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She shared her story with KQED from her home in Marin County:\u003c/em>\u003c/p>\n\u003cp>My father, an Apache and Yaqui man, met my white mother at a saddle shop in Arizona. And they moved to Salinas, California, because their interracial marriage was illegal in Arizona.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When my father beat my mother he made me watch, as though it were an afternoon bargain matinee. That killed my soul, and not only because I loved my mother, but because I knew I was next.\u003c/p>\n\u003cp>My white grandparents took me in. And they raised me as a white person. But when I looked in the mirror I knew I wasn’t.\u003c/p>\n\u003cp>I always knew I was Indian. But in those days back in the ’40s and the ’50s, everybody wanted to be white.\u003c/p>\n\u003cp>Because everybody in the radio or in the ads in magazines and newspapers, everybody was white. It looked like a Clorox factory.\u003c/p>\n\u003cp>I was kind of a loner. Writing was my outlet. 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The white officer looked at me and went with the billy club, pounding the billy club in his fist.\u003c/p>\n\u003cp>And I thought out of my best interest to go to the black bathroom.\u003c/p>\n\u003cp>My mother, however, went to the white bathroom.\u003c/p>\n\u003cp>And I can’t tell you how much I cried and cried after that experience.\u003c/p>\n\u003cp>And after I had several of those experiences, I knew how blatant racism was — open, alive and well.\u003c/p>\n\u003cp>After refusing that award for Marlon, I went back to school to get a degree in holistic health and nutrition with a minor in Native American medicine.\u003c/p>\n\u003cp>I did a lot of consulting work, because medicine people were going into the hospital to treat and pray for their American Indian patients. And much of this was misunderstood by the doctors and the staff. So we needed a group of us to go in and to educate everyone from the CEO down to the janitor about what Native American medicine was all about.\u003c/p>\n\u003cp>We have been oppressed so much from dominant society that we have internalized that oppression. For example, saying, “You’re not Indian enough. You weren’t born on the reservation and I was.” And “Oh! You’re only half Indian, I’m a full blood. So I’m more Indian than you’re Indian.”\u003c/p>\n\u003cp>That’s internalized oppression.\u003c/p>\n\u003cp>The more that Native American Indian people like myself speak out, the more understanding that there becomes. The truth has got to win out above all the lies that have been told about us by the dominant society.\u003c/p>\n\u003cp>We’re all Indian. Of one blood, one mind and one heart.\u003c/p>\n\u003cp>And, eventually, I did grow into my feet. Now I wear a size 11 narrow. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Sacheen Littlefeather is best known for causing a massive uproar at the 1973 Academy Awards, when she got up on stage and calmly turned down Marlon Brando’s best actor accolade for “The Godfather.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>At the time she was a young Native American rights activist and budding actress when Brando asked her to represent him at the Oscars. She appeared in movies like “Johnny Firecloud.” \u003c/em>\u003cem>The entertainment industry was getting rich off of racist stereotypes of Native Americans and Westerns like \u003ca href=\"https://www.youtube.com/watch?v=QAiPX3mMueo\" target=\"_blank\" rel=\"noopener noreferrer\">“The Great Sioux Massacre”\u003c/a> were rife with them.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8Kv1oc7IxY8'\n title='//www.youtube.com/embed/8Kv1oc7IxY8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>After the anger she caused at the Oscars, Sacheen’s TV and movie career floundered. But her work as an activist took off. She shared her story with KQED from her home in Marin County:\u003c/em>\u003c/p>\n\u003cp>My father, an Apache and Yaqui man, met my white mother at a saddle shop in Arizona. And they moved to Salinas, California, because their interracial marriage was illegal in Arizona.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When my father beat my mother he made me watch, as though it were an afternoon bargain matinee. That killed my soul, and not only because I loved my mother, but because I knew I was next.\u003c/p>\n\u003cp>My white grandparents took me in. And they raised me as a white person. But when I looked in the mirror I knew I wasn’t.\u003c/p>\n\u003cp>I always knew I was Indian. But in those days back in the ’40s and the ’50s, everybody wanted to be white.\u003c/p>\n\u003cp>Because everybody in the radio or in the ads in magazines and newspapers, everybody was white. It looked like a Clorox factory.\u003c/p>\n\u003cp>I was kind of a loner. Writing was my outlet. Simple little poems like, “I slippy and I slidey over everybody’s hidey. I’m just a little bar of soap.”\u003c/p>\n\u003cp>My grandmother, she was very exasperated with me for being so clumsy, for falling over my own two feet. I had big feet and I was only 9 years old. So I used to sing the song, “Oh my darling, oh my darling, oh my darling Clementine. You are lost and gone forever, and your shoes are number nine.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "‘The more that Native American Indian people like myself speak out, the more understanding that there becomes. The truth has got to win out above all the lies that have been told about us by the dominant society.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When we used to go into restaurants or whatever and I used to go hand in hand with my white grandparents, people always looked at us funny.\u003c/p>\n\u003cp>And I could tell, you know intuitively, that something wasn’t right.\u003c/p>\n\u003cp>When I grew older, I went on a car trip to the south with my mother, who is white. And then I found out exactly what was up when I went to use the bathroom. There was a police officer with a billy club who was looking directly at me. And there was a white bathroom and a black bathroom. The white officer looked at me and went with the billy club, pounding the billy club in his fist.\u003c/p>\n\u003cp>And I thought out of my best interest to go to the black bathroom.\u003c/p>\n\u003cp>My mother, however, went to the white bathroom.\u003c/p>\n\u003cp>And I can’t tell you how much I cried and cried after that experience.\u003c/p>\n\u003cp>And after I had several of those experiences, I knew how blatant racism was — open, alive and well.\u003c/p>\n\u003cp>After refusing that award for Marlon, I went back to school to get a degree in holistic health and nutrition with a minor in Native American medicine.\u003c/p>\n\u003cp>I did a lot of consulting work, because medicine people were going into the hospital to treat and pray for their American Indian patients. And much of this was misunderstood by the doctors and the staff. So we needed a group of us to go in and to educate everyone from the CEO down to the janitor about what Native American medicine was all about.\u003c/p>\n\u003cp>We have been oppressed so much from dominant society that we have internalized that oppression. For example, saying, “You’re not Indian enough. You weren’t born on the reservation and I was.” And “Oh! You’re only half Indian, I’m a full blood. So I’m more Indian than you’re Indian.”\u003c/p>\n\u003cp>That’s internalized oppression.\u003c/p>\n\u003cp>The more that Native American Indian people like myself speak out, the more understanding that there becomes. The truth has got to win out above all the lies that have been told about us by the dominant society.\u003c/p>\n\u003cp>We’re all Indian. Of one blood, one mind and one heart.\u003c/p>\n\u003cp>And, eventually, I did grow into my feet. Now I wear a size 11 narrow. And when I go to the shoe store, I just say, “I’ve got room for everybody in my shoes.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This week’s \u003ca href=\"https://www.kqed.org/news/11818670/gold-chains-californias-hidden-history\" target=\"_blank\" rel=\"noopener noreferrer\">California Report Magazine\u003c/a> uncovers stories of resilience as part of a collaboration with the \u003ca href=\"https://www.aclunc.org/home\" target=\"_blank\" rel=\"noopener noreferrer\">ACLU of Northern California\u003c/a> called “Gold Chains: The Hidden History of Slavery in California.” \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>At Sunday’s Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.\u003c/p>\n\u003cp>For the first time ever, a film in a foreign language won best picture when Bong Joon-ho’s \u003ca href=\"https://www.npr.org/2019/10/10/768638368/parasite-hooks-you-with-its-emotional-power-and-extraordinary-cunning\">\u003cem>Parasite\u003c/em>,\u003c/a> a comedy-drama-thriller about class and secrets, took the big prize. \u003ca href=\"https://www.npr.org/2019/12/10/785090210/parasite-director-bong-joon-ho-wanted-to-reflect-the-truth-of-current-times\">Bong\u003c/a> also won the awards for best director and best original screenplay. He delivered three warm and generous speeches, including one when he won for his directing and thanked fellow nominees Martin Scorsese and Quentin Tarantino for inspiring him and boosting his career, respectively. (He acknowledged Sam Mendes and Todd Phillips, too.)\u003c/p>\n\u003cp>And, while he gave most of his speeches in Korean with interpreter Sharon Choi, when he won the first one, he stopped and noted in English: “This is very first Oscar to South Korea.” The affection in the room for the film was evident every time it was mentioned, as well as in its strong haul of awards (though it absurdly landed not a single nomination for its uniformly excellent cast).\u003c/p>\n\u003cp>The evening began three and a half hours earlier with a combination of the old and the new: the kind of themed singing-dancing number that used to be the typical Oscars opening, but in the absence of a traditional host, it was performed by the thoroughly modern Janelle Monáe. A version of her own song “Come Alive” was accompanied by dancers dressed in costumes saluting not just nominated films like \u003ca href=\"https://www.npr.org/2019/10/03/765082771/joker-is-wild-ly-dull\">\u003cem>Joker\u003c/em>,\u003c/a> but also conspicuously snubbed ones — several of them, but not all, from black filmmakers — including \u003ca href=\"https://www.npr.org/2019/03/21/705470655/when-you-meet-the-enemy-and-it-is-us\">\u003cem>Us\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/11/27/782574993/a-first-date-turns-into-a-stylish-nightmare-in-queen-slim\">\u003cem>Queen and Slim\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/10/06/765150318/a-breezy-look-at-the-making-of-a-blaxploitation-classic-dolemite-is-my-name\">\u003cem>Dolemite Is My Name\u003c/em>\u003c/a> and \u003ca href=\"https://www.npr.org/2019/07/03/738422258/midsommar-shines-a-solstice-nightmare-unfolds-in-broad-daylight\">\u003cem>Midsommar\u003c/em>.\u003c/a> The monologue that followed, however, was much more creaky and awkward, despite the best efforts of Chris Rock and Steve Martin (the latter of whom regrettably blew the name of best actress nominee Cynthia Erivo).\u003c/p>\n\u003cp>The awards in general, and the ones this season in general, have been heavily criticized for how white the nominees are, the failure to nominate any women directors in a year when several made highly regarded films, and plenty of other shortfalls in inclusivity. The Academy’s discomfort with that criticism seemed evident: There may not have been a lot of performers of color among the nominees, but there were a lot among the presenters and speakers and performers. Several presenters — as well as Monáe in her opening number — made mention of the limitations at issue, which is the kind of thing that happens when people are placed in a situation they don’t want to ignore but also aren’t there to challenge \u003cem>too\u003c/em> much.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One new inclusion was a land acknowledgment — a custom that’s commonly observed in other places, including Canada, at cultural events (I’ve personally seen them at the Toronto International Film Festival). In this case, it was writer-director \u003ca href=\"https://www.npr.org/2019/10/18/771219868/director-taika-waititi-on-jojo-rabbit\">Taika Waititi,\u003c/a> nominated for\u003ca href=\"https://www.npr.org/2019/10/17/770262214/jojo-rabbit-your-reich-is-calling\"> \u003cem>Jojo Rabbit\u003c/em>,\u003c/a> who read an acknowledgment of the indigenous people who have lived on the land where the event — in this case, the Academy Awards — takes place. Whether this gesture will be followed up by any action as to the broadening of the Academy’s taste remains, of course, to be seen.\u003c/p>\n\u003cp>\u003cem>Parasite\u003c/em>‘s win for best picture stood out particularly because almost all of the other awards that had seemed likely to go a particular way did: Legendary cinematographer \u003ca href=\"https://www.wbur.org/hereandnow/2019/12/26/1917-world-war-i-cinematography\">Roger Deakins\u003c/a> won for his work on \u003ca href=\"https://www.npr.org/2019/12/24/790207374/1917-is-gripping-visceral-and-strangely-beautiful\">\u003cem>1917\u003c/em>,\u003c/a> the WWI film engineered to look like a \u003ca href=\"https://www.npr.org/2020/02/09/802248145/who-needs-high-tech-film-editing-when-theres-the-thrill-of-the-single-shot\">continuous shot. \u003c/a>Film editing is often a precursor to other big awards, and this year the winners were the editors of racing drama \u003ca href=\"https://www.npr.org/2019/11/14/777254954/ford-v-ferrari-will-get-your-heart-racing\">\u003cem>Ford v. Ferrari\u003c/em>.\u003c/a> \u003cem>Parasite \u003c/em>had been expected to win (or at least to contend strongly) in the categories of best international feature film and for Bong Joon-ho’s original screenplay. Waititi was a favorite for best adapted screenplay, which he won.\u003c/p>\n\u003cp>The acting awards this year had heavy favorites going into the ceremony: Joaquin Phoenix as best actor in \u003ca href=\"https://www.npr.org/2019/10/02/766529122/in-joker-joaquin-phoenix-gives-a-big-performance-in-a-flat-film\">\u003cem>Joker\u003c/em>, \u003c/a>Renée Zellweger as best actress in \u003ca href=\"https://www.npr.org/2019/09/26/764642573/ren-e-zellweger-dazzles-in-a-go-for-broke-portrayal-of-judy-garland\">\u003cem>Judy\u003c/em>,\u003c/a> Brad Pitt as best supporting actor in \u003ca href=\"https://www.npr.org/2019/07/25/744189964/tarantinos-turned-on-tuned-in-tinseltown-once-upon-a-time-in-hollywood\">\u003cem>Once Upon a Time in Hollywood\u003c/em> \u003c/a>and Laura Dern as best supporting actress in \u003ca href=\"https://www.npr.org/2019/11/14/775397877/a-couple-faces-the-painful-end-of-the-line-in-marriage-story\">\u003cem>Marriage Story.