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"content": "\u003cp>Not long after my dad’s death in January of 1999, I was tasked with the inventorying and selling of his vast and varied collection of \u003ca href=\"https://www.kqed.org/news/10559298/at-cupertinos-electronics-flea-market-yesterdays-high-tech-is-todays-treasure\">audio equipment\u003c/a>. While in a state of shock — he was only 59, I was only 29 — I surveyed his former audio domain: a garage studio that still smelled of his cigars.\u003c/p>\n\u003cp>It was the age of synthesizers, and a huge mixing board dominated the room. Below it, an array of equipment racks blinked at me. Above, two black speakers the size of file drawers perched like sentinels of the advancing era of digital music production.\u003c/p>\n\u003cp>My father, Fred Myrow, was a talented composer following in the footsteps of multiple generations of talented musicians. He wrote avant-garde music. He was briefly the composer-in-residence at the New York Philharmonic (\u003ca href=\"https://medium.com/@rmyrow20/ashes-ashes-we-all-fall-down-ddf305a74003\">until he met my mom\u003c/a> and blew a deadline by failing to finish a composition for which posters had already been put up around the city).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Later, he wrote\u003ca href=\"https://www.youtube.com/watch?v=sdVb9jC_El0\"> soundtracks\u003c/a> for movies like\u003ca href=\"https://www.imdb.com/title/tt0079714/\"> \u003cem>Phantasm\u003c/em>\u003c/a> and\u003ca href=\"https://www.imdb.com/title/tt0070723/?ref_=fn_al_tt_1\"> \u003cem>Soylent Green\u003c/em>\u003c/a>. (I know, I know: “Soylent Green is people!”) He also wrote music for the theater; my favorites were his collaborations with the adventurous — and also gone-from-us-too-soon —\u003ca href=\"https://en.wikipedia.org/wiki/Reza_Abdoh\"> Reza Abdoh\u003c/a>.\u003c/p>\n\u003cp>My father’s four-decade career spanned multiple technologies. Some he borrowed, like the foot-pedal-powered\u003ca href=\"blank\"> Movieolas\u003c/a> that Hollywood studios lent him to support his soundtrack writing. When I was a small girl in the early 1970s, he would call me over to watch a silent scene with him on a Movieola’s tiny screen, singing out a melody in falsetto before marking the notes on score paper with colored pencils.\u003c/p>\n\u003cfigure id=\"attachment_12041340\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041340\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg\" alt=\"A 1950s era West German radio features a wood cabinet and grille.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In 1999, KQED’s Rachael Myrow discovered her father’s Telefunken Opus 7. She wiped off decades of dust and plugged it in. After a slight delay, an orchestra filled the room with a warm, rich sound that took her breath away. Seconds later, the radio died and the air filled with the smell of burning dust. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the years passed, he bought other machines — and inevitably stored them as they became obsolete, including three \u003ca href=\"https://www.kqed.org/arts/12198994/how-bing-crosby-and-silicon-valley-revolutionized-radio-and-tv\">reel-to-reel tape machines\u003c/a> widely used for high-fidelity audio work from the 1940s through the end of the 20th century.\u003c/p>\n\u003cp>I used them myself at the beginning of my career in public radio at \u003cem>Marketplace\u003c/em>. Why he needed three of them, I’ll never know. Obviously, he had a hoarding problem.\u003c/p>\n\u003cp>But of all the machines I found in that overstuffed garage, the most marvelous was a 1957 tabletop Telefunken Opus 7, a vintage radio covered in thick dust and buried in the back of a loft.\u003c/p>\n\u003cp>Like so many radios in the mid-20th century, it was housed in a handsomely crafted wooden cabinet, with a gorgeous grille above a glass panel featuring gold-painted tuning options — AM and FM, of course, but also shortwave, with helpful markers for Munich, Stuttgart, New York, Paris, Rome, even\u003ca href=\"https://www.vaticannews.va/en.html\"> Vatican Radio\u003c/a>.[aside postID=news_12043312 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/CLAIRE-SCHWARTZ-L-AND-NINA-RAJ-WITH-A-CHILD_S-DRAWING-RECOVERED-BY-RAJ-AFTER-THE-EATON-FIRE-KQED-1020x765.jpg']I hauled the Opus 7 down, wiped off the surface dust and plugged it in. The lights behind its panel glowed softly and yellow. After a slight delay, an orchestra filled the room with a warm, rich sound. It took my breath away. Seconds later, the sound faded, followed by a crackle — and then the air filled with the smell of burning dust.\u003c/p>\n\u003cp>Whoops.\u003c/p>\n\u003cp>I opened the back of the Opus 7 and stared at the dust-covered metallic innards. I was a radio reporter, but I’d never seen the inside of a radio. To my untrained eye, the vacuum tubes looked burned out. So I’d need to replace them? I put them in a little box, but I didn’t have the vaguest idea where to find new tubes — nor the money or time.\u003c/p>\n\u003cp>That is to say, I had a lot to deal with after my dad died. Each time I moved in the years that followed — and I moved many times — I’d haul the radio with me, thinking, “I really should get this thing fixed.” The radio became a psychologically fraught loose end, one of many gathering dust in the recesses of my subconscious.\u003c/p>\n\u003cp>Seven years after his death, my career brought me from Los Angeles, where I grew up, to the San Francisco Bay Area. The radio sat in storage until I moved into a home with more space. So much time had passed — 16 years! — I’d forgotten all about it. Perched silently on top of a bureau, the radio seemed to rebuke me: “When will you fix me? When will my sound fill a room again?”\u003c/p>\n\u003cfigure id=\"attachment_12041347\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041347\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg\" alt=\"A museum display of vacuum tubes from the 20th century.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In the early days of radio, vacuum tubes, like these on display at the California Historical Radio Society in Alameda, California, amplified weak electromagnetic signals picked up by the antenna. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the recommendation of colleagues at KQED, I found the repair directory for the\u003ca href=\"https://californiahistoricalradio.com/repair-directory/\"> California Historical Radio Society\u003c/a> and got in touch with\u003ca href=\"https://www.simonsvintagerepair.com\"> Simon Favre\u003c/a>. I visited the retired Silicon Valley engineer in his Milpitas living room, which was filled with cabinet radios in various stages of repair.\u003c/p>\n\u003cp>“I like the style of the early-to-mid-20th-century radios,” he told me. “I guess it’s kind of nostalgia. There was a certain style to that era, you know, the 20s up to the 50s. It’s kind of my sweet spot for fixing things.”\u003c/p>\n\u003cp>The 72-year-old Favre, who worked in various roles for Silicon Valley companies, has been a “hardware guy” and a “tinkerer” since childhood. He diagnosed the problems with my Opus 7 and, for $200, replaced some capacitors, mended a plastic tuning wheel with super glue and baking soda, and yes, replaced the vacuum tubes.\u003c/p>\n\u003cp>When I plugged the radio in at home, there was a pause, then a rush of static. I turned the dial slightly, and orchestral strings once again filled the air. I jumped up and down with delight. If only Dad could see it — and hear it.\u003c/p>\n\u003cfigure id=\"attachment_12041341\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041341\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg\" alt=\"A framed photograph of a young, smiling man.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fred Myrow as a young man, full of hope and confidence for his life and career. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was surprisingly easy to restore the physical radio. But the radio’s backstory remained a mystery. Did my father purchase it when he studied in the early 1960s at the\u003ca href=\"http://www.santacecilia.it/en/chi_siamo/accademia/storia.html\"> Santa Cecilia Academy of Music\u003c/a> in Rome? Was it a gift to him from my grandparents? A nostalgic find bought from a secondhand store?\u003c/p>\n\u003cp>Time tears at the wiring that connects us to the people who fix us in space and time. As we age and those around us die, the connections and the stories burn out, one by one. Just a handful of people who knew my dad are still around — people, I thought, who just might know.\u003c/p>\n\u003cp>I texted a photo of the radio to my godfather, the magnificent composer and arranger\u003ca href=\"https://flypaper.soundfly.com/discover/inimitable-legacy-van-dyke-parks-journey-song/\"> Van Dyke Parks\u003c/a>. He and my dad were like two peas in a pod, similar in talent and outlook. Van Dyke texted back to remind me that he didn’t meet my dad until 1967 or ’68. But remarkably, Van Dyke had bought that exact radio model in 1957 when he was a boy, while acting in a \u003cem>Heidi\u003c/em> film for RKO in Munich.\u003c/p>\n\u003cp>Van Dyke rang me on the phone, his mind racing with memories. “You hit the heartstrings with that particular picture. So beautiful to behold,” he said. While he didn’t know the particulars of my dad’s radio or how he acquired it, Van Dyke recalled what the Opus 7 meant in a time before satellites and the internet accustomed us to tinny, compressed music on demand.\u003c/p>\n\u003cfigure id=\"attachment_12041346\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg\" alt=\"The insides of a 1957 radio feature dust covered speakers above a dust covered chassis of other radio parts.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A view inside the unrepaired Telefunken Opus 7. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was a big deal, shortwave,” he sighed, thinking back to happy hours spent listening to great European conductors like\u003ca href=\"https://www.nytimes.com/2023/11/03/arts/music/otto-klemperer-conductor.html\"> Otto Klemperer\u003c/a>. Then, being the strings specialist he is, Van Dyke praised the way tube amps make partials (higher-frequency vibrations) that you get from a rosin bow “really available.”\u003c/p>\n\u003cp>I know what he means, even without having his classical training. In that brief moment back in 1999, when my dad’s radio surged to life, I responded most to the harmonic thrum of the string instruments. A quarter-century later, the memory of that sound rushed back, twinned with grief and nostalgia for my father and his music.\u003c/p>\n\u003cp>The internet has afforded my father some posthumous appreciation, especially in the comments sections on YouTube clips of his soundtracks. I wish he were alive to read them, given how much he struggled when alive for his music to be heard.\u003c/p>\n\u003cp>Many of the people we love die before we do, leaving us \u003ca href=\"https://www.kqed.org/arts/13824126/the-dead-will-talk-to-you-now-or-at-least-listen-in-santa-cruz\">helplessly nostalgic\u003c/a>. My own nostalgia comes attached to the music my father left as his legacy, along with the equipment that fostered his creativity.\u003c/p>\n\u003cp>I still have a number of microcassette tapes on which my dad recorded many notes to himself. A quarter-century later, it’s still too painful for me to listen to the sound of his voice, especially from the last years of his life. The white-hot grief I felt in 1999 comes rushing up, and I have to hit the stop button. The tapes sit in a box on a high shelf in my own home studio now, gathering their own dust.\u003c/p>\n\u003cp>But when I turn on that Telefunken Opus 7, with the dial set to the Bay Area’s classical station, KDFC, the panel glows with that warm, yellow light, the vacuum tubes engage, and an orchestra fills my room.\u003c/p>\n\u003cp>My heart grows full as the music swells, and I can feel my dad wink at me from across an otherwise unbreachable expanse of space and time.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Not long after my dad’s death in January of 1999, I was tasked with the inventorying and selling of his vast and varied collection of \u003ca href=\"https://www.kqed.org/news/10559298/at-cupertinos-electronics-flea-market-yesterdays-high-tech-is-todays-treasure\">audio equipment\u003c/a>. While in a state of shock — he was only 59, I was only 29 — I surveyed his former audio domain: a garage studio that still smelled of his cigars.\u003c/p>\n\u003cp>It was the age of synthesizers, and a huge mixing board dominated the room. Below it, an array of equipment racks blinked at me. Above, two black speakers the size of file drawers perched like sentinels of the advancing era of digital music production.\u003c/p>\n\u003cp>My father, Fred Myrow, was a talented composer following in the footsteps of multiple generations of talented musicians. He wrote avant-garde music. He was briefly the composer-in-residence at the New York Philharmonic (\u003ca href=\"https://medium.com/@rmyrow20/ashes-ashes-we-all-fall-down-ddf305a74003\">until he met my mom\u003c/a> and blew a deadline by failing to finish a composition for which posters had already been put up around the city).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Later, he wrote\u003ca href=\"https://www.youtube.com/watch?v=sdVb9jC_El0\"> soundtracks\u003c/a> for movies like\u003ca href=\"https://www.imdb.com/title/tt0079714/\"> \u003cem>Phantasm\u003c/em>\u003c/a> and\u003ca href=\"https://www.imdb.com/title/tt0070723/?ref_=fn_al_tt_1\"> \u003cem>Soylent Green\u003c/em>\u003c/a>. (I know, I know: “Soylent Green is people!”) He also wrote music for the theater; my favorites were his collaborations with the adventurous — and also gone-from-us-too-soon —\u003ca href=\"https://en.wikipedia.org/wiki/Reza_Abdoh\"> Reza Abdoh\u003c/a>.\u003c/p>\n\u003cp>My father’s four-decade career spanned multiple technologies. Some he borrowed, like the foot-pedal-powered\u003ca href=\"blank\"> Movieolas\u003c/a> that Hollywood studios lent him to support his soundtrack writing. When I was a small girl in the early 1970s, he would call me over to watch a silent scene with him on a Movieola’s tiny screen, singing out a melody in falsetto before marking the notes on score paper with colored pencils.\u003c/p>\n\u003cfigure id=\"attachment_12041340\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041340\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg\" alt=\"A 1950s era West German radio features a wood cabinet and grille.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-02-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In 1999, KQED’s Rachael Myrow discovered her father’s Telefunken Opus 7. She wiped off decades of dust and plugged it in. After a slight delay, an orchestra filled the room with a warm, rich sound that took her breath away. Seconds later, the radio died and the air filled with the smell of burning dust. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the years passed, he bought other machines — and inevitably stored them as they became obsolete, including three \u003ca href=\"https://www.kqed.org/arts/12198994/how-bing-crosby-and-silicon-valley-revolutionized-radio-and-tv\">reel-to-reel tape machines\u003c/a> widely used for high-fidelity audio work from the 1940s through the end of the 20th century.\u003c/p>\n\u003cp>I used them myself at the beginning of my career in public radio at \u003cem>Marketplace\u003c/em>. Why he needed three of them, I’ll never know. Obviously, he had a hoarding problem.\u003c/p>\n\u003cp>But of all the machines I found in that overstuffed garage, the most marvelous was a 1957 tabletop Telefunken Opus 7, a vintage radio covered in thick dust and buried in the back of a loft.\u003c/p>\n\u003cp>Like so many radios in the mid-20th century, it was housed in a handsomely crafted wooden cabinet, with a gorgeous grille above a glass panel featuring gold-painted tuning options — AM and FM, of course, but also shortwave, with helpful markers for Munich, Stuttgart, New York, Paris, Rome, even\u003ca href=\"https://www.vaticannews.va/en.html\"> Vatican Radio\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>I hauled the Opus 7 down, wiped off the surface dust and plugged it in. The lights behind its panel glowed softly and yellow. After a slight delay, an orchestra filled the room with a warm, rich sound. It took my breath away. Seconds later, the sound faded, followed by a crackle — and then the air filled with the smell of burning dust.\u003c/p>\n\u003cp>Whoops.\u003c/p>\n\u003cp>I opened the back of the Opus 7 and stared at the dust-covered metallic innards. I was a radio reporter, but I’d never seen the inside of a radio. To my untrained eye, the vacuum tubes looked burned out. So I’d need to replace them? I put them in a little box, but I didn’t have the vaguest idea where to find new tubes — nor the money or time.\u003c/p>\n\u003cp>That is to say, I had a lot to deal with after my dad died. Each time I moved in the years that followed — and I moved many times — I’d haul the radio with me, thinking, “I really should get this thing fixed.” The radio became a psychologically fraught loose end, one of many gathering dust in the recesses of my subconscious.\u003c/p>\n\u003cp>Seven years after his death, my career brought me from Los Angeles, where I grew up, to the San Francisco Bay Area. The radio sat in storage until I moved into a home with more space. So much time had passed — 16 years! — I’d forgotten all about it. Perched silently on top of a bureau, the radio seemed to rebuke me: “When will you fix me? When will my sound fill a room again?”\u003c/p>\n\u003cfigure id=\"attachment_12041347\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041347\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg\" alt=\"A museum display of vacuum tubes from the 20th century.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-09-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In the early days of radio, vacuum tubes, like these on display at the California Historical Radio Society in Alameda, California, amplified weak electromagnetic signals picked up by the antenna. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the recommendation of colleagues at KQED, I found the repair directory for the\u003ca href=\"https://californiahistoricalradio.com/repair-directory/\"> California Historical Radio Society\u003c/a> and got in touch with\u003ca href=\"https://www.simonsvintagerepair.com\"> Simon Favre\u003c/a>. I visited the retired Silicon Valley engineer in his Milpitas living room, which was filled with cabinet radios in various stages of repair.\u003c/p>\n\u003cp>“I like the style of the early-to-mid-20th-century radios,” he told me. “I guess it’s kind of nostalgia. There was a certain style to that era, you know, the 20s up to the 50s. It’s kind of my sweet spot for fixing things.”\u003c/p>\n\u003cp>The 72-year-old Favre, who worked in various roles for Silicon Valley companies, has been a “hardware guy” and a “tinkerer” since childhood. He diagnosed the problems with my Opus 7 and, for $200, replaced some capacitors, mended a plastic tuning wheel with super glue and baking soda, and yes, replaced the vacuum tubes.\u003c/p>\n\u003cp>When I plugged the radio in at home, there was a pause, then a rush of static. I turned the dial slightly, and orchestral strings once again filled the air. I jumped up and down with delight. If only Dad could see it — and hear it.\u003c/p>\n\u003cfigure id=\"attachment_12041341\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041341\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg\" alt=\"A framed photograph of a young, smiling man.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-03-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fred Myrow as a young man, full of hope and confidence for his life and career. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was surprisingly easy to restore the physical radio. But the radio’s backstory remained a mystery. Did my father purchase it when he studied in the early 1960s at the\u003ca href=\"http://www.santacecilia.it/en/chi_siamo/accademia/storia.html\"> Santa Cecilia Academy of Music\u003c/a> in Rome? Was it a gift to him from my grandparents? A nostalgic find bought from a secondhand store?\u003c/p>\n\u003cp>Time tears at the wiring that connects us to the people who fix us in space and time. As we age and those around us die, the connections and the stories burn out, one by one. Just a handful of people who knew my dad are still around — people, I thought, who just might know.\u003c/p>\n\u003cp>I texted a photo of the radio to my godfather, the magnificent composer and arranger\u003ca href=\"https://flypaper.soundfly.com/discover/inimitable-legacy-van-dyke-parks-journey-song/\"> Van Dyke Parks\u003c/a>. He and my dad were like two peas in a pod, similar in talent and outlook. Van Dyke texted back to remind me that he didn’t meet my dad until 1967 or ’68. But remarkably, Van Dyke had bought that exact radio model in 1957 when he was a boy, while acting in a \u003cem>Heidi\u003c/em> film for RKO in Munich.\u003c/p>\n\u003cp>Van Dyke rang me on the phone, his mind racing with memories. “You hit the heartstrings with that particular picture. So beautiful to behold,” he said. While he didn’t know the particulars of my dad’s radio or how he acquired it, Van Dyke recalled what the Opus 7 meant in a time before satellites and the internet accustomed us to tinny, compressed music on demand.\u003c/p>\n\u003cfigure id=\"attachment_12041346\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041346\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg\" alt=\"The insides of a 1957 radio feature dust covered speakers above a dust covered chassis of other radio parts.\" width=\"2000\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250522-RADIO-RADIO-RM-08-KQED-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A view inside the unrepaired Telefunken Opus 7. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was a big deal, shortwave,” he sighed, thinking back to happy hours spent listening to great European conductors like\u003ca href=\"https://www.nytimes.com/2023/11/03/arts/music/otto-klemperer-conductor.html\"> Otto Klemperer\u003c/a>. Then, being the strings specialist he is, Van Dyke praised the way tube amps make partials (higher-frequency vibrations) that you get from a rosin bow “really available.”\u003c/p>\n\u003cp>I know what he means, even without having his classical training. In that brief moment back in 1999, when my dad’s radio surged to life, I responded most to the harmonic thrum of the string instruments. A quarter-century later, the memory of that sound rushed back, twinned with grief and nostalgia for my father and his music.\u003c/p>\n\u003cp>The internet has afforded my father some posthumous appreciation, especially in the comments sections on YouTube clips of his soundtracks. I wish he were alive to read them, given how much he struggled when alive for his music to be heard.\u003c/p>\n\u003cp>Many of the people we love die before we do, leaving us \u003ca href=\"https://www.kqed.org/arts/13824126/the-dead-will-talk-to-you-now-or-at-least-listen-in-santa-cruz\">helplessly nostalgic\u003c/a>. My own nostalgia comes attached to the music my father left as his legacy, along with the equipment that fostered his creativity.\u003c/p>\n\u003cp>I still have a number of microcassette tapes on which my dad recorded many notes to himself. A quarter-century later, it’s still too painful for me to listen to the sound of his voice, especially from the last years of his life. The white-hot grief I felt in 1999 comes rushing up, and I have to hit the stop button. The tapes sit in a box on a high shelf in my own home studio now, gathering their own dust.\u003c/p>\n\u003cp>But when I turn on that Telefunken Opus 7, with the dial set to the Bay Area’s classical station, KDFC, the panel glows with that warm, yellow light, the vacuum tubes engage, and an orchestra fills my room.\u003c/p>\n\u003cp>My heart grows full as the music swells, and I can feel my dad wink at me from across an otherwise unbreachable expanse of space and time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "what-does-repair-look-like-today-voices-from-an-oakland-juneteenth-celebration",
"title": "What Does Repair Look Like Today? Voices From an Oakland Juneteenth Celebration",
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"headTitle": "What Does Repair Look Like Today? Voices From an Oakland Juneteenth Celebration | KQED",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/juneteenth\">Juneteenth\u003c/a> commemorates the day in 1865 when enslaved Black Americans in Texas finally learned they were free — more than two years after the Emancipation Proclamation. It is a celebration of freedom, but also a reminder that freedom delayed is freedom denied, and that the legacy of slavery did not end with emancipation.\u003c/p>\n\u003cp>At a time when some political leaders and institutions are \u003ca href=\"https://www.kqed.org/news/12034699/racial-justice-advocates-stay-course-dei-faces-mounting-attacks\">seeking to narrow\u003c/a> how slavery, racism and the contributions of Black Americans are discussed in public life, Juneteenth stands as a reminder that \u003ca href=\"https://www.kqed.org/news/11941469/the-reasons-for-reparations-and-why-theyre-necessary-to-achieve-equity\">understanding history\u003c/a> is essential to understanding the present.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For the past four years, \u003ca href=\"https://www.kqed.org/reparations\">KQED’s Reparations Desk\u003c/a> has reported on the people, policies and communities grappling with that legacy. Our journalism has explored how \u003ca href=\"https://www.kqed.org/news/12049197/alameda-county-moves-ahead-with-reparations-plan-for-displaced-russell-city-residents\">historic injustices\u003c/a> continue to shape \u003ca href=\"https://www.kqed.org/news/12036599/wall-war-vet-fight-land-one-familys-50-year-battle-livermore\">housing\u003c/a>, \u003ca href=\"https://www.kqed.org/news/12044638/california-reparations-bills-definition-12-million-explainer\">wealth\u003c/a>, \u003ca href=\"https://www.kqed.org/news/12050844/where-past-meets-possible-black-futures-ball-illuminates-dreams-in-oakland\">education and opportunity\u003c/a>, while documenting the \u003ca href=\"https://www.kqed.org/news/12060403/reparations-bills-establish-foundation-to-turn-californias-vision-into-reality\">growing movement\u003c/a> to \u003ca href=\"https://www.kqed.org/news/12008246/i-would-have-been-a-great-mom-california-finally-pays-reparations-to-woman-it-sterilized\">address those harms\u003c/a> through reparations and other forms of redress.\u003c/p>\n\u003cp>But this work is about more than policy. It is about repair. What does it mean to repair damage that accumulated across generations? What does accountability look like when the effects of discrimination remain visible in neighborhoods, schools and family histories? \u003ca href=\"https://www.kqed.org/news/12021914/rise-east-unlocks-100-million-to-reimagine-east-oakland\">And how are communities already working to rebuild what was taken\u003c/a>?\u003c/p>\n\u003cp>As part of Juneteenth celebrations at the Oakland Museum of California, we asked attendees a simple question: Juneteenth marks the end of slavery. What does repair look like today? Their answers reflect a range of perspectives, experiences and hopes for the future. Together, they offer a snapshot of how people are thinking about freedom, justice and the unfinished work of freedom.\u003c/p>\n\u003ch2>Raylene Ezike and son, Chinua Ezike\u003c/h2>\n\u003cfigure id=\"attachment_12088268\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088268 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3.jpg\" alt=\"\" width=\"2000\" height=\"1538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3-1536x1181.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Raylene Ezike and son, Chinua Ezike. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">“Repair means honoring the history and taking the time to learn the history and making a commitment not to repeat the mistakes of the past,” Raylene said.\u003c/p>\n\u003cp class=\"p1\">Chinua added: “Removing the barriers that were previously in people’s places to succeed in life particularly for younger people because they don’t have the same history and outlook on life and providing them with the same opportunities as everyone else so that they don’t have to have the same history of struggle.”\u003c/p>\n\u003ch2>Maxwell Drati\u003c/h2>\n\u003cfigure id=\"attachment_12088275\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12088275\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Maxwell Drati. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Going beyond the money I want to see concentrated efforts by the government to repair the damage they’ve systemically done to our communities. I want to see pipeline being built for students who graduate from HBCU’s and colleges to full-time jobs. I want to see Black banks, businesses, hospitals, law offices. To me, reparations means giving us the ability to stand not just on one leg, but on two legs, to be able to compete in the race because it’s not fair that we were set back.”\u003c/p>\n\u003ch2> Jess Bailey\u003c/h2>\n\u003cfigure id=\"attachment_12088272\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088272 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9.jpg\" alt=\"\" width=\"2000\" height=\"1360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9-1536x1044.