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"content": "\u003cp>Acclaimed \u003ca href=\"https://www.kqed.org/news/tag/los-angeles\">violinist Vijay Gupta\u003c/a> still sees his late father everywhere.\u003c/p>\n\u003cp>He’d appear unexpectedly, like when a concert hall conductor pointed to his chest to coax more heart out of a musician, something that Gupta’s dad would do when coaching the young Vijay.\u003c/p>\n\u003cp>“And it was like, there’s dad,” Gupta said. “And he’d already been gone for a couple years, and yet there he was like he had never gone. He had never abandoned me. He had never died.”\u003c/p>\n\u003cp>Gupta’s parents, Bengali immigrants, loom large in the pages of his new memoir \u003cem>Restrung\u003c/em>. Especially his father, Vivek Gupta — Vijay’s biggest mentor, his toughest musical coach and a brutal disciplinarian.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If Vivek heard his son pause when he should have been practicing, Vijay risked another beating. The violin became as much a shield against the blows as it was an instrument of music, and a refuge for Vijay. But his dad also came up with creative schemes to push young Vijay into the spotlight.\u003c/p>\n\u003cp>“When I was 7 or 8 years old, he was writing to famous people as me,” Gupta said. “He would write to Oprah, David Letterman, Sally Jessy Raphael and Zubin Mehta, and it was sort of like I was living in a world made of his dreams.”\u003c/p>\n\u003cp>When he was 9 years old, Gupta was among a group of young, Juilliard-trained violin protégées invited to accompany rapper Coolio onstage at the 1995 Billboard Awards. The quintet of violinists accompanied the rapper on “Gangsta’s Paradise,” a song featuring lyrics that would foreshadow Gupta’s life in his mid-20s.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BRveeMoCDiw\u003c/p>\n\u003cp>“I’m 23 now, but will I see 24? / The way things are goin’, I don’t know / Tell me why we are so blind to see, that the ones we hurt are you and me.”\u003c/p>\n\u003cp>Ten years later, at age 19, after pursuing two university undergrad degrees — one in medicine, the other in music — Gupta won a seat on the Los Angeles Philharmonic orchestra. He did so after acing his very first audition, becoming the youngest violinist to ever join a major orchestra in the United States.\u003c/p>\n\u003cp>“I didn’t know what I signed up for at 19 years old. I just happened to get that gig,” Gupta said.\u003c/p>\n\u003cp>Suddenly, he was earning a six-figure salary but still didn’t know how to drive a car or do online banking. His father joined him on his cross-country trek from New York to Los Angeles, the two moving into a small apartment together. His mother managed his finances from New York, explaining to her son that his salary would also help support family in the U.S. and the Indian state of West Bengal. It’s a decision that would later lead to financial calamity.\u003c/p>\n\u003cfigure id=\"attachment_12090270\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12090270 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Master violinist Vijay Gupta entered Juilliard at age 7. The son of strict, disciplinarian Bengali immigrant parents, Vijay appeared on Oprah a few years later. At 19, he joined the L.A. Phil, yet he was desperately unhappy. He also began volunteering on L.A.’s Skid Row and founded the acclaimed Street Symphony. \u003ccite>(Image courtesy of Kat Bawden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I was suddenly supporting my family, and I got tenure, and I don’t want to be there,” Gupta said.\u003c/p>\n\u003cp>“So, five years later, I’m eating my feelings and all I’m thinking about during L.A. Phil concerts is my post-concert In-N-Out order, and how many bottles of Russian River pinot I’m going to drink that night,” he said.\u003c/p>\n\u003cp>Five years into his stint with the L.A. Phil and deeply unhappy, Gupta began pursuing a second musical path. He said he wanted to take professional-level classical music out of “stuffy” concert halls and bring it into much different concert settings: jails, homeless shelters, prisons.\u003c/p>\n\u003cp>He headed to \u003ca href=\"https://www.kqed.org/news/tag/skid-row\">Skid Row\u003c/a>, a part of downtown Los Angeles he discovered while on a driving lesson with his father. Just a little over a mile away from the footlights of Walt Disney Concert Hall, Skid Row is home to the largest concentration of homeless people in the United States. Gupta tapped a few other L.A. Phil musicians to form the \u003ca href=\"https://www.streetsymphony.org/\">Street Symphony\u003c/a>. The nonprofit ensemble has since evolved into a sprawling collective of professional and amateur musicians spanning a host of genres.[aside postID=news_12088748 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC01-KQED.jpg']One of the first people Gupta reached out to was Georgia Hawley, communications director at \u003ca href=\"https://www.midnightmission.org/events-musicwithamission/\">The Midnight Mission\u003c/a>, Los Angeles’s longest-running homeless shelter offering meals, drug rehabilitation and other services.\u003c/p>\n\u003cp>“He called and said, ‘Hey, I have this group called Street Symphony, and I want to come and play. Do I need to audition? Should I send you a tape? What do you need?’” Hawley said. “And I said, ‘Well, our next opening is Thursday … are you available?’”\u003c/p>\n\u003cp>At the time, Hawley had just launched the Music with a Mission program, offering free, weekly concerts for shelter clients. She has since worked closely with Gupta on hundreds of music events in Skid Row.\u003c/p>\n\u003cp>“You know, he fought a lot with being this young person who was in this adult world and having to behave a certain way and act a certain way, and he was supporting his family,” Hawley said.\u003c/p>\n\u003cp>“I think just not having an outlet to talk to people about that and to say, ‘I’m hurt, I’m scared.’ And I think the more he tried to help others, the more he couldn’t ignore what was happening to him.”\u003c/p>\n\u003cp>Skid Row would end up becoming something of a mirror, a pathway for Gupta to finally reconcile his own demons.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5zGAgEBl3ws&t=2599s\u003c/p>\n\u003cp>“The real transformation started happening for me in Skid Row was when people said, ‘Hey Vijay, it’s good that you’re coming here to walk your steps, keep coming.’ What are you talking about? I’m here to bring you joy, I’m the healer! And they’re like, ‘Yeah, yeah. Keep coming,’” Gupta said.\u003c/p>\n\u003cp>“Walk your steps,” meaning the guiding principles of the 12-Step program used in rehab. People in Skid Row wanted to show Gupta something they could see, but that he couldn’t — or wouldn’t — see himself.\u003c/p>\n\u003cp>“I would not have admitted to anyone that I was as much an addict, not only to food and alcohol, but everybody else’s version of who I should be,” Gupta said.\u003c/p>\n\u003cp>In the meantime, Gupta kept up a frenetic performing schedule. In addition to his role at L.A. Phil, he began doing public speaking events where he’d take his violin and lecture about classical music and its connection to neuroscience, social activism and spirituality.\u003c/p>\n\u003cfigure id=\"attachment_12090268\" class=\"wp-caption alignleft\" style=\"max-width: 1428px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12090268\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden.jpg\" alt=\"\" width=\"1428\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden.jpg 1428w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden-1097x1536.jpg 1097w\" sizes=\"auto, (max-width: 1428px) 100vw, 1428px\">\u003cfigcaption class=\"wp-caption-text\">Master violinist Vijay Gupta entered Juilliard at age 7. The son of strict, disciplinarian Bengali immigrant parents, Vijay appeared on Oprah a few years later. At 19, he joined the L.A. Phil, yet he was desperately unhappy. He also began volunteering on L.A.’s Skid Row, and founded the acclaimed Street Symphony. \u003ccite>(Image courtesy of Kat Bawden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a 2012 Grantmakers in the Arts conference in Miami, Gupta appeared on stage in a rumpled suit, his shirttails sticking out beneath his navy-blue blazer. He was much heavier then and still drinking a lot. But once the bow touched the strings, his playing was effortless, fluid and gorgeous.\u003c/p>\n\u003cp>“That guy had never been kissed. That guy had never been on a date, absolutely hated himself. Probably [weighed] around 315 pounds,” Gupta said, reflecting on the performance.\u003c/p>\n\u003cp>“And that guy was using the violin, that effortlessness, as a way of hiding in plain sight. If I was infallible, bulletproof, then people might forgive the fact that I was actually Quasimodo.”\u003c/p>\n\u003cp>In 2018, after winning a six-figure MacArthur Genius Grant, Gupta left the L.A. Phil. He threw himself into his work with Street Symphony and pursued solo and chamber work, collaborating widely with other artists on a range of projects. He’s currently developing a one-man show combining performance, documentary film and storytelling based in part on his new memoir.\u003c/p>\n\u003cp>On the way back to his home in Altadena from Skid Row, Gupta talked more about his parents. Though his dad is gone and he’s estranged from his mom, he still sees them in other people. Since seeking therapy, dealing with addiction and even taking up boxing, the bad memories don’t haunt or hurt as much. But they still resurface.\u003c/p>\n\u003cp>“I write about it in the book that my mom ambushed me backstage at Walt Disney Concert Hall,” Gupta said.\u003c/p>\n\u003cp>“She was there just to berate me in front of my colleagues. Sometimes I would walk into Skid Row and be like, ‘Oh, is that her, is that mom?’ I would just see her everywhere in Skid Row.”\u003c/p>\n\u003cp>For Gupta, the area is a crucible, calling it the largest recovery zone for people teetering on the edge.\u003c/p>\n\u003cp>“This is a place where people are undone, and it’s also a place where people are remade,” he said. “If someone wants to get clean, or they want a bed or want to start over, this is a place where people can begin again.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If Vivek heard his son pause when he should have been practicing, Vijay risked another beating. The violin became as much a shield against the blows as it was an instrument of music, and a refuge for Vijay. But his dad also came up with creative schemes to push young Vijay into the spotlight.\u003c/p>\n\u003cp>“When I was 7 or 8 years old, he was writing to famous people as me,” Gupta said. “He would write to Oprah, David Letterman, Sally Jessy Raphael and Zubin Mehta, and it was sort of like I was living in a world made of his dreams.”\u003c/p>\n\u003cp>When he was 9 years old, Gupta was among a group of young, Juilliard-trained violin protégées invited to accompany rapper Coolio onstage at the 1995 Billboard Awards. The quintet of violinists accompanied the rapper on “Gangsta’s Paradise,” a song featuring lyrics that would foreshadow Gupta’s life in his mid-20s.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BRveeMoCDiw'\n title='//www.youtube.com/embed/BRveeMoCDiw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I’m 23 now, but will I see 24? / The way things are goin’, I don’t know / Tell me why we are so blind to see, that the ones we hurt are you and me.”\u003c/p>\n\u003cp>Ten years later, at age 19, after pursuing two university undergrad degrees — one in medicine, the other in music — Gupta won a seat on the Los Angeles Philharmonic orchestra. He did so after acing his very first audition, becoming the youngest violinist to ever join a major orchestra in the United States.\u003c/p>\n\u003cp>“I didn’t know what I signed up for at 19 years old. I just happened to get that gig,” Gupta said.\u003c/p>\n\u003cp>Suddenly, he was earning a six-figure salary but still didn’t know how to drive a car or do online banking. His father joined him on his cross-country trek from New York to Los Angeles, the two moving into a small apartment together. His mother managed his finances from New York, explaining to her son that his salary would also help support family in the U.S. and the Indian state of West Bengal. It’s a decision that would later lead to financial calamity.\u003c/p>\n\u003cfigure id=\"attachment_12090270\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12090270 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/VIJAY-GUPTA-9-photo-by-Kate-Bawden-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Master violinist Vijay Gupta entered Juilliard at age 7. The son of strict, disciplinarian Bengali immigrant parents, Vijay appeared on Oprah a few years later. At 19, he joined the L.A. Phil, yet he was desperately unhappy. He also began volunteering on L.A.’s Skid Row and founded the acclaimed Street Symphony. \u003ccite>(Image courtesy of Kat Bawden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I was suddenly supporting my family, and I got tenure, and I don’t want to be there,” Gupta said.\u003c/p>\n\u003cp>“So, five years later, I’m eating my feelings and all I’m thinking about during L.A. Phil concerts is my post-concert In-N-Out order, and how many bottles of Russian River pinot I’m going to drink that night,” he said.\u003c/p>\n\u003cp>Five years into his stint with the L.A. Phil and deeply unhappy, Gupta began pursuing a second musical path. 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"content": "\u003cdiv class=\"post-body\">\u003cp>One of the first people Gupta reached out to was Georgia Hawley, communications director at \u003ca href=\"https://www.midnightmission.org/events-musicwithamission/\">The Midnight Mission\u003c/a>, Los Angeles’s longest-running homeless shelter offering meals, drug rehabilitation and other services.\u003c/p>\n\u003cp>“He called and said, ‘Hey, I have this group called Street Symphony, and I want to come and play. Do I need to audition? Should I send you a tape? What do you need?’” Hawley said. “And I said, ‘Well, our next opening is Thursday … are you available?’”\u003c/p>\n\u003cp>At the time, Hawley had just launched the Music with a Mission program, offering free, weekly concerts for shelter clients. She has since worked closely with Gupta on hundreds of music events in Skid Row.\u003c/p>\n\u003cp>“You know, he fought a lot with being this young person who was in this adult world and having to behave a certain way and act a certain way, and he was supporting his family,” Hawley said.\u003c/p>\n\u003cp>“I think just not having an outlet to talk to people about that and to say, ‘I’m hurt, I’m scared.’ And I think the more he tried to help others, the more he couldn’t ignore what was happening to him.”\u003c/p>\n\u003cp>Skid Row would end up becoming something of a mirror, a pathway for Gupta to finally reconcile his own demons.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5zGAgEBl3ws'\n title='//www.youtube.com/embed/5zGAgEBl3ws'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“The real transformation started happening for me in Skid Row was when people said, ‘Hey Vijay, it’s good that you’re coming here to walk your steps, keep coming.’ What are you talking about? I’m here to bring you joy, I’m the healer! And they’re like, ‘Yeah, yeah. Keep coming,’” Gupta said.\u003c/p>\n\u003cp>“Walk your steps,” meaning the guiding principles of the 12-Step program used in rehab. People in Skid Row wanted to show Gupta something they could see, but that he couldn’t — or wouldn’t — see himself.\u003c/p>\n\u003cp>“I would not have admitted to anyone that I was as much an addict, not only to food and alcohol, but everybody else’s version of who I should be,” Gupta said.\u003c/p>\n\u003cp>In the meantime, Gupta kept up a frenetic performing schedule. In addition to his role at L.A. Phil, he began doing public speaking events where he’d take his violin and lecture about classical music and its connection to neuroscience, social activism and spirituality.\u003c/p>\n\u003cfigure id=\"attachment_12090268\" class=\"wp-caption alignleft\" style=\"max-width: 1428px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12090268\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden.jpg\" alt=\"\" width=\"1428\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden.jpg 1428w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/2.-VIJAY-GUPTA-2025-photo-Kate-Bawden-1097x1536.jpg 1097w\" sizes=\"auto, (max-width: 1428px) 100vw, 1428px\">\u003cfigcaption class=\"wp-caption-text\">Master violinist Vijay Gupta entered Juilliard at age 7. The son of strict, disciplinarian Bengali immigrant parents, Vijay appeared on Oprah a few years later. At 19, he joined the L.A. Phil, yet he was desperately unhappy. He also began volunteering on L.A.’s Skid Row, and founded the acclaimed Street Symphony. \u003ccite>(Image courtesy of Kat Bawden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a 2012 Grantmakers in the Arts conference in Miami, Gupta appeared on stage in a rumpled suit, his shirttails sticking out beneath his navy-blue blazer. He was much heavier then and still drinking a lot. But once the bow touched the strings, his playing was effortless, fluid and gorgeous.\u003c/p>\n\u003cp>“That guy had never been kissed. That guy had never been on a date, absolutely hated himself. Probably [weighed] around 315 pounds,” Gupta said, reflecting on the performance.\u003c/p>\n\u003cp>“And that guy was using the violin, that effortlessness, as a way of hiding in plain sight. If I was infallible, bulletproof, then people might forgive the fact that I was actually Quasimodo.”\u003c/p>\n\u003cp>In 2018, after winning a six-figure MacArthur Genius Grant, Gupta left the L.A. Phil. He threw himself into his work with Street Symphony and pursued solo and chamber work, collaborating widely with other artists on a range of projects. He’s currently developing a one-man show combining performance, documentary film and storytelling based in part on his new memoir.\u003c/p>\n\u003cp>On the way back to his home in Altadena from Skid Row, Gupta talked more about his parents. Though his dad is gone and he’s estranged from his mom, he still sees them in other people. Since seeking therapy, dealing with addiction and even taking up boxing, the bad memories don’t haunt or hurt as much. But they still resurface.\u003c/p>\n\u003cp>“I write about it in the book that my mom ambushed me backstage at Walt Disney Concert Hall,” Gupta said.\u003c/p>\n\u003cp>“She was there just to berate me in front of my colleagues. Sometimes I would walk into Skid Row and be like, ‘Oh, is that her, is that mom?’ I would just see her everywhere in Skid Row.”\u003c/p>\n\u003cp>For Gupta, the area is a crucible, calling it the largest recovery zone for people teetering on the edge.\u003c/p>\n\u003cp>“This is a place where people are undone, and it’s also a place where people are remade,” he said. “If someone wants to get clean, or they want a bed or want to start over, this is a place where people can begin again.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>With just days to go before their performance, a musical ensemble gathered in composer and singer-songwriter Russell Mark’s \u003ca href=\"https://www.kqed.org/news/12071233/a-year-after-the-la-fires-a-journalist-looks-back-on-the-stories-from-his-neighborhood\">East Pasadena \u003c/a>home for rehearsal.\u003c/p>\n\u003cp>The string quartet, which featured Mark’s wife, cellist Mika Larson, played in the dining room, while the other five musicians, twin guitars, piano, bass and drums crowded into the adjoining living room. The artists prepared for the June 6 debut of \u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Pasadena Right Here, Right Now\u003c/em>\u003c/a>\u003cem> —\u003c/em> a rock opera, inspired by Pasadena.\u003c/p>\n\u003cp>The musicians felt their way through the score, a biting fusion of buzzing, modern power pop melded with classical strings. The ensemble included members of the Street Symphony, a band of professional classical players led by a former Los Angeles Philharmonic violinist, that performs regular free concerts on L.A.’s Skid Row.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The story begins in Pasadena in the year 2125. A professor from the city’s renowned California Institute of Technology develops a time machine to travel back in time — to Pasadena in 2025.\u003c/p>\n\u003cp>Why travel back to 2025 from 100 years in the future? Well, this is where speculative science fiction takes over. Our time-traveling Caltech heroine wants to investigate what exactly sparked the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">deadly 2025 Eaton Fire\u003c/a>. But her detective work leads to an unforeseen hiccup, typically found only in the pages of pulp sci-fi novels.\u003c/p>\n\u003cp>“The 2025 person and her companions feel like they need to show these people around and what’s happening at this chaotic time of political upheaval, natural disasters, [and show them] all of the amazing — and the equally scary — things happening in this world.”\u003c/p>\n\u003cfigure id=\"attachment_12088190\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088190 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Composer and singer-songwriter Russell Mark spent a year soliciting feedback from scores of Pasadena- and Altadena-area residents about the place where they live. Their detailed and, at times, emotional responses inform much of the opera’s lyrics and help guide the plot of the story. Mark kept stacks of responses around him at the studio while working on the music throughout the last year. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Time travel aside, \u003cem>Pasadena Right Here, Right Now\u003c/em> ultimately becomes a vehicle to explore the Pasadena and Altadena area of today, a way for our present selves to explain these times to someone a hundred years in the past, and a hundred years in the future. (Spoiler alert: It’s the time machine that sparked the fire.)\u003c/p>\n\u003cp>“You can’t take that stuff too seriously, the time travel stuff, you just need to let it go,” he said, laughing. “You just have to accept it! But the backbone is this coming together of the past and the future, here in the present.”\u003c/p>\n\u003cp>To create the lyrics, Mark spent the better part of the past year soliciting feedback from dozens of Pasadena and Altadena residents, in person and online, via a survey that asked a series of probing questions about their lives in what lots of locals affectionately call the ‘Dena.[aside postID=news_12087945 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/Untitled-1.jpg']“I’m calling this project a ‘musical time capsule,’” Mark said. “I’m asking people what they think people from 1925 will be surprised about. And what would you want people to know about you in 2125 that you think might end up distorted or mistranslated somehow?”\u003c/p>\n\u003cp>A song called “Time Capsule” playfully namechecks a lot of the local ‘Dena treasures that survey respondents say they’d be proud to share with a resident from 1925 or 2125. This includes local gems like the sci-fi novels of longtime Altadena resident Octavia Butler, cassette tapes from Pasadena’s own hard rock heroes Van Halen, flocks of wild parrots and the feral peacocks of East Pasadena.\u003c/p>\n\u003cp>“I made it a point to talk about this moment in 2025 and elaborate on the things that I have available to me, but also what is slightly out of my reach in the hybrid ways that we live,” said local writer Natalie Lydick, who responded to Mark’s survey questions.\u003c/p>\n\u003cp>Lydick said she wanted to remind anyone from Pasadena’s past or future that not everything modernizes as radically or as rapidly as we might think.\u003c/p>\n\u003cp>“I said, I have a cell phone and a computer, and I’m digitally literate, but I also have two full bookshelves, and I love to read print media,” Lydick said. “Electrical vehicles are widely available, but most people, including me, still drive gas-powered cars. Hindsight creates this idea of progress, [but] time moves so much slower than we think.”\u003c/p>\n\u003cp>That idea made its way into the lyrics of a song called “We Tried with the House,” in which one of the characters is explaining the Pasadena of today to one of the story’s time travelers.\u003c/p>\n\u003cfigure id=\"attachment_12088189\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088189 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Russell Mark sits in his recording studio to play some rough demos from his new project Pasadena Right Here, Right Now, an ambitious, bitter-sweet rock opera involving a time-traveling Caltech professor, the Eaton Fire and the thoughts of contemporary Pasadena-Altadena area residents. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“And I hope you recognize the place, I hope it seems familiar / We still got cars and planes and trains / And even horses up in Altadena / We got books and vinyl records on our shelves / And we care for neighbors like we care for ourselves.”\u003c/em>\u003c/p>\n\u003cp>Guitarist and backup singer Myron Kaplan recalled how she answered a survey question that asked, what would you want to put in a physical time capsule representing this community?\u003c/p>\n\u003cp>“A snow globe with embers from a house burning down instead of snowflakes,” Kaplan said, making a direct reference to the Eaton Fire, which killed 19 people and destroyed hundreds of homes and businesses in Altadena, North Pasadena and Sierra Madre.\u003c/p>\n\u003cp>“I mean, it was a rough year, man, anyone who lives here can tell you that,” said Kaplan, recalling how she temporarily relocated to Las Vegas for several weeks after the fire to escape the poor air quality and process the shock and trauma of the disaster.\u003c/p>\n\u003cp>Mark had no clue how the plot would unfold when he embarked on the project. But he said the survey responses that informed much of the project’s lyrics were remarkably consistent.\u003c/p>\n\u003cfigure id=\"attachment_12088192\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088192 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cellist Mika Larson (center left), and composer Russell Mark (seated) with members of the Pasadena Right Here, Right Now ensemble, including Street Symphony founder Vijay Gupta (fourth from left) and Symphony board chair Georgia Hawley (right), after a live preview of the rock opera at the Midnight Mission’s weekly live music series in L.A.’s Skid Row neighborhood. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“People love the town, they love the beauty of the town, the trees, the architecture, the mountains, the friendliness, the number of cultural institutions,” Mark said. “The answers weren’t very different at all.”\u003c/p>\n\u003cp>“It makes you feel you live somewhere significant / So listen when they tell you / We’re living in the center of the universe! Pasadena is the center of the universe,” booms the anthemic pop rock chorus in “Center of the Universe,” a centerpiece of the show that reflects the affection and local pride that so many share for the Pasadena area.\u003c/p>\n\u003cp>“It’s easy to forget that it doesn’t matter whether you live in a mansion or you live on the street, you’re still a member of this community,” Mark said.\u003c/p>\n\u003cp>\u003cem>Hear songs from Pasadena Right Here, Right Now, on \u003c/em>\u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Mark’s website\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The story begins in Pasadena in the year 2125. A professor from the city’s renowned California Institute of Technology develops a time machine to travel back in time — to Pasadena in 2025.\u003c/p>\n\u003cp>Why travel back to 2025 from 100 years in the future? Well, this is where speculative science fiction takes over. Our time-traveling Caltech heroine wants to investigate what exactly sparked the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">deadly 2025 Eaton Fire\u003c/a>. But her detective work leads to an unforeseen hiccup, typically found only in the pages of pulp sci-fi novels.\u003c/p>\n\u003cp>“The 2025 person and her companions feel like they need to show these people around and what’s happening at this chaotic time of political upheaval, natural disasters, [and show them] all of the amazing — and the equally scary — things happening in this world.”