\u003c/em>\u003c/a> They all won. Most of them said about what you might expect (although Phoenix surprised many of us by adding to his speech about fighting injustice a mention of the cruelty of artificially inseminating cows and then stealing their offspring, while Zellweger listed many of her heroes in a speech that matched his, meander for meander).\u003c/p>\n\u003cp>The lower-profile (but critical) behind-the-scenes awards were spread across a bunch of films. Best production design went to Quentin Tarantino’s \u003cem>Once Upon a Time in Hollywood\u003c/em>, which re-created the late-’70s L.A. landscape and aesthetic with a lot of loving attention. \u003ca href=\"https://www.npr.org/2019/12/20/789740628/little-women-again-greta-gerwig-s-adaptation-is-both-faithful-and-radical\">\u003cem>Little Women\u003c/em>\u003c/a>\u003cem> \u003c/em>won its only award of the night for Jacqueline Durran’s costume design, full of beautiful dresses both fancy and not. The transformation of actors into familiar faces from the news won an award for the hair and makeup team from \u003ca href=\"https://www.npr.org/2019/12/12/787112042/bombshell-imitates-but-fails-to-enlighten\">\u003cem>Bombshell\u003c/em>.\u003c/a> The sound editing award went to \u003cem>Ford v. Ferrari\u003c/em> and both sound mixing and visual effects went to \u003cem>1917\u003c/em>.\u003c/p>\n\u003cp>The non-surprises kept coming: \u003ca href=\"https://www.npr.org/2019/06/19/733908788/to-infinity-and-be-done-after-4-films-have-we-finally-outgrown-toy-story\">\u003cem>Toy Story 4\u003c/em>\u003c/a>\u003cem> \u003c/em>won best animated feature. Best documentary feature was awarded to \u003ca href=\"https://www.npr.org/2019/08/23/753109643/work-cultures-clash-when-a-chinese-company-reopens-an-american-factory\">\u003cem>American Factory\u003c/em>,\u003c/a> which boasts Barack and Michelle Obama as producers and which comes from Netflix. \u003ca href=\"https://www.npr.org/local/309/2020/02/06/802739449/animated-short-hair-love-brings-diverse-storytelling-to-the-oscars\">\u003cem>Hair Love\u003c/em>,\u003c/a> a lovely film about a father learning to do his daughter’s hair for the first time, written and directed by Matthew A. Cherry, won best animated short, and Cherry dedicated the award to Kobe Bryant: “May we all have a second act as great as his was.” Best live action short film went to \u003cem>The Neighbor’s Window\u003c/em>, and best documentary short subject went to \u003cem>Learning to Skateboard in a Warzone (If You’re a Girl)\u003c/em>.\u003c/p>\n\u003cp>The nominated \u003ca href=\"https://www.npr.org/2020/02/07/803636380/the-2020-oscars-best-original-song-nominees-cruelly-ranked\">best original songs\u003c/a> were performed on stage as usual. Introducer Josh Gad had some fun pointing out that Idina Menzel’s name is “pronounced exactly as it’s spelled” (take that, John Travolta) before she performed “Into the Unknown” from\u003ca href=\"https://www.npr.org/2019/11/20/779284364/frozen-ii-lets-it-go-darker\"> \u003cem>Frozen 2\u003c/em>\u003c/a>. Menzel was joined by some of the singers who have performed the song in other languages in one of the evening’s better innovations. Chrissy Metz performed “I’m Standing With You” from \u003cem>Breakthrough\u003c/em>, accompanied by the choir that’s nearly obligatory. Randy Newman performed “I Can’t Let You Throw Yourself Away” from \u003cem>Toy Story 4\u003c/em>, and Cynthia Erivo (also nominated for best actress) performed the song “Stand Up (From \u003cem>Harriet\u003c/em>),” which, as its title suggests, is from \u003cem>Harriet\u003c/em>. Elton John performed “(I’m Gonna) Love Me Again” from\u003ca href=\"https://www.npr.org/2019/05/31/728226594/elton-john-biopic-rocketman-is-a-surprising-song-and-dance-spectacular\"> \u003cem>Rocketman\u003c/em>,\u003c/a> seemingly hamstrung by a bad sound mix.\u003c/p>\n\u003cp>When they’d all been heard, “I’m Gonna Love Me Again” was victorious. Hildur Guðnadóttir won best original score for her work on \u003cem>Joker\u003c/em>.\u003c/p>\n\u003cp>The musical moment you probably would not have expected — because, really, who could? — was that actor Anthony Ramos introduced Lin-Manuel Miranda; Lin-Manuel Miranda introduced a montage saluting the music used in movies over many decades; and that montage led to Eminem performing the Oscar-winning “Lose Yourself” from \u003cem>8 Mile\u003c/em>, to which the audience responded rapturously. It wasn’t an obvious move to throw in that performance, given that it’s not celebrating any kind of round-numbered anniversary; it won at the 2003 ceremony, though Eminem didn’t perform it then. But it made people happy and got the crowd going like nothing else did all evening except \u003cem>Parasite \u003c/em>winning awards, and there’s something to be said for that. Not long after, there was a recap rap from Utkarsh Ambudkar, an actor who appeared this year in \u003ca href=\"https://www.npr.org/2019/08/22/752755460/a-fun-but-familiar-story-of-making-yourself-over-in-brittany-runs-a-marathon\">\u003cem>Brittany Runs a Marathon\u003c/em>,\u003c/a> reminding everyone what had happened so far. That’s a lot of rap for an Oscars ceremony.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Last year’s ceremony also went without a host, and it wound up being dominated by the actual wins and losses. That made big nights for \u003ca href=\"https://www.npr.org/2018/11/21/669234619/green-book-offers-by-the-book-uplift\">\u003cem>Green Book \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2018/11/01/660969118/no-bed-of-roses-no-pleasure-cruise-bohemian-rhapsody\">\u003cem>Bohemian Rhapsody\u003c/em>, \u003c/a>neither of which seemed to excite the crowd, very disappointing. But this year, the fact that there’s good feeling around so many different films — and enormous respect and love for both \u003cem>Parasite \u003c/em>and Bong Joon-ho — means that this ceremony fared much better. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+The+Oscars%2C+%27Parasite%27+Makes+Best+Picture+History&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At Sunday’s Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.\u003c/p>\n\u003cp>For the first time ever, a film in a foreign language won best picture when Bong Joon-ho’s \u003ca href=\"https://www.npr.org/2019/10/10/768638368/parasite-hooks-you-with-its-emotional-power-and-extraordinary-cunning\">\u003cem>Parasite\u003c/em>,\u003c/a> a comedy-drama-thriller about class and secrets, took the big prize. \u003ca href=\"https://www.npr.org/2019/12/10/785090210/parasite-director-bong-joon-ho-wanted-to-reflect-the-truth-of-current-times\">Bong\u003c/a> also won the awards for best director and best original screenplay. He delivered three warm and generous speeches, including one when he won for his directing and thanked fellow nominees Martin Scorsese and Quentin Tarantino for inspiring him and boosting his career, respectively. (He acknowledged Sam Mendes and Todd Phillips, too.)\u003c/p>\n\u003cp>And, while he gave most of his speeches in Korean with interpreter Sharon Choi, when he won the first one, he stopped and noted in English: “This is very first Oscar to South Korea.” The affection in the room for the film was evident every time it was mentioned, as well as in its strong haul of awards (though it absurdly landed not a single nomination for its uniformly excellent cast).\u003c/p>\n\u003cp>The evening began three and a half hours earlier with a combination of the old and the new: the kind of themed singing-dancing number that used to be the typical Oscars opening, but in the absence of a traditional host, it was performed by the thoroughly modern Janelle Monáe. A version of her own song “Come Alive” was accompanied by dancers dressed in costumes saluting not just nominated films like \u003ca href=\"https://www.npr.org/2019/10/03/765082771/joker-is-wild-ly-dull\">\u003cem>Joker\u003c/em>,\u003c/a> but also conspicuously snubbed ones — several of them, but not all, from black filmmakers — including \u003ca href=\"https://www.npr.org/2019/03/21/705470655/when-you-meet-the-enemy-and-it-is-us\">\u003cem>Us\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/11/27/782574993/a-first-date-turns-into-a-stylish-nightmare-in-queen-slim\">\u003cem>Queen and Slim\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/10/06/765150318/a-breezy-look-at-the-making-of-a-blaxploitation-classic-dolemite-is-my-name\">\u003cem>Dolemite Is My Name\u003c/em>\u003c/a> and \u003ca href=\"https://www.npr.org/2019/07/03/738422258/midsommar-shines-a-solstice-nightmare-unfolds-in-broad-daylight\">\u003cem>Midsommar\u003c/em>.\u003c/a> The monologue that followed, however, was much more creaky and awkward, despite the best efforts of Chris Rock and Steve Martin (the latter of whom regrettably blew the name of best actress nominee Cynthia Erivo).\u003c/p>\n\u003cp>The awards in general, and the ones this season in general, have been heavily criticized for how white the nominees are, the failure to nominate any women directors in a year when several made highly regarded films, and plenty of other shortfalls in inclusivity. The Academy’s discomfort with that criticism seemed evident: There may not have been a lot of performers of color among the nominees, but there were a lot among the presenters and speakers and performers. Several presenters — as well as Monáe in her opening number — made mention of the limitations at issue, which is the kind of thing that happens when people are placed in a situation they don’t want to ignore but also aren’t there to challenge \u003cem>too\u003c/em> much.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One new inclusion was a land acknowledgment — a custom that’s commonly observed in other places, including Canada, at cultural events (I’ve personally seen them at the Toronto International Film Festival). In this case, it was writer-director \u003ca href=\"https://www.npr.org/2019/10/18/771219868/director-taika-waititi-on-jojo-rabbit\">Taika Waititi,\u003c/a> nominated for\u003ca href=\"https://www.npr.org/2019/10/17/770262214/jojo-rabbit-your-reich-is-calling\"> \u003cem>Jojo Rabbit\u003c/em>,\u003c/a> who read an acknowledgment of the indigenous people who have lived on the land where the event — in this case, the Academy Awards — takes place. Whether this gesture will be followed up by any action as to the broadening of the Academy’s taste remains, of course, to be seen.\u003c/p>\n\u003cp>\u003cem>Parasite\u003c/em>‘s win for best picture stood out particularly because almost all of the other awards that had seemed likely to go a particular way did: Legendary cinematographer \u003ca href=\"https://www.wbur.org/hereandnow/2019/12/26/1917-world-war-i-cinematography\">Roger Deakins\u003c/a> won for his work on \u003ca href=\"https://www.npr.org/2019/12/24/790207374/1917-is-gripping-visceral-and-strangely-beautiful\">\u003cem>1917\u003c/em>,\u003c/a> the WWI film engineered to look like a \u003ca href=\"https://www.npr.org/2020/02/09/802248145/who-needs-high-tech-film-editing-when-theres-the-thrill-of-the-single-shot\">continuous shot. \u003c/a>Film editing is often a precursor to other big awards, and this year the winners were the editors of racing drama \u003ca href=\"https://www.npr.org/2019/11/14/777254954/ford-v-ferrari-will-get-your-heart-racing\">\u003cem>Ford v. Ferrari\u003c/em>.\u003c/a> \u003cem>Parasite \u003c/em>had been expected to win (or at least to contend strongly) in the categories of best international feature film and for Bong Joon-ho’s original screenplay. Waititi was a favorite for best adapted screenplay, which he won.\u003c/p>\n\u003cp>The acting awards this year had heavy favorites going into the ceremony: Joaquin Phoenix as best actor in \u003ca href=\"https://www.npr.org/2019/10/02/766529122/in-joker-joaquin-phoenix-gives-a-big-performance-in-a-flat-film\">\u003cem>Joker\u003c/em>, \u003c/a>Renée Zellweger as best actress in \u003ca href=\"https://www.npr.org/2019/09/26/764642573/ren-e-zellweger-dazzles-in-a-go-for-broke-portrayal-of-judy-garland\">\u003cem>Judy\u003c/em>,\u003c/a> Brad Pitt as best supporting actor in \u003ca href=\"https://www.npr.org/2019/07/25/744189964/tarantinos-turned-on-tuned-in-tinseltown-once-upon-a-time-in-hollywood\">\u003cem>Once Upon a Time in Hollywood\u003c/em> \u003c/a>and Laura Dern as best supporting actress in \u003ca href=\"https://www.npr.org/2019/11/14/775397877/a-couple-faces-the-painful-end-of-the-line-in-marriage-story\">\u003cem>Marriage Story.\u003c/em>\u003c/a> They all won. Most of them said about what you might expect (although Phoenix surprised many of us by adding to his speech about fighting injustice a mention of the cruelty of artificially inseminating cows and then stealing their offspring, while Zellweger listed many of her heroes in a speech that matched his, meander for meander).\u003c/p>\n\u003cp>The lower-profile (but critical) behind-the-scenes awards were spread across a bunch of films. Best production design went to Quentin Tarantino’s \u003cem>Once Upon a Time in Hollywood\u003c/em>, which re-created the late-’70s L.A. landscape and aesthetic with a lot of loving attention. \u003ca href=\"https://www.npr.org/2019/12/20/789740628/little-women-again-greta-gerwig-s-adaptation-is-both-faithful-and-radical\">\u003cem>Little Women\u003c/em>\u003c/a>\u003cem> \u003c/em>won its only award of the night for Jacqueline Durran’s costume design, full of beautiful dresses both fancy and not. The transformation of actors into familiar faces from the news won an award for the hair and makeup team from \u003ca href=\"https://www.npr.org/2019/12/12/787112042/bombshell-imitates-but-fails-to-enlighten\">\u003cem>Bombshell\u003c/em>.\u003c/a> The sound editing award went to \u003cem>Ford v. Ferrari\u003c/em> and both sound mixing and visual effects went to \u003cem>1917\u003c/em>.\u003c/p>\n\u003cp>The non-surprises kept coming: \u003ca href=\"https://www.npr.org/2019/06/19/733908788/to-infinity-and-be-done-after-4-films-have-we-finally-outgrown-toy-story\">\u003cem>Toy Story 4\u003c/em>\u003c/a>\u003cem> \u003c/em>won best animated feature. Best documentary feature was awarded to \u003ca href=\"https://www.npr.org/2019/08/23/753109643/work-cultures-clash-when-a-chinese-company-reopens-an-american-factory\">\u003cem>American Factory\u003c/em>,\u003c/a> which boasts Barack and Michelle Obama as producers and which comes from Netflix. \u003ca href=\"https://www.npr.org/local/309/2020/02/06/802739449/animated-short-hair-love-brings-diverse-storytelling-to-the-oscars\">\u003cem>Hair Love\u003c/em>,\u003c/a> a lovely film about a father learning to do his daughter’s hair for the first time, written and directed by Matthew A. Cherry, won best animated short, and Cherry dedicated the award to Kobe Bryant: “May we all have a second act as great as his was.” Best live action short film went to \u003cem>The Neighbor’s Window\u003c/em>, and best documentary short subject went to \u003cem>Learning to Skateboard in a Warzone (If You’re a Girl)\u003c/em>.