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jess Bailey. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think some of what it means is taking responsibility for the economic conditions today that are directly responsible coming from slavery. I also would love for white people to get really clear about the ways that racism has been created on this land to disenfranchise everyone and the micro interactions that they have, even walking down the street, like when is your body tense around somebody who is Black, Latino, queer. To dig in and do the excavation of that work would be an excellent start.”\u003c/p>\n\u003ch2>Jimi Ray and Asa Jean\u003c/h2>\n\u003cfigure id=\"attachment_12088269\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088269 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5.jpg\" alt=\"\" width=\"2000\" height=\"1352\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5-1536x1038.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jimi Ray and Asa Jean. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“To sum it up, there’s a saying that my grandmother said, ‘Don’t be surprised when you start tripping over the stuff that you keep sweeping under the rug,’ and I feel like we keep sweeping all of the sins of this country under the rug and getting shocked and surprised when it constantly comes back to biting us,” said Ray, Asa Jean’s nanny. “I think the first thing we need to do is actually start to address the problems instead of pretending that there aren’t any and that’s all I gotta say.”\u003c/p>\n\u003ch2>Azayza Jimenez\u003c/h2>\n\u003cfigure id=\"attachment_12088270\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088270 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6.jpg\" alt=\"\" width=\"2000\" height=\"1305\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6-1536x1002.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Azayza Jimenez. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Repair is taking every opportunity we can to be in joyous relationships with one another, especially in 2026. And just given the history of the United States, it is political to live in that good feeling and it is political to say that life is good. And for us to come together and to honor good life, it’s pushing against all of the forces that we don’t f— with right now. And it matters to be in community.”\u003c/p>\n\u003ch2>Cameron Joy\u003c/h2>\n\u003cfigure id=\"attachment_12088273\" class=\"wp-caption aligncenter\" style=\"max-width: 1867px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088273 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12.jpg\" alt=\"\" width=\"1867\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12.jpg 1867w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12-160x171.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12-1434x1536.jpg 1434w\" sizes=\"auto, (max-width: 1867px) 100vw, 1867px\">\u003cfigcaption class=\"wp-caption-text\">Cameron Joy. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I feel like just everybody coming together no matter what race, just coming together and having a good time.”\u003c/p>\n\u003ch2>Marc Philpart\u003c/h2>\n\u003cfigure id=\"attachment_12088276\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088276 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Marc Philpart. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Repair is justice. It is a freedom from poverty, brutality, violence and freedom from all of the injustices that continue to enshackle people to this day.”\u003c/p>\n\u003ch2>Kendi Only and Maya Barnes\u003c/h2>\n\u003cfigure id=\"attachment_12088267\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088267 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2.jpg\" alt=\"\" width=\"2000\" height=\"1547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2-1536x1188.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Maya Barnes and Kendi Only. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Paying Black people what they deserve. You say you support it, —pay us,” Barnes said. “We suffered for so long and so many other people have gotten reparations, but we’ve never gotten anything and we’re still fighting just to be recognized in a lot of different places so I think just more of that all over every city.”\u003c/p>\n\u003cp>“Demolish the highway. Connect West Oakland to the rest of Oakland,” Only said.\u003c/p>\n\u003cp>\u003cem>KQED’s \u003ca href=\"https://www.kqed.org/author/otaylor\">Otis R. Taylor Jr.\u003c/a> and Gustavo Hernandez contributed to this story\u003c/em>.\u003c/p>\n\u003ch2>What Does Repair Look Like? Start Here.\u003c/h2>\n\u003cp>What does reparations actually mean? Who is pursuing it? What policies are moving forward, and which remain symbolic? As conversations about repair grow across the country, understanding the facts has never been more important.\u003c/p>\n\u003cp>Subscribe to \u003ca href=\"https://airtable.com/appYRab8nOv1F5DoN/pag8qdExQMOokhv5S/form\">\u003cem>A Declaration of Repair\u003c/em>\u003c/a>, a weekly newsletter from KQED that follows the people, policies and ideas shaping the reparations movement. Through reporting, accountability tracking and analysis, we help readers understand how past harms continue to shape the present — and explore what efforts to repair them look like today.\u003c/p>\n\u003cp>\u003ca href=\"https://airtable.com/appYRab8nOv1F5DoN/pag8qdExQMOokhv5S/form\">SUBSCRIBE HERE\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Attendees at the Oakland Museum of California’s Juneteenth festival reflect on freedom, accountability and the legacy of slavery in America.",
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"title": "What Does Repair Look Like Today? Voices From an Oakland Juneteenth Celebration | KQED",
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"headline": "What Does Repair Look Like Today? Voices From an Oakland Juneteenth Celebration",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/juneteenth\">Juneteenth\u003c/a> commemorates the day in 1865 when enslaved Black Americans in Texas finally learned they were free — more than two years after the Emancipation Proclamation. It is a celebration of freedom, but also a reminder that freedom delayed is freedom denied, and that the legacy of slavery did not end with emancipation.\u003c/p>\n\u003cp>At a time when some political leaders and institutions are \u003ca href=\"https://www.kqed.org/news/12034699/racial-justice-advocates-stay-course-dei-faces-mounting-attacks\">seeking to narrow\u003c/a> how slavery, racism and the contributions of Black Americans are discussed in public life, Juneteenth stands as a reminder that \u003ca href=\"https://www.kqed.org/news/11941469/the-reasons-for-reparations-and-why-theyre-necessary-to-achieve-equity\">understanding history\u003c/a> is essential to understanding the present.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For the past four years, \u003ca href=\"https://www.kqed.org/reparations\">KQED’s Reparations Desk\u003c/a> has reported on the people, policies and communities grappling with that legacy. Our journalism has explored how \u003ca href=\"https://www.kqed.org/news/12049197/alameda-county-moves-ahead-with-reparations-plan-for-displaced-russell-city-residents\">historic injustices\u003c/a> continue to shape \u003ca href=\"https://www.kqed.org/news/12036599/wall-war-vet-fight-land-one-familys-50-year-battle-livermore\">housing\u003c/a>, \u003ca href=\"https://www.kqed.org/news/12044638/california-reparations-bills-definition-12-million-explainer\">wealth\u003c/a>, \u003ca href=\"https://www.kqed.org/news/12050844/where-past-meets-possible-black-futures-ball-illuminates-dreams-in-oakland\">education and opportunity\u003c/a>, while documenting the \u003ca href=\"https://www.kqed.org/news/12060403/reparations-bills-establish-foundation-to-turn-californias-vision-into-reality\">growing movement\u003c/a> to \u003ca href=\"https://www.kqed.org/news/12008246/i-would-have-been-a-great-mom-california-finally-pays-reparations-to-woman-it-sterilized\">address those harms\u003c/a> through reparations and other forms of redress.\u003c/p>\n\u003cp>But this work is about more than policy. It is about repair. What does it mean to repair damage that accumulated across generations? What does accountability look like when the effects of discrimination remain visible in neighborhoods, schools and family histories? \u003ca href=\"https://www.kqed.org/news/12021914/rise-east-unlocks-100-million-to-reimagine-east-oakland\">And how are communities already working to rebuild what was taken\u003c/a>?\u003c/p>\n\u003cp>As part of Juneteenth celebrations at the Oakland Museum of California, we asked attendees a simple question: Juneteenth marks the end of slavery. What does repair look like today? Their answers reflect a range of perspectives, experiences and hopes for the future. Together, they offer a snapshot of how people are thinking about freedom, justice and the unfinished work of freedom.\u003c/p>\n\u003ch2>Raylene Ezike and son, Chinua Ezike\u003c/h2>\n\u003cfigure id=\"attachment_12088268\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088268 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3.jpg\" alt=\"\" width=\"2000\" height=\"1538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-3-1536x1181.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Raylene Ezike and son, Chinua Ezike. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">“Repair means honoring the history and taking the time to learn the history and making a commitment not to repeat the mistakes of the past,” Raylene said.\u003c/p>\n\u003cp class=\"p1\">Chinua added: “Removing the barriers that were previously in people’s places to succeed in life particularly for younger people because they don’t have the same history and outlook on life and providing them with the same opportunities as everyone else so that they don’t have to have the same history of struggle.”\u003c/p>\n\u003ch2>Maxwell Drati\u003c/h2>\n\u003cfigure id=\"attachment_12088275\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12088275\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-15-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Maxwell Drati. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Going beyond the money I want to see concentrated efforts by the government to repair the damage they’ve systemically done to our communities. I want to see pipeline being built for students who graduate from HBCU’s and colleges to full-time jobs. I want to see Black banks, businesses, hospitals, law offices. To me, reparations means giving us the ability to stand not just on one leg, but on two legs, to be able to compete in the race because it’s not fair that we were set back.”\u003c/p>\n\u003ch2> Jess Bailey\u003c/h2>\n\u003cfigure id=\"attachment_12088272\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088272 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9.jpg\" alt=\"\" width=\"2000\" height=\"1360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-9-1536x1044.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jess Bailey. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think some of what it means is taking responsibility for the economic conditions today that are directly responsible coming from slavery. I also would love for white people to get really clear about the ways that racism has been created on this land to disenfranchise everyone and the micro interactions that they have, even walking down the street, like when is your body tense around somebody who is Black, Latino, queer. To dig in and do the excavation of that work would be an excellent start.”\u003c/p>\n\u003ch2>Jimi Ray and Asa Jean\u003c/h2>\n\u003cfigure id=\"attachment_12088269\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088269 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5.jpg\" alt=\"\" width=\"2000\" height=\"1352\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-5-1536x1038.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jimi Ray and Asa Jean. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“To sum it up, there’s a saying that my grandmother said, ‘Don’t be surprised when you start tripping over the stuff that you keep sweeping under the rug,’ and I feel like we keep sweeping all of the sins of this country under the rug and getting shocked and surprised when it constantly comes back to biting us,” said Ray, Asa Jean’s nanny. “I think the first thing we need to do is actually start to address the problems instead of pretending that there aren’t any and that’s all I gotta say.”\u003c/p>\n\u003ch2>Azayza Jimenez\u003c/h2>\n\u003cfigure id=\"attachment_12088270\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088270 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6.jpg\" alt=\"\" width=\"2000\" height=\"1305\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-6-1536x1002.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Azayza Jimenez. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Repair is taking every opportunity we can to be in joyous relationships with one another, especially in 2026. And just given the history of the United States, it is political to live in that good feeling and it is political to say that life is good. And for us to come together and to honor good life, it’s pushing against all of the forces that we don’t f— with right now. And it matters to be in community.”\u003c/p>\n\u003ch2>Cameron Joy\u003c/h2>\n\u003cfigure id=\"attachment_12088273\" class=\"wp-caption aligncenter\" style=\"max-width: 1867px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088273 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12.jpg\" alt=\"\" width=\"1867\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12.jpg 1867w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12-160x171.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-12-1434x1536.jpg 1434w\" sizes=\"auto, (max-width: 1867px) 100vw, 1867px\">\u003cfigcaption class=\"wp-caption-text\">Cameron Joy. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I feel like just everybody coming together no matter what race, just coming together and having a good time.”\u003c/p>\n\u003ch2>Marc Philpart\u003c/h2>\n\u003cfigure id=\"attachment_12088276\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088276 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-21-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Marc Philpart. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Repair is justice. It is a freedom from poverty, brutality, violence and freedom from all of the injustices that continue to enshackle people to this day.”\u003c/p>\n\u003ch2>Kendi Only and Maya Barnes\u003c/h2>\n\u003cfigure id=\"attachment_12088267\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12088267 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2.jpg\" alt=\"\" width=\"2000\" height=\"1547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/06/20260619_Juneteenth_GC-2-1536x1188.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Maya Barnes and Kendi Only. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Paying Black people what they deserve. You say you support it, —pay us,” Barnes said. “We suffered for so long and so many other people have gotten reparations, but we’ve never gotten anything and we’re still fighting just to be recognized in a lot of different places so I think just more of that all over every city.”\u003c/p>\n\u003cp>“Demolish the highway. Connect West Oakland to the rest of Oakland,” Only said.\u003c/p>\n\u003cp>\u003cem>KQED’s \u003ca href=\"https://www.kqed.org/author/otaylor\">Otis R. Taylor Jr.\u003c/a> and Gustavo Hernandez contributed to this story\u003c/em>.\u003c/p>\n\u003ch2>What Does Repair Look Like? Start Here.\u003c/h2>\n\u003cp>What does reparations actually mean? Who is pursuing it? What policies are moving forward, and which remain symbolic? As conversations about repair grow across the country, understanding the facts has never been more important.\u003c/p>\n\u003cp>Subscribe to \u003ca href=\"https://airtable.com/appYRab8nOv1F5DoN/pag8qdExQMOokhv5S/form\">\u003cem>A Declaration of Repair\u003c/em>\u003c/a>, a weekly newsletter from KQED that follows the people, policies and ideas shaping the reparations movement. Through reporting, accountability tracking and analysis, we help readers understand how past harms continue to shape the present — and explore what efforts to repair them look like today.\u003c/p>\n\u003cp>\u003ca href=\"https://airtable.com/appYRab8nOv1F5DoN/pag8qdExQMOokhv5S/form\">SUBSCRIBE HERE\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "UCLA Just Launched a Massive AAPI Textbook for the TikTok Generation. And It's Free",
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"content": "\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://laist.com/\">LAist.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A rich trove of \u003ca href=\"https://www.kqed.org/news/tag/aapi\">Asian American and Pacific Islander\u003c/a> history lives in academic journals and university library stacks that many students don’t know how to tap into.\u003c/p>\n\u003cp>A new multimedia textbook developed out of UCLA’s Asian American Studies Center is trying to change that.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Called \u003ca href=\"https://www.foundationsandfutures.org/\" data-cms-ai=\"0\">\u003cem>Foundations and Futures\u003c/em>\u003c/a>, the online platform combines written chapters, archival documents and artwork with videos and podcast clips, geared at students in high school and up, along with their teachers.\u003c/p>\n\u003cp>“It’s the largest collection of Asian American and Pacific Islander histories in one location — free and open access for anyone with an Internet connection,” said Karen Umemoto, director of the UCLA center and one of the project’s co-editors.\u003c/p>\n\u003cfigure id=\"attachment_12051530\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12051530\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP.jpg\" alt=\"\" width=\"2000\" height=\"1337\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP-1536x1027.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Students walk past Royce Hall at the University of California, Los Angeles, campus in Los Angeles, on Aug. 15, 2024. \u003ccite>(Damian Dovarganes/AP Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The textbook officially launched this month — Asian American and Pacific Islander Heritage Month — after some six years of development with contributions from more than 100 authors and curriculum developers from across the country.\u003c/p>\n\u003cp>Designed with the TikTok generation in mind, the platform is optimized for phones and tablets for easy scrolling.\u003c/p>\n\u003cp>“A lot of young people, of course, are really into TikTok videos and Instagram posts,” Umemoto said. “So we thought, ‘Let’s leverage that.’”\u003c/p>\n\u003ch2>Responding to invisibility\u003c/h2>\n\u003cp>The project was seeded in 2020 when Umemoto and co-editor and fellow UCLA professor Kelly Fong began drafting proposals chapter by chapter.\u003c/p>\n\u003cp>At the time, California was moving toward implementing an \u003ca href=\"https://apnews.com/article/gavin-newsom-san-francisco-california-graduation-bills-f80ea6c0efc1a37c88b83c9fef63109c\">ethnic studies graduation requirement\u003c/a>. The professors worried AAPI histories could still be sidelined without dedicated resources.\u003c/p>\n\u003cfigure id=\"attachment_12084634\" class=\"wp-caption aligncenter\" style=\"max-width: 1974px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12084634\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi.jpg\" alt=\"\" width=\"1974\" height=\"1313\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi.jpg 1974w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 1974px) 100vw, 1974px\">\u003cfigcaption class=\"wp-caption-text\">Grassroots activists prepare to survey Kahoʻolawe in 1976. Thanks in part to Mink’s advocacy, Congress finally voted to return the sacred land back to Hawaiʻi and end military testing there in 1993 after decades of sustained resistance. \u003ccite>(Courtesy of Hawaiʻi Public Radio/Foundations and Futures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then came the COVID-19 pandemic and a surge in anti-Asian hate incidents.\u003c/p>\n\u003cp>“There’s so many people who have no idea who we are, where we come from, how we got here,” Umemoto said.\u003c/p>\n\u003cp>The textbook grew into a $12 million project, supported through a mix of state funding, grants and private donations.[aside postID=news_12083091 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-08-KQED.jpg']A major boost came in 2022, when the California Asian Pacific Islander Legislative Caucus \u003ca href=\"https://aapilegcaucus.legislature.ca.gov/products/california-aapi-legislative-caucus-committed-teaching-aapi-history\">helped secure a $10 million state allocation.\u003c/a>\u003c/p>\n\u003cp>Much of the textbook does focus on AAPI history in California, like the Filipino farmworker movement and Vietnamese refugee communities in Orange County.\u003c/p>\n\u003cp>But other modules cover Chinese immigrant garment workers in New York and Asian American communities in the South.\u003c/p>\n\u003ch2>Getting into schools\u003c/h2>\n\u003cp>Umemoto said the textbook is for anyone to use as needed, but a major goal is helping educators incorporate AAPI perspectives into existing courses.\u003c/p>\n\u003cp>“We’re so woefully invisible and underrepresented in educational curricula,” she said, noting that there are few teachers to instruct from lived experience.\u003c/p>\n\u003cp>Just \u003ca href=\"https://nces.ed.gov/programs/coe/indicator/clr/public-school-teachers?utm_source=chatgpt.com\">2% of public school teachers \u003c/a>in the U.S. are AAPI.\u003c/p>\n\u003cp>The plan is to offer everything from two-day in-person teacher workshops to national webinars in partnership with teachers unions.\u003c/p>\n\u003cfigure id=\"attachment_12083333\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Michael Christman of San Francisco Heritage holds a print of landmark Supreme Court case Yick Wo v. Hopkins during a press conference at the parking lot on 3rd and Harrison streets to commemorate the case’s 140th anniversary in San Francisco on Monday, May 11, 2026. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even with the project’s launch, organizers say their work continues with raising funds for teacher training, as well as outreach and operations.\u003c/p>\n\u003cp>The team is seeking another $5 million for the next three years.\u003c/p>\n\u003cp>“I’m a professor not trained in doing startups or ed tech projects, and so I didn’t realize how much it would take just to keep the lights on,” Umemoto said.\u003c/p>\n\u003cp>All the while, the team is building the textbook to 50 chapters. It’s currently at 42.\u003c/p>\n\u003ch2>Learning amid polarization\u003c/h2>\n\u003cp>The project arrives amid charged political debates over how race and identity are taught in schools.\u003c/p>\n\u003cp>Umemoto acknowledged that some critics view ethnic studies as divisive, but she said the goal of the textbook is the opposite.\u003c/p>\n\u003cp>“We need to learn about each other’s history so that we can build an inclusive society,” she said.\u003c/p>\n\u003cp>For Umemoto, the work is deeply personal.\u003c/p>\n\u003cfigure id=\"attachment_12084641\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12084641\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316.jpg\" alt=\"\" width=\"1980\" height=\"1332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316-1536x1033.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">U.S. President Lyndon B. Johnson signing the Immigration and Nationality Act of 1965 as U.S. Vice President Hubert Humphrey, Lady Bird Johnson, Muriel Humphrey, Senator Edward Kennedy Senator Robert Kennedy, and others look on, Liberty Island, New York City, New York. \u003ccite>(Yoichi Okamoto/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She said she grew up knowing her parents and grandparents had been forced into camps during World War II, but did not fully understand the broader history behind the incarceration of Japanese Americans until later in life.\u003c/p>\n\u003cp>“I grew up thinking everybody was in camp,” she said.\u003c/p>\n\u003cp>Ultimately, she hopes the textbook helps students better understand both themselves and one another.\u003c/p>\n\u003cp>“In all my years of teaching, there has not been a student who has left the classroom unchanged,” Umemoto said.\u003c/p>\n\u003cp>“If we want to deal with the problems of polarization, we need to start in the classroom.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Called \u003ca href=\"https://www.foundationsandfutures.org/\" data-cms-ai=\"0\">\u003cem>Foundations and Futures\u003c/em>\u003c/a>, the online platform combines written chapters, archival documents and artwork with videos and podcast clips, geared at students in high school and up, along with their teachers.\u003c/p>\n\u003cp>“It’s the largest collection of Asian American and Pacific Islander histories in one location — free and open access for anyone with an Internet connection,” said Karen Umemoto, director of the UCLA center and one of the project’s co-editors.\u003c/p>\n\u003cfigure id=\"attachment_12051530\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12051530\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP.jpg\" alt=\"\" width=\"2000\" height=\"1337\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/08/UCLAAP-1536x1027.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Students walk past Royce Hall at the University of California, Los Angeles, campus in Los Angeles, on Aug. 15, 2024. \u003ccite>(Damian Dovarganes/AP Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The textbook officially launched this month — Asian American and Pacific Islander Heritage Month — after some six years of development with contributions from more than 100 authors and curriculum developers from across the country.\u003c/p>\n\u003cp>Designed with the TikTok generation in mind, the platform is optimized for phones and tablets for easy scrolling.\u003c/p>\n\u003cp>“A lot of young people, of course, are really into TikTok videos and Instagram posts,” Umemoto said. “So we thought, ‘Let’s leverage that.’”\u003c/p>\n\u003ch2>Responding to invisibility\u003c/h2>\n\u003cp>The project was seeded in 2020 when Umemoto and co-editor and fellow UCLA professor Kelly Fong began drafting proposals chapter by chapter.\u003c/p>\n\u003cp>At the time, California was moving toward implementing an \u003ca href=\"https://apnews.com/article/gavin-newsom-san-francisco-california-graduation-bills-f80ea6c0efc1a37c88b83c9fef63109c\">ethnic studies graduation requirement\u003c/a>. The professors worried AAPI histories could still be sidelined without dedicated resources.\u003c/p>\n\u003cfigure id=\"attachment_12084634\" class=\"wp-caption aligncenter\" style=\"max-width: 1974px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12084634\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi.jpg\" alt=\"\" width=\"1974\" height=\"1313\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi.jpg 1974w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/36.03.IMG_.017_MNK.PlanningExplorationOfKahoolawe.1979.FrancoSalmoiraghi-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 1974px) 100vw, 1974px\">\u003cfigcaption class=\"wp-caption-text\">Grassroots activists prepare to survey Kahoʻolawe in 1976. Thanks in part to Mink’s advocacy, Congress finally voted to return the sacred land back to Hawaiʻi and end military testing there in 1993 after decades of sustained resistance. \u003ccite>(Courtesy of Hawaiʻi Public Radio/Foundations and Futures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then came the COVID-19 pandemic and a surge in anti-Asian hate incidents.\u003c/p>\n\u003cp>“There’s so many people who have no idea who we are, where we come from, how we got here,” Umemoto said.\u003c/p>\n\u003cp>The textbook grew into a $12 million project, supported through a mix of state funding, grants and private donations.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A major boost came in 2022, when the California Asian Pacific Islander Legislative Caucus \u003ca href=\"https://aapilegcaucus.legislature.ca.gov/products/california-aapi-legislative-caucus-committed-teaching-aapi-history\">helped secure a $10 million state allocation.\u003c/a>\u003c/p>\n\u003cp>Much of the textbook does focus on AAPI history in California, like the Filipino farmworker movement and Vietnamese refugee communities in Orange County.\u003c/p>\n\u003cp>But other modules cover Chinese immigrant garment workers in New York and Asian American communities in the South.\u003c/p>\n\u003ch2>Getting into schools\u003c/h2>\n\u003cp>Umemoto said the textbook is for anyone to use as needed, but a major goal is helping educators incorporate AAPI perspectives into existing courses.\u003c/p>\n\u003cp>“We’re so woefully invisible and underrepresented in educational curricula,” she said, noting that there are few teachers to instruct from lived experience.\u003c/p>\n\u003cp>Just \u003ca href=\"https://nces.ed.gov/programs/coe/indicator/clr/public-school-teachers?utm_source=chatgpt.com\">2% of public school teachers \u003c/a>in the U.S. are AAPI.