\u003c/p>\n\u003cfigure id=\"attachment_12088190\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088190 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Composer and singer-songwriter Russell Mark spent a year soliciting feedback from scores of Pasadena- and Altadena-area residents about the place where they live. Their detailed and, at times, emotional responses inform much of the opera’s lyrics and help guide the plot of the story. Mark kept stacks of responses around him at the studio while working on the music throughout the last year. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Time travel aside, \u003cem>Pasadena Right Here, Right Now\u003c/em> ultimately becomes a vehicle to explore the Pasadena and Altadena area of today, a way for our present selves to explain these times to someone a hundred years in the past, and a hundred years in the future. (Spoiler alert: It’s the time machine that sparked the fire.)\u003c/p>\n\u003cp>“You can’t take that stuff too seriously, the time travel stuff, you just need to let it go,” he said, laughing. “You just have to accept it! But the backbone is this coming together of the past and the future, here in the present.”\u003c/p>\n\u003cp>To create the lyrics, Mark spent the better part of the past year soliciting feedback from dozens of Pasadena and Altadena residents, in person and online, via a survey that asked a series of probing questions about their lives in what lots of locals affectionately call the ‘Dena.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I’m calling this project a ‘musical time capsule,’” Mark said. “I’m asking people what they think people from 1925 will be surprised about. And what would you want people to know about you in 2125 that you think might end up distorted or mistranslated somehow?”\u003c/p>\n\u003cp>A song called “Time Capsule” playfully namechecks a lot of the local ‘Dena treasures that survey respondents say they’d be proud to share with a resident from 1925 or 2125. This includes local gems like the sci-fi novels of longtime Altadena resident Octavia Butler, cassette tapes from Pasadena’s own hard rock heroes Van Halen, flocks of wild parrots and the feral peacocks of East Pasadena.\u003c/p>\n\u003cp>“I made it a point to talk about this moment in 2025 and elaborate on the things that I have available to me, but also what is slightly out of my reach in the hybrid ways that we live,” said local writer Natalie Lydick, who responded to Mark’s survey questions.\u003c/p>\n\u003cp>Lydick said she wanted to remind anyone from Pasadena’s past or future that not everything modernizes as radically or as rapidly as we might think.\u003c/p>\n\u003cp>“I said, I have a cell phone and a computer, and I’m digitally literate, but I also have two full bookshelves, and I love to read print media,” Lydick said. “Electrical vehicles are widely available, but most people, including me, still drive gas-powered cars. Hindsight creates this idea of progress, [but] time moves so much slower than we think.”\u003c/p>\n\u003cp>That idea made its way into the lyrics of a song called “We Tried with the House,” in which one of the characters is explaining the Pasadena of today to one of the story’s time travelers.\u003c/p>\n\u003cfigure id=\"attachment_12088189\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088189 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC02-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Russell Mark sits in his recording studio to play some rough demos from his new project Pasadena Right Here, Right Now, an ambitious, bitter-sweet rock opera involving a time-traveling Caltech professor, the Eaton Fire and the thoughts of contemporary Pasadena-Altadena area residents. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>“And I hope you recognize the place, I hope it seems familiar / We still got cars and planes and trains / And even horses up in Altadena / We got books and vinyl records on our shelves / And we care for neighbors like we care for ourselves.”\u003c/em>\u003c/p>\n\u003cp>Guitarist and backup singer Myron Kaplan recalled how she answered a survey question that asked, what would you want to put in a physical time capsule representing this community?\u003c/p>\n\u003cp>“A snow globe with embers from a house burning down instead of snowflakes,” Kaplan said, making a direct reference to the Eaton Fire, which killed 19 people and destroyed hundreds of homes and businesses in Altadena, North Pasadena and Sierra Madre.\u003c/p>\n\u003cp>“I mean, it was a rough year, man, anyone who lives here can tell you that,” said Kaplan, recalling how she temporarily relocated to Las Vegas for several weeks after the fire to escape the poor air quality and process the shock and trauma of the disaster.\u003c/p>\n\u003cp>Mark had no clue how the plot would unfold when he embarked on the project. But he said the survey responses that informed much of the project’s lyrics were remarkably consistent.\u003c/p>\n\u003cfigure id=\"attachment_12088192\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088192 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/260618-PASADENA-ROCK-OPERA-SC05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cellist Mika Larson (center left), and composer Russell Mark (seated) with members of the Pasadena Right Here, Right Now ensemble, including Street Symphony founder Vijay Gupta (fourth from left) and Symphony board chair Georgia Hawley (right), after a live preview of the rock opera at the Midnight Mission’s weekly live music series in L.A.’s Skid Row neighborhood. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“People love the town, they love the beauty of the town, the trees, the architecture, the mountains, the friendliness, the number of cultural institutions,” Mark said. “The answers weren’t very different at all.”\u003c/p>\n\u003cp>“It makes you feel you live somewhere significant / So listen when they tell you / We’re living in the center of the universe! Pasadena is the center of the universe,” booms the anthemic pop rock chorus in “Center of the Universe,” a centerpiece of the show that reflects the affection and local pride that so many share for the Pasadena area.\u003c/p>\n\u003cp>“It’s easy to forget that it doesn’t matter whether you live in a mansion or you live on the street, you’re still a member of this community,” Mark said.\u003c/p>\n\u003cp>\u003cem>Hear songs from Pasadena Right Here, Right Now, on \u003c/em>\u003ca href=\"https://www.russellmarkmusic.com/pasadena\">\u003cem>Mark’s website\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "how-a-1957-vintage-radio-rekindled-a-daughters-bond-with-her-dad",
"title": "A Daughter’s 25-Year Journey to Heal a Broken Radio—and Grieve Her Father",
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"headTitle": "A Daughter’s 25-Year Journey to Heal a Broken Radio—and Grieve Her Father | KQED",
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"content": "\u003cp>Not long after my dad’s death in January of 1999, I was tasked with the inventorying and selling of his vast and varied collection of \u003ca href=\"https://www.kqed.org/news/10559298/at-cupertinos-electronics-flea-market-yesterdays-high-tech-is-todays-treasure\">audio equipment\u003c/a>. While in a state of shock — he was only 59, I was only 29 — I surveyed his former audio domain: a garage studio that still smelled of his cigars.\u003c/p>\n\u003cp>It was the age of synthesizers, and a huge mixing board dominated the room. Below it, an array of equipment racks blinked at me. Above, two black speakers the size of file drawers perched like sentinels of the advancing era of digital music production.\u003c/p>\n\u003cp>My father, Fred Myrow, was a talented composer following in the footsteps of multiple generations of talented musicians. He wrote avant-garde music. He was briefly the composer-in-residence at the New York Philharmonic (\u003ca href=\"https://medium.com/@rmyrow20/ashes-ashes-we-all-fall-down-ddf305a74003\">until he met my mom\u003c/a> and blew a deadline by failing to finish a composition for which posters had already been put up around the city).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Later, he wrote\u003ca href=\"https://www.youtube.com/watch?v=sdVb9jC_El0\"> soundtracks\u003c/a> for movies like\u003ca href=\"https://www.imdb.com/title/tt0079714/\"> \u003cem>Phantasm\u003c/em>\u003c/a> and\u003ca href=\"https://www.imdb.com/title/tt0070723/?ref_=fn_al_tt_1\"> \u003cem>Soylent Green\u003c/em>\u003c/a>. (I know, I know: “Soylent Green is people!”) He also wrote music for the theater; my favorites were his collaborations with the adventurous — and also gone-from-us-too-soon —\u003ca href=\"https://en.wikipedia.org/wiki/Reza_Abdoh\"> Reza Abdoh\u003c/a>.\u003c/p>\n\u003cp>My father’s four-decade career spanned multiple technologies. Some he borrowed, like the foot-pedal-powered\u003ca href=\"blank\"> Movieolas\u003c/a> that Hollywood studios lent him to support his soundtrack writing. When I was a small girl in the early 1970s, he would call me over to watch a silent scene with him on a Movieola’s tiny screen, singing out a melody in falsetto before marking the notes on score paper with colored pencils.\u003c/p>\n\u003cfigure id=\"attachment_12041340\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041340\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg\" alt=\"A 1950s era West German radio features a wood cabinet and grille.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In 1999, KQED’s Rachael Myrow discovered her father’s Telefunken Opus 7. She wiped off decades of dust and plugged it in. After a slight delay, an orchestra filled the room with a warm, rich sound that took her breath away. Seconds later, the radio died and the air filled with the smell of burning dust. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the years passed, he bought other machines — and inevitably stored them as they became obsolete, including three \u003ca href=\"https://www.kqed.org/arts/12198994/how-bing-crosby-and-silicon-valley-revolutionized-radio-and-tv\">reel-to-reel tape machines\u003c/a> widely used for high-fidelity audio work from the 1940s through the end of the 20th century.\u003c/p>\n\u003cp>I used them myself at the beginning of my career in public radio at \u003cem>Marketplace\u003c/em>. Why he needed three of them, I’ll never know. Obviously, he had a hoarding problem.\u003c/p>\n\u003cp>But of all the machines I found in that overstuffed garage, the most marvelous was a 1957 tabletop Telefunken Opus 7, a vintage radio covered in thick dust and buried in the back of a loft.\u003c/p>\n\u003cp>Like so many radios in the mid-20th century, it was housed in a handsomely crafted wooden cabinet, with a gorgeous grille above a glass panel featuring gold-painted tuning options — AM and FM, of course, but also shortwave, with helpful markers for Munich, Stuttgart, New York, Paris, Rome, even\u003ca href=\"https://www.vaticannews.va/en.html\"> Vatican Radio\u003c/a>.[aside postID=news_12043312 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/CLAIRE-SCHWARTZ-L-AND-NINA-RAJ-WITH-A-CHILD_S-DRAWING-RECOVERED-BY-RAJ-AFTER-THE-EATON-FIRE-KQED-1020x765.jpg']I hauled the Opus 7 down, wiped off the surface dust and plugged it in. The lights behind its panel glowed softly and yellow. After a slight delay, an orchestra filled the room with a warm, rich sound. It took my breath away. Seconds later, the sound faded, followed by a crackle — and then the air filled with the smell of burning dust.\u003c/p>\n\u003cp>Whoops.\u003c/p>\n\u003cp>I opened the back of the Opus 7 and stared at the dust-covered metallic innards. I was a radio reporter, but I’d never seen the inside of a radio. To my untrained eye, the vacuum tubes looked burned out. So I’d need to replace them? I put them in a little box, but I didn’t have the vaguest idea where to find new tubes — nor the money or time.\u003c/p>\n\u003cp>That is to say, I had a lot to deal with after my dad died. Each time I moved in the years that followed — and I moved many times — I’d haul the radio with me, thinking, “I really should get this thing fixed.” The radio became a psychologically fraught loose end, one of many gathering dust in the recesses of my subconscious.\u003c/p>\n\u003cp>Seven years after his death, my career brought me from Los Angeles, where I grew up, to the San Francisco Bay Area. The radio sat in storage until I moved into a home with more space. So much time had passed — 16 years! — I’d forgotten all about it. Perched silently on top of a bureau, the radio seemed to rebuke me: “When will you fix me? When will my sound fill a room again?”\u003c/p>\n\u003cfigure id=\"attachment_12041347\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041347\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg\" alt=\"A museum display of vacuum tubes from the 20th century.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In the early days of radio, vacuum tubes, like these on display at the California Historical Radio Society in Alameda, California, amplified weak electromagnetic signals picked up by the antenna. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the recommendation of colleagues at KQED, I found the repair directory for the\u003ca href=\"https://californiahistoricalradio.com/repair-directory/\"> California Historical Radio Society\u003c/a> and got in touch with\u003ca href=\"https://www.simonsvintagerepair.com\"> Simon Favre\u003c/a>. I visited the retired Silicon Valley engineer in his Milpitas living room, which was filled with cabinet radios in various stages of repair.\u003c/p>\n\u003cp>“I like the style of the early-to-mid-20th-century radios,” he told me. “I guess it’s kind of nostalgia. There was a certain style to that era, you know, the 20s up to the 50s. It’s kind of my sweet spot for fixing things.”\u003c/p>\n\u003cp>The 72-year-old Favre, who worked in various roles for Silicon Valley companies, has been a “hardware guy” and a “tinkerer” since childhood. He diagnosed the problems with my Opus 7 and, for $200, replaced some capacitors, mended a plastic tuning wheel with super glue and baking soda, and yes, replaced the vacuum tubes.\u003c/p>\n\u003cp>When I plugged the radio in at home, there was a pause, then a rush of static. I turned the dial slightly, and orchestral strings once again filled the air. I jumped up and down with delight. If only Dad could see it — and hear it.\u003c/p>\n\u003cfigure id=\"attachment_12041341\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041341\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg\" alt=\"A framed photograph of a young, smiling man.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fred Myrow as a young man, full of hope and confidence for his life and career. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was surprisingly easy to restore the physical radio. But the radio’s backstory remained a mystery. Did my father purchase it when he studied in the early 1960s at the\u003ca href=\"http://www.santacecilia.it/en/chi_siamo/accademia/storia.html\"> Santa Cecilia Academy of Music\u003c/a> in Rome? Was it a gift to him from my grandparents? A nostalgic find bought from a secondhand store?\u003c/p>\n\u003cp>Time tears at the wiring that connects us to the people who fix us in space and time. As we age and those around us die, the connections and the stories burn out, one by one. Just a handful of people who knew my dad are still around — people, I thought, who just might know.\u003c/p>\n\u003cp>I texted a photo of the radio to my godfather, the magnificent composer and arranger\u003ca href=\"https://flypaper.soundfly.com/discover/inimitable-legacy-van-dyke-parks-journey-song/\"> Van Dyke Parks\u003c/a>. He and my dad were like two peas in a pod, similar in talent and outlook. Van Dyke texted back to remind me that he didn’t meet my dad until 1967 or ’68. But remarkably, Van Dyke had bought that exact radio model in 1957 when he was a boy, while acting in a \u003cem>Heidi\u003c/em> film for RKO in Munich.\u003c/p>\n\u003cp>Van Dyke rang me on the phone, his mind racing with memories. “You hit the heartstrings with that particular picture. So beautiful to behold,” he said. While he didn’t know the particulars of my dad’s radio or how he acquired it, Van Dyke recalled what the Opus 7 meant in a time before satellites and the internet accustomed us to tinny, compressed music on demand.\u003c/p>\n\u003cfigure id=\"attachment_12041346\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg\" alt=\"The insides of a 1957 radio feature dust covered speakers above a dust covered chassis of other radio parts.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A view inside the unrepaired Telefunken Opus 7. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was a big deal, shortwave,” he sighed, thinking back to happy hours spent listening to great European conductors like\u003ca href=\"https://www.nytimes.com/2023/11/03/arts/music/otto-klemperer-conductor.html\"> Otto Klemperer\u003c/a>. Then, being the strings specialist he is, Van Dyke praised the way tube amps make partials (higher-frequency vibrations) that you get from a rosin bow “really available.”\u003c/p>\n\u003cp>I know what he means, even without having his classical training. In that brief moment back in 1999, when my dad’s radio surged to life, I responded most to the harmonic thrum of the string instruments. A quarter-century later, the memory of that sound rushed back, twinned with grief and nostalgia for my father and his music.\u003c/p>\n\u003cp>The internet has afforded my father some posthumous appreciation, especially in the comments sections on YouTube clips of his soundtracks. I wish he were alive to read them, given how much he struggled when alive for his music to be heard.\u003c/p>\n\u003cp>Many of the people we love die before we do, leaving us \u003ca href=\"https://www.kqed.org/arts/13824126/the-dead-will-talk-to-you-now-or-at-least-listen-in-santa-cruz\">helplessly nostalgic\u003c/a>. My own nostalgia comes attached to the music my father left as his legacy, along with the equipment that fostered his creativity.\u003c/p>\n\u003cp>I still have a number of microcassette tapes on which my dad recorded many notes to himself. A quarter-century later, it’s still too painful for me to listen to the sound of his voice, especially from the last years of his life. The white-hot grief I felt in 1999 comes rushing up, and I have to hit the stop button. The tapes sit in a box on a high shelf in my own home studio now, gathering their own dust.\u003c/p>\n\u003cp>But when I turn on that Telefunken Opus 7, with the dial set to the Bay Area’s classical station, KDFC, the panel glows with that warm, yellow light, the vacuum tubes engage, and an orchestra fills my room.\u003c/p>\n\u003cp>My heart grows full as the music swells, and I can feel my dad wink at me from across an otherwise unbreachable expanse of space and time.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "A 1957 Telefunken Opus 7 radio traveled with a daughter from Los Angeles to the Bay Area — sitting in silence and collecting dust — until she finally had it restored, rekindling her connection to her late father’s musical legacy.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Not long after my dad’s death in January of 1999, I was tasked with the inventorying and selling of his vast and varied collection of \u003ca href=\"https://www.kqed.org/news/10559298/at-cupertinos-electronics-flea-market-yesterdays-high-tech-is-todays-treasure\">audio equipment\u003c/a>. While in a state of shock — he was only 59, I was only 29 — I surveyed his former audio domain: a garage studio that still smelled of his cigars.\u003c/p>\n\u003cp>It was the age of synthesizers, and a huge mixing board dominated the room. Below it, an array of equipment racks blinked at me. Above, two black speakers the size of file drawers perched like sentinels of the advancing era of digital music production.\u003c/p>\n\u003cp>My father, Fred Myrow, was a talented composer following in the footsteps of multiple generations of talented musicians. He wrote avant-garde music. He was briefly the composer-in-residence at the New York Philharmonic (\u003ca href=\"https://medium.com/@rmyrow20/ashes-ashes-we-all-fall-down-ddf305a74003\">until he met my mom\u003c/a> and blew a deadline by failing to finish a composition for which posters had already been put up around the city).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Later, he wrote\u003ca href=\"https://www.youtube.com/watch?v=sdVb9jC_El0\"> soundtracks\u003c/a> for movies like\u003ca href=\"https://www.imdb.com/title/tt0079714/\"> \u003cem>Phantasm\u003c/em>\u003c/a> and\u003ca href=\"https://www.imdb.com/title/tt0070723/?ref_=fn_al_tt_1\"> \u003cem>Soylent Green\u003c/em>\u003c/a>. (I know, I know: “Soylent Green is people!”) He also wrote music for the theater; my favorites were his collaborations with the adventurous — and also gone-from-us-too-soon —\u003ca href=\"https://en.wikipedia.org/wiki/Reza_Abdoh\"> Reza Abdoh\u003c/a>.\u003c/p>\n\u003cp>My father’s four-decade career spanned multiple technologies. Some he borrowed, like the foot-pedal-powered\u003ca href=\"blank\"> Movieolas\u003c/a> that Hollywood studios lent him to support his soundtrack writing. When I was a small girl in the early 1970s, he would call me over to watch a silent scene with him on a Movieola’s tiny screen, singing out a melody in falsetto before marking the notes on score paper with colored pencils.\u003c/p>\n\u003cfigure id=\"attachment_12041340\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041340\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg\" alt=\"A 1950s era West German radio features a wood cabinet and grille.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In 1999, KQED’s Rachael Myrow discovered her father’s Telefunken Opus 7. She wiped off decades of dust and plugged it in. After a slight delay, an orchestra filled the room with a warm, rich sound that took her breath away. Seconds later, the radio died and the air filled with the smell of burning dust. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the years passed, he bought other machines — and inevitably stored them as they became obsolete, including three \u003ca href=\"https://www.kqed.org/arts/12198994/how-bing-crosby-and-silicon-valley-revolutionized-radio-and-tv\">reel-to-reel tape machines\u003c/a> widely used for high-fidelity audio work from the 1940s through the end of the 20th century.\u003c/p>\n\u003cp>I used them myself at the beginning of my career in public radio at \u003cem>Marketplace\u003c/em>. Why he needed three of them, I’ll never know. Obviously, he had a hoarding problem.\u003c/p>\n\u003cp>But of all the machines I found in that overstuffed garage, the most marvelous was a 1957 tabletop Telefunken Opus 7, a vintage radio covered in thick dust and buried in the back of a loft.\u003c/p>\n\u003cp>Like so many radios in the mid-20th century, it was housed in a handsomely crafted wooden cabinet, with a gorgeous grille above a glass panel featuring gold-painted tuning options — AM and FM, of course, but also shortwave, with helpful markers for Munich, Stuttgart, New York, Paris, Rome, even\u003ca href=\"https://www.vaticannews.va/en.html\"> Vatican Radio\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>I hauled the Opus 7 down, wiped off the surface dust and plugged it in. The lights behind its panel glowed softly and yellow. After a slight delay, an orchestra filled the room with a warm, rich sound. It took my breath away. Seconds later, the sound faded, followed by a crackle — and then the air filled with the smell of burning dust.\u003c/p>\n\u003cp>Whoops.\u003c/p>\n\u003cp>I opened the back of the Opus 7 and stared at the dust-covered metallic innards. I was a radio reporter, but I’d never seen the inside of a radio. To my untrained eye, the vacuum tubes looked burned out. So I’d need to replace them? I put them in a little box, but I didn’t have the vaguest idea where to find new tubes — nor the money or time.\u003c/p>\n\u003cp>That is to say, I had a lot to deal with after my dad died. Each time I moved in the years that followed — and I moved many times — I’d haul the radio with me, thinking, “I really should get this thing fixed.” The radio became a psychologically fraught loose end, one of many gathering dust in the recesses of my subconscious.\u003c/p>\n\u003cp>Seven years after his death, my career brought me from Los Angeles, where I grew up, to the San Francisco Bay Area. The radio sat in storage until I moved into a home with more space. So much time had passed — 16 years! — I’d forgotten all about it. Perched silently on top of a bureau, the radio seemed to rebuke me: “When will you fix me? When will my sound fill a room again?”\u003c/p>\n\u003cfigure id=\"attachment_12041347\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041347\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg\" alt=\"A museum display of vacuum tubes from the 20th century.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In the early days of radio, vacuum tubes, like these on display at the California Historical Radio Society in Alameda, California, amplified weak electromagnetic signals picked up by the antenna. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the recommendation of colleagues at KQED, I found the repair directory for the\u003ca href=\"https://californiahistoricalradio.com/repair-directory/\"> California Historical Radio Society\u003c/a> and got in touch with\u003ca href=\"https://www.simonsvintagerepair.com\"> Simon Favre\u003c/a>. I visited the retired Silicon Valley engineer in his Milpitas living room, which was filled with cabinet radios in various stages of repair.\u003c/p>\n\u003cp>“I like the style of the early-to-mid-20th-century radios,” he told me. “I guess it’s kind of nostalgia. There was a certain style to that era, you know, the 20s up to the 50s. It’s kind of my sweet spot for fixing things.”\u003c/p>\n\u003cp>The 72-year-old Favre, who worked in various roles for Silicon Valley companies, has been a “hardware guy” and a “tinkerer” since childhood. He diagnosed the problems with my Opus 7 and, for $200, replaced some capacitors, mended a plastic tuning wheel with super glue and baking soda, and yes, replaced the vacuum tubes.\u003c/p>\n\u003cp>When I plugged the radio in at home, there was a pause, then a rush of static. I turned the dial slightly, and orchestral strings once again filled the air. I jumped up and down with delight. If only Dad could see it — and hear it.\u003c/p>\n\u003cfigure id=\"attachment_12041341\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041341\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg\" alt=\"A framed photograph of a young, smiling man.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fred Myrow as a young man, full of hope and confidence for his life and career. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was surprisingly easy to restore the physical radio. But the radio’s backstory remained a mystery. Did my father purchase it when he studied in the early 1960s at the\u003ca href=\"http://www.santacecilia.it/en/chi_siamo/accademia/storia.html\"> Santa Cecilia Academy of Music\u003c/a> in Rome? Was it a gift to him from my grandparents? A nostalgic find bought from a secondhand store?\u003c/p>\n\u003cp>Time tears at the wiring that connects us to the people who fix us in space and time. As we age and those around us die, the connections and the stories burn out, one by one. Just a handful of people who knew my dad are still around — people, I thought, who just might know.\u003c/p>\n\u003cp>I texted a photo of the radio to my godfather, the magnificent composer and arranger\u003ca href=\"https://flypaper.soundfly.com/discover/inimitable-legacy-van-dyke-parks-journey-song/\"> Van Dyke Parks\u003c/a>. He and my dad were like two peas in a pod, similar in talent and outlook. Van Dyke texted back to remind me that he didn’t meet my dad until 1967 or ’68. But remarkably, Van Dyke had bought that exact radio model in 1957 when he was a boy, while acting in a \u003cem>Heidi\u003c/em> film for RKO in Munich.\u003c/p>\n\u003cp>Van Dyke rang me on the phone, his mind racing with memories. “You hit the heartstrings with that particular picture. So beautiful to behold,” he said. While he didn’t know the particulars of my dad’s radio or how he acquired it, Van Dyke recalled what the Opus 7 meant in a time before satellites and the internet accustomed us to tinny, compressed music on demand.\u003c/p>\n\u003cfigure id=\"attachment_12041346\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg\" alt=\"The insides of a 1957 radio feature dust covered speakers above a dust covered chassis of other radio parts.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A view inside the unrepaired Telefunken Opus 7. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was a big deal, shortwave,” he sighed, thinking back to happy hours spent listening to great European conductors like\u003ca href=\"https://www.nytimes.com/2023/11/03/arts/music/otto-klemperer-conductor.html\"> Otto Klemperer\u003c/a>. Then, being the strings specialist he is, Van Dyke praised the way tube amps make partials (higher-frequency vibrations) that you get from a rosin bow “really available.”\u003c/p>\n\u003cp>I know what he means, even without having his classical training. In that brief moment back in 1999, when my dad’s radio surged to life, I responded most to the harmonic thrum of the string instruments. A quarter-century later, the memory of that sound rushed back, twinned with grief and nostalgia for my father and his music.\u003c/p>\n\u003cp>The internet has afforded my father some posthumous appreciation, especially in the comments sections on YouTube clips of his soundtracks. I wish he were alive to read them, given how much he struggled when alive for his music to be heard.\u003c/p>\n\u003cp>Many of the people we love die before we do, leaving us \u003ca href=\"https://www.kqed.org/arts/13824126/the-dead-will-talk-to-you-now-or-at-least-listen-in-santa-cruz\">helplessly nostalgic\u003c/a>. My own nostalgia comes attached to the music my father left as his legacy, along with the equipment that fostered his creativity.\u003c/p>\n\u003cp>I still have a number of microcassette tapes on which my dad recorded many notes to himself. A quarter-century later, it’s still too painful for me to listen to the sound of his voice, especially from the last years of his life. The white-hot grief I felt in 1999 comes rushing up, and I have to hit the stop button. The tapes sit in a box on a high shelf in my own home studio now, gathering their own dust.\u003c/p>\n\u003cp>But when I turn on that Telefunken Opus 7, with the dial set to the Bay Area’s classical station, KDFC, the panel glows with that warm, yellow light, the vacuum tubes engage, and an orchestra fills my room.\u003c/p>\n\u003cp>My heart grows full as the music swells, and I can feel my dad wink at me from across an otherwise unbreachable expanse of space and time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "US Soccer Fans Flood Streets Around SoFi as World Cup Kicks Off in LA",
