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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Here are the morning’s top stories on Wednesday, December 24, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Some Mixtec farmworkers in Watsonville have trained as doulas to support other Indigenous women during pregnancy and childbirth. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">A tribal group in central California is celebrating the return of thousands of acres of land back from the state.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2 class=\"ArtP-headline\">\u003ca href=\"https://www.kazu.org/kazu-news/2025-11-07/watsonville-farmworkers-train-as-doulas-to-help-other-indigenous-women\">\u003cstrong>Watsonville Farmworkers Train As Doulas To Help Other Indigenous Women\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Outside a clinic in Watsonville, Ines (who asked not to use her last name) checks in with an expectant mom after a prenatal visit. A Mixtec farmworker from Oaxaca, Mexico, Ines trained as a doula this year so she can support other Indigenous women in the Watsonville area during pregnancy and childbirth.\u003c/p>\n\u003cp>She says when she gave birth in the US, she struggled to make her concerns heard because she only spoke Mixtec at that time. “The experience I had before was very difficult because I was alone,” Ines said in Spanish through an interpreter. She felt that her lack of Spanish was a hindrance to getting proper care and swallowed her fears quietly. “Sadly, there are many women who don’t speak Spanish well or don’t fully understand it, and we get looked down on for that. So sometimes we stay quiet out of fear or embarrassment, thinking, ‘What are they going to say?’ or ‘I can’t say it right.'”\u003c/p>\n\u003cp>After her experience, Ines decided to do two things: learn Spanish and train as a doula, a non-clinical birth worker who provides emotional and physical support during and after pregnancy. “Even if it’s just a small grain of sand, just being there, accompanying someone, giving a little massage, giving a glass of water, that’s what I want to do,” she said.\u003cb> \u003c/b>\u003c/p>\n\u003cp>For many pregnant farmworkers, prenatal visits can be lonely, as the people in their immediate support systems are often also working in the fields during those times. So it’s a huge help when someone like Ines can accompany her and also explain in Mixtec what the clinicians tell her. Ines and 11 other farmworker doulas were trained by Maria Bracamontes, a nurse midwife at both Watsonville Community Hospital and the non-profit clinic Salud Para La Gente. In her six years as a midwife in Santa Cruz county, Bracamontes has cared for Indigenous patients who do not speak Spanish either fluently or at all. Many struggle to explain their concerns and fears to clinicians, especially during labor. “ I’ve definitely seen things not go so well sometimes,” she says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bracamontes, whose family is from Oaxaca and doesn’t speak Mixtec, saw the need for more birth support, including translation. She had founded a non-profit organization, \u003ca class=\"Link\" href=\"https://www.instagram.com/campesinawombjustice/?hl=en\" target=\"_blank\" rel=\"noopener\">Campesina Womb Justice\u003c/a> in 2020, to support farmworkers in the Pajaro Valley. As she spoke with some of them, she asked if they could also serve another purpose: to help bridge a serious gap for Indigenous women.\u003c/p>\n\u003ch2>\u003cstrong>Tribe Reclaims Thousands Of Acres Of Land\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">A tribal group in Central California is celebrating the return of thousands of acres of land back from the state.\u003c/span>\u003c/p>\n\u003cp>The\u003ca href=\"https://www.gov.ca.gov/2025/10/29/tule-river-indian-tribe-of-california-reclaims-over-17000-acres-and-reintroduces-tule-elk-on-ancestral-land/\"> governor’s office announced\u003c/a> it was returning just over 17,000 acres of ancestral land back to the Tule River Indian Tribe in Tulare County. This marks the largest land return in the central Sierra Nevada region.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As part of the land back deal, elk will also be re-introduced onto the land. This signals a focus to restore critical ecosystems within the land. Tribal leaders say the land’s return will help them expand food and medicine resources. The Tule River Indian Tribe once inhabited 91,000 acres. Today it’s around 55,000.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Here are the morning’s top stories on Tuesday, December 23, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Christmas is two days away which means Santa Claus is pulling overtime. He’s at the mall taking photos and he’s project managing toy production. This story is all about the work of being Santa. So, if you’re listening with a child who’s expecting a visit from jolly old Saint Nick this year, you may want to turn down the volume. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">California is preparing for another storm system that could bring dangerous conditions to large portions of the state.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca href=\"https://www.kcrw.com/shows/kcrw-reports/stories/its-go-time-for-santa\">\u003cstrong>It’s Go Time For Santa\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Old Saint Nick is a total rock star to little kids, and December is when he goes on tour. On the calendar: photos at the mall, appearances at fundraisers, and official tree lighting ceremonies. But what does it take to maintain the magic of Christmas?\u003c/p>\n\u003cp>Myk Price is a professional Santa performer. This is his fourth year of performing in public – doing everything from photoshoots to fundraisers. “But I’ve actually been wearing the suit for private parties and friends’ kids for a little over 30 years,” Price said.\u003c/p>\n\u003cp>Like a lot of Santas, Price is naturally jolly, but there’s something that makes him a little different. “As of today, I am one of perhaps seven Black Santas in the entirety of California, maybe eight,” he said.\u003c/p>\n\u003cp>He said the Santa community immediately welcomed him into its peppermint-perfumed embrace. And while people of all backgrounds are thrilled to see him, on occasion a kid will say “hey you’re Black, you don’t look like the real Santa.” Price has a careful response. “Many people see Santa in many different ways, and have for centuries, and people have certain pictures in their heads. And just sometimes, depending on who’s here, there is somebody who really needs to see me looking like this. And so today I look like this. Tomorrow I can look like somebody else. It’s all a part of Christmas magic,” he said.\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/12068281/bay-area-braces-for-storm-that-could-become-a-rare-bomb-cyclone-ahead-of-holiday-travel\">\u003cstrong>Storm Expected To Create Dangerous Conditions Across California\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>After a \u003ca href=\"https://www.kqed.org/science/1999695/3-storms-will-bring-much-needed-rain-to-bay-area-and-snow-in-the-sierras\">weekend of rainfall\u003c/a>, \u003ca href=\"https://www.kqed.org/news/tag/bay-area\">the Bay Area \u003c/a>and the rest of the state are bracing for days of dangerous stormy conditions expected to begin Tuesday night and extend through the rest of the week.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Two wind-fueled systems will hit the region throughout the Christmas holiday week, bringing a possibility of up to 80-mile-per-hour gusts, flood conditions and widespread power outages. “We really have several waves of potentially strong to moderate showers and thunderstorms, and along with that, we’re going to have very strong winds at the highest peaks,” said Joe Merchant, a meteorologist with the National Weather Service’s Monterey office.\u003c/p>\n\u003cp>Redding has experienced major flooding after Sunday’s rainfall. City officials issued warnings to avoid multiple major roadways, and urged people to stay home and avoid driving when possible. According to Redding Mayor Mike Littau, a person who was stuck as water entered their vehicle died after calling 911 Sunday night. Littau said the person’s phone died while they were making the emergency call.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Southern California is likely to see the heaviest rainfall, late Tuesday night into Wednesday morning. The National Weather Service is warning of potentially life-threatening floods. \u003ca href=\"https://laist.com/brief/news/climate-environment/atmospheric-river-la-holiday-christmas-storm\">Evacuation orders went into effect Tuesday morning\u003c/a> for nearly 400 properties in “various recent burn scar areas,” according to the L.A. County Office of Emergency Management.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Here are the morning’s top stories on Tuesday, December 23, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Christmas is two days away which means Santa Claus is pulling overtime. He’s at the mall taking photos and he’s project managing toy production. This story is all about the work of being Santa. So, if you’re listening with a child who’s expecting a visit from jolly old Saint Nick this year, you may want to turn down the volume. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">California is preparing for another storm system that could bring dangerous conditions to large portions of the state.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca href=\"https://www.kcrw.com/shows/kcrw-reports/stories/its-go-time-for-santa\">\u003cstrong>It’s Go Time For Santa\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Old Saint Nick is a total rock star to little kids, and December is when he goes on tour. On the calendar: photos at the mall, appearances at fundraisers, and official tree lighting ceremonies. But what does it take to maintain the magic of Christmas?\u003c/p>\n\u003cp>Myk Price is a professional Santa performer. This is his fourth year of performing in public – doing everything from photoshoots to fundraisers. “But I’ve actually been wearing the suit for private parties and friends’ kids for a little over 30 years,” Price said.\u003c/p>\n\u003cp>Like a lot of Santas, Price is naturally jolly, but there’s something that makes him a little different. “As of today, I am one of perhaps seven Black Santas in the entirety of California, maybe eight,” he said.\u003c/p>\n\u003cp>He said the Santa community immediately welcomed him into its peppermint-perfumed embrace. And while people of all backgrounds are thrilled to see him, on occasion a kid will say “hey you’re Black, you don’t look like the real Santa.” Price has a careful response. “Many people see Santa in many different ways, and have for centuries, and people have certain pictures in their heads. And just sometimes, depending on who’s here, there is somebody who really needs to see me looking like this. And so today I look like this. Tomorrow I can look like somebody else. It’s all a part of Christmas magic,” he said.\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/12068281/bay-area-braces-for-storm-that-could-become-a-rare-bomb-cyclone-ahead-of-holiday-travel\">\u003cstrong>Storm Expected To Create Dangerous Conditions Across California\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>After a \u003ca href=\"https://www.kqed.org/science/1999695/3-storms-will-bring-much-needed-rain-to-bay-area-and-snow-in-the-sierras\">weekend of rainfall\u003c/a>, \u003ca href=\"https://www.kqed.org/news/tag/bay-area\">the Bay Area \u003c/a>and the rest of the state are bracing for days of dangerous stormy conditions expected to begin Tuesday night and extend through the rest of the week.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two wind-fueled systems will hit the region throughout the Christmas holiday week, bringing a possibility of up to 80-mile-per-hour gusts, flood conditions and widespread power outages. “We really have several waves of potentially strong to moderate showers and thunderstorms, and along with that, we’re going to have very strong winds at the highest peaks,” said Joe Merchant, a meteorologist with the National Weather Service’s Monterey office.\u003c/p>\n\u003cp>Redding has experienced major flooding after Sunday’s rainfall. City officials issued warnings to avoid multiple major roadways, and urged people to stay home and avoid driving when possible. According to Redding Mayor Mike Littau, a person who was stuck as water entered their vehicle died after calling 911 Sunday night. Littau said the person’s phone died while they were making the emergency call.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Southern California is likely to see the heaviest rainfall, late Tuesday night into Wednesday morning. The National Weather Service is warning of potentially life-threatening floods. \u003ca href=\"https://laist.com/brief/news/climate-environment/atmospheric-river-la-holiday-christmas-storm\">Evacuation orders went into effect Tuesday morning\u003c/a> for nearly 400 properties in “various recent burn scar areas,” according to the L.A. County Office of Emergency Management.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Here are the morning’s top stories on Monday, December 22, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">In Humboldt County, a rural volunteer fire station is struggling to meet its community’s needs. They’re hoping a state budget allocation to expand Calfire staffing might offer some support, but nothing has materialized yet. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The Trump administration continues to drastically shrink the immigration courts in Northern California – leaving just a few judges to handle a massive backlog of cases. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">California transportation officials say they’ve paused a plan to resume issuing thousands of commercial driver’s licenses, under federal pressure. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Rural Fire Station Struggles To Meet Demands Of Community It Serves\u003c/strong>\u003c/h2>\n\u003cp>There are \u003ca href=\"https://californiavolunteerfire.org/\">more than 200 volunteer fire departments\u003c/a> in the state. Many of them provide services to rural parts of the state.\u003c/p>\n\u003cp>In Humboldt County, the Willow Creek Fire Station is a small volunteer operation. Chief Samantha Smith said they respond to any emergencies and medical calls for the town of 1,700. And they’re also first responders for the surrounding area – which includes about a 70 mile stretch of state route 299, a major thoroughfare that connects the California coast to the I-5. “We are in a mountainous area and cars go over the edge,” Smith said.\u003c/p>\n\u003cp>But the department is shrinking, even as the amount of calls they respond to goes up year by year. Smith said that’s partly because fewer people are moving into town. And it’s not just Willow Creek that’s experiencing this. Chief Eddie Sell is president of the California State Fire Association. “There are many places in California that just rely solely on volunteer fire departments,” he said. “And it has been tougher, with recruitment and retention.”\u003c/p>\n\u003cp>State Senator Tim Grayson wants Calfire to be fully staffed year round – especially after the Eaton Fire broke out last winter. “We are no longer in what we call fire seasons, but the fire season is actually all 12 months,” Grayson said. California has approved over $100 million to transition 3,000 seasonal Calfire staff to permanent status. But so far, the agency has not transitioned any personnel.\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-Title-__Title__title\">\u003ca href=\"https://www.kqed.org/news/12068148/san-francisco-immigration-court-down-to-four-judges-after-new-departures\">\u003cstrong>San Francisco Immigration Court Down To Four Judges After New Departures\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Half a dozen immigration judges are departing the Northern California immigration courts this month, leaving just a handful of judges to handle a massive case backlog, as the Trump administration continues \u003ca href=\"https://www.kqed.org/news/12065240/after-trump-fires-5-more-sf-immigration-judges-legal-scholars-fear-a-more-partisan-system\">an unprecedented push\u003c/a> to remake the court system by eliminating judges who are more likely to grant asylum.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Two immigration judges were fired late Friday: \u003ca href=\"https://tracreports.org/immigration/reports/judgereports/00540SFR/index.html\">Arwen Swink\u003c/a>, who has served nearly nine years on the San Francisco bench, and \u003ca href=\"https://tracreports.org/immigration/reports/judgereports/01035SMO/index.html\">Denise Hunter\u003c/a>, who was appointed to the Sacramento bench in 2022. In addition, four San Francisco judges are taking retirements that some told attorneys they were pressured into. They are Howard Davis, Charles Greene, Patrick O’Brien and Joseph Park, according to Milli Atkinson, director of the Immigrant Legal Defense Program at the Bar Association of San Francisco.\u003c/p>\n\u003cp>The exodus comes on top of the \u003ca href=\"https://www.kqed.org/news/12054620/despite-a-growing-case-backlog-trump-fires-6th-san-francisco-immigration-judge\">previous firings\u003c/a> of \u003ca href=\"https://www.kqed.org/news/12065240/after-trump-fires-5-more-sf-immigration-judges-legal-scholars-fear-a-more-partisan-system\">12 San Francisco immigration judges\u003c/a> this year. Nationwide, more than 100 immigration judges have been forced out of their jobs, leaving roughly 600 adjudicators to handle 3.4 million cases.\u003c/p>\n\u003cp>San Francisco’s court, which had 21 judges earlier this year, will now have four. It is one of the nation’s busiest, with a backlog of more than 120,000 cases. Along with the historically smaller courts in Concord and Sacramento, it handles all the asylum and other deportation cases from Bakersfield to the Oregon border. The Sacramento bench, which has been reduced to three judges from six, is responsible for 30,000 cases. The Concord court, \u003ca href=\"https://www.kqed.org/news/11975904/new-bay-area-immigration-court-opens-aims-to-tackle-deportation-backlog\">which opened last year\u003c/a> with a promise to hire 21 judges, currently has seven judges and 60,000 cases on its docket.\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-Title-__Title__title\">\u003ca href=\"https://www.kqed.org/news/12068027/california-delays-plan-to-reissue-commercial-licenses-drivers-mired-in-uncertainty\">\u003cstrong>California Delays Plan To Reissue Commercial Licenses, Drivers Mired In Uncertainty\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/california\">California\u003c/a> has paused its plan to resume issuing contested commercial driver’s licenses under pressure from the \u003ca href=\"https://www.kqed.org/news/tag/donald-trump\">Trump\u003c/a> administration, according to state transportation officials, leaving thousands of immigrant truck and bus drivers uncertain if they can keep their jobs.\u003c/p>\n\u003cp>The delay is the latest twist in a months-long dispute between California and the federal government over non-domiciled commercial drivers’ licenses for noncitizens who are authorized to work but lack permanent residency (or a green card).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At stake is more than $150 million in federal highway funding that the U.S. Department of Transportation threatened to withhold from California unless the state fixes problems with its non-domiciled CDL program, including licenses that expired at a later date than the driver’s work permit. After a state review found more than 20,000 licenses had incorrect expiration dates, due to Department of Motor Vehicles clerical errors, the agency sent those drivers 60-day cancellation notices. The licenses of most of these drivers, 17,000, are now set to be rescinded on Jan. 5. Many of them are Sikh truckers, with roots in Punjab, India, who said they have valid work permits and the revocations threaten their livelihoods and families.