\u003c/p>\n\u003cp>The nominated \u003ca href=\"https://www.npr.org/2020/02/07/803636380/the-2020-oscars-best-original-song-nominees-cruelly-ranked\">best original songs\u003c/a> were performed on stage as usual. Introducer Josh Gad had some fun pointing out that Idina Menzel’s name is “pronounced exactly as it’s spelled” (take that, John Travolta) before she performed “Into the Unknown” from\u003ca href=\"https://www.npr.org/2019/11/20/779284364/frozen-ii-lets-it-go-darker\"> \u003cem>Frozen 2\u003c/em>\u003c/a>. Menzel was joined by some of the singers who have performed the song in other languages in one of the evening’s better innovations. Chrissy Metz performed “I’m Standing With You” from \u003cem>Breakthrough\u003c/em>, accompanied by the choir that’s nearly obligatory. Randy Newman performed “I Can’t Let You Throw Yourself Away” from \u003cem>Toy Story 4\u003c/em>, and Cynthia Erivo (also nominated for best actress) performed the song “Stand Up (From \u003cem>Harriet\u003c/em>),” which, as its title suggests, is from \u003cem>Harriet\u003c/em>. Elton John performed “(I’m Gonna) Love Me Again” from\u003ca href=\"https://www.npr.org/2019/05/31/728226594/elton-john-biopic-rocketman-is-a-surprising-song-and-dance-spectacular\"> \u003cem>Rocketman\u003c/em>,\u003c/a> seemingly hamstrung by a bad sound mix.\u003c/p>\n\u003cp>When they’d all been heard, “I’m Gonna Love Me Again” was victorious. Hildur Guðnadóttir won best original score for her work on \u003cem>Joker\u003c/em>.\u003c/p>\n\u003cp>The musical moment you probably would not have expected — because, really, who could? — was that actor Anthony Ramos introduced Lin-Manuel Miranda; Lin-Manuel Miranda introduced a montage saluting the music used in movies over many decades; and that montage led to Eminem performing the Oscar-winning “Lose Yourself” from \u003cem>8 Mile\u003c/em>, to which the audience responded rapturously. It wasn’t an obvious move to throw in that performance, given that it’s not celebrating any kind of round-numbered anniversary; it won at the 2003 ceremony, though Eminem didn’t perform it then. But it made people happy and got the crowd going like nothing else did all evening except \u003cem>Parasite \u003c/em>winning awards, and there’s something to be said for that. Not long after, there was a recap rap from Utkarsh Ambudkar, an actor who appeared this year in \u003ca href=\"https://www.npr.org/2019/08/22/752755460/a-fun-but-familiar-story-of-making-yourself-over-in-brittany-runs-a-marathon\">\u003cem>Brittany Runs a Marathon\u003c/em>,\u003c/a> reminding everyone what had happened so far. That’s a lot of rap for an Oscars ceremony.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last year’s ceremony also went without a host, and it wound up being dominated by the actual wins and losses. That made big nights for \u003ca href=\"https://www.npr.org/2018/11/21/669234619/green-book-offers-by-the-book-uplift\">\u003cem>Green Book \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2018/11/01/660969118/no-bed-of-roses-no-pleasure-cruise-bohemian-rhapsody\">\u003cem>Bohemian Rhapsody\u003c/em>, \u003c/a>neither of which seemed to excite the crowd, very disappointing. But this year, the fact that there’s good feeling around so many different films — and enormous respect and love for both \u003cem>Parasite \u003c/em>and Bong Joon-ho — means that this ceremony fared much better. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+The+Oscars%2C+%27Parasite%27+Makes+Best+Picture+History&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Long Before Politics at the Oscars Was a Thing, There Was Sacheen Littlefeather",
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"content": "\u003cp>The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”\u003c/p>\n\u003cp>Instead, they got Sacheen Littlefeather.\u003c/p>\n\u003cp>From John Legend's stand against incarceration to Patricia Arquette's call for equal pay for women — political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all.\u003c/p>\n\u003cp>\u003ciframe title=\"9 Times the Oscars Got Political\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/OrK3jr0lewA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But Littlefeather's actions as the first indigenous person to use the Oscars as a platform to protest the mistreatment of her people in 1973 continue to stand out to this day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Hello, my name is Sacheen Littlefeather,\" said the 20-something California actress and activist as she stood under the lights. She was dressed in tribal dress and waving several pages of paper covered with typed text Brando had given her to read out that evening. \"He has asked me to tell you in a very long speech, which I cannot share with you presently because of time, but I will be glad to share with the press afterwards, that he very regretfully cannot accept this very generous award.\"\u003c/p>\n\u003cp>Littlefeather’s face lit up TV sets in more than \u003ca href=\"https://tvbythenumbers.zap2it.com/reference/academy-awards-show-ratings/\" target=\"_blank\" rel=\"noopener noreferrer\">24 million homes\u003c/a>, as she explained Brando’s decision to boycott the high-profile event and send her in his place.\u003c/p>\n\u003cp>\"And the reasons for this being the treatment of American Indians today by the film industry,\" she went on against a chorus of boos and cheers. \"And on television, in movie reruns and also with recent happenings at Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Marlon Brando's Oscar® win for "The Godfather"\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/2QUacU0I4yU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Littlefeather, who's half Apache and half white, is now in her seventies. She lives in Novato, a town about an hour north of San Francisco. Her speech about the representation of indigenous people on screen — and the U.S. government's recent suppression of Native American protesters at Wounded Knee on the Pine Ridge Reservation in South Dakota — may have been short, but she said it caused an immediate uproar.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sacheen Littlefeather\"]'A lot of people were making money off of that racism of the Hollywood Indian. Of course, they’re going to boo. They don't want their evening interrupted.'[/pullquote]\u003c/p>\n\u003cp>\"All hell broke loose,\" she said, recalling the memory of being escorted off stage by a team of security guards when her 60 seconds were up.\u003c/p>\n\u003cp>Littlefeather said she narrowly avoided getting into a scrap with John Wayne in the wings. He was the biggest name in old-school westerns, which were riddled with negative stereotypes of Native Americans.\u003c/p>\n\u003cp>\"A lot of people were making money off of that racism of the Hollywood Indian,\" Littlefeather said. \"Of course, they’re going to boo. They don't want their evening interrupted.\"\u003c/p>\n\u003cp>\u003ciframe title=\"The Searchers (1956) - Cowboys vs. Indians Scene (4/10) | Movieclips\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/dc8glsGbIus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\"People were furious at Marlon Brando, that he had blindsided and ambushed them,\" said Bay Area-based film critic Michael Fox, who remembers watching the 1973 Oscars as a teenager and seeing the incident recaptured in the papers the next day. \"I'm sure the industry took it as a betrayal.\"\u003c/p>\n\u003cp>Littlefeather was living in San Francisco as a radio personality and Native American rights activist — she'd participated in the Native occupation of Alcatraz in the late 1960s — when Brando started speaking publicly about his support of Native Americans.\u003c/p>\n\u003cp>She said she was skeptical at first. So she got her neighbor, director Francis Ford Coppola, to deliver the movie star a letter she wrote that quizzed him about his intentions.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sacheen Littlefeather\"]'I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role, but a role being anything on the screen that you want to be.'[/pullquote]\u003c/p>\n\u003cp>\"It took him a year to get back to me,\" she said. \"But eventually he did.\"\u003c/p>\n\u003cp>Littlefeather said she could see Brando was sincere from his response. They began a friendship, which led to his request for her to stand in for him at the Oscars.\u003c/p>\n\u003cp>She said her stand at the 1973 Oscars wasn’t in vain.\u003c/p>\n\u003cp>\"The press showed up in South Dakota,\" she said. \"And they blasted open the story of Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Feb 28, 1973 Surveying Damage at Wounded Knee Video ABC News\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Y1l1ACpRYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But it ruined her career in the entertainment industry.\u003c/p>\n\u003cp>\"I was boycotted from that time forward,\" said the actress, who appeared in a few films — like the 1973 release \"Counselor at Crime\" — before the work dried up. \"I was never allowed on any of the major television shows, major productions of films.\"\u003c/p>\n\u003cp>\u003ciframe title='Sexy Sacheen Littlefeather on \"Counselor at Crime\" (Il Consigliori, 1973)' width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/8Kv1oc7IxY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>There still aren’t many lead roles for Native Americans today. But things are slowly changing.\u003c/p>\n\u003cp>Apache actress Sivan Alyra Rose recently became the first indigenous North American to star in a Netflix series,\"\u003ca href=\"https://www.netflix.com/title/80210361\" target=\"_blank\" rel=\"noopener noreferrer\">Chambers,\u003c/a>\" last year. Also in 2019, Cherokee actor \u003ca href=\"https://www.wbur.org/hereandnow/2019/07/02/wes-studi-oscar-native-american\" target=\"_blank\" rel=\"noopener noreferrer\">Wes Studi won an honorary Academy Award\u003c/a>, becoming the first Native American to win an Oscar since songwriter Buffy Sainte-Marie received a nod for her theme song \"Up Where We Belong\" from the movie \"An Officer and a Gentleman\" in 1983.\u003c/p>\n\u003cp>\u003ciframe title='\"Up Where We Belong\" Wins Original Song: 1983 Oscars' width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/YMRP0HVD63g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.commonwealthclub.org/events/archive/podcast/sacheen-littlefeather-and-sivan-alyra-rose-native-americans-film-and-media\" target=\"_blank\" rel=\"noopener noreferrer\">recent Commonwealth Club talk\u003c/a> in San Francisco, Oglala Lakota film producer Sarah Eagle Heart credited Littlefeather with paving the way for people like her.\u003c/p>\n\u003cp>\"Those of us that had to come afterwards in the industry, I know are grateful for you standing up and fighting for us to have a voice and for our issues to be heard as well,\" Eagle Heart said.\u003c/p>\n\u003cp>Littlefeather was a special guest at that event.\u003c/p>\n\u003cp>\"This is one of the reasons why I refused that Academy Award,\" Littlefeather responded. \"I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role but a role being anything on the screen that you want to be.\"\u003c/p>\n\u003cp>\u003ciframe title=\"SACHEEN, Breaking the silence OFFICIAL TRAILER\" src=\"https://player.vimeo.com/video/316908967?dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Littlefeather shares information about her life, activism and pioneering stand at the 45th Academy Awards in the recently released documentary, \"Sacheen, Breaking the Silence.\"\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”\u003c/p>\n\u003cp>Instead, they got Sacheen Littlefeather.\u003c/p>\n\u003cp>From John Legend's stand against incarceration to Patricia Arquette's call for equal pay for women — political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all.\u003c/p>\n\u003cp>\u003ciframe title=\"9 Times the Oscars Got Political\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/OrK3jr0lewA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But Littlefeather's actions as the first indigenous person to use the Oscars as a platform to protest the mistreatment of her people in 1973 continue to stand out to this day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Hello, my name is Sacheen Littlefeather,\" said the 20-something California actress and activist as she stood under the lights. She was dressed in tribal dress and waving several pages of paper covered with typed text Brando had given her to read out that evening. \"He has asked me to tell you in a very long speech, which I cannot share with you presently because of time, but I will be glad to share with the press afterwards, that he very regretfully cannot accept this very generous award.\"\u003c/p>\n\u003cp>Littlefeather’s face lit up TV sets in more than \u003ca href=\"https://tvbythenumbers.zap2it.com/reference/academy-awards-show-ratings/\" target=\"_blank\" rel=\"noopener noreferrer\">24 million homes\u003c/a>, as she explained Brando’s decision to boycott the high-profile event and send her in his place.\u003c/p>\n\u003cp>\"And the reasons for this being the treatment of American Indians today by the film industry,\" she went on against a chorus of boos and cheers. \"And on television, in movie reruns and also with recent happenings at Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Marlon Brando's Oscar® win for "The Godfather"\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/2QUacU0I4yU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Littlefeather, who's half Apache and half white, is now in her seventies. She lives in Novato, a town about an hour north of San Francisco. Her speech about the representation of indigenous people on screen — and the U.S. government's recent suppression of Native American protesters at Wounded Knee on the Pine Ridge Reservation in South Dakota — may have been short, but she said it caused an immediate uproar.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "'A lot of people were making money off of that racism of the Hollywood Indian. Of course, they’re going to boo. They don't want their evening interrupted.'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"All hell broke loose,\" she said, recalling the memory of being escorted off stage by a team of security guards when her 60 seconds were up.\u003c/p>\n\u003cp>Littlefeather said she narrowly avoided getting into a scrap with John Wayne in the wings. He was the biggest name in old-school westerns, which were riddled with negative stereotypes of Native Americans.\u003c/p>\n\u003cp>\"A lot of people were making money off of that racism of the Hollywood Indian,\" Littlefeather said. \"Of course, they’re going to boo. They don't want their evening interrupted.