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"content": "\u003cp>The streets around SoFi Stadium were awash in red, white and blue on Friday as fans of the U.S. men’s national soccer team converged on Los Angeles to watch their team play its first match of the \u003ca href=\"https://www.kqed.org/arts/13990640/where-to-watch-world-cup-bay-area-best-bars-classic-pubs\">2026 FIFA World Cup\u003c/a>.\u003c/p>\n\u003cp>The Stars and Stripes aren’t expected to dominate the tournament, a massive global undertaking playing out across 16 host cities in Canada, the United States and Mexico. Powerhouse teams like Spain and France are likely to fill that role.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the U.S.’s middling rankings and the eye-watering ticket prices hardly mattered to the soccer fans crammed into bars, boisterous watch parties and the streets around SoFi ahead of the 6 p.m. kickoff against Paraguay at the temporarily renamed Los Angeles Stadium in Inglewood.\u003c/p>\n\u003cp>Kevin and Katie Howell came to the game with their kids, Alexander and Lily, from Washington, D.C.\u003c/p>\n\u003cfigure id=\"attachment_12087449\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087449\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Kevin Howell, Alexander Howell, Katie Howell and Lily Howell outside SoFi Stadium ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The 1994 World Cup inspired me to fall in love with soccer as an 8-year-old boy, and I passed that down to my son, and it’s a thing we share as a family,” said Kevin, referring to the year the U.S. last hosted.\u003c/p>\n\u003cp>Kevin said his dad took his older brother to some of the ‘94 games, some of which were played at Stanford University, but deemed him too young, giving him a serious case of “FOMO.”\u003c/p>\n\u003cfigure id=\"attachment_12087444\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087444\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A fan wears USA-themed hat and pins ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087446\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087446\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans wear USA-themed crocs and socks ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Just hours ahead of his first World Cup match, he was thrilled to be sharing the experience with his family, including his own 8-year-old-son.\u003c/p>\n\u003cp>“This was kind of me…I don’t know, a midlife crisis maybe, or something I had to do. Bucket list item for me,” the 39-year-old said.\u003c/p>\n\u003cp>Alexander was especially excited, he said, to see U.S. forward Christian Pulisic play. “I really like seeing him.”\u003c/p>\n\u003cfigure id=\"attachment_12087453\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087453\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Matthew Payano, Junior Payano, Julian Payano and Larry Payano gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087443\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087443\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Siblings Beth and Andy Viner, 49 and 47, gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While SoFi won the opportunity to host the first match featuring the U.S., six games are set to be \u003ca href=\"https://www.kqed.org/news/12086949/levis-stadium-is-no-more-san-francisco-bay-area-stadium-hosts-world-cup\">played at Levi’s Stadium\u003c/a> in Santa Clara, presenting what some local officials said could be an \u003ca href=\"https://www.kqed.org/news/12086953/the-world-cup-has-arrived-in-the-san-francisco-bay-area-is-anyone-else-coming\">economic boon for the San Francisco Bay Area\u003c/a>.\u003c/p>\n\u003cp>And Paraguay’s team has made their \u003ca href=\"https://www.kqed.org/news/12086567/team-paraguay-arrives-in-san-jose-ahead-of-world-cup-games-at-levis\">base camp at San José State University\u003c/a>, while Australia is based in Alameda at the Oakland Roots and Soul facility.\u003c/p>\n\u003cp>Straining to be heard over the raucous crowd behind him near SoFi, Chris Powers was looking forward to watching the U.S. play, and hopefully win, with his friend, Jeff Wilson.\u003c/p>\n\u003cfigure id=\"attachment_12087442\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087442\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087462\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087462\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everyone is just so excited to be here,” the 40-year-old from Connecticut said. “It’s been a really cool experience.”\u003c/p>\n\u003cp>Nearby, Pedro Mendoza had flown in from Paraguay to see his team take on the U.S.\u003c/p>\n\u003cp>“Soccer is a big deal in Paraguay,” the 45-year-old said. “It’s like another religion for us.”\u003c/p>\n\u003cp>Mendoza, who joked that his nosebleed seats put him “closest to God,” paid about $1,500 to attend the game, and was hoping to go to one more.\u003c/p>\n\u003cfigure id=\"attachment_12087460\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087460\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Paraguay fan Pedro Mendoza walks to SoFi Stadium for the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087445\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087445\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Luis Ibarra, Juan Lugo and Nate Johnston gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He said traveling to the U.S. amid the current political climate and President Donald Trump’s immigration crackdown was “a little concerning,” but that he had everything “in order” and was ready to enjoy the game.\u003c/p>\n\u003cp>Juan Lugo and Luis Ibarra of Texas said they were also prepared to do whatever it took to attend the match.\u003c/p>\n\u003cp>“I wouldn’t miss it,” Lugo said. “There’s no way we were going to miss a World Cup on home soil.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The streets around SoFi Stadium were awash in red, white and blue on Friday as fans of the U.S. men’s national soccer team converged on Los Angeles to watch their team play its first match of the \u003ca href=\"https://www.kqed.org/arts/13990640/where-to-watch-world-cup-bay-area-best-bars-classic-pubs\">2026 FIFA World Cup\u003c/a>.\u003c/p>\n\u003cp>The Stars and Stripes aren’t expected to dominate the tournament, a massive global undertaking playing out across 16 host cities in Canada, the United States and Mexico. Powerhouse teams like Spain and France are likely to fill that role.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the U.S.’s middling rankings and the eye-watering ticket prices hardly mattered to the soccer fans crammed into bars, boisterous watch parties and the streets around SoFi ahead of the 6 p.m. kickoff against Paraguay at the temporarily renamed Los Angeles Stadium in Inglewood.\u003c/p>\n\u003cp>Kevin and Katie Howell came to the game with their kids, Alexander and Lily, from Washington, D.C.\u003c/p>\n\u003cfigure id=\"attachment_12087449\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087449\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0137-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Kevin Howell, Alexander Howell, Katie Howell and Lily Howell outside SoFi Stadium ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The 1994 World Cup inspired me to fall in love with soccer as an 8-year-old boy, and I passed that down to my son, and it’s a thing we share as a family,” said Kevin, referring to the year the U.S. last hosted.\u003c/p>\n\u003cp>Kevin said his dad took his older brother to some of the ‘94 games, some of which were played at Stanford University, but deemed him too young, giving him a serious case of “FOMO.”\u003c/p>\n\u003cfigure id=\"attachment_12087444\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087444\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0045-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A fan wears USA-themed hat and pins ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087446\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087446\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0070-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans wear USA-themed crocs and socks ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Just hours ahead of his first World Cup match, he was thrilled to be sharing the experience with his family, including his own 8-year-old-son.\u003c/p>\n\u003cp>“This was kind of me…I don’t know, a midlife crisis maybe, or something I had to do. Bucket list item for me,” the 39-year-old said.\u003c/p>\n\u003cp>Alexander was especially excited, he said, to see U.S. forward Christian Pulisic play. “I really like seeing him.”\u003c/p>\n\u003cfigure id=\"attachment_12087453\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087453\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_9973-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Matthew Payano, Junior Payano, Julian Payano and Larry Payano gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087443\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087443\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0039-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Siblings Beth and Andy Viner, 49 and 47, gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While SoFi won the opportunity to host the first match featuring the U.S., six games are set to be \u003ca href=\"https://www.kqed.org/news/12086949/levis-stadium-is-no-more-san-francisco-bay-area-stadium-hosts-world-cup\">played at Levi’s Stadium\u003c/a> in Santa Clara, presenting what some local officials said could be an \u003ca href=\"https://www.kqed.org/news/12086953/the-world-cup-has-arrived-in-the-san-francisco-bay-area-is-anyone-else-coming\">economic boon for the San Francisco Bay Area\u003c/a>.\u003c/p>\n\u003cp>And Paraguay’s team has made their \u003ca href=\"https://www.kqed.org/news/12086567/team-paraguay-arrives-in-san-jose-ahead-of-world-cup-games-at-levis\">base camp at San José State University\u003c/a>, while Australia is based in Alameda at the Oakland Roots and Soul facility.\u003c/p>\n\u003cp>Straining to be heard over the raucous crowd behind him near SoFi, Chris Powers was looking forward to watching the U.S. play, and hopefully win, with his friend, Jeff Wilson.\u003c/p>\n\u003cfigure id=\"attachment_12087442\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087442\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0012-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087462\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087462\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_2163-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everyone is just so excited to be here,” the 40-year-old from Connecticut said. “It’s been a really cool experience.”\u003c/p>\n\u003cp>Nearby, Pedro Mendoza had flown in from Paraguay to see his team take on the U.S.\u003c/p>\n\u003cp>“Soccer is a big deal in Paraguay,” the 45-year-old said. “It’s like another religion for us.”\u003c/p>\n\u003cp>Mendoza, who joked that his nosebleed seats put him “closest to God,” paid about $1,500 to attend the game, and was hoping to go to one more.\u003c/p>\n\u003cfigure id=\"attachment_12087460\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087460\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0112-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Paraguay fan Pedro Mendoza walks to SoFi Stadium for the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12087445\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12087445\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/061226_WORLDCUPFANS_0059-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Luis Ibarra, Juan Lugo and Nate Johnston gather ahead of the USA vs. Paraguay World Cup game in Los Angeles on June 12, 2026. \u003ccite>(Lauren Justice for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He said traveling to the U.S. amid the current political climate and President Donald Trump’s immigration crackdown was “a little concerning,” but that he had everything “in order” and was ready to enjoy the game.\u003c/p>\n\u003cp>Juan Lugo and Luis Ibarra of Texas said they were also prepared to do whatever it took to attend the match.\u003c/p>\n\u003cp>“I wouldn’t miss it,” Lugo said. “There’s no way we were going to miss a World Cup on home soil.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Immigration Attorneys, Sacramento Advocates Concerned About New ‘Mega Master’ Immigration Hearings",
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"content": "\u003cp>\u003cstrong>Here are the morning’s top stories on Tuesday, June 9, 2026:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Immigration courts across the country, including in Sacramento County, \u003ca href=\"https://www.capradio.org/articles/2026/06/08/immigration-attorneys-sacramento-advocates-concerned-about-new-mega-master-immigration-hearings/\">are using a new tactic\u003c/a> to expedite hearings, which advocates say could lead to more deportation orders.\u003c/li>\n\u003cli>Imperial Valley voters have rejected a controversial candidate for the Imperial Irrigation District, the region’s powerful water and power agency. Carlos Duran’s campaign was backed by a Southern California \u003ca href=\"https://www.kpbs.org/news/politics/2026/06/05/imperial-county-voters-reject-data-center-backed-candidate-for-water-and-power-utility\">data center\u003c/a> developer.\u003c/li>\n\u003cli>The LA mayor’s race is down to two Democrats after the Associated Press declared Nithya Raman as the winner in the battle for second place over Republican reality TV personality Spencer Pratt, but a handful of races are still up for grabs in the state.\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca href=\"https://www.capradio.org/articles/2026/06/08/immigration-attorneys-sacramento-advocates-concerned-about-new-mega-master-immigration-hearings/\">\u003cstrong>Advocates Raise Concerns About Federal Court Initiative to Speed Up Deportation Cases\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Courts across the country started rolling out “mega masters” that bring unusually large numbers of immigrants into court proceedings at the same time. Immigrant attorneys argue the practice could make it more difficult for people to understand their rights, find legal representation and adequately prepare their cases.\u003c/p>\n\u003cp>A recent hearing inside Sacramento’s John Moss Federal Building had scheduled 45 immigrants to appear. Another 45 were scheduled an hour later.\u003c/p>\n\u003cp>Finding legal representation won’t be easy because larger proceedings means more immigrants competing for the already fully booked affordable immigration attorneys.\u003c/p>\n\u003cp>Giselle Garcia with NorCal Resist, a Sacramento-based mutual aid organization that assists immigrants facing deportation proceedings, said a typical docket included between 15 and 25 respondents.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Executive Office for Immigration Review, which oversees the nation’s immigration courts, said in a statement that immigration judges can issue deportation orders when respondents fail to appear if they determine sufficient notice was provided and the Department of Homeland Security has established removability.\u003c/p>\n\u003cp>The spokesperson added that the agency will continue to make scheduling adjustments to ensure all cases are handled in a timely and lawful manner.\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kpbs.org/news/politics/2026/06/05/imperial-county-voters-reject-data-center-backed-candidate-for-water-and-power-utility\">Imperial Valley Voters Reject Candidate Backed by Data Center Developer\u003c/a>\u003c/h2>\n\u003cp>Early results from last week’s primary election show voters in El Centro and Westmoreland overwhelmingly rejected Carlos Duran’s bid for the Imperial Irrigation District Board of Directors. Instead, they voted to reelect incumbent director Alex Cardenas, who has served in the role since 2018.\u003c/p>\n\u003cp>As of Friday morning, Cardenas had over 1,700 votes, nearly double Duran’s total of approximately 900 votes. In a phone call, Cardenas said he saw the results as a sign that voters valued experience, ethics and transparency.\u003c/p>\n\u003cp>IID is the primary provider of power and water in the region. The utility delivers electricity to more than 160,000 customers throughout the Imperial and Coachella Valleys.\u003c/p>\n\u003cp>Duran’s defeat was a blow for Imperial Valley Computer Manufacturing, the Huntington Beach-based developer backing his campaign.\u003c/p>\n\u003cp>The company is trying to build a 950,000-square-foot artificial intelligence data center complex in the Imperial Valley. It had spent $30,000 to support Duran, a local journalist and online personality who had previously worked for the company as a spokesperson.\u003c/p>\n\u003ch2>\u003ca href=\"https://apnews.com/article/los-angeles-mayor-2026-election-e0ef2b83cd8f94556d1c532227bb49dd\">\u003cstrong>Los Angeles November Mayoral Races Becomes Clear, While Other Races Hang in the Air\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Nithya Raman, a progressive Los Angeles city councilmember, has advanced to a November runoff \u003ca href=\"https://www.kqed.org/news/12086090/los-angeles-mayor-karen-bass-advances-to-november-runoff-as-she-seeks-second-term\">against Mayor Karen Bass\u003c/a>, setting up an unexpected matchup between two Democrats and former political allies to run the struggling city of nearly 4 million.\u003c/p>\n\u003cp>The Republican and former reality television personality from “The Hills,” Spencer Pratt, is out of the running.\u003c/p>\n\u003cp>Raman made a last-minute entry into the race, after she had endorsed Bass for reelection. She was elected to the council with the support of the Democratic Socialists of America, and the election will test whether voters in the heavily Democratic city want to move further to the political left to address long-running problems of homelessness, buckled streets and sidewalks and climbing rent and home prices.\u003c/p>\n\u003cp>But, a week after Election Day, some races across the state still remain unclear as over 1.7 million votes await being counted.\u003c/p>\n\u003cp>In the governor’s race to \u003ca href=\"https://www.kqed.org/news/12086471/becerra-advances-in-california-governor-race-as-hilton-steyer-battle-for-second-spot\">face off against Xavier Becerra\u003c/a> in November’s General Election, Republican Steve Hilton holds a lead over Democrat Tom Steyer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Two Democrats, Assemblymember Jasmeet Bain and Randy Villegas, a trustee for a the Visalia Unified School District, are also awaiting results to see who will face off against Republican Rep. David Valadao. Democrats are \u003ca href=\"https://www.kqed.org/news/12085418/two-democrats-are-fighting-for-the-chance-to-flip-californias-only-toss-up-house-race\">hoping to unseat\u003c/a> Valadao, who has held onto the seat for over a dozen years.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Here are the morning’s top stories on Tuesday, June 9, 2026:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Immigration courts across the country, including in Sacramento County, \u003ca href=\"https://www.capradio.org/articles/2026/06/08/immigration-attorneys-sacramento-advocates-concerned-about-new-mega-master-immigration-hearings/\">are using a new tactic\u003c/a> to expedite hearings, which advocates say could lead to more deportation orders.\u003c/li>\n\u003cli>Imperial Valley voters have rejected a controversial candidate for the Imperial Irrigation District, the region’s powerful water and power agency. Carlos Duran’s campaign was backed by a Southern California \u003ca href=\"https://www.kpbs.org/news/politics/2026/06/05/imperial-county-voters-reject-data-center-backed-candidate-for-water-and-power-utility\">data center\u003c/a> developer.\u003c/li>\n\u003cli>The LA mayor’s race is down to two Democrats after the Associated Press declared Nithya Raman as the winner in the battle for second place over Republican reality TV personality Spencer Pratt, but a handful of races are still up for grabs in the state.\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca href=\"https://www.capradio.org/articles/2026/06/08/immigration-attorneys-sacramento-advocates-concerned-about-new-mega-master-immigration-hearings/\">\u003cstrong>Advocates Raise Concerns About Federal Court Initiative to Speed Up Deportation Cases\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Courts across the country started rolling out “mega masters” that bring unusually large numbers of immigrants into court proceedings at the same time. Immigrant attorneys argue the practice could make it more difficult for people to understand their rights, find legal representation and adequately prepare their cases.\u003c/p>\n\u003cp>A recent hearing inside Sacramento’s John Moss Federal Building had scheduled 45 immigrants to appear. Another 45 were scheduled an hour later.\u003c/p>\n\u003cp>Finding legal representation won’t be easy because larger proceedings means more immigrants competing for the already fully booked affordable immigration attorneys.\u003c/p>\n\u003cp>Giselle Garcia with NorCal Resist, a Sacramento-based mutual aid organization that assists immigrants facing deportation proceedings, said a typical docket included between 15 and 25 respondents.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Executive Office for Immigration Review, which oversees the nation’s immigration courts, said in a statement that immigration judges can issue deportation orders when respondents fail to appear if they determine sufficient notice was provided and the Department of Homeland Security has established removability.\u003c/p>\n\u003cp>The spokesperson added that the agency will continue to make scheduling adjustments to ensure all cases are handled in a timely and lawful manner.\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kpbs.org/news/politics/2026/06/05/imperial-county-voters-reject-data-center-backed-candidate-for-water-and-power-utility\">Imperial Valley Voters Reject Candidate Backed by Data Center Developer\u003c/a>\u003c/h2>\n\u003cp>Early results from last week’s primary election show voters in El Centro and Westmoreland overwhelmingly rejected Carlos Duran’s bid for the Imperial Irrigation District Board of Directors. Instead, they voted to reelect incumbent director Alex Cardenas, who has served in the role since 2018.\u003c/p>\n\u003cp>As of Friday morning, Cardenas had over 1,700 votes, nearly double Duran’s total of approximately 900 votes. In a phone call, Cardenas said he saw the results as a sign that voters valued experience, ethics and transparency.\u003c/p>\n\u003cp>IID is the primary provider of power and water in the region. The utility delivers electricity to more than 160,000 customers throughout the Imperial and Coachella Valleys.\u003c/p>\n\u003cp>Duran’s defeat was a blow for Imperial Valley Computer Manufacturing, the Huntington Beach-based developer backing his campaign.\u003c/p>\n\u003cp>The company is trying to build a 950,000-square-foot artificial intelligence data center complex in the Imperial Valley. It had spent $30,000 to support Duran, a local journalist and online personality who had previously worked for the company as a spokesperson.\u003c/p>\n\u003ch2>\u003ca href=\"https://apnews.com/article/los-angeles-mayor-2026-election-e0ef2b83cd8f94556d1c532227bb49dd\">\u003cstrong>Los Angeles November Mayoral Races Becomes Clear, While Other Races Hang in the Air\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Nithya Raman, a progressive Los Angeles city councilmember, has advanced to a November runoff \u003ca href=\"https://www.kqed.org/news/12086090/los-angeles-mayor-karen-bass-advances-to-november-runoff-as-she-seeks-second-term\">against Mayor Karen Bass\u003c/a>, setting up an unexpected matchup between two Democrats and former political allies to run the struggling city of nearly 4 million.\u003c/p>\n\u003cp>The Republican and former reality television personality from “The Hills,” Spencer Pratt, is out of the running.\u003c/p>\n\u003cp>Raman made a last-minute entry into the race, after she had endorsed Bass for reelection. She was elected to the council with the support of the Democratic Socialists of America, and the election will test whether voters in the heavily Democratic city want to move further to the political left to address long-running problems of homelessness, buckled streets and sidewalks and climbing rent and home prices.\u003c/p>\n\u003cp>But, a week after Election Day, some races across the state still remain unclear as over 1.7 million votes await being counted.\u003c/p>\n\u003cp>In the governor’s race to \u003ca href=\"https://www.kqed.org/news/12086471/becerra-advances-in-california-governor-race-as-hilton-steyer-battle-for-second-spot\">face off against Xavier Becerra\u003c/a> in November’s General Election, Republican Steve Hilton holds a lead over Democrat Tom Steyer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Two Democrats, Assemblymember Jasmeet Bain and Randy Villegas, a trustee for a the Visalia Unified School District, are also awaiting results to see who will face off against Republican Rep. David Valadao. Democrats are \u003ca href=\"https://www.kqed.org/news/12085418/two-democrats-are-fighting-for-the-chance-to-flip-californias-only-toss-up-house-race\">hoping to unseat\u003c/a> Valadao, who has held onto the seat for over a dozen years.