003ca href=\"https://t.co/l7a5qxgTR0\">pic.twitter.com/l7a5qxgTR0\u003c/a>\u003c/p>\n\u003cp>— Kathe Hamilton (@Kathe_Hamilton) \u003ca href=\"https://twitter.com/Kathe_Hamilton/status/958585478055383042?ref_src=twsrc%5Etfw\">January 31, 2018\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Later, in the early 1970s, Hanks took a drama class with Rawley Farnsworth at Skyline High School, and life was never the same. The actor thanked Farnsworth in his \u003ca href=\"https://youtu.be/bBuDMEpUc8k\" rel=\"noopener\" target=\"_blank\">Oscar acceptance speech for \u003cem>Philadelphia\u003c/em>\u003c/a> in 1994. Farnsworth returned the honor in 2002, when his pupil received the American Film Institute's Life Achievement Award.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IpXPwjjGMxM'\n title='//www.youtube.com/embed/IpXPwjjGMxM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>2. He \"owes it all\" to the local community college\u003c/strong>\u003c/p>\n\u003cp>After graduating from Skyline High School in 1974, Hanks attended Chabot College, in Hayward. There, he took classes that still inform his work, such as Oral Interpretation, Drama as Performance, and Studies in Shakespeare. “That place made me what I am today,” he recounted in 2015, in an \u003ca href=\"https://www.nytimes.com/2015/01/14/opinion/tom-hanks-on-his-two-years-at-chabot-college.html\" target=\"_blank\" rel=\"noopener\">opinion piece\u003c/a> for The New York Times.\u003c/p>\n\u003cp>After two years at Chabot, he transferred to Cal State Sacramento, where he majored in Theater Arts. He moved to New York City in 1979, and later settled in Southern California.\u003c/p>\n\u003cp>He never forgot his loyalties, though.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/srk0DbP9_o4'\n title='//www.youtube.com/embed/srk0DbP9_o4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>3. He is very sour about the Raiders moving to Las Vegas\u003c/strong>\u003c/p>\n\u003cp>Early 2017, the team announced they were leaving Oakland, breaking the hearts of tens of thousands of fans. The actor of \u003cem>Forrest Gump\u003c/em> and \u003cem>Big\u003c/em> \u003ca href=\"https://www.mercurynews.com/2017/04/26/tom-hanks-has-something-to-say-about-raiders-move/\" target=\"_blank\" rel=\"noopener\">was ready to boycott the league\u003c/a> altogether.\u003c/p>\n\u003cp>“You cannot take the Silver and Black, put them in an air-conditioned dome in the desert, make them play on artificial turf within a stone’s throw of the fountains of Caesar’s Palace, and call them the Raiders,” said the Skyline alum, who is also a fan of the Oakland Athletics.\u003c/p>\n\u003cp>Growing up, Hanks idolized Raiders' legendary quarterback Ken Stabler, and once recalled using pliers to change the channel on his old TV set, searching for the football game.\u003c/p>\n\u003cp>Stabler's \"throw deep!\" became a motto of sorts for Hanks, who referenced it in his acceptance speech at the 2017 People's Choice Awards.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/25vOG48zJkE?start=101'\n title='//www.youtube.com/embed/25vOG48zJkE?start=101'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>4. He once lived in a houseboat in Alameda\u003c/strong>\u003c/p>\n\u003cp>Back in his late teens, Hollywood's favorite everyman lived on a 1,152-square-foot, two-bedroom houseboat docked at Alameda's Barnhill Marina.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://californiatypewritermovie.com\">“California Typewriter”\u003c/a> is a new documentary film by Doug Nichol. It’s an ode to analog, a visual poem dedicated to the typewriter. It’s named for a \u003ca href=\"https://www.californiatypewriter.com/\">Berkeley repair shop \u003c/a>struggling to stay afloat in the digital age.\u003c/em>\u003c/p>\n\u003cp>Filmmaker Doug Nichol told Sasha Khokha, host of The California Report Magazine, about a few of the typewriter-obsessed people who appear in the film:\u003c/p>\n\u003cp>\u003cstrong>Ken Alexander, typewriter repair technician at California Typewriter in Berkeley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631631\" class=\"wp-caption alignright\" style=\"max-width: 411px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11631631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg\" alt=\"\" width=\"411\" height=\"577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-160x225.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1020x1432.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1180x1656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-960x1348.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-240x337.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-375x526.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-520x730.jpg 520w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003cfigcaption class=\"wp-caption-text\">California Typewriter repair expert Ken Alexander, wheeling typewriters to a Berkeley car wash to hose them down before repairing them. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“I feel something for these machines. I’ll look at ’em and my mind just goes, ‘Where has this machine been at?’ If they could talk, they could tell some stories. You never know where these typewriters come from. One could have come from some famous person’s library across the world, and it made it to this shop in Berkeley.”\u003c/em>\u003cem> – Ken Alexander\u003c/em>\u003c/p>\n\u003cp>Doug Nichol: Ken Alexander loves repairing typewriters. But Ken’s job is really the first casualty of the digital revolution. We didn’t need typewriters anymore once computers came around. So you didn’t need a typewriter repairman. But he’s been working for the last 30 years trying to keep it going for the few people who love typewriters. At the shop, most of the new customers are all kids. They’re bringing in their parents, telling them they want a typewriter. They’ve grown up touching glass, touching iPhones and iPads, and I think they find it interesting to see how you push a letter and it forms a letter on the page.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Silvi Alcivar, poet\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631830\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silvi Alcivar is a San Francisco-based “poet on demand,” who hand-types original poems for customers at her mobile store. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“If you were to ask me to speak a poem, I couldn’t do it. If you were to put me in front of a typewriter, it happens. My typewriter is the truest love of my life. There’s something about it that’s built well, and if you care for it, it’s just going to keep working. I do worry that someday there might not be somebody who knows how to fix it.\u003c/em>\u003c/p>\n\u003cp>“I often think about what I do as counseling. People come to me with some big stuff. I write a lot of poems about death. I wrote a poem for a man who had lost his wife three months ago, and they had been married for 43 years. When he made his request, he could barely talk. Somebody’s desire for words sometimes is a desire for something more.” – \u003ca href=\"http://thepoetrystore.net/\">Silvi Alcivar,\u003c/a> poet\u003c/p>\n\u003cp>\u003cstrong>Tom Hanks, actor\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631637\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg\" alt=\"\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks has a collection of more than 250 typewriters. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“There is a wonderful way to spend time typing. You get to think about it. You get to romantically sit back and ponder what your next words are going to be. And that is a pleasant, tactile action. It actually turns writing or composing into a very specific, physical process that has a soundtrack to it.” – Tom Hanks\u003c/em>\u003c/p>\n\u003cp>Nichol: When we filmed Tom Hanks, he had 270 typewriters. He loves the sound of typewriters, the difference between a Smith-Corona and Olympia. Every one of them have their own sound. They’re like snowflakes in a way. Every one of them is unique, from their sound to the letters that they make. Every font is slightly different. They’re totally original.\u003c/p>\n\u003cp>\u003cstrong>Jeremy Mayer, West Oakland artist\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631653\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland sculptor Jeremy Mayer makes new, futuristic creations out of old typewriters. \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“This is how I choose to appreciate the typewriter. By dissecting it and bringing out the little bits and pieces that are us in them. Some of my favorite things to do are the human figures, because I find every curve on the human body in here in one of these typewriters.” – Jeremy Mayer\u003c/em>\u003c/p>\n\u003cp>Nichol: \u003ca href=\"http://jeremymayer.com/Artist.asp?ArtistID=18688&Akey=23SVCF6T\">Jeremy Mayer\u003c/a> was one of the first people I met at California Typewriter. He loves the typewriters, but he loves what’s in them. He sees the typewriter as a kind of erector set, where he can take them all apart, the pieces, and put them back together. One of his sculptures is in Mark Zuckerberg’s office, and his work has taken off. The tech folks understand the role the typewriter played. They appreciate that tactile quality that’s disappearing as we touch glass and are removed from more tangible things.