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Here are the morning’s top stories on Monday, December 22, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">In Humboldt County, a rural volunteer fire station is struggling to meet its community’s needs. They’re hoping a state budget allocation to expand Calfire staffing might offer some support, but nothing has materialized yet. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The Trump administration continues to drastically shrink the immigration courts in Northern California – leaving just a few judges to handle a massive backlog of cases. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">California transportation officials say they’ve paused a plan to resume issuing thousands of commercial driver’s licenses, under federal pressure. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Rural Fire Station Struggles To Meet Demands Of Community It Serves\u003c/strong>\u003c/h2>\n\u003cp>There are \u003ca href=\"https://californiavolunteerfire.org/\">more than 200 volunteer fire departments\u003c/a> in the state. Many of them provide services to rural parts of the state.\u003c/p>\n\u003cp>In Humboldt County, the Willow Creek Fire Station is a small volunteer operation. Chief Samantha Smith said they respond to any emergencies and medical calls for the town of 1,700. And they’re also first responders for the surrounding area – which includes about a 70 mile stretch of state route 299, a major thoroughfare that connects the California coast to the I-5. “We are in a mountainous area and cars go over the edge,” Smith said.\u003c/p>\n\u003cp>But the department is shrinking, even as the amount of calls they respond to goes up year by year. Smith said that’s partly because fewer people are moving into town. And it’s not just Willow Creek that’s experiencing this. Chief Eddie Sell is president of the California State Fire Association. “There are many places in California that just rely solely on volunteer fire departments,” he said. “And it has been tougher, with recruitment and retention.”\u003c/p>\n\u003cp>State Senator Tim Grayson wants Calfire to be fully staffed year round – especially after the Eaton Fire broke out last winter. “We are no longer in what we call fire seasons, but the fire season is actually all 12 months,” Grayson said. California has approved over $100 million to transition 3,000 seasonal Calfire staff to permanent status. But so far, the agency has not transitioned any personnel.\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-Title-__Title__title\">\u003ca href=\"https://www.kqed.org/news/12068148/san-francisco-immigration-court-down-to-four-judges-after-new-departures\">\u003cstrong>San Francisco Immigration Court Down To Four Judges After New Departures\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Half a dozen immigration judges are departing the Northern California immigration courts this month, leaving just a handful of judges to handle a massive case backlog, as the Trump administration continues \u003ca href=\"https://www.kqed.org/news/12065240/after-trump-fires-5-more-sf-immigration-judges-legal-scholars-fear-a-more-partisan-system\">an unprecedented push\u003c/a> to remake the court system by eliminating judges who are more likely to grant asylum.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two immigration judges were fired late Friday: \u003ca href=\"https://tracreports.org/immigration/reports/judgereports/00540SFR/index.html\">Arwen Swink\u003c/a>, who has served nearly nine years on the San Francisco bench, and \u003ca href=\"https://tracreports.org/immigration/reports/judgereports/01035SMO/index.html\">Denise Hunter\u003c/a>, who was appointed to the Sacramento bench in 2022. In addition, four San Francisco judges are taking retirements that some told attorneys they were pressured into. They are Howard Davis, Charles Greene, Patrick O’Brien and Joseph Park, according to Milli Atkinson, director of the Immigrant Legal Defense Program at the Bar Association of San Francisco.\u003c/p>\n\u003cp>The exodus comes on top of the \u003ca href=\"https://www.kqed.org/news/12054620/despite-a-growing-case-backlog-trump-fires-6th-san-francisco-immigration-judge\">previous firings\u003c/a> of \u003ca href=\"https://www.kqed.org/news/12065240/after-trump-fires-5-more-sf-immigration-judges-legal-scholars-fear-a-more-partisan-system\">12 San Francisco immigration judges\u003c/a> this year. Nationwide, more than 100 immigration judges have been forced out of their jobs, leaving roughly 600 adjudicators to handle 3.4 million cases.\u003c/p>\n\u003cp>San Francisco’s court, which had 21 judges earlier this year, will now have four. It is one of the nation’s busiest, with a backlog of more than 120,000 cases. Along with the historically smaller courts in Concord and Sacramento, it handles all the asylum and other deportation cases from Bakersfield to the Oregon border. The Sacramento bench, which has been reduced to three judges from six, is responsible for 30,000 cases. The Concord court, \u003ca href=\"https://www.kqed.org/news/11975904/new-bay-area-immigration-court-opens-aims-to-tackle-deportation-backlog\">which opened last year\u003c/a> with a promise to hire 21 judges, currently has seven judges and 60,000 cases on its docket.\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-Title-__Title__title\">\u003ca href=\"https://www.kqed.org/news/12068027/california-delays-plan-to-reissue-commercial-licenses-drivers-mired-in-uncertainty\">\u003cstrong>California Delays Plan To Reissue Commercial Licenses, Drivers Mired In Uncertainty\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/california\">California\u003c/a> has paused its plan to resume issuing contested commercial driver’s licenses under pressure from the \u003ca href=\"https://www.kqed.org/news/tag/donald-trump\">Trump\u003c/a> administration, according to state transportation officials, leaving thousands of immigrant truck and bus drivers uncertain if they can keep their jobs.\u003c/p>\n\u003cp>The delay is the latest twist in a months-long dispute between California and the federal government over non-domiciled commercial drivers’ licenses for noncitizens who are authorized to work but lack permanent residency (or a green card).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At stake is more than $150 million in federal highway funding that the U.S. Department of Transportation threatened to withhold from California unless the state fixes problems with its non-domiciled CDL program, including licenses that expired at a later date than the driver’s work permit. After a state review found more than 20,000 licenses had incorrect expiration dates, due to Department of Motor Vehicles clerical errors, the agency sent those drivers 60-day cancellation notices. The licenses of most of these drivers, 17,000, are now set to be rescinded on Jan. 5. Many of them are Sikh truckers, with roots in Punjab, India, who said they have valid work permits and the revocations threaten their livelihoods and families.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003cbr>\n\u003c/em>\u003c/p>\n\u003ch2>\u003cb>Chef Chu’s at 55, the Family-Owned Chinese Restaurant That Grew Up With Silicon Valley \u003c/b>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Have you been to every one of California’s 58 counties? Reporter Lisa Morehouse has. For more than ten years, she’s travelled around the state, profiling people at the heart of food and agriculture for her series California Foodways. On this week’s show, for Lisa’s 58th and final story, she takes us to her home county, Santa Clara, to visit a local Chinese restaurant. Over its 55-year history, Chef Chu’s has witnessed fast-paced change in Silicon Valley, and has been visited by luminaries in entertainment, politics and business. Both the family behind it, and the community it feeds, can’t imagine life without this beloved institution. \u003c/span>\u003c/p>\n\u003ch2>\u003cb>Community Scarred by Eaton Fire Pays Homage to Firefighters with Rose Parade Float\u003c/b>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Pasadena’s annual Tournament of Roses Parade takes place every New Year’s Day. But out of the dozens of massive, ornate, flower-covered floats, only five are built by volunteers from the communities sponsoring them. One of those communities is the foothill town of Sierra Madre, just north of Pasadena. It’s been building floats for 108 years, and 2026’s theme is special: it celebrates the first responders that helped protect Sierra Madre from the deadly Eaton Fire. Reporter Steven Cuevas gives us a sneak peek as the group races to meet their deadline. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"slug": "bay-area-christmas-tree-farm-gives-customers-a-chance-to-cut-down-their-own-tree",
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"content": "\u003cp>\u003cb>Here are the morning’s top stories on Friday, December 19, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The holiday season brings many traditions for families across California. One that is tried and true – decorating your home with a Christmas tree. While most families buy artificial trees these days, there are still some places in the state where you can not only get a living tree, but even cut it down yourself.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Roughly 2,000 people \u003ca href=\"https://www.kazu.org/kazu-news/2025-12-15/the-sounds-of-christmas-in-the-adobes\">meander through Old Monterey\u003c/a> every December to tour California’s oldest government building and other Alta California adobes. Monterey State Historic Park interpreter Aaron Gilmartin helped coordinate the immersive event.\u003c/span>\u003c/li>\n\u003cli>A panel of federal judges could rule soon on whether \u003ca href=\"https://calmatters.org/politics/2025/12/proposition-50-republican-lawsuit-hearing/\">California’s new congressional maps\u003c/a> can stay in place. That’s after a three day court hearing in Los Angeles ended Wednesday.\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Bay Area Christmas Tree Farm Brings The Holiday Spirit To Customers\u003c/strong>\u003c/h2>\n\u003cp>The \u003ca href=\"https://cvtreefarm.com/\">Castro Valley Christmas Tree Farm\u003c/a> sits in the East Bay Hills. With more than 12 acres, the farm has been in business for more than 40 years.\u003c/p>\n\u003cp>Unlike a lot of farms these days, the main focus is the “choose and cut” option. That allows guests to be able to explore the fields, select their own tree, and cut it down with the saw given to them at the entrance. “Yeah used to be I think in the early days, they would just come out and cut a tree and go. Nowadays, it seems like they want to stay here longer,” said Paul Illingworth, the former owner of the farm. He now serves as a consultant there. “They want the experience of walking around in the forest. That’s as important to them as actually getting the tree.”\u003c/p>\n\u003cp>According to the \u003ca href=\"https://www.christmastreeassociation.org/press-releases/survey-finds-artificial-christmas-trees-continue-to-dominate-us-holiday-dcor\">latest survey from the American Christmas Tree Association\u003c/a>, more than 80% of households that planned to buy Christmas trees this year were going to get an artificial one. That’s a trend that’s been fairly steady over the last decade. Illingworth said the number of Christmas Tree farms has been dwindling in the Bay Area – owners are getting older, climate change is impacting trees, and labor costs are higher and higher.\u003c/p>\n\u003ch2 class=\"ArtP-headline\">\u003ca href=\"https://www.kazu.org/kazu-news/2025-12-15/the-sounds-of-christmas-in-the-adobes\">\u003cstrong>The Sounds Of Christmas In The Adobes\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>The holiday season attracts crowds everywhere and Old Monterey is a shoe-in for tourist traffic. Earlier this month, nearly 2,000 people meandered through the streets of downtown Monterey for \u003ca class=\"Link\" href=\"https://www.mshpa.org/christmasintheadobes\" target=\"_blank\" rel=\"noopener\">Christmas in the Adobes\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“You see people out on the streets, and there’s a little crowd and everyone’s got a map,” said Polina Spakovsky, who drove down from San Jose with her mother for the event “It’s so cute. And it does make you feel like you’re a part of a big activity.” The annual self-guided walking tour is the Monterey State Historic Park Association’s largest fundraiser. Proceeds support year-round education and restoration projects related to the historic structures scattered throughout Old Monterey that make up the \u003ca class=\"Link\" href=\"https://www.parks.ca.gov/?page_id=575\" target=\"_blank\" rel=\"noopener\">Monterey State Historic Park\u003c/a>.\u003c/p>\n\u003cp>In addition to these state-run buildings, privately-owned historic structures—some of which aren’t usually accessible to the public—also open their doors for Christmas in the Adobes. “Monterey’s Path of History is one of the oldest historic walking trails in the country,” said State Parks Interpreter Aaron Gilmartin. “To have 25 locations open to the public for these two nights, across a dozen different organizations, is unprecedented.”\u003c/p>\n\u003ch2>\u003cstrong>Fate Of Proposition 50 In Judge’s Hands\u003c/strong>\u003c/h2>\n\u003cp>Closing arguments wrapped up Wednesday in \u003ca href=\"https://www.kqed.org/news/12062781/proposition-50-passes-in-california-boosting-democrats-in-fight-for-us-house-control\">a lawsuit over California’s Proposition 50,\u003c/a> which was approved by voters in November.\u003c/p>\n\u003cp>The case was brought by the California Republican Party, with support from the Trump administration. The GOP claims the congressional maps approved by state voters are unconstitutional because they illegally benefit Latino voters.\u003c/p>\n\u003cp>State officials argue the maps were clearly presented to voters as a way to give Democrats an advantage in the upcoming midterms. Democratic leaders wrote the measure after President Trump urged Texas to redraw its maps to benefit the GOP.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The U.S. Supreme Court \u003ca href=\"https://www.npr.org/2025/12/04/nx-s1-5619692/supreme-court-texas-redistricting-map\">has held that states may gerrymander districts for partisan\u003c/a>, but not racial, purposes. The high court recently allowed the Texas maps to stay in place.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Here are the morning’s top stories on Friday, December 19, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The holiday season brings many traditions for families across California. One that is tried and true – decorating your home with a Christmas tree. While most families buy artificial trees these days, there are still some places in the state where you can not only get a living tree, but even cut it down yourself.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Roughly 2,000 people \u003ca href=\"https://www.kazu.org/kazu-news/2025-12-15/the-sounds-of-christmas-in-the-adobes\">meander through Old Monterey\u003c/a> every December to tour California’s oldest government building and other Alta California adobes. Monterey State Historic Park interpreter Aaron Gilmartin helped coordinate the immersive event.\u003c/span>\u003c/li>\n\u003cli>A panel of federal judges could rule soon on whether \u003ca href=\"https://calmatters.org/politics/2025/12/proposition-50-republican-lawsuit-hearing/\">California’s new congressional maps\u003c/a> can stay in place. That’s after a three day court hearing in Los Angeles ended Wednesday.\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Bay Area Christmas Tree Farm Brings The Holiday Spirit To Customers\u003c/strong>\u003c/h2>\n\u003cp>The \u003ca href=\"https://cvtreefarm.com/\">Castro Valley Christmas Tree Farm\u003c/a> sits in the East Bay Hills. With more than 12 acres, the farm has been in business for more than 40 years.\u003c/p>\n\u003cp>Unlike a lot of farms these days, the main focus is the “choose and cut” option. That allows guests to be able to explore the fields, select their own tree, and cut it down with the saw given to them at the entrance. “Yeah used to be I think in the early days, they would just come out and cut a tree and go. Nowadays, it seems like they want to stay here longer,” said Paul Illingworth, the former owner of the farm. He now serves as a consultant there. “They want the experience of walking around in the forest. That’s as important to them as actually getting the tree.”\u003c/p>\n\u003cp>According to the \u003ca href=\"https://www.christmastreeassociation.org/press-releases/survey-finds-artificial-christmas-trees-continue-to-dominate-us-holiday-dcor\">latest survey from the American Christmas Tree Association\u003c/a>, more than 80% of households that planned to buy Christmas trees this year were going to get an artificial one. That’s a trend that’s been fairly steady over the last decade. Illingworth said the number of Christmas Tree farms has been dwindling in the Bay Area – owners are getting older, climate change is impacting trees, and labor costs are higher and higher.\u003c/p>\n\u003ch2 class=\"ArtP-headline\">\u003ca href=\"https://www.kazu.org/kazu-news/2025-12-15/the-sounds-of-christmas-in-the-adobes\">\u003cstrong>The Sounds Of Christmas In The Adobes\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>The holiday season attracts crowds everywhere and Old Monterey is a shoe-in for tourist traffic. Earlier this month, nearly 2,000 people meandered through the streets of downtown Monterey for \u003ca class=\"Link\" href=\"https://www.mshpa.org/christmasintheadobes\" target=\"_blank\" rel=\"noopener\">Christmas in the Adobes\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“You see people out on the streets, and there’s a little crowd and everyone’s got a map,” said Polina Spakovsky, who drove down from San Jose with her mother for the event “It’s so cute. And it does make you feel like you’re a part of a big activity.” The annual self-guided walking tour is the Monterey State Historic Park Association’s largest fundraiser. Proceeds support year-round education and restoration projects related to the historic structures scattered throughout Old Monterey that make up the \u003ca class=\"Link\" href=\"https://www.parks.ca.gov/?page_id=575\" target=\"_blank\" rel=\"noopener\">Monterey State Historic Park\u003c/a>.\u003c/p>\n\u003cp>In addition to these state-run buildings, privately-owned historic structures—some of which aren’t usually accessible to the public—also open their doors for Christmas in the Adobes. “Monterey’s Path of History is one of the oldest historic walking trails in the country,” said State Parks Interpreter Aaron Gilmartin. “To have 25 locations open to the public for these two nights, across a dozen different organizations, is unprecedented.”\u003c/p>\n\u003ch2>\u003cstrong>Fate Of Proposition 50 In Judge’s Hands\u003c/strong>\u003c/h2>\n\u003cp>Closing arguments wrapped up Wednesday in \u003ca href=\"https://www.kqed.org/news/12062781/proposition-50-passes-in-california-boosting-democrats-in-fight-for-us-house-control\">a lawsuit over California’s Proposition 50,\u003c/a> which was approved by voters in November.\u003c/p>\n\u003cp>The case was brought by the California Republican Party, with support from the Trump administration. The GOP claims the congressional maps approved by state voters are unconstitutional because they illegally benefit Latino voters.\u003c/p>\n\u003cp>State officials argue the maps were clearly presented to voters as a way to give Democrats an advantage in the upcoming midterms. Democratic leaders wrote the measure after President Trump urged Texas to redraw its maps to benefit the GOP.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The U.S. Supreme Court \u003ca href=\"https://www.npr.org/2025/12/04/nx-s1-5619692/supreme-court-texas-redistricting-map\">has held that states may gerrymander districts for partisan\u003c/a>, but not racial, purposes. The high court recently allowed the Texas maps to stay in place.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "chef-chus-the-family-owned-chinese-restaurant-that-grew-up-with-silicon-valley",
"title": "Chef Chu’s, the Family-Owned Chinese Restaurant that Grew Up With Silicon Valley",