\u003c/p>\n\u003cp>The plan is to offer everything from two-day in-person teacher workshops to national webinars in partnership with teachers unions.\u003c/p>\n\u003cfigure id=\"attachment_12083333\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/20260511-YICKWOCOMMEMORATION-JY-07-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Michael Christman of San Francisco Heritage holds a print of landmark Supreme Court case Yick Wo v. Hopkins during a press conference at the parking lot on 3rd and Harrison streets to commemorate the case’s 140th anniversary in San Francisco on Monday, May 11, 2026. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even with the project’s launch, organizers say their work continues with raising funds for teacher training, as well as outreach and operations.\u003c/p>\n\u003cp>The team is seeking another $5 million for the next three years.\u003c/p>\n\u003cp>“I’m a professor not trained in doing startups or ed tech projects, and so I didn’t realize how much it would take just to keep the lights on,” Umemoto said.\u003c/p>\n\u003cp>All the while, the team is building the textbook to 50 chapters. It’s currently at 42.\u003c/p>\n\u003ch2>Learning amid polarization\u003c/h2>\n\u003cp>The project arrives amid charged political debates over how race and identity are taught in schools.\u003c/p>\n\u003cp>Umemoto acknowledged that some critics view ethnic studies as divisive, but she said the goal of the textbook is the opposite.\u003c/p>\n\u003cp>“We need to learn about each other’s history so that we can build an inclusive society,” she said.\u003c/p>\n\u003cp>For Umemoto, the work is deeply personal.\u003c/p>\n\u003cfigure id=\"attachment_12084641\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12084641\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316.jpg\" alt=\"\" width=\"1980\" height=\"1332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2188531316-1536x1033.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">U.S. President Lyndon B. Johnson signing the Immigration and Nationality Act of 1965 as U.S. Vice President Hubert Humphrey, Lady Bird Johnson, Muriel Humphrey, Senator Edward Kennedy Senator Robert Kennedy, and others look on, Liberty Island, New York City, New York. \u003ccite>(Yoichi Okamoto/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She said she grew up knowing her parents and grandparents had been forced into camps during World War II, but did not fully understand the broader history behind the incarceration of Japanese Americans until later in life.\u003c/p>\n\u003cp>“I grew up thinking everybody was in camp,” she said.\u003c/p>\n\u003cp>Ultimately, she hopes the textbook helps students better understand both themselves and one another.\u003c/p>\n\u003cp>“In all my years of teaching, there has not been a student who has left the classroom unchanged,” Umemoto said.\u003c/p>\n\u003cp>“If we want to deal with the problems of polarization, we need to start in the classroom.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A coalition protested on Monday outside of video game company Electronic Arts’ \u003ca href=\"https://www.kqed.org/news/tag/redwood-city\">Redwood City \u003c/a>headquarters, slamming the industry titan for agreeing to a $55 billion acquisition by private financiers.\u003c/p>\n\u003cp>Members of the Players Alliance, dressed as characters from the video game \u003cem>The Sims\u003c/em>, delivered a \u003ca href=\"https://playersalliancehq.org/block-ea-deal-petition/\">petition \u003c/a>with over 70,000 signatures asking EA to reconsider the deal, in which an investor consortium with ties to the Saudi Arabian government and President Donald Trump’s son-in-law, Jared Kushner, will acquire the company.\u003c/p>\n\u003cp>The group said the deal would result in the aggressive monetization of EA games, layoffs at the company and ultimately, a lower quality product for gamers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“ With the economic climate, there’s so much pressure on people,” Players Alliance member Otis East said. “You need to be able to decompress somewhere, and if the gaming space is also a place of pressure, where do you go?”\u003c/p>\n\u003cp>East said EA is already in the practice of installing “loot boxes” in its games, in which players can pay money for the prospect of winning special in-game prizes — a practice East compared to gambling, and which he expected to worsen if the deal went through.\u003c/p>\n\u003cfigure id=\"attachment_12083181\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083181\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators gather outside the headquarters of Electronic Arts in Redwood City on May 11, 2026, to protest a proposed $55 billion buyout led by Saudi Arabia’s Public Investment Fund. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“ A lot of these games are built to appeal to children, so you’re normalizing gambling to a very young demographic,” East said. And that, he added, “Could be a very slippery slope.”\u003c/p>\n\u003cp>EA declined to comment on Monday’s action.\u003c/p>\n\u003cp>The company first announced in September 2025 that it agreed to be acquired by the Public Investment Fund of Saudi Arabia, the global technology investment firm Silver Lake, and the investment firm Affinity Partners, which was founded by Kushner in 2021.\u003c/p>\n\u003cp>At the time, the company \u003ca href=\"https://investors.ea.com/press-releases/press-release-details/2025/EA-Announces-Agreement-to-be-Acquired-by-PIF-Silver-Lake-and-Affinity-Partners-for-55-Billion/default.aspx?utm_source\">said \u003c/a>the transaction represented the largest all-cash sponsor take-private investment in history, and that EA would remain headquartered in Redwood City and continue to be led by Wilson.[aside postID=news_12081721 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Stalkerware_webimg.png']“Our creative and passionate teams at EA have delivered extraordinary experiences for hundreds of millions of fans, built some of the world’s most iconic IP, and created significant value for our business,” Andrew Wilson, chairman & CEO of Electronic Arts, said in a September 2025 press release.\u003c/p>\n\u003cp>He called the potential deal “a powerful recognition of their remarkable work,” and added that “Looking ahead, we will continue to push the boundaries of entertainment, sports and technology, unlocking new opportunities.”\u003c/p>\n\u003cp>As part of the deal, EA is taking on $20 billion of debt financed by JPMorgan Chase Bank, which the Players Alliance argued will pressure the company to cut jobs, replace developers with AI and impose price hikes through more aggressive monetization.\u003c/p>\n\u003cp>Ever since 1982, when former Apple employee Trip Hawkins founded EA in the Bay Area, Electronic Arts has created some of the most iconic video game franchises, including Madden NFL, Battlefield and The Sims.\u003c/p>\n\u003cp>For Twitch streamer MivYard, who declined to give her name for safety reasons, games like The Sims have been an important outlet for members of the LGBTQ+ community like herself.\u003c/p>\n\u003cfigure id=\"attachment_12083182\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083182\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators gather outside the headquarters of Electronic Arts in Redwood City on May 11, 2026, to protest a proposed $55 billion buyout led by Saudi Arabia’s Public Investment Fund. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As a bisexual, there weren’t a lot of games where you could just have anybody romance anybody else,” \u003ca href=\"https://www.twitch.tv/mivyard\">MivYard\u003c/a> said. This game has a really special place in my heart, and the thought of it being taken over by people who might want to censor that aspect is really frightening.”\u003c/p>\n\u003cp>East said that gaming helped him with depression, and that he worried this deal would set off a domino effect in the gaming industry, where more publicly traded companies will be taken over by private equity firms — and a greater emphasis will be placed on profits as opposed to the quality of the games.\u003c/p>\n\u003cp>“ I can personally say that gaming has saved my life,” East said. “Being able to play games and connect with people gave me a pathway to speak through what was bothering me, and without that, I don’t know if I would be here.”\u003c/p>\n\u003cp>EA said the transaction is expected to close this year, subject to regulatory approvals.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“ With the economic climate, there’s so much pressure on people,” Players Alliance member Otis East said. “You need to be able to decompress somewhere, and if the gaming space is also a place of pressure, where do you go?”\u003c/p>\n\u003cp>East said EA is already in the practice of installing “loot boxes” in its games, in which players can pay money for the prospect of winning special in-game prizes — a practice East compared to gambling, and which he expected to worsen if the deal went through.\u003c/p>\n\u003cfigure id=\"attachment_12083181\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083181\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-05-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators gather outside the headquarters of Electronic Arts in Redwood City on May 11, 2026, to protest a proposed $55 billion buyout led by Saudi Arabia’s Public Investment Fund. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“ A lot of these games are built to appeal to children, so you’re normalizing gambling to a very young demographic,” East said. And that, he added, “Could be a very slippery slope.”\u003c/p>\n\u003cp>EA declined to comment on Monday’s action.\u003c/p>\n\u003cp>The company first announced in September 2025 that it agreed to be acquired by the Public Investment Fund of Saudi Arabia, the global technology investment firm Silver Lake, and the investment firm Affinity Partners, which was founded by Kushner in 2021.\u003c/p>\n\u003cp>At the time, the company \u003ca href=\"https://investors.ea.com/press-releases/press-release-details/2025/EA-Announces-Agreement-to-be-Acquired-by-PIF-Silver-Lake-and-Affinity-Partners-for-55-Billion/default.aspx?utm_source\">said \u003c/a>the transaction represented the largest all-cash sponsor take-private investment in history, and that EA would remain headquartered in Redwood City and continue to be led by Wilson.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Our creative and passionate teams at EA have delivered extraordinary experiences for hundreds of millions of fans, built some of the world’s most iconic IP, and created significant value for our business,” Andrew Wilson, chairman & CEO of Electronic Arts, said in a September 2025 press release.\u003c/p>\n\u003cp>He called the potential deal “a powerful recognition of their remarkable work,” and added that “Looking ahead, we will continue to push the boundaries of entertainment, sports and technology, unlocking new opportunities.”\u003c/p>\n\u003cp>As part of the deal, EA is taking on $20 billion of debt financed by JPMorgan Chase Bank, which the Players Alliance argued will pressure the company to cut jobs, replace developers with AI and impose price hikes through more aggressive monetization.\u003c/p>\n\u003cp>Ever since 1982, when former Apple employee Trip Hawkins founded EA in the Bay Area, Electronic Arts has created some of the most iconic video game franchises, including Madden NFL, Battlefield and The Sims.\u003c/p>\n\u003cp>For Twitch streamer MivYard, who declined to give her name for safety reasons, games like The Sims have been an important outlet for members of the LGBTQ+ community like herself.\u003c/p>\n\u003cfigure id=\"attachment_12083182\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083182\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260511-GAMERSPROTEST-06-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators gather outside the headquarters of Electronic Arts in Redwood City on May 11, 2026, to protest a proposed $55 billion buyout led by Saudi Arabia’s Public Investment Fund. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As a bisexual, there weren’t a lot of games where you could just have anybody romance anybody else,” \u003ca href=\"https://www.twitch.tv/mivyard\">MivYard\u003c/a> said. This game has a really special place in my heart, and the thought of it being taken over by people who might want to censor that aspect is really frightening.”\u003c/p>\n\u003cp>East said that gaming helped him with depression, and that he worried this deal would set off a domino effect in the gaming industry, where more publicly traded companies will be taken over by private equity firms — and a greater emphasis will be placed on profits as opposed to the quality of the games.\u003c/p>\n\u003cp>“ I can personally say that gaming has saved my life,” East said. “Being able to play games and connect with people gave me a pathway to speak through what was bothering me, and without that, I don’t know if I would be here.”\u003c/p>\n\u003cp>EA said the transaction is expected to close this year, subject to regulatory approvals.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "carnaval-san-francisco-turns-music-memory-and-resistance-into-celebration",
"title": "Carnaval San Francisco Turns Music, Memory and Resistance Into Celebration",
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"content": "\u003cp>\u003cem>This story was reported for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">Click here to subscribe\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Fabian Ramirez remembers going to \u003ca href=\"https://www.kqed.org/news/tag/carnaval\">Carnaval San Francisco\u003c/a> while growing up in the Mission District. He watched musicians perform throughout the festival and wanted to be just like them.\u003c/p>\n\u003cp>Ramirez is now the lead singer of Grupo 415, a regional Mexican music quartet that is among the 60 musical artists performing this year at Carnaval.\u003c/p>\n\u003cp>“Being from San Francisco, being from the Mission, performing at Carnaval means a lot,” the 19-year-old told me. “It’s an honor.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Personal connections like Ramirez’s illustrate why Carnaval embodies the Bay Area. The concept originated in Latin America, but it has taken on distinctly San Franciscan attributes by showcasing local talent and highlighting the many countries of origin that make up the region’s Latine community, all while building on a global tradition.\u003c/p>\n\u003cp>That ethos is even more relevant this year as the federal government has targeted and terrorized immigrant communities.\u003c/p>\n\u003cp>“We’ve been through economic upturns and downturns, gentrification, the pandemic. We’ve gone through these types of anti-immigration policies in the ‘90s in California,” said Rodrigo Durán, executive director of Carnaval San Francisco. “Carnaval was always there, and we’ll still be there to support, to provide a space where people feel protected. And so we’re ready.”\u003c/p>\n\u003cfigure id=\"attachment_12083187\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Loco Bloco dancers perform during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carnaval draws about 500,000 people to the Mission each Memorial Day weekend for two days of music, food and arts. The festival, slated for 11 a.m.-6 p.m. May 23-24, will take over 17 city blocks and include a parade, five stages, a kid zone, 300 exhibitors and vendors, and a soccer pavilion to celebrate this year’s theme, “La Copa del Pueblo — The People’s Cup” in alignment with the upcoming World Cup.[aside postID=news_12072776 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/DULCETRICOLOR-10-JL-012526-KQED.jpg']The festival, now in its 48th year, is a celebration of Latino culture and immigrants who have infused the Bay Area with rich traditions, food and music. It’s the third-largest annual festival in San Francisco, following Pride and Lunar New Year.\u003c/p>\n\u003cp>This year’s headliner is Su Majestad Mi Banda El Mexicano de Casimiro, a group that popularized the “electrobanda” style of music in the 1990s.\u003c/p>\n\u003cp>“Selfishly, I’m reliving my childhood memories,” Durán said. “And then there’s this new generation that’s tapping into this vintage music and enjoying that rhythm that’s so energetic and that’s nostalgic at the same time.”\u003c/p>\n\u003cp>Mi Banda El Mexicano’s music blended various genres into danceable party bangers that I grew up listening to and still hit hard today. Songs include \u003cem>La Bota\u003c/em> (\u003cem>The Boot\u003c/em>), \u003cem>Feliz, Feliz\u003c/em> (\u003cem>Happy, Happy\u003c/em>) and \u003cem>Mambo Lupita\u003c/em>.\u003c/p>\n\u003cp>They were avant-garde for challenging social norms of the time and unapologetically pushing risqué dance styles such as “quebradita” and “caballito.” Their biggest hit is \u003cem>No Bailes de Caballito\u003c/em> (\u003cem>Don’t Dance to Caballito\u003c/em>), which includes the lyrics: “The king commands and orders you to dance the caballito — even if your mom gets mad!”\u003c/p>\n\u003cp>Banda El Mexicano “will give us a sense of liberty, a sense of freedom to breathe, to reflect, to enjoy, to have joy in a moment when we’re feeling so distressed and so antagonized,” Durán said.\u003c/p>\n\u003cfigure id=\"attachment_11987826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg\" alt=\"Two women dressed in decorative attire for a parade look at each other outside.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Alma Mejia (left) and Sandra Sandoval, from the group Xiuhcoatl Danza Azteca, talk before the 2024 Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carnaval’s roots stretch deep into Latin America and Europe. The idea was to throw a big party and use up excess food and energy before Lent, a religious season promoting fasting and spiritual growth preceding Easter.\u003c/p>\n\u003cp>“In the 1970s, people found themselves realizing that there is this wealth of cultures that share similarities, but that have these distinct ways of expressing their traditions and their cultures,” Durán said.\u003c/p>\n\u003cp>Lent usually starts in February or March, which can be rainy in San Francisco, so early festival organizers decided Memorial Day weekend would be a better time of year, Durán said.[aside postID=news_12062734 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/231029_OAKDiadelosMuertosFestival_EG-38.jpg']Jose Carrasco, founder of San Francisco dance and arts organization Loco Bloco, started attending Carnaval as a spectator in the 1980s and organized his first parade performance in 1994. The festival brings back memories from his childhood growing up in Louisiana.\u003c/p>\n\u003cp>“My parents would take me and my siblings to the Mardi Gras parades in New Orleans,” he said. “Those were really astounding, especially as a child, to see these giant floats and the music that was playing and all the beads being thrown and the colors and the costumes. It left a lasting impression.”\u003c/p>\n\u003cp>For this year’s Carnaval, Loco Bloco has assembled about 150 dancers and performers, including a 12-piece band, 50 drummers and an elaborate float that will snake through 20 blocks in San Francisco’s Mission District.\u003c/p>\n\u003cp>Planning for the parade starts almost as soon as the previous parade ends. It takes several months to craft a theme, choreography and music followed by rehearsals.\u003c/p>\n\u003cp>Carnaval is about “expressing art and expressing joy and bringing community together and bringing together a lot of people, who aren’t necessarily professional artists or musicians or dancers,” Carrasco said. “It’s a community ritual in which everyone can participate or watch.”\u003c/p>\n\u003cfigure id=\"attachment_11987839\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987839\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL.jpg\" alt=\"Several women dressed in colorful clothing dance and walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cathedral City High School Ballet Folklórico performs during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Loco Bloco’s parade theme this year is “Uprising,” drawing inspiration from the native people of Hawaii and volcanoes, Carrasco said.\u003c/p>\n\u003cp>“Uprising also represents what volcanoes do, and the magma exploding and the magma flowing underground is the lifeblood of the planet,” he said. “We’re trying to provide a vehicle to let the steam off as if it’s magma, the heat, the boiling blood. We’re going to channel it and feel joy and move in the street and feel our power, and say something super important while we’re moving our bodies and our hips, legs, hands and our butts.”\u003c/p>\n\u003cp>For Carrasco, the broader purpose of Carnaval is to preserve cultural identity, fight erasure and empower the community, especially young people.\u003c/p>\n\u003cp>That is certainly the case for Ramirez of Grupo 415, who started playing music at age 7. He connected with his bandmates via social media after the pandemic, when posting about music served as an outlet.\u003c/p>\n\u003cp>The group, which plans to release its first album this summer, is performing at Carnaval for the second time this year.\u003c/p>\n\u003cp>“That was a dream for me: to perform at Carnaval, and then I thought, how am I going to get there?” Ramirez said. “I was like, ‘You know what? Let me reach out to Carnaval and see who I could get in touch with to make this happen,’ because that was always a goal for me and the band to get to perform on a big stage, especially for Carnaval.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Carnaval San Francisco returns to the Mission District this Memorial Day weekend with live music, dance, food, a massive parade and celebrations of Latino culture, immigrant communities and Bay Area tradition.",
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"title": "Carnaval San Francisco Turns Music, Memory and Resistance Into Celebration | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story was reported for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">Click here to subscribe\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Fabian Ramirez remembers going to \u003ca href=\"https://www.kqed.org/news/tag/carnaval\">Carnaval San Francisco\u003c/a> while growing up in the Mission District. He watched musicians perform throughout the festival and wanted to be just like them.\u003c/p>\n\u003cp>Ramirez is now the lead singer of Grupo 415, a regional Mexican music quartet that is among the 60 musical artists performing this year at Carnaval.\u003c/p>\n\u003cp>“Being from San Francisco, being from the Mission, performing at Carnaval means a lot,” the 19-year-old told me. “It’s an honor.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Personal connections like Ramirez’s illustrate why Carnaval embodies the Bay Area. The concept originated in Latin America, but it has taken on distinctly San Franciscan attributes by showcasing local talent and highlighting the many countries of origin that make up the region’s Latine community, all while building on a global tradition.\u003c/p>\n\u003cp>That ethos is even more relevant this year as the federal government has targeted and terrorized immigrant communities.\u003c/p>\n\u003cp>“We’ve been through economic upturns and downturns, gentrification, the pandemic. We’ve gone through these types of anti-immigration policies in the ‘90s in California,” said Rodrigo Durán, executive director of Carnaval San Francisco. “Carnaval was always there, and we’ll still be there to support, to provide a space where people feel protected. And so we’re ready.”\u003c/p>\n\u003cfigure id=\"attachment_12083187\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/240526-Carnaval-090-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Loco Bloco dancers perform during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carnaval draws about 500,000 people to the Mission each Memorial Day weekend for two days of music, food and arts. The festival, slated for 11 a.m.-6 p.m. May 23-24, will take over 17 city blocks and include a parade, five stages, a kid zone, 300 exhibitors and vendors, and a soccer pavilion to celebrate this year’s theme, “La Copa del Pueblo — The People’s Cup” in alignment with the upcoming World Cup.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The festival, now in its 48th year, is a celebration of Latino culture and immigrants who have infused the Bay Area with rich traditions, food and music. It’s the third-largest annual festival in San Francisco, following Pride and Lunar New Year.\u003c/p>\n\u003cp>This year’s headliner is Su Majestad Mi Banda El Mexicano de Casimiro, a group that popularized the “electrobanda” style of music in the 1990s.\u003c/p>\n\u003cp>“Selfishly, I’m reliving my childhood memories,” Durán said. “And then there’s this new generation that’s tapping into this vintage music and enjoying that rhythm that’s so energetic and that’s nostalgic at the same time.”\u003c/p>\n\u003cp>Mi Banda El Mexicano’s music blended various genres into danceable party bangers that I grew up listening to and still hit hard today. Songs include \u003cem>La Bota\u003c/em> (\u003cem>The Boot\u003c/em>), \u003cem>Feliz, Feliz\u003c/em> (\u003cem>Happy, Happy\u003c/em>) and \u003cem>Mambo Lupita\u003c/em>.\u003c/p>\n\u003cp>They were avant-garde for challenging social norms of the time and unapologetically pushing risqué dance styles such as “quebradita” and “caballito.” Their biggest hit is \u003cem>No Bailes de Caballito\u003c/em> (\u003cem>Don’t Dance to Caballito\u003c/em>), which includes the lyrics: “The king commands and orders you to dance the caballito — even if your mom gets mad!”\u003c/p>\n\u003cp>Banda El Mexicano “will give us a sense of liberty, a sense of freedom to breathe, to reflect, to enjoy, to have joy in a moment when we’re feeling so distressed and so antagonized,” Durán said.\u003c/p>\n\u003cfigure id=\"attachment_11987826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg\" alt=\"Two women dressed in decorative attire for a parade look at each other outside.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Alma Mejia (left) and Sandra Sandoval, from the group Xiuhcoatl Danza Azteca, talk before the 2024 Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carnaval’s roots stretch deep into Latin America and Europe. The idea was to throw a big party and use up excess food and energy before Lent, a religious season promoting fasting and spiritual growth preceding Easter.\u003c/p>\n\u003cp>“In the 1970s, people found themselves realizing that there is this wealth of cultures that share similarities, but that have these distinct ways of expressing their traditions and their cultures,” Durán said.\u003c/p>\n\u003cp>Lent usually starts in February or March, which can be rainy in San Francisco, so early festival organizers decided Memorial Day weekend would be a better time of year, Durán said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Jose Carrasco, founder of San Francisco dance and arts organization Loco Bloco, started attending Carnaval as a spectator in the 1980s and organized his first parade performance in 1994. The festival brings back memories from his childhood growing up in Louisiana.\u003c/p>\n\u003cp>“My parents would take me and my siblings to the Mardi Gras parades in New Orleans,” he said. “Those were really astounding, especially as a child, to see these giant floats and the music that was playing and all the beads being thrown and the colors and the costumes. It left a lasting impression.”\u003c/p>\n\u003cp>For this year’s Carnaval, Loco Bloco has assembled about 150 dancers and performers, including a 12-piece band, 50 drummers and an elaborate float that will snake through 20 blocks in San Francisco’s Mission District.\u003c/p>\n\u003cp>Planning for the parade starts almost as soon as the previous parade ends. It takes several months to craft a theme, choreography and music followed by rehearsals.\u003c/p>\n\u003cp>Carnaval is about “expressing art and expressing joy and bringing community together and bringing together a lot of people, who aren’t necessarily professional artists or musicians or dancers,” Carrasco said. “It’s a community ritual in which everyone can participate or watch.”\u003c/p>\n\u003cfigure id=\"attachment_11987839\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987839\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL.jpg\" alt=\"Several women dressed in colorful clothing dance and walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-33-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cathedral City High School Ballet Folklórico performs during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Loco Bloco’s parade theme this year is “Uprising,” drawing inspiration from the native people of Hawaii and volcanoes, Carrasco said.\u003c/p>\n\u003cp>“Uprising also represents what volcanoes do, and the magma exploding and the magma flowing underground is the lifeblood of the planet,” he said. “We’re trying to provide a vehicle to let the steam off as if it’s magma, the heat, the boiling blood. We’re going to channel it and feel joy and move in the street and feel our power, and say something super important while we’re moving our bodies and our hips, legs, hands and our butts.”\u003c/p>\n\u003cp>For Carrasco, the broader purpose of Carnaval is to preserve cultural identity, fight erasure and empower the community, especially young people.\u003c/p>\n\u003cp>That is certainly the case for Ramirez of Grupo 415, who started playing music at age 7. He connected with his bandmates via social media after the pandemic, when posting about music served as an outlet.\u003c/p>\n\u003cp>The group, which plans to release its first album this summer, is performing at Carnaval for the second time this year.\u003c/p>\n\u003cp>“That was a dream for me: to perform at Carnaval, and then I thought, how am I going to get there?” Ramirez said. “I was like, ‘You know what? Let me reach out to Carnaval and see who I could get in touch with to make this happen,’ because that was always a goal for me and the band to get to perform on a big stage, especially for Carnaval.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "from-anza-to-yorba-the-messy-history-behind-the-richmond-and-sunsets-street-names",