\u003c/p>\n\u003cp>\u003cstrong>David McCullough, historian and writer\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11631655 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Historian and author David McCullough has written every one of his books on the same typewriter, including his Pulitzer Prize-winning books “Truman” and “John Adams.” \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“People tell me I could do much better, I could go faster and have less to contend with if I were to use a computer. But I don’t want to go faster. If anything, I prefer to go slower. To me, it’s understandable. I press the key and another key comes up and prints a letter on a piece of paper, and you can pull it out and it’s a piece of paper on which you have printed something. You have made that. It’s tangible. It’s real.” – David McCullough\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol: David McCullough has written every one of his books on that same typewriter. He believes it’s a tool. When you write on a typewriter you have to think about what you’re going to write before you commit it to paper.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://californiatypewritermovie.com\">“California Typewriter”\u003c/a> is a new documentary film by Doug Nichol. It’s an ode to analog, a visual poem dedicated to the typewriter. It’s named for a \u003ca href=\"https://www.californiatypewriter.com/\">Berkeley repair shop \u003c/a>struggling to stay afloat in the digital age.\u003c/em>\u003c/p>\n\u003cp>Filmmaker Doug Nichol told Sasha Khokha, host of The California Report Magazine, about a few of the typewriter-obsessed people who appear in the film:\u003c/p>\n\u003cp>\u003cstrong>Ken Alexander, typewriter repair technician at California Typewriter in Berkeley\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631631\" class=\"wp-caption alignright\" style=\"max-width: 411px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11631631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg\" alt=\"\" width=\"411\" height=\"577\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-800x1123.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-160x225.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1020x1432.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-1180x1656.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-960x1348.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-240x337.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-375x526.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27988_KenTypeWagon-qut-520x730.jpg 520w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003cfigcaption class=\"wp-caption-text\">California Typewriter repair expert Ken Alexander, wheeling typewriters to a Berkeley car wash to hose them down before repairing them. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“I feel something for these machines. I’ll look at ’em and my mind just goes, ‘Where has this machine been at?’ If they could talk, they could tell some stories. You never know where these typewriters come from. One could have come from some famous person’s library across the world, and it made it to this shop in Berkeley.”\u003c/em>\u003cem> – Ken Alexander\u003c/em>\u003c/p>\n\u003cp>Doug Nichol: Ken Alexander loves repairing typewriters. But Ken’s job is really the first casualty of the digital revolution. We didn’t need typewriters anymore once computers came around. So you didn’t need a typewriter repairman. But he’s been working for the last 30 years trying to keep it going for the few people who love typewriters. At the shop, most of the new customers are all kids. They’re bringing in their parents, telling them they want a typewriter. They’ve grown up touching glass, touching iPhones and iPads, and I think they find it interesting to see how you push a letter and it forms a letter on the page.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Silvi Alcivar, poet\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631830\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS28004_SilviAlcivar-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Silvi Alcivar is a San Francisco-based “poet on demand,” who hand-types original poems for customers at her mobile store. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“If you were to ask me to speak a poem, I couldn’t do it. If you were to put me in front of a typewriter, it happens. My typewriter is the truest love of my life. There’s something about it that’s built well, and if you care for it, it’s just going to keep working. I do worry that someday there might not be somebody who knows how to fix it.