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/los-angeles\">Los Angeles\u003c/a> mayoral candidate Nithya Raman gained enough votes by Sunday evening to edge out reality TV personality Spencer Pratt, putting her in second-place for now in the closely-watched race.\u003c/p>\n\u003cp>The L.A. City Council member and the reality star are separated by about 3,100 votes in the race for a runoff spot against incumbent Mayor Karen Bass in November.\u003c/p>\n\u003cp>\u003cem>The Associated Press\u003c/em> has called one runoff spot for Bass.\u003c/p>\n\u003cp>Votes are still being counted, and the L.A. County Registrar of Voters will receive ballots postmarked by Election Day up until seven days later.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>Where the race stands now\u003c/h2>\n\u003cp>On election night, Pratt had collected enough votes to put him squarely in the second spot, with a significant lead over Raman.\u003c/p>\n\u003cp>But by late Friday, Raman had gone from just over 20% of the vote on election night to about 25%. Meanwhile, Pratt lost a couple of percentage points since Tuesday night’s early returns. Thursday’s release put Raman at 24.89% to Pratt’s 28.24%.\u003c/p>\n\u003cp>And by Sunday, Raman passed Pratt — with 27.12% of the votes to Pratt’s 26.69%.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" scrolling=\"no\" frameborder=\"0\" title=\"Interactive or visual content\" sandbox=\"allow-same-origin allow-forms allow-scripts allow-downloads allow-popups allow-popups-to-escape-sandbox allow-top-navigation-by-user-activation\" src=\"https://flo.uri.sh/visualisation/29227513/embed?auto=1\" style=\"width: 100%; height: 675px;\" width=\"100%\" height=\"500\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>It’s a development some election watchers predicted.\u003c/p>\n\u003cp>“I think she has a shot at catching Pratt, but I think it’s a long shot,” said Zev Yaroslavsky, director of the Los Angeles Initiative at the UCLA Luskin School of Public Affairs, last week. “It requires her to get a large percentage of the votes that remain to be counted.”\u003c/p>\n\u003cp>Raman, who is a member of the Democratic Socialists of America, is likely to benefit from the later vote tally, Yaroslavsky said.\u003c/p>\n\u003cp>“The later votes tend to be more Democratic and more progressive and that inures to her benefit,” Yaroslavsky said.\u003c/p>\n\u003cp>[Note: Katy Yaroslavsky, his daughter-in-law, is far out in front in her \u003ca href=\"https://laist.com/news/politics/voter-guides/2026-election-california-primary-la-live-results-la-city-council-districts-1-3-5-7-9-11-13-15#d5\">reelection bid for CD5.\u003c/a>]\u003c/p>\n\u003ch2>Why there were some doubts\u003c/h2>\n\u003cp>On Tuesday night, Raman was about 40,000 votes behind Pratt, and on Wednesday night, she was about 38,000 votes behind Pratt, Yaroslavsky said.\u003c/p>\n\u003cp>He predicted she needed to gain much more than 2,000 votes a day to eclipse the 38,000 vote deficit.\u003c/p>\n\u003cp>“She really has to get the preponderance of the votes that will be coming in in the next week or so,” he said.\u003c/p>\n\u003cp>Paul Mitchell, a Democratic strategist whose company tracks ballot return data, said Republicans were reflected heavily in the early returns, but as the vote counts continue, more Democrats will be represented..[aside postID=news_12086288 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2277856381.jpg']Whether that would be enough to give Raman the boost she needs is still up for question, Mitchell said last week. He noted that Pratt was losing votes in every vote update, but not all of those votes are going to Raman. They’re split between her and Bass.\u003c/p>\n\u003cp>“While [Pratt] will drop every release, I’m not sure that Raman will increase fast enough to meet and surpass him,” Mitchell said.\u003c/p>\n\u003cp>He explained a theory that many Bass and Raman voters held onto their ballots ahead of Election Day and that many of them were likely “establishment voters,” meaning they leaned toward the incumbent.\u003c/p>\n\u003cp>“ So I think that in the end, we might find that [Pratt] hangs on, and the reason why he hung on is because the people who were voting at the end, the Democrats, were voting more for Karen Bass,” Mitchell said.\u003c/p>\n\u003ch2>What’s next?\u003c/h2>\n\u003cp>L.A. County election officials said they \u003ca href=\"https://content.lavote.gov/docs/rrcc/documents/canvass-update-schedule-06022026-5-29-update.pdf\">plan to release\u003c/a> new vote count results every day until June 12, and regular updates until June 26.\u003c/p>\n\u003cp>The county’s final official results must be certified by July 2.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/los-angeles\">Los Angeles\u003c/a> mayoral candidate Nithya Raman gained enough votes by Sunday evening to edge out reality TV personality Spencer Pratt, putting her in second-place for now in the closely-watched race.\u003c/p>\n\u003cp>The L.A. City Council member and the reality star are separated by about 3,100 votes in the race for a runoff spot against incumbent Mayor Karen Bass in November.\u003c/p>\n\u003cp>\u003cem>The Associated Press\u003c/em> has called one runoff spot for Bass.\u003c/p>\n\u003cp>Votes are still being counted, and the L.A. County Registrar of Voters will receive ballots postmarked by Election Day up until seven days later.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Where the race stands now\u003c/h2>\n\u003cp>On election night, Pratt had collected enough votes to put him squarely in the second spot, with a significant lead over Raman.\u003c/p>\n\u003cp>But by late Friday, Raman had gone from just over 20% of the vote on election night to about 25%. Meanwhile, Pratt lost a couple of percentage points since Tuesday night’s early returns. Thursday’s release put Raman at 24.89% to Pratt’s 28.24%.\u003c/p>\n\u003cp>And by Sunday, Raman passed Pratt — with 27.12% of the votes to Pratt’s 26.69%.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" scrolling=\"no\" frameborder=\"0\" title=\"Interactive or visual content\" sandbox=\"allow-same-origin allow-forms allow-scripts allow-downloads allow-popups allow-popups-to-escape-sandbox allow-top-navigation-by-user-activation\" src=\"https://flo.uri.sh/visualisation/29227513/embed?auto=1\" style=\"width: 100%; height: 675px;\" width=\"100%\" height=\"500\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>It’s a development some election watchers predicted.\u003c/p>\n\u003cp>“I think she has a shot at catching Pratt, but I think it’s a long shot,” said Zev Yaroslavsky, director of the Los Angeles Initiative at the UCLA Luskin School of Public Affairs, last week. “It requires her to get a large percentage of the votes that remain to be counted.”\u003c/p>\n\u003cp>Raman, who is a member of the Democratic Socialists of America, is likely to benefit from the later vote tally, Yaroslavsky said.\u003c/p>\n\u003cp>“The later votes tend to be more Democratic and more progressive and that inures to her benefit,” Yaroslavsky said.\u003c/p>\n\u003cp>[Note: Katy Yaroslavsky, his daughter-in-law, is far out in front in her \u003ca href=\"https://laist.com/news/politics/voter-guides/2026-election-california-primary-la-live-results-la-city-council-districts-1-3-5-7-9-11-13-15#d5\">reelection bid for CD5.\u003c/a>]\u003c/p>\n\u003ch2>Why there were some doubts\u003c/h2>\n\u003cp>On Tuesday night, Raman was about 40,000 votes behind Pratt, and on Wednesday night, she was about 38,000 votes behind Pratt, Yaroslavsky said.\u003c/p>\n\u003cp>He predicted she needed to gain much more than 2,000 votes a day to eclipse the 38,000 vote deficit.\u003c/p>\n\u003cp>“She really has to get the preponderance of the votes that will be coming in in the next week or so,” he said.\u003c/p>\n\u003cp>Paul Mitchell, a Democratic strategist whose company tracks ballot return data, said Republicans were reflected heavily in the early returns, but as the vote counts continue, more Democrats will be represented..\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Whether that would be enough to give Raman the boost she needs is still up for question, Mitchell said last week. He noted that Pratt was losing votes in every vote update, but not all of those votes are going to Raman. They’re split between her and Bass.\u003c/p>\n\u003cp>“While [Pratt] will drop every release, I’m not sure that Raman will increase fast enough to meet and surpass him,” Mitchell said.\u003c/p>\n\u003cp>He explained a theory that many Bass and Raman voters held onto their ballots ahead of Election Day and that many of them were likely “establishment voters,” meaning they leaned toward the incumbent.\u003c/p>\n\u003cp>“ So I think that in the end, we might find that [Pratt] hangs on, and the reason why he hung on is because the people who were voting at the end, the Democrats, were voting more for Karen Bass,” Mitchell said.\u003c/p>\n\u003ch2>What’s next?\u003c/h2>\n\u003cp>L.A. County election officials said they \u003ca href=\"https://content.lavote.gov/docs/rrcc/documents/canvass-update-schedule-06022026-5-29-update.pdf\">plan to release\u003c/a> new vote count results every day until June 12, and regular updates until June 26.\u003c/p>\n\u003cp>The county’s final official results must be certified by July 2.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "los-angeles-mayor-karen-bass-advances-to-november-runoff-as-she-seeks-second-term",
"title": "Los Angeles Mayor Karen Bass Advances to November Runoff as She Seeks Second Term",
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"content": "\u003cp>After a tough first term framed by the most destructive wildfire in city history and an ongoing struggle with widespread homelessness, Los Angeles Mayor \u003ca href=\"https://www.kqed.org/news/tag/karen-bass\">Karen Bass\u003c/a> advanced to a November runoff Tuesday as she \u003ca href=\"https://www.kqed.org/news/12085535/election-day-is-here-from-governor-to-la-mayor-these-are-the-races-to-watch\">fights to stay in City Hall\u003c/a> against challengers from both ends of the political spectrum.\u003c/p>\n\u003cp>“I appreciate you for standing with me when others doubted me, because you know who I am,” she told supporters. “I have devoted my entire life to serving the city that I love, where I was born, and I’m going to continue to do that all the way to victory in November.”\u003c/p>\n\u003cp>The Associated Press has not yet called a second candidate to advance to the runoff. California has a history of substantial vote updates after Election Day that can sometimes shift the outcome as late-arriving mail and drop-off ballots are counted.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Spencer Pratt, a Republican and former star of the reality television show “The Hills,” was second in early returns. Pratt accuses Bass of letting the fires get out of control and failing to make enough progress on the homeless crisis.\u003c/p>\n\u003cp>Speaking to reporters outside a restaurant where he gathered with supporters, Pratt signaled he would welcome a matchup with Bass, a former member of Congress and the first Black woman to serve as mayor.\u003c/p>\n\u003cfigure id=\"attachment_12086100\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12086100\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-2000x1334.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Spencer Pratt, a candidate in the Los Angeles mayoral race, fields interviews during an election night event Tuesday, June 2, 2026, in Los Angeles. \u003ccite>(AP Photo/Jill Connelly)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is not a candidate that I’m too concerned about,” he said.\u003c/p>\n\u003cp>“I got in this because as a citizen, I felt like my city failed — myself, my neighbors, my family,” Pratt said. “Mayor Bass has allowed the city to be covered in potholes. We don’t have sidewalks. We don’t have lights.”\u003c/p>\n\u003cp>“I’m an Angeleno who said ‘Enough is enough,’” Pratt said.\u003c/p>\n\u003cp>Bass has acknowledged that her time in office has been bumpy but pointed to reductions in homelessness and a historically low homicide rate in the nation’s second most populous city.\u003c/p>\n\u003cp>Running behind Bass and Pratt was Nithya Raman, a former ally of the mayor and a progressive city council member elected with support from the Democratic Socialists of America. A Democrat, Raman campaigned on promises to reduce inequality, revive the slumping entertainment industry and build more housing.\u003c/p>\n\u003cp>Political observers said a November runoff would be likely with 14 names on the ballot, including tech entrepreneur Adam Miller and community activist Rae Huang.\u003c/p>\n\u003ch2>Bass defends her record\u003c/h2>\n\u003cp>Pratt’s candidacy drew national attention as a barometer for dissatisfaction with liberal urban governance and because of viral videos that supporters created with artificial intelligence.\u003cbr>\nBass lined up most of the Democratic establishment behind her, including former Vice President Kamala Harris, Gov. Gavin Newsom and former House Speaker Nancy Pelosi, along with the city’s powerful labor unions.[aside label=\"2026 Bay Area Voter Guide\" link1='https://www.kqed.org/voterguide/bayarea,Learn about races and measures across the nine Bay Area counties' hero=https://cdn.kqed.org/wp-content/uploads/sites/80/2026/04/Aside-Bay-Area-Voter-Guide-2026-Primary-Election-1200x1200@2x.png]Candidates made a rush of last-minute appeals to voters, urging them to cast ballots in an election that appeared headed for a light turnout. Bass made a swing through the heavily Hispanic Boyle Heights neighborhood, where she recalled federal immigration raids in which she said Pratt and Raman were “nowhere to be found.”\u003c/p>\n\u003cp>In online posts before polls closed, Pratt said the contest had become a two-person race between him and Bass and said a vote for either Raman or Miller would be wasted.\u003c/p>\n\u003cp>“At this point, it’s me and Karen,” Pratt said.\u003c/p>\n\u003cp>Voter Jose Rivera said he backed Bass because she deserves a second term to deliver on her promises: “She’s done a pretty good job in my opinion overall.”\u003c/p>\n\u003cp>Another, Leo Blain, said he was drawn to Raman’s progressive agenda and believes she can be effective at building coalitions in the diverse city.\u003c/p>\n\u003cp>“I think she has a really good understanding about how the city of LA works and would be a really effective mayor,” Blain said outside his polling place.\u003c/p>\n\u003ch2>Los Angeles faces questions about its future\u003c/h2>\n\u003cp>The race unfolded at an unsettled time for the city.\u003c/p>\n\u003cp>The mayor is still trying to overcome fallout from her absence when \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">the most destructive wildfire\u003c/a> in Los Angeles history ignited in a wealthy seaside neighborhood in January 2025. Bass was on a trip to Ghana as part of a presidential delegation. Pratt lost his home in \u003ca href=\"https://www.kqed.org/news/tag/palisades-fire\">the Palisades Fire\u003c/a>, which killed 12 people. And some say the recovery is happening too slowly.[aside label=\"From the 2026 Voter Guide\" link1='https://www.kqed.org/voterguide/california/governor,Learn about the California Governor Election' hero=https://cdn.kqed.org/wp-content/uploads/sites/80/2026/04/Aside-California-Governor-2026-Primary-Election-1200x1200@2x.png]While statistics suggest that Bass has made headway on homelessness, makeshift encampments and rows of rusting RVs remain commonplace across the city. Complaints about the rising cost of living — whether for rent, taxes or groceries — are a constant refrain. Dirty, pocked streets and sidewalks abound.\u003c/p>\n\u003cp>Meanwhile Hollywood jobs have been decamping for years to more affordable filming locales. Trump administration immigration raids also shook the city.\u003c/p>\n\u003cp>Population in the once-booming region is falling — Los Angeles County lost about 54,000 people from July 2024 to July 2025, the largest numeric population drop in the nation, according to federal figures.\u003c/p>\n\u003cp>Crime statistics are down, but public safety is still an issue. World Cup games begin in Southern California in June, and Los Angeles is readying to host the 2028 Olympics. The federal government spearheads security at the Olympics, but there are already concerns that the Los Angeles Police Department will not have adequate funding or personnel to hold up its end of the job.\u003c/p>\n\u003cp>Bass has acknowledged making missteps but argued that a drop in homelessness and a historically low homicide rate show she is making progress. “I’ll keep fighting for LA,” she said.\u003c/p>\n\u003cp>Pratt has focused his campaign on reducing homelessness and boosting police ranks, arguing that an outsider is needed to shake up city hall. Looking to tap into voter frustration, he says he is “an Angeleno who’s had enough” and rails against “homeless drug zombies” on the streets.\u003c/p>\n\u003cp>He received a nod of approval — if not an actual endorsement — from President Donald Trump, who recently said, “I heard he’s a big MAGA person.”\u003c/p>\n\u003cp>That remark could haunt Pratt in a city where Trump is widely unpopular beyond his conservative base and Republicans account for less than 15% of registered voters.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After a tough first term framed by the most destructive wildfire in city history and an ongoing struggle with widespread homelessness, Los Angeles Mayor \u003ca href=\"https://www.kqed.org/news/tag/karen-bass\">Karen Bass\u003c/a> advanced to a November runoff Tuesday as she \u003ca href=\"https://www.kqed.org/news/12085535/election-day-is-here-from-governor-to-la-mayor-these-are-the-races-to-watch\">fights to stay in City Hall\u003c/a> against challengers from both ends of the political spectrum.\u003c/p>\n\u003cp>“I appreciate you for standing with me when others doubted me, because you know who I am,” she told supporters. “I have devoted my entire life to serving the city that I love, where I was born, and I’m going to continue to do that all the way to victory in November.”\u003c/p>\n\u003cp>The Associated Press has not yet called a second candidate to advance to the runoff. California has a history of substantial vote updates after Election Day that can sometimes shift the outcome as late-arriving mail and drop-off ballots are counted.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Spencer Pratt, a Republican and former star of the reality television show “The Hills,” was second in early returns. Pratt accuses Bass of letting the fires get out of control and failing to make enough progress on the homeless crisis.\u003c/p>\n\u003cp>Speaking to reporters outside a restaurant where he gathered with supporters, Pratt signaled he would welcome a matchup with Bass, a former member of Congress and the first Black woman to serve as mayor.\u003c/p>\n\u003cfigure id=\"attachment_12086100\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12086100\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-2000x1334.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/AP26154201194476-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Spencer Pratt, a candidate in the Los Angeles mayoral race, fields interviews during an election night event Tuesday, June 2, 2026, in Los Angeles. \u003ccite>(AP Photo/Jill Connelly)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is not a candidate that I’m too concerned about,” he said.\u003c/p>\n\u003cp>“I got in this because as a citizen, I felt like my city failed — myself, my neighbors, my family,” Pratt said. “Mayor Bass has allowed the city to be covered in potholes. We don’t have sidewalks. We don’t have lights.”\u003c/p>\n\u003cp>“I’m an Angeleno who said ‘Enough is enough,’” Pratt said.\u003c/p>\n\u003cp>Bass has acknowledged that her time in office has been bumpy but pointed to reductions in homelessness and a historically low homicide rate in the nation’s second most populous city.\u003c/p>\n\u003cp>Running behind Bass and Pratt was Nithya Raman, a former ally of the mayor and a progressive city council member elected with support from the Democratic Socialists of America. A Democrat, Raman campaigned on promises to reduce inequality, revive the slumping entertainment industry and build more housing.\u003c/p>\n\u003cp>Political observers said a November runoff would be likely with 14 names on the ballot, including tech entrepreneur Adam Miller and community activist Rae Huang.\u003c/p>\n\u003ch2>Bass defends her record\u003c/h2>\n\u003cp>Pratt’s candidacy drew national attention as a barometer for dissatisfaction with liberal urban governance and because of viral videos that supporters created with artificial intelligence.\u003cbr>\nBass lined up most of the Democratic establishment behind her, including former Vice President Kamala Harris, Gov. Gavin Newsom and former House Speaker Nancy Pelosi, along with the city’s powerful labor unions.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Candidates made a rush of last-minute appeals to voters, urging them to cast ballots in an election that appeared headed for a light turnout. Bass made a swing through the heavily Hispanic Boyle Heights neighborhood, where she recalled federal immigration raids in which she said Pratt and Raman were “nowhere to be found.”\u003c/p>\n\u003cp>In online posts before polls closed, Pratt said the contest had become a two-person race between him and Bass and said a vote for either Raman or Miller would be wasted.\u003c/p>\n\u003cp>“At this point, it’s me and Karen,” Pratt said.\u003c/p>\n\u003cp>Voter Jose Rivera said he backed Bass because she deserves a second term to deliver on her promises: “She’s done a pretty good job in my opinion overall.”\u003c/p>\n\u003cp>Another, Leo Blain, said he was drawn to Raman’s progressive agenda and believes she can be effective at building coalitions in the diverse city.\u003c/p>\n\u003cp>“I think she has a really good understanding about how the city of LA works and would be a really effective mayor,” Blain said outside his polling place.\u003c/p>\n\u003ch2>Los Angeles faces questions about its future\u003c/h2>\n\u003cp>The race unfolded at an unsettled time for the city.\u003c/p>\n\u003cp>The mayor is still trying to overcome fallout from her absence when \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">the most destructive wildfire\u003c/a> in Los Angeles history ignited in a wealthy seaside neighborhood in January 2025. Bass was on a trip to Ghana as part of a presidential delegation. Pratt lost his home in \u003ca href=\"https://www.kqed.org/news/tag/palisades-fire\">the Palisades Fire\u003c/a>, which killed 12 people. And some say the recovery is happening too slowly.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While statistics suggest that Bass has made headway on homelessness, makeshift encampments and rows of rusting RVs remain commonplace across the city. Complaints about the rising cost of living — whether for rent, taxes or groceries — are a constant refrain. Dirty, pocked streets and sidewalks abound.\u003c/p>\n\u003cp>Meanwhile Hollywood jobs have been decamping for years to more affordable filming locales. Trump administration immigration raids also shook the city.\u003c/p>\n\u003cp>Population in the once-booming region is falling — Los Angeles County lost about 54,000 people from July 2024 to July 2025, the largest numeric population drop in the nation, according to federal figures.\u003c/p>\n\u003cp>Crime statistics are down, but public safety is still an issue. World Cup games begin in Southern California in June, and Los Angeles is readying to host the 2028 Olympics. The federal government spearheads security at the Olympics, but there are already concerns that the Los Angeles Police Department will not have adequate funding or personnel to hold up its end of the job.\u003c/p>\n\u003cp>Bass has acknowledged making missteps but argued that a drop in homelessness and a historically low homicide rate show she is making progress. “I’ll keep fighting for LA,” she said.\u003c/p>\n\u003cp>Pratt has focused his campaign on reducing homelessness and boosting police ranks, arguing that an outsider is needed to shake up city hall. Looking to tap into voter frustration, he says he is “an Angeleno who’s had enough” and rails against “homeless drug zombies” on the streets.\u003c/p>\n\u003cp>He received a nod of approval — if not an actual endorsement — from President Donald Trump, who recently said, “I heard he’s a big MAGA person.”\u003c/p>\n\u003cp>That remark could haunt Pratt in a city where Trump is widely unpopular beyond his conservative base and Republicans account for less than 15% of registered voters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "california-judges-are-testing-a-new-ai-clerk-you-wont-know-if-its-looking-at-your-case",
"title": "California Judges Are Testing a New AI Clerk. You Won’t Know if It’s Looking at Your Case",
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"headTitle": "California Judges Are Testing a New AI Clerk. You Won’t Know if It’s Looking at Your Case | KQED",