\"\u003c/p>\n\u003cp>\u003ciframe title=\"The Searchers (1956) - Cowboys vs. Indians Scene (4/10) | Movieclips\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/dc8glsGbIus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\"People were furious at Marlon Brando, that he had blindsided and ambushed them,\" said Bay Area-based film critic Michael Fox, who remembers watching the 1973 Oscars as a teenager and seeing the incident recaptured in the papers the next day. \"I'm sure the industry took it as a betrayal.\"\u003c/p>\n\u003cp>Littlefeather was living in San Francisco as a radio personality and Native American rights activist — she'd participated in the Native occupation of Alcatraz in the late 1960s — when Brando started speaking publicly about his support of Native Americans.\u003c/p>\n\u003cp>She said she was skeptical at first. So she got her neighbor, director Francis Ford Coppola, to deliver the movie star a letter she wrote that quizzed him about his intentions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "'I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role, but a role being anything on the screen that you want to be.'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It took him a year to get back to me,\" she said. \"But eventually he did.\"\u003c/p>\n\u003cp>Littlefeather said she could see Brando was sincere from his response. They began a friendship, which led to his request for her to stand in for him at the Oscars.\u003c/p>\n\u003cp>She said her stand at the 1973 Oscars wasn’t in vain.\u003c/p>\n\u003cp>\"The press showed up in South Dakota,\" she said. \"And they blasted open the story of Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Feb 28, 1973 Surveying Damage at Wounded Knee Video ABC News\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Y1l1ACpRYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But it ruined her career in the entertainment industry.\u003c/p>\n\u003cp>\"I was boycotted from that time forward,\" said the actress, who appeared in a few films — like the 1973 release \"Counselor at Crime\" — before the work dried up. \"I was never allowed on any of the major television shows, major productions of films.\"\u003c/p>\n\u003cp>\u003ciframe title='Sexy Sacheen Littlefeather on \"Counselor at Crime\" (Il Consigliori, 1973)' width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/8Kv1oc7IxY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>There still aren’t many lead roles for Native Americans today. But things are slowly changing.\u003c/p>\n\u003cp>Apache actress Sivan Alyra Rose recently became the first indigenous North American to star in a Netflix series,\"\u003ca href=\"https://www.netflix.com/title/80210361\" target=\"_blank\" rel=\"noopener noreferrer\">Chambers,\u003c/a>\" last year. Also in 2019, Cherokee actor \u003ca href=\"https://www.wbur.org/hereandnow/2019/07/02/wes-studi-oscar-native-american\" target=\"_blank\" rel=\"noopener noreferrer\">Wes Studi won an honorary Academy Award\u003c/a>, becoming the first Native American to win an Oscar since songwriter Buffy Sainte-Marie received a nod for her theme song \"Up Where We Belong\" from the movie \"An Officer and a Gentleman\" in 1983.\u003c/p>\n\u003cp>\u003ciframe title='\"Up Where We Belong\" Wins Original Song: 1983 Oscars' width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/YMRP0HVD63g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.commonwealthclub.org/events/archive/podcast/sacheen-littlefeather-and-sivan-alyra-rose-native-americans-film-and-media\" target=\"_blank\" rel=\"noopener noreferrer\">recent Commonwealth Club talk\u003c/a> in San Francisco, Oglala Lakota film producer Sarah Eagle Heart credited Littlefeather with paving the way for people like her.\u003c/p>\n\u003cp>\"Those of us that had to come afterwards in the industry, I know are grateful for you standing up and fighting for us to have a voice and for our issues to be heard as well,\" Eagle Heart said.\u003c/p>\n\u003cp>Littlefeather was a special guest at that event.\u003c/p>\n\u003cp>\"This is one of the reasons why I refused that Academy Award,\" Littlefeather responded. \"I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role but a role being anything on the screen that you want to be.\"\u003c/p>\n\u003cp>\u003ciframe title=\"SACHEEN, Breaking the silence OFFICIAL TRAILER\" src=\"https://player.vimeo.com/video/316908967?dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Littlefeather shares information about her life, activism and pioneering stand at the 45th Academy Awards in the recently released documentary, \"Sacheen, Breaking the Silence.\"\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Oakland-born and Hayward-raised Mahershala Ali took home his second Oscar in three years on Sunday night, one of several winners with Bay Area connections.\u003c/p>\n\u003cp>Ali won the award for Best Actor in a Supporting Role for his portrayal of world-class pianist Don Shirley in Best Picture winner “Green Book.” In 2017, Ali became the first Muslim actor to win an Oscar when he won in the same category for his role in “Moonlight.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RQhIGLHCt24\u003c/p>\n\u003cp>“I want to dedicate this to my grandmother who has been in my ear my entire life telling me if at first I don’t succeed, try, try again,” Ali said in his acceptance speech. “That I could do anything I put my mind to, always, always pushing me to think positively, and I know that I would not be here without her.”\u003c/p>\n\u003cp>Ali beat out two fellow Northern California products to win the award. Sam Rockwell, who was born in Daly City and grew up in San Francisco, was nominated for his role as former President George W. Bush in “Vice,” and Sacramento’s Sam Elliott earned a nomination for his part in “A Star is Born.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Emeryville-based Pixar failed to follow up last year’s Best Animated Feature winner “Coco” with another win for the superhero film “Incredibles 2,” but it did take home the award for Best Animated Short for “Bao,” a story about a mom, a son and a dumpling that comes to life.\u003c/p>\n\u003cfigure id=\"attachment_11728708\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-800x557.jpg\" alt='Becky Neiman-Cobb (L) and Domee Shi, winners of Best Animated Short Film for \"Bao,\" pose in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California.' width=\"800\" height=\"557\" class=\"size-medium wp-image-11728708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-800x557.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-1020x710.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-1200x836.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Becky Neiman-Cobb (L) and Domee Shi, winners of Best Animated Short Film for “Bao,” pose in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. \u003ccite>(Frazer Harrison/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>John Ottman called out his experiences as a kid making movies in his parents’ garage in San Jose during his victory speech after winning the Oscar for film editing for “Bohemian Rhapsody.” But some on social media \u003ca href=\"https://popculture.com/movies/2019/02/25/oscars-2019-bohemian-rhapsody-editor-john-ottman-speech-social-media/\" rel=\"noopener\" target=\"_blank\">called Ottman out\u003c/a> for not using the speech to denounce the film’s director, Bryan Singer, who left the project midway through and has \u003ca href=\"https://www.theatlantic.com/magazine/archive/2019/03/bryan-singers-accusers-speak-out/580462/\" rel=\"noopener\" target=\"_blank\">repeatedly\u003c/a> been accused of sexual assault.\u003c/p>\n\u003cp>“Black Panther,” which was directed by Oakland’s Ryan Coogler and included several scenes in The Town, did not win Best Picture, but it still took home three out of the seven awards it was nominated for. \u003ca href=\"https://www.npr.org/2019/02/22/696687965/she-designed-wakanda-and-might-win-an-oscar-for-it\" rel=\"noopener\" target=\"_blank\">Hannah Beachler\u003c/a> and Jay Hart won for production design, \u003ca href=\"https://www.npr.org/2018/02/16/586513016/black-panther-costume-designer-draws-on-the-sacred-geometry-of-africa\" rel=\"noopener\" target=\"_blank\">Ruth Carter\u003c/a> won for costume design and \u003ca href=\"https://www.npr.org/2019/02/23/697124438/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" rel=\"noopener\" target=\"_blank\">Ludwig Göransson\u003c/a> won for best original score.\u003c/p>\n\u003cp>The film’s sound editing and mixing teams — including \u003ca href=\"https://abc7news.com/entertainment/3-bay-area-men-up-for-sound-mixing-editing-oscars/5149485/\" rel=\"noopener\" target=\"_blank\">Bay Area products\u003c/a> Steve Boeddeker, Brandon Proctor and Benjamin A. Burtt — lost out in both categories to “Bohemian Rhapsody,” and “All the Stars” by Kendrick Lamar, SZA, Mark “Sounwave” Spears and Anthony “Top Dawg” Tiffith failed to upset Lady Gaga’s “Shallow” from “A Star is Born” for Best Original Song.\u003c/p>\n\u003cp>“Free Solo,” a documentary about Alex Honnold, the Sacramento man who became the first person to successfully scale Yosemite’s El Capitan without ropes or harnesses, won for Best Documentary Feature.\u003c/p>\n\u003cp>You can see the full list of winners \u003ca href=\"https://www.npr.org/2019/02/24/697170356/oscars-2019-the-winners\" rel=\"noopener\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland-born and Hayward-raised Mahershala Ali took home his second Oscar in three years on Sunday night, one of several winners with Bay Area connections.\u003c/p>\n\u003cp>Ali won the award for Best Actor in a Supporting Role for his portrayal of world-class pianist Don Shirley in Best Picture winner “Green Book.” In 2017, Ali became the first Muslim actor to win an Oscar when he won in the same category for his role in “Moonlight.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RQhIGLHCt24'\n title='//www.youtube.com/embed/RQhIGLHCt24'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I want to dedicate this to my grandmother who has been in my ear my entire life telling me if at first I don’t succeed, try, try again,” Ali said in his acceptance speech. “That I could do anything I put my mind to, always, always pushing me to think positively, and I know that I would not be here without her.”\u003c/p>\n\u003cp>Ali beat out two fellow Northern California products to win the award. Sam Rockwell, who was born in Daly City and grew up in San Francisco, was nominated for his role as former President George W. Bush in “Vice,” and Sacramento’s Sam Elliott earned a nomination for his part in “A Star is Born.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Emeryville-based Pixar failed to follow up last year’s Best Animated Feature winner “Coco” with another win for the superhero film “Incredibles 2,” but it did take home the award for Best Animated Short for “Bao,” a story about a mom, a son and a dumpling that comes to life.\u003c/p>\n\u003cfigure id=\"attachment_11728708\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-800x557.jpg\" alt='Becky Neiman-Cobb (L) and Domee Shi, winners of Best Animated Short Film for \"Bao,\" pose in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California.' width=\"800\" height=\"557\" class=\"size-medium wp-image-11728708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-800x557.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-1020x710.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut-1200x836.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/02/RS35448_GettyImages-1131923943-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Becky Neiman-Cobb (L) and Domee Shi, winners of Best Animated Short Film for “Bao,” pose in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. \u003ccite>(Frazer Harrison/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>John Ottman called out his experiences as a kid making movies in his parents’ garage in San Jose during his victory speech after winning the Oscar for film editing for “Bohemian Rhapsody.” But some on social media \u003ca href=\"https://popculture.com/movies/2019/02/25/oscars-2019-bohemian-rhapsody-editor-john-ottman-speech-social-media/\" rel=\"noopener\" target=\"_blank\">called Ottman out\u003c/a> for not using the speech to denounce the film’s director, Bryan Singer, who left the project midway through and has \u003ca href=\"https://www.theatlantic.com/magazine/archive/2019/03/bryan-singers-accusers-speak-out/580462/\" rel=\"noopener\" target=\"_blank\">repeatedly\u003c/a> been accused of sexual assault.\u003c/p>\n\u003cp>“Black Panther,” which was directed by Oakland’s Ryan Coogler and included several scenes in The Town, did not win Best Picture, but it still took home three out of the seven awards it was nominated for. \u003ca href=\"https://www.npr.org/2019/02/22/696687965/she-designed-wakanda-and-might-win-an-oscar-for-it\" rel=\"noopener\" target=\"_blank\">Hannah Beachler\u003c/a> and Jay Hart won for production design, \u003ca href=\"https://www.npr.org/2018/02/16/586513016/black-panther-costume-designer-draws-on-the-sacred-geometry-of-africa\" rel=\"noopener\" target=\"_blank\">Ruth Carter\u003c/a> won for costume design and \u003ca href=\"https://www.npr.org/2019/02/23/697124438/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" rel=\"noopener\" target=\"_blank\">Ludwig Göransson\u003c/a> won for best original score.\u003c/p>\n\u003cp>The film’s sound editing and mixing teams — including \u003ca href=\"https://abc7news.com/entertainment/3-bay-area-men-up-for-sound-mixing-editing-oscars/5149485/\" rel=\"noopener\" target=\"_blank\">Bay Area products\u003c/a> Steve Boeddeker, Brandon Proctor and Benjamin A. Burtt — lost out in both categories to “Bohemian Rhapsody,” and “All the Stars” by Kendrick Lamar, SZA, Mark “Sounwave” Spears and Anthony “Top Dawg” Tiffith failed to upset Lady Gaga’s “Shallow” from “A Star is Born” for Best Original Song.\u003c/p>\n\u003cp>“Free Solo,” a documentary about Alex Honnold, the Sacramento man who became the first person to successfully scale Yosemite’s El Capitan without ropes or harnesses, won for Best Documentary Feature.\u003c/p>\n\u003cp>You can see the full list of winners \u003ca href=\"https://www.npr.org/2019/02/24/697170356/oscars-2019-the-winners\" rel=\"noopener\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Academy Awards are known as Hollywood’s biggest night, but there are some nominees from the northern part of the state who are hoping to win big at Sunday’s Oscars ceremony.\u003c/p>\n\u003cp>\u003cstrong>Mahershala Ali:\u003c/strong> Ali was born in Oakland, grew up in Hayward and went to school at \u003ca href=\"https://www.stmarys-ca.edu/mahershala-ali-96\" rel=\"noopener\" target=\"_blank\">St. Mary’s College\u003c/a> in Moraga. He’s nominated for Best Actor in a Supporting Role for his role in “Green Book.” Ali plays Don Shirley, a world-class pianist who goes on a tour of the South with a white driver in the 1960s.