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"content": "\u003cp>For more than ten years, I’ve been traveling all over the state, \u003ca href=\"https://www.kqed.org/author/lmorehouse\">reporting stories\u003c/a> about food and farming from every county in \u003ca href=\"https://www.kqed.org/news/tag/california\">the state\u003c/a>. Now, for the 58th and very last story in the series, \u003ca href=\"https://www.kqed.org/californiafoodways\">California Foodways,\u003c/a> I went back to where I grew up — \u003ca href=\"https://www.kqed.org/news/tag/santa-clara-county\">Santa Clara County\u003c/a>, to a special-occasion restaurant from my childhood: Chef Chu’s.\u003c/p>\n\u003cp>When the restaurant opened in 1970, it was a small family business, and the area around it was a relatively sleepy suburb. Now, it’s at the heart of Silicon Valley — but they don’t deliver, and there’s no online ordering.\u003c/p>\n\u003cp>Still, Chef Chu’s is an institution. It’s been visited by luminaries in entertainment, politics and business. Throughout all of the change in the last 55 years, Chef Chu’s has adapted and held on, and remained true to its identity as a family business.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Earlier this year, I met my cousin Billy and his family here — his wife Kimberly, teenagers Will and Guinevere and toddler Imogen. They’re regulars.\u003c/p>\n\u003cp>Even early on a weeknight, the lobby at Chef Chu’s was bustling. One whole wall is a glass window, looking into the kitchen where 82-year-old Chef Lawrence Chu and his cooks work. At the bar, a staff member took phone orders, and waiters in crisp white shirts and bow ties moved efficiently from room to room.\u003c/p>\n\u003cfigure id=\"attachment_12067137\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Customers dine at Chef Chu’s in Los Altos on December 11, 2025. Chef Chu’s is a family run business, owned by Lawrence Chu, which has been operating since 1970 and is known for not only the food, but also for hosting celebrities and tech innovators. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As we waited for our table we checked out a long wall of celebrity photos including Justin Bieber, Ariana Grande, Cynthia Erivo, Margaret Thatcher and Mikhail Gorbachev.\u003c/p>\n\u003cp>Chef Chu’s opened the year I was born, and while I went there as a kid, I hadn’t eaten there in decades. For a white girl raised in the suburbs in the ‘70s and ‘80s, this was one of the few Chinese restaurants around. If I didn’t learn to eat with chopsticks at Chef Chu’s, I certainly practiced there, and I have a vague memory of my late grandma teaching me to spin a lazy Susan in the dining room.\u003c/p>\n\u003cp>That just made it more special when Will, who has heard a lot of my stories in the car with his parents, suggested I do a story on Chef Chu’s. I asked him to co-report it with me, and many of the best questions in our interviews were his.\u003c/p>\n\u003cp>Neither of us had met \u003cem>the\u003c/em> Chef Chu before, in spite of eating there countless times. We met him in a private dining room where he made us feel comfortable by pouring some tea.\u003c/p>\n\u003cp>Throughout our time with Lawrence Chu, it was a little hard to see the differences between the man, the job, the restaurant and the brand. He’s been at this a long time.\u003cbr>\n[aside postID=news_12065744 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/251119-CJSBBQANDFISH-45-BL-KQED.jpg']He was just 26 years old when he opened Chef Chu’s. His wife — girlfriend at the time — was only 20.\u003c/p>\n\u003cp>“I told her ‘I have a dream. I want to open a fast food Chinese joint in every corner of America. That sounds so terrific.’”\u003c/p>\n\u003cp>She disagreed. She said, he recalled, that if he found one good location, and opened one restaurant, she would join him. He said he’s followed her advice ever since.\u003c/p>\n\u003cp>But why open a restaurant?\u003c/p>\n\u003cp>“I liked to eat. I liked to talk. I liked cooking things. Making things a little different. And I liked to be the boss. I liked running things,” he said, which was evident in the large kitchen. The scene was fast-paced but very controlled, with 17 cooks prepping food, each at a different station: chopping vegetables, working the fryer, making soup. The cooks assigned to stir fry with huge woks had tidy prep stations at waist height, filled with ingredients from fresh ginger to chili paste.\u003c/p>\n\u003cp>Just before the waiters carried the dishes — Mongolian beef, Kung Pau tofu, chicken salad — into the dining room, Chef Chu gave them a once-over. On one plate, he adjusted a chili pepper so the plate looked exactly how he wanted it to.\u003c/p>\n\u003cp>Chef Chu stepped away from the kitchen to do something he’s known for: taking a turn around the dining room, stopping to talk with customers. He asked each how their meals were, what they were eating and thanked them for coming.\u003c/p>\n\u003cp>One set of customers even told me that they were here on the day Chef Chu’s opened.\u003c/p>\n\u003cp>Except for the location, the restaurant didn’t look anything like Chef Chu’s does today. Chu said he started with just twelve items.\u003c/p>\n\u003cfigure id=\"attachment_12067805\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067805\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Larry Chu, son of owner Lawrence Chu, sets a table at Chef Chu’s in Los Altos on December 11, 2025. \u003ccite>(Tam Vu/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His oldest son, Larry, and the restaurant’s general manager, was born in 1973, a few years after the restaurant opened.\u003c/p>\n\u003cp>“All these customers come in and say, ‘Oh yeah, you were sitting in a baby bassinet, underneath the air conditioner, which was dripping, while your dad was stir-frying and your mom was doing everything in the front: cashier, waitress, take-out,’” he remembered.\u003c/p>\n\u003cp>They were in a small space at the intersection of El Camino Real and San Antonio Road in Los Altos, in a strip mall shared with a hairdresser, a sewing machine and vacuum repair shop and accounting offices.\u003c/p>\n\u003cp>“It was a small Chinese takeout place with one door and a countertop, like at a diner, and you could sit at the counter, maybe five stools,” Larry recalled. “You could look right into the kitchen where they were stir-frying. ”\u003c/p>\n\u003cp>At first, everything looked like it was going great, the elder Chu said. But after six months, business was down. When they asked customers, they heard that they wanted more choices, and a dining room where their kids could throw rice and be messy. Chef Chu’s had to expand. When the sewing repair shop’s lease was up, they opened a dining room there, and kept growing until they bought the whole building complex.\u003c/p>\n\u003cp>They also expanded the menu. To appeal to a wider customer base, Chef Chu started making food from four different regions of China.\u003c/p>\n\u003cfigure id=\"attachment_12067766\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Side-by-side-Downpage-5-e1766084498689.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067766\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Side-by-side-Downpage-5-e1766084498689.jpg\" alt=\"\" width=\"2000\" height=\"666\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: The original Chef Chu’s, next door to the current location at the intersection of El Camino Real and San Antonio Road in Los Altos. Right: A family portrait of the Chus. Chu said his mother wanted the family to be the “Asian Kennedys.” \u003ccite>(Jon M. Chu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And the family also grew — to five children.\u003c/p>\n\u003cp>“We pretty much lived here,” said Larry. “If we wanted to see my dad, we had to come to Chef Chu’s.”\u003c/p>\n\u003cp>The restaurant grew in parallel with the community around it. Larry remembers this area — which is totally developed now — looking really different.\u003c/p>\n\u003cp>“This area here in Los Altos was known for their apricot orchards. So, a lot of the houses of my friends that I grew up with — they had apricot trees growing in their backyards.”\u003c/p>\n\u003cp>I remembered this, too, growing up in Cupertino, but 16-year-old Will hasn’t ever seen an orchard in Santa Clara County.\u003c/p>\n\u003cp>In the 1970s, the term “Silicon Valley” wasn’t popular — yet.\u003c/p>\n\u003cp>“I had a number of friends whose parents had companies that were building these chips that were going into these computers,” Larry said.[aside postID=news_12058556 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/20251002_REDWOODEMPIRE_GC-28-KQED.jpg']He saw computers change from monstrosities that filled whole rooms, to desktops.\u003c/p>\n\u003cp>“Chef Chu saw all of that develop.”\u003c/p>\n\u003cp>Many Silicon Valley pioneers became Chef Chu’s regulars.\u003c/p>\n\u003cp>“Mr. Tramiel was the founder of Atari, Chuck Geshke who founded Adobe, Gordon Moore, Paul Allen, Mark Zuckerberg, Steve Jobs — when he was just a kid — all these people from Silicon Valley ate at Chef Chu’s,” Larry remembered.\u003c/p>\n\u003cp>Though they were in different businesses, his dad shared a certain approach with some of these customers.\u003c/p>\n\u003cp>“Silicon Valley people are very quick to adapt to change,” Larry said. “They’re not scared of trying new things. And that’s just part of the community that is around you.”\u003c/p>\n\u003cp>After college, Larry moved to Hong Kong and worked in sports marketing for years. And the youngest of the kids, Jon Chu, tried his luck as a Hollywood director.\u003c/p>\n\u003cp>Yeah, Jon M. Chu — the director of\u003cem> Crazy Rich Asians\u003c/em>, \u003cem>In the Heights\u003c/em> and the \u003cem>Wicked\u003c/em> movies.\u003c/p>\n\u003cp>When we reached out to him, Jon was on a world-wide press tour promoting \u003cem>Wicked: For Good\u003c/em>, but he sent us some voice memos from Brazil in response to our questions about growing up in Silicon Valley in the ‘80s and ‘90s.\u003c/p>\n\u003cfigure id=\"attachment_12067135\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067135\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An assortment of dishes at Chef Chu’s in Los Altos on December 11, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everywhere I turned, people were thinking of new ways of how to change the world,” Jon told us. “What tomorrow looked like was on everybody’s mind. The engineer was revered. This was before they were on the cover of magazines or drove fancy cars. It was all about work and discovery and invention and innovation there,” he said.\u003c/p>\n\u003cp>And, like his brother Larry already told us, many of those people converged at the restaurant.\u003c/p>\n\u003cp>“Sharing stories, sharing space, sharing ideas was such a central part to Chef Chu’s itself. Now going into a fairly selfish business, the entertainment business, I think that that sense of ‘What does tomorrow look like?’ still stays in me in the stories that I tell.”\u003c/p>\n\u003cp>His family’s dedication and hard work has also stayed with him.\u003c/p>\n\u003cp>“I saw my dad and my mom work their butts off in the kitchen, out in the front. I saw many sides to it. There was the side that no one saw, which is the grind, the deboning the chicken, getting the deliveries in the back, my grandma doing the books with her abacus,” Jon remembered.\u003c/p>\n\u003cp>And he saw his parents act as the ultimate hosts: “Being the ambassadors to people who may or may not have ever met a Chinese family, whoever have had or not had Chinese food, introducing them to new flavors.”[aside postID=news_12047368 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/250702-OaklandProduceMarket-13-BL_qed.jpg']There are a lot of similarities between running a restaurant and making a movie, he said.\u003c/p>\n\u003cp>“Everyone knows the red carpet and when the movie’s out, but they don’t see how hard it is to begin. They don’t know how hard it is in the messy middle. They don’t know the pressures before anyone ever sees it sort of nicely colored and presented.”\u003c/p>\n\u003cp>Though he can’t visit as often as he likes, Jon said that Chef Chu’s will always be home.\u003c/p>\n\u003cp>“It’s been the place that I return to to get grounded. It’s a place I return to get fed physically but also emotionally.”\u003c/p>\n\u003cp>Especially with his five kids in tow. His movie posters are on the walls, but he really likes having customers catch him up on all their family stories.\u003c/p>\n\u003cp>“There’s a connection point [between] what I’m doing out in Los Angeles or out in the world. The thread pulls all the way back home.”\u003c/p>\n\u003cp>But there’s a world in which this story could have gone really differently, with Chef Chu’s closing.\u003c/p>\n\u003cp>In the early 2000s when Jon was trying to get a foothold in Hollywood and Larry was in Hong Kong, their dad was starting to feel the strain of running the restaurant for more than 30 years.\u003c/p>\n\u003cfigure id=\"attachment_12067138\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Chef Chu’s is located in Los Altos on December 11, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I was burned out at the time,” said Lawrence Chu.\u003c/p>\n\u003cp>He had business collaborations, and cookbooks, but the pressure had built up over the years. Plus, his beloved wife, Ruth, had breast cancer. He knew he couldn’t run the restaurant alone forever.\u003c/p>\n\u003cp>He spoke with Larry about his future plans, a conversation Larry remembers well.\u003c/p>\n\u003cp>“I could never imagine Los Altos without a Chef Chu’s there. What if when I have kids, I won’t have a Chef Chu’s to bring my kids to and eat? That’s when I decided: “Yes, Dad, I’ll come back and join the family business.’”\u003c/p>\n\u003cp>That’s how it was meant to be, Jon said.\u003c/p>\n\u003cp>“We were all very proud to have Larry come back. It felt like the legacy was continuing,” the director said. “There were a lot of hopes and dreams pinned on him. Coming back was like the return of the king, or the return of the prince, is a better way to say it.”\u003c/p>\n\u003cp>For his father, when Larry joined the restaurant, he gave him a shot in the arm.\u003c/p>\n\u003cp>“He let me feel that this is \u003cem>a life —\u003c/em> the restaurant business — instead of work.”\u003c/p>\n\u003cfigure id=\"attachment_12067812\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067812\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lawrence Chu (right) greets David Huff (left) at Chef Chu’s in Los Altos on December 11, 2025.\u003c/figcaption>\u003c/figure>\n\u003cp>When he gets tired, he said, Larry reminds him of one of Chef Chu’s own mantras that’s carried him all these years: “Treat every day like opening day,” with the same energy and drive the family felt back in 1970.\u003c/p>\n\u003cp>As much as Silicon Valley and Chef Chu’s have grown in parallel, Larry explained that he and his dad decided to take a deliberate path away from today’s tech climate of scaling up. They have one location, and no franchises.\u003c/p>\n\u003cp>“When you walk into a restaurant where the chef comes out and talks to you, you can feel that this restaurant’s got a little soul to it.”\u003c/p>\n\u003cp>Because their customers keep coming back, Larry said, “that makes us feel like what we’re doing is worthwhile. We didn’t have to scale. Maybe enough is enough. Maybe you could be happy with what you have.”\u003c/p>\n\u003cp>As our interviews wrapped up, and Will and I were about to leave, he had one more question for Larry: What’s the future of Chef Chu’s?\u003c/p>\n\u003cp>That’s the question Larry asked himself 20 years ago, and now, he has a very sure answer: “You don’t have to worry about that. When my kids have their kids, there will be a Chef Chu’s here.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For more than ten years, I’ve been traveling all over the state, \u003ca href=\"https://www.kqed.org/author/lmorehouse\">reporting stories\u003c/a> about food and farming from every county in \u003ca href=\"https://www.kqed.org/news/tag/california\">the state\u003c/a>. Now, for the 58th and very last story in the series, \u003ca href=\"https://www.kqed.org/californiafoodways\">California Foodways,\u003c/a> I went back to where I grew up — \u003ca href=\"https://www.kqed.org/news/tag/santa-clara-county\">Santa Clara County\u003c/a>, to a special-occasion restaurant from my childhood: Chef Chu’s.\u003c/p>\n\u003cp>When the restaurant opened in 1970, it was a small family business, and the area around it was a relatively sleepy suburb. Now, it’s at the heart of Silicon Valley — but they don’t deliver, and there’s no online ordering.\u003c/p>\n\u003cp>Still, Chef Chu’s is an institution. It’s been visited by luminaries in entertainment, politics and business. Throughout all of the change in the last 55 years, Chef Chu’s has adapted and held on, and remained true to its identity as a family business.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Earlier this year, I met my cousin Billy and his family here — his wife Kimberly, teenagers Will and Guinevere and toddler Imogen. They’re regulars.\u003c/p>\n\u003cp>Even early on a weeknight, the lobby at Chef Chu’s was bustling. One whole wall is a glass window, looking into the kitchen where 82-year-old Chef Lawrence Chu and his cooks work. At the bar, a staff member took phone orders, and waiters in crisp white shirts and bow ties moved efficiently from room to room.\u003c/p>\n\u003cfigure id=\"attachment_12067137\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00667_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Customers dine at Chef Chu’s in Los Altos on December 11, 2025. Chef Chu’s is a family run business, owned by Lawrence Chu, which has been operating since 1970 and is known for not only the food, but also for hosting celebrities and tech innovators. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As we waited for our table we checked out a long wall of celebrity photos including Justin Bieber, Ariana Grande, Cynthia Erivo, Margaret Thatcher and Mikhail Gorbachev.\u003c/p>\n\u003cp>Chef Chu’s opened the year I was born, and while I went there as a kid, I hadn’t eaten there in decades. For a white girl raised in the suburbs in the ‘70s and ‘80s, this was one of the few Chinese restaurants around. If I didn’t learn to eat with chopsticks at Chef Chu’s, I certainly practiced there, and I have a vague memory of my late grandma teaching me to spin a lazy Susan in the dining room.\u003c/p>\n\u003cp>That just made it more special when Will, who has heard a lot of my stories in the car with his parents, suggested I do a story on Chef Chu’s. I asked him to co-report it with me, and many of the best questions in our interviews were his.\u003c/p>\n\u003cp>Neither of us had met \u003cem>the\u003c/em> Chef Chu before, in spite of eating there countless times. We met him in a private dining room where he made us feel comfortable by pouring some tea.\u003c/p>\n\u003cp>Throughout our time with Lawrence Chu, it was a little hard to see the differences between the man, the job, the restaurant and the brand. He’s been at this a long time.\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He was just 26 years old when he opened Chef Chu’s. His wife — girlfriend at the time — was only 20.\u003c/p>\n\u003cp>“I told her ‘I have a dream. I want to open a fast food Chinese joint in every corner of America. That sounds so terrific.’”\u003c/p>\n\u003cp>She disagreed. She said, he recalled, that if he found one good location, and opened one restaurant, she would join him. He said he’s followed her advice ever since.\u003c/p>\n\u003cp>But why open a restaurant?\u003c/p>\n\u003cp>“I liked to eat. I liked to talk. I liked cooking things. Making things a little different. And I liked to be the boss. I liked running things,” he said, which was evident in the large kitchen. The scene was fast-paced but very controlled, with 17 cooks prepping food, each at a different station: chopping vegetables, working the fryer, making soup. The cooks assigned to stir fry with huge woks had tidy prep stations at waist height, filled with ingredients from fresh ginger to chili paste.\u003c/p>\n\u003cp>Just before the waiters carried the dishes — Mongolian beef, Kung Pau tofu, chicken salad — into the dining room, Chef Chu gave them a once-over. On one plate, he adjusted a chili pepper so the plate looked exactly how he wanted it to.