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"content": "\u003cp>\u003c!-- Creative Commons Attribution-NonCommercial-NoDerivatives https://creativecommons.org/licenses/by-nc-nd/4.0/ -->\u003c/p>\n\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>Two of California’s largest courts are testing an \u003ca href=\"https://www.kqed.org/news/tag/artificial-intelligence\">AI tool\u003c/a> that can draft orders and produce research memos.\u003c/p>\n\u003cp>Judges so far are using it primarily for civil cases, but documents obtained by CalMatters indicate the possibility of expanded applications in criminal cases, where people’s freedom and access to justice are on the line.\u003c/p>\n\u003cp>The Los Angeles County Superior Court \u003ca href=\"https://www.latimes.com/california/story/2026-03-18/ai-pilot-program-la-county-courts\">began a pilot program\u003c/a> in February to test a tool created by the company Learned Hand. Other courts may follow, according to Learned Hand founder and chief executive officer Shlomo Klapper.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Learned Hand uses a combination of language models from Anthropic, OpenAI and Google to act as an AI clerk for judges. The company says it tests for bias and accuracy, but it has not yet published results.\u003c/p>\n\u003cp>In Riverside County, which has a $10,000 agreement with the company to test the program, civil and probate attorneys are primarily using the tool to draft research memos that help judges reach their decisions. It’s typical for research attorneys to assist judges as they review cases.\u003c/p>\n\u003cp>Los Angeles County Superior Court has a roughly $314,000 contract that includes a roadmap to test the tool’s use in criminal, family and probate divisions.\u003c/p>\n\u003cfigure id=\"attachment_12079282\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079282\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">The Salesforce Tower is seen reflected in windows of 500 Howard Street, where AI firm Anthropic subleased Slack’s office, in downtown San Francisco, California on Oct. 19, 2023. \u003ccite>(Loren Elliott for The Washington Post via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Officials would not describe in detail to CalMatters the criteria they’re using to evaluate whether use of the tool can safely expand to criminal and family courts, where the stakes are often much higher than in civil cases.\u003c/p>\n\u003cp>One judge who spoke to CalMatters on condition of anonymity due to judicial rules of conduct was alarmed when their colleagues at a recent luncheon said the technology could be used one day to evaluate appeals from people who believe their conviction or sentence was tainted by racial bias. California courts are handling a wave of those claims after lawmakers passed the Racial Justice Act in 2020.\u003c/p>\n\u003cp>“I think it is outrageous,” said the Los Angeles County Superior Court judge. “AI cannot and never will be able to replace human judgment in evaluating complex social dynamics. Ultimately, that will erode the public’s confidence in the competence and fairness of the judiciary.”[aside postID=news_12084655 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GavinNewsomAP.jpg']A majority of California’s superior courts now have generative AI use policies, according to documents obtained by CalMatters via public records requests, which they were required to create by the state Judicial Council before using the technology. Roughly a dozen of the 51 courts that have responded to CalMatters’ requests said they are using AI-powered tools from LexisNexis, Thomson Reuters, and Microsoft’s Copilot.\u003c/p>\n\u003cp>Use of AI in courts has been controversial because of the propensity of AI models to cite falsehoods and to produce sycophantic text. Models from major companies like Google and Anthropic can \u003ca href=\"https://www.media.mit.edu/publications/your-brain-on-chatgpt/\">reduce critical thinking and brain activity\u003c/a>, according to a 2025 MIT study.\u003c/p>\n\u003cp>Language model hallucinations have already made it into the judicial system. Researcher Damien Charlotin has \u003ca href=\"https://www.damiencharlotin.com/hallucinations/\">documented hundreds of instances\u003c/a> of litigants, lawyers, and judges making mistakes when using AI to do their jobs including nearly 90 cases in state or federal courts based in California since August 2024.\u003c/p>\n\u003cp>Last fall, \u003ca href=\"https://calmatters.org/economy/technology/2025/09/chatgpt-lawyer-fine-ai-regulation/\">a Los Angeles-based lawyer received a historic $10,000 fine\u003c/a> for citing cases that don’t exist, and earlier this month the \u003cem>Sacramento Bee\u003c/em> reported that use of AI led to errors in \u003ca href=\"https://www.sacbee.com/news/local/article315238766.html\">four cases handled by prosecutors in Nevada County\u003c/a>. Most of these cases involve lawyers or people who are representing themselves in court, but UCLA Law School professors predict that \u003ca href=\"https://calmatters.org/economy/technology/2025/09/chatgpt-lawyer-fine-ai-regulation/\">more judges will make AI-fueled mistakes\u003c/a> in the future. In recent months,\u003ca href=\"https://www.judiciary.senate.gov/press/rep/releases/grassley-scrutinizes-federal-judges-apparent-ai-use-in-drafting-error-ridden-rulings\"> the U.S. Senate investigated federal judges\u003c/a> in Mississippi and New Jersey for drafting decisions with generative AI that had serious factual errors.\u003c/p>\n\u003cp>Klapper, who previously worked as a clerk for a federal appeals court and for surveillance technology company Palantir, said the judiciary needs AI in order to reduce backlogs and increase efficiency.\u003c/p>\n\u003cfigure id=\"attachment_12085153\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12085153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744.jpg\" alt=\"\" width=\"1980\" height=\"1237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744-1536x960.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">A view of the Los Angeles Superior Court at United States Court House on Feb. 26, 2026 in Los Angeles, California. \u003ccite>(Mario Tama/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Could we hire more people?” he told CalMatters. “Maybe, but it’s not going to keep pace with the exponential increase that’s coming, nor is it going to be able to adequately solve the crisis of today. I think the only solution is to give every single judge and staff attorney their own AI clerk.”\u003c/p>\n\u003cp>Klapper said he’s aiming to combine the best parts of what human judges can do with the best parts of what machines bring to bear.\u003c/p>\n\u003cp>“I’m not saying all machines aren’t biased,” he said. “I’m not saying my machine isn’t even biased. I’m saying we can test it and people have tested it. And that is the benefit over humans.”\u003c/p>\n\u003cp>Generative AI use policies for the Los Angeles and Riverside County superior courts only require disclosure if a motion, decision, or other document is written entirely with generative AI.\u003c/p>\n\u003cp>Both courts refused to say whether plaintiffs are aware that the tool is being tested on their cases. In a statement to CalMatters, a spokesperson for the Los Angeles County Superior Court said testing is done on motions that have already been decided, separate from live case environments. However, the contract allows for testing on live cases.\u003c/p>\n\u003cp>“It is important to note that even with successful evaluation and thorough testing, the Court remains several months, if not years, away from implementing this type of tool,” said the spokesperson.\u003c/p>\n\u003cp>The contract allows the tool to be used for two critical motions in the criminal division: A motion to suppress, which is designed to determine what type of evidence the prosecution is allowed to present at trial, and motions for post conviction relief, which are filed by people who have already been convicted and want another shot at freedom.\u003c/p>\n\u003cfigure id=\"attachment_12085154\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12085154\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">Los Angeles County district attorney Nathan J. Hochman seen after the arraignment of Nick Reiner at the Los Angeles Superior Court in downtown Los Angeles, United States on Feb. 2026. \u003ccite>(Putman/Anadolu via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That’s the “greatest concern” for Los Angeles County District Attorney Nathan Hochman. When he reviewed the contract, he referred to the motions as “two incredibly important motions in the criminal justice system.”\u003c/p>\n\u003cp>“When you’re dealing with someone’s liberty — as opposed to in the civil setting, which is everything other than liberty — the stakes couldn’t be higher,” said Hochman. “I don’t want to take the chance, particularly in a criminal case, that AI happens to get it wrong. And now someone’s constitutional rights have been infringed. Someone has gone to prison who shouldn’t have, or on the flip side, that somehow someone gets off.”\u003c/p>\n\u003ch2>‘An extremely perilous road’\u003c/h2>\n\u003cp>In Los Angeles, some judges first heard about the new Learned Hand contract during a March presentation by Superior Court Judges Yvette Verastegui and Olivia Rosales. They lead the criminal branch and visit courthouses throughout the county as part of an annual roadshow, where they update judges on court operations, discuss workload and field questions. During a luncheon, Verastegui and Rosales said the tool could be used to assist with Racial Justice Act petitions in the future.\u003c/p>\n\u003cp>\u003ca href=\"https://calmatters.org/justice/2024/11/california-racial-justice-act/\">California’s Racial Justice Act\u003c/a> allows people to challenge a criminal conviction or sentence that they believe was based upon racial bias. Petitions are filed directly to the court from people in state prison. If a case is found to have merit, the process includes appointing legal counsel, filing briefs and setting evidentiary hearings before a judge would decide whether to grant the petition.\u003c/p>\n\u003cp>That process could look different with a tool like Learned Hand. Verastegui and Rosales explained that, following an incarcerated person’s petition, the tool could generate tentative decisions for judges to consider in denying or advancing cases to the next stages, according to one judge who attended the luncheon.\u003c/p>\n\u003cfigure id=\"attachment_12037905\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12037905\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santa Clara County Superior Court in San José on March 24, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The concern, of course, that I have is that the courts will utilize that as a reference point and then get stuck to that initial analysis,” said the judge. “It’s an extremely perilous road to go down. Putting aside the inaccuracy, which will be a significant concern, it dehumanizes the whole process. It does not treat people as individuals with lived experiences. It essentially reimposes a one-size-fits-all style of justice.”\u003c/p>\n\u003cp>A second Los Angeles Superior Court judge who spoke with CalMatters on the condition of anonymity remembered the presentation and said they would not trust nor use the tool to summarize a Racial Justice Act petition.\u003c/p>\n\u003cp>AI can replicate or intensify patterns contained in the data used to make a model, including human biases. Large language models have a \u003ca href=\"https://hai.stanford.edu/news/covert-racism-ai-how-language-models-are-reinforcing-outdated-stereotypes\">history of demonstrating race and gender bias\u003c/a>, an analysis of predictive policing tech used by LAPD \u003ca href=\"https://www.theguardian.com/us-news/2021/nov/07/lapd-predictive-policing-surveillance-reform\">found racial bias\u003c/a>, and an analysis of the risk assessment algorithm COMPAS found that it is \u003ca href=\"https://www.propublica.org/article/machine-bias-risk-assessments-in-criminal-sentencing\">more likely to label Black people as at risk of committing crimes\u003c/a> after incarceration than white people with a similar record.\u003c/p>\n\u003cp>Public defenders who spoke with CalMatters echoed those concerns.\u003c/p>\n\u003cp>Elizabeth Lashley-Haynes, a deputy public defender at the Los Angeles County Public Defender’s Office, said it would be “highly problematic and bordering on unethical” for a judge to use the tool to review Racial Justice Act petitions, which she described as “incredibly nuanced.”\u003c/p>\n\u003cp>“They’re like nothing else in the legal system that has ever really been done,” said Lashley-Haynes, who specializes in Racial Justice Act cases. “Words that are used in these cases that have racial undertones or racial meanings are way beyond the realm of anything that artificial intelligence could do.”\u003c/p>\n\u003cfigure id=\"attachment_12085155\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12085155\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Los Angeles County Superior Court’s Hollywood Courthouse, in Los Angeles, on March 12, 2025. \u003ccite>(Jules Hotz for CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In interviews with CalMatters, Klapper and Los Angeles County Superior Court Executive Officer, David Slayton, denied that the court has any plans to use the tool for Racial Justice Act petitions. A spokesperson for the Los Angeles Superior Court later confirmed in an email to CalMatters that the contract permits the tool to be used in such a way “but that possibility has not commenced in any way.”\u003c/p>\n\u003cp>Klapper said if they were to build out a Racial Justice Act module, the tool would need to be evaluated for bias and co-developed with the court.\u003c/p>\n\u003cp>“The timing very fortuitous, right?” he said. “It’s a very fraught decision, I’m not going to lie…extremely high stakes — a scenario where I understand people might be very concerned. Especially with criminal, I have even more hesitancy, even more guardrails than normal about, because there are liberty interests at stake.”\u003c/p>\n\u003ch2>Extending beyond civil cases\u003c/h2>\n\u003cp>In Los Angeles, six superior court judges and their research attorneys are primarily using the Learned Hand tool to conduct research, summarize motions and assist in drafting tentative rulings, according to Slayton. He says the tool won’t move beyond the civil division “until the court leadership is comfortable.”\u003c/p>\n\u003cp>“The court is being very deliberate and careful about how we use technology like this,” he said. “So until we evaluate it and determine that it is effective in those areas, we will not extend it to other areas.”\u003c/p>\n\u003cp>The tool will be evaluated on a quarterly basis to determine its future application, Slayton said, but he did not specify what kind of evaluation that entails. In an email to CalMatters, a spokesperson later said that Learned Hand is evaluated “against the same substantive expectations applied to law clerks and research attorneys: accurate legal research, sound analysis, neutral and judge-ready writing, and reliable work product that supports judicial decision-making.”\u003c/p>\n\u003cfigure id=\"attachment_12066914\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066914\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1.jpg\" alt=\"\" width=\"2000\" height=\"1379\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1-1536x1059.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">U.S. President Donald Trump displays a signed executive order in the Oval Office of the White House on Dec. 11, 2025, in Washington, D.C. The executive order curbs states’ ability to regulate artificial intelligence, something for which the tech industry has been lobbying. \u003ccite>(Alex Wong/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Los Angeles County Superior Court Judge Samantha Jessner, who chairs the Judicial Technology Advisory Committee, said she was unaware of the possibility that the tool could eventually be used outside of the civil division until recently. Judges are not privy to contract negotiations due to certain ethical limitations, she said.\u003c/p>\n\u003cp>“I think we have a duty and obligation to explore whether or not there is a place for artificial intelligence in what we do as a judicial branch and that’s exactly what this pilot is intended to afford us the opportunity to do,” said Jessner.\u003c/p>\n\u003cp>Riverside County Superior Court signed an agreement with Learned Hand in February. In emails obtained by CalMatters, Klapper proposed to two Riverside County Superior Court executives, Jason Galkin and Sarah Hodgson, that the court use the tool for a common civil court motion and “then expand quickly once we earn our stripes.” He suggested that Hodgson assemble a list of motions and workflows “that generate the most pain,” citing examples that included the Racial Justice Act.\u003c/p>\n\u003cp>Roughly two weeks later, Hodgson described the most laborious motions “that want to drive us into retirement,” including discovery motions and attorney fee motions. For criminal cases, the court suggested that Klapper focus on “things with the largest paper records,” citing death penalty habeas petitions and parole revocation.\u003c/p>\n\u003cp>Since the pilot started, seven civil and probate attorneys have been granted access to the tool. Galkin, the chief executive officer of the Riverside County Superior Court, said they are “kicking the tires on the product” to see what tasks it can do. The tool is not being used to draft tentative rulings, he said.\u003c/p>\n\u003cfigure id=\"attachment_11985952\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11985952\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/AP24134775174210-scaled-e1770337042768.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003cfigcaption class=\"wp-caption-text\">The OpenAI logo is seen on a mobile phone in front of a computer screen displaying output from ChatGPT, March 21, 2023, in Boston. OpenAI has introduced a new artificial intelligence model. It says it works faster than previous versions and can reason across text, audio and video in real time. \u003ccite>(Michael Dwyer/Associated Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We don’t even know if expansion is likely so there is no set criteria for what expansion might look like or thresholds for that because right now, the core question is: Does this help staff and does it advance what they’re trying to do in their roles?” said Galkin.\u003c/p>\n\u003cp>As testing is underway, attorneys like Hochman say that use of AI is inevitable, but would be better suited for low-level, repetitive and routine tasks.\u003c/p>\n\u003cp>“It’s the analysis of the case itself, coupled with the conclusions that will be reached, that I’m very hesitant to trust AI at this point — in large part, because I don’t know all of the inputs that AI is using to make its decision. The only thing I’m 100% sure of is that AI didn’t go to law school,” said Hochman.\u003c/p>\n\u003cp>\u003cem>Cayla Mihalovich is a California Local News fellow.\u003c/em>\u003c/p>\n\u003cp>This article was \u003ca href=\"https://calmatters.org/economy/technology/2026/05/ai-los-angeles-riverside-courts/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- Creative Commons Attribution-NonCommercial-NoDerivatives https://creativecommons.org/licenses/by-nc-nd/4.0/ -->\u003c/p>\n\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>Two of California’s largest courts are testing an \u003ca href=\"https://www.kqed.org/news/tag/artificial-intelligence\">AI tool\u003c/a> that can draft orders and produce research memos.\u003c/p>\n\u003cp>Judges so far are using it primarily for civil cases, but documents obtained by CalMatters indicate the possibility of expanded applications in criminal cases, where people’s freedom and access to justice are on the line.\u003c/p>\n\u003cp>The Los Angeles County Superior Court \u003ca href=\"https://www.latimes.com/california/story/2026-03-18/ai-pilot-program-la-county-courts\">began a pilot program\u003c/a> in February to test a tool created by the company Learned Hand. Other courts may follow, according to Learned Hand founder and chief executive officer Shlomo Klapper.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Learned Hand uses a combination of language models from Anthropic, OpenAI and Google to act as an AI clerk for judges. The company says it tests for bias and accuracy, but it has not yet published results.\u003c/p>\n\u003cp>In Riverside County, which has a $10,000 agreement with the company to test the program, civil and probate attorneys are primarily using the tool to draft research memos that help judges reach their decisions. It’s typical for research attorneys to assist judges as they review cases.\u003c/p>\n\u003cp>Los Angeles County Superior Court has a roughly $314,000 contract that includes a roadmap to test the tool’s use in criminal, family and probate divisions.\u003c/p>\n\u003cfigure id=\"attachment_12079282\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079282\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-2233287472-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">The Salesforce Tower is seen reflected in windows of 500 Howard Street, where AI firm Anthropic subleased Slack’s office, in downtown San Francisco, California on Oct. 19, 2023. \u003ccite>(Loren Elliott for The Washington Post via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Officials would not describe in detail to CalMatters the criteria they’re using to evaluate whether use of the tool can safely expand to criminal and family courts, where the stakes are often much higher than in civil cases.\u003c/p>\n\u003cp>One judge who spoke to CalMatters on condition of anonymity due to judicial rules of conduct was alarmed when their colleagues at a recent luncheon said the technology could be used one day to evaluate appeals from people who believe their conviction or sentence was tainted by racial bias. California courts are handling a wave of those claims after lawmakers passed the Racial Justice Act in 2020.\u003c/p>\n\u003cp>“I think it is outrageous,” said the Los Angeles County Superior Court judge. “AI cannot and never will be able to replace human judgment in evaluating complex social dynamics. Ultimately, that will erode the public’s confidence in the competence and fairness of the judiciary.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A majority of California’s superior courts now have generative AI use policies, according to documents obtained by CalMatters via public records requests, which they were required to create by the state Judicial Council before using the technology. Roughly a dozen of the 51 courts that have responded to CalMatters’ requests said they are using AI-powered tools from LexisNexis, Thomson Reuters, and Microsoft’s Copilot.\u003c/p>\n\u003cp>Use of AI in courts has been controversial because of the propensity of AI models to cite falsehoods and to produce sycophantic text. Models from major companies like Google and Anthropic can \u003ca href=\"https://www.media.mit.edu/publications/your-brain-on-chatgpt/\">reduce critical thinking and brain activity\u003c/a>, according to a 2025 MIT study.\u003c/p>\n\u003cp>Language model hallucinations have already made it into the judicial system. Researcher Damien Charlotin has \u003ca href=\"https://www.damiencharlotin.com/hallucinations/\">documented hundreds of instances\u003c/a> of litigants, lawyers, and judges making mistakes when using AI to do their jobs including nearly 90 cases in state or federal courts based in California since August 2024.\u003c/p>\n\u003cp>Last fall, \u003ca href=\"https://calmatters.org/economy/technology/2025/09/chatgpt-lawyer-fine-ai-regulation/\">a Los Angeles-based lawyer received a historic $10,000 fine\u003c/a> for citing cases that don’t exist, and earlier this month the \u003cem>Sacramento Bee\u003c/em> reported that use of AI led to errors in \u003ca href=\"https://www.sacbee.com/news/local/article315238766.html\">four cases handled by prosecutors in Nevada County\u003c/a>. Most of these cases involve lawyers or people who are representing themselves in court, but UCLA Law School professors predict that \u003ca href=\"https://calmatters.org/economy/technology/2025/09/chatgpt-lawyer-fine-ai-regulation/\">more judges will make AI-fueled mistakes\u003c/a> in the future. In recent months,\u003ca href=\"https://www.judiciary.senate.gov/press/rep/releases/grassley-scrutinizes-federal-judges-apparent-ai-use-in-drafting-error-ridden-rulings\"> the U.S. Senate investigated federal judges\u003c/a> in Mississippi and New Jersey for drafting decisions with generative AI that had serious factual errors.\u003c/p>\n\u003cp>Klapper, who previously worked as a clerk for a federal appeals court and for surveillance technology company Palantir, said the judiciary needs AI in order to reduce backlogs and increase efficiency.\u003c/p>\n\u003cfigure id=\"attachment_12085153\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12085153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744.jpg\" alt=\"\" width=\"1980\" height=\"1237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2263718744-1536x960.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">A view of the Los Angeles Superior Court at United States Court House on Feb. 26, 2026 in Los Angeles, California. \u003ccite>(Mario Tama/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Could we hire more people?” he told CalMatters. “Maybe, but it’s not going to keep pace with the exponential increase that’s coming, nor is it going to be able to adequately solve the crisis of today. I think the only solution is to give every single judge and staff attorney their own AI clerk.”\u003c/p>\n\u003cp>Klapper said he’s aiming to combine the best parts of what human judges can do with the best parts of what machines bring to bear.\u003c/p>\n\u003cp>“I’m not saying all machines aren’t biased,” he said. “I’m not saying my machine isn’t even biased. I’m saying we can test it and people have tested it. And that is the benefit over humans.”\u003c/p>\n\u003cp>Generative AI use policies for the Los Angeles and Riverside County superior courts only require disclosure if a motion, decision, or other document is written entirely with generative AI.\u003c/p>\n\u003cp>Both courts refused to say whether plaintiffs are aware that the tool is being tested on their cases. In a statement to CalMatters, a spokesperson for the Los Angeles County Superior Court said testing is done on motions that have already been decided, separate from live case environments. However, the contract allows for testing on live cases.\u003c/p>\n\u003cp>“It is important to note that even with successful evaluation and thorough testing, the Court remains several months, if not years, away from implementing this type of tool,” said the spokesperson.\u003c/p>\n\u003cp>The contract allows the tool to be used for two critical motions in the criminal division: A motion to suppress, which is designed to determine what type of evidence the prosecution is allowed to present at trial, and motions for post conviction relief, which are filed by people who have already been convicted and want another shot at freedom.\u003c/p>\n\u003cfigure id=\"attachment_12085154\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12085154\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2262710662-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">Los Angeles County district attorney Nathan J. Hochman seen after the arraignment of Nick Reiner at the Los Angeles Superior Court in downtown Los Angeles, United States on Feb. 2026. \u003ccite>(Putman/Anadolu via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That’s the “greatest concern” for Los Angeles County District Attorney Nathan Hochman. When he reviewed the contract, he referred to the motions as “two incredibly important motions in the criminal justice system.”\u003c/p>\n\u003cp>“When you’re dealing with someone’s liberty — as opposed to in the civil setting, which is everything other than liberty — the stakes couldn’t be higher,” said Hochman. “I don’t want to take the chance, particularly in a criminal case, that AI happens to get it wrong. And now someone’s constitutional rights have been infringed. Someone has gone to prison who shouldn’t have, or on the flip side, that somehow someone gets off.”\u003c/p>\n\u003ch2>‘An extremely perilous road’\u003c/h2>\n\u003cp>In Los Angeles, some judges first heard about the new Learned Hand contract during a March presentation by Superior Court Judges Yvette Verastegui and Olivia Rosales. They lead the criminal branch and visit courthouses throughout the county as part of an annual roadshow, where they update judges on court operations, discuss workload and field questions. During a luncheon, Verastegui and Rosales said the tool could be used to assist with Racial Justice Act petitions in the future.\u003c/p>\n\u003cp>\u003ca href=\"https://calmatters.org/justice/2024/11/california-racial-justice-act/\">California’s Racial Justice Act\u003c/a> allows people to challenge a criminal conviction or sentence that they believe was based upon racial bias. Petitions are filed directly to the court from people in state prison. If a case is found to have merit, the process includes appointing legal counsel, filing briefs and setting evidentiary hearings before a judge would decide whether to grant the petition.\u003c/p>\n\u003cp>That process could look different with a tool like Learned Hand. Verastegui and Rosales explained that, following an incarcerated person’s petition, the tool could generate tentative decisions for judges to consider in denying or advancing cases to the next stages, according to one judge who attended the luncheon.\u003c/p>\n\u003cfigure id=\"attachment_12037905\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12037905\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240324_SANTACLARASUPERIORCOURT_GC-2-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santa Clara County Superior Court in San José on March 24, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The concern, of course, that I have is that the courts will utilize that as a reference point and then get stuck to that initial analysis,” said the judge. “It’s an extremely perilous road to go down. Putting aside the inaccuracy, which will be a significant concern, it dehumanizes the whole process. It does not treat people as individuals with lived experiences. It essentially reimposes a one-size-fits-all style of justice.”\u003c/p>\n\u003cp>A second Los Angeles Superior Court judge who spoke with CalMatters on the condition of anonymity remembered the presentation and said they would not trust nor use the tool to summarize a Racial Justice Act petition.\u003c/p>\n\u003cp>AI can replicate or intensify patterns contained in the data used to make a model, including human biases. Large language models have a \u003ca href=\"https://hai.stanford.edu/news/covert-racism-ai-how-language-models-are-reinforcing-outdated-stereotypes\">history of demonstrating race and gender bias\u003c/a>, an analysis of predictive policing tech used by LAPD \u003ca href=\"https://www.theguardian.com/us-news/2021/nov/07/lapd-predictive-policing-surveillance-reform\">found racial bias\u003c/a>, and an analysis of the risk assessment algorithm COMPAS found that it is \u003ca href=\"https://www.propublica.org/article/machine-bias-risk-assessments-in-criminal-sentencing\">more likely to label Black people as at risk of committing crimes\u003c/a> after incarceration than white people with a similar record.