\u003c/em>\u003c/p>\n\u003cp>“I often think about what I do as counseling. People come to me with some big stuff. I write a lot of poems about death. I wrote a poem for a man who had lost his wife three months ago, and they had been married for 43 years. When he made his request, he could barely talk. Somebody’s desire for words sometimes is a desire for something more.” – \u003ca href=\"http://thepoetrystore.net/\">Silvi Alcivar,\u003c/a> poet\u003c/p>\n\u003cp>\u003cstrong>Tom Hanks, actor\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631637\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg\" alt=\"\" width=\"800\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27986_TomHanks-qut.jpg 1909w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks has a collection of more than 250 typewriters. \u003ccite>(Still from California Typewriter, courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“There is a wonderful way to spend time typing. You get to think about it. You get to romantically sit back and ponder what your next words are going to be. And that is a pleasant, tactile action. It actually turns writing or composing into a very specific, physical process that has a soundtrack to it.” – Tom Hanks\u003c/em>\u003c/p>\n\u003cp>Nichol: When we filmed Tom Hanks, he had 270 typewriters. He loves the sound of typewriters, the difference between a Smith-Corona and Olympia. Every one of them have their own sound. They’re like snowflakes in a way. Every one of them is unique, from their sound to the letters that they make. Every font is slightly different. They’re totally original.\u003c/p>\n\u003cp>\u003cstrong>Jeremy Mayer, West Oakland artist\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11631653\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27989_JeremyTheiaHead-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland sculptor Jeremy Mayer makes new, futuristic creations out of old typewriters. \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“This is how I choose to appreciate the typewriter. By dissecting it and bringing out the little bits and pieces that are us in them. Some of my favorite things to do are the human figures, because I find every curve on the human body in here in one of these typewriters.” – Jeremy Mayer\u003c/em>\u003c/p>\n\u003cp>Nichol: \u003ca href=\"http://jeremymayer.com/Artist.asp?ArtistID=18688&Akey=23SVCF6T\">Jeremy Mayer\u003c/a> was one of the first people I met at California Typewriter. He loves the typewriters, but he loves what’s in them. He sees the typewriter as a kind of erector set, where he can take them all apart, the pieces, and put them back together. One of his sculptures is in Mark Zuckerberg’s office, and his work has taken off. The tech folks understand the role the typewriter played. They appreciate that tactile quality that’s disappearing as we touch glass and are removed from more tangible things.\u003c/p>\n\u003cp>\u003cstrong>David McCullough, historian and writer\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11631655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11631655 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/11/RS27985_DavidMcCullough-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Historian and author David McCullough has written every one of his books on the same typewriter, including his Pulitzer Prize-winning books “Truman” and “John Adams.” \u003ccite>(Still from California Typewriter, Courtesy Doug Nichol )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“People tell me I could do much better, I could go faster and have less to contend with if I were to use a computer. But I don’t want to go faster. If anything, I prefer to go slower. To me, it’s understandable. I press the key and another key comes up and prints a letter on a piece of paper, and you can pull it out and it’s a piece of paper on which you have printed something. You have made that. It’s tangible. It’s real.” – David McCullough\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol: David McCullough has written every one of his books on that same typewriter. He believes it’s a tool. When you write on a typewriter you have to think about what you’re going to write before you commit it to paper.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The typewriter is a marvelous invention because, with proper care, a single unit can last decades. And if you’re still using one now, it would have to: Since the mass adoption of personal computers in the 1980s, let’s just say the ink on these once-inescapable household items has run dry. The brilliant mechanics, the elegance of pressing a key and leaving an instant, permanent imprint on the page, became obsolete the minute humankind invented the “delete” key.\u003c/p>\n\u003cp>But the very impracticality of using a typewriter in the modern era seems to be exactly what has endeared it to a small but fanatical community of writers and collectors, who praise its tactile pleasures and note the imperfections help to preserve the user’s original, pre-spellchecked thoughts. Good news for punch-the-keys loyalists who live in the Bay Area: There’s a place for you and your fellow old souls to commiserate. \u003ca href=\"http://www.californiatypewriter.com/\">California Typewriter\u003c/a> in Berkeley may not be able to patch over the void in the human soul that the computers have carved out, but the shop \u003cem>can \u003c/em>repair that oft-abused space bar on your 1963 Smith Corona.