"title": "From Anza to Yorba: The Messy History Behind the Richmond's and Sunset’s Street Names",
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"headTitle": "From Anza to Yorba: The Messy History Behind the Richmond’s and Sunset’s Street Names | KQED",
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"content": "\u003cp>\u003cem>\u003ca href=\"#episode-transcript\"> View the full episode transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>We have gotten a lot of questions about street names in the western part of\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\"> San Francisco\u003c/a> — the Richmond and Sunset neighborhoods.\u003c/p>\n\u003cp>Why do the streets appear to follow an alphabetical pattern, only to break it often? Where do the names come from in the first place? Who chose them?\u003c/p>\n\u003cp>The answers are both more complicated (of course) and less logical than you might imagine. It all goes back — like so many things in San Francisco history — to the time right after the 1906 earthquake and fire.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Back then, the primary means of communication was the mail. But delivering the mail to the correct recipient was a challenge because there were many repetitive street names or ones that were easy to confuse in the city.\u003c/p>\n\u003cp>For example, there were four Church streets — basically, anytime someone built a church, they’d name the street adjacent “Church Street”. And three sections of the city were named with numerical values.\u003c/p>\n\u003cp>There were numbered avenues out in the Richmond and Sunset, numerical streets downtown, and back then, the Bayview also went by numerical avenues, with “South” appended.\u003c/p>\n\u003cfigure id=\"attachment_12079487\" class=\"wp-caption aligncenter\" style=\"max-width: 1602px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079487\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th.jpg\" alt=\"\" width=\"1602\" height=\"1180\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th.jpg 1602w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th-1536x1131.jpg 1536w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\">\u003cfigcaption class=\"wp-caption-text\">Archival image of the Richmond District at Balboa and 32nd Avenue \u003ccite>(via Open SF History)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>ZIP codes had not been invented yet, so you can imagine the mess a mail carrier faced when trying to deliver a letter to 203 Church St. or 452 Fourth Ave.\u003c/p>\n\u003cp>“The post office was unhappy,” said John Freeman, an amateur historian and member of the Western Neighborhood Association. He wrote \u003ca href=\"https://www.outsidelands.org/street-names.php\">several articles\u003c/a> about the history behind San Francisco street names. “We’re rebuilding a lot of San Francisco. There’s new streets. So, it’s the perfect time to go and attack a problem that had just grown since the 1850s.”\u003c/p>\n\u003cp>In 1909, city leaders appointed a commission to come up with new names for the numbered avenues in both the western neighborhoods and the Bayview.[aside postID=news_12074947 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260221-SUNNYSIDECONSERVATORY00252_TV-KQED.jpg']In the Richmond and Sunset, the committee decided to honor the city’s Spanish heritage by naming streets after famous Spanish explorers or anyone who had an outsized influence in California.\u003c/p>\n\u003cp>They planned for the names to go alphabetically from First Avenue (what’s now Arguello) out to 26th Avenue. Then the alphabet would start over, but the following 26 streets would be named for saints. So, 27th Ave would have been San Antonio, 28th would become San Benito, etc.\u003c/p>\n\u003cp>But when the proposal was put forward, outraged locals pushed back against the naming scheme.\u003c/p>\n\u003cp>The country had just fought the Spanish-American War in the Philippines, and some residents found the idea of naming streets after Spaniards unpatriotic.\u003c/p>\n\u003cp>“Suddenly it starts getting the ire of the locals who had community meetings and started saying, you know, we don’t want to be named after those lowlife Spaniards,” Freeman said.\u003c/p>\n\u003cp>There was so much opposition that the committee gave up the scheme. They settled on renaming “First Avenue” to “Arguello” and the street just before the beach “La Playa,” which means “the beach” in Spanish.\u003c/p>\n\u003cfigure id=\"attachment_12079485\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079485\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821.jpg\" alt=\"\" width=\"2000\" height=\"1124\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821-1536x863.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Richmond District and Ocean Beach in San Francisco, CA \u003ccite>(Jason Doiy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They left the numbered avenues, but used the alphabetical Spanish explorer idea for streets running east and west, instead. For some reason, residents didn’t oppose this slightly different approach. That’s how we got names like Anza, Balboa, and Cabrillo.\u003c/p>\n\u003cp>But of course, nothing is simple. Even though they had generally settled on an alphabetical scheme that would extend out into the Sunset, there were already problems. First, the committee didn’t want to change the names of streets that extended out from downtown — like Geary, California and Sacramento streets.\u003c/p>\n\u003cp>That’s why the alphabet starts mid-Richmond and goes south from there. “D Street” had already been renamed Fulton because it extended from downtown.\u003c/p>\n\u003cp>Streets that would have been “E, F, and G” were taken up by Golden Gate Park, which had been developed but was still nascent. Once on the other side of the park, the pattern should have started up again with H street.\u003c/p>\n\u003cp>“You gotta realize this is 1909, and we’re celebrating the 100th anniversary of the birth of Abraham Lincoln,” Freeman said. “So they’re naming all kinds of things after Abraham Lincoln.”\u003c/p>\n\u003cfigure id=\"attachment_12079492\" class=\"wp-caption aligncenter\" style=\"max-width: 1755px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12079492 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a.jpg\" alt=\"\" width=\"1755\" height=\"1277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a.jpg 1755w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a-1536x1118.jpg 1536w\" sizes=\"auto, (max-width: 1755px) 100vw, 1755px\">\u003cfigcaption class=\"wp-caption-text\">A map of San Francisco, circa 1909 \u003ccite>(Courtesy Carolyn Karis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>H street was a prominent boulevard edging Golden Gate Park, so they decided, “We’ll take out the H and will make it Lincoln. So already the game is getting changed.”\u003c/p>\n\u003cp>Meanwhile, the Sunset residents had convened their own committee to come up with more “patriotic” names for Sunset streets.\u003c/p>\n\u003cp>Irving Street is named for \u003ca href=\"https://en.wikipedia.org/wiki/Washington_Irving\">Washington Irving\u003c/a>, a writer. Judah Street is named for \u003ca href=\"https://en.wikipedia.org/wiki/Theodore_Judah\">Theodore Judah\u003c/a>, a civil engineer largely responsible for the design and construction of the transcontinental railroad.\u003c/p>\n\u003cp>“He was the clever engineer, and nobody honored him for anything,” Freeman said.\u003c/p>\n\u003cp>\u003ca href=\"https://books.google.com/books/about/The_Mexican_War_Journal_and_Letters_of_R.html?id=UzaRMQEACAAJ\">Kirkham\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Henry_Ware_Lawton\">Lawton \u003c/a>were military officers and thus deemed appropriate by the neighborhood groups. But after Lawton comes Moraga, named for \u003ca href=\"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaqu%C3%ADn_Moraga\">José Joaquín Moraga\u003c/a>, a Spanish explorer. So, we’re back to the pattern.\u003c/p>\n\u003cfigure id=\"attachment_12079540\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079540\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691.jpg\" alt=\"\" width=\"1980\" height=\"987\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691-1536x766.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">Washington Irving, circa. 1860-1865. \u003ccite>(Photo by Heritage Art/Heritage Images/via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A\u003ca href=\"https://www.outsidelands.org/parkside-district.php\"> big development company \u003c/a>was already using the Spanish explorer naming convention, so the neighbors gave up fighting to change those names.\u003c/p>\n\u003cp>Not many people lived that far out into the Sunset yet, anyway. Apart from the “Americanized” interlude from Lincoln to Kirkham, the pattern of Spanish explorers continued, with the exception of “X” and “Z.” X was going to be Xavier.\u003c/p>\n\u003cp>However, the committee ended up skipping an X-named street altogether when people claimed no one would be able to pronounce Xavier. Z street became Sloat.\u003c/p>\n\u003cp>“Logic kind of falls to the side,” Freeman said of the whole naming fiasco. “But it’s a good story because what they were trying to do didn’t work real well.”\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2>\u003ca id=\"episode-transcript\">\u003c/a>Episode transcript\u003c/h2>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> If you travel from north to south on the west side of San Francisco – through the Richmond District, across Golden Gate Park, all the way through the Sunset – you may notice the streets running east to west follow a naming convention.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Computerized voice: \u003c/b>\u003cspan style=\"font-weight: 400\">Anza. Balboa. Cabrillo. \u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> A … B… C… And further south.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Computerized voice: \u003c/b>\u003cspan style=\"font-weight: 400\">Quintara. Rivera. Santiago. Taraval.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> Q … R… S… T… They’re alphabetized! A to Z! Well, almost…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carolyn Karis: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s no D and no E. There is a Fulton but then there’s no G or H. \u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> This is Carolyn Karras. (Care-as)\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carolyn Karis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I live in Ingleside Terraces in San Francisco. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">She’s a librarian and she’s into San Francisco history. So when a friend asked her about why a few of the letters are missing, she was frustrated when the answer didn’t turn up in some of the usual places she thought to look.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carolyn Karis: \u003c/b>It just seems like the order should be complete once you start it, it should end up being complete. So what happened to those street names since it seemed to go from A to at least Y.\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Here with some answers for Carolyn is Bay Curious editor and producer Katrina Schwartz. Hey, Katrina!\u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Hey, Olivia. I gotta say, I’m excited to answer this question because it’s my home turf. I grew up in the Richmond District and went to school in the Sunset and I’ve wondered about this naming situation too.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> OK, start at the beginning, when did San Francisco start naming it’s streets.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Always street names, but not always a lot of logic to the names. There were a lot of duplicates, which was confusing to people.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Can you give me some examples of the kind of things that were confusing?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, so there were 4 Church streets at one point. Any time there was a church, the locals would call the alley behind in Church Lane or Church way… you get the idea. But most confusing of all, there were three sets of ordinal numbered streets. Like today, there were the numbered Avenues out west, and the numbered streets downtown, but there were also numbered streets in the Bayview, those just had “South” appended to them. So, Bayview had 9th avenue South, for example.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> It reminds me a lot of modern-day Washington D.C. If you get the cardinal direction wrong on the street name, you can wind up in the completely wrong place….\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">And remember, this was a time when people primarily communicated by post. The mail came several times a day…and postal codes had not been invented yet. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">So confusing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Then 1906 earthquake happens. Things are in shambles. But it’s also an opportunity to make some changes. I spoke to John Freeman about all this. He’s a retired high school teacher, amateur historian and life-long Richmond District resident. He says one group in particular was not happy with the street name situation in SF.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman: \u003c/b>\u003cspan style=\"font-weight: 400\">So the post office was unhappy. We’re rebuilding a lot of San Francisco. There’s new streets, there’s new widening of streets and all that kind of stuff. So the perfect time to go and attack a problem that had just grown like over, you know, since the 1850s.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Right, so in 1909 they put together a committee of folks to look at this naming issue. It’s got a couple Board of Supervisors on it, a historian and someone from the post office. Pretty small group. And they’ve got this idea to rename the Richmond District avenues to honor San Francisco’s history…\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman: \u003c/b>\u003cspan style=\"font-weight: 400\">This of course, was a time when the whole thing of Spanish, that time period of the development of California was very romanticized.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">OK, so like Anza, Balboa, Cabrillo…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> All explorers with some degree of connection to SF. And The idea, was to actually name all the ordinal streets using this scheme. So, First Avenue would become Arguello, second Balboa, third Cabrillo, etc. They’d do that all the way out to 26th and then they’d start over alphabetically, but add San or Santa. So, 27th Ave would have been San Antonio, 28th would become San Benito, etc.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> That’s strange because the actual Anza, Balboa, Cabrillo streets run east west. And the avenues are still numbered even today. What happened.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">John says the committee started sharing their ideas with the press and when residents of the Richmond and Sunset districts heard about it, they were pissed.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Feeman: \u003c/b>\u003cspan style=\"font-weight: 400\">It starts getting the ire of the locals who had community meetings and started saying, you know, we don’t want to be named after those lowlife Spaniards.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s harsh.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, well, xenophobia was alive and well back then too. But also, you have to remember in 1909 the Spanish-American war had just ended 10 years before. Of course, that was actually fought in the Philippines. And as a west coast port, San Francisco had a big role in that war. People here would have known folks fighting…it felt like recent history to many people.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> So what happens with the whole naming conundrum then?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Basically, the committee backs off and says fine, we won’t change the names of the Avenues. To save face, they kept Arguello, which is basically First Avenue now. And they kept La Playa, the last name before the beach, which also means “beach” in Spanish. And then they used the Spanish name scheme going east west instead. Of course, they had to come up with a new A street because Arguello was already taken, so that’s how we got Anza.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Feeman: \u003c/b>\u003cspan style=\"font-weight: 400\">Anza of course, he is definitely here. He explores the whole coast. He actually goes out and, you know, the only way he’s going to get through it, he went along to the actual ocean beach and then he comes inland and he did see as much as he possibly could. So he’s a legitimate early explorer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> But, as Carolyn points out, they didn’t really follow the pattern going east west either. Why not?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Basically local politics. So, it had been agreed that any streets that extended out west from Downtown would not be changed. So, streets like California and Sacramento stayed the same. Geary Boulevard was sacrosanct. So this naming starts south of Geary. We get A, B, C and then what would have been D is actually “Fulton street.” That’s because it was a street extending from downtown, so they didn’t want to change it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since they had an F, they just kept going, except G was basically Golden Gate Park, which had been established in 1870, but was still nascent. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That brings us to H street, which should have run next to the park on the south side. \u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s supposed to go all the way out to Sloat in alphabetical pattern. Well, h then this is eight nine, and we’re celebrating the 100th anniversary of the birth of Abraham Lincoln, so they’re naming all kinds of things after Abraham Lincoln. What a wonderful thing we’ll do away with those four little alleys down south of market that were named after Lincoln. And we’ll name this Grand Boulevard that is going to go alongside Golden Gate Park. We’ll take out the H and will make it Lincoln. So already the game is getting changed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">OK…but Irving, Judah, Kirkum, Lawton…also not Spanish names.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Correct. This is where more local politics came into play. There was a very active group of residents in the inner Sunset who DID NOT want Spanish names. They wanted “American” names. So they lobbied hard for Irving…after washington Irving the writer. Judah…for \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Theodore_Judah\">\u003cspan style=\"font-weight: 400\">Theodore Judah\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, a civil engineer largely responsible for the design and construction of the transcontinental railroad.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman:\u003c/b>\u003cspan style=\"font-weight: 400\"> He was the clever engineer and nobody honored him for anything.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">And then \u003c/span>\u003ca href=\"https://books.google.com/books/about/The_Mexican_War_Journal_and_Letters_of_R.html?id=UzaRMQEACAAJ\">\u003cspan style=\"font-weight: 400\">Kirkham\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Henry_Ware_Lawton\">\u003cspan style=\"font-weight: 400\">Lawton \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">were military officers and thus deemed appropriate by the neighborhood groups. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> But after Lawton comes Moraga, named for \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaqu%C3%ADn_Moraga\">\u003cspan style=\"font-weight: 400\">José Joaquín Moraga\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, a Spanish explorer. So, we’re back to the pattern. What happened?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Development. The Parkside [Realty Company] owned a lot of land in the outer Sunset and they were developing plots to sell. They’d already started naming the streets in their section according to the proposed Spanish explorer scheme. So we basically have Spanish names all the way out to Y.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">But there’s no X or Z street.\u003c/span>\u003c/p>\n\u003cp>\u003cb> Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Yep, more racism. X was supposed to Xavier Street, but the committee didn’t think anyone could pronounce it, so they just skipped it. And many of those other names aren’t actually Spanish explorers anyway. Taravel was a Native American guide who was part of the Anza expedition. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> So we have alphabetical-ish, Spanish-ish street names.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Totally. And, they were trying to work fast because they had to have it all done by the end of 1909 when the mayoral administration changed. So, maps after 1910 show the new names.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Olivia Allen-Price:\u003c/strong> Our question asker Carolyn actually mentioned an old map she’d found… \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Carolyn Karis: \u003c/b>\u003cspan style=\"font-weight: 400\">W\u003c/span>\u003cspan style=\"font-weight: 400\">e have a couple of older maps that we were looking at and one of them is 1909 map that we picked up somewhere and that has the letters. So it says like ABC above the park and then below the park, it just has the letter. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> So presumably this was printed between the time when the plan for the alphabetical streets was made, and when the final names hadn’t been chosen yet. So, this is actually a very cool little piece of history.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, a little time capsule window into the past. Thanks for all your reporting on this, Katrina.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">My pleasure.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Thanks to Carolyn Karras for asking this week’s question. You selected it in one of our monthly voting rounds and hey – our April voting round is now up and has some good questions…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Question 1: \u003c/b>\u003cspan style=\"font-weight: 400\">How many Bay food businesses are still in business after 10 years?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Question 2: \u003c/b>\u003cspan style=\"font-weight: 400\">Why does the SF Parks and Recreation still manage properties outside of the city limits?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Question 3: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m curious about the history of Bay Area communal living and what makes things a communal living situation vs cult.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Which of those do you want to hear on the show? Cast your vote at \u003c/span>\u003ca href=\"http://baycurious.org\">\u003cspan style=\"font-weight: 400\">BayCurious.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. And while you’re there, sign up for our monthly newsletter where we answer even more listener questions. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Bay Curious is made in San Francisco at member-supported KQED. Our show is produced by… and me Olivia Allen-Price. With extra support from … and everyone on Team KQED. Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m Olivia Allen-Price. Have a good one.\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Streets on San Francisco’s west side appear to follow an alphabetical naming convention with Spanish names. But look closer, and there are some missing letters. Why?",
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"title": "From Anza to Yorba: The Messy History Behind the Richmond's and Sunset’s Street Names | KQED",
"description": "Streets on San Francisco’s west side appear to follow an alphabetical naming convention with Spanish names. But look closer, and there are some missing letters. Why?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"#episode-transcript\"> View the full episode transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>We have gotten a lot of questions about street names in the western part of\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\"> San Francisco\u003c/a> — the Richmond and Sunset neighborhoods.\u003c/p>\n\u003cp>Why do the streets appear to follow an alphabetical pattern, only to break it often? Where do the names come from in the first place? Who chose them?\u003c/p>\n\u003cp>The answers are both more complicated (of course) and less logical than you might imagine. It all goes back — like so many things in San Francisco history — to the time right after the 1906 earthquake and fire.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Back then, the primary means of communication was the mail. But delivering the mail to the correct recipient was a challenge because there were many repetitive street names or ones that were easy to confuse in the city.\u003c/p>\n\u003cp>For example, there were four Church streets — basically, anytime someone built a church, they’d name the street adjacent “Church Street”. And three sections of the city were named with numerical values.\u003c/p>\n\u003cp>There were numbered avenues out in the Richmond and Sunset, numerical streets downtown, and back then, the Bayview also went by numerical avenues, with “South” appended.\u003c/p>\n\u003cfigure id=\"attachment_12079487\" class=\"wp-caption aligncenter\" style=\"max-width: 1602px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079487\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th.jpg\" alt=\"\" width=\"1602\" height=\"1180\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th.jpg 1602w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/Balboa-24th-1536x1131.jpg 1536w\" sizes=\"auto, (max-width: 1602px) 100vw, 1602px\">\u003cfigcaption class=\"wp-caption-text\">Archival image of the Richmond District at Balboa and 32nd Avenue \u003ccite>(via Open SF History)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>ZIP codes had not been invented yet, so you can imagine the mess a mail carrier faced when trying to deliver a letter to 203 Church St. or 452 Fourth Ave.\u003c/p>\n\u003cp>“The post office was unhappy,” said John Freeman, an amateur historian and member of the Western Neighborhood Association. He wrote \u003ca href=\"https://www.outsidelands.org/street-names.php\">several articles\u003c/a> about the history behind San Francisco street names. “We’re rebuilding a lot of San Francisco. There’s new streets. So, it’s the perfect time to go and attack a problem that had just grown since the 1850s.”\u003c/p>\n\u003cp>In 1909, city leaders appointed a commission to come up with new names for the numbered avenues in both the western neighborhoods and the Bayview.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In the Richmond and Sunset, the committee decided to honor the city’s Spanish heritage by naming streets after famous Spanish explorers or anyone who had an outsized influence in California.\u003c/p>\n\u003cp>They planned for the names to go alphabetically from First Avenue (what’s now Arguello) out to 26th Avenue. Then the alphabet would start over, but the following 26 streets would be named for saints. So, 27th Ave would have been San Antonio, 28th would become San Benito, etc.\u003c/p>\n\u003cp>But when the proposal was put forward, outraged locals pushed back against the naming scheme.\u003c/p>\n\u003cp>The country had just fought the Spanish-American War in the Philippines, and some residents found the idea of naming streets after Spaniards unpatriotic.\u003c/p>\n\u003cp>“Suddenly it starts getting the ire of the locals who had community meetings and started saying, you know, we don’t want to be named after those lowlife Spaniards,” Freeman said.\u003c/p>\n\u003cp>There was so much opposition that the committee gave up the scheme. They settled on renaming “First Avenue” to “Arguello” and the street just before the beach “La Playa,” which means “the beach” in Spanish.\u003c/p>\n\u003cfigure id=\"attachment_12079485\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079485\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821.jpg\" alt=\"\" width=\"2000\" height=\"1124\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821-1536x863.