\u003c/p>\n\u003cp>Public defenders who spoke with CalMatters echoed those concerns.\u003c/p>\n\u003cp>Elizabeth Lashley-Haynes, a deputy public defender at the Los Angeles County Public Defender’s Office, said it would be “highly problematic and bordering on unethical” for a judge to use the tool to review Racial Justice Act petitions, which she described as “incredibly nuanced.”\u003c/p>\n\u003cp>“They’re like nothing else in the legal system that has ever really been done,” said Lashley-Haynes, who specializes in Racial Justice Act cases. “Words that are used in these cases that have racial undertones or racial meanings are way beyond the realm of anything that artificial intelligence could do.”\u003c/p>\n\u003cfigure id=\"attachment_12085155\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12085155\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/031225-MentalHealth-JAH-CM-11-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Los Angeles County Superior Court’s Hollywood Courthouse, in Los Angeles, on March 12, 2025. \u003ccite>(Jules Hotz for CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In interviews with CalMatters, Klapper and Los Angeles County Superior Court Executive Officer, David Slayton, denied that the court has any plans to use the tool for Racial Justice Act petitions. A spokesperson for the Los Angeles Superior Court later confirmed in an email to CalMatters that the contract permits the tool to be used in such a way “but that possibility has not commenced in any way.”\u003c/p>\n\u003cp>Klapper said if they were to build out a Racial Justice Act module, the tool would need to be evaluated for bias and co-developed with the court.\u003c/p>\n\u003cp>“The timing very fortuitous, right?” he said. “It’s a very fraught decision, I’m not going to lie…extremely high stakes — a scenario where I understand people might be very concerned. Especially with criminal, I have even more hesitancy, even more guardrails than normal about, because there are liberty interests at stake.”\u003c/p>\n\u003ch2>Extending beyond civil cases\u003c/h2>\n\u003cp>In Los Angeles, six superior court judges and their research attorneys are primarily using the Learned Hand tool to conduct research, summarize motions and assist in drafting tentative rulings, according to Slayton. He says the tool won’t move beyond the civil division “until the court leadership is comfortable.”\u003c/p>\n\u003cp>“The court is being very deliberate and careful about how we use technology like this,” he said. “So until we evaluate it and determine that it is effective in those areas, we will not extend it to other areas.”\u003c/p>\n\u003cp>The tool will be evaluated on a quarterly basis to determine its future application, Slayton said, but he did not specify what kind of evaluation that entails. In an email to CalMatters, a spokesperson later said that Learned Hand is evaluated “against the same substantive expectations applied to law clerks and research attorneys: accurate legal research, sound analysis, neutral and judge-ready writing, and reliable work product that supports judicial decision-making.”\u003c/p>\n\u003cfigure id=\"attachment_12066914\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066914\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1.jpg\" alt=\"\" width=\"2000\" height=\"1379\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/DonaldTrumpGetty1-1536x1059.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">U.S. President Donald Trump displays a signed executive order in the Oval Office of the White House on Dec. 11, 2025, in Washington, D.C. The executive order curbs states’ ability to regulate artificial intelligence, something for which the tech industry has been lobbying. \u003ccite>(Alex Wong/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Los Angeles County Superior Court Judge Samantha Jessner, who chairs the Judicial Technology Advisory Committee, said she was unaware of the possibility that the tool could eventually be used outside of the civil division until recently. Judges are not privy to contract negotiations due to certain ethical limitations, she said.\u003c/p>\n\u003cp>“I think we have a duty and obligation to explore whether or not there is a place for artificial intelligence in what we do as a judicial branch and that’s exactly what this pilot is intended to afford us the opportunity to do,” said Jessner.\u003c/p>\n\u003cp>Riverside County Superior Court signed an agreement with Learned Hand in February. In emails obtained by CalMatters, Klapper proposed to two Riverside County Superior Court executives, Jason Galkin and Sarah Hodgson, that the court use the tool for a common civil court motion and “then expand quickly once we earn our stripes.” He suggested that Hodgson assemble a list of motions and workflows “that generate the most pain,” citing examples that included the Racial Justice Act.\u003c/p>\n\u003cp>Roughly two weeks later, Hodgson described the most laborious motions “that want to drive us into retirement,” including discovery motions and attorney fee motions. For criminal cases, the court suggested that Klapper focus on “things with the largest paper records,” citing death penalty habeas petitions and parole revocation.\u003c/p>\n\u003cp>Since the pilot started, seven civil and probate attorneys have been granted access to the tool. Galkin, the chief executive officer of the Riverside County Superior Court, said they are “kicking the tires on the product” to see what tasks it can do. The tool is not being used to draft tentative rulings, he said.\u003c/p>\n\u003cfigure id=\"attachment_11985952\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11985952\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/AP24134775174210-scaled-e1770337042768.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003cfigcaption class=\"wp-caption-text\">The OpenAI logo is seen on a mobile phone in front of a computer screen displaying output from ChatGPT, March 21, 2023, in Boston. OpenAI has introduced a new artificial intelligence model. It says it works faster than previous versions and can reason across text, audio and video in real time. \u003ccite>(Michael Dwyer/Associated Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We don’t even know if expansion is likely so there is no set criteria for what expansion might look like or thresholds for that because right now, the core question is: Does this help staff and does it advance what they’re trying to do in their roles?” said Galkin.\u003c/p>\n\u003cp>As testing is underway, attorneys like Hochman say that use of AI is inevitable, but would be better suited for low-level, repetitive and routine tasks.\u003c/p>\n\u003cp>“It’s the analysis of the case itself, coupled with the conclusions that will be reached, that I’m very hesitant to trust AI at this point — in large part, because I don’t know all of the inputs that AI is using to make its decision. The only thing I’m 100% sure of is that AI didn’t go to law school,” said Hochman.\u003c/p>\n\u003cp>\u003cem>Cayla Mihalovich is a California Local News fellow.\u003c/em>\u003c/p>\n\u003cp>This article was \u003ca href=\"https://calmatters.org/economy/technology/2026/05/ai-los-angeles-riverside-courts/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "an-american-werewolf-in-altadena-how-a-local-monster-sparked-community-tensions",
"title": "An American Werewolf in Altadena? How a Local Monster Sparked Community Tensions",
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"headTitle": "An American Werewolf in Altadena? How a Local Monster Sparked Community Tensions | KQED",
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"content": "\u003cp>After the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">Eaton Fire\u003c/a> burned across Altadena a year and half ago, an unusual sight reappeared up amid the ashes and debris: a giant werewolf wearing a large T-shirt, with a big rainbow-colored heart that said, “I love Altadena.”\u003c/p>\n\u003cp>“Where he sits on that hill, the sun behind him when we were there in the evening, the sun was setting and the clouds were perfect. It was just such a weirdly hopeful thing,” said Taylor Jennings, who was visiting from Fresno last summer when he saw Norman standing over the fire-torn intersection of Lincoln Avenue and Mariposa Street.\u003c/p>\n\u003cp>“All around there’s devastation, and there’s an 8-foot [tall] werewolf. At that point, I realized how Altadena is feral, and he just seemed like the perfect mascot,” Jennings said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Norman Jr., as the werewolf is affectionately known, appeared on this burned-out corner lot in West Altadena just days after the fire, replacing a previous werewolf that popped up on the property a few years earlier.\u003c/p>\n\u003cp>Both belong to Jubilee House, a large sober living home for men operated by the Episcopal Diocese of Los Angeles. One of the residents bought the original werewolf just in time for Halloween a few years ago and named him Norman — a nod to the home’s eerie resemblance to Norman Bates’ house in the 1960 classic slasher film \u003cem>Psycho\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_12082021\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082021\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Courage Escamilla hams it up with Norman Jr. on a recent weekday afternoon. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>House manager Brian Woodruff said trick-or-treaters would never stop by the house.\u003c/p>\n\u003cp>“Every year I bought candy, every year,” Woodruff said, laughing, as he stood on the cleared lot near Norman Jr. “And I always ended up being the one eating all the candy!”\u003c/p>\n\u003cp>That changed after Norman appeared on the front lawn. The trick-or-treaters came in droves, lured by the werewolf’s grinning fangs and gnarled outstretched arms. They’d stop and take pictures with Norman and leave gifts and thank you notes. So, the guys at the house decided to keep him up year-round and started creating new outfits for Norman to mark the changing of the seasons.\u003c/p>\n\u003cp>“Summer was coming up, we can get the Big-and-Tall catalog, we can order him a tank top,” Woodruff recalled. “And then I went online, and I found some oversized sunglasses,” he said, chuckling at the memory.[aside postID=news_12071233 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/260107-Altadena-Anniversary-003-JB.jpg']Then came the fire. All ten residents of Jubilee House got out safely, but the place burned to the ground. Among the debris lay the mangled pieces of Norman’s metal limbs.\u003c/p>\n\u003cp>“The first time I came up, I didn’t expect to be so disoriented, you probably experienced this, too,” said Pastor Tim Hartley, the director of the Jubilee House program. “I didn’t know where I was.”\u003c/p>\n\u003cp>A few weeks later, hoping to boost morale, Hartley started shopping for and found a replacement: Norman Jr.\u003c/p>\n\u003cp>“Once we put up that werewolf, it became this landmark [after the fire] that people could use for where they were in Altadena, as well as this source of hope for people,” Hartley said.\u003c/p>\n\u003cp>That’s what Norman Jr. came to symbolize for longtime Altadena resident Courage Escamilla.\u003c/p>\n\u003cp>“He’s kind of a symbol for people in town who for their whole life have struggled to ever feel like they fit in because they’re eccentric or different or stand out,” Escamilla said.\u003c/p>\n\u003cfigure id=\"attachment_12082025\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082025\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Rigoberto Gonzales runs through the extensive menu of his Mexican food truck. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After the fire, he became an advocate and community booster, helping to organize rallies and fundraisers. Escamilla’s hard to miss, usually pulling up to community events on his motorcycle, sporting a red durag, with a raccoon tail dangling from the back of his waistband.\u003c/p>\n\u003cp>“You feel like you’re now in a community that embraces the weird, the unusual, and so for me, Norman represents the message that we embrace and appreciate the strange and unusual in this town,” Escamilla said.\u003c/p>\n\u003cp>After all, he said, fictional “monsters” are often just misunderstood.\u003c/p>\n\u003cp>“They’re often unfairly targeted, and I always felt like I related to that on some subconscious level and have always loved monsters for the fact that they can be loved,” Escamilla said.[aside postID=news_12038756 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/METTE.LAMPCOV.CHURCH.BELL-22-KQED-1020x680.jpg']“Symbols of things that were previously seen as repugnant are now seen as something that represents love and acceptance, and I find that rather special.”\u003c/p>\n\u003cp>Norman Jr.’s main character was another Altadena resident who lost her home. She stepped up to the task, creating new seasonal outfits and making sure he stayed upright when it was stormy.\u003c/p>\n\u003cp>On a spring day, she draped the werewolf’s plastic and metal body and articulated limbs in a form-fitting fake fur suit with a big red heart on its chest, hand-stitched for his frame.\u003c/p>\n\u003cp>With everyone from the sober living home scattered to new locations, Hartley welcomed her help.\u003c/p>\n\u003cp>“She honored this space in a way that I just appreciated,” Hartley said. “And then she’d say, he’s a little rickety, so I’m going to put out the word to have people come help me secure him, and these strangers would all gather to help, which I just loved.”\u003c/p>\n\u003cp>Norman Jr.’s caretaker declined to be interviewed and asked that we not use her name. But she did explain how Norman’s corner became a refuge for her after losing her home in the fire.\u003c/p>\n\u003cfigure id=\"attachment_12082022\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082022\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Pastor Tim Hartley shows off a Norman Jr. T-shirt, hand-screened by a local artist, to commemorate the Eaton Fire. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Photos of the wolfman wearing the outfits she created started blowing up on social media, and life started returning to the neighborhood, with the pace of rebuilding picking up speed.\u003c/p>\n\u003cp>That’s when the little green taco truck from the San Fernando Valley appeared.\u003c/p>\n\u003cp>Behind the wheel was Rigoberto Gonzales. Also, a plumber who moonlights doing work on home rebuilds around town, Gonzales saw a need for food options that could appeal to the growing army of construction workers.\u003c/p>\n\u003cp>Knowing nothing about Norman’s story, he parked his lime green truck beneath the giant oak tree that shares the same corner. Norman’s caretaker was not happy. She asked Gonzales to move, even though his vehicle didn’t disturb or block access to the werewolf.\u003c/p>\n\u003cp>“Every time I see her, she was so mad, for no reason,” Gonzales said, as he took a break from the truck on a recent afternoon.\u003c/p>\n\u003cp>“Then she later tells me what’s the reason. She just doesn’t want me to be here.”\u003c/p>\n\u003cp>The conflict simmered for weeks. Gonzales said he felt unfairly targeted. He said he asked her why he needed to move.\u003c/p>\n\u003cp>“I mean, give me the reason [why] I have to move? And she only walked away,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12082027\" class=\"wp-caption alignleft\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082027\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED.jpg\" alt=\"\" width=\"1500\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Melissa Lopez found so much comfort and inspiration in Norman Jr. after the fire that she decided to have him tattooed on her leg. \u003ccite>(Courtesy of Melissa Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The caretaker quit caring for Norman, claiming she felt unsafe. Gonzales insisted that not he, nor any of his staff or customers, ever harassed the caretaker in any way.\u003c/p>\n\u003cp>Then, a group of fire survivors, who never bothered talking to Gonzales or the property managers, rallied behind the caretaker. They accused Gonzales of exploiting a vulnerable, traumatized community and ruining the sacredness of Norman Jr.’s corner.\u003c/p>\n\u003cp>Then, it escalated. A disgruntled resident posted Gonzales’ license plate on social media.\u003c/p>\n\u003cp>Others threatened to call the Los Angeles County Sheriff’s Department or LA County Public Health. In a community forum on Facebook, one person “joked” about putting nails under his tires. Another person suggested setting off “stink bombs.”\u003c/p>\n\u003cp>Local therapist and activist Melissa Lopez said a few people tied to that same Facebook group later showed up to hassle Gonzales in person. After that confrontation, they appeared to have backed off.\u003c/p>\n\u003cp>“That hurts, to see some of these violent reactions, to say they were going to bring a truck and wall off the area to him,” Lopez said. “People are gathering up pitchforks, and [it’s] scary.”\u003c/p>\n\u003cp>Things eventually cooled down, but not without some sore feelings. Norman’s caretaker still hasn’t returned.\u003c/p>\n\u003cp>But Norman Jr. continues to be looked after by his community of admirers — including Lopez, who just got a colorful Norman Jr. tattoo on her calf.\u003c/p>\n\u003cp>Lopez said she found some similarity between the friction over Norman Jr. and a recent monster movie, director Guillermo del Toro’s 2025 \u003cem>Frankenstein\u003c/em> film. In the adaptation, she said, the scientist gives Frankenstein’s creature a voice, and the creature tells his story.\u003c/p>\n\u003cp>“It’s so beautiful because of that, because you get to see that he’s been dehumanized, that we created a monster,” Lopez said.” And I think that’s so true of society. We create the monsters, and how quickly we go to ostracize, to condemn people.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">Eaton Fire\u003c/a> burned across Altadena a year and half ago, an unusual sight reappeared up amid the ashes and debris: a giant werewolf wearing a large T-shirt, with a big rainbow-colored heart that said, “I love Altadena.”\u003c/p>\n\u003cp>“Where he sits on that hill, the sun behind him when we were there in the evening, the sun was setting and the clouds were perfect. It was just such a weirdly hopeful thing,” said Taylor Jennings, who was visiting from Fresno last summer when he saw Norman standing over the fire-torn intersection of Lincoln Avenue and Mariposa Street.\u003c/p>\n\u003cp>“All around there’s devastation, and there’s an 8-foot [tall] werewolf. At that point, I realized how Altadena is feral, and he just seemed like the perfect mascot,” Jennings said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Norman Jr., as the werewolf is affectionately known, appeared on this burned-out corner lot in West Altadena just days after the fire, replacing a previous werewolf that popped up on the property a few years earlier.\u003c/p>\n\u003cp>Both belong to Jubilee House, a large sober living home for men operated by the Episcopal Diocese of Los Angeles. One of the residents bought the original werewolf just in time for Halloween a few years ago and named him Norman — a nod to the home’s eerie resemblance to Norman Bates’ house in the 1960 classic slasher film \u003cem>Psycho\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_12082021\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082021\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-04-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Courage Escamilla hams it up with Norman Jr. on a recent weekday afternoon. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>House manager Brian Woodruff said trick-or-treaters would never stop by the house.\u003c/p>\n\u003cp>“Every year I bought candy, every year,” Woodruff said, laughing, as he stood on the cleared lot near Norman Jr. “And I always ended up being the one eating all the candy!”\u003c/p>\n\u003cp>That changed after Norman appeared on the front lawn. The trick-or-treaters came in droves, lured by the werewolf’s grinning fangs and gnarled outstretched arms. They’d stop and take pictures with Norman and leave gifts and thank you notes. So, the guys at the house decided to keep him up year-round and started creating new outfits for Norman to mark the changing of the seasons.\u003c/p>\n\u003cp>“Summer was coming up, we can get the Big-and-Tall catalog, we can order him a tank top,” Woodruff recalled. “And then I went online, and I found some oversized sunglasses,” he said, chuckling at the memory.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Then came the fire. All ten residents of Jubilee House got out safely, but the place burned to the ground. Among the debris lay the mangled pieces of Norman’s metal limbs.\u003c/p>\n\u003cp>“The first time I came up, I didn’t expect to be so disoriented, you probably experienced this, too,” said Pastor Tim Hartley, the director of the Jubilee House program. “I didn’t know where I was.”\u003c/p>\n\u003cp>A few weeks later, hoping to boost morale, Hartley started shopping for and found a replacement: Norman Jr.\u003c/p>\n\u003cp>“Once we put up that werewolf, it became this landmark [after the fire] that people could use for where they were in Altadena, as well as this source of hope for people,” Hartley said.\u003c/p>\n\u003cp>That’s what Norman Jr. came to symbolize for longtime Altadena resident Courage Escamilla.\u003c/p>\n\u003cp>“He’s kind of a symbol for people in town who for their whole life have struggled to ever feel like they fit in because they’re eccentric or different or stand out,” Escamilla said.\u003c/p>\n\u003cfigure id=\"attachment_12082025\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082025\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-07-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Rigoberto Gonzales runs through the extensive menu of his Mexican food truck. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After the fire, he became an advocate and community booster, helping to organize rallies and fundraisers. Escamilla’s hard to miss, usually pulling up to community events on his motorcycle, sporting a red durag, with a raccoon tail dangling from the back of his waistband.\u003c/p>\n\u003cp>“You feel like you’re now in a community that embraces the weird, the unusual, and so for me, Norman represents the message that we embrace and appreciate the strange and unusual in this town,” Escamilla said.\u003c/p>\n\u003cp>After all, he said, fictional “monsters” are often just misunderstood.\u003c/p>\n\u003cp>“They’re often unfairly targeted, and I always felt like I related to that on some subconscious level and have always loved monsters for the fact that they can be loved,” Escamilla said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Symbols of things that were previously seen as repugnant are now seen as something that represents love and acceptance, and I find that rather special.”\u003c/p>\n\u003cp>Norman Jr.’s main character was another Altadena resident who lost her home. She stepped up to the task, creating new seasonal outfits and making sure he stayed upright when it was stormy.\u003c/p>\n\u003cp>On a spring day, she draped the werewolf’s plastic and metal body and articulated limbs in a form-fitting fake fur suit with a big red heart on its chest, hand-stitched for his frame.\u003c/p>\n\u003cp>With everyone from the sober living home scattered to new locations, Hartley welcomed her help.\u003c/p>\n\u003cp>“She honored this space in a way that I just appreciated,” Hartley said. “And then she’d say, he’s a little rickety, so I’m going to put out the word to have people come help me secure him, and these strangers would all gather to help, which I just loved.”\u003c/p>\n\u003cp>Norman Jr.’s caretaker declined to be interviewed and asked that we not use her name. But she did explain how Norman’s corner became a refuge for her after losing her home in the fire.\u003c/p>\n\u003cfigure id=\"attachment_12082022\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082022\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-05-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Pastor Tim Hartley shows off a Norman Jr. T-shirt, hand-screened by a local artist, to commemorate the Eaton Fire. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Photos of the wolfman wearing the outfits she created started blowing up on social media, and life started returning to the neighborhood, with the pace of rebuilding picking up speed.\u003c/p>\n\u003cp>That’s when the little green taco truck from the San Fernando Valley appeared.\u003c/p>\n\u003cp>Behind the wheel was Rigoberto Gonzales. Also, a plumber who moonlights doing work on home rebuilds around town, Gonzales saw a need for food options that could appeal to the growing army of construction workers.\u003c/p>\n\u003cp>Knowing nothing about Norman’s story, he parked his lime green truck beneath the giant oak tree that shares the same corner. Norman’s caretaker was not happy. She asked Gonzales to move, even though his vehicle didn’t disturb or block access to the werewolf.\u003c/p>\n\u003cp>“Every time I see her, she was so mad, for no reason,” Gonzales said, as he took a break from the truck on a recent afternoon.\u003c/p>\n\u003cp>“Then she later tells me what’s the reason. She just doesn’t want me to be here.”\u003c/p>\n\u003cp>The conflict simmered for weeks. Gonzales said he felt unfairly targeted. He said he asked her why he needed to move.\u003c/p>\n\u003cp>“I mean, give me the reason [why] I have to move? And she only walked away,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12082027\" class=\"wp-caption alignleft\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12082027\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED.jpg\" alt=\"\" width=\"1500\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/260430-WEREWOLF-OF-ALTADENA-SC-09-KQED-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Melissa Lopez found so much comfort and inspiration in Norman Jr. after the fire that she decided to have him tattooed on her leg. \u003ccite>(Courtesy of Melissa Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The caretaker quit caring for Norman, claiming she felt unsafe. Gonzales insisted that not he, nor any of his staff or customers, ever harassed the caretaker in any way.\u003c/p>\n\u003cp>Then, a group of fire survivors, who never bothered talking to Gonzales or the property managers, rallied behind the caretaker. They accused Gonzales of exploiting a vulnerable, traumatized community and ruining the sacredness of Norman Jr.’s corner.\u003c/p>\n\u003cp>Then, it escalated. A disgruntled resident posted Gonzales’ license plate on social media.\u003c/p>\n\u003cp>Others threatened to call the Los Angeles County Sheriff’s Department or LA County Public Health. In a community forum on Facebook, one person “joked” about putting nails under his tires. Another person suggested setting off “stink bombs.”\u003c/p>\n\u003cp>Local therapist and activist Melissa Lopez said a few people tied to that same Facebook group later showed up to hassle Gonzales in person. After that confrontation, they appeared to have backed off.\u003c/p>\n\u003cp>“That hurts, to see some of these violent reactions, to say they were going to bring a truck and wall off the area to him,” Lopez said. “People are gathering up pitchforks, and [it’s] scary.”\u003c/p>\n\u003cp>Things eventually cooled down, but not without some sore feelings. Norman’s caretaker still hasn’t returned.\u003c/p>\n\u003cp>But Norman Jr. continues to be looked after by his community of admirers — including Lopez, who just got a colorful Norman Jr. tattoo on her calf.\u003c/p>\n\u003cp>Lopez said she found some similarity between the friction over Norman Jr. and a recent monster movie, director Guillermo del Toro’s 2025 \u003cem>Frankenstein\u003c/em> film. In the adaptation, she said, the scientist gives Frankenstein’s creature a voice, and the creature tells his story.\u003c/p>\n\u003cp>“It’s so beautiful because of that, because you get to see that he’s been dehumanized, that we created a monster,” Lopez said.” And I think that’s so true of society. We create the monsters, and how quickly we go to ostracize, to condemn people.