\u003c/p>\n\u003cp>\u003ca href=\"http://californiatypewritermovie.com/\">\u003cem>California Typewriter\u003c/em>, Doug Nichol’s new documentary\u003c/a> of the same name, takes us inside this lonely shop, where we meet soft-spoken proprietor Herb Permillion and his longtime repairman, employee Ken Alexander. Their plain shelves are lined with typewriters of all eras, and folks love to stop by to enter this time capsule — though not enough folks to keep Permillion from musing about selling the place. But the film quickly feeds the paper, as it were, for a larger meditation on the magic of these physical word processors and a solemn reflection on what gets lost along the forward march of technology. It wouldn’t be quite right to call this a eulogy, since the movie is as stubborn as its subjects about making space in the modern world for the humble little typewriter. Yet death and decline is certainly on Nichol’s mind. How could it not be, when tomorrow’s tech — the very same tech that drove out the typewriters in the first place — has taken over the very region where this lone analog holdout resides?\u003c/p>\n\u003cp>Fittingly for a movie about the written (well, typed, anyway) word, \u003cem>California Typewriter \u003c/em>has a literary, essayistic quality. Nichol’s background is in music videos and band documentaries, and he links crisply conceived sequences that mimic the synchronized commotion of an actual typewriter. Opening sequences restage \u003cem>Royal Road Test\u003c/em>, a 1967 art project in which Edward Ruscha chucked his machine out the window of a speeding Buick, with the feeling of a dime-store noir that might have been banged out on one of those things. Nichol also follows an uber-collector, the proudly geeky Martin Howard, on a whimsical journey to the site of the first-ever typewriter in Milwaukee. (There’s a single plaque to commemorate, but the spot itself has met an ignoble fate as a parking lot.)\u003c/p>\n\u003cp>The first experts on the typewriter were women, since they were required to master the skill to fill secretarial roles. So it’s curious and maybe a little too revealing that almost all the subjects in \u003cem>California Typewriter\u003c/em> are men: a sign about who’s willing to take the credit for something only after it begins fading into the rearview mirror of history. At least Nichol wrangles an impressive and broad range of enthusiasts, including America’s Dad, Tom Hanks, whose philia is so great he often gives away typewriters from his 200-plus collection to friends. And John Mayer, who rambles a while about how computers inhibit the creative process before checking his phone mid-interview. The \u003ca href=\"http://www.npr.org/2017/08/04/541602156/fresh-air-remembers-pulitzer-prize-winning-playwright-and-actor-sam-shepard\">late, great Sam Shepard\u003c/a> also makes an appearance, admiring the handiwork of his Hermes model from Switzerland.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We also get the Boston Typewriter Orchestra, which pushes the frequently cited “musicality” of the tool to its fullest logical extent, and Jeremy Mayer, a sculptor whose pieces are composed entirely of typewriter parts. Mayer takes the machines apart, or scours flea markets for scraps, to make his figurines, which are frequently shaped like sensual females a la Fritz Lang’s \u003cem>Metropolis\u003c/em>. He weathers sizable criticism from the typewriter community for destroying the limited number of devices left in the world, but defends his art by claiming what he creates is better than seeing a typewriter sit unused on a shelf for decades.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol illuminates these characters with compassion and more heart than you would expect in an ode to a consumer product. These typewriter lovers come off as sad souls in many ways, but in others they seem to be merely goodhearted optimists, perhaps hoping their beloved noisemakers will stage a sustainable, vinyl-like comeback. And seeing what the fast lane has wrought on the human spirit, there’s something tempting in the slow-poke keystroke.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The typewriter is a marvelous invention because, with proper care, a single unit can last decades. And if you’re still using one now, it would have to: Since the mass adoption of personal computers in the 1980s, let’s just say the ink on these once-inescapable household items has run dry. The brilliant mechanics, the elegance of pressing a key and leaving an instant, permanent imprint on the page, became obsolete the minute humankind invented the “delete” key.\u003c/p>\n\u003cp>But the very impracticality of using a typewriter in the modern era seems to be exactly what has endeared it to a small but fanatical community of writers and collectors, who praise its tactile pleasures and note the imperfections help to preserve the user’s original, pre-spellchecked thoughts. Good news for punch-the-keys loyalists who live in the Bay Area: There’s a place for you and your fellow old souls to commiserate. \u003ca href=\"http://www.californiatypewriter.com/\">California Typewriter\u003c/a> in Berkeley may not be able to patch over the void in the human soul that the computers have carved out, but the shop \u003cem>can \u003c/em>repair that oft-abused space bar on your 1963 Smith Corona.