\u003c/p>\n\u003cp>Chef Chu stepped away from the kitchen to do something he’s known for: taking a turn around the dining room, stopping to talk with customers. He asked each how their meals were, what they were eating and thanked them for coming.\u003c/p>\n\u003cp>One set of customers even told me that they were here on the day Chef Chu’s opened.\u003c/p>\n\u003cp>Except for the location, the restaurant didn’t look anything like Chef Chu’s does today. Chu said he started with just twelve items.\u003c/p>\n\u003cfigure id=\"attachment_12067805\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067805\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00588_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Larry Chu, son of owner Lawrence Chu, sets a table at Chef Chu’s in Los Altos on December 11, 2025. \u003ccite>(Tam Vu/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His oldest son, Larry, and the restaurant’s general manager, was born in 1973, a few years after the restaurant opened.\u003c/p>\n\u003cp>“All these customers come in and say, ‘Oh yeah, you were sitting in a baby bassinet, underneath the air conditioner, which was dripping, while your dad was stir-frying and your mom was doing everything in the front: cashier, waitress, take-out,’” he remembered.\u003c/p>\n\u003cp>They were in a small space at the intersection of El Camino Real and San Antonio Road in Los Altos, in a strip mall shared with a hairdresser, a sewing machine and vacuum repair shop and accounting offices.\u003c/p>\n\u003cp>“It was a small Chinese takeout place with one door and a countertop, like at a diner, and you could sit at the counter, maybe five stools,” Larry recalled. “You could look right into the kitchen where they were stir-frying. ”\u003c/p>\n\u003cp>At first, everything looked like it was going great, the elder Chu said. But after six months, business was down. When they asked customers, they heard that they wanted more choices, and a dining room where their kids could throw rice and be messy. Chef Chu’s had to expand. When the sewing repair shop’s lease was up, they opened a dining room there, and kept growing until they bought the whole building complex.\u003c/p>\n\u003cp>They also expanded the menu. To appeal to a wider customer base, Chef Chu started making food from four different regions of China.\u003c/p>\n\u003cfigure id=\"attachment_12067766\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Side-by-side-Downpage-5-e1766084498689.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067766\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Side-by-side-Downpage-5-e1766084498689.jpg\" alt=\"\" width=\"2000\" height=\"666\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: The original Chef Chu’s, next door to the current location at the intersection of El Camino Real and San Antonio Road in Los Altos. Right: A family portrait of the Chus. Chu said his mother wanted the family to be the “Asian Kennedys.” \u003ccite>(Jon M. Chu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And the family also grew — to five children.\u003c/p>\n\u003cp>“We pretty much lived here,” said Larry. “If we wanted to see my dad, we had to come to Chef Chu’s.”\u003c/p>\n\u003cp>The restaurant grew in parallel with the community around it. Larry remembers this area — which is totally developed now — looking really different.\u003c/p>\n\u003cp>“This area here in Los Altos was known for their apricot orchards. So, a lot of the houses of my friends that I grew up with — they had apricot trees growing in their backyards.”\u003c/p>\n\u003cp>I remembered this, too, growing up in Cupertino, but 16-year-old Will hasn’t ever seen an orchard in Santa Clara County.\u003c/p>\n\u003cp>In the 1970s, the term “Silicon Valley” wasn’t popular — yet.\u003c/p>\n\u003cp>“I had a number of friends whose parents had companies that were building these chips that were going into these computers,” Larry said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He saw computers change from monstrosities that filled whole rooms, to desktops.\u003c/p>\n\u003cp>“Chef Chu saw all of that develop.”\u003c/p>\n\u003cp>Many Silicon Valley pioneers became Chef Chu’s regulars.\u003c/p>\n\u003cp>“Mr. Tramiel was the founder of Atari, Chuck Geshke who founded Adobe, Gordon Moore, Paul Allen, Mark Zuckerberg, Steve Jobs — when he was just a kid — all these people from Silicon Valley ate at Chef Chu’s,” Larry remembered.\u003c/p>\n\u003cp>Though they were in different businesses, his dad shared a certain approach with some of these customers.\u003c/p>\n\u003cp>“Silicon Valley people are very quick to adapt to change,” Larry said. “They’re not scared of trying new things. And that’s just part of the community that is around you.”\u003c/p>\n\u003cp>After college, Larry moved to Hong Kong and worked in sports marketing for years. And the youngest of the kids, Jon Chu, tried his luck as a Hollywood director.\u003c/p>\n\u003cp>Yeah, Jon M. Chu — the director of\u003cem> Crazy Rich Asians\u003c/em>, \u003cem>In the Heights\u003c/em> and the \u003cem>Wicked\u003c/em> movies.\u003c/p>\n\u003cp>When we reached out to him, Jon was on a world-wide press tour promoting \u003cem>Wicked: For Good\u003c/em>, but he sent us some voice memos from Brazil in response to our questions about growing up in Silicon Valley in the ‘80s and ‘90s.\u003c/p>\n\u003cfigure id=\"attachment_12067135\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067135\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00508_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An assortment of dishes at Chef Chu’s in Los Altos on December 11, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everywhere I turned, people were thinking of new ways of how to change the world,” Jon told us. “What tomorrow looked like was on everybody’s mind. The engineer was revered. This was before they were on the cover of magazines or drove fancy cars. It was all about work and discovery and invention and innovation there,” he said.\u003c/p>\n\u003cp>And, like his brother Larry already told us, many of those people converged at the restaurant.\u003c/p>\n\u003cp>“Sharing stories, sharing space, sharing ideas was such a central part to Chef Chu’s itself. Now going into a fairly selfish business, the entertainment business, I think that that sense of ‘What does tomorrow look like?’ still stays in me in the stories that I tell.”\u003c/p>\n\u003cp>His family’s dedication and hard work has also stayed with him.\u003c/p>\n\u003cp>“I saw my dad and my mom work their butts off in the kitchen, out in the front. I saw many sides to it. There was the side that no one saw, which is the grind, the deboning the chicken, getting the deliveries in the back, my grandma doing the books with her abacus,” Jon remembered.\u003c/p>\n\u003cp>And he saw his parents act as the ultimate hosts: “Being the ambassadors to people who may or may not have ever met a Chinese family, whoever have had or not had Chinese food, introducing them to new flavors.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>There are a lot of similarities between running a restaurant and making a movie, he said.\u003c/p>\n\u003cp>“Everyone knows the red carpet and when the movie’s out, but they don’t see how hard it is to begin. They don’t know how hard it is in the messy middle. They don’t know the pressures before anyone ever sees it sort of nicely colored and presented.”\u003c/p>\n\u003cp>Though he can’t visit as often as he likes, Jon said that Chef Chu’s will always be home.\u003c/p>\n\u003cp>“It’s been the place that I return to to get grounded. It’s a place I return to get fed physically but also emotionally.”\u003c/p>\n\u003cp>Especially with his five kids in tow. His movie posters are on the walls, but he really likes having customers catch him up on all their family stories.\u003c/p>\n\u003cp>“There’s a connection point [between] what I’m doing out in Los Angeles or out in the world. The thread pulls all the way back home.”\u003c/p>\n\u003cp>But there’s a world in which this story could have gone really differently, with Chef Chu’s closing.\u003c/p>\n\u003cp>In the early 2000s when Jon was trying to get a foothold in Hollywood and Larry was in Hong Kong, their dad was starting to feel the strain of running the restaurant for more than 30 years.\u003c/p>\n\u003cfigure id=\"attachment_12067138\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00689_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Chef Chu’s is located in Los Altos on December 11, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I was burned out at the time,” said Lawrence Chu.\u003c/p>\n\u003cp>He had business collaborations, and cookbooks, but the pressure had built up over the years. Plus, his beloved wife, Ruth, had breast cancer. He knew he couldn’t run the restaurant alone forever.\u003c/p>\n\u003cp>He spoke with Larry about his future plans, a conversation Larry remembers well.\u003c/p>\n\u003cp>“I could never imagine Los Altos without a Chef Chu’s there. What if when I have kids, I won’t have a Chef Chu’s to bring my kids to and eat? That’s when I decided: “Yes, Dad, I’ll come back and join the family business.’”\u003c/p>\n\u003cp>That’s how it was meant to be, Jon said.\u003c/p>\n\u003cp>“We were all very proud to have Larry come back. It felt like the legacy was continuing,” the director said. “There were a lot of hopes and dreams pinned on him. Coming back was like the return of the king, or the return of the prince, is a better way to say it.”\u003c/p>\n\u003cp>For his father, when Larry joined the restaurant, he gave him a shot in the arm.\u003c/p>\n\u003cp>“He let me feel that this is \u003cem>a life —\u003c/em> the restaurant business — instead of work.”\u003c/p>\n\u003cfigure id=\"attachment_12067812\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067812\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-chefchu00496_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lawrence Chu (right) greets David Huff (left) at Chef Chu’s in Los Altos on December 11, 2025.\u003c/figcaption>\u003c/figure>\n\u003cp>When he gets tired, he said, Larry reminds him of one of Chef Chu’s own mantras that’s carried him all these years: “Treat every day like opening day,” with the same energy and drive the family felt back in 1970.\u003c/p>\n\u003cp>As much as Silicon Valley and Chef Chu’s have grown in parallel, Larry explained that he and his dad decided to take a deliberate path away from today’s tech climate of scaling up. They have one location, and no franchises.\u003c/p>\n\u003cp>“When you walk into a restaurant where the chef comes out and talks to you, you can feel that this restaurant’s got a little soul to it.”\u003c/p>\n\u003cp>Because their customers keep coming back, Larry said, “that makes us feel like what we’re doing is worthwhile. We didn’t have to scale. Maybe enough is enough. Maybe you could be happy with what you have.”\u003c/p>\n\u003cp>As our interviews wrapped up, and Will and I were about to leave, he had one more question for Larry: What’s the future of Chef Chu’s?\u003c/p>\n\u003cp>That’s the question Larry asked himself 20 years ago, and now, he has a very sure answer: “You don’t have to worry about that. When my kids have their kids, there will be a Chef Chu’s here.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>Here are the morning’s top stories on Thursday, December 18, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Fresno Yosemite International Airport may be considered small, but more than 2 million travelers passed through it last year. And the city of Fresno is \u003ca href=\"https://www.kvpr.org/business-economy/2025-12-16/in-fresno-a-growing-airport-signals-a-growing-region\">moving to expand the airport\u003c/a> and accommodate a growing customer base for a growing region. In 2023, the airport broke ground on a new terminal. And that terminal opened just in time for Christmas and New Year travel. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Officials in the Bay Area city of Dublin voted unanimously this week to oppose using a closed federal women’s prison as an immigration detention facility, or for any type of incarceration. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2 class=\"ArtP-headline\">\u003ca href=\"https://www.kvpr.org/business-economy/2025-12-16/in-fresno-a-growing-airport-signals-a-growing-region\">\u003cstrong>In Fresno, A Growing Airport Signals A Growing Region\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Fresno Yosemite International Airport may be small compared to other larger hubs, but in recent years it has been busier than ever.\u003c/p>\n\u003cp>Over 2 million travelers passed through the airport last year alone – a testament to both the growing region and its expanding customer base. To meet the demand, the City of Fresno began major renovations and expansion projects at the airport in 2023. A new air terminal opened Wednesday just in time for the busy holiday season.\u003c/p>\n\u003cp>The city and county of Fresno have also recently embarked on new projects that seek to transform the region’s future and signal the region’s shifting economy. A regional rail system is being explored at the county level to connect rural communities. That’s in addition to construction for the state’s high-speed rail that will cut through the city and include a major station. At the airport, flyers will soon see a refreshed terminal with wider TSA lines and a floor-to-ceiling mural anchoring the space. City leaders have also unveiled a new airport mascot, a blue bird wearing an aviator hat.\u003c/p>\n\u003cp>But while construction has steadily moved forward, the expansion faced uncertainty earlier this year when federal funding for Fresno was put at risk. Mayor Jerry Dyer said the city was notified that hundreds of millions of dollars in federal grants could be pulled. The funding was not only for the airport improvements, but also for other major projects such as housing, transportation, capital improvement projects, and environmental safety. A total of $642 million were at risk, Dyer said. According to city officials, the funding threats were tied to language related to diversity, equity, and inclusion included in grant applications. City leaders viewed the move as federal overreach.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In August, Fresno led a lawsuit against the federal government seeking to restore the funding. Several other California cities – Eureka, Sacramento, and South Lake Tahoe – joined the case. The following month, a judge ruled in favor of the cities and allowed the funding to continue. The federal government has since appealed that decision, but Fresno moved forward with its airport expansion project as planned.\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-Title-__Title__title\">\u003ca href=\"https://www.kqed.org/news/12067566/dublin-council-takes-stand-against-turning-closed-prison-into-ice-detention\">\u003cstrong>Dublin Council Takes Stand Against Turning Closed Prison Into ICE Detention\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>The Dublin City Council unanimously voted Tuesday night to oppose repurposing \u003ca href=\"https://www.kqed.org/news/tag/federal-correctional-institution-in-dublin\">a shuttered federal women’s prison\u003c/a> as an immigration detention facility or for any other type of incarceration.\u003c/p>\n\u003cp>FCI Dublin \u003ca href=\"https://www.kqed.org/news/11984115/women-forced-to-relocate-from-fci-dublin-prison-report-traumatizing-journey-seek-compassionate-release\">closed in scandal\u003c/a> last year amid allegations from scores of incarcerated women that they had faced years of sexual assault and mistreatment there. Following \u003ca href=\"https://www.ktvu.com/news/prison-union-concerned-fci-dublin-could-be-turned-ice-detention-center\">news reports\u003c/a> that U.S. Immigration and Customs Enforcement officials had toured the facility in February, community members rallied against a potential pivot to ICE detention.\u003c/p>\n\u003cp>More than 100 Dublin residents and others attended Tuesday evening’s council meeting, carrying signs that read “ICE out of Dublin,” and “We welcome immigrants here.” Vice Mayor Jean Josey said the message was heard loud and clear. 40% of Dublin residents are foreign-born, and she said she’s concerned they could be subject to racial profiling by immigration agents, as she’s observed in the Trump administration’s aggressive approach to enforcement in other cities.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We’re seeing fear around the country. We’re seeing impacts on schools and small businesses,” she said. “When there’s a detention facility nearby, it is well documented that there’s increased enforcement that’s not necessarily targeting folks with criminal backgrounds, but folks who may just look as if they might be immigrants.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Here are the morning’s top stories on Thursday, December 18, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Fresno Yosemite International Airport may be considered small, but more than 2 million travelers passed through it last year. And the city of Fresno is \u003ca href=\"https://www.kvpr.org/business-economy/2025-12-16/in-fresno-a-growing-airport-signals-a-growing-region\">moving to expand the airport\u003c/a> and accommodate a growing customer base for a growing region. In 2023, the airport broke ground on a new terminal. And that terminal opened just in time for Christmas and New Year travel. \u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Officials in the Bay Area city of Dublin voted unanimously this week to oppose using a closed federal women’s prison as an immigration detention facility, or for any type of incarceration. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2 class=\"ArtP-headline\">\u003ca href=\"https://www.kvpr.org/business-economy/2025-12-16/in-fresno-a-growing-airport-signals-a-growing-region\">\u003cstrong>In Fresno, A Growing Airport Signals A Growing Region\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>Fresno Yosemite International Airport may be small compared to other larger hubs, but in recent years it has been busier than ever.\u003c/p>\n\u003cp>Over 2 million travelers passed through the airport last year alone – a testament to both the growing region and its expanding customer base. To meet the demand, the City of Fresno began major renovations and expansion projects at the airport in 2023. A new air terminal opened Wednesday just in time for the busy holiday season.\u003c/p>\n\u003cp>The city and county of Fresno have also recently embarked on new projects that seek to transform the region’s future and signal the region’s shifting economy. A regional rail system is being explored at the county level to connect rural communities. That’s in addition to construction for the state’s high-speed rail that will cut through the city and include a major station. At the airport, flyers will soon see a refreshed terminal with wider TSA lines and a floor-to-ceiling mural anchoring the space. City leaders have also unveiled a new airport mascot, a blue bird wearing an aviator hat.\u003c/p>\n\u003cp>But while construction has steadily moved forward, the expansion faced uncertainty earlier this year when federal funding for Fresno was put at risk. Mayor Jerry Dyer said the city was notified that hundreds of millions of dollars in federal grants could be pulled. The funding was not only for the airport improvements, but also for other major projects such as housing, transportation, capital improvement projects, and environmental safety. A total of $642 million were at risk, Dyer said. According to city officials, the funding threats were tied to language related to diversity, equity, and inclusion included in grant applications. City leaders viewed the move as federal overreach.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In August, Fresno led a lawsuit against the federal government seeking to restore the funding. Several other California cities – Eureka, Sacramento, and South Lake Tahoe – joined the case. The following month, a judge ruled in favor of the cities and allowed the funding to continue. The federal government has since appealed that decision, but Fresno moved forward with its airport expansion project as planned.\u003c/p>\n\u003ch2 class=\"routes-Site-routes-Post-Title-__Title__title\">\u003ca href=\"https://www.kqed.org/news/12067566/dublin-council-takes-stand-against-turning-closed-prison-into-ice-detention\">\u003cstrong>Dublin Council Takes Stand Against Turning Closed Prison Into ICE Detention\u003c/strong>\u003c/a>\u003c/h2>\n\u003cp>The Dublin City Council unanimously voted Tuesday night to oppose repurposing \u003ca href=\"https://www.kqed.org/news/tag/federal-correctional-institution-in-dublin\">a shuttered federal women’s prison\u003c/a> as an immigration detention facility or for any other type of incarceration.\u003c/p>\n\u003cp>FCI Dublin \u003ca href=\"https://www.kqed.org/news/11984115/women-forced-to-relocate-from-fci-dublin-prison-report-traumatizing-journey-seek-compassionate-release\">closed in scandal\u003c/a> last year amid allegations from scores of incarcerated women that they had faced years of sexual assault and mistreatment there. Following \u003ca href=\"https://www.ktvu.com/news/prison-union-concerned-fci-dublin-could-be-turned-ice-detention-center\">news reports\u003c/a> that U.S. Immigration and Customs Enforcement officials had toured the facility in February, community members rallied against a potential pivot to ICE detention.\u003c/p>\n\u003cp>More than 100 Dublin residents and others attended Tuesday evening’s council meeting, carrying signs that read “ICE out of Dublin,” and “We welcome immigrants here.” Vice Mayor Jean Josey said the message was heard loud and clear. 40% of Dublin residents are foreign-born, and she said she’s concerned they could be subject to racial profiling by immigration agents, as she’s observed in the Trump administration’s aggressive approach to enforcement in other cities.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We’re seeing fear around the country. We’re seeing impacts on schools and small businesses,” she said. “When there’s a detention facility nearby, it is well documented that there’s increased enforcement that’s not necessarily targeting folks with criminal backgrounds, but folks who may just look as if they might be immigrants.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The Best San Francisco Movies to Stream This Holiday Season",