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1290352821-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Richmond District and Ocean Beach in San Francisco, CA \u003ccite>(Jason Doiy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They left the numbered avenues, but used the alphabetical Spanish explorer idea for streets running east and west, instead. For some reason, residents didn’t oppose this slightly different approach. That’s how we got names like Anza, Balboa, and Cabrillo.\u003c/p>\n\u003cp>But of course, nothing is simple. Even though they had generally settled on an alphabetical scheme that would extend out into the Sunset, there were already problems. First, the committee didn’t want to change the names of streets that extended out from downtown — like Geary, California and Sacramento streets.\u003c/p>\n\u003cp>That’s why the alphabet starts mid-Richmond and goes south from there. “D Street” had already been renamed Fulton because it extended from downtown.\u003c/p>\n\u003cp>Streets that would have been “E, F, and G” were taken up by Golden Gate Park, which had been developed but was still nascent. Once on the other side of the park, the pattern should have started up again with H street.\u003c/p>\n\u003cp>“You gotta realize this is 1909, and we’re celebrating the 100th anniversary of the birth of Abraham Lincoln,” Freeman said. “So they’re naming all kinds of things after Abraham Lincoln.”\u003c/p>\n\u003cfigure id=\"attachment_12079492\" class=\"wp-caption aligncenter\" style=\"max-width: 1755px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12079492 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a.jpg\" alt=\"\" width=\"1755\" height=\"1277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a.jpg 1755w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/1909-map_a-1536x1118.jpg 1536w\" sizes=\"auto, (max-width: 1755px) 100vw, 1755px\">\u003cfigcaption class=\"wp-caption-text\">A map of San Francisco, circa 1909 \u003ccite>(Courtesy Carolyn Karis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>H street was a prominent boulevard edging Golden Gate Park, so they decided, “We’ll take out the H and will make it Lincoln. So already the game is getting changed.”\u003c/p>\n\u003cp>Meanwhile, the Sunset residents had convened their own committee to come up with more “patriotic” names for Sunset streets.\u003c/p>\n\u003cp>Irving Street is named for \u003ca href=\"https://en.wikipedia.org/wiki/Washington_Irving\">Washington Irving\u003c/a>, a writer. Judah Street is named for \u003ca href=\"https://en.wikipedia.org/wiki/Theodore_Judah\">Theodore Judah\u003c/a>, a civil engineer largely responsible for the design and construction of the transcontinental railroad.\u003c/p>\n\u003cp>“He was the clever engineer, and nobody honored him for anything,” Freeman said.\u003c/p>\n\u003cp>\u003ca href=\"https://books.google.com/books/about/The_Mexican_War_Journal_and_Letters_of_R.html?id=UzaRMQEACAAJ\">Kirkham\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Henry_Ware_Lawton\">Lawton \u003c/a>were military officers and thus deemed appropriate by the neighborhood groups. But after Lawton comes Moraga, named for \u003ca href=\"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaqu%C3%ADn_Moraga\">José Joaquín Moraga\u003c/a>, a Spanish explorer. So, we’re back to the pattern.\u003c/p>\n\u003cfigure id=\"attachment_12079540\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12079540\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691.jpg\" alt=\"\" width=\"1980\" height=\"987\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/04/GettyImages-1400903691-1536x766.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">Washington Irving, circa. 1860-1865. \u003ccite>(Photo by Heritage Art/Heritage Images/via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A\u003ca href=\"https://www.outsidelands.org/parkside-district.php\"> big development company \u003c/a>was already using the Spanish explorer naming convention, so the neighbors gave up fighting to change those names.\u003c/p>\n\u003cp>Not many people lived that far out into the Sunset yet, anyway. Apart from the “Americanized” interlude from Lincoln to Kirkham, the pattern of Spanish explorers continued, with the exception of “X” and “Z.” X was going to be Xavier.\u003c/p>\n\u003cp>However, the committee ended up skipping an X-named street altogether when people claimed no one would be able to pronounce Xavier. Z street became Sloat.\u003c/p>\n\u003cp>“Logic kind of falls to the side,” Freeman said of the whole naming fiasco. “But it’s a good story because what they were trying to do didn’t work real well.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"episode-transcript\">\u003c/a>Episode transcript\u003c/h2>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> If you travel from north to south on the west side of San Francisco – through the Richmond District, across Golden Gate Park, all the way through the Sunset – you may notice the streets running east to west follow a naming convention.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Computerized voice: \u003c/b>\u003cspan style=\"font-weight: 400\">Anza. Balboa. Cabrillo. \u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> A … B… C… And further south.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Computerized voice: \u003c/b>\u003cspan style=\"font-weight: 400\">Quintara. Rivera. Santiago. Taraval.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> Q … R… S… T… They’re alphabetized! A to Z! Well, almost…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carolyn Karis: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s no D and no E. There is a Fulton but then there’s no G or H. \u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> This is Carolyn Karras. (Care-as)\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carolyn Karis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I live in Ingleside Terraces in San Francisco. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">She’s a librarian and she’s into San Francisco history. So when a friend asked her about why a few of the letters are missing, she was frustrated when the answer didn’t turn up in some of the usual places she thought to look.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carolyn Karis: \u003c/b>It just seems like the order should be complete once you start it, it should end up being complete. So what happened to those street names since it seemed to go from A to at least Y.\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Here with some answers for Carolyn is Bay Curious editor and producer Katrina Schwartz. Hey, Katrina!\u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Hey, Olivia. I gotta say, I’m excited to answer this question because it’s my home turf. I grew up in the Richmond District and went to school in the Sunset and I’ve wondered about this naming situation too.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> OK, start at the beginning, when did San Francisco start naming it’s streets.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Always street names, but not always a lot of logic to the names. There were a lot of duplicates, which was confusing to people.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Can you give me some examples of the kind of things that were confusing?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah, so there were 4 Church streets at one point. Any time there was a church, the locals would call the alley behind in Church Lane or Church way… you get the idea. But most confusing of all, there were three sets of ordinal numbered streets. Like today, there were the numbered Avenues out west, and the numbered streets downtown, but there were also numbered streets in the Bayview, those just had “South” appended to them. So, Bayview had 9th avenue South, for example.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> It reminds me a lot of modern-day Washington D.C. If you get the cardinal direction wrong on the street name, you can wind up in the completely wrong place….\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">And remember, this was a time when people primarily communicated by post. The mail came several times a day…and postal codes had not been invented yet. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">So confusing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Then 1906 earthquake happens. Things are in shambles. But it’s also an opportunity to make some changes. I spoke to John Freeman about all this. He’s a retired high school teacher, amateur historian and life-long Richmond District resident. He says one group in particular was not happy with the street name situation in SF.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman: \u003c/b>\u003cspan style=\"font-weight: 400\">So the post office was unhappy. We’re rebuilding a lot of San Francisco. There’s new streets, there’s new widening of streets and all that kind of stuff. So the perfect time to go and attack a problem that had just grown like over, you know, since the 1850s.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Right, so in 1909 they put together a committee of folks to look at this naming issue. It’s got a couple Board of Supervisors on it, a historian and someone from the post office. Pretty small group. And they’ve got this idea to rename the Richmond District avenues to honor San Francisco’s history…\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman: \u003c/b>\u003cspan style=\"font-weight: 400\">This of course, was a time when the whole thing of Spanish, that time period of the development of California was very romanticized.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">OK, so like Anza, Balboa, Cabrillo…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> All explorers with some degree of connection to SF. And The idea, was to actually name all the ordinal streets using this scheme. So, First Avenue would become Arguello, second Balboa, third Cabrillo, etc. They’d do that all the way out to 26th and then they’d start over alphabetically, but add San or Santa. So, 27th Ave would have been San Antonio, 28th would become San Benito, etc.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> That’s strange because the actual Anza, Balboa, Cabrillo streets run east west. And the avenues are still numbered even today. What happened.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">John says the committee started sharing their ideas with the press and when residents of the Richmond and Sunset districts heard about it, they were pissed.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Feeman: \u003c/b>\u003cspan style=\"font-weight: 400\">It starts getting the ire of the locals who had community meetings and started saying, you know, we don’t want to be named after those lowlife Spaniards.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s harsh.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Yes, well, xenophobia was alive and well back then too. But also, you have to remember in 1909 the Spanish-American war had just ended 10 years before. Of course, that was actually fought in the Philippines. And as a west coast port, San Francisco had a big role in that war. People here would have known folks fighting…it felt like recent history to many people.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> So what happens with the whole naming conundrum then?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Basically, the committee backs off and says fine, we won’t change the names of the Avenues. To save face, they kept Arguello, which is basically First Avenue now. And they kept La Playa, the last name before the beach, which also means “beach” in Spanish. And then they used the Spanish name scheme going east west instead. Of course, they had to come up with a new A street because Arguello was already taken, so that’s how we got Anza.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Feeman: \u003c/b>\u003cspan style=\"font-weight: 400\">Anza of course, he is definitely here. He explores the whole coast. He actually goes out and, you know, the only way he’s going to get through it, he went along to the actual ocean beach and then he comes inland and he did see as much as he possibly could. So he’s a legitimate early explorer.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> But, as Carolyn points out, they didn’t really follow the pattern going east west either. Why not?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Basically local politics. So, it had been agreed that any streets that extended out west from Downtown would not be changed. So, streets like California and Sacramento stayed the same. Geary Boulevard was sacrosanct. So this naming starts south of Geary. We get A, B, C and then what would have been D is actually “Fulton street.” That’s because it was a street extending from downtown, so they didn’t want to change it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since they had an F, they just kept going, except G was basically Golden Gate Park, which had been established in 1870, but was still nascent. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That brings us to H street, which should have run next to the park on the south side. \u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman: \u003c/b>\u003cspan style=\"font-weight: 400\">And it’s supposed to go all the way out to Sloat in alphabetical pattern. Well, h then this is eight nine, and we’re celebrating the 100th anniversary of the birth of Abraham Lincoln, so they’re naming all kinds of things after Abraham Lincoln. What a wonderful thing we’ll do away with those four little alleys down south of market that were named after Lincoln. And we’ll name this Grand Boulevard that is going to go alongside Golden Gate Park. We’ll take out the H and will make it Lincoln. So already the game is getting changed. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">OK…but Irving, Judah, Kirkum, Lawton…also not Spanish names.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Correct. This is where more local politics came into play. There was a very active group of residents in the inner Sunset who DID NOT want Spanish names. They wanted “American” names. So they lobbied hard for Irving…after washington Irving the writer. Judah…for \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Theodore_Judah\">\u003cspan style=\"font-weight: 400\">Theodore Judah\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, a civil engineer largely responsible for the design and construction of the transcontinental railroad.\u003c/span>\u003c/p>\n\u003cp>\u003cb>John Freeman:\u003c/b>\u003cspan style=\"font-weight: 400\"> He was the clever engineer and nobody honored him for anything.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">And then \u003c/span>\u003ca href=\"https://books.google.com/books/about/The_Mexican_War_Journal_and_Letters_of_R.html?id=UzaRMQEACAAJ\">\u003cspan style=\"font-weight: 400\">Kirkham\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Henry_Ware_Lawton\">\u003cspan style=\"font-weight: 400\">Lawton \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">were military officers and thus deemed appropriate by the neighborhood groups. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> But after Lawton comes Moraga, named for \u003c/span>\u003ca href=\"https://en.wikipedia.org/wiki/Jos%C3%A9_Joaqu%C3%ADn_Moraga\">\u003cspan style=\"font-weight: 400\">José Joaquín Moraga\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, a Spanish explorer. So, we’re back to the pattern. What happened?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Development. The Parkside [Realty Company] owned a lot of land in the outer Sunset and they were developing plots to sell. They’d already started naming the streets in their section according to the proposed Spanish explorer scheme. So we basically have Spanish names all the way out to Y.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">But there’s no X or Z street.\u003c/span>\u003c/p>\n\u003cp>\u003cb> Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">Yep, more racism. X was supposed to Xavier Street, but the committee didn’t think anyone could pronounce it, so they just skipped it. And many of those other names aren’t actually Spanish explorers anyway. Taravel was a Native American guide who was part of the Anza expedition. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b>\u003cspan style=\"font-weight: 400\"> So we have alphabetical-ish, Spanish-ish street names.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> Totally. And, they were trying to work fast because they had to have it all done by the end of 1909 when the mayoral administration changed. So, maps after 1910 show the new names.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Olivia Allen-Price:\u003c/strong> Our question asker Carolyn actually mentioned an old map she’d found… \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Carolyn Karis: \u003c/b>\u003cspan style=\"font-weight: 400\">W\u003c/span>\u003cspan style=\"font-weight: 400\">e have a couple of older maps that we were looking at and one of them is 1909 map that we picked up somewhere and that has the letters. So it says like ABC above the park and then below the park, it just has the letter. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz:\u003c/b>\u003cspan style=\"font-weight: 400\"> So presumably this was printed between the time when the plan for the alphabetical streets was made, and when the final names hadn’t been chosen yet. So, this is actually a very cool little piece of history.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, a little time capsule window into the past. Thanks for all your reporting on this, Katrina.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Katrina Schwartz: \u003c/b>\u003cspan style=\"font-weight: 400\">My pleasure.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Thanks to Carolyn Karras for asking this week’s question. You selected it in one of our monthly voting rounds and hey – our April voting round is now up and has some good questions…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Question 1: \u003c/b>\u003cspan style=\"font-weight: 400\">How many Bay food businesses are still in business after 10 years?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Question 2: \u003c/b>\u003cspan style=\"font-weight: 400\">Why does the SF Parks and Recreation still manage properties outside of the city limits?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Question 3: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m curious about the history of Bay Area communal living and what makes things a communal living situation vs cult.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400\">Which of those do you want to hear on the show? Cast your vote at \u003c/span>\u003ca href=\"http://baycurious.org\">\u003cspan style=\"font-weight: 400\">BayCurious.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. And while you’re there, sign up for our monthly newsletter where we answer even more listener questions. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Bay Curious is made in San Francisco at member-supported KQED. Our show is produced by… and me Olivia Allen-Price. With extra support from … and everyone on Team KQED. Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco Northern California Local.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m Olivia Allen-Price. Have a good one.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "bay-area-muslims-ramp-up-charity-drives-fundraisers-during-ramadan",
"title": "Bay Area Muslims Ramp Up Charity Drives, Fundraisers During Ramadan",
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"headTitle": "Bay Area Muslims Ramp Up Charity Drives, Fundraisers During Ramadan | KQED",
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"content": "\u003cp>At a recent Sunday \u003ca href=\"https://www.kqed.org/news/12073604/2026-ramadan-mubarak-where-to-find-iftar-suhoor-san-francisco-bay-area\">iftar in San Francisco\u003c/a>, Sarah Aamir was thrilled to announce that someone donated a whopping $5,000 to the charity of the evening.\u003c/p>\n\u003cp>“Thank you for thinking of the people of Sudan. One dollar is a lot in Sudan. 5K?” she said, addressing a crowd of 200 in a wide office space in the city’s Mission District.\u003c/p>\n\u003cp>The funds would help \u003ca href=\"https://sadagaat-usa.org/\">Sadagaat USA\u003c/a>, a humanitarian organization that supports community kitchens in Sudan — a nation dealing with \u003ca href=\"https://www.youtube.com/watch?v=pR57UUiMGDs\">a years-long civil war\u003c/a> and what the \u003ca href=\"https://www.emro.who.int/sdn/sudan-news/attacks-push-sudans-health-system-to-the-brink.html\">United Nations\u003c/a> has called the world’s largest humanitarian crisis, setting off widespread displacement, hunger and violence.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the Bay Area, the crowd applauded, giddy after breaking their Ramadan fast together over plates of chicken shawarma, gima, a savory minced meat dish, salad and rice. While the holy month is known for late-night meals and gatherings, another major component of this period is charity.\u003c/p>\n\u003cp>“I think a lot about people back home,” Aamir said. “I have this food, and they don’t, and it’s very easy to feel guilty.”\u003c/p>\n\u003cfigure id=\"attachment_12075987\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075987\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Sarah Aamir, from the Nafeer Collective, fundraises for humanitarian aid in Sudan during iftar, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. Iftar dinners during Ramadan are used as a vehicle for charity and activism. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But it has helped her, this Ramadan, to “get some people moving, get some people interested in learning about Sudan.” The March 1 iftar ultimately raised over $140,000.\u003c/p>\n\u003cp>This year, Muslims and community members across the Bay Area have attended iftar dinners for a range of causes, from \u003ca href=\"https://partiful.com/e/0K52xHUiJ5EKqcBV5x2J\">money for Gazans\u003c/a> to \u003ca href=\"https://www.instagram.com/p/DVIQRRfDlT3/\">clean water access in Pakistan\u003c/a>.\u003c/p>\n\u003cp>Haneen Sidahmed, one of the presenters at the San Francisco “An Iftar In Sudan,” said the act of fasting can help foster community among Muslims and reflect more globally.[aside postID=news_12073604 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/RamadanGetty.jpg']“It’s almost like an equalizer,” Sidahmed said. “The ethos of Ramadan is usually, ‘How do we give back generosity,’ especially with folks who are affected by all kinds of calamities and crises. That’s really where the fundraising spirit comes through and why the Ramadan fundraisers are so powerful.”\u003c/p>\n\u003cp>Ilham Abuanga, who was born in Sudan and now lives in Antioch, said she attended the San Francisco iftar to show support for her people. It’s been difficult to be away from her relatives during the ongoing war — a thought that she said keeps her up at night.\u003c/p>\n\u003cp>“Sometimes, it feels like you are lost. Sometimes, it feels you’re disconnected,” said Abuanga, whose family runs \u003ca href=\"https://www.sarrascharity.org/\">a charity\u003c/a> for pregnant women in Sudan, in honor of her late sister. “The only thing we can do is pray and give dua and aid them financially. But it’s very sad, and it’s heartbreaking.”\u003c/p>\n\u003cp>Iftar dinners have also been a way for people of various faiths to break bread with each other and, as a result, get to know one another.\u003c/p>\n\u003cp>In Palo Alto, St. Mark’s Episcopal Church recently hosted an interfaith iftar with the American Muslim Voice Foundation, an advocacy organization that has regularly hosted the event after Sept. 11, 2001, and the rise of anti-Muslim sentiment in the U.S. The event drew 180 people, according to the organizers.\u003c/p>\n\u003cfigure id=\"attachment_12075990\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075990\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ilham Abuanga eats her iftar dinner, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I always encourage people … please sit with somebody you don’t know. That’s the whole idea, we are providing these experiences,” said Samina Sundas, one of the organizers, who has been hosting interfaith iftar dinners in her home since 2003. “Our mission is replacing a culture of fear, despair and division with a culture of hope, inclusion and peace.”\u003c/p>\n\u003cp>The Sunday iftar to gather people of all different backgrounds felt especially meaningful, since it was also the weekend the U.S. ordered strikes on Iran, leading to subsequent violence in the region, said Rev. Nancy Ross, the associate rector of St. Mark’s.\u003c/p>\n\u003cp>“There were so many people who were so happy to be together,” Ross said.\u003c/p>\n\u003cfigure id=\"attachment_12075083\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12075083 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An attendee enjoys his iftar dinner, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For the San Francisco Bay Area branch of the Council on American-Islamic Relations, Ramadan is an opportunity to educate people about their rights, particularly during a time of \u003ca href=\"https://www.kqed.org/immigration\">increased immigration enforcement\u003c/a> by the Trump administration, Executive Director Zahra Billoo said.\u003c/p>\n\u003cp>Earlier this year, according to the advocacy group, it helped \u003ca href=\"https://ca.cair.com/press-release/cair-sfba-secures-release-of-client-after-federal-court-grants-habeas-petition-against-unlawful-ice-detention/\">release\u003c/a> a client who was taken into ICE detention and had a pending immigration court date.\u003c/p>\n\u003cp>Billoo said CAIR has seen an increase in requests for immigration-related support.\u003c/p>\n\u003cfigure id=\"attachment_12075082\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075082\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees pray Maghrib, an Islamic prayer done after sunset, before iftar, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the lead-up to Ramadan, she added, anxious questions began to arise from the Muslim community, including, “Is it safe to come to the mosque? What can individuals do to remain safe, and what can mosques do to protect themselves?”\u003c/p>\n\u003cp>In response, during the holy month, Billoo and CAIR representatives have visited over 50 different mosques across the Bay Area during iftar and night prayers, about the services the group offers and how they can get help if they are “confronted with the civil rights violation or immigration enforcement.”\u003c/p>\n\u003cp>“The vicious way in which this administration has been attacking minority communities does contribute to the need to deepen our relationships and bonds across communities,” Billoo said. “In Ramadan, Muslims increase their worship, and so we increase our outreach to protect them as they do so and reach them as they congregate.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"title": "Bay Area Muslims Ramp Up Charity Drives, Fundraisers During Ramadan | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At a recent Sunday \u003ca href=\"https://www.kqed.org/news/12073604/2026-ramadan-mubarak-where-to-find-iftar-suhoor-san-francisco-bay-area\">iftar in San Francisco\u003c/a>, Sarah Aamir was thrilled to announce that someone donated a whopping $5,000 to the charity of the evening.\u003c/p>\n\u003cp>“Thank you for thinking of the people of Sudan. One dollar is a lot in Sudan. 5K?” she said, addressing a crowd of 200 in a wide office space in the city’s Mission District.\u003c/p>\n\u003cp>The funds would help \u003ca href=\"https://sadagaat-usa.org/\">Sadagaat USA\u003c/a>, a humanitarian organization that supports community kitchens in Sudan — a nation dealing with \u003ca href=\"https://www.youtube.com/watch?v=pR57UUiMGDs\">a years-long civil war\u003c/a> and what the \u003ca href=\"https://www.emro.who.int/sdn/sudan-news/attacks-push-sudans-health-system-to-the-brink.html\">United Nations\u003c/a> has called the world’s largest humanitarian crisis, setting off widespread displacement, hunger and violence.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the Bay Area, the crowd applauded, giddy after breaking their Ramadan fast together over plates of chicken shawarma, gima, a savory minced meat dish, salad and rice. While the holy month is known for late-night meals and gatherings, another major component of this period is charity.\u003c/p>\n\u003cp>“I think a lot about people back home,” Aamir said. “I have this food, and they don’t, and it’s very easy to feel guilty.”\u003c/p>\n\u003cfigure id=\"attachment_12075987\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075987\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00156_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Sarah Aamir, from the Nafeer Collective, fundraises for humanitarian aid in Sudan during iftar, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. Iftar dinners during Ramadan are used as a vehicle for charity and activism. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But it has helped her, this Ramadan, to “get some people moving, get some people interested in learning about Sudan.” The March 1 iftar ultimately raised over $140,000.