\u003c/p>\n\u003cp>\u003ca href=\"http://californiatypewritermovie.com/\">\u003cem>California Typewriter\u003c/em>, Doug Nichol’s new documentary\u003c/a> of the same name, takes us inside this lonely shop, where we meet soft-spoken proprietor Herb Permillion and his longtime repairman, employee Ken Alexander. Their plain shelves are lined with typewriters of all eras, and folks love to stop by to enter this time capsule — though not enough folks to keep Permillion from musing about selling the place. But the film quickly feeds the paper, as it were, for a larger meditation on the magic of these physical word processors and a solemn reflection on what gets lost along the forward march of technology. It wouldn’t be quite right to call this a eulogy, since the movie is as stubborn as its subjects about making space in the modern world for the humble little typewriter. Yet death and decline is certainly on Nichol’s mind. How could it not be, when tomorrow’s tech — the very same tech that drove out the typewriters in the first place — has taken over the very region where this lone analog holdout resides?\u003c/p>\n\u003cp>Fittingly for a movie about the written (well, typed, anyway) word, \u003cem>California Typewriter \u003c/em>has a literary, essayistic quality. Nichol’s background is in music videos and band documentaries, and he links crisply conceived sequences that mimic the synchronized commotion of an actual typewriter. Opening sequences restage \u003cem>Royal Road Test\u003c/em>, a 1967 art project in which Edward Ruscha chucked his machine out the window of a speeding Buick, with the feeling of a dime-store noir that might have been banged out on one of those things. Nichol also follows an uber-collector, the proudly geeky Martin Howard, on a whimsical journey to the site of the first-ever typewriter in Milwaukee. (There’s a single plaque to commemorate, but the spot itself has met an ignoble fate as a parking lot.)\u003c/p>\n\u003cp>The first experts on the typewriter were women, since they were required to master the skill to fill secretarial roles. So it’s curious and maybe a little too revealing that almost all the subjects in \u003cem>California Typewriter\u003c/em> are men: a sign about who’s willing to take the credit for something only after it begins fading into the rearview mirror of history. At least Nichol wrangles an impressive and broad range of enthusiasts, including America’s Dad, Tom Hanks, whose philia is so great he often gives away typewriters from his 200-plus collection to friends. And John Mayer, who rambles a while about how computers inhibit the creative process before checking his phone mid-interview. The \u003ca href=\"http://www.npr.org/2017/08/04/541602156/fresh-air-remembers-pulitzer-prize-winning-playwright-and-actor-sam-shepard\">late, great Sam Shepard\u003c/a> also makes an appearance, admiring the handiwork of his Hermes model from Switzerland.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We also get the Boston Typewriter Orchestra, which pushes the frequently cited “musicality” of the tool to its fullest logical extent, and Jeremy Mayer, a sculptor whose pieces are composed entirely of typewriter parts. Mayer takes the machines apart, or scours flea markets for scraps, to make his figurines, which are frequently shaped like sensual females a la Fritz Lang’s \u003cem>Metropolis\u003c/em>. He weathers sizable criticism from the typewriter community for destroying the limited number of devices left in the world, but defends his art by claiming what he creates is better than seeing a typewriter sit unused on a shelf for decades.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol illuminates these characters with compassion and more heart than you would expect in an ode to a consumer product. These typewriter lovers come off as sad souls in many ways, but in others they seem to be merely goodhearted optimists, perhaps hoping their beloved noisemakers will stage a sustainable, vinyl-like comeback. And seeing what the fast lane has wrought on the human spirit, there’s something tempting in the slow-poke keystroke.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
},
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"meta": {
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},
"link": "/radio/program/freakonomics-radio",
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},
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"id": "fresh-air",
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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