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"headTitle": "The Best San Francisco Movies to Stream This Holiday Season | KQED",
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"content": "\u003cp>\u003cem>This article originally published in 2020. It has been lightly updated.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Bay Curious listener Ben Kaiser asked for our favorite movies that are filmed and set in San Francisco. While we don’t normally take on subjective questions, we figured with cozy season upon us, it was a great time to cuddle up on the sofa with some classics.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4565381532&light=true\" width=\"100%\" we asked peter hartlaub san francisco chronicle culture critic and host carly severn kqed senior editor of audience news resident movie obsessive to share their top picks on a recent bay curious podcast episode. they shared the movies would be most likely sit down watch over holidays not necessarily critically acclaimed films. our some favorites too>Star Trek IV: The Voyage Home (1986)\n\u003cp>https://www.youtube.com/watch?v=QOhoIBkOYf0\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0092007/\">IMDB\u003c/a>:\u003c/strong> “To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> This charming, lighthearted movie makes the Bay Area look undeniably fun. One KQED fan said the film was “influential in shaping how I think about the environment and is the Star Trek movie with the most heart in it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch1>Inside Out (2015)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=yRUAzGQ3nSY\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt2096673/\">IMDB\u003c/a>:\u003c/strong> “After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions — Joy, Fear, Anger, Disgust and Sadness — conflict on how best to navigate a new city, house, and school.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Pixar has dropped Bay Area references in several animated films over the years, but “Inside Out” takes it to the next level. The film takes place in the Bay Area, and features rich and detailed imagery from around the region.\u003c/p>\n\u003ch1>Zodiac (2007)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=yNncHPl1UXg\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0443706/\">IMDB\u003c/a>:\u003c/strong> “In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “Second only to Alfred Hitchcock, director David Fincher has a great sensibility for San Francisco,” says Peter Hartlaub. “This film absolutely captures a place in time. The music choices, the visual cues, the production design. Nothing’s wasted. I was a little kid, and I remember hearing about the Zodiac killer, and this movie brought that back so well.”\u003c/p>\n\u003ch1>The Last Black Man in San Francisco (2019)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=C0FnJDhY9-0\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt4353250/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A young man searches for home in the changing city that seems to have left him behind.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One of the few films on our list that is a commentary on the Bay Area, and how gentrification has decimated once vibrant Black neighborhoods. The cinematography will absolutely take your breath away. Pause the movie at any point and you might be inspired to hang the still image on your wall.\u003c/p>\n\u003ch1>Basic Instinct (1992)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=4f96x3UpoaQ\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0103772/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “The plot is ludicrous … but it’s a romp. It’s a riot. It also looks way better than it needs to, and it sounds way better than it needs to,” says Carly Severn. “I love the way it uses San Francisco. It goes for all the classic shots — there’s North Beach, there’s Telegraph Hill.” You’ll also find lots of gorgeous helicopter shots in this one.\u003c/p>\n\u003ch1>Always Be My Maybe (2019)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=iHBcWHY9lN4\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt7374948/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> Everyone assumed Sasha and Marcus would wind up together except for Sasha and Marcus. Reconnecting after 15 years, the two start to wonder — maybe?\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “It makes San Francisco look really cool, but it also makes San Francisco look normal. A lot of it is set in the Outer Richmond,” says Carly Severn. “As a resident of the Bay Area there’s such a pleasure in looking at the screen and saying, ‘Oh, I know that! That’s cool!”\u003c/p>\n\u003ch1>Invasion of the Body Snatchers (1978)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=vc_0dlmSq7I\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0077745/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, where they replicate the residents into emotionless automatons one body at a time.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “I think this is the most underrated San Francisco movie,” says Peter Hartlaub. “A lot of directors come in and they love San Francisco, but they shoot from the same seven places — Telegraph Hill, the Golden Gate Bridge, The Palace of Fine Arts. Director Philip Kaufman shot in places I think he always wanted to shoot — the Tenderloin is a huge character in the movie. Civic Center. Obscure places like Pier 70.”\u003c/p>\n\u003ch1>Vertigo (1958)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=Z5jvQwwHQNY\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0052357/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> If you’re going to watch one movie set in San Francisco, a lot of critics would argue it should be this Alfred Hitchcock classic. The plot is woven into the location in a way that few movies can rival. And if you’re wanting to really *see* the city — this film is a hit parade of gorgeous locations.\u003c/p>\n\u003ch1>So I Married an Axe Murderer! (1993)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=yto08I_IiAg\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0108174/?ref_=nv_sr_srsg_0\">IMDB\u003c/a>:\u003c/strong> A San Francisco poet who fears commitment suspects his girlfriend may have a knack for killing off her significant others.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One KQED fan says it “captures something of the SF that I grew up in” and another calls this film “a love letter to SF.” It highlights many of the city’s most famous sights — like the Golden Gate Bridge to the Palace of Fine Arts and Alcatraz.\u003c/p>\n\u003ch1>Bullitt (1968)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=BsvD806qNM8\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0062765/?ref_=fn_al_tt_1\">IMDB:\u003c/a>\u003c/strong> An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Do we need to say much more than “epic car chase scenes on San Francisco hills?” This film features tons of on-location filming, so you’ll get a big taste of the city.\u003c/p>\n\u003ch1>Mrs. Doubtfire (1993)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=3euGQ7-brs4\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0107614/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>After a bitter divorce, an actor disguises himself as a female housekeeper to spend time with his children held in custody by his former wife.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> We couldn’t leave this film off the list. After all, it features one of the Bay Area’s most beloved celebrities, Robin Williams. After his death, the house featured in this film at 2640 Steiner St. became a pop-up memorial. You’ll spot everything from ordinary streets to iconic San Francisco locations throughout the film.\u003c/p>\n\u003ch1>The Rock (1996)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=6DWu_dT0Phc\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0117500/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Much of the film was shot on in and around Alcatraz, a tall order given the production crew had to do it all while tour groups milled around the site of the former federal penitentiary. Other locations in the film include the Fairmont Hotel, San Francisco City Hall and Pier 39.\u003c/p>\n\u003cp>These 12 films are still just the tip of the iceberg when it comes to great movies filmed in the Bay Area. Other audience favorites include: Chan Is Missing, The Conversation, Blindspotting, Sorry to Bother You, The Princess Diaries, Parrots of Telegraph Hill and La Mission. Find even more suggestions on \u003ca href=\"https://x.com/KQED/status/1336822068541734912\">this X thread\u003c/a>, and on \u003ca href=\"https://www.facebook.com/KQED/posts/10157640695916191\">KQED’s Facebook page. \u003c/a>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Hey everyone, I’m Olivia Allen Price and this is Bay Curious. Let’s go!\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">My name is Ben Kaiser and believe it or not I live in Atlanta, Georgia.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Ben visited San Francisco for the first time four years ago. And as soon as he got here, he felt a connection.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">It sort of seemed like I had been there before or that I belonged there. And I just absolutely fell in love with it. And I’ve been back in four years, probably nine or ten times.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">That’s a lot of flights between Atlanta and SFO. Now, when Ben can’t be here, he’s found a way to visit without leaving his living room.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Because I don’t live in San Francisco, I want to be connected to it as much as I possibly can. And one of the ways is watching movies shot there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Anything that can transport him here, even if only for a few hours. Ben’s seen a lot already, but he wants more, so he came to Bay Curious.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">I asked what were some of the movies set in San Francisco that were actually shot in San Francisco, and which ones are your favorites or your recommendations?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Now we don’t often delve into subjective matters here on the show, but hey, it’s the holidays, cozy season is here, and we thought maybe we could all use some solid movie recommendations. Today’s episode will sound a little bit different from what you usually hear on Bay Curious. We’ve got a panel of local cultural experts here to convince Ben and you how you should spend some time devouring the Bay Area in all its cinematic glory. This episode first aired in 2020 and has been lightly revised for you today. So throw some popcorn in the microwave, cozy up on your couch, and press play. All right, I have to start out this episode with a confession. I, Olivia Allen Price, am really bad at movies, like possibly the last person that you would want on your trivia team during the movie round. So I called in some much needed backup on this one. Here to help me out today is Peter Hartlaub. He was born and raised in the Bay Area. He’s a cultural critic with the San Francisco Chronicle, and he writes the total SF newsletter. Welcome, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Thank you so much for having me.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah. Also, I’ve got Carly Severn here. She’s a senior editor here at KQED and a Bay Curious Reporter, who you are probably familiar with. She’s also a former co-host of The Cooler Podcast and one of KQED’s resident movie obsessives. Hey Carly.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Hey, Olivia. Hey, Peter. Lovely to be here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">So before we get into recommendations, I’m curious, what do you guys think makes San Francisco a good spot to shoot a film?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Internationally recognizable landmarks, Golden Gate Bridge, Alcatraz, the topography. You can get up on a hill and see those landmarks. You can have a chase scene and get a little air. But I think the biggest thing is the weather. And it’s sort of the secret ingredient because it allows a director to convey mood. And then the city sort of becomes the mood of the director. You have the fog coming in, you have the sun coming in, subtle shifts. You can’t do that in Atlanta. You can’t do it in Houston. You can’t even really do that in LA. And I think that’s a big reason why San Francisco ends up being, you know, a top pick if you’re a director and you want to shoot like a thriller or an action film, something like that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I would agree with all of that and I must kind of confess I do have a similar cinematic relationship with San Francisco as listener Ben does. I grew up watching San Francisco on screen as a kid in the middle of nowhere in England and it just seemed like the coolest place in the world to me. So I get it. I get his quest.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Now, despite all these things, all these sort of great attributes that make, you know, San Francisco a great place to shoot, you still don’t see it in films as often as, you know, in New York or in LA or maybe even in Atlanta, even though you don’t necessarily know you’re in Atlanta when you are in Atlanta. A lot of sh movies are shot there. Why do you all think that is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s expensive to get a hotel here, much less a bunch of hotels if you’ve got a lot of people coming. People are all crammed in together. And if you’re gonna shoot Sister Act in Noe Valley, or if you’re gonna shoot a car chase scene going through Russian Hill, the neighbors are gonna notice. And I think San Francisco, more than some of those other cities, because it’s sort of compact like that, makes it harder to film. Expensive and compact.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I think logistically you have all of these issues, but I do think there’s this thematic problem with San Francisco, it’s so in your face. It is it does end up being a character. If you want to just have like any town USA to set your story in, like San Francisco is not the place to come. It really isn’t, because you’ll end up having to do all of this narrative work bending over backwards to kind of explain why it’s a San Francisco story. That’s my take anyway.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I do want to get on to answering Ben’s question and get to some of your San Francisco movie recommendations, but I thought we’d actually start with his because he has seen a lot of movies and he has his own thoughts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo’s probably my all time favorite movie in the fact that it’s shot in San Francisco. But, you know, a lot of the real common ones, you know, I I’m not embarrassed to say the other night I watched The Rock and enjoyed The Rock. But you know, Mrs. Doubtfire, Milk, The Room, those are just, you know, some of the ones that I enjoy.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">So it sounds like he’s definitely seen some of the classics, which I know we aren’t necessarily gonna talk as much about today in your lists, right?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo, The Conversation, the Hitchcock films, the Coppola films. If I’m teaching a film class about San Francisco, they’re gonna be right in there. If I’m turning on my TV right now ’cause I just need to chill and escape a little bit, I’ve got a whole different set of films that I’m gonna pick, my favorite films, and that’s what I’m gonna pick today.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">A hundred percent cosign. And may I just say to Ben that he never has to be embarrassed about watching the rock. There is nothing to be embarrassed about there.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s totally cool to just love the rock and shout it from the rooftops.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, so I asked each of you guys to bring your top three recommendations. And what we’re gonna do is go through all of those and then let Ben decide who has been the most convincing and which movie he is going to watch next. So let’s dive in, Carly. \u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cspan style=\"font-weight: 400;\">Let us know what is your number three pick and why.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Carly Severn: First of all, I want to kind of set up my thinking here. I wanted to pay homage to the classic TLC album Crazy Sexy Cool with three picks that make San Francisco look either crazy, sexy, or cool. And so I’m gonna start with cool. It is Always Be My Maybe. It is the 2019 Netflix movie directed by Nahnatchka Khan . It’s got Ali Wong as a celebrity chef, and she returns home to San Francisco, where she grew up, and she reconnects with her childhood boyfriend, Randall Park.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn \u003c/b>\u003cspan style=\"font-weight: 400;\">[00:07:18] \u003c/span>\u003cspan style=\"font-weight: 400;\"> I love this movie so much. It makes San Francisco look really cool, but it also makes it look really normal. And it’s not the kind of parade of Golden Gate Bridge, Golden Gate Park Ad nauseum. Like a lot of it’s set in the outer Richmond, like the farmers market that they go to. It’s not some bougie little farmer’s market. It’s the like the civic center farmers market. So as a resident of the Bay Area, there’s such a pleasure in in kind of doing that thing where you’re looking at the screen going like, Oh, I know that. That’s really cool. I should admit that so much of it is filmed in San Francisco at these amazing locations that are like super normal and super lived in. But Vancouver, of course it’s always Vancouver. Vancouver actually doubles for a lot of the San Francisco locations. Particularly Goodluck Dim sum, which is where Ali Wong it’s one of her favorite restaurants in San Francisco. She’s it’s on Clements Street. She says it’s where she grew up eating. She really wanted that set there, but they had to double the interior in Vancouver. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">She thought that the restaurant would really love the fact that she had given them the shout-out, and it turns out they they kind of didn’t care. She put on Instagram that she had gone to the restaurant, and this is her caption. So the picture is of her waiting in line at this place that she’s just made super famous in a movie. And she’s like, Me, hello, I’m Ali Wong. The dim sum scene in my movie Always Be My Maybe is based on this very place where I grew up eating. Good luck, dim sum staff. We don’t give a bleep. We have no idea who you are. Get in line.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Oh I love that. Tough being famous in San Francisco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">There’s a lot of little things in there that are San Francisco too. Ali Wong got Dan the Automator to do the score and also write the music for the greatest San Francisco band in a movie, Hello Peril, which do three songs in the movie, including the closing credits. My only complaint, and Carly mentioned it, and I don’t want to start like negative ad campaigns here, but we’re winning Ben’s vote, and there’s only one vote. They did the exterior on Clement Street, and they’re walking down what’s supposed to be Clement Street, and it is so not Clements Street. It is so Vancouver. I love the movie, but as a location, San Francisco location movie, I find it to be kind of hit and miss.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, well let’s get on to your number three then, mister Hartlob. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">Mine is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. I think it’s the most underrated San Francisco movie. Shot, it came out in 1978, a Philip Kaufman movie. He’s a San Francisco resident to this day. And it was a remake of a 1950s movie about alien pods that come in, they’re replacing the human race slowly, and you can’t fall asleep. And it’s there’s just a lot of intrigue and it’s a thriller and it’s horror. I love it as a San Francisco movie because a lot of directors come in and they love San Francisco, but they shoot from the same seven places. You know, Telegraph Hill, Golden Gate Bridge, Palace of Fine Arts. Philip Kaufman shot in places that I think he always wanted to shoot, that that really add to the movie. The tenderloin is a huge, huge character in the movie. Civic Center. There’s a couple of really cool shots there. Obscure places like Pier 70. Right here, we have Donald Sutherland in a very famous scene where he is revealing himself to be one of the pod people by screeching. The screech is a pig squeal, I believe played backwards. And he’s pointing, he’s pointing at you on the other side of the screen. He’s in the civic center, pointing at you. Great San Francisco movie, great horror movie, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I loved this movie. I actually was ashamed to say that I hadn’t seen it before I started prepping to have this conversation with you guys. And it starts off, you know, like a little bit cheesy, and I was like, oh god, what has Peter chosen? I couldn’t have been more wrong. It is such a great movie. I I could not agree ever with more with everything he said about the way it uses San Francisco, and particularly like a lot of like civic buildings around Civic Center, and just like a lot of it set at the the Department of Public Health, which I always like it when those guys are the good guys in the movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I haven’t seen this movie yet. It’s now gonna be on my list, I will say, but I am I love the idea that there’s a movie that that really highlights some of the lesser used locations around San Francisco. Because I think there is, you know, a divide between how tourists experience the city and how people who live in the city experience the city. Let’s move on to your number two picks, making our way up the list. Carly, what do you have?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I did say I was gonna do Crazy Sexy Cool, and we’re now into the sexy phase of this pick. It is 1992’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Basic Instinct\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. And I thought long and hard before choosing this one because, you know, many parts of it haven’t aged well, let’s be honest. But it is a prime example of the 90s erotic thriller. It is made by Paul Verhoven, and the plot is ludicrous. Michael Douglas is the shady San Francisco detective. He’s investigating this bombshell crime novelist, Sharon Stone, who definitely, maybe almost certainly, killed one of her boyfriends. It’s a romp, it’s a riot, it wants to be a Hitchcock noir very, very badly. So it looks way better than it needs to, and it sounds way better than it needs to. I tried long and hard to find a safe for Bay Curious clip from this movie and failed miserably. So let’s just listen to a little bit of the trailer.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Basic Instinct \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love the way it uses San Francisco. It goes for all the classic shots, like, you know, there’s North Beach, there’s Telegraph Hill. One thing I should note is that San Francisco wasn’t always thrilled about being the kind of poster child for this movie. Sharon Stone’s character is bisexual and setting a movie with an LGBTQ woman who has a lot of sex and kills the people that she sleeps with in San Francisco in 1992 at a time when AIDS was still so prevalent and claiming so many lives. Like that’s a definite choice. And this isn’t just like 2020 hindsight. The movie was picketed at the time by LGBTQ groups for being kind of prejudice in its representation of that community. So I do feel like I should flag that. A lot of that animosity, I feel like, has gone away over time, but it’s definitely something to note. Also, I think the reason people don’t like this movie is that they take it quite seriously. And I think if you look at Paul Behoven’s back catalog, like Starship Troopers, like Total Recall, like Showgirls, I think he has a sense of humor about what he’s doing. So I think that this movie should be taken as a time capsule and with a hefty fistful of salt.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I love this film. I think it’s a great pick. I think it’s underrated. There are more helicopter shots in this movie of San Francisco, of someone driving a car around a windy road. His embracing San Francisco, making love to San Francisco with his camera budget was off the charts. So I think it’s a great pick. I really like this movie a lot.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Definitely one that makes San Francisco look sexy, Carly. Don’t you agree?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, okay, so this is where I genuinely want you guys’ opinion, because I have spent the best part of a week thinking about this question. Is San Francisco a sexy city? And I was trying to think of cities that are like off the charts sexy, you’re right. New Orleans sprang to mind. But then I’m thinking, is it just about like sweating? Is it just like the weather? Is is is that all sexiness is to me.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b>\u003cspan style=\"font-weight: 400;\"> I gotta say, the the weather is it. You don’t sweat in San Francisco. LA sexy city. New Orleans sexy city. Miami. Miami Vice sexy city. Streets of San Francisco is not a sexy TV show.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I’m gonna have to disagree with you guys and you are the cultural critics here, so your your opinion has more weight than mine, but I don’t know, I see fog and I wanna cuddle. That’s my take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I don’t know.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think Peter and I are of the same mind here where we’re just like It’s step one, guys.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s a cuddly city. I don’t know if it’s a sexy city.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I cuddle my dog. All right.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right. Well let’s get into Peter, what’s your number two pick?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">My number two is\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\"> Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. It is a David Fincher film. He shot \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Game\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> first and then \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> in San Francisco. And second to Hitchcock, I think he’s the one who really is a great sensibility for San Francisco. It is shot also in the San Francisco Chronicle Newsroom. They shot in our publisher’s office, I believe, outside, and they used our lobby and elevator. The story goes that David Fincher came up to our newsroom, walked inside, said an expletive and said this is too much of a mess, walked outside and they recreated our newsroom pillar for pillar. You cannot tell the difference in Los Angeles. But absolutely, absolutely captures a place in time. The music choices, the visual cues, the production design, nothing’s wasted. And honestly, even though they didn’t shoot in the Chronicle Newsroom, the newsroom banter is pitch perfect. Here’s a little bit of it right now.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">So that’s the way we talk. That’s the way we talk to each other. It’s all like a David Fincher or Aaron Sorkin drama.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">No, this is this is a great film, and the plot is almost secondary in this film, a killer from the 70s and 80s who they never caught, and I’m giving away the ending, but the ending isn’t the important thing. The important thing is the mood, the city, what it felt like to be in the 1970s and be scared. I was a little kid. I remember hearing about the Zodiac Killer, and this movie brought that back so well. My favorite shot in the film, it is a visual effects shot of them in sped up time building the Transamerica Pyramid, and again, just David Fincher using every little arrow in his quiver to capture that mood of San Francisco at a particular time. It’s a fantastic location movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">And I think it’s the only one on this list that is based on a true story unless there’s something I need to know about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think that’s true. And and and you know, there there’s a little bit of myth in there, but he he’s stuck a lot closer than a lot of other people do to the facts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I will say as somebody who was not living in the Bay Area at the time of Zodiac, I found \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> to be really helpful just to kind of I guess get a sense of what it was like to be here during that time, like you experienced, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, and people remember and if people weren’t around, they know the myth. When when people come to the chronicle and ask for a tour, the two things they want to see are Herb Kane’s typewriter and the Zodiac Files. Can you show us the Zodiac files?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, let’s get on to your top choices. These are top of your list. Let’s let’s hear it, Carly. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Okay, guys, I’m reaching the climax of my crazy sexy cool plan, which I think paid off. My number one pick, it’s Crazy San Francisco. It’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Star Trek 4\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. 1986. It is directed by Mr. Spark himself, Leonard Nimoy. I almost find it hard to talk about this film kind of critically because I love it so much. Just to quickly tell you about the plot, it picks up where 1984’s Search for Spark, Star Trek III left off. So the Earth of the Future is being menaced by a big alien probe. Only Kirk and the crew of the Enterprise can save the planet by time traveling back to 1980s San Francisco to bring back two Wales to talk to the alien probe and get it to leave Earth alone. You have to go with it. That’s the plot, and I can’t change that, okay? It’s not the best Star Trek movie. That’s The Wrath of Khan. That’s just undisputable. But it is the best Star Trek movie set in San Francisco with Wales, which is to say, it is the only one of that. Where do I start with how wonderful this movie is? People think I’m joking when I say that it’s the reason I moved to San Francisco, and I’m like 5% joking about that. But the other 95% is really serious. Growing up with this movie and watching San Francisco just look so fun, so warm, so crazy, so inviting. Like I wanted to be a part of that. It is totally joyous. Ben, if you’re listening and you haven’t seen Star Trek 4, don’t worry. You don’t need to watch any of the other Star Trek movies. It stands alone, it’s kind of perfect in that sense. The pleasures of watching like the quite serious crew of the Enterprise traverse San Francisco and just have a ball doing it. It’s just great. So I really wanted to play you one of the most iconic scenes, which is Kirk and Spock on a Muni bus that is traveling over the Golden Gate Bridge. Mr. Spock has to take out a young punk on the bus and get him to stop playing his music. And then this happens.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Star Trek 4\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">The gag there, of course, being that Jacqueline Cezanne and Harold Robbins. Oh, I had to look up Harold Robbins, by the way. Like, they are not the giants of literature, but it’s just hilarious to think that the people of the future have deemed them to be so. I know of no movie that is like warmer and and sweeter than Star Trek Four. So, Ben, pick me, pick Star Trek Four. The choice is easy. Come on.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I don’t even wanna argue against you, and I’m gonna pick a number one, but I love this film so much. It is just a lovely movie, funny movie, finds all kinds of different ways to explore San Francisco and make it part of the gag, but in a in a funny, warm way. It’s one of the greats, one of the classics.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, and up there with one of the greats must be your number one choice, Peter. What do you have for your number one?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">2015 Pixar film Inside Out. It takes place inside the brain of tween girl coming of age, Riley. And then also outside in San Francisco, Riley has moved from I believe Minnesota to San Francisco, and she’s horrified. And what the Pixar people did with animation is so fantastic. They take San Francisco and make it like 10 to 15% more. The streets are a little narrower, parking’s a little harder, street signs are a little more incomprehensible. Fantastic, fantastic use of San Francisco. It’s more of a character in the movie than any of their other movies. They had always kind of flirted around with the Bay Area and maybe dropped San Pablo Avenue and the Incredibles. This one, they really talk about San Francisco. And you don’t see that often. You see a lot of mainstream films set in San Francisco, and San Francisco is a backdrop and it’s almost like a prop. Very few films are a commentary on the city. Last black man in San Francisco, Medicine for Melancholy, and Inside Out. Inside Out is poking fun of the city. It is completely honest. If you live here, you totally get it. If you’re not from here, you’re gonna get some of the humor, including taking just an absolute, absolute dagger stab at our Pizza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Inside Out\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Honestly, the first time I saw this film, I didn’t love it. I liked it a lot. I’m glad I didn’t review it because I think I would have given it less than the highest rating. Upon rewatch, there’s so many little things that come out. You learn more things, and the San Francisco parts become clearer and clearer. I just think it’s a fantastic film, and it’s a fantastic San Francisco location film.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well I think Ben is gonna have a really hard time deciding between all of those very compelling pitches for for movies he should be watching this weekend. Peter Hartlob, Bay Area native, culture critic with the SF Chronicle, co-host of Total SF podcast. Thank you so much. Is there anywhere that listeners can connect with you further?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Subscribe to the Total SF newsletter, that’s where I explore the Bay Area and pass on all my favorite finds, the best hikes to take, the best tourist traps to visit, where I’m finding the best papusas to eat, and read my work at sfchronicle.com.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Awesome. And Carly, you are my longtime pop culture, I don’t know, guru. You’ve you’ve really helped me with questions over the years. So thank you for coming on the show. Where can people connect with you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, you can find my work for Bay Curious in the podcast feed, including my two part series on the Donner Party in the archives, since we’re now feeling the wintry vibes here in the bay. You can also visit kqbd.org slash explainers to see what me and my team are up to every day in the KQED newsroom.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Alright, well thanks to you both. Big thanks to Ben for asking this week’s question.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Carly and Peter, I appreciate your suggestions for which San Francisco movie I should watch next. Full disclosure, three of them I’ve already seen. Those are: Always Be My Maybe, Basic Instinct and Zodiac, which is one of my all-time favorite movies. So it comes down to the other three, but I’m torn between Inside Out and Star Trek Four. But in the end, my vote is going to go to Star Trek Four. I’ve never seen a Star Trek movie, but it seems to be such a beloved film, and Carly campaigned it very, very well. So tonight, that’s what I’ll be watching.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">This is our last episode of the year, and I wanted to offer a warm thanks to you, our listeners, for your inspiring questions and your steadfast support. If you’re not yet a member of KQED, join us now by making a year-end donation. Details at kqed.org/slash donate. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious is made at KQED in San Francisco by Katrina Schwartz, Christopher Beale and me, Olivia Allen Price. Additional Engineering by Jim Bennett. We get extra support from Maha Sanad, Katie Springer, Jen Chien,\u003c/span> \u003cspan style=\"font-weight: 400;\">Ethan Tovin Lindsay and everyone on Team KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists, San Francisco, Northern California local. I hope you have a wonderful holiday. I’ll see ya in twenty twenty six.\u003c/span>\u003c/p>\n\u003c/iframe>\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This article originally published in 2020. It has been lightly updated.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Bay Curious listener Ben Kaiser asked for our favorite movies that are filmed and set in San Francisco. While we don’t normally take on subjective questions, we figured with cozy season upon us, it was a great time to cuddle up on the sofa with some classics.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4565381532&light=true\" width=\"100%\" we asked peter hartlaub san francisco chronicle culture critic and host carly severn kqed senior editor of audience news resident movie obsessive to share their top picks on a recent bay curious podcast episode. they shared the movies would be most likely sit down watch over holidays not necessarily critically acclaimed films. our some favorites too>Star Trek IV: The Voyage Home (1986)\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QOhoIBkOYf0'\n title='//www.youtube.com/embed/QOhoIBkOYf0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0092007/\">IMDB\u003c/a>:\u003c/strong> “To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> This charming, lighthearted movie makes the Bay Area look undeniably fun. One KQED fan said the film was “influential in shaping how I think about the environment and is the Star Trek movie with the most heart in it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch1>Inside Out (2015)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yRUAzGQ3nSY'\n title='//www.youtube.com/embed/yRUAzGQ3nSY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt2096673/\">IMDB\u003c/a>:\u003c/strong> “After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions — Joy, Fear, Anger, Disgust and Sadness — conflict on how best to navigate a new city, house, and school.