\u003c/p>\n\u003cp>This year, Muslims and community members across the Bay Area have attended iftar dinners for a range of causes, from \u003ca href=\"https://partiful.com/e/0K52xHUiJ5EKqcBV5x2J\">money for Gazans\u003c/a> to \u003ca href=\"https://www.instagram.com/p/DVIQRRfDlT3/\">clean water access in Pakistan\u003c/a>.\u003c/p>\n\u003cp>Haneen Sidahmed, one of the presenters at the San Francisco “An Iftar In Sudan,” said the act of fasting can help foster community among Muslims and reflect more globally.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“It’s almost like an equalizer,” Sidahmed said. “The ethos of Ramadan is usually, ‘How do we give back generosity,’ especially with folks who are affected by all kinds of calamities and crises. That’s really where the fundraising spirit comes through and why the Ramadan fundraisers are so powerful.”\u003c/p>\n\u003cp>Ilham Abuanga, who was born in Sudan and now lives in Antioch, said she attended the San Francisco iftar to show support for her people. It’s been difficult to be away from her relatives during the ongoing war — a thought that she said keeps her up at night.\u003c/p>\n\u003cp>“Sometimes, it feels like you are lost. Sometimes, it feels you’re disconnected,” said Abuanga, whose family runs \u003ca href=\"https://www.sarrascharity.org/\">a charity\u003c/a> for pregnant women in Sudan, in honor of her late sister. “The only thing we can do is pray and give dua and aid them financially. But it’s very sad, and it’s heartbreaking.”\u003c/p>\n\u003cp>Iftar dinners have also been a way for people of various faiths to break bread with each other and, as a result, get to know one another.\u003c/p>\n\u003cp>In Palo Alto, St. Mark’s Episcopal Church recently hosted an interfaith iftar with the American Muslim Voice Foundation, an advocacy organization that has regularly hosted the event after Sept. 11, 2001, and the rise of anti-Muslim sentiment in the U.S. The event drew 180 people, according to the organizers.\u003c/p>\n\u003cfigure id=\"attachment_12075990\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075990\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-interfaithiftar00580_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Ilham Abuanga eats her iftar dinner, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I always encourage people … please sit with somebody you don’t know. That’s the whole idea, we are providing these experiences,” said Samina Sundas, one of the organizers, who has been hosting interfaith iftar dinners in her home since 2003. “Our mission is replacing a culture of fear, despair and division with a culture of hope, inclusion and peace.”\u003c/p>\n\u003cp>The Sunday iftar to gather people of all different backgrounds felt especially meaningful, since it was also the weekend the U.S. ordered strikes on Iran, leading to subsequent violence in the region, said Rev. Nancy Ross, the associate rector of St. Mark’s.\u003c/p>\n\u003cp>“There were so many people who were so happy to be together,” Ross said.\u003c/p>\n\u003cfigure id=\"attachment_12075083\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12075083 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00457_TV-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An attendee enjoys his iftar dinner, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For the San Francisco Bay Area branch of the Council on American-Islamic Relations, Ramadan is an opportunity to educate people about their rights, particularly during a time of \u003ca href=\"https://www.kqed.org/immigration\">increased immigration enforcement\u003c/a> by the Trump administration, Executive Director Zahra Billoo said.\u003c/p>\n\u003cp>Earlier this year, according to the advocacy group, it helped \u003ca href=\"https://ca.cair.com/press-release/cair-sfba-secures-release-of-client-after-federal-court-grants-habeas-petition-against-unlawful-ice-detention/\">release\u003c/a> a client who was taken into ICE detention and had a pending immigration court date.\u003c/p>\n\u003cp>Billoo said CAIR has seen an increase in requests for immigration-related support.\u003c/p>\n\u003cfigure id=\"attachment_12075082\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075082\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260301-INTERFAITHIFTAR00383_TV-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees pray Maghrib, an Islamic prayer done after sunset, before iftar, the second meal of the day during Ramadan, in San Francisco on March 1, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the lead-up to Ramadan, she added, anxious questions began to arise from the Muslim community, including, “Is it safe to come to the mosque? What can individuals do to remain safe, and what can mosques do to protect themselves?”\u003c/p>\n\u003cp>In response, during the holy month, Billoo and CAIR representatives have visited over 50 different mosques across the Bay Area during iftar and night prayers, about the services the group offers and how they can get help if they are “confronted with the civil rights violation or immigration enforcement.”\u003c/p>\n\u003cp>“The vicious way in which this administration has been attacking minority communities does contribute to the need to deepen our relationships and bonds across communities,” Billoo said. “In Ramadan, Muslims increase their worship, and so we increase our outreach to protect them as they do so and reach them as they congregate.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Was ‘Be More Social’ Your 2026 Goal? Expert Advice for Hosting at Your Home",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400;\">Last year, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Atlantic \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">declared that \u003c/span>\u003ca href=\"https://www.theatlantic.com/family/archive/2025/01/throw-more-parties-loneliness/681203/\">\u003cspan style=\"font-weight: 400;\">“Americans Need to Party More.”\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The story touched several beats you may have become familiar with in the last few years of media headlines: Loneliness and isolation have become \u003c/span>\u003ca href=\"https://www.hhs.gov/sites/default/files/surgeon-general-social-connection-advisory.pdf\">\u003cspan style=\"font-weight: 400;\">an epidemic.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> Americans have \u003c/span>\u003ca href=\"https://www.americansurveycenter.org/research/the-state-of-american-friendship-change-challenges-and-loss/\">\u003cspan style=\"font-weight: 400;\">fewer friends\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> than ever before. And if they \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">do \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">have friends? They barely have \u003c/span>\u003ca href=\"https://www.theatlantic.com/ideas/archive/2024/09/loneliness-epidemic-friendship-shortage/679689/\">\u003cspan style=\"font-weight: 400;\">time to see them\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Before you start feeling like you’re personally responsible for all this, it’s worth noting that — as \u003c/span>\u003ca href=\"https://www.happiness.hks.harvard.edu/february-2025-issue/the-friendship-recession-the-lost-art-of-connecting\">\u003cspan style=\"font-weight: 400;\">Harvard’s Leadership & Happiness Laboratory\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> points out — a lot of the forces behind our increased isolation are structural.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">These factors include work becoming “a dominant social identity,” economic pressures, suburban sprawl, a lack of “\u003c/span>\u003ca href=\"https://esl.uchicago.edu/2023/11/01/third-places-what-are-they-and-why-are-they-important-to-american-culture/\">\u003cspan style=\"font-weight: 400;\">third places\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">” and, of course, \u003c/span>\u003ca href=\"https://www.tiktok.com/@ibdagoat/video/7328433619096079662?is_from_webapp=1&sender_device=pc\">\u003cspan style=\"font-weight: 400;\">that damn\u003c/span>\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=uz7FRPabLPI\">\u003cspan style=\"font-weight: 400;\">phone\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003cspan style=\"font-weight: 400;\">But Priya Parker, author of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Art Of Gathering\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">, has \u003c/span>\u003ca href=\"https://www.npr.org/transcripts/nx-s1-5667582\">\u003cspan style=\"font-weight: 400;\">one concrete step to offer you personally\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">: hosting people in your home more.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Everybody’s longing for community,” \u003c/span>\u003ca href=\"https://www.npr.org/transcripts/nx-s1-5667582\">\u003cspan style=\"font-weight: 400;\">Parker told NPR’s Life Kit\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> earlier this year. “We long to be part of a village. We long to have people come over and help us.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“But when’s the last time you’ve hosted something?” she asked. “When’s the last time you have helped somebody move?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">In fact, according to the \u003c/span>\u003ca href=\"https://www.theatlantic.com/family/archive/2025/01/throw-more-parties-loneliness/681203/\">\u003cspan style=\"font-weight: 400;\">Bureau of Labor Statistic\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">s in 2024, only \u003c/span>\u003ca href=\"https://data.bls.gov/pdq/SurveyOutputServlet\">\u003cspan style=\"font-weight: 400;\">4% of Americans \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">attended or hosted a social event on an average weekend or holiday. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“The best way to get a seat at the table is to host the table,” Parker said. \u003c/span>\u003c/p>\n\u003ch2>‘Someone has to do it’\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">All this, I’ll say, has been on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">my \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">mind a while. And when I started to research the topic for this very story, the Instagram algorithm started showing me posts from Bay Area groups dedicated to bringing people together. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">These included like the \u003c/span>\u003ca href=\"https://www.instagram.com/leaveyourhouseproject/\">\u003cspan style=\"font-weight: 400;\">Leave Your House Project\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">, which promises “Adult Field Trips,” and \u003c/span>\u003ca href=\"https://www.instagram.com/dosti.sf/\">\u003cspan style=\"font-weight: 400;\">Dosti\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> (Urdu for “friend,”), a Bay Area-based social club for 20-something Muslims.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075625\" class=\"wp-caption aligncenter\" style=\"max-width: 1973px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075625\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1.jpg\" alt=\"\" width=\"1973\" height=\"1480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1.jpg 1973w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1973px) 100vw, 1973px\">\u003cfigcaption class=\"wp-caption-text\">The Leave Your House Project promises “adult field trips” in the Bay Area. \u003ccite>(Courtesy of Jordan Senigar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“I’m definitely going to make sure everyone has friends,” said Imaan Sultan, Dosti’s founder. Her group’s events include picnics, book swaps and Halloween parties — all advertised with eye-catching pink-and-green Instagram posts and \u003c/span>\u003ca href=\"https://partiful.com/\">\u003cspan style=\"font-weight: 400;\">Partiful\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> pages. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“I just hate waiting for things to happen, and I was like: ‘\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Someone\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> has to do it,’” she said.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Sultan said she’s been struck by the sheer hunger for Dosti’s events. It took under an hour for her social media post announcing a Dosti \u003c/span>\u003ca href=\"https://www.kqed.org/news/12073604/2026-ramadan-mubarak-where-to-find-iftar-suhoor-san-francisco-bay-area\">\u003cspan style=\"font-weight: 400;\">Iftar dinner\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> for Ramadan in Palo Alto to receive over 200 sign-ups — with a growing waitlist. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Luckily, Sultan has some experience hosting larger groups: During her college days, she hosted matcha cafes for 60 people in her small Berkeley apartment. However, now that she’s a year out of college, the need for organizing events for working young professionals strikes her as even more necessary.[aside postID=news_12074541 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/LAOlympicsGetty.jpg']\u003c/span>\u003cspan style=\"font-weight: 400;\">Sultan wasn’t finding the tech scene she was in super social. And she’d often hear others in her circle bemoaning the idea of their losing connections when friends got married or worse: \u003c/span>\u003ca href=\"https://www.sfchronicle.com/projects/2025/sf-worker-losses-ny/\">\u003cspan style=\"font-weight: 400;\">moved to New York\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">This sense of disconnect was in stark contrast to her childhood growing up in the Middle East, when Sultan said she recalled constantly meeting new friends and being “always around people.” Here in the Bay Area, she’s observed “a little bit of a difference in social culture and tendency of people to do that, at least in the SF community.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Jordan Senigar, the founder of the Leave Your House Project and East Bay resident, echoed this. “A lot of people want connection, but the Bay Area can honestly feel really overwhelming and expensive,” she said. “It’s really easy to feel like community isn’t accessible if you don’t fit a specific mold.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Especially in SF,” Sultan said, “where people are so enamored with tech and digital experiences, I think people have forgotten that at the end of the day … we crave connection.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">With all this in mind? I spoke to Sultan and other Bay Area hosts on how to throw an excellent party — from logistics like invites and food to vibes like music and themes to getting your friends to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">actually\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> show up. \u003c/span>\u003c/p>\n\u003ch2>What \u003ci>kind \u003c/i>of event do I want to host?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The main goal of your first event is getting people to just show up, Sultan said. So make your gathering something easy for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">you\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And the possibilities are endless. According to Anita Osuala, a spokesperson with Partiful — the \u003c/span>\u003ca href=\"https://partiful.com/\">\u003cspan style=\"font-weight: 400;\">popular online platform\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> that allows people to create customizable private or public event pages — users have been getting creative with events that go beyond birthdays and house parties, according to trends she said she’s observed from “a mix of both product data and behavioral patterns we see across invites on the platform.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Osuala said Partiful is seeing the platform used for more “admin night” invites and chore parties where, as she put it, “people tackle life tasks together”: like paying the bills and scheduling dreaded dental appointments. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075651\" class=\"wp-caption aligncenter\" style=\"max-width: 1987px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075651\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3.jpeg\" alt=\"\" width=\"1987\" height=\"1328\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3.jpeg 1987w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3-1536x1027.jpeg 1536w\" sizes=\"auto, (max-width: 1987px) 100vw, 1987px\">\u003cfigcaption class=\"wp-caption-text\">Dosti is a Bay Area-based social club for young Muslims. \u003ccite>(Courtesy of Muhammad Anjum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">There is also the everlasting appeal of off-kilter or ironic events — like\u003c/span>\u003ca href=\"https://apnews.com/article/timothee-chalamet-lookalike-dune-7acc6bda7612cb72eca31d2cc0106028\">\u003cspan style=\"font-weight: 400;\"> the Timothée Chalamet look-alike contest in 2024\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> and their subsequent spin-offs, including \u003c/span>\u003ca href=\"https://www.kqed.org/news/12072527/in-the-mission-a-bad-bunny-look-alike-contest-becomes-a-celebration-of-identity\">\u003cspan style=\"font-weight: 400;\">San Francisco’s pre-Super Bowl Bad Bunny look-alike showdown\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">One Partiful Sultan came across was made by someone who claimed to never have eaten \u003c/span>\u003ca href=\"https://www.smuckersuncrustables.com/\">\u003cspan style=\"font-weight: 400;\">an Uncrustable\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> and was inviting people to watch them “try an Uncrustable for the first time in the park.” By Sultan’s count, the event had around 400 RSVPs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Your gathering can even be “stupid stuff like that,” she laughed. “How low maintenance is this?” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">On a personal note, I can attest that movie-themed events are crowd-pleasers, too. Last year, I hosted \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13975849/pope-crave-vatican-conclave-stans-memes-gen-z-chimney\">\u003cspan style=\"font-weight: 400;\">a Conclave-themed party\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> in honor of the 2024 papal thriller starring Ralph Fiennes and Stanley Tucci.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And as the Academy Awards on March 15 grow closer, hosts of an Oscars party could have a lot of fun \u003c/span>\u003ca href=\"https://www.vanityfair.com/hollywood/oscars-ballot?srsltid=AfmBOooDShGc1gZdjMJHAs4pS7us0mQFE9v7pcj4ZnpFZ4jD1W21VZMA\">\u003cspan style=\"font-weight: 400;\">printing and passing out ballots\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> for people to predict winners and compete with each other.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12072581\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors interact with the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Childhood throwbacks are also always a winner. The Leave Your House Project’s first “adult field trip” was “indoor recess”: “a little throwback to elementary school days where you play four square and do double dutch,” Senigar said. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Small, simple moments can create really meaningful community because that’s essentially what we did when we were kids,” she said. “We had to make do with what we had … ‘Okay, we don’t always have to spend $600 and go to Monterey. We can just do something local.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And what about dinner parties — those gatherings that are often considered the cornerstones of adulthood? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Given that they can be a stressful affair with all of the cooking and preparations they entail, going potluck style for your first party can be a more manageable way to host a dinner in your home, where people can chip in with food. Hosts shouldn’t have to “bear the financial burden” alone, Sultan said. \u003c/span>\u003c/p>\n\u003ch2>How should I think about food?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The days of college party catering — A.K.A. a bag of chips and beer — may be behind you. But that doesn’t mean that food for a party, even a dinner party, has to be a fancy five-course meal.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Yasmine Davis, a San Francisco resident dubbed (by a friend) as \u003c/span>\u003ca href=\"https://www.tiktok.com/@hangryb.tch/photo/7425854624814484778\">\u003cspan style=\"font-weight: 400;\">“the queen of SF dinner parties”\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> on TikTok, said that she started hosting dinner parties before she ever \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">had\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> a dinner table.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The idea of hosting people for dinner can be stress-inducing for many people, said Davis, and it’s often motivated by feeling they don’t “have the right materials to do it.” But “I was just having people over, and we would sit down on the floor, and I would just put everything on my coffee table,” she said.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Davis herself \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">is\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> a cook, and said that it “actually brings so much joy to me, my friends actually enjoying the food that I’m making.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075624\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075624\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A friend dubbed Yasmine Davis as “the queen of SF dinner parties,” on account of the colorful, themed meals David hosted in her apartment. \u003ccite>(Courtesy of Yasmine Davis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">But she added that hosts shouldn’t have to over-purchase food for a dinner party or an event, because “when people are at a party, they’re being so social that they don’t eat as much as they would at a restaurant.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Davis said she often focuses on finger foods and crowd-pleasing staples like vodka pasta, crispy chicken cutlets and a big salad. She also enjoys seasonal-themed dinners and meals — like a winter-themed meal with cosy grilled cheese sandwiches and soup.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“It’s also cost-effective if you don’t want to spend an arm and a leg on this food for a party,” she said. “You could be so creative with the salad and make it look so beautiful with edible flowers and different pickled things in it.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">As for drinks, hosts should always make sure to have other cold beverages on hand other than alcohol, she advised. \u003c/span>\u003c/p>\n\u003ch2>How should I prepare my home for hosting people?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Sultan is an advocate of cleaning up the space before people start showing up, and notes that even a small act like wiping the table can make a big difference. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Another major requirement for her is emptying the fridge, to stop days-old leftovers from taking up space from your party snacks. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075656\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075656\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">A table with glasses, photos and a plate with pasta. \u003ccite>(Janina Steinmetz via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">While Davis herself has found it fun to explore tablescaping — the art of arranging silverware and decor — she acknowledges that getting overly focused on the aesthetics of a dinner party can bring people a lot of stress: not to mention the cost that wrangling matching cups, plates and table covers can incur. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">In these cases, Davis said it may help to focus on the food more. “I want to make sure people are enjoying the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">food \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">at a party,” she said. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">For my part, I am a stickler for good lighting — i.e., never subject your guests to the too-harsh overhead ceiling bulb. And a small thing I’ve noticed that always makes people smile: printing out a “menu” for a dinner party. We have fancy restaurants at home!\u003c/span>\u003c/p>\n\u003ch2>What should I \u003ci>do \u003c/i>during the party?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">To many people’s surprise, the Leave Your House Project’s Senigar considers herself an introvert. But she said she steps up when it comes to hosting duties. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Hosting is about the guest experience, not always about how impressive something looks,” she said. “You really have to be adaptable, you have to be flexible, and you have to be calm and welcoming and intentional because it sets the tone for the entire space.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075657\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075657\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">Top-down shot of a festive dining table covered with holiday food, drinks, and decorations. \u003ccite>(Alina Rudya via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">During an event, Senigar will drive herself to stay extra mindful, checking in on guests to see how they are feeling and talking to people who seem to be standing by themselves. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“It lets the attendees know that they’re welcome and they don’t have to navigate the space on their own,” she said. “Whether the event is perfect or not, they will remember that moment.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">It can be “really anxiety-inducing for new people to come to events alone,” Sultan said — so “literally when they come in, just be like, ‘Hey, oh my gosh, I have someone I want to introduce you to.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“And introduce those people and have them start a conversation.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">As the host, you may have a picture-perfect idea of an event in your head. \u003c/span>\u003cspan style=\"font-weight: 400;\">But Davis said, “When you try to over-complicate it, it’ll just stress you out a lot” — especially at the beginning of your hosting journey. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075658\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075658\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">View of a group of friends enjoying the time together with laughter at brunch. \u003ccite>(Janina Steinmetz via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">However, “as you get more comfortable, you can experiment with other things,” she advised. “Keep it as simple as you want and just add different parts of yourself that you would want to shine.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">One of those shining things should be music. “It gets so awkward if you go to an event where they don’t have music playing, because then you can just hear everyone’s conversations,” Sultan said. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I, for one, love making a collaborative playlist on Spotify, which allows anyone attending to add songs during the party. (Although, beware — people may also try to annoy you with this generous function.)\u003c/span>\u003c/p>\n\u003ch2>How can I make sure my friends \u003ci>actually \u003c/i>show up?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Now here is the true host nightmare. People — maybe even lots of them — RSVP … but then they don’t show up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And while yes, emergencies happen and sometimes people get too tired and just don’t want to leave their house, it can feel like a rather vulnerable moment for a host.\u003c/span> \u003cspan style=\"font-weight: 400;\">Sultan’s advice here is to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">over\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">-invite people, because there will always be last-minute cancellations.\u003c/span>\u003c/p>\n\u003cp>When it comes to the number of invites she sends out, “my rule of thumb is ‘always 20% more,’” she said. “And it has never failed me.”\u003c/p>\n\u003cfigure id=\"attachment_12075652\" class=\"wp-caption aligncenter\" style=\"max-width: 1994px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075652\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4.jpeg\" alt=\"\" width=\"1994\" height=\"1330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4.jpeg 1994w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4-1536x1025.jpeg 1536w\" sizes=\"auto, (max-width: 1994px) 100vw, 1994px\">\u003cfigcaption class=\"wp-caption-text\">Dosti hosts events like picnics, book swaps and holiday parties — all advertised with eye-catching colorful Instagram posts and Partiful pages. \u003ccite>(Courtesy of Muhammad Anjum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Asking invitees to bring a plus one is a good way to boost attendance with people who are vetted by friends, Sultan said. And when it comes to those “I’m just not feeling it tonight” folks, Senigar said she tries to “meet people where they’re at, especially for people who don’t go out as much.