\u003c/p>\n\u003cp>Ali’s performance has been widely praised, while the film itself has received criticism for \u003ca href=\"https://www.vanityfair.com/hollywood/2018/12/truth-about-green-book-viggo-mortensen-mahershala-ali\" rel=\"noopener\" target=\"_blank\">historical inaccuracies\u003c/a> and \u003ca href=\"https://www.salon.com/2018/12/30/hollywood-still-loves-a-white-savior-green-book-and-the-lazy-feel-good-take-on-race/\" rel=\"noopener\" target=\"_blank\">“white savior”\u003c/a> tendencies. But it’s also been racking up awards, including Best Musical or Comedy at the Golden Globes, where Ali took home the prize for Best Actor in a Supporting Role.\u003c/p>\n\u003cp>In 2017, Ali became the first Muslim actor to win an Oscar when he won for his supporting role in that year’s Best Picture winner, “Moonlight.”\u003c/p>\n\u003cp>\u003cstrong>Sam Rockwell:\u003c/strong> Best Actor in a Supporting Role is full of Bay Area representation, with the Daly City-born and San Francisco-raised Rockwell joining Ali. Rockwell is nominated for his take on former President George W. Bush in the Dick Cheney biopic, “Vice.” He’s the reigning winner in the category, taking home the prize last year for his role as a racist cop in “Three Billboards Outside Ebbing, Missouri.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Sam Elliott:\u003c/strong> Thought we were done with Best Actor in a Supporting Role? Think again.\u003c/p>\n\u003cp>Sacramento’s Sam Elliott is nominated for his role in “A Star is Born.” He plays Bobby Maine, the older brother and manager of the film’s male lead, played by Bradley Cooper. This is the 74-year-old film and TV veteran’s first Oscar nomination.\u003c/p>\n\u003cp>\u003cstrong>Pixar:\u003c/strong> Emeryville-based Pixar is looking to score a second straight win for Best Animated Feature with “Incredibles 2,” the sequel to the beloved animated superhero film. It took home last year’s award with “Coco.”\u003c/p>\n\u003cp>It’s also nominated in the Best Animated Short category for \u003ca href=\"https://abc7news.com/entertainment/bao-a-story-about-a-dumpling-is-up-for-an-oscar/5148091/\" rel=\"noopener\" target=\"_blank\">“Bao,”\u003c/a> the story of a mother, son and a dumpling that comes to life, which aired before “Incredibles 2” in theaters.\u003c/p>\n\u003cp>\u003cstrong>Lucasfilm:\u003c/strong> Not since the original 1977 “Star Wars” (also known as “Episode IV: A New Hope”) has a Star Wars movie been nominated for Best Picture or received an acting nomination at the Oscars. But the franchise is a \u003ca href=\"https://www.sporcle.com/blog/2017/12/has-a-star-wars-film-ever-won-an-oscar/\" rel=\"noopener\" target=\"_blank\">regular\u003c/a> in the music, visual effects and editing categories, and the latest film in the intergalactic series, “Solo,” is nominated for Visual Effects at this year’s Oscars.\u003c/p>\n\u003cp>\u003cstrong>Industrial Light & Magic\u003c/strong>, a visual effects division within Lucasfilm, did the visual effects for “Solo,” along with fellow nominees “Avengers: Infinity War” and “Ready Player One.”\u003c/p>\n\u003cp>\u003cstrong>“Black Panther”:\u003c/strong> Though the majority of the superhero movie takes place in the fictional African country of Wakanda, “Black Panther” includes a few scenes in \u003ca href=\"https://www.kqed.org/news/11650235/oaklands-two-black-panthers-the-movie-and-the-movement\" rel=\"noopener\" target=\"_blank\">Oakland\u003c/a>, director Ryan Coogler’s hometown. (The film also led to some \u003ca href=\"https://www.kqed.org/arts/13825748/black-panther-success-leads-to-1m-donation-to-oakland-stem-center\" rel=\"noopener\" target=\"_blank\">real-life impacts\u003c/a> in The Town.) The film is up for nominations in seven categories: \u003c/p>\n\u003cul>\n\u003cli>Best Picture: Keven Feige, producer\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2019/02/22/696687965/she-designed-wakanda-and-might-win-an-oscar-for-it\" rel=\"noopener\" target=\"_blank\">Production Design\u003c/a>: Hannah Beachler and Jay Hart\u003c/li>\n\u003cli>\u003ca href=\"https://abc7news.com/entertainment/3-bay-area-men-up-for-sound-mixing-editing-oscars/5149485/\" rel=\"noopener\" target=\"_blank\">Sound Editing\u003c/a>: Benjamin A. Burtt and Steve Boeddeker\u003c/li>\n\u003cli>\u003ca href=\"https://abc7news.com/entertainment/3-bay-area-men-up-for-sound-mixing-editing-oscars/5149485/\" rel=\"noopener\" target=\"_blank\">Sound Mixing\u003c/a>: Steve Boeddeker, Brandon Proctor and Peter Devlin\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2018/02/16/586513016/black-panther-costume-designer-draws-on-the-sacred-geometry-of-africa\" rel=\"noopener\" target=\"_blank\">Costume Design\u003c/a>: Ruth Carter\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2019/02/23/697124438/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" rel=\"noopener\" target=\"_blank\">Original Score\u003c/a>: Ludwig Goransson\u003c/li>\n\u003cli>Original Song: “All the Stars,” Music by Kendrick Lamar, Mark “Sounwave” Spears and Anthony “Top Dawg” Tiffith; Lyrics by Kendrick Lamar, SZA and Anthony “Top Dawg” Tiffith\u003c/li>\n\u003c/ul>\n\u003cp>Overall, 2018 was a good year for Bay Area films and filmmakers, even the ones not nominated for Academy Awards. “\u003ca href=\"https://www.kqed.org/arts/13836455/in-sorry-to-bother-you-an-alternate-universe-oakland-is-still-true-and-familiar\" rel=\"noopener\" target=\"_blank\">Sorry to Bother You\u003c/a>” and “\u003ca href=\"https://www.kqed.org/arts/13837184/blindspotting-is-a-spot-on-portrait-of-an-oakland-in-flux\" rel=\"noopener\" target=\"_blank\">Blindspotting\u003c/a>” are both set in Oakland and received critical acclaim, along with lots of local and \u003ca href=\"https://www.kqed.org/news/11679230/boots-riley-tommy-orange-and-the-summer-of-the-oakland-artist\" rel=\"noopener\" target=\"_blank\">national attention\u003c/a>. But no Oscar or \u003ca href=\"https://www.kqed.org/arts/13846501/sorry-to-bother-you-blindspotting-shut-out-of-golden-globe-nominations\" rel=\"noopener\" target=\"_blank\">Golden Globe\u003c/a> nominations.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And here’s the \u003ca href=\"https://www.oscars.org/oscars/ceremonies/2019\" rel=\"noopener\" target=\"_blank\">full list of nominees\u003c/a> you can check out before the show tonight.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Academy Awards are known as Hollywood’s biggest night, but there are some nominees from the northern part of the state who are hoping to win big at Sunday’s Oscars ceremony.\u003c/p>\n\u003cp>\u003cstrong>Mahershala Ali:\u003c/strong> Ali was born in Oakland, grew up in Hayward and went to school at \u003ca href=\"https://www.stmarys-ca.edu/mahershala-ali-96\" rel=\"noopener\" target=\"_blank\">St. Mary’s College\u003c/a> in Moraga. He’s nominated for Best Actor in a Supporting Role for his role in “Green Book.” Ali plays Don Shirley, a world-class pianist who goes on a tour of the South with a white driver in the 1960s.\u003c/p>\n\u003cp>Ali’s performance has been widely praised, while the film itself has received criticism for \u003ca href=\"https://www.vanityfair.com/hollywood/2018/12/truth-about-green-book-viggo-mortensen-mahershala-ali\" rel=\"noopener\" target=\"_blank\">historical inaccuracies\u003c/a> and \u003ca href=\"https://www.salon.com/2018/12/30/hollywood-still-loves-a-white-savior-green-book-and-the-lazy-feel-good-take-on-race/\" rel=\"noopener\" target=\"_blank\">“white savior”\u003c/a> tendencies. But it’s also been racking up awards, including Best Musical or Comedy at the Golden Globes, where Ali took home the prize for Best Actor in a Supporting Role.\u003c/p>\n\u003cp>In 2017, Ali became the first Muslim actor to win an Oscar when he won for his supporting role in that year’s Best Picture winner, “Moonlight.”\u003c/p>\n\u003cp>\u003cstrong>Sam Rockwell:\u003c/strong> Best Actor in a Supporting Role is full of Bay Area representation, with the Daly City-born and San Francisco-raised Rockwell joining Ali. Rockwell is nominated for his take on former President George W. Bush in the Dick Cheney biopic, “Vice.” He’s the reigning winner in the category, taking home the prize last year for his role as a racist cop in “Three Billboards Outside Ebbing, Missouri.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sam Elliott:\u003c/strong> Thought we were done with Best Actor in a Supporting Role? Think again.\u003c/p>\n\u003cp>Sacramento’s Sam Elliott is nominated for his role in “A Star is Born.” He plays Bobby Maine, the older brother and manager of the film’s male lead, played by Bradley Cooper. This is the 74-year-old film and TV veteran’s first Oscar nomination.\u003c/p>\n\u003cp>\u003cstrong>Pixar:\u003c/strong> Emeryville-based Pixar is looking to score a second straight win for Best Animated Feature with “Incredibles 2,” the sequel to the beloved animated superhero film. It took home last year’s award with “Coco.”\u003c/p>\n\u003cp>It’s also nominated in the Best Animated Short category for \u003ca href=\"https://abc7news.com/entertainment/bao-a-story-about-a-dumpling-is-up-for-an-oscar/5148091/\" rel=\"noopener\" target=\"_blank\">“Bao,”\u003c/a> the story of a mother, son and a dumpling that comes to life, which aired before “Incredibles 2” in theaters.\u003c/p>\n\u003cp>\u003cstrong>Lucasfilm:\u003c/strong> Not since the original 1977 “Star Wars” (also known as “Episode IV: A New Hope”) has a Star Wars movie been nominated for Best Picture or received an acting nomination at the Oscars. But the franchise is a \u003ca href=\"https://www.sporcle.com/blog/2017/12/has-a-star-wars-film-ever-won-an-oscar/\" rel=\"noopener\" target=\"_blank\">regular\u003c/a> in the music, visual effects and editing categories, and the latest film in the intergalactic series, “Solo,” is nominated for Visual Effects at this year’s Oscars.\u003c/p>\n\u003cp>\u003cstrong>Industrial Light & Magic\u003c/strong>, a visual effects division within Lucasfilm, did the visual effects for “Solo,” along with fellow nominees “Avengers: Infinity War” and “Ready Player One.”\u003c/p>\n\u003cp>\u003cstrong>“Black Panther”:\u003c/strong> Though the majority of the superhero movie takes place in the fictional African country of Wakanda, “Black Panther” includes a few scenes in \u003ca href=\"https://www.kqed.org/news/11650235/oaklands-two-black-panthers-the-movie-and-the-movement\" rel=\"noopener\" target=\"_blank\">Oakland\u003c/a>, director Ryan Coogler’s hometown. (The film also led to some \u003ca href=\"https://www.kqed.org/arts/13825748/black-panther-success-leads-to-1m-donation-to-oakland-stem-center\" rel=\"noopener\" target=\"_blank\">real-life impacts\u003c/a> in The Town.) The film is up for nominations in seven categories: \u003c/p>\n\u003cul>\n\u003cli>Best Picture: Keven Feige, producer\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2019/02/22/696687965/she-designed-wakanda-and-might-win-an-oscar-for-it\" rel=\"noopener\" target=\"_blank\">Production Design\u003c/a>: Hannah Beachler and Jay Hart\u003c/li>\n\u003cli>\u003ca href=\"https://abc7news.com/entertainment/3-bay-area-men-up-for-sound-mixing-editing-oscars/5149485/\" rel=\"noopener\" target=\"_blank\">Sound Editing\u003c/a>: Benjamin A. Burtt and Steve Boeddeker\u003c/li>\n\u003cli>\u003ca href=\"https://abc7news.com/entertainment/3-bay-area-men-up-for-sound-mixing-editing-oscars/5149485/\" rel=\"noopener\" target=\"_blank\">Sound Mixing\u003c/a>: Steve Boeddeker, Brandon Proctor and Peter Devlin\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2018/02/16/586513016/black-panther-costume-designer-draws-on-the-sacred-geometry-of-africa\" rel=\"noopener\" target=\"_blank\">Costume Design\u003c/a>: Ruth Carter\u003c/li>\n\u003cli>\u003ca href=\"https://www.npr.org/2019/02/23/697124438/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" rel=\"noopener\" target=\"_blank\">Original Score\u003c/a>: Ludwig Goransson\u003c/li>\n\u003cli>Original Song: “All the Stars,” Music by Kendrick Lamar, Mark “Sounwave” Spears and Anthony “Top Dawg” Tiffith; Lyrics by Kendrick Lamar, SZA and Anthony “Top Dawg” Tiffith\u003c/li>\n\u003c/ul>\n\u003cp>Overall, 2018 was a good year for Bay Area films and filmmakers, even the ones not nominated for Academy Awards. “\u003ca href=\"https://www.kqed.org/arts/13836455/in-sorry-to-bother-you-an-alternate-universe-oakland-is-still-true-and-familiar\" rel=\"noopener\" target=\"_blank\">Sorry to Bother You\u003c/a>” and “\u003ca href=\"https://www.kqed.org/arts/13837184/blindspotting-is-a-spot-on-portrait-of-an-oakland-in-flux\" rel=\"noopener\" target=\"_blank\">Blindspotting\u003c/a>” are both set in Oakland and received critical acclaim, along with lots of local and \u003ca href=\"https://www.kqed.org/news/11679230/boots-riley-tommy-orange-and-the-summer-of-the-oakland-artist\" rel=\"noopener\" target=\"_blank\">national attention\u003c/a>. But no Oscar or \u003ca href=\"https://www.kqed.org/arts/13846501/sorry-to-bother-you-blindspotting-shut-out-of-golden-globe-nominations\" rel=\"noopener\" target=\"_blank\">Golden Globe\u003c/a> nominations.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And here’s the \u003ca href=\"https://www.oscars.org/oscars/ceremonies/2019\" rel=\"noopener\" target=\"_blank\">full list of nominees\u003c/a> you can check out before the show tonight.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>PG&E Bankruptcy\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Tuesday, PG&E filed for Chapter 11 bankruptcy protection, claiming it faces tens of billions of dollars in potential liability costs for deadly and destructive wildfires in 2017 and 2018. The utility giant said the bankruptcy filing — the second in less than 20 years — would not disrupt services to its nearly 16 million customers in Northern and Central California. The move has angered wildfire victims whose lawsuits against PG&E will be consolidated and their payouts decided by the bankruptcy judge overseeing the company’s financial restructuring. State lawmakers are now seeking ways to have more control over what happens next. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, KQED Politics and Government reporter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">California state Sen. Jerry Hill (D-San Mateo) \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Mark Toney, The Utility Reform Network executive director\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>California and Congress\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Tuesday, President Trump will deliver the State of the Union address on Capitol Hill. Seated behind him will be House Majority Leader Nancy Pelosi, who united House Democrats in denying the president billions in funds to build a border wall in exchange for ending the 35-day government shutdown. Pelosi has also been appointing Bay Area and California lawmakers in recent weeks to key assignments on committees dealing with homeland security and government oversight. Back in California, a legal fight is brewing between the state and the city of Huntington Beach, as state officials pursue a new strategy to address the housing crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Scott Shafer, KQED Senior Editor of California Politics and Government\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Lanhee Chen, Hoover Institution fellow\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Reel Hollywood Love for Oakland\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Three movies released last year with ties to Oakland have won praise from audiences and critics alike. Oakland native Ryan Coogler directed “Black Panther,” which has grossed more than $1 billion worldwide and is now up for a Best Picture Oscar. “Blindspotting” explores the intersection of class and race as its protagonist navigates the criminal justice system while witnessing police brutality. “Sorry to Bother You,” a satire chronicling the struggles of a black telemarketer in Oakland, is the directorial debut of hip-hop musician and rapper Boots Riley. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guest: \u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Carvell Wallace,New York Times Magazine contributing writer and Slate columnist\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>PG&E Bankruptcy\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Tuesday, PG&E filed for Chapter 11 bankruptcy protection, claiming it faces tens of billions of dollars in potential liability costs for deadly and destructive wildfires in 2017 and 2018. The utility giant said the bankruptcy filing — the second in less than 20 years — would not disrupt services to its nearly 16 million customers in Northern and Central California. The move has angered wildfire victims whose lawsuits against PG&E will be consolidated and their payouts decided by the bankruptcy judge overseeing the company’s financial restructuring. State lawmakers are now seeking ways to have more control over what happens next. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, KQED Politics and Government reporter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">California state Sen. Jerry Hill (D-San Mateo) \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Mark Toney, The Utility Reform Network executive director\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>California and Congress\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Tuesday, President Trump will deliver the State of the Union address on Capitol Hill. Seated behind him will be House Majority Leader Nancy Pelosi, who united House Democrats in denying the president billions in funds to build a border wall in exchange for ending the 35-day government shutdown. Pelosi has also been appointing Bay Area and California lawmakers in recent weeks to key assignments on committees dealing with homeland security and government oversight. Back in California, a legal fight is brewing between the state and the city of Huntington Beach, as state officials pursue a new strategy to address the housing crisis. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Scott Shafer, KQED Senior Editor of California Politics and Government\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Lanhee Chen, Hoover Institution fellow\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Reel Hollywood Love for Oakland\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Three movies released last year with ties to Oakland have won praise from audiences and critics alike. Oakland native Ryan Coogler directed “Black Panther,” which has grossed more than $1 billion worldwide and is now up for a Best Picture Oscar. “Blindspotting” explores the intersection of class and race as its protagonist navigates the criminal justice system while witnessing police brutality. “Sorry to Bother You,” a satire chronicling the struggles of a black telemarketer in Oakland, is the directorial debut of hip-hop musician and rapper Boots Riley. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The 90th Academy Awards takes place tonight in Los Angeles and some Bay Area nominees will have a chance at taking home an award. \u003c/p>\n\u003cp>Berkeley-born James Ivory is up for Adapted Screenplay for \"Call Me By Your Name.\" \u003c/p>\n\u003cp>Daly City's Sam Rockwell has a supporting actor nomination going for his role in “Three Billboards Outside Ebbing, Missouri.” \u003c/p>\n\u003cp>Oakland's Raphael Saadiq is nominated for Original Song for co-writing Mary J. Blige’s “Mighty River\" featured in the movie \"Mudbound.\"\u003c/p>\n\u003cp>Emeryville’s Pixar has a nomination for Animated Feature Film with “Coco.” The movie also earned a nomination for Original Song with “Remember Me,” which is performed by San Francisco native Benjamin Bratt. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Another Bay Area company, Skywalker Sound, is up for a nomination for work on \"Star Wars: The Last Jedi.\" Ren Klyce and Matt Wood were nominated for Sound Editing and Klyce, David Parker, and Michael Semanick were nominated for Sound Mixing.\u003c/p>\n\u003cp>Skywalker Sound’s Gary Rizzo was also nominated for Sound Mixing for \"Dunkirk.\"\u003c/p>\n\u003cp>One last Bay Area connection to the awards show tonight won't be seen on stage. The \u003ca href=\"https://www.francisfordcoppolawinery.com\" rel=\"noopener\" target=\"_blank\">Francis Ford Coppola Winery\u003c/a> will be supplying the wine poured at the Oscars and Governors Ball. Custom wine blends and commemorative labels were made for the event.\u003c/p>\n\u003cp>Branching out to Northern California, \"Lady Bird\" is bringing a lot of attention to Sacramento. The movie is up for five nominations including Best Picture, Actress in a Supporting Role and Actress in a Leading Role. Greta Gerwig, born in Sacramento, is nominated for writing and directing work on the movie. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Check out a full list of nominees \u003ca href=\"http://oscar.go.com/nominees\" rel=\"noopener\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another Bay Area company, Skywalker Sound, is up for a nomination for work on \"Star Wars: The Last Jedi.\" Ren Klyce and Matt Wood were nominated for Sound Editing and Klyce, David Parker, and Michael Semanick were nominated for Sound Mixing.\u003c/p>\n\u003cp>Skywalker Sound’s Gary Rizzo was also nominated for Sound Mixing for \"Dunkirk.\"\u003c/p>\n\u003cp>One last Bay Area connection to the awards show tonight won't be seen on stage. The \u003ca href=\"https://www.francisfordcoppolawinery.com\" rel=\"noopener\" target=\"_blank\">Francis Ford Coppola Winery\u003c/a> will be supplying the wine poured at the Oscars and Governors Ball. Custom wine blends and commemorative labels were made for the event.\u003c/p>\n\u003cp>Branching out to Northern California, \"Lady Bird\" is bringing a lot of attention to Sacramento. The movie is up for five nominations including Best Picture, Actress in a Supporting Role and Actress in a Leading Role. Greta Gerwig, born in Sacramento, is nominated for writing and directing work on the movie. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Check out a full list of nominees \u003ca href=\"http://oscar.go.com/nominees\" rel=\"noopener\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A golden statue of a bathrobe-clad Harvey Weinstein, seated regally atop a couch with an Oscar in hand, took up temporary sidewalk residence close to the site of the Academy Awards.\u003c/p>\n\u003cp>\"Casting Couch\" is a collaborative work between a Los Angeles street artist known as Plastic Jesus and Joshua \"Ginger\" Monroe, designer of 2016's nude Donald Trump statues placed in major U.S. cities.\u003c/p>\n\u003cp>The life-sized Weinstein sculpture, displayed Thursday on Hollywood Boulevard, aims to spotlight the entertainment industry's sexual misconduct crisis and the disgraced studio mogul's role in it, Plastic Jesus said.\u003c/p>\n\u003cp>\"There's so much about Hollywood that's great and celebrated in the Oscars, but there's also this underbelly of darkness within the industry that we often sweep under the carpet or ignore,\" said Plastic Jesus, formerly a London-based photographer. [contextly_sidebar id=\"FY39Xb1XtMS44S2mFhCCbPqAEo3OPBwB\"]\u003c/p>\n\u003cp>The phrase \"casting couch,\" used to describe the demand of sexual favors for work, may seem a relic of a bygone era but is \"still very much a part of the Hollywood culture,\" he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Plastic Jesus said he and Monroe first considered a standing Weinstein statue but quickly decided to incorporate a chaise lounge. The project, made of fiberglass and acrylic resin, was in the works for two months.\u003c/p>\n\u003cp>It will be on display this weekend, weather permitting.\u003c/p>\n\u003cp>Visitors to the sculpture were sitting next to the faux Weinstein and taking selfies, turning it into an interactive installment, Plastic Jesus said.\u003c/p>\n\u003cp>It also expands the symbolism, he said.\u003c/p>\n\u003cp>\"For many, many people, aspiring actors and actresses, that would have been their dream to be close to Harvey,\" but that reality has proven a nightmare for some, the artist said.\u003c/p>\n\u003cp>Weinstein has been accused by dozens of women of sexual harassment or sexual assault, including rape. He's denied all allegations of non-consensual sex, but apologized for \"the way I've behaved with colleagues in the past.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Plastic Jesus has created a series of Oscar-timed statues, including one last year of Kanye West in a crucified pose and titled \"False Idol.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Plastic Jesus said he and Monroe first considered a standing Weinstein statue but quickly decided to incorporate a chaise lounge. The project, made of fiberglass and acrylic resin, was in the works for two months.\u003c/p>\n\u003cp>It will be on display this weekend, weather permitting.\u003c/p>\n\u003cp>Visitors to the sculpture were sitting next to the faux Weinstein and taking selfies, turning it into an interactive installment, Plastic Jesus said.\u003c/p>\n\u003cp>It also expands the symbolism, he said.\u003c/p>\n\u003cp>\"For many, many people, aspiring actors and actresses, that would have been their dream to be close to Harvey,\" but that reality has proven a nightmare for some, the artist said.\u003c/p>\n\u003cp>Weinstein has been accused by dozens of women of sexual harassment or sexual assault, including rape. He's denied all allegations of non-consensual sex, but apologized for \"the way I've behaved with colleagues in the past.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Plastic Jesus has created a series of Oscar-timed statues, including one last year of Kanye West in a crucified pose and titled \"False Idol.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Hollywood Firms Behind Time’s Up Also Did Business With Alleged Sex Abusers",
"title": "Hollywood Firms Behind Time’s Up Also Did Business With Alleged Sex Abusers",
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"content": "\u003cp>The 90th annual Oscars ceremony kicks off this Sunday. And, as Hollywood prepares for its closeup, there's no doubt going to be a bit of heartburn beneath the gowns and tuxedos of those hoping to put some distance between the industry and a cascade of sex abuse scandals.\u003c/p>\n\u003cp>This week the street artists \u003ca href=\"http://www.plasticjesus.net/\" target=\"_blank\" rel=\"noopener\">Plastic Jesus\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=5GKidbBsnsc\" target=\"_blank\" rel=\"noopener\">Joshua “Ginger” Monroe\u003c/a> unveiled a life size sidewalk sculpture of a corpulent Harvey Weinstein lounging on a gold casting couch in a shall we say, skin- revealing bathrobe - all but daring passersby to slide in beside him.\u003c/p>\n\u003cfigure id=\"attachment_11653241\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11653241 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/GettyImages-926038258-1-800x519.jpg\" alt=\"\" width=\"800\" height=\"519\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-800x519.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-160x104.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-1020x661.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-1180x765.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-960x623.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-240x156.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-375x243.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-520x337.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A woman walks past a gold sculpture of Harvey Weinstein on his infamous casting couch holding an Oscar statue beside Elvis Presley's Walk of Fame Star in Hollywood, California on March 1, 2018, where artists Plastic Jesus and Joshua Monroe displayed their creation days before the 90th Oscars Awards on Sunday, March 4. \u003ccite>(FREDERIC J. BROWN/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The piece was installed at the intersection of Hollywood Boulevard and La Brea Avenue, a 5-minute stroll from the Dolby Theatre where the awards ceremony will be held.\u003c/p>\n\u003cp>Actress \u003ca href=\"https://twitter.com/rosemcgowan?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" target=\"_blank\" rel=\"noopener\">Rose McGowan\u003c/a> was among the first to go public with allegations of sexual abuse by the movie mogul Weinstein. Many people in Hollywood knew of Weinstein’s behavior, but did not speak up. Some even protected him.\u003c/p>\n\u003cp>That’s why McGowan is openly questioning the sincerity of the \u003ca href=\"https://www.timesupnow.com/\" target=\"_blank\" rel=\"noopener\">Time’s Up Now \u003c/a>campaign when it’s endorsed by certain celebrities and industry executives .\u003c/p>\n\u003cfigure id=\"attachment_11653170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11653170\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-800x505.jpg\" alt=\"\" width=\"800\" height=\"505\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-800x505.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-160x101.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-1020x644.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-1180x745.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-960x606.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-240x152.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-375x237.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-520x328.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan.jpg 1800w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Actress Rose McGowan recently appeared on ABC’s The View to discuss her new memoir “Brave” and sexual misconduct in Hollywood. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It is fake, I wish it weren’t, I wish everyone was good,\" McGowan said in an \u003ca href=\"https://www.youtube.com/watch?v=EW3KD4kqqug\" target=\"_blank\" rel=\"noopener\">appearance on the ABC daytime show “The View”\u003c/a> last month. \"I’m sorry to puncture your heroes. But sometimes these heroes need to be better.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She didn’t mince words about the \u003ca href=\"http://www.caa.com/\" target=\"_blank\" rel=\"noopener\">Creative Artists Agency \u003c/a>during that appearance either. CAA is one of the biggest talent managers in Hollywood. Name the box office star and there’s a good chance they are currently or have been a CAA client.\u003c/p>\n\u003cp>Some CAA agents are alleged to have known of Weinstein’s predatory ways but continued to steer young actresses in his direction for private, one-on-one meetings.\u003c/p>\n\u003cp>Now CAA is instrumental in helping organize the Time’s Up campaign through its philanthropic arm and a steering group of A-list actresses, agents and other public figures.\u003c/p>\n\u003cfigure id=\"attachment_11653179\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11653179\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-800x891.png\" alt=\"\" width=\"800\" height=\"891\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-800x891.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-160x178.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-1020x1136.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1.png 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-1180x1314.png 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-960x1069.png 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-240x267.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-375x418.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-520x579.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A manifesto of sorts announced the creation of Time’s Up Now in January. \u003ccite>(Time's Up Now)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The intentions are good. But I know the people behind it you know,” McGowan said. “It’s four CAA agents who needed good PR, and I hope desperately that they help these women.”\u003c/p>\n\u003cp>The California Report reached out to CAA and eventually one of the executive involved in the Time’s Up effort agreed to talk as long as she wasn't quoted directly.\u003c/p>\n\u003cp>She said the small group of female CAA executives was inspired by the Me Too movement and wanted to use their clout and connections to create a mechanism where victims of sexual abuse and harassment can find support and justice. And they want to stop such misconduct in the future. And not just in Hollywood, but across a wide swath of industries, professions and institutions.\u003c/p>\n\u003cp>To that end CAA banded together with a core group of fellow female executives from two powerful Hollywood public relations firms, Sunshine Sachs and \u003ca href=\"http://42west.net/\" target=\"_blank\" rel=\"noopener\">42 West\u003c/a>, to help launch Time’s Up in January.\u003c/p>\n\u003cp>All three firms have also done businesses with Harvey Weinstein or his company at one time or another. And there were other clients whose names have surfaced as alleged abusers as well.\u003c/p>\n\u003cp>But as numerous people pointed out during interviews for this story, Hollywood is a pretty small ‘factory town.’ And the air is even more rarefied at the upper tiers of the business where one might find oneself representing, working for or with the likes of a Harvey Weinstein.\u003c/p>\n\u003cp>“Well in terms of real clout, it’s a small community and people pretty much know each other,” says Kim Masters, editor-at-large at \u003ca href=\"https://www.hollywoodreporter.com/\" target=\"_blank\" rel=\"noopener\">The Hollywood Reporter\u003c/a>. She’s reported on the film and TV industry for nearly 30 years.\u003c/p>\n\u003cfigure id=\"attachment_11653256\" class=\"wp-caption alignright\" style=\"max-width: 219px\">\u003cimg class=\"size-full wp-image-11653256\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/times-up-KIM-MASTERS-1.jpg\" alt=\"\" width=\"219\" height=\"155\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/times-up-KIM-MASTERS-1.jpg 219w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/times-up-KIM-MASTERS-1-160x113.jpg 160w\" sizes=\"(max-width: 219px) 100vw, 219px\">\u003cfigcaption class=\"wp-caption-text\">The Hollywood Reporter's Kim Masters \u003ccite>(The Hollywood Reporter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people were looking at CAA especially, because so many of the stars who were in Harvey Weinstein movies, were CAA clients,” Masters said. “There was a feeling that there was a pipeline between Harvey and CAA. I also think they know what good PR is, and this (Time’s Up) is good PR.”\u003c/p>\n\u003cp>CAA’s involvement with Time’s Up fits with the 43-year old company’s years-long tradition of philanthropy and championing a range of social causes.\u003c/p>\n\u003cp>It established a philanthropic arm, the CAA Foundation led by the agency’s Chief Innovation Officer Michelle Kydd Lee, and the foundation helped kick start a multi-million dollar Time’s Up legal defense fund to benefit less privileged women outside the entertainment industry who’ve been sexually assaulted and harassed.\u003c/p>\n\u003cp>But Masters says CAA and the two PR firms involved in the effort may also have other motivations; the bottom-line for one. The sex abuse cases roiling Hollywood are bad for businesses.\u003c/p>\n\u003cp>“I think CAA felt quite vulnerable because of that and they wanted to somewhat wrap themselves around the #MeToo\u003cem> \u003c/em>movement,\" Masters said. \"And I think the other (talent) agencies look at them kind of with a little bit of an eye roll and say; ‘really CAA? Are you really so up in this cause, or is this a business proposition at the same time’?\u003c/p>\n\u003cp>When Harvey Weinstein was \u003ca href=\"http://www.slate.com/blogs/xx_factor/2017/10/10/harvey_weinstein_confessed_to_groping_model_in_cringe_worthy_audio_recording.html\" target=\"_blank\" rel=\"noopener\">accused of sexually assaulting an Italian model\u003c/a> in New York a few years ago, he \u003ca href=\"https://bigleaguepolitics.com/top-cuomo-adviser-helped-harvey-weinstein-beat-sexual-assault-case/\" target=\"_blank\" rel=\"noopener\">recruited Ken Sunshine\u003c/a> as a kind of crisis spokesperson.\u003c/p>\n\u003cfigure id=\"attachment_11653239\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11653239\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/K-SUNSHINE-2013-800x555.jpg\" alt=\"\" width=\"800\" height=\"555\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-800x555.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-1020x707.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-1180x818.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-960x666.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-240x166.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-375x260.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-520x360.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ken Sunshine (R) attends Center for Reproductive Rights: Unite Tonight New York on September 25, 2013 in New York City. \u003ccite>((Photo by Monica Schipper/Getty Images for Center for Reproductive Rights))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sunshine, a powerful show businesses publicist who’s also represented Barbara Streisand, Ben Affleck and the Michael Jackson estate, was later accused of launching a media smear campaign against the woman, a charge he’s denied.\u003c/p>\n\u003cp>But in 2015 Sunshine \u003ca href=\"https://www.nytimes.com/2015/06/23/business/media/a-pr-firm-alters-the-wiki-reality-of-its-star-clients.html\" target=\"_blank\" rel=\"noopener\">admitted that his firm had purposely edited clients Wikipedia pages\u003c/a> to remove what it saw as negative content. A couple of executives from Sunshine’s PR firm, Sunshine-Sachs are now helping coordinate Time’s Up efforts.\u003c/p>\n\u003cp>One of those executive agreed to talk, but she too did not want to be quoted directly. She said the firms involved prefer to put the focus on the celebrities and activists who’ve now become the public face of Time’s Up.\u003c/p>\n\u003cp>Many of the women involved in the Time’s Up campaign, including some female executives, have also publicly divulged their own personal stories of workplace misogyny, harassment and assault.\u003c/p>\n\u003cp>“You know it’s difficult to get to the top if you’re a women in Hollywood, I’m sure they’ve been affected too,” said British born actress Sabra Williams. She was a longtime fixture of actor-director Tim Robin’s theater group \u003ca href=\"http://theactorsgang.com/\" target=\"_blank\" rel=\"noopener\">The Actor’s Gang\u003c/a> and spearheaded the organization’s \u003ca href=\"http://theactorsgang.com/prison-project/\" target=\"_blank\" rel=\"noopener\">Prison Project\u003c/a> acting program.\u003c/p>\n\u003cp>Williams is hopeful that the actresses and women executives behind Time’s Up will make a lasting difference in Hollywood.\u003c/p>\n\u003cp>“But the question is; are they making actual changes? Are the writer’s rooms reflective of our community,” Williams said. “Are the people who have had least access able to have access? And if they are taking those actions I don’t care if they believe (in the campaign) or not.”\u003c/p>\n\u003cp>Williams came to Hollywood about 15 years ago and she too has been mistreated.\u003c/p>\n\u003cp>“I haven’t been raped. But like, the everyday misogyny, the everyday racism. (Producers and agents) finding out that I am married and then never hearing from them again,” Williams said. “But no one ever thought about reporting because you knew you’d never be believed by anybody. So that has already changed. There is a chance you will now be taken seriously.”\u003c/p>\n\u003cfigure id=\"attachment_11653246\" class=\"wp-caption aligncenter\" style=\"max-width: 571px\">\u003cimg class=\"size-full wp-image-11653246\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/TimesUpLogo_WCopy.png\" alt=\"\" width=\"571\" height=\"234\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy.png 571w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-160x66.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-240x98.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-375x154.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-520x213.png 520w\" sizes=\"(max-width: 571px) 100vw, 571px\">\u003cfigcaption class=\"wp-caption-text\">Time's Up Now Legal Defense Fund logo \u003ccite>(Time's Up Now)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Women are at least feeling more emboldened to speak out said The Hollywood Reporter’s Kim Masters. In the aftermath of the Harvey Weinstein scandal the newspaper was able to break stories about alleged sexual \u003ca href=\"https://www.hollywoodreporter.com/news/john-lasseters-pattern-alleged-misconduct-detailed-by-disney-pixar-insiders-1059594\" target=\"_blank\" rel=\"noopener\">harassment by John Lasseter\u003c/a> the chief executive of animation for Disney and Pixar studios. And in a separate case; Amazon’s chief of programming \u003ca href=\"https://www.hollywoodreporter.com/features/amazon-studios-roy-price-inside-fall-a-top-executive-whats-next-1049859\" target=\"_blank\" rel=\"noopener\">Roy Price\u003c/a>.\u003c/p>\n\u003cp>After the stories hit Price resigned. Lasseter is on what’s being described as a 6-month “sabbatical”.\u003c/p>\n\u003cp>But two years ago when the Hollywood Reporter published an essay about Woody Allen’s alleged sexual abuse of his daughter, Dylan, \u003ca href=\"http://fortune.com/2016/05/12/thr-woody-allen-cannes-farrow/\" target=\"_blank\" rel=\"noopener\">the publication was barred\u003c/a> from an Allen press conference at the Cannes Film Festival.\u003c/p>\n\u003cp>Allen’s longtime publicist Leslee Dart told the paper that the ban was “only natural” after the paper went “out of its way to be harmful to my client.” Dart is co-founder of \u003ca href=\"http://42west.net/\" target=\"_blank\" rel=\"noopener\">42 West\u003c/a>, the other PR firm behind the Time's Up campaign.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I think this is a moment that’s really (landed) not just in Hollywood,” Masters said. “There are just ripple effects from this. And that’s why I do hope that people will continue to find the courage to come forward.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The 90th annual Oscars ceremony kicks off this Sunday. And, as Hollywood prepares for its closeup, there's no doubt going to be a bit of heartburn beneath the gowns and tuxedos of those hoping to put some distance between the industry and a cascade of sex abuse scandals.\u003c/p>\n\u003cp>This week the street artists \u003ca href=\"http://www.plasticjesus.net/\" target=\"_blank\" rel=\"noopener\">Plastic Jesus\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=5GKidbBsnsc\" target=\"_blank\" rel=\"noopener\">Joshua “Ginger” Monroe\u003c/a> unveiled a life size sidewalk sculpture of a corpulent Harvey Weinstein lounging on a gold casting couch in a shall we say, skin- revealing bathrobe - all but daring passersby to slide in beside him.\u003c/p>\n\u003cfigure id=\"attachment_11653241\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11653241 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/GettyImages-926038258-1-800x519.jpg\" alt=\"\" width=\"800\" height=\"519\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-800x519.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-160x104.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-1020x661.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-1180x765.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-960x623.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-240x156.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-375x243.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/GettyImages-926038258-1-520x337.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A woman walks past a gold sculpture of Harvey Weinstein on his infamous casting couch holding an Oscar statue beside Elvis Presley's Walk of Fame Star in Hollywood, California on March 1, 2018, where artists Plastic Jesus and Joshua Monroe displayed their creation days before the 90th Oscars Awards on Sunday, March 4. \u003ccite>(FREDERIC J. BROWN/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The piece was installed at the intersection of Hollywood Boulevard and La Brea Avenue, a 5-minute stroll from the Dolby Theatre where the awards ceremony will be held.\u003c/p>\n\u003cp>Actress \u003ca href=\"https://twitter.com/rosemcgowan?