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Pixar has dropped Bay Area references in several animated films over the years, but “Inside Out” takes it to the next level. The film takes place in the Bay Area, and features rich and detailed imagery from around the region.\u003c/p>\n\u003ch1>Zodiac (2007)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yNncHPl1UXg'\n title='//www.youtube.com/embed/yNncHPl1UXg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0443706/\">IMDB\u003c/a>:\u003c/strong> “In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “Second only to Alfred Hitchcock, director David Fincher has a great sensibility for San Francisco,” says Peter Hartlaub. “This film absolutely captures a place in time. The music choices, the visual cues, the production design. Nothing’s wasted. I was a little kid, and I remember hearing about the Zodiac killer, and this movie brought that back so well.”\u003c/p>\n\u003ch1>The Last Black Man in San Francisco (2019)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C0FnJDhY9-0'\n title='//www.youtube.com/embed/C0FnJDhY9-0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt4353250/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A young man searches for home in the changing city that seems to have left him behind.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One of the few films on our list that is a commentary on the Bay Area, and how gentrification has decimated once vibrant Black neighborhoods. The cinematography will absolutely take your breath away. Pause the movie at any point and you might be inspired to hang the still image on your wall.\u003c/p>\n\u003ch1>Basic Instinct (1992)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4f96x3UpoaQ'\n title='//www.youtube.com/embed/4f96x3UpoaQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0103772/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “The plot is ludicrous … but it’s a romp. It’s a riot. It also looks way better than it needs to, and it sounds way better than it needs to,” says Carly Severn. “I love the way it uses San Francisco. It goes for all the classic shots — there’s North Beach, there’s Telegraph Hill.” You’ll also find lots of gorgeous helicopter shots in this one.\u003c/p>\n\u003ch1>Always Be My Maybe (2019)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iHBcWHY9lN4'\n title='//www.youtube.com/embed/iHBcWHY9lN4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt7374948/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> Everyone assumed Sasha and Marcus would wind up together except for Sasha and Marcus. Reconnecting after 15 years, the two start to wonder — maybe?\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “It makes San Francisco look really cool, but it also makes San Francisco look normal. A lot of it is set in the Outer Richmond,” says Carly Severn. “As a resident of the Bay Area there’s such a pleasure in looking at the screen and saying, ‘Oh, I know that! That’s cool!”\u003c/p>\n\u003ch1>Invasion of the Body Snatchers (1978)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vc_0dlmSq7I'\n title='//www.youtube.com/embed/vc_0dlmSq7I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0077745/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, where they replicate the residents into emotionless automatons one body at a time.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “I think this is the most underrated San Francisco movie,” says Peter Hartlaub. “A lot of directors come in and they love San Francisco, but they shoot from the same seven places — Telegraph Hill, the Golden Gate Bridge, The Palace of Fine Arts. Director Philip Kaufman shot in places I think he always wanted to shoot — the Tenderloin is a huge character in the movie. Civic Center. Obscure places like Pier 70.”\u003c/p>\n\u003ch1>Vertigo (1958)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z5jvQwwHQNY'\n title='//www.youtube.com/embed/Z5jvQwwHQNY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0052357/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> If you’re going to watch one movie set in San Francisco, a lot of critics would argue it should be this Alfred Hitchcock classic. The plot is woven into the location in a way that few movies can rival. And if you’re wanting to really *see* the city — this film is a hit parade of gorgeous locations.\u003c/p>\n\u003ch1>So I Married an Axe Murderer! (1993)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yto08I_IiAg'\n title='//www.youtube.com/embed/yto08I_IiAg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0108174/?ref_=nv_sr_srsg_0\">IMDB\u003c/a>:\u003c/strong> A San Francisco poet who fears commitment suspects his girlfriend may have a knack for killing off her significant others.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One KQED fan says it “captures something of the SF that I grew up in” and another calls this film “a love letter to SF.” It highlights many of the city’s most famous sights — like the Golden Gate Bridge to the Palace of Fine Arts and Alcatraz.\u003c/p>\n\u003ch1>Bullitt (1968)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BsvD806qNM8'\n title='//www.youtube.com/embed/BsvD806qNM8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0062765/?ref_=fn_al_tt_1\">IMDB:\u003c/a>\u003c/strong> An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Do we need to say much more than “epic car chase scenes on San Francisco hills?” This film features tons of on-location filming, so you’ll get a big taste of the city.\u003c/p>\n\u003ch1>Mrs. Doubtfire (1993)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3euGQ7-brs4'\n title='//www.youtube.com/embed/3euGQ7-brs4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0107614/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>After a bitter divorce, an actor disguises himself as a female housekeeper to spend time with his children held in custody by his former wife.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> We couldn’t leave this film off the list. After all, it features one of the Bay Area’s most beloved celebrities, Robin Williams. After his death, the house featured in this film at 2640 Steiner St. became a pop-up memorial. You’ll spot everything from ordinary streets to iconic San Francisco locations throughout the film.\u003c/p>\n\u003ch1>The Rock (1996)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6DWu_dT0Phc'\n title='//www.youtube.com/embed/6DWu_dT0Phc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0117500/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Much of the film was shot on in and around Alcatraz, a tall order given the production crew had to do it all while tour groups milled around the site of the former federal penitentiary. Other locations in the film include the Fairmont Hotel, San Francisco City Hall and Pier 39.\u003c/p>\n\u003cp>These 12 films are still just the tip of the iceberg when it comes to great movies filmed in the Bay Area. Other audience favorites include: Chan Is Missing, The Conversation, Blindspotting, Sorry to Bother You, The Princess Diaries, Parrots of Telegraph Hill and La Mission. Find even more suggestions on \u003ca href=\"https://x.com/KQED/status/1336822068541734912\">this X thread\u003c/a>, and on \u003ca href=\"https://www.facebook.com/KQED/posts/10157640695916191\">KQED’s Facebook page. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Hey everyone, I’m Olivia Allen Price and this is Bay Curious. Let’s go!\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">My name is Ben Kaiser and believe it or not I live in Atlanta, Georgia.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Ben visited San Francisco for the first time four years ago. And as soon as he got here, he felt a connection.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">It sort of seemed like I had been there before or that I belonged there. And I just absolutely fell in love with it. And I’ve been back in four years, probably nine or ten times.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">That’s a lot of flights between Atlanta and SFO. Now, when Ben can’t be here, he’s found a way to visit without leaving his living room.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Because I don’t live in San Francisco, I want to be connected to it as much as I possibly can. And one of the ways is watching movies shot there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Anything that can transport him here, even if only for a few hours. Ben’s seen a lot already, but he wants more, so he came to Bay Curious.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">I asked what were some of the movies set in San Francisco that were actually shot in San Francisco, and which ones are your favorites or your recommendations?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Now we don’t often delve into subjective matters here on the show, but hey, it’s the holidays, cozy season is here, and we thought maybe we could all use some solid movie recommendations. Today’s episode will sound a little bit different from what you usually hear on Bay Curious. We’ve got a panel of local cultural experts here to convince Ben and you how you should spend some time devouring the Bay Area in all its cinematic glory. This episode first aired in 2020 and has been lightly revised for you today. So throw some popcorn in the microwave, cozy up on your couch, and press play. All right, I have to start out this episode with a confession. I, Olivia Allen Price, am really bad at movies, like possibly the last person that you would want on your trivia team during the movie round. So I called in some much needed backup on this one. Here to help me out today is Peter Hartlaub. He was born and raised in the Bay Area. He’s a cultural critic with the San Francisco Chronicle, and he writes the total SF newsletter. Welcome, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Thank you so much for having me.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah. Also, I’ve got Carly Severn here. She’s a senior editor here at KQED and a Bay Curious Reporter, who you are probably familiar with. She’s also a former co-host of The Cooler Podcast and one of KQED’s resident movie obsessives. Hey Carly.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Hey, Olivia. Hey, Peter. Lovely to be here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">So before we get into recommendations, I’m curious, what do you guys think makes San Francisco a good spot to shoot a film?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Internationally recognizable landmarks, Golden Gate Bridge, Alcatraz, the topography. You can get up on a hill and see those landmarks. You can have a chase scene and get a little air. But I think the biggest thing is the weather. And it’s sort of the secret ingredient because it allows a director to convey mood. And then the city sort of becomes the mood of the director. You have the fog coming in, you have the sun coming in, subtle shifts. You can’t do that in Atlanta. You can’t do it in Houston. You can’t even really do that in LA. And I think that’s a big reason why San Francisco ends up being, you know, a top pick if you’re a director and you want to shoot like a thriller or an action film, something like that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I would agree with all of that and I must kind of confess I do have a similar cinematic relationship with San Francisco as listener Ben does. I grew up watching San Francisco on screen as a kid in the middle of nowhere in England and it just seemed like the coolest place in the world to me. So I get it. I get his quest.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Now, despite all these things, all these sort of great attributes that make, you know, San Francisco a great place to shoot, you still don’t see it in films as often as, you know, in New York or in LA or maybe even in Atlanta, even though you don’t necessarily know you’re in Atlanta when you are in Atlanta. A lot of sh movies are shot there. Why do you all think that is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s expensive to get a hotel here, much less a bunch of hotels if you’ve got a lot of people coming. People are all crammed in together. And if you’re gonna shoot Sister Act in Noe Valley, or if you’re gonna shoot a car chase scene going through Russian Hill, the neighbors are gonna notice. And I think San Francisco, more than some of those other cities, because it’s sort of compact like that, makes it harder to film. Expensive and compact.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I think logistically you have all of these issues, but I do think there’s this thematic problem with San Francisco, it’s so in your face. It is it does end up being a character. If you want to just have like any town USA to set your story in, like San Francisco is not the place to come. It really isn’t, because you’ll end up having to do all of this narrative work bending over backwards to kind of explain why it’s a San Francisco story. That’s my take anyway.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I do want to get on to answering Ben’s question and get to some of your San Francisco movie recommendations, but I thought we’d actually start with his because he has seen a lot of movies and he has his own thoughts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo’s probably my all time favorite movie in the fact that it’s shot in San Francisco. But, you know, a lot of the real common ones, you know, I I’m not embarrassed to say the other night I watched The Rock and enjoyed The Rock. But you know, Mrs. Doubtfire, Milk, The Room, those are just, you know, some of the ones that I enjoy.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">So it sounds like he’s definitely seen some of the classics, which I know we aren’t necessarily gonna talk as much about today in your lists, right?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo, The Conversation, the Hitchcock films, the Coppola films. If I’m teaching a film class about San Francisco, they’re gonna be right in there. If I’m turning on my TV right now ’cause I just need to chill and escape a little bit, I’ve got a whole different set of films that I’m gonna pick, my favorite films, and that’s what I’m gonna pick today.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">A hundred percent cosign. And may I just say to Ben that he never has to be embarrassed about watching the rock. There is nothing to be embarrassed about there.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s totally cool to just love the rock and shout it from the rooftops.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, so I asked each of you guys to bring your top three recommendations. And what we’re gonna do is go through all of those and then let Ben decide who has been the most convincing and which movie he is going to watch next. So let’s dive in, Carly. \u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cspan style=\"font-weight: 400;\">Let us know what is your number three pick and why.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Carly Severn: First of all, I want to kind of set up my thinking here. I wanted to pay homage to the classic TLC album Crazy Sexy Cool with three picks that make San Francisco look either crazy, sexy, or cool. And so I’m gonna start with cool. It is Always Be My Maybe. It is the 2019 Netflix movie directed by Nahnatchka Khan . It’s got Ali Wong as a celebrity chef, and she returns home to San Francisco, where she grew up, and she reconnects with her childhood boyfriend, Randall Park.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn \u003c/b>\u003cspan style=\"font-weight: 400;\">[00:07:18] \u003c/span>\u003cspan style=\"font-weight: 400;\"> I love this movie so much. It makes San Francisco look really cool, but it also makes it look really normal. And it’s not the kind of parade of Golden Gate Bridge, Golden Gate Park Ad nauseum. Like a lot of it’s set in the outer Richmond, like the farmers market that they go to. It’s not some bougie little farmer’s market. It’s the like the civic center farmers market. So as a resident of the Bay Area, there’s such a pleasure in in kind of doing that thing where you’re looking at the screen going like, Oh, I know that. That’s really cool. I should admit that so much of it is filmed in San Francisco at these amazing locations that are like super normal and super lived in. But Vancouver, of course it’s always Vancouver. Vancouver actually doubles for a lot of the San Francisco locations. Particularly Goodluck Dim sum, which is where Ali Wong it’s one of her favorite restaurants in San Francisco. She’s it’s on Clements Street. She says it’s where she grew up eating. She really wanted that set there, but they had to double the interior in Vancouver. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">She thought that the restaurant would really love the fact that she had given them the shout-out, and it turns out they they kind of didn’t care. She put on Instagram that she had gone to the restaurant, and this is her caption. So the picture is of her waiting in line at this place that she’s just made super famous in a movie. And she’s like, Me, hello, I’m Ali Wong. The dim sum scene in my movie Always Be My Maybe is based on this very place where I grew up eating. Good luck, dim sum staff. We don’t give a bleep. We have no idea who you are. Get in line.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Oh I love that. Tough being famous in San Francisco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">There’s a lot of little things in there that are San Francisco too. Ali Wong got Dan the Automator to do the score and also write the music for the greatest San Francisco band in a movie, Hello Peril, which do three songs in the movie, including the closing credits. My only complaint, and Carly mentioned it, and I don’t want to start like negative ad campaigns here, but we’re winning Ben’s vote, and there’s only one vote. They did the exterior on Clement Street, and they’re walking down what’s supposed to be Clement Street, and it is so not Clements Street. It is so Vancouver. I love the movie, but as a location, San Francisco location movie, I find it to be kind of hit and miss.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, well let’s get on to your number three then, mister Hartlob. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">Mine is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. I think it’s the most underrated San Francisco movie. Shot, it came out in 1978, a Philip Kaufman movie. He’s a San Francisco resident to this day. And it was a remake of a 1950s movie about alien pods that come in, they’re replacing the human race slowly, and you can’t fall asleep. And it’s there’s just a lot of intrigue and it’s a thriller and it’s horror. I love it as a San Francisco movie because a lot of directors come in and they love San Francisco, but they shoot from the same seven places. You know, Telegraph Hill, Golden Gate Bridge, Palace of Fine Arts. Philip Kaufman shot in places that I think he always wanted to shoot, that that really add to the movie. The tenderloin is a huge, huge character in the movie. Civic Center. There’s a couple of really cool shots there. Obscure places like Pier 70. Right here, we have Donald Sutherland in a very famous scene where he is revealing himself to be one of the pod people by screeching. The screech is a pig squeal, I believe played backwards. And he’s pointing, he’s pointing at you on the other side of the screen. He’s in the civic center, pointing at you. Great San Francisco movie, great horror movie, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I loved this movie. I actually was ashamed to say that I hadn’t seen it before I started prepping to have this conversation with you guys. And it starts off, you know, like a little bit cheesy, and I was like, oh god, what has Peter chosen? I couldn’t have been more wrong. It is such a great movie. I I could not agree ever with more with everything he said about the way it uses San Francisco, and particularly like a lot of like civic buildings around Civic Center, and just like a lot of it set at the the Department of Public Health, which I always like it when those guys are the good guys in the movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I haven’t seen this movie yet. It’s now gonna be on my list, I will say, but I am I love the idea that there’s a movie that that really highlights some of the lesser used locations around San Francisco. Because I think there is, you know, a divide between how tourists experience the city and how people who live in the city experience the city. Let’s move on to your number two picks, making our way up the list. Carly, what do you have?