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“I’m really honest — but in a gentle and supportive way, kind of like in a big sister way,” she said. “I’ll literally say, ‘If you wanna make friends, you have to leave your house.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“And it’s not judgmental,” she stressed. “It gives people a clear next step, and it lets them move at their own pace.”[aside postID=news_12074021 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250215-ChineseNewYear-04-BL-1020x680.jpg']\u003c/span>\u003cspan style=\"font-weight: 400;\">Equally, invitees should feel safe to be honest about their capacity — like how long they can stay at a party and how many people they can talk to. \u003c/span>\u003cspan style=\"font-weight: 400;\">“Sometimes I suggest small goals like, ‘Okay, I’m gonna go to this event, I probably don’t know anybody, so I’m going to try to at least talk to one person or try to get at least one Instagram [connection],’ Senigar said. “And I think those little steps help people build confidence and just keep coming back.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">A major way to help some people feel flexible enough to attend an event is something easier to attend, like scheduling a hangout right after work, which people can attend without needing to go home and change.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“One of the most important aspects is being clear about what the event actually \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">is\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">,” Senigar said. “I try not to oversell anything to my attendees because I feel like when people know what to expect, it makes showing up feel easier.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“When people feel comfortable, connection happens naturally,” she said.\u003c/span>\u003c/p>\n\u003ch2>I actually had a great time hosting! What should I do next?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Once you get into the swing of hosting, Sultan said not to burn yourself out by over-exerting yourself in planning for the future.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">People underestimate how much hosting can take out of you, she said. And while everyone may think they want to plan a big, glamorous event, “the most fun I’ve had at events, and the most meaningful friendships I’ve formed, have always been from the [simpler] events we’ve thrown.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075654\" class=\"wp-caption aligncenter\" style=\"max-width: 1987px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075654\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5.jpeg\" alt=\"\" width=\"1987\" height=\"1324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5.jpeg 1987w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5-1536x1023.jpeg 1536w\" sizes=\"auto, (max-width: 1987px) 100vw, 1987px\">\u003cfigcaption class=\"wp-caption-text\">Dosti hosts events like picnics, book swaps and holiday parties — all advertised with eye-catching colorful Instagram posts and Partiful pages. \u003ccite>(Courtesy of Muhammad Anjum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Creating community through gatherings can be an incredibly rewarding experience for hosts like Senigar.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“A girl came up to me and said, ‘I’ve been looking forward to this for a month,’” she recalled. “Her grandfather has dementia, and she is his primary caretaker, and he’s going to pass soon … and she said that she does not have time to go out.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Senigar said she and others in the group teared up when listening to her story. “Life is hard,” she said. “I’m really trying to continue to tell myself you can’t do life alone.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Community is important,” she said. “You need people to lean on.”\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Americans need to party more — and these Bay Area hosts are here to help with some tips for your next gathering. (May we suggest an Oscars party on Sunday?)",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400;\">Last year, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Atlantic \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">declared that \u003c/span>\u003ca href=\"https://www.theatlantic.com/family/archive/2025/01/throw-more-parties-loneliness/681203/\">\u003cspan style=\"font-weight: 400;\">“Americans Need to Party More.”\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The story touched several beats you may have become familiar with in the last few years of media headlines: Loneliness and isolation have become \u003c/span>\u003ca href=\"https://www.hhs.gov/sites/default/files/surgeon-general-social-connection-advisory.pdf\">\u003cspan style=\"font-weight: 400;\">an epidemic.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> Americans have \u003c/span>\u003ca href=\"https://www.americansurveycenter.org/research/the-state-of-american-friendship-change-challenges-and-loss/\">\u003cspan style=\"font-weight: 400;\">fewer friends\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> than ever before. And if they \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">do \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">have friends? They barely have \u003c/span>\u003ca href=\"https://www.theatlantic.com/ideas/archive/2024/09/loneliness-epidemic-friendship-shortage/679689/\">\u003cspan style=\"font-weight: 400;\">time to see them\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Before you start feeling like you’re personally responsible for all this, it’s worth noting that — as \u003c/span>\u003ca href=\"https://www.happiness.hks.harvard.edu/february-2025-issue/the-friendship-recession-the-lost-art-of-connecting\">\u003cspan style=\"font-weight: 400;\">Harvard’s Leadership & Happiness Laboratory\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> points out — a lot of the forces behind our increased isolation are structural.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">These factors include work becoming “a dominant social identity,” economic pressures, suburban sprawl, a lack of “\u003c/span>\u003ca href=\"https://esl.uchicago.edu/2023/11/01/third-places-what-are-they-and-why-are-they-important-to-american-culture/\">\u003cspan style=\"font-weight: 400;\">third places\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">” and, of course, \u003c/span>\u003ca href=\"https://www.tiktok.com/@ibdagoat/video/7328433619096079662?is_from_webapp=1&sender_device=pc\">\u003cspan style=\"font-weight: 400;\">that damn\u003c/span>\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=uz7FRPabLPI\">\u003cspan style=\"font-weight: 400;\">phone\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003cspan style=\"font-weight: 400;\">But Priya Parker, author of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Art Of Gathering\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">, has \u003c/span>\u003ca href=\"https://www.npr.org/transcripts/nx-s1-5667582\">\u003cspan style=\"font-weight: 400;\">one concrete step to offer you personally\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">: hosting people in your home more.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Everybody’s longing for community,” \u003c/span>\u003ca href=\"https://www.npr.org/transcripts/nx-s1-5667582\">\u003cspan style=\"font-weight: 400;\">Parker told NPR’s Life Kit\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> earlier this year. “We long to be part of a village. We long to have people come over and help us.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“But when’s the last time you’ve hosted something?” she asked. “When’s the last time you have helped somebody move?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">In fact, according to the \u003c/span>\u003ca href=\"https://www.theatlantic.com/family/archive/2025/01/throw-more-parties-loneliness/681203/\">\u003cspan style=\"font-weight: 400;\">Bureau of Labor Statistic\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">s in 2024, only \u003c/span>\u003ca href=\"https://data.bls.gov/pdq/SurveyOutputServlet\">\u003cspan style=\"font-weight: 400;\">4% of Americans \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">attended or hosted a social event on an average weekend or holiday. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“The best way to get a seat at the table is to host the table,” Parker said. \u003c/span>\u003c/p>\n\u003ch2>‘Someone has to do it’\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">All this, I’ll say, has been on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">my \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">mind a while. And when I started to research the topic for this very story, the Instagram algorithm started showing me posts from Bay Area groups dedicated to bringing people together. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">These included like the \u003c/span>\u003ca href=\"https://www.instagram.com/leaveyourhouseproject/\">\u003cspan style=\"font-weight: 400;\">Leave Your House Project\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">, which promises “Adult Field Trips,” and \u003c/span>\u003ca href=\"https://www.instagram.com/dosti.sf/\">\u003cspan style=\"font-weight: 400;\">Dosti\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> (Urdu for “friend,”), a Bay Area-based social club for 20-something Muslims.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075625\" class=\"wp-caption aligncenter\" style=\"max-width: 1973px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075625\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1.jpg\" alt=\"\" width=\"1973\" height=\"1480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1.jpg 1973w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/hosting1-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1973px) 100vw, 1973px\">\u003cfigcaption class=\"wp-caption-text\">The Leave Your House Project promises “adult field trips” in the Bay Area. \u003ccite>(Courtesy of Jordan Senigar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“I’m definitely going to make sure everyone has friends,” said Imaan Sultan, Dosti’s founder. Her group’s events include picnics, book swaps and Halloween parties — all advertised with eye-catching pink-and-green Instagram posts and \u003c/span>\u003ca href=\"https://partiful.com/\">\u003cspan style=\"font-weight: 400;\">Partiful\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> pages. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“I just hate waiting for things to happen, and I was like: ‘\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Someone\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> has to do it,’” she said.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Sultan said she’s been struck by the sheer hunger for Dosti’s events. It took under an hour for her social media post announcing a Dosti \u003c/span>\u003ca href=\"https://www.kqed.org/news/12073604/2026-ramadan-mubarak-where-to-find-iftar-suhoor-san-francisco-bay-area\">\u003cspan style=\"font-weight: 400;\">Iftar dinner\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> for Ramadan in Palo Alto to receive over 200 sign-ups — with a growing waitlist. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Luckily, Sultan has some experience hosting larger groups: During her college days, she hosted matcha cafes for 60 people in her small Berkeley apartment. However, now that she’s a year out of college, the need for organizing events for working young professionals strikes her as even more necessary.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003cspan style=\"font-weight: 400;\">Sultan wasn’t finding the tech scene she was in super social. And she’d often hear others in her circle bemoaning the idea of their losing connections when friends got married or worse: \u003c/span>\u003ca href=\"https://www.sfchronicle.com/projects/2025/sf-worker-losses-ny/\">\u003cspan style=\"font-weight: 400;\">moved to New York\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">This sense of disconnect was in stark contrast to her childhood growing up in the Middle East, when Sultan said she recalled constantly meeting new friends and being “always around people.” Here in the Bay Area, she’s observed “a little bit of a difference in social culture and tendency of people to do that, at least in the SF community.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Jordan Senigar, the founder of the Leave Your House Project and East Bay resident, echoed this. “A lot of people want connection, but the Bay Area can honestly feel really overwhelming and expensive,” she said. “It’s really easy to feel like community isn’t accessible if you don’t fit a specific mold.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Especially in SF,” Sultan said, “where people are so enamored with tech and digital experiences, I think people have forgotten that at the end of the day … we crave connection.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">With all this in mind? I spoke to Sultan and other Bay Area hosts on how to throw an excellent party — from logistics like invites and food to vibes like music and themes to getting your friends to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">actually\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> show up. \u003c/span>\u003c/p>\n\u003ch2>What \u003ci>kind \u003c/i>of event do I want to host?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The main goal of your first event is getting people to just show up, Sultan said. So make your gathering something easy for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">you\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And the possibilities are endless. According to Anita Osuala, a spokesperson with Partiful — the \u003c/span>\u003ca href=\"https://partiful.com/\">\u003cspan style=\"font-weight: 400;\">popular online platform\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> that allows people to create customizable private or public event pages — users have been getting creative with events that go beyond birthdays and house parties, according to trends she said she’s observed from “a mix of both product data and behavioral patterns we see across invites on the platform.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Osuala said Partiful is seeing the platform used for more “admin night” invites and chore parties where, as she put it, “people tackle life tasks together”: like paying the bills and scheduling dreaded dental appointments. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075651\" class=\"wp-caption aligncenter\" style=\"max-width: 1987px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075651\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3.jpeg\" alt=\"\" width=\"1987\" height=\"1328\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3.jpeg 1987w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti3-1536x1027.jpeg 1536w\" sizes=\"auto, (max-width: 1987px) 100vw, 1987px\">\u003cfigcaption class=\"wp-caption-text\">Dosti is a Bay Area-based social club for young Muslims. \u003ccite>(Courtesy of Muhammad Anjum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">There is also the everlasting appeal of off-kilter or ironic events — like\u003c/span>\u003ca href=\"https://apnews.com/article/timothee-chalamet-lookalike-dune-7acc6bda7612cb72eca31d2cc0106028\">\u003cspan style=\"font-weight: 400;\"> the Timothée Chalamet look-alike contest in 2024\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> and their subsequent spin-offs, including \u003c/span>\u003ca href=\"https://www.kqed.org/news/12072527/in-the-mission-a-bad-bunny-look-alike-contest-becomes-a-celebration-of-identity\">\u003cspan style=\"font-weight: 400;\">San Francisco’s pre-Super Bowl Bad Bunny look-alike showdown\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">One Partiful Sultan came across was made by someone who claimed to never have eaten \u003c/span>\u003ca href=\"https://www.smuckersuncrustables.com/\">\u003cspan style=\"font-weight: 400;\">an Uncrustable\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> and was inviting people to watch them “try an Uncrustable for the first time in the park.” By Sultan’s count, the event had around 400 RSVPs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Your gathering can even be “stupid stuff like that,” she laughed. “How low maintenance is this?” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">On a personal note, I can attest that movie-themed events are crowd-pleasers, too. Last year, I hosted \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13975849/pope-crave-vatican-conclave-stans-memes-gen-z-chimney\">\u003cspan style=\"font-weight: 400;\">a Conclave-themed party\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> in honor of the 2024 papal thriller starring Ralph Fiennes and Stanley Tucci.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And as the Academy Awards on March 15 grow closer, hosts of an Oscars party could have a lot of fun \u003c/span>\u003ca href=\"https://www.vanityfair.com/hollywood/oscars-ballot?srsltid=AfmBOooDShGc1gZdjMJHAs4pS7us0mQFE9v7pcj4ZnpFZ4jD1W21VZMA\">\u003cspan style=\"font-weight: 400;\">printing and passing out ballots\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> for people to predict winners and compete with each other.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12072581\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors interact with the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Childhood throwbacks are also always a winner. The Leave Your House Project’s first “adult field trip” was “indoor recess”: “a little throwback to elementary school days where you play four square and do double dutch,” Senigar said. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Small, simple moments can create really meaningful community because that’s essentially what we did when we were kids,” she said. “We had to make do with what we had … ‘Okay, we don’t always have to spend $600 and go to Monterey. We can just do something local.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And what about dinner parties — those gatherings that are often considered the cornerstones of adulthood? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Given that they can be a stressful affair with all of the cooking and preparations they entail, going potluck style for your first party can be a more manageable way to host a dinner in your home, where people can chip in with food. Hosts shouldn’t have to “bear the financial burden” alone, Sultan said. \u003c/span>\u003c/p>\n\u003ch2>How should I think about food?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The days of college party catering — A.K.A. a bag of chips and beer — may be behind you. But that doesn’t mean that food for a party, even a dinner party, has to be a fancy five-course meal.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Yasmine Davis, a San Francisco resident dubbed (by a friend) as \u003c/span>\u003ca href=\"https://www.tiktok.com/@hangryb.tch/photo/7425854624814484778\">\u003cspan style=\"font-weight: 400;\">“the queen of SF dinner parties”\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> on TikTok, said that she started hosting dinner parties before she ever \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">had\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> a dinner table.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The idea of hosting people for dinner can be stress-inducing for many people, said Davis, and it’s often motivated by feeling they don’t “have the right materials to do it.” But “I was just having people over, and we would sit down on the floor, and I would just put everything on my coffee table,” she said.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Davis herself \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">is\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> a cook, and said that it “actually brings so much joy to me, my friends actually enjoying the food that I’m making.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075624\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075624\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/260306-HOSTING-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A friend dubbed Yasmine Davis as “the queen of SF dinner parties,” on account of the colorful, themed meals David hosted in her apartment. \u003ccite>(Courtesy of Yasmine Davis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">But she added that hosts shouldn’t have to over-purchase food for a dinner party or an event, because “when people are at a party, they’re being so social that they don’t eat as much as they would at a restaurant.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Davis said she often focuses on finger foods and crowd-pleasing staples like vodka pasta, crispy chicken cutlets and a big salad. She also enjoys seasonal-themed dinners and meals — like a winter-themed meal with cosy grilled cheese sandwiches and soup.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“It’s also cost-effective if you don’t want to spend an arm and a leg on this food for a party,” she said. “You could be so creative with the salad and make it look so beautiful with edible flowers and different pickled things in it.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">As for drinks, hosts should always make sure to have other cold beverages on hand other than alcohol, she advised. \u003c/span>\u003c/p>\n\u003ch2>How should I prepare my home for hosting people?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Sultan is an advocate of cleaning up the space before people start showing up, and notes that even a small act like wiping the table can make a big difference. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Another major requirement for her is emptying the fridge, to stop days-old leftovers from taking up space from your party snacks. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075656\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075656\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212635567-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">A table with glasses, photos and a plate with pasta. \u003ccite>(Janina Steinmetz via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">While Davis herself has found it fun to explore tablescaping — the art of arranging silverware and decor — she acknowledges that getting overly focused on the aesthetics of a dinner party can bring people a lot of stress: not to mention the cost that wrangling matching cups, plates and table covers can incur. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">In these cases, Davis said it may help to focus on the food more. “I want to make sure people are enjoying the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">food \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">at a party,” she said. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">For my part, I am a stickler for good lighting — i.e., never subject your guests to the too-harsh overhead ceiling bulb. And a small thing I’ve noticed that always makes people smile: printing out a “menu” for a dinner party. We have fancy restaurants at home!\u003c/span>\u003c/p>\n\u003ch2>What should I \u003ci>do \u003c/i>during the party?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">To many people’s surprise, the Leave Your House Project’s Senigar considers herself an introvert. But she said she steps up when it comes to hosting duties. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Hosting is about the guest experience, not always about how impressive something looks,” she said. “You really have to be adaptable, you have to be flexible, and you have to be calm and welcoming and intentional because it sets the tone for the entire space.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075657\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075657\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2220704403-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">Top-down shot of a festive dining table covered with holiday food, drinks, and decorations. \u003ccite>(Alina Rudya via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">During an event, Senigar will drive herself to stay extra mindful, checking in on guests to see how they are feeling and talking to people who seem to be standing by themselves. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“It lets the attendees know that they’re welcome and they don’t have to navigate the space on their own,” she said. “Whether the event is perfect or not, they will remember that moment.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">It can be “really anxiety-inducing for new people to come to events alone,” Sultan said — so “literally when they come in, just be like, ‘Hey, oh my gosh, I have someone I want to introduce you to.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“And introduce those people and have them start a conversation.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">As the host, you may have a picture-perfect idea of an event in your head. \u003c/span>\u003cspan style=\"font-weight: 400;\">But Davis said, “When you try to over-complicate it, it’ll just stress you out a lot” — especially at the beginning of your hosting journey. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075658\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075658\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049.jpg\" alt=\"\" width=\"1980\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/GettyImages-2212632049-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">View of a group of friends enjoying the time together with laughter at brunch. \u003ccite>(Janina Steinmetz via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">However, “as you get more comfortable, you can experiment with other things,” she advised. “Keep it as simple as you want and just add different parts of yourself that you would want to shine.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">One of those shining things should be music. “It gets so awkward if you go to an event where they don’t have music playing, because then you can just hear everyone’s conversations,” Sultan said. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I, for one, love making a collaborative playlist on Spotify, which allows anyone attending to add songs during the party. (Although, beware — people may also try to annoy you with this generous function.)\u003c/span>\u003c/p>\n\u003ch2>How can I make sure my friends \u003ci>actually \u003c/i>show up?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Now here is the true host nightmare. People — maybe even lots of them — RSVP … but then they don’t show up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And while yes, emergencies happen and sometimes people get too tired and just don’t want to leave their house, it can feel like a rather vulnerable moment for a host.\u003c/span> \u003cspan style=\"font-weight: 400;\">Sultan’s advice here is to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">over\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">-invite people, because there will always be last-minute cancellations.\u003c/span>\u003c/p>\n\u003cp>When it comes to the number of invites she sends out, “my rule of thumb is ‘always 20% more,’” she said. “And it has never failed me.”\u003c/p>\n\u003cfigure id=\"attachment_12075652\" class=\"wp-caption aligncenter\" style=\"max-width: 1994px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075652\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4.jpeg\" alt=\"\" width=\"1994\" height=\"1330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4.jpeg 1994w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdost4-1536x1025.jpeg 1536w\" sizes=\"auto, (max-width: 1994px) 100vw, 1994px\">\u003cfigcaption class=\"wp-caption-text\">Dosti hosts events like picnics, book swaps and holiday parties — all advertised with eye-catching colorful Instagram posts and Partiful pages. \u003ccite>(Courtesy of Muhammad Anjum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Asking invitees to bring a plus one is a good way to boost attendance with people who are vetted by friends, Sultan said. And when it comes to those “I’m just not feeling it tonight” folks, Senigar said she tries to “meet people where they’re at, especially for people who don’t go out as much.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“I’m really honest — but in a gentle and supportive way, kind of like in a big sister way,” she said. “I’ll literally say, ‘If you wanna make friends, you have to leave your house.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“And it’s not judgmental,” she stressed. “It gives people a clear next step, and it lets them move at their own pace.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003cspan style=\"font-weight: 400;\">Equally, invitees should feel safe to be honest about their capacity — like how long they can stay at a party and how many people they can talk to. \u003c/span>\u003cspan style=\"font-weight: 400;\">“Sometimes I suggest small goals like, ‘Okay, I’m gonna go to this event, I probably don’t know anybody, so I’m going to try to at least talk to one person or try to get at least one Instagram [connection],’ Senigar said. “And I think those little steps help people build confidence and just keep coming back.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">A major way to help some people feel flexible enough to attend an event is something easier to attend, like scheduling a hangout right after work, which people can attend without needing to go home and change.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“One of the most important aspects is being clear about what the event actually \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">is\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">,” Senigar said. “I try not to oversell anything to my attendees because I feel like when people know what to expect, it makes showing up feel easier.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“When people feel comfortable, connection happens naturally,” she said.\u003c/span>\u003c/p>\n\u003ch2>I actually had a great time hosting! What should I do next?\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Once you get into the swing of hosting, Sultan said not to burn yourself out by over-exerting yourself in planning for the future.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">People underestimate how much hosting can take out of you, she said. And while everyone may think they want to plan a big, glamorous event, “the most fun I’ve had at events, and the most meaningful friendships I’ve formed, have always been from the [simpler] events we’ve thrown.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12075654\" class=\"wp-caption aligncenter\" style=\"max-width: 1987px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12075654\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5.jpeg\" alt=\"\" width=\"1987\" height=\"1324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5.jpeg 1987w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/03/newdosti5-1536x1023.jpeg 1536w\" sizes=\"auto, (max-width: 1987px) 100vw, 1987px\">\u003cfigcaption class=\"wp-caption-text\">Dosti hosts events like picnics, book swaps and holiday parties — all advertised with eye-catching colorful Instagram posts and Partiful pages. \u003ccite>(Courtesy of Muhammad Anjum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Creating community through gatherings can be an incredibly rewarding experience for hosts like Senigar.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“A girl came up to me and said, ‘I’ve been looking forward to this for a month,’” she recalled. “Her grandfather has dementia, and she is his primary caretaker, and he’s going to pass soon … and she said that she does not have time to go out.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Senigar said she and others in the group teared up when listening to her story. “Life is hard,” she said. “I’m really trying to continue to tell myself you can’t do life alone.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">“Community is important,” she said. “You need people to lean on.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "how-an-aging-california-is-turning-to-senior-centers-for-romance-community-and-health",