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>Here are the morning’s top stories on Wednesday, May 13, 2026\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">In the crowded field of mostly Democratic candidates vying to be California’s next governor, one MAGA Republican has had surprising staying power. That’s \u003ca href=\"https://www.kqed.org/news/12081096/riverside-county-sheriff-chad-bianco-on-his-faith-cutting-taxes-and-ballot-seizure\">Riverside County Sheriff Chad Bianco.\u003c/a> He’s recently been in national headlines for seizing hundreds of thousands of ballots, among other controversies. Bianco has built his profile on bashing the state’s Democrats and Governor Gavin Newsom. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The World Cup is officially one month away. And \u003ca href=\"https://laist.com/news/los-angeles-activities/world-cup-la-advocates-say-human-rights-are-an-afterthought\">some LA advocates\u003c/a> aren’t happy about how organizers plan to address human rights. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Riverside County Sheriff stays consistent in attack on Democrats as race for governor winds down\u003c/strong>\u003c/h2>\n\u003cp>Riverside County Sheriff \u003ca href=\"https://www.kqed.org/news/12081096/riverside-county-sheriff-chad-bianco-on-his-faith-cutting-taxes-and-ballot-seizure\">Chad Bianco\u003c/a> has consistently polled in the top 4-5 candidates since he entered the race for California governor. In the final month before the June primary, he continues his attacks on Democrats in Sacramento and Governor Gavin Newsom.\u003c/p>\n\u003cp>“I want government out of the way of growth in California so we can once again finally prosper. It’s going to be like California will be more prosperous than at any time in its history, and I will liken it to the Gold Rush years,” he said.\u003c/p>\n\u003cp>Bianco blames Democrats for ruining the state he said he fell in love with as a kid visiting from Utah. “Our businesses are leaving. Our workers are leaving. Our kids can’t afford to live here. There’s nothing good coming from the current Democrat Party,” Bianco said.\u003c/p>\n\u003cp>Bianco’s campaign has not been without controversy. He’s an ardent supporter of President Trump and recently \u003ca href=\"https://www.kvcrnews.org/local-news/2026-03-20/riverside-sheriff-says-ag-is-interfering-in-election-investigation\">seized hundreds of thousands of ballots\u003c/a> from the Riverside County Registrar of Voters, based on a tip from a citizens group that alleged election fraud. Election officials have said the claims are baseless, but Bianco said he has to investigate crime.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bianco said one of his top priorities as governor would be to kill the California Environmental Quality Act, or CEQA. He’d also get rid of the Coastal Commission and the California Air Resources Board. Those are some of the state’s bedrock environmental protections.\u003cbr>\n“Those are the issues that cause our cost of living to go up,” Bianco said.\u003c/p>\n\u003ch2 class=\"ArticlePage-headline\">\u003ca href=\"https://laist.com/news/los-angeles-activities/world-cup-la-advocates-say-human-rights-are-an-afterthought\">\u003cstrong>A month out from World Cup, LA advocates say human rights are an afterthought\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>The Los Angeles World Cup host committee has quietly posted its guidance on human rights after months of speculation over where the plan was and when it would be published.\u003c/p>\n\u003cp>Advocates had pushed the committee, an arm of the Los Angeles Sports & Entertainment Commission, to produce its plan. But now that it’s out, they’re not satisfied with what they’re seeing.\u003c/p>\n\u003cp>The human rights guidance\u003ca class=\"Link\" href=\"https://www.npr.org/2026/04/29/nx-s1-5787871/world-cup-cities-slow-to-reveal-fifa-required-human-rights-protection-plans\" target=\"_blank\" rel=\"noopener\" data-cms-ai=\"0\">\u003cu> is required by FIFA\u003c/u>\u003c/a> and outlined on \u003ca class=\"Link\" href=\"https://losangelesfwc26.com/human-rights/\" target=\"_blank\" rel=\"noopener\" data-cms-ai=\"0\">\u003cu>the host committee’s website\u003c/u>\u003c/a>. It includes a list of online resources including where to file complaints with various local and state level agencies and a summary of local, state and federal laws protecting human and civil rights. The committee is also touting a partnership with L.A. County in which people can \u003ca class=\"Link\" href=\"https://211la.org/humanrights\" target=\"_blank\" rel=\"noopener\" data-cms-ai=\"0\">\u003cu>call 211 to report a concern during the tournament\u003c/u>\u003c/a>. “Los Angeles is weeks away from hosting one of the largest sporting events in the world, and yet what has been posted is not a plan,” Stephanie Richard, director of the Sunita Jain Anti‑Trafficking Initiative at Loyola Law School, said in a statement. “It is a list of laws and hotline numbers.”\u003c/p>\n\u003cp>The human rights document also skirts fears around ICE and its potential presence at the tournament and surrounding celebrations. Todd Lyons, the agency’s head, said earlier this year that ICE’s investigatory branch \u003ca class=\"Link\" href=\"https://laist.com/news/ice-confirms-at-world-cup-la-advocates-raise-alarm-over-human-rights\" data-cms-ai=\"0\">\u003cu>will play a key role in security for the tournament. \u003c/u>\u003c/a>But ICE and immigration enforcement aren’t mentioned on the host committee’s web page on human rights or in its outline of its approach to human rights. “Immigration status” only gets a mention in the list of existing anti-discrimination laws. “It certainly could have been much stronger,” Angelica Salas, executive director of the Coalition for Humane Immigrant Rights in Los Angeles, said of the plan. She added that her organization participated in a roundtable on the plan, and she was disappointed ICE and recent immigration sweeps weren’t mentioned in the resulting document.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>LAist reached out to spokespeople for the host committee for comment via email, phone and text, but did not hear back in time for publication. FIFA’s press team also did not respond to an email from LAist. According to the host committee’s website, the human rights plan is the result of coordination with the city and county of Los Angeles, the city of Inglewood, and 14 roundtable discussions held in the fall of 2025.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Here are the morning’s top stories on Wednesday, May 13, 2026\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">In the crowded field of mostly Democratic candidates vying to be California’s next governor, one MAGA Republican has had surprising staying power. That’s \u003ca href=\"https://www.kqed.org/news/12081096/riverside-county-sheriff-chad-bianco-on-his-faith-cutting-taxes-and-ballot-seizure\">Riverside County Sheriff Chad Bianco.\u003c/a> He’s recently been in national headlines for seizing hundreds of thousands of ballots, among other controversies. Bianco has built his profile on bashing the state’s Democrats and Governor Gavin Newsom. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The World Cup is officially one month away. And \u003ca href=\"https://laist.com/news/los-angeles-activities/world-cup-la-advocates-say-human-rights-are-an-afterthought\">some LA advocates\u003c/a> aren’t happy about how organizers plan to address human rights. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Riverside County Sheriff stays consistent in attack on Democrats as race for governor winds down\u003c/strong>\u003c/h2>\n\u003cp>Riverside County Sheriff \u003ca href=\"https://www.kqed.org/news/12081096/riverside-county-sheriff-chad-bianco-on-his-faith-cutting-taxes-and-ballot-seizure\">Chad Bianco\u003c/a> has consistently polled in the top 4-5 candidates since he entered the race for California governor. In the final month before the June primary, he continues his attacks on Democrats in Sacramento and Governor Gavin Newsom.\u003c/p>\n\u003cp>“I want government out of the way of growth in California so we can once again finally prosper. It’s going to be like California will be more prosperous than at any time in its history, and I will liken it to the Gold Rush years,” he said.\u003c/p>\n\u003cp>Bianco blames Democrats for ruining the state he said he fell in love with as a kid visiting from Utah. “Our businesses are leaving. Our workers are leaving. Our kids can’t afford to live here. There’s nothing good coming from the current Democrat Party,” Bianco said.\u003c/p>\n\u003cp>Bianco’s campaign has not been without controversy. He’s an ardent supporter of President Trump and recently \u003ca href=\"https://www.kvcrnews.org/local-news/2026-03-20/riverside-sheriff-says-ag-is-interfering-in-election-investigation\">seized hundreds of thousands of ballots\u003c/a> from the Riverside County Registrar of Voters, based on a tip from a citizens group that alleged election fraud. Election officials have said the claims are baseless, but Bianco said he has to investigate crime.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bianco said one of his top priorities as governor would be to kill the California Environmental Quality Act, or CEQA. He’d also get rid of the Coastal Commission and the California Air Resources Board. Those are some of the state’s bedrock environmental protections.\u003cbr>\n“Those are the issues that cause our cost of living to go up,” Bianco said.\u003c/p>\n\u003ch2 class=\"ArticlePage-headline\">\u003ca href=\"https://laist.com/news/los-angeles-activities/world-cup-la-advocates-say-human-rights-are-an-afterthought\">\u003cstrong>A month out from World Cup, LA advocates say human rights are an afterthought\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>The Los Angeles World Cup host committee has quietly posted its guidance on human rights after months of speculation over where the plan was and when it would be published.\u003c/p>\n\u003cp>Advocates had pushed the committee, an arm of the Los Angeles Sports & Entertainment Commission, to produce its plan. But now that it’s out, they’re not satisfied with what they’re seeing.\u003c/p>\n\u003cp>The human rights guidance\u003ca class=\"Link\" href=\"https://www.npr.org/2026/04/29/nx-s1-5787871/world-cup-cities-slow-to-reveal-fifa-required-human-rights-protection-plans\" target=\"_blank\" rel=\"noopener\" data-cms-ai=\"0\">\u003cu> is required by FIFA\u003c/u>\u003c/a> and outlined on \u003ca class=\"Link\" href=\"https://losangelesfwc26.com/human-rights/\" target=\"_blank\" rel=\"noopener\" data-cms-ai=\"0\">\u003cu>the host committee’s website\u003c/u>\u003c/a>. It includes a list of online resources including where to file complaints with various local and state level agencies and a summary of local, state and federal laws protecting human and civil rights. The committee is also touting a partnership with L.A. County in which people can \u003ca class=\"Link\" href=\"https://211la.org/humanrights\" target=\"_blank\" rel=\"noopener\" data-cms-ai=\"0\">\u003cu>call 211 to report a concern during the tournament\u003c/u>\u003c/a>. “Los Angeles is weeks away from hosting one of the largest sporting events in the world, and yet what has been posted is not a plan,” Stephanie Richard, director of the Sunita Jain Anti‑Trafficking Initiative at Loyola Law School, said in a statement. “It is a list of laws and hotline numbers.”\u003c/p>\n\u003cp>The human rights document also skirts fears around ICE and its potential presence at the tournament and surrounding celebrations. Todd Lyons, the agency’s head, said earlier this year that ICE’s investigatory branch \u003ca class=\"Link\" href=\"https://laist.com/news/ice-confirms-at-world-cup-la-advocates-raise-alarm-over-human-rights\" data-cms-ai=\"0\">\u003cu>will play a key role in security for the tournament. \u003c/u>\u003c/a>But ICE and immigration enforcement aren’t mentioned on the host committee’s web page on human rights or in its outline of its approach to human rights. “Immigration status” only gets a mention in the list of existing anti-discrimination laws. “It certainly could have been much stronger,” Angelica Salas, executive director of the Coalition for Humane Immigrant Rights in Los Angeles, said of the plan. She added that her organization participated in a roundtable on the plan, and she was disappointed ICE and recent immigration sweeps weren’t mentioned in the resulting document.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>LAist reached out to spokespeople for the host committee for comment via email, phone and text, but did not hear back in time for publication. FIFA’s press team also did not respond to an email from LAist. According to the host committee’s website, the human rights plan is the result of coordination with the city and county of Los Angeles, the city of Inglewood, and 14 roundtable discussions held in the fall of 2025.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "the-eaton-fire-ravaged-black-altadena-a-journalist-documents-its-resilience",
"title": "The Eaton Fire Ravaged Black Altadena. A Journalist Documents Its Resilience",
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"headTitle": "The Eaton Fire Ravaged Black Altadena. A Journalist Documents Its Resilience | KQED",
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"content": "\u003cp>Sometimes, when \u003ca href=\"https://www.kqed.org/news/tag/natural-disasters\">disaster strikes\u003c/a>, talk radio can be a lifeline for communities–sharing critical information, providing resources, and a place for victims to share their stories.\u003c/p>\n\u003cp>In March of last year, just weeks after the \u003ca href=\"https://www.kqed.org/news/12071233/a-year-after-the-la-fires-a-journalist-looks-back-on-the-stories-from-his-neighborhood\">Eaton Fire tore through Altadena\u003c/a>, reporter James Farr launched his weekly call-in show \u003cem>Conversations Live: Altadena Rising\u003c/em> on KBLA 1580 AM in Los Angeles.\u003c/p>\n\u003cp>The show focuses on covering Altadena’s historic Black neighborhoods, which the fire disproportionately ravaged. According to a\u003ca href=\"https://newsroom.ucla.edu/releases/altadenas-black-community-disproportionately-affected-eaton-fire-report-shows\"> study from UCLA\u003c/a>, nearly half of Black homes were completely destroyed or sustained major damage, compared to 37% homes belonging to all other racial or ethnic groups’ homes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“And I think it was at that point, hearing the testimonies of some of the survivors, that we realized that there’s a much longer story in this, and being the only Black-owned talk radio station west of the Mississippi, it was a natural fit,” Farr said.\u003c/p>\n\u003cp>Farr’s debut show was pretty nerve-wracking. KBLA owner and broadcast veteran Tavis Smiley was on hand overseeing production that morning, then the station suffered a temporary blackout just before airtime. But the show went on and \u003cem>Altadena Rising \u003c/em>went on the air.\u003c/p>\n\u003cfigure id=\"attachment_12075869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Abounding Faith Ministries was among several West Altadena churches that burned in the Eaton Fire. The fire destroyed nearly twenty houses of worship across all of Altadena. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re going to be documenting the roots, the resilience, the recovery, the rebuilding, the reunion,” Farr told the audience at the show’s start. “We got a whole lot to cover in the [coming] weeks, and I’m so happy that you’ve allowed me into your homes.”\u003c/p>\n\u003cp>Altadena is Farr’s home, too. He and his family moved to Altadena nearly 20 years ago, eventually settling in North Pasadena, just below Eaton Canyon, where the deadly fire began.\u003c/p>\n\u003cp>Dozens of lawsuits, including two filed by the \u003ca href=\"https://www.justice.gov/usao-cdca/pr/united-states-sues-southern-california-edison-co-seeking-tens-millions-dollars-damages\">U.S. Department of Justice\u003c/a>, have blamed\u003ca href=\"https://www.kqed.org/news/12058885/investigation-sheds-new-light-on-what-may-have-sparked-eaton-fire\"> SoCal Edison’s faulty power\u003c/a> infrastructure, including the 100-foot powerlines that snake into the foothills, for igniting the Eaton Fire.[aside postID=news_12075283 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-01-KQED.jpg']Nineteen people died, 18 of them on the Westside, the heart of Black Altadena. Farr likens pre-fire West Altadena to Wakanda, the fictional African nation depicted in the \u003ca href=\"https://www.kqed.org/arts/tag/black-panther\">\u003cem>Black Panther\u003c/em>\u003c/a> film franchise.\u003c/p>\n\u003cp>“It is a Black utopia. Working class, all the way up to the uber [wealthy]. Eighty percent of the Black folks that live there were homeowners,” Farr said.\u003c/p>\n\u003cp>“So, that’s the conversation about generational wealth, and heritage and being able to pass on a place of belonging and safety, which is so important to many Black communities because [historically], we just don’t have it like that,” he said.\u003c/p>\n\u003cp>Ever since that first broadcast – and as the community has moved from processing the immediate shock and destruction of the fire, to navigating displacement, and grappling with painful decisions around whether to rebuild —\u003cem>Altadena Rising\u003c/em> has been a place to have those conversations.\u003c/p>\n\u003cp>Over the past year, Farr has grilled local and county leaders, firefighting and insurance experts and non-profits assisting displaced residents. He had a contentious interview with a Federal Emergency Management Agency representative just a few weeks after the fire tore through Altadena.\u003c/p>\n\u003cfigure id=\"attachment_12075868\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075868\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A community mural by New York-based artist Wemok Art, painted in West Altadena shortly after the Eaton Fire \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My question to you is, when is FEMA going to step up, sit down and hear the people?” Farr asked spokesperson La-Tanga Hopes. “Stop dodging the community and listen to people.”\u003c/p>\n\u003cp>Hopes explained that the agency had recently opened a temporary recovery center on the Westside to serve the large number of displaced residents.\u003c/p>\n\u003cp>But Farr’s aim is to hand the mic over to the regular folks in the community, like Jarvis Emerson. He lost his house way up in the northwest corner of Altadena. When Emerson was on the show, he and his wife had just begun to rebuild.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>“Obviously, now we’re seven months since the fire, but y’all broke ground, how does that feel?” Farr asked Emerson. “It was a real good feeling, real emotional to be able to take that shovel in my hand and dig that dirt, it did give me hope that I’m ready for this new journey,” Emerson said.\u003c/p>\n\u003cfigure id=\"attachment_12075870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The sprawling grounds Altadena United Methodist Church a few weeks after the fire destroyed its church campus. It’s among several West Altadena churches that burned in the Eaton Fire. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Farr recently visited Emerson at his property, which has a breathtaking view of the San Gabriel Mountains and NASA’s Jet Propulsion Laboratory perched up in the foothills. Standing inside the framed-up house that’s still awaiting walls, flooring and a roof, Emerson was clearly pleased with the progress.\u003c/p>\n\u003cp>“The neighbors came out, they were real supportive,” Emerson told him. “My pastor came out, and they blessed the ground, blessed the neighborhood so that no one would get hurt while the construction was going on and that it would just be a smooth process,” he said.\u003c/p>\n\u003cp>Farr asked Emerson: How’d he manage to start rebuilding so fast? “And is ‘fast’ a fair assessment?” asked Farr.\u003c/p>\n\u003cp>“Some people would say fast. For me, it was like working two full-time jobs,” said Emerson, the director of Skid Row Strategies for the L.A. Mayor’s office.\u003c/p>\n\u003cp>“I had to do a lot of walk-in visits and a whole lot of praying. I just need strength because I got to make this phone call, I need the strength to tame my tongue if I don’t get the answer that I want to hear,” Emerson said.\u003c/p>\n\u003cfigure id=\"attachment_12075865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Eshele Williams, her mother and two of her sisters lost four houses in the same West Altadena neighborhood in the Eaton Fire. Williams, a mental health therapist, says she often offers counsel to traumatized friends and neighbors, including James Farr. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As they spoke, four other nearby properties were buzzing with the sound of cement mixers, power saws and hammers. They’re all familiar faces, said Emerson, neighbors coming back home to rebuild.\u003c/p>\n\u003cp>“I say, don’t give up, don’t give in,” Emerson said.\u003c/p>\n\u003cp>“It may be hard. It may look like you just can’t see the light at the end of the tunnel, but if you stay in there, trust and believe that this storm will end and watch what comes of it.”\u003c/p>\n\u003cp>The Emersons are among the hopeful stories of resilience in the aftermath of the disaster. But the fire created a demographic earthquake that will shake up Altadena’s racial and class complexion for the foreseeable future. Just how much is still unknown.\u003c/p>\n\u003cp>There’s been this tendency among those who lived through the fire —and it’s not wrong —to put on a strong public face, even though just about everyone has struggled with trauma, depression, anxiety or anger. Farr agreed that a lot of anguish still persists beneath hopeful yard signs with slogans like “Altadena Not For Sale.”\u003c/p>\n\u003cfigure id=\"attachment_12075873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">L.A. based muralist Robert Vargas painted “From the Ashes”, a tribute to West Altadena, on the side of Fair Oaks Burgers, in Altadena. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re building back, we’re stronger than ever, we will get through this, that kind of messaging,” Farr said.\u003c/p>\n\u003cp>“But there’s also those quiet conversations where there’s hopelessness, there’s despair, there’s a sense of not belonging, there’s displacement. So, you hear all the other things show up in conversation.”\u003c/p>\n\u003cp>That was evident at a packed Eaton Fire town hall event hosted by KBLA a few months ago, focusing on Southern California Edison’s Wildfire Recovery Compensation Fund.\u003c/p>\n\u003cp>One of Farr’s guests that night was Toni Bailey-Raines. Sixty years ago, her parents became one of the few Black families that bought “East of Lake.” Meaning, east of Lake Boulevard, the main thoroughfare that cleaves Altadena into two very distinctive halves. The fire took the house.\u003c/p>\n\u003cfigure id=\"attachment_12075874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">On the morning of January 8, 2025, the Eaton Fire continued to burn across West Altadena neighborhoods, saturating the sky in inky blackness. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Raines said the monetary settlements that SoCal Edison was offering homeowners through the compensation plan felt like an insult given the humiliation that her accomplished parents, whose home was filled with treasures collected during their world travels, experienced during those early days on the Eastside.\u003c/p>\n\u003cp>“What my parents had to go through to buy east of Lake in 1968, to have white neighbors move away, because they moved in,” Raines said tearfully.\u003c/p>\n\u003cp>Farr later told me he’s had his own struggles since the fire. He’d been suffering from debilitating insomnia that he ties to the stress and anxiety of covering the aftermath of the fire. He reached out to Eshele Williams, a mental health therapist and long-time friend.[aside postID=news_12075582 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/coalinga-69aaebd0175e4.jpg']“People call it secondary trauma, it is the trauma of the listener, the trauma of the seer,” explained Williams. “You don’t have to be in the situation for your body to feel that, and much as James [Farr] talks, you must be able to process this out. I mean, there are people that are still crying, and they didn’t lose a home, but it’s not about that.”\u003c/p>\n\u003cp>Williams, her mother, two sisters also lost their homes — all in the same neighborhood. Williams said she lived elsewhere for a time while finishing college and starting her career. But living anywhere else but Altadena was never really a question for anyone in the family.\u003c/p>\n\u003cp>“We’re all just very close-knit and we kind of joke and say, ‘if somebody was brave enough to move away, then maybe we’d have a place to stay now,’” laughed Williams. “But because everybody stayed, we’re all in the same situation.”\u003c/p>\n\u003cp>In a sense, all of those who lived through the fire are in the same situation. Each is trying to hang onto and defend the people and the places that are still standing, and feeling a little wary of the changes that are sure to come.\u003c/p>\n\u003cp>Being a reporter, Farr said, offers some advantages because of how well he knows the community. But that objective line between “journalist” and “friend,” or “journalist” and “neighbor,” gets blurry fast.\u003c/p>\n\u003cfigure id=\"attachment_12075866\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075866\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">James Farr (right) with Altadena homeowner Jarvis Emerson inside his northwest Altadena home, currently under reconstruction. Emerson and his wife were among the first Black Altadena residents to begin rebuilding on their scorched lots. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I know over 200 families that lost everything,” Farr said. “While we want to maintain objectivity, we’re in it. This is trauma journalism full du jour. We can’t rationalize the survivor’s guilt that we may experience.”\u003c/p>\n\u003cp>Farr’s show will soon begin its second year covering the aftermath of the Eaton Fire.\u003c/p>\n\u003cp>“We can’t find the silver lining sometimes for our friends who have lost everything,” he said, “but I spend a lot of my days, for hours, just listening to people.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sometimes, when \u003ca href=\"https://www.kqed.org/news/tag/natural-disasters\">disaster strikes\u003c/a>, talk radio can be a lifeline for communities–sharing critical information, providing resources, and a place for victims to share their stories.\u003c/p>\n\u003cp>In March of last year, just weeks after the \u003ca href=\"https://www.kqed.org/news/12071233/a-year-after-the-la-fires-a-journalist-looks-back-on-the-stories-from-his-neighborhood\">Eaton Fire tore through Altadena\u003c/a>, reporter James Farr launched his weekly call-in show \u003cem>Conversations Live: Altadena Rising\u003c/em> on KBLA 1580 AM in Los Angeles.\u003c/p>\n\u003cp>The show focuses on covering Altadena’s historic Black neighborhoods, which the fire disproportionately ravaged. According to a\u003ca href=\"https://newsroom.ucla.edu/releases/altadenas-black-community-disproportionately-affected-eaton-fire-report-shows\"> study from UCLA\u003c/a>, nearly half of Black homes were completely destroyed or sustained major damage, compared to 37% homes belonging to all other racial or ethnic groups’ homes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“And I think it was at that point, hearing the testimonies of some of the survivors, that we realized that there’s a much longer story in this, and being the only Black-owned talk radio station west of the Mississippi, it was a natural fit,” Farr said.\u003c/p>\n\u003cp>Farr’s debut show was pretty nerve-wracking. KBLA owner and broadcast veteran Tavis Smiley was on hand overseeing production that morning, then the station suffered a temporary blackout just before airtime. But the show went on and \u003cem>Altadena Rising \u003c/em>went on the air.\u003c/p>\n\u003cfigure id=\"attachment_12075869\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-06-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Abounding Faith Ministries was among several West Altadena churches that burned in the Eaton Fire. The fire destroyed nearly twenty houses of worship across all of Altadena. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re going to be documenting the roots, the resilience, the recovery, the rebuilding, the reunion,” Farr told the audience at the show’s start. “We got a whole lot to cover in the [coming] weeks, and I’m so happy that you’ve allowed me into your homes.”\u003c/p>\n\u003cp>Altadena is Farr’s home, too. He and his family moved to Altadena nearly 20 years ago, eventually settling in North Pasadena, just below Eaton Canyon, where the deadly fire began.\u003c/p>\n\u003cp>Dozens of lawsuits, including two filed by the \u003ca href=\"https://www.justice.gov/usao-cdca/pr/united-states-sues-southern-california-edison-co-seeking-tens-millions-dollars-damages\">U.S. Department of Justice\u003c/a>, have blamed\u003ca href=\"https://www.kqed.org/news/12058885/investigation-sheds-new-light-on-what-may-have-sparked-eaton-fire\"> SoCal Edison’s faulty power\u003c/a> infrastructure, including the 100-foot powerlines that snake into the foothills, for igniting the Eaton Fire.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Nineteen people died, 18 of them on the Westside, the heart of Black Altadena. Farr likens pre-fire West Altadena to Wakanda, the fictional African nation depicted in the \u003ca href=\"https://www.kqed.org/arts/tag/black-panther\">\u003cem>Black Panther\u003c/em>\u003c/a> film franchise.\u003c/p>\n\u003cp>“It is a Black utopia. Working class, all the way up to the uber [wealthy]. Eighty percent of the Black folks that live there were homeowners,” Farr said.\u003c/p>\n\u003cp>“So, that’s the conversation about generational wealth, and heritage and being able to pass on a place of belonging and safety, which is so important to many Black communities because [historically], we just don’t have it like that,” he said.\u003c/p>\n\u003cp>Ever since that first broadcast – and as the community has moved from processing the immediate shock and destruction of the fire, to navigating displacement, and grappling with painful decisions around whether to rebuild —\u003cem>Altadena Rising\u003c/em> has been a place to have those conversations.\u003c/p>\n\u003cp>Over the past year, Farr has grilled local and county leaders, firefighting and insurance experts and non-profits assisting displaced residents. He had a contentious interview with a Federal Emergency Management Agency representative just a few weeks after the fire tore through Altadena.\u003c/p>\n\u003cfigure id=\"attachment_12075868\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075868\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A community mural by New York-based artist Wemok Art, painted in West Altadena shortly after the Eaton Fire \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My question to you is, when is FEMA going to step up, sit down and hear the people?” Farr asked spokesperson La-Tanga Hopes. “Stop dodging the community and listen to people.”\u003c/p>\n\u003cp>Hopes explained that the agency had recently opened a temporary recovery center on the Westside to serve the large number of displaced residents.\u003c/p>\n\u003cp>But Farr’s aim is to hand the mic over to the regular folks in the community, like Jarvis Emerson. He lost his house way up in the northwest corner of Altadena. When Emerson was on the show, he and his wife had just begun to rebuild.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>“Obviously, now we’re seven months since the fire, but y’all broke ground, how does that feel?” Farr asked Emerson. “It was a real good feeling, real emotional to be able to take that shovel in my hand and dig that dirt, it did give me hope that I’m ready for this new journey,” Emerson said.\u003c/p>\n\u003cfigure id=\"attachment_12075870\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-07-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The sprawling grounds Altadena United Methodist Church a few weeks after the fire destroyed its church campus. It’s among several West Altadena churches that burned in the Eaton Fire. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Farr recently visited Emerson at his property, which has a breathtaking view of the San Gabriel Mountains and NASA’s Jet Propulsion Laboratory perched up in the foothills. Standing inside the framed-up house that’s still awaiting walls, flooring and a roof, Emerson was clearly pleased with the progress.\u003c/p>\n\u003cp>“The neighbors came out, they were real supportive,” Emerson told him. “My pastor came out, and they blessed the ground, blessed the neighborhood so that no one would get hurt while the construction was going on and that it would just be a smooth process,” he said.\u003c/p>\n\u003cp>Farr asked Emerson: How’d he manage to start rebuilding so fast? “And is ‘fast’ a fair assessment?” asked Farr.\u003c/p>\n\u003cp>“Some people would say fast. For me, it was like working two full-time jobs,” said Emerson, the director of Skid Row Strategies for the L.A. Mayor’s office.\u003c/p>\n\u003cp>“I had to do a lot of walk-in visits and a whole lot of praying. I just need strength because I got to make this phone call, I need the strength to tame my tongue if I don’t get the answer that I want to hear,” Emerson said.\u003c/p>\n\u003cfigure id=\"attachment_12075865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-02-KQED-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Eshele Williams, her mother and two of her sisters lost four houses in the same West Altadena neighborhood in the Eaton Fire. Williams, a mental health therapist, says she often offers counsel to traumatized friends and neighbors, including James Farr. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As they spoke, four other nearby properties were buzzing with the sound of cement mixers, power saws and hammers. They’re all familiar faces, said Emerson, neighbors coming back home to rebuild.\u003c/p>\n\u003cp>“I say, don’t give up, don’t give in,” Emerson said.\u003c/p>\n\u003cp>“It may be hard. It may look like you just can’t see the light at the end of the tunnel, but if you stay in there, trust and believe that this storm will end and watch what comes of it.”\u003c/p>\n\u003cp>The Emersons are among the hopeful stories of resilience in the aftermath of the disaster. But the fire created a demographic earthquake that will shake up Altadena’s racial and class complexion for the foreseeable future. Just how much is still unknown.\u003c/p>\n\u003cp>There’s been this tendency among those who lived through the fire —and it’s not wrong —to put on a strong public face, even though just about everyone has struggled with trauma, depression, anxiety or anger. Farr agreed that a lot of anguish still persists beneath hopeful yard signs with slogans like “Altadena Not For Sale.”\u003c/p>\n\u003cfigure id=\"attachment_12075873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-10-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">L.A. based muralist Robert Vargas painted “From the Ashes”, a tribute to West Altadena, on the side of Fair Oaks Burgers, in Altadena. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re building back, we’re stronger than ever, we will get through this, that kind of messaging,” Farr said.\u003c/p>\n\u003cp>“But there’s also those quiet conversations where there’s hopelessness, there’s despair, there’s a sense of not belonging, there’s displacement. So, you hear all the other things show up in conversation.”\u003c/p>\n\u003cp>That was evident at a packed Eaton Fire town hall event hosted by KBLA a few months ago, focusing on Southern California Edison’s Wildfire Recovery Compensation Fund.\u003c/p>\n\u003cp>One of Farr’s guests that night was Toni Bailey-Raines. Sixty years ago, her parents became one of the few Black families that bought “East of Lake.” Meaning, east of Lake Boulevard, the main thoroughfare that cleaves Altadena into two very distinctive halves. The fire took the house.\u003c/p>\n\u003cfigure id=\"attachment_12075874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-11-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">On the morning of January 8, 2025, the Eaton Fire continued to burn across West Altadena neighborhoods, saturating the sky in inky blackness. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Raines said the monetary settlements that SoCal Edison was offering homeowners through the compensation plan felt like an insult given the humiliation that her accomplished parents, whose home was filled with treasures collected during their world travels, experienced during those early days on the Eastside.\u003c/p>\n\u003cp>“What my parents had to go through to buy east of Lake in 1968, to have white neighbors move away, because they moved in,” Raines said tearfully.\u003c/p>\n\u003cp>Farr later told me he’s had his own struggles since the fire. He’d been suffering from debilitating insomnia that he ties to the stress and anxiety of covering the aftermath of the fire. He reached out to Eshele Williams, a mental health therapist and long-time friend.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“People call it secondary trauma, it is the trauma of the listener, the trauma of the seer,” explained Williams. “You don’t have to be in the situation for your body to feel that, and much as James [Farr] talks, you must be able to process this out. I mean, there are people that are still crying, and they didn’t lose a home, but it’s not about that.”\u003c/p>\n\u003cp>Williams, her mother, two sisters also lost their homes — all in the same neighborhood. Williams said she lived elsewhere for a time while finishing college and starting her career. But living anywhere else but Altadena was never really a question for anyone in the family.\u003c/p>\n\u003cp>“We’re all just very close-knit and we kind of joke and say, ‘if somebody was brave enough to move away, then maybe we’d have a place to stay now,’” laughed Williams. “But because everybody stayed, we’re all in the same situation.”\u003c/p>\n\u003cp>In a sense, all of those who lived through the fire are in the same situation. Each is trying to hang onto and defend the people and the places that are still standing, and feeling a little wary of the changes that are sure to come.\u003c/p>\n\u003cp>Being a reporter, Farr said, offers some advantages because of how well he knows the community. But that objective line between “journalist” and “friend,” or “journalist” and “neighbor,” gets blurry fast.\u003c/p>\n\u003cfigure id=\"attachment_12075866\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075866\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260309-Altadena-Rising-03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">James Farr (right) with Altadena homeowner Jarvis Emerson inside his northwest Altadena home, currently under reconstruction. Emerson and his wife were among the first Black Altadena residents to begin rebuilding on their scorched lots. \u003ccite>(Steven Cuevas for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I know over 200 families that lost everything,” Farr said. “While we want to maintain objectivity, we’re in it. This is trauma journalism full du jour. We can’t rationalize the survivor’s guilt that we may experience.”\u003c/p>\n\u003cp>Farr’s show will soon begin its second year covering the aftermath of the Eaton Fire.\u003c/p>\n\u003cp>“We can’t find the silver lining sometimes for our friends who have lost everything,” he said, “but I spend a lot of my days, for hours, just listening to people.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Beyond the destruction of homes and loss of lives, the \u003ca href=\"https://www.kqed.org/news/tag/eaton-fire\">Eaton Fire\u003c/a> that \u003ca href=\"https://www.kqed.org/news/12071233/a-year-after-the-la-fires-a-journalist-looks-back-on-the-stories-from-his-neighborhood\">ravaged Los Angeles\u003c/a> in the beginning of 2025 was merciless when it came to Altadena’s celebrated green spaces.\u003c/p>\n\u003cp>More than one year later, local advocates are scrambling to save the trees and plants that are still standing and restore what was lost.\u003cem> \u003c/em>\u003c/p>\n\u003cp>Altadena only has three public parks. The smallest, the Altadena Triangle Park, sits in the heart of the burn zone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Before it burned down, Amigos de los Rios, a nonprofit dedicated to creating and preserving Altadena’s green space, used to stand across the street — along with a gas station, a church, and the town’s fabled Bunny Museum.\u003c/p>\n\u003cp>But Triangle Park survived, thanks in part to an oasis of lush, shady, native plant and tree life planted by Amigos de los Rios about seven years ago.\u003c/p>\n\u003cp>“Altadena is so beautiful, like the biodiversity is off the charts,” said Claire Robinson, the nonprofit’s founder and managing director. “It had 49% tree canopy in certain areas, which is off the charts for Los Angeles County.”\u003c/p>\n\u003cfigure id=\"attachment_12074611\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Students from Cal State Northridge’s Urban Forestry program, and local volunteers, are gathering regularly in Altadena to hold tree giveaways and develop smarter replanting strategies with an emphasis on native species. CSUN recently partnered with the L.A. Conservation Corps to expand its efforts. \u003ccite>(Steven Cuevas/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some Altadena neighborhoods had such thick canopies of trees that it made streets feel as if you were cocooned in a forest community, not in a community just 14 miles from downtown Los Angeles. Robinson said the fire changed all of that, consuming more than two-thirds of Altadena’s tree life.\u003c/p>\n\u003cp>“So now, we’re down 30% of what we had, and it’s become fever-pitch important,” Robinson said.\u003c/p>\n\u003cp>“We need the trees for the heat protection, we need the trees for the protection they provided for the fire, we need them for the sense of history and place. I’m determined that we save every last tree we can.”\u003c/p>\n\u003cp>The fire also destroyed Robinson’s home, just a short walk from the park. But none of that has slowed the group’s efforts on the ground. In recent months, Amigos de los Rios has adopted and is actively rehabilitating over 3,500 damaged trees across some four hundred Altadena properties. Plenty of other local advocates are also fighting to preserve surviving trees and restore those lost in the fire. In times like these, dependable services such as \u003ca href=\"https://fastfirewatchguards.com/oklahoma/tulsa/\">Tulsa Fire Watch Guards\u003c/a> help reinforce safety and vigilance while communities rebuild and recover.\u003c/p>\n\u003cp>One mile north of Triangle Park, where the concrete gives way to the steep foothills of the San Gabriel Mountains, Wynne Wilson surveyed the rugged mix of urban and national forest land.[aside postID=news_12071233 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/260107-Altadena-Anniversary-003-JB.jpg']“We are literally right at the toe of the mountains, we have bear[s], we have wildlife coming through here,” Wilson said.\u003c/p>\n\u003cp>The handsome adobe home she shared with her husband for 30 years used to sit at the back of a roughly half-acre parcel filled with native trees and foliage, much of which withstood the flames. The house, however, did not.\u003c/p>\n\u003cp>Wilson has welcomed thousands of people to the property over the years. Some people come to learn about native plants, or to pick up new gardening strategies. Others simply enjoy the property’s serene, park-like setting.\u003c/p>\n\u003cp>After the fire, Wilson co-founded a nonprofit called Altadena Green and organized an intervention aimed at stopping the U.S. Army Corps of Engineers from removing native trees that were considered “in the way” – or misidentified as dead or dying.\u003c/p>\n\u003cp>“We went to meetings at 6:30 in the morning,” Wilson said. “They made it really challenging for us to intervene. But we didn’t stop, and then ultimately we created a following where hundreds of people were ready to march.”\u003c/p>\n\u003cp>“Kids were going to draw [pictures of] their trees and march with posters of their trees,” she said. “I told [U.S. Army Corps of Engineers] that this is where we’re at, so what are we going to do? How are we going to slow down the destruction of the tree canopy that is left?”\u003c/p>\n\u003cp>The effort worked, saving scores of trees which are now being rehydrated and rehabilitated so they can return to their full, pre-fire health.\u003c/p>\n\u003cp>“And it’s not just us,” Wilson said.\u003c/p>\n\u003cp>“It’s multiple groups working on this, so I really see positive change for the future. I’d like to also establish a protected tree list for Altadena. Pasadena has an extensive protected tree list; we only have the oak trees protected.”\u003c/p>\n\u003cfigure id=\"attachment_12074613\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074613\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wynne Wilson of Altadena Green in her expansive garden, scorched by the fire but left largely intact. Her home of 30 years, however, was not so lucky. \u003ccite>(Steven Cuevas/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now, there’s a new fight brewing, one with SoCal Edison. According to the U.S. Department of Justice, sparking from \u003ca href=\"https://www.kqed.org/news/12054879/federal-government-sues-california-utility-alleging-equipment-sparked-deadly-wildfires\">the company’s equipment\u003c/a> allegedly ignited the Eaton Fire.\u003c/p>\n\u003cp>The energy company plans to bury power lines to prevent future fires, but Wilson said the first leg of that work could damage the root systems of scores of Deodar cedars and other trees, some of which were compromised by the fire.\u003c/p>\n\u003cp>“Most of us up here love the community, we love nature, we love our trees. We are warriors for the trees,” Wilson said.\u003c/p>\n\u003cp>Cal State Northridge sustainability professor Crist Khachikian leads regular student field trips into the burn zone to learn about restoring lost trees and creating defensible spaces around homes. His department partnered with advocacy group Altadena Wild and other local environmental nonprofits to come up with an ambitious tree planting campaign.\u003c/p>\n\u003cp>“For example, the L.A. Conservation Corps. We reached out to them and said, ‘We have this project, would you be able to help us plant?’ And [they] said, ‘Absolutely,” Khachikian said.[aside postID=news_12038756 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/METTE.LAMPCOV.CHURCH.BELL-22-KQED-1020x680.jpg']“So, it’s all about partnerships and creating this ecosystem of people who are willing to help, and it galvanized after the fire, and now it’s taken off into a program that is interesting to lots of people.”\u003c/p>\n\u003cp>Late last year, Cal State Northridge held its first tree giveaway program in Altadena, distributing dozens of saplings to locals ready to plant. Later this spring, forestry students will conduct an updated field assessment of Altadena’s tree canopy while continuing to sponsor more tree giveaways.\u003c/p>\n\u003cp>There are also hyper-local, DIY efforts to “regreen” Altadena, plant by plant and seed by seed. After the Eaton Fire tore through Laurie Scott’s West Altadena neighborhood, taking the backyard garden she’d cultivated for years with it, she got the idea for \u003ca href=\"https://www.instagram.com/regrow_altadena/\">Regrow Altadena\u003c/a>, a free plant and seed giveaway program that she operates from her front yard in West Altadena.\u003c/p>\n\u003cp>“I wanted to fix everything, I wanted everything to be fixed. I wanted to make it all to be better, and I knew that I couldn’t,” Scott explained while standing alongside the large plant stand.\u003c/p>\n\u003cp>“But I thought that maybe I could make one thing better for some people, so I started picking up bits of succulents that I found and propagating everything that I can get my hands on,” Scott said.\u003c/p>\n\u003cp>“It’s been so hard for all of us. We all need home. We need comfort. And I’ve heard from a few folks that [a plant] really did make just all the difference.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Before it burned down, Amigos de los Rios, a nonprofit dedicated to creating and preserving Altadena’s green space, used to stand across the street — along with a gas station, a church, and the town’s fabled Bunny Museum.\u003c/p>\n\u003cp>But Triangle Park survived, thanks in part to an oasis of lush, shady, native plant and tree life planted by Amigos de los Rios about seven years ago.\u003c/p>\n\u003cp>“Altadena is so beautiful, like the biodiversity is off the charts,” said Claire Robinson, the nonprofit’s founder and managing director. “It had 49% tree canopy in certain areas, which is off the charts for Los Angeles County.”\u003c/p>\n\u003cfigure id=\"attachment_12074611\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-03-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Students from Cal State Northridge’s Urban Forestry program, and local volunteers, are gathering regularly in Altadena to hold tree giveaways and develop smarter replanting strategies with an emphasis on native species. CSUN recently partnered with the L.A. Conservation Corps to expand its efforts. \u003ccite>(Steven Cuevas/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some Altadena neighborhoods had such thick canopies of trees that it made streets feel as if you were cocooned in a forest community, not in a community just 14 miles from downtown Los Angeles. Robinson said the fire changed all of that, consuming more than two-thirds of Altadena’s tree life.\u003c/p>\n\u003cp>“So now, we’re down 30% of what we had, and it’s become fever-pitch important,” Robinson said.\u003c/p>\n\u003cp>“We need the trees for the heat protection, we need the trees for the protection they provided for the fire, we need them for the sense of history and place. I’m determined that we save every last tree we can.”\u003c/p>\n\u003cp>The fire also destroyed Robinson’s home, just a short walk from the park. But none of that has slowed the group’s efforts on the ground. In recent months, Amigos de los Rios has adopted and is actively rehabilitating over 3,500 damaged trees across some four hundred Altadena properties. Plenty of other local advocates are also fighting to preserve surviving trees and restore those lost in the fire. In times like these, dependable services such as \u003ca href=\"https://fastfirewatchguards.com/oklahoma/tulsa/\">Tulsa Fire Watch Guards\u003c/a> help reinforce safety and vigilance while communities rebuild and recover.\u003c/p>\n\u003cp>One mile north of Triangle Park, where the concrete gives way to the steep foothills of the San Gabriel Mountains, Wynne Wilson surveyed the rugged mix of urban and national forest land.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“We are literally right at the toe of the mountains, we have bear[s], we have wildlife coming through here,” Wilson said.\u003c/p>\n\u003cp>The handsome adobe home she shared with her husband for 30 years used to sit at the back of a roughly half-acre parcel filled with native trees and foliage, much of which withstood the flames. The house, however, did not.\u003c/p>\n\u003cp>Wilson has welcomed thousands of people to the property over the years. Some people come to learn about native plants, or to pick up new gardening strategies. Others simply enjoy the property’s serene, park-like setting.\u003c/p>\n\u003cp>After the fire, Wilson co-founded a nonprofit called Altadena Green and organized an intervention aimed at stopping the U.S. Army Corps of Engineers from removing native trees that were considered “in the way” – or misidentified as dead or dying.\u003c/p>\n\u003cp>“We went to meetings at 6:30 in the morning,” Wilson said. “They made it really challenging for us to intervene. But we didn’t stop, and then ultimately we created a following where hundreds of people were ready to march.”\u003c/p>\n\u003cp>“Kids were going to draw [pictures of] their trees and march with posters of their trees,” she said. “I told [U.S. Army Corps of Engineers] that this is where we’re at, so what are we going to do? How are we going to slow down the destruction of the tree canopy that is left?”\u003c/p>\n\u003cp>The effort worked, saving scores of trees which are now being rehydrated and rehabilitated so they can return to their full, pre-fire health.\u003c/p>\n\u003cp>“And it’s not just us,” Wilson said.\u003c/p>\n\u003cp>“It’s multiple groups working on this, so I really see positive change for the future. I’d like to also establish a protected tree list for Altadena. Pasadena has an extensive protected tree list; we only have the oak trees protected.”\u003c/p>\n\u003cfigure id=\"attachment_12074613\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074613\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/250225-REGREENING-ALTADENA-05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wynne Wilson of Altadena Green in her expansive garden, scorched by the fire but left largely intact. Her home of 30 years, however, was not so lucky. \u003ccite>(Steven Cuevas/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now, there’s a new fight brewing, one with SoCal Edison. According to the U.S. Department of Justice, sparking from \u003ca href=\"https://www.kqed.org/news/12054879/federal-government-sues-california-utility-alleging-equipment-sparked-deadly-wildfires\">the company’s equipment\u003c/a> allegedly ignited the Eaton Fire.\u003c/p>\n\u003cp>The energy company plans to bury power lines to prevent future fires, but Wilson said the first leg of that work could damage the root systems of scores of Deodar cedars and other trees, some of which were compromised by the fire.\u003c/p>\n\u003cp>“Most of us up here love the community, we love nature, we love our trees. We are warriors for the trees,” Wilson said.\u003c/p>\n\u003cp>Cal State Northridge sustainability professor Crist Khachikian leads regular student field trips into the burn zone to learn about restoring lost trees and creating defensible spaces around homes. His department partnered with advocacy group Altadena Wild and other local environmental nonprofits to come up with an ambitious tree planting campaign.\u003c/p>\n\u003cp>“For example, the L.A. Conservation Corps. We reached out to them and said, ‘We have this project, would you be able to help us plant?’ And [they] said, ‘Absolutely,” Khachikian said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“So, it’s all about partnerships and creating this ecosystem of people who are willing to help, and it galvanized after the fire, and now it’s taken off into a program that is interesting to lots of people.”\u003c/p>\n\u003cp>Late last year, Cal State Northridge held its first tree giveaway program in Altadena, distributing dozens of saplings to locals ready to plant. Later this spring, forestry students will conduct an updated field assessment of Altadena’s tree canopy while continuing to sponsor more tree giveaways.\u003c/p>\n\u003cp>There are also hyper-local, DIY efforts to “regreen” Altadena, plant by plant and seed by seed. After the Eaton Fire tore through Laurie Scott’s West Altadena neighborhood, taking the backyard garden she’d cultivated for years with it, she got the idea for \u003ca href=\"https://www.instagram.com/regrow_altadena/\">Regrow Altadena\u003c/a>, a free plant and seed giveaway program that she operates from her front yard in West Altadena.\u003c/p>\n\u003cp>“I wanted to fix everything, I wanted everything to be fixed. I wanted to make it all to be better, and I knew that I couldn’t,” Scott explained while standing alongside the large plant stand.\u003c/p>\n\u003cp>“But I thought that maybe I could make one thing better for some people, so I started picking up bits of succulents that I found and propagating everything that I can get my hands on,” Scott said.\u003c/p>\n\u003cp>“It’s been so hard for all of us. We all need home. We need comfort. And I’ve heard from a few folks that [a plant] really did make just all the difference.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"perspectives": {
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"link": "/radio/program/reveal",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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