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I did say I was gonna do Crazy Sexy Cool, and we’re now into the sexy phase of this pick. It is 1992’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Basic Instinct\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. And I thought long and hard before choosing this one because, you know, many parts of it haven’t aged well, let’s be honest. But it is a prime example of the 90s erotic thriller. It is made by Paul Verhoven, and the plot is ludicrous. Michael Douglas is the shady San Francisco detective. He’s investigating this bombshell crime novelist, Sharon Stone, who definitely, maybe almost certainly, killed one of her boyfriends. It’s a romp, it’s a riot, it wants to be a Hitchcock noir very, very badly. So it looks way better than it needs to, and it sounds way better than it needs to. I tried long and hard to find a safe for Bay Curious clip from this movie and failed miserably. So let’s just listen to a little bit of the trailer.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Basic Instinct \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love the way it uses San Francisco. It goes for all the classic shots, like, you know, there’s North Beach, there’s Telegraph Hill. One thing I should note is that San Francisco wasn’t always thrilled about being the kind of poster child for this movie. Sharon Stone’s character is bisexual and setting a movie with an LGBTQ woman who has a lot of sex and kills the people that she sleeps with in San Francisco in 1992 at a time when AIDS was still so prevalent and claiming so many lives. Like that’s a definite choice. And this isn’t just like 2020 hindsight. The movie was picketed at the time by LGBTQ groups for being kind of prejudice in its representation of that community. So I do feel like I should flag that. A lot of that animosity, I feel like, has gone away over time, but it’s definitely something to note. Also, I think the reason people don’t like this movie is that they take it quite seriously. And I think if you look at Paul Behoven’s back catalog, like Starship Troopers, like Total Recall, like Showgirls, I think he has a sense of humor about what he’s doing. So I think that this movie should be taken as a time capsule and with a hefty fistful of salt.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I love this film. I think it’s a great pick. I think it’s underrated. There are more helicopter shots in this movie of San Francisco, of someone driving a car around a windy road. His embracing San Francisco, making love to San Francisco with his camera budget was off the charts. So I think it’s a great pick. I really like this movie a lot.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Definitely one that makes San Francisco look sexy, Carly. Don’t you agree?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, okay, so this is where I genuinely want you guys’ opinion, because I have spent the best part of a week thinking about this question. Is San Francisco a sexy city? And I was trying to think of cities that are like off the charts sexy, you’re right. New Orleans sprang to mind. But then I’m thinking, is it just about like sweating? Is it just like the weather? Is is is that all sexiness is to me.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b>\u003cspan style=\"font-weight: 400;\"> I gotta say, the the weather is it. You don’t sweat in San Francisco. LA sexy city. New Orleans sexy city. Miami. Miami Vice sexy city. Streets of San Francisco is not a sexy TV show.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I’m gonna have to disagree with you guys and you are the cultural critics here, so your your opinion has more weight than mine, but I don’t know, I see fog and I wanna cuddle. That’s my take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I don’t know.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think Peter and I are of the same mind here where we’re just like It’s step one, guys.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s a cuddly city. I don’t know if it’s a sexy city.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I cuddle my dog. All right.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right. Well let’s get into Peter, what’s your number two pick?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">My number two is\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\"> Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. It is a David Fincher film. He shot \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Game\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> first and then \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> in San Francisco. And second to Hitchcock, I think he’s the one who really is a great sensibility for San Francisco. It is shot also in the San Francisco Chronicle Newsroom. They shot in our publisher’s office, I believe, outside, and they used our lobby and elevator. The story goes that David Fincher came up to our newsroom, walked inside, said an expletive and said this is too much of a mess, walked outside and they recreated our newsroom pillar for pillar. You cannot tell the difference in Los Angeles. But absolutely, absolutely captures a place in time. The music choices, the visual cues, the production design, nothing’s wasted. And honestly, even though they didn’t shoot in the Chronicle Newsroom, the newsroom banter is pitch perfect. Here’s a little bit of it right now.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">So that’s the way we talk. That’s the way we talk to each other. It’s all like a David Fincher or Aaron Sorkin drama.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">No, this is this is a great film, and the plot is almost secondary in this film, a killer from the 70s and 80s who they never caught, and I’m giving away the ending, but the ending isn’t the important thing. The important thing is the mood, the city, what it felt like to be in the 1970s and be scared. I was a little kid. I remember hearing about the Zodiac Killer, and this movie brought that back so well. My favorite shot in the film, it is a visual effects shot of them in sped up time building the Transamerica Pyramid, and again, just David Fincher using every little arrow in his quiver to capture that mood of San Francisco at a particular time. It’s a fantastic location movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">And I think it’s the only one on this list that is based on a true story unless there’s something I need to know about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think that’s true. And and and you know, there there’s a little bit of myth in there, but he he’s stuck a lot closer than a lot of other people do to the facts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I will say as somebody who was not living in the Bay Area at the time of Zodiac, I found \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> to be really helpful just to kind of I guess get a sense of what it was like to be here during that time, like you experienced, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, and people remember and if people weren’t around, they know the myth. When when people come to the chronicle and ask for a tour, the two things they want to see are Herb Kane’s typewriter and the Zodiac Files. Can you show us the Zodiac files?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, let’s get on to your top choices. These are top of your list. Let’s let’s hear it, Carly. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Okay, guys, I’m reaching the climax of my crazy sexy cool plan, which I think paid off. My number one pick, it’s Crazy San Francisco. It’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Star Trek 4\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. 1986. It is directed by Mr. Spark himself, Leonard Nimoy. I almost find it hard to talk about this film kind of critically because I love it so much. Just to quickly tell you about the plot, it picks up where 1984’s Search for Spark, Star Trek III left off. So the Earth of the Future is being menaced by a big alien probe. Only Kirk and the crew of the Enterprise can save the planet by time traveling back to 1980s San Francisco to bring back two Wales to talk to the alien probe and get it to leave Earth alone. You have to go with it. That’s the plot, and I can’t change that, okay? It’s not the best Star Trek movie. That’s The Wrath of Khan. That’s just undisputable. But it is the best Star Trek movie set in San Francisco with Wales, which is to say, it is the only one of that. Where do I start with how wonderful this movie is? People think I’m joking when I say that it’s the reason I moved to San Francisco, and I’m like 5% joking about that. But the other 95% is really serious. Growing up with this movie and watching San Francisco just look so fun, so warm, so crazy, so inviting. Like I wanted to be a part of that. It is totally joyous. Ben, if you’re listening and you haven’t seen Star Trek 4, don’t worry. You don’t need to watch any of the other Star Trek movies. It stands alone, it’s kind of perfect in that sense. The pleasures of watching like the quite serious crew of the Enterprise traverse San Francisco and just have a ball doing it. It’s just great. So I really wanted to play you one of the most iconic scenes, which is Kirk and Spock on a Muni bus that is traveling over the Golden Gate Bridge. Mr. Spock has to take out a young punk on the bus and get him to stop playing his music. And then this happens.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Star Trek 4\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">The gag there, of course, being that Jacqueline Cezanne and Harold Robbins. Oh, I had to look up Harold Robbins, by the way. Like, they are not the giants of literature, but it’s just hilarious to think that the people of the future have deemed them to be so. I know of no movie that is like warmer and and sweeter than Star Trek Four. So, Ben, pick me, pick Star Trek Four. The choice is easy. Come on.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I don’t even wanna argue against you, and I’m gonna pick a number one, but I love this film so much. It is just a lovely movie, funny movie, finds all kinds of different ways to explore San Francisco and make it part of the gag, but in a in a funny, warm way. It’s one of the greats, one of the classics.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, and up there with one of the greats must be your number one choice, Peter. What do you have for your number one?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">2015 Pixar film Inside Out. It takes place inside the brain of tween girl coming of age, Riley. And then also outside in San Francisco, Riley has moved from I believe Minnesota to San Francisco, and she’s horrified. And what the Pixar people did with animation is so fantastic. They take San Francisco and make it like 10 to 15% more. The streets are a little narrower, parking’s a little harder, street signs are a little more incomprehensible. Fantastic, fantastic use of San Francisco. It’s more of a character in the movie than any of their other movies. They had always kind of flirted around with the Bay Area and maybe dropped San Pablo Avenue and the Incredibles. This one, they really talk about San Francisco. And you don’t see that often. You see a lot of mainstream films set in San Francisco, and San Francisco is a backdrop and it’s almost like a prop. Very few films are a commentary on the city. Last black man in San Francisco, Medicine for Melancholy, and Inside Out. Inside Out is poking fun of the city. It is completely honest. If you live here, you totally get it. If you’re not from here, you’re gonna get some of the humor, including taking just an absolute, absolute dagger stab at our Pizza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Inside Out\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Honestly, the first time I saw this film, I didn’t love it. I liked it a lot. I’m glad I didn’t review it because I think I would have given it less than the highest rating. Upon rewatch, there’s so many little things that come out. You learn more things, and the San Francisco parts become clearer and clearer. I just think it’s a fantastic film, and it’s a fantastic San Francisco location film.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well I think Ben is gonna have a really hard time deciding between all of those very compelling pitches for for movies he should be watching this weekend. Peter Hartlob, Bay Area native, culture critic with the SF Chronicle, co-host of Total SF podcast. Thank you so much. Is there anywhere that listeners can connect with you further?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Subscribe to the Total SF newsletter, that’s where I explore the Bay Area and pass on all my favorite finds, the best hikes to take, the best tourist traps to visit, where I’m finding the best papusas to eat, and read my work at sfchronicle.com.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Awesome. And Carly, you are my longtime pop culture, I don’t know, guru. You’ve you’ve really helped me with questions over the years. So thank you for coming on the show. Where can people connect with you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, you can find my work for Bay Curious in the podcast feed, including my two part series on the Donner Party in the archives, since we’re now feeling the wintry vibes here in the bay. You can also visit kqbd.org slash explainers to see what me and my team are up to every day in the KQED newsroom.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Alright, well thanks to you both. Big thanks to Ben for asking this week’s question.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Carly and Peter, I appreciate your suggestions for which San Francisco movie I should watch next. Full disclosure, three of them I’ve already seen. Those are: Always Be My Maybe, Basic Instinct and Zodiac, which is one of my all-time favorite movies. So it comes down to the other three, but I’m torn between Inside Out and Star Trek Four. But in the end, my vote is going to go to Star Trek Four. I’ve never seen a Star Trek movie, but it seems to be such a beloved film, and Carly campaigned it very, very well. So tonight, that’s what I’ll be watching.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">This is our last episode of the year, and I wanted to offer a warm thanks to you, our listeners, for your inspiring questions and your steadfast support. If you’re not yet a member of KQED, join us now by making a year-end donation. Details at kqed.org/slash donate. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious is made at KQED in San Francisco by Katrina Schwartz, Christopher Beale and me, Olivia Allen Price. Additional Engineering by Jim Bennett. We get extra support from Maha Sanad, Katie Springer, Jen Chien,\u003c/span> \u003cspan style=\"font-weight: 400;\">Ethan Tovin Lindsay and everyone on Team KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists, San Francisco, Northern California local. I hope you have a wonderful holiday. I’ll see ya in twenty twenty six.\u003c/span>\u003c/p>\n\u003c/iframe>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Here are the morning’s top stories on Wednesday, December 17, 2025…\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">The Newsom administration confirmed it’s backtracking on a plan to indefinitely revoke thousands of commercial drivers licenses held by immigrants. That’s welcome news to the drivers and their families.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">As Jewish communities around the globe struggle to comprehend the deadly mass shooting at Australia’s Bondi Beach, in Kern County, the losses are hitting especially close to home. \u003c/span>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>CA Cancels Plan To Revoke Thousands Of Commercial Drivers Licenses \u003c/strong>\u003c/h2>\n\u003cp>The Newsom administration is backtracking on a plan to indefinitely revoke 17,000 commercial drivers licenses held by immigrants.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.npr.org/2025/11/13/g-s1-97665/california-revoke-commercial-drivers-licenses-immigrants\">original plan came after harsh criticism from the Trump administration\u003c/a> about California and other states granting licenses to people in the country illegally. The issue was thrust into the public’s consciousness in August, when a tractor-trailer driver not authorized to be in the U.S. made an illegal U-turn and caused a crash in Florida that killed three people.\u003c/p>\n\u003cp>Amarjit Singh lives in the Bay Area in Livermore. Three years ago, he borrowed money from relatives and invested all his savings for a $30,000 down payment on a $160,000 truck. It’s his ticket to the American Dream. “Yeah it’s like a home, you know it’s an office. Business is on the road,” he said.\u003c/p>\n\u003cp>Estimates are that roughly 150,000 Sikh men drive trucks nationwide. Trucking is a major source of employment for this community with roots in Punjab, India. But last month, Singh and thousands of other drivers got a message from the California Department of Motor Vehicles. The agency planned to revoke their commercial drivers licenses, and most would have had no recourse. But now the DMV officials say they will start reissuing those licenses. This comes as a big relief for Singh, but only after weeks of sleepless nights. He worried that he wouldn’t be able to support his wife and two kids, or make the $4,000 monthly payments on his truck.\u003c/p>\n\u003ch2>\u003cstrong>Heavy Hearts In Kern County Following Australia Mass Shooting\u003c/strong>\u003c/h2>\n\u003cp>An accused gunman in Sydney’s Bondi Beach massacre was \u003ca href=\"https://www.npr.org/2025/12/17/g-s1-102571/gunman-bondi-beach-charged-murder\">charged with 59 offenses including 15 charges of murder on Wednesday\u003c/a>, as hundreds of mourners gathered in Sydney to begin funerals for the victims.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Two shooters slaughtered 15 people on Sunday in an antisemitic mass shooting targeting Jews celebrating Hanukkah at Bondi Beach, and more than 20 other people are still being treated in hospitals. All of those killed by the gunmen who have been identified so far were Jewish.\u003c/p>\n\u003cp>In Kern County, the losses are hitting particularly loud. “We’re just devastated. We’re broken. We’re just broken to pieces,” said Esther Schlanger. She’s the co-director of the Chabad of Bakersfield. Her brother-in-law, Rabbi Eli Schlanger, was killed in the attack.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Schlanger said because of the attack, her Chabad has taken safety precautions. But Hanukkah will go on. “We’re heartbroken, but we still are going to light the menorah, which I just did with my children, and we’re going to eat the latkes and cry at the same time,” she said.\u003c/p>\n\n",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
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"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"rss": "https://feeds.npr.org/510289/podcast.xml"
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
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"source": "kqed",
"order": 5
},
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