"title": "How an Aging California Is Turning to Senior Centers for Romance, Community and Health",
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"content": "\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>[dropcap]A[/dropcap]lmeter Carroll sits alone on a couch inside the Watts Senior Citizen Community Center.\u003c/p>\n\u003cp>It’s almost noon, but the place is nearly empty. Fitness mats and other workout gear lay stacked in a distant corner. No one shows up for a morning gym class except her.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She points across the room to a wall covered with photos of smiling, well-dressed Black men and women gathered at events throughout the years. “They’re all gone. Everyone on that wall. Passed away.”\u003c/p>\n\u003cp>It’s the same in her personal life. Widowed once, Almeter lost a second partner years later to COVID. For the most part, she likes being independent and taking care of herself.\u003c/p>\n\u003cp>“Of course, I get lonely,” she says. “I miss my husband. I miss my boyfriend.”\u003c/p>\n\u003cfigure id=\"attachment_12074089\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED.jpg\" alt=\"\" width=\"2500\" height=\"823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-2000x658.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-2048x674.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A memorial wall honoring past members at the Watts Senior Center in Los Angeles. Right: Almeter Carroll, 87, sits at the Watts Senior Center in Los Angeles. “I like coming here, I like getting together with the group and playing cards,” said Ms. Carroll. “People come for fellowship. To talk.” She added, “The pandemic did a lot to this place and to my church.” \u003ccite>(Isadora Kosofsky for CatchLight/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She speaks of these things matter-of-factly, but still holds a positive outlook and carries a knowing smile.\u003c/p>\n\u003cp>Quiet as it may be at the moment, the Watts Center will begin to buzz with activity come lunchtime. Almeter will be surrounded by friends soon enough.\u003c/p>\n\u003cfigure id=\"attachment_12074063\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074063\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Shane Shabad, 90, sits at Palisades Park in Santa Monica. Shane has lived alone for over a decade and struggles with vision loss associated with macular degeneration. He became increasingly socially isolated during the pandemic. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/seniors\">Older adults\u003c/a> represent a significantly expanding portion of California’s population. By 2030, individuals over age 65 will begin to outnumber those under 18. But living longer also means people will see more loss, experience more grief and face more isolation.\u003c/p>\n\u003cp>\u003ca href=\"https://calmatters.org/health/mental-health/2026/02/look-inside-los-angeles-senior-centers/\">Neighborhood senior centers\u003c/a> may offer a good solution. They localize important resources and provide a safe, accessible space where older adults can go to find community and friendship.\u003c/p>\n\u003cp>“They’re absolutely essential and critical and part of the backbone of older adult services in our state,” said California Department of Aging Director Susan DeMarois. “They’re integral to our communities.”\u003c/p>\n\u003cfigure id=\"attachment_12074090\" class=\"wp-caption aligncenter\" style=\"max-width: 2021px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074090 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED.jpg\" alt=\"\" width=\"2021\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED.jpg 2021w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED-2000x1484.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED-1536x1140.jpg 1536w\" sizes=\"auto, (max-width: 2021px) 100vw, 2021px\">\u003cfigcaption class=\"wp-caption-text\">Left: Beverlee Kelly, 70, spends time at Kenneth Hahn State Recreation Area in Los Angeles. Ms. Kelly used to be active at a senior center near her home before the pandemic. She has not returned since the shutdown in 2020 due to health concerns, as she is unvaccinated. Right: Shane Shabad, 90, stands in his apartment in Santa Monica. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Under Gov. Gavin Newsom, the aging department drew up a 10-year master plan that lays out five “bold” goals essential for sustaining longevity — housing, health care, inclusion, caregiving and affordability.\u003c/p>\n\u003cp>Senior centers can address the inclusion component, although how exactly remains unclear.\u003c/p>\n\u003cp>\u003ca href=\"https://calmatters.org/health/mental-health/2026/02/senior-centers-what-we-learned/\">No two senior centers are alike\u003c/a>. Local demographics and economic factors shape each center’s unique dynamics. With hardly any state oversight, most are largely left to themselves to figure out their own best practices.\u003c/p>\n\u003cp>In fact, no one can even say how many are operating in the state.\u003c/p>\n\u003cfigure id=\"attachment_12074094\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074094 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED.jpg\" alt=\"\" width=\"2500\" height=\"823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-2000x658.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-2048x674.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Lewis Brown, 80, Director, sits in his office at the Tehachapi Senior Center. Right: Tony Kotch, 86, sits at a table for lunch at the Tehachapi Senior Center. The Tehachapi Senior Center is volunteer-run, and the older adults cover costs through donations. Older adults residing in rural areas are at an increased risk of social isolation. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former Surgeon General Dr. Vivek Murthy sounded an alarm in naming loneliness and social isolation a national epidemic in a \u003ca href=\"https://www.hhs.gov/sites/default/files/surgeon-general-social-connection-advisory.pdf\">2023 report\u003c/a> — equating the long-term health effects with smoking 15 cigarettes a day. One in five older Californians like Almeter live alone, making it even more difficult for them to maintain social connections.\u003c/p>\n\u003cp>Going to the senior center may benefit a person’s mental and physical health, according to a 2025 study by researchers from California State University, Northridge, and Kaiser Permanente. They distributed surveys at 23 Los Angeles-area senior centers to gauge how attendance affected the well-being of participants.\u003c/p>\n\u003cp>People who attended frequently — several times a week — or over long periods of time had better mental health and felt less lonely. Frequent senior center attendance was associated with a greater reduction in loneliness among users under age 75, while the positive relationship between senior center attendance and physical health was more evident among users over age 75. Based on those findings, the authors encouraged local officials and doctors “to promote” senior centers as a healthy resource.\u003c/p>\n\u003cfigure id=\"attachment_12074062\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074062\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Residents of an affordable senior housing complex in Santa Monica stand in a hallway in 2020. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hit hard by the social distancing impacts of COVID, community-based centers faced significant challenges when things began to return to normal. Older adults stayed away for some time out of caution.\u003c/p>\n\u003cp>But some returned to centers with a renewed focus on health and well-being. Rather than look for traditional recreation like bingo, post-COVID older adults wanted to see fitness classes and longevity training.\u003c/p>\n\u003cp>“As the population changes, as the opportunities change, as the needs change — senior centers evolve with that,” said Dianne Stone of the National Council on Aging. “At the core of it, senior centers are highly social places. It’s all about creating opportunities for social engagement.\u003c/p>\n\u003cp>“That might be just sitting around having a cup of coffee. It might be taking a class and finding people that are interested in the same things you’re interested in. But all of it is an opportunity to come in and meet people.”\u003c/p>\n\u003ch2>\u003cstrong>Karaoke, tai chi and romance\u003c/strong>\u003c/h2>\n\u003cp>Less than 20 miles from Watts, the Culver City Senior Center surges with energy and enthusiasm. Sunlight filters through large glass windows onto tables bustling with Mah Jong and other games. For $20 a year, participants get daily access to rooms filled with exercise classes, arts and crafts workshops and movie screenings.\u003c/p>\n\u003cp>Members gather early to hit the gym as soon as doors open at 9 a.m. Billiards players bring their own cues to shoot pool. Twice a week, packed-house karaoke sessions involve not just free-spirited singing, but also plenty of dancing.\u003c/p>\n\u003cfigure id=\"attachment_12074091\" class=\"wp-caption aligncenter\" style=\"max-width: 2019px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074091 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED.jpg\" alt=\"\" width=\"2019\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED.jpg 2019w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED-2000x1486.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED-1536x1141.jpg 1536w\" sizes=\"auto, (max-width: 2019px) 100vw, 2019px\">\u003cfigcaption class=\"wp-caption-text\">Members dance during weekly karaoke at the Culver City Senior Center. Some older adults attend the center with their caregivers, who are also members. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a sunny, gorgeous day in mid-November, the karaoke team brought microphones and speakers out into the fresh air of Culver’s spacious central courtyard.\u003c/p>\n\u003cp>Selvee Provost bounced around and chatted knowingly with almost every person sitting under the verandas and shade umbrellas. As people took turns singing, she danced intermittently with different friends. Her simple social activity appeared to come naturally, but it was in the aftermath of loss and loneliness.\u003c/p>\n\u003cfigure id=\"attachment_12074059\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074059\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Toni DiModica, 84, and Jim Diego, 82, dance during karaoke, as Verna Akwa, 77, sings, and Lee Karol, 69, and Stan Kamens, 78, manage the program at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Selvee first came to the Culver Center with her husband, Jim, in 2018. When COVID hit, things shut down. Then Jim died, and Selvee felt utterly alone. She could feel herself spiraling down in isolation.\u003c/p>\n\u003cp>“I knew if I sit at home and keep thinking about Jim, I’m gonna get more and more depressed,” she said. “That’s what motivated me to come here and try a class or something — just try anything.”\u003c/p>\n\u003cfigure id=\"attachment_12074092\" class=\"wp-caption aligncenter\" style=\"max-width: 2019px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074092\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED.jpg\" alt=\"\" width=\"2019\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED.jpg 2019w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED-2000x1486.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED-1536x1141.jpg 1536w\" sizes=\"auto, (max-width: 2019px) 100vw, 2019px\">\u003cfigcaption class=\"wp-caption-text\">Left: Cristina Guevara, 78, embraces Julia Sedana, 82, at the Lincoln Heights Senior Center. Right: Selvee Provost, 67, bows during a Tai-Chi class at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tai chi became her pathway to community. “I didn’t know anybody, really. But by going to this class, I met people and learned they have a group about dealing with grief.”\u003c/p>\n\u003cp>That’s where she met Daniel Kerson. He’d lost his wife at almost the same time as Selvee lost Jim. “Both of us really needed to find companionship to survive,” she said. They moved in together right away and now come to the center throughout the week for classes, events and to socialize.\u003c/p>\n\u003cfigure id=\"attachment_12074060\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074060\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Steve Gelb, 78, brushes his hair while seated in the courtyard at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CatchLight/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Louis Cangemi, a newcomer over the last few months, mingled with Selvee and made his own rounds amongst the outdoor karaoke singers and dancers.\u003c/p>\n\u003cp>“I heard about this place and came to meet more people,” said the energetic 80-year-old. “I’m still a bachelor, so I hope to hit it off here with more women.”\u003c/p>\n\u003cp>But he might encounter a bit of competition. Other men like Jim Diego, 82, have been dancing and courting at Culver for years ahead of Cangemi.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"Find a public senior center in Los Angeles\" aria-label=\"Locator map\" id=\"datawrapper-chart-cMgPL\" src=\"https://datawrapper.dwcdn.net/cMgPL/4/\" scrolling=\"no\" frameborder=\"0\" style=\"width: 0; min-width: 100% !important; border: none;\" height=\"695\" data-external=\"1\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Coffee, tea and art — “Cafe, te y arte” — are the kind of social opportunities that begin each weekday at the Lincoln Heights Senior Citizen Center, all gratis for the mostly Spanish-speaking older adults who make themselves at home here. In one large community room, they share galletas and pasteles along with the free coffee.\u003c/p>\n\u003cp>As mid-morning hits, fitness classes like chair yoga and Latin dance entice a dozen or so participants — predominantly women — to move, smile and laugh together beside the room’s raised performance stage. The men mostly sit and watch.\u003c/p>\n\u003cp>Twice a week, la lotería keeps the tables full for a couple of hours. Holiday dances draw crowds of over a hundred and feature DJs and live musicians.\u003c/p>\n\u003cfigure id=\"attachment_12074064\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Chris Garcia, 78, dances with Eva De La Torre, 75, alongside other members of the Lincoln Heights Senior Center during a Halloween party in the Lincoln Heights neighborhood in Los Angeles. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s such a lovely community,” said the Lincoln Heights director and one-man staff, Anthony Montiel. “I’m really fortunate to be part of this.”\u003c/p>\n\u003cp>As director, he maintains the schedule of classes and fills in wherever necessary. People are asked to contribute a few dollars per class, if they can afford it.\u003c/p>\n\u003cp>In his backroom office, he logs in and accounts for handfuls of dog-eared $1 bills.\u003c/p>\n\u003cp>A lone ping pong player looks for the director in the afternoons. If he’s not too busy with his other duties, he’ll take a break for a quick match. “We have practically a brand new table,” said Montiel. “It’s nice equipment, but the guy usually has no one to play with but me.”\u003c/p>\n\u003ch2>\u003cstrong>Shared meals, shared space, shared community\u003c/strong>\u003c/h2>\n\u003cp>Putting a finger on the pulse of how senior centers maintain relevance, adapt and thrive is no easy task. Each center relies on a mix of different funding and resources.\u003c/p>\n\u003cp>Besides the classes and activities, subsidized lunch programs at all these centers play a crucial role in helping older adults stay healthy. The nutritionally balanced meals provide free or low-cost sustenance, but offering the food in a shared, congregate space might be equally just as vital.\u003c/p>\n\u003cfigure id=\"attachment_12074065\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074065\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members gather at different tables in the afternoon at the Lincoln Heights Senior Center in Los Angeles. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When people are able to go to a setting like a senior center to enjoy a meal in the company of others, possibly to have music and entertainment and activities, that can be really good for people’s mental health,” said DeMarois of the Department of Aging. “That’s a big part of it — just trying to foster that connection and engagement on the preventive side.”\u003c/p>\n\u003cp>Congregate setting meal programs accounted for over 2.3 million older adult meals in the City of Los Angeles and in L.A. County in 2024, according to California Department of Aging records. But this data is not specific to senior centers, as it also includes meals in senior care facilities and other older adult group spaces.\u003c/p>\n\u003cp>“When it comes to senior centers, there is not good data,” said Stone. “There is not that central database of senior centers or community-based organizations, and there’s not even a shared definition of what they are.\u003c/p>\n\u003cfigure id=\"attachment_12074093\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074093 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED.jpg\" alt=\"\" width=\"2500\" height=\"823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-2000x658.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-2048x674.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Maudell Robinson, 95, at the Watts Senior Center in Los Angeles. Right: A member of the Watts Senior Center prepares to depart for the day in Los Angeles. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Senior centers are community responses to community aging. No two are the same because no two communities are the same.”\u003c/p>\n\u003cp>Speaking anecdotally from her own experience, Stone sees the bulk of most senior center populations as being between 75 and 85 years old. But that age range is evolving as older adult communities expand.[aside postID=news_12050210 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/07/la-seniors-688a20454f1fc.jpg']DeMarois sees the same dynamics taking shape. “When we talk about people 60-plus, we’re experiencing the greatest longevity ever right now,” she said. “The fastest growing demographic in California is 85-plus. We’re talking about four decades of life for many people from 60 to 100, so their needs and preferences will change over time.”\u003c/p>\n\u003cp>Back in Watts, Almeter’s not much interested in a free meal. “I eat my own food.” She sits around as other older adults filter into the center one by one. Many grab their subsidized lunch in styrofoam containers and soon walk right back out the door.\u003c/p>\n\u003cp>She waits patiently for her friends to arrive — women like Luretha Muckelroy, Maudell Robinson and Watts advisory board member Linda Cleveland. They gather here two or three times each week to play Spades or Bid Whist, card games that evoke plenty of smack talking and mirth.\u003c/p>\n\u003cp>“We need more men around here,” said Linda, as she noted the all-female crowd. Older adult males show up for some functions and events, but women seem to comprise most of the Watts Center attendance.\u003c/p>\n\u003cfigure id=\"attachment_12074066\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074066\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sharron Robinson, 80, Laura Shroder, 89, and Johnnie Devereaux, 86, hold hands and dance as other members sing karaoke at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CatchLight/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For a few hours, the close-knit group makes the place come alive. Four players compete in two-person teams, while others keep tally. The losing team must vacate their seats.\u003c/p>\n\u003cp>They laugh, point fingers and chastise one another — all in good fun. The games can sometimes get heated. In between hands and shuffles, they share snacks and pour sodas.\u003c/p>\n\u003cp>When asked how she feels about aging alone, Almeter answers without hesitation. “Oh, I love being 87. It’s great to be alive.”\u003c/p>\n\u003cp>\u003cem>Joe Garcia is a California Local News fellow. \u003c/em>\u003cem>This story was produced jointly by CalMatters and CatchLight as part of our \u003c/em>\u003ca href=\"https://www.catchlight.io/mental-health\">\u003cem>mental health initiative\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>This article was \u003ca href=\"https://calmatters.org/health/mental-health/2026/02/senior-centers-aging-health/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "No two senior centers are alike. We visited three very different venues in L.A. to learn how they’re changing for California’s aging population.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">A\u003c/span>\u003c/p>\u003cp>lmeter Carroll sits alone on a couch inside the Watts Senior Citizen Community Center.\u003c/p>\n\u003cp>It’s almost noon, but the place is nearly empty. Fitness mats and other workout gear lay stacked in a distant corner. No one shows up for a morning gym class except her.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She points across the room to a wall covered with photos of smiling, well-dressed Black men and women gathered at events throughout the years. “They’re all gone. Everyone on that wall. Passed away.”\u003c/p>\n\u003cp>It’s the same in her personal life. Widowed once, Almeter lost a second partner years later to COVID. For the most part, she likes being independent and taking care of herself.\u003c/p>\n\u003cp>“Of course, I get lonely,” she says. “I miss my husband. I miss my boyfriend.”\u003c/p>\n\u003cfigure id=\"attachment_12074089\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED.jpg\" alt=\"\" width=\"2500\" height=\"823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-2000x658.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-1-KQED-2048x674.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A memorial wall honoring past members at the Watts Senior Center in Los Angeles. Right: Almeter Carroll, 87, sits at the Watts Senior Center in Los Angeles. “I like coming here, I like getting together with the group and playing cards,” said Ms. Carroll. “People come for fellowship. To talk.” She added, “The pandemic did a lot to this place and to my church.” \u003ccite>(Isadora Kosofsky for CatchLight/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She speaks of these things matter-of-factly, but still holds a positive outlook and carries a knowing smile.\u003c/p>\n\u003cp>Quiet as it may be at the moment, the Watts Center will begin to buzz with activity come lunchtime. Almeter will be surrounded by friends soon enough.\u003c/p>\n\u003cfigure id=\"attachment_12074063\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074063\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/221326-LA-Senior-Center-IK-CM-04-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Shane Shabad, 90, sits at Palisades Park in Santa Monica. Shane has lived alone for over a decade and struggles with vision loss associated with macular degeneration. He became increasingly socially isolated during the pandemic. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/seniors\">Older adults\u003c/a> represent a significantly expanding portion of California’s population. By 2030, individuals over age 65 will begin to outnumber those under 18. But living longer also means people will see more loss, experience more grief and face more isolation.\u003c/p>\n\u003cp>\u003ca href=\"https://calmatters.org/health/mental-health/2026/02/look-inside-los-angeles-senior-centers/\">Neighborhood senior centers\u003c/a> may offer a good solution. They localize important resources and provide a safe, accessible space where older adults can go to find community and friendship.\u003c/p>\n\u003cp>“They’re absolutely essential and critical and part of the backbone of older adult services in our state,” said California Department of Aging Director Susan DeMarois. “They’re integral to our communities.”\u003c/p>\n\u003cfigure id=\"attachment_12074090\" class=\"wp-caption aligncenter\" style=\"max-width: 2021px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074090 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED.jpg\" alt=\"\" width=\"2021\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED.jpg 2021w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED-2000x1484.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-2-KQED-1536x1140.jpg 1536w\" sizes=\"auto, (max-width: 2021px) 100vw, 2021px\">\u003cfigcaption class=\"wp-caption-text\">Left: Beverlee Kelly, 70, spends time at Kenneth Hahn State Recreation Area in Los Angeles. Ms. Kelly used to be active at a senior center near her home before the pandemic. She has not returned since the shutdown in 2020 due to health concerns, as she is unvaccinated. Right: Shane Shabad, 90, stands in his apartment in Santa Monica. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Under Gov. Gavin Newsom, the aging department drew up a 10-year master plan that lays out five “bold” goals essential for sustaining longevity — housing, health care, inclusion, caregiving and affordability.\u003c/p>\n\u003cp>Senior centers can address the inclusion component, although how exactly remains unclear.\u003c/p>\n\u003cp>\u003ca href=\"https://calmatters.org/health/mental-health/2026/02/senior-centers-what-we-learned/\">No two senior centers are alike\u003c/a>. Local demographics and economic factors shape each center’s unique dynamics. With hardly any state oversight, most are largely left to themselves to figure out their own best practices.\u003c/p>\n\u003cp>In fact, no one can even say how many are operating in the state.\u003c/p>\n\u003cfigure id=\"attachment_12074094\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074094 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED.jpg\" alt=\"\" width=\"2500\" height=\"823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-2000x658.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-3-KQED-2048x674.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Lewis Brown, 80, Director, sits in his office at the Tehachapi Senior Center. Right: Tony Kotch, 86, sits