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" target=\"_blank\" rel=\"noopener\">Rose McGowan\u003c/a> was among the first to go public with allegations of sexual abuse by the movie mogul Weinstein. Many people in Hollywood knew of Weinstein’s behavior, but did not speak up. Some even protected him.\u003c/p>\n\u003cp>That’s why McGowan is openly questioning the sincerity of the \u003ca href=\"https://www.timesupnow.com/\" target=\"_blank\" rel=\"noopener\">Time’s Up Now \u003c/a>campaign when it’s endorsed by certain celebrities and industry executives .\u003c/p>\n\u003cfigure id=\"attachment_11653170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11653170\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-800x505.jpg\" alt=\"\" width=\"800\" height=\"505\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-800x505.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-160x101.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-1020x644.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-1180x745.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-960x606.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-240x152.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-375x237.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan-520x328.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUp-Rose-McGowan.jpg 1800w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Actress Rose McGowan recently appeared on ABC’s The View to discuss her new memoir “Brave” and sexual misconduct in Hollywood. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It is fake, I wish it weren’t, I wish everyone was good,\" McGowan said in an \u003ca href=\"https://www.youtube.com/watch?v=EW3KD4kqqug\" target=\"_blank\" rel=\"noopener\">appearance on the ABC daytime show “The View”\u003c/a> last month. \"I’m sorry to puncture your heroes. But sometimes these heroes need to be better.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She didn’t mince words about the \u003ca href=\"http://www.caa.com/\" target=\"_blank\" rel=\"noopener\">Creative Artists Agency \u003c/a>during that appearance either. CAA is one of the biggest talent managers in Hollywood. Name the box office star and there’s a good chance they are currently or have been a CAA client.\u003c/p>\n\u003cp>Some CAA agents are alleged to have known of Weinstein’s predatory ways but continued to steer young actresses in his direction for private, one-on-one meetings.\u003c/p>\n\u003cp>Now CAA is instrumental in helping organize the Time’s Up campaign through its philanthropic arm and a steering group of A-list actresses, agents and other public figures.\u003c/p>\n\u003cfigure id=\"attachment_11653179\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11653179\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-800x891.png\" alt=\"\" width=\"800\" height=\"891\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-800x891.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-160x178.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-1020x1136.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1.png 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-1180x1314.png 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-960x1069.png 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-240x267.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-375x418.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TIMES-UP-LetterOfSolidarity-1-520x579.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A manifesto of sorts announced the creation of Time’s Up Now in January. \u003ccite>(Time's Up Now)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The intentions are good. But I know the people behind it you know,” McGowan said. “It’s four CAA agents who needed good PR, and I hope desperately that they help these women.”\u003c/p>\n\u003cp>The California Report reached out to CAA and eventually one of the executive involved in the Time’s Up effort agreed to talk as long as she wasn't quoted directly.\u003c/p>\n\u003cp>She said the small group of female CAA executives was inspired by the Me Too movement and wanted to use their clout and connections to create a mechanism where victims of sexual abuse and harassment can find support and justice. And they want to stop such misconduct in the future. And not just in Hollywood, but across a wide swath of industries, professions and institutions.\u003c/p>\n\u003cp>To that end CAA banded together with a core group of fellow female executives from two powerful Hollywood public relations firms, Sunshine Sachs and \u003ca href=\"http://42west.net/\" target=\"_blank\" rel=\"noopener\">42 West\u003c/a>, to help launch Time’s Up in January.\u003c/p>\n\u003cp>All three firms have also done businesses with Harvey Weinstein or his company at one time or another. And there were other clients whose names have surfaced as alleged abusers as well.\u003c/p>\n\u003cp>But as numerous people pointed out during interviews for this story, Hollywood is a pretty small ‘factory town.’ And the air is even more rarefied at the upper tiers of the business where one might find oneself representing, working for or with the likes of a Harvey Weinstein.\u003c/p>\n\u003cp>“Well in terms of real clout, it’s a small community and people pretty much know each other,” says Kim Masters, editor-at-large at \u003ca href=\"https://www.hollywoodreporter.com/\" target=\"_blank\" rel=\"noopener\">The Hollywood Reporter\u003c/a>. She’s reported on the film and TV industry for nearly 30 years.\u003c/p>\n\u003cfigure id=\"attachment_11653256\" class=\"wp-caption alignright\" style=\"max-width: 219px\">\u003cimg class=\"size-full wp-image-11653256\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/times-up-KIM-MASTERS-1.jpg\" alt=\"\" width=\"219\" height=\"155\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/times-up-KIM-MASTERS-1.jpg 219w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/times-up-KIM-MASTERS-1-160x113.jpg 160w\" sizes=\"(max-width: 219px) 100vw, 219px\">\u003cfigcaption class=\"wp-caption-text\">The Hollywood Reporter's Kim Masters \u003ccite>(The Hollywood Reporter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people were looking at CAA especially, because so many of the stars who were in Harvey Weinstein movies, were CAA clients,” Masters said. “There was a feeling that there was a pipeline between Harvey and CAA. I also think they know what good PR is, and this (Time’s Up) is good PR.”\u003c/p>\n\u003cp>CAA’s involvement with Time’s Up fits with the 43-year old company’s years-long tradition of philanthropy and championing a range of social causes.\u003c/p>\n\u003cp>It established a philanthropic arm, the CAA Foundation led by the agency’s Chief Innovation Officer Michelle Kydd Lee, and the foundation helped kick start a multi-million dollar Time’s Up legal defense fund to benefit less privileged women outside the entertainment industry who’ve been sexually assaulted and harassed.\u003c/p>\n\u003cp>But Masters says CAA and the two PR firms involved in the effort may also have other motivations; the bottom-line for one. The sex abuse cases roiling Hollywood are bad for businesses.\u003c/p>\n\u003cp>“I think CAA felt quite vulnerable because of that and they wanted to somewhat wrap themselves around the #MeToo\u003cem> \u003c/em>movement,\" Masters said. \"And I think the other (talent) agencies look at them kind of with a little bit of an eye roll and say; ‘really CAA? Are you really so up in this cause, or is this a business proposition at the same time’?\u003c/p>\n\u003cp>When Harvey Weinstein was \u003ca href=\"http://www.slate.com/blogs/xx_factor/2017/10/10/harvey_weinstein_confessed_to_groping_model_in_cringe_worthy_audio_recording.html\" target=\"_blank\" rel=\"noopener\">accused of sexually assaulting an Italian model\u003c/a> in New York a few years ago, he \u003ca href=\"https://bigleaguepolitics.com/top-cuomo-adviser-helped-harvey-weinstein-beat-sexual-assault-case/\" target=\"_blank\" rel=\"noopener\">recruited Ken Sunshine\u003c/a> as a kind of crisis spokesperson.\u003c/p>\n\u003cfigure id=\"attachment_11653239\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11653239\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/K-SUNSHINE-2013-800x555.jpg\" alt=\"\" width=\"800\" height=\"555\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-800x555.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-1020x707.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-1180x818.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-960x666.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-240x166.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-375x260.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/K-SUNSHINE-2013-520x360.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ken Sunshine (R) attends Center for Reproductive Rights: Unite Tonight New York on September 25, 2013 in New York City. \u003ccite>((Photo by Monica Schipper/Getty Images for Center for Reproductive Rights))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sunshine, a powerful show businesses publicist who’s also represented Barbara Streisand, Ben Affleck and the Michael Jackson estate, was later accused of launching a media smear campaign against the woman, a charge he’s denied.\u003c/p>\n\u003cp>But in 2015 Sunshine \u003ca href=\"https://www.nytimes.com/2015/06/23/business/media/a-pr-firm-alters-the-wiki-reality-of-its-star-clients.html\" target=\"_blank\" rel=\"noopener\">admitted that his firm had purposely edited clients Wikipedia pages\u003c/a> to remove what it saw as negative content. A couple of executives from Sunshine’s PR firm, Sunshine-Sachs are now helping coordinate Time’s Up efforts.\u003c/p>\n\u003cp>One of those executive agreed to talk, but she too did not want to be quoted directly. She said the firms involved prefer to put the focus on the celebrities and activists who’ve now become the public face of Time’s Up.\u003c/p>\n\u003cp>Many of the women involved in the Time’s Up campaign, including some female executives, have also publicly divulged their own personal stories of workplace misogyny, harassment and assault.\u003c/p>\n\u003cp>“You know it’s difficult to get to the top if you’re a women in Hollywood, I’m sure they’ve been affected too,” said British born actress Sabra Williams. She was a longtime fixture of actor-director Tim Robin’s theater group \u003ca href=\"http://theactorsgang.com/\" target=\"_blank\" rel=\"noopener\">The Actor’s Gang\u003c/a> and spearheaded the organization’s \u003ca href=\"http://theactorsgang.com/prison-project/\" target=\"_blank\" rel=\"noopener\">Prison Project\u003c/a> acting program.\u003c/p>\n\u003cp>Williams is hopeful that the actresses and women executives behind Time’s Up will make a lasting difference in Hollywood.\u003c/p>\n\u003cp>“But the question is; are they making actual changes? Are the writer’s rooms reflective of our community,” Williams said. “Are the people who have had least access able to have access? And if they are taking those actions I don’t care if they believe (in the campaign) or not.”\u003c/p>\n\u003cp>Williams came to Hollywood about 15 years ago and she too has been mistreated.\u003c/p>\n\u003cp>“I haven’t been raped. But like, the everyday misogyny, the everyday racism. (Producers and agents) finding out that I am married and then never hearing from them again,” Williams said. “But no one ever thought about reporting because you knew you’d never be believed by anybody. So that has already changed. There is a chance you will now be taken seriously.”\u003c/p>\n\u003cfigure id=\"attachment_11653246\" class=\"wp-caption aligncenter\" style=\"max-width: 571px\">\u003cimg class=\"size-full wp-image-11653246\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/03/TimesUpLogo_WCopy.png\" alt=\"\" width=\"571\" height=\"234\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy.png 571w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-160x66.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-240x98.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-375x154.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/03/TimesUpLogo_WCopy-520x213.png 520w\" sizes=\"(max-width: 571px) 100vw, 571px\">\u003cfigcaption class=\"wp-caption-text\">Time's Up Now Legal Defense Fund logo \u003ccite>(Time's Up Now)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Women are at least feeling more emboldened to speak out said The Hollywood Reporter’s Kim Masters. In the aftermath of the Harvey Weinstein scandal the newspaper was able to break stories about alleged sexual \u003ca href=\"https://www.hollywoodreporter.com/news/john-lasseters-pattern-alleged-misconduct-detailed-by-disney-pixar-insiders-1059594\" target=\"_blank\" rel=\"noopener\">harassment by John Lasseter\u003c/a> the chief executive of animation for Disney and Pixar studios. And in a separate case; Amazon’s chief of programming \u003ca href=\"https://www.hollywoodreporter.com/features/amazon-studios-roy-price-inside-fall-a-top-executive-whats-next-1049859\" target=\"_blank\" rel=\"noopener\">Roy Price\u003c/a>.\u003c/p>\n\u003cp>After the stories hit Price resigned. Lasseter is on what’s being described as a 6-month “sabbatical”.\u003c/p>\n\u003cp>But two years ago when the Hollywood Reporter published an essay about Woody Allen’s alleged sexual abuse of his daughter, Dylan, \u003ca href=\"http://fortune.com/2016/05/12/thr-woody-allen-cannes-farrow/\" target=\"_blank\" rel=\"noopener\">the publication was barred\u003c/a> from an Allen press conference at the Cannes Film Festival.\u003c/p>\n\u003cp>Allen’s longtime publicist Leslee Dart told the paper that the ban was “only natural” after the paper went “out of its way to be harmful to my client.” Dart is co-founder of \u003ca href=\"http://42west.net/\" target=\"_blank\" rel=\"noopener\">42 West\u003c/a>, the other PR firm behind the Time's Up campaign.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think this is a moment that’s really (landed) not just in Hollywood,” Masters said. “There are just ripple effects from this. And that’s why I do hope that people will continue to find the courage to come forward.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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},
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
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},
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"order": 10
},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
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},
"closealltabs": {
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"officialWebsiteLink": "http://freakonomics.com/",
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"meta": {
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},
"link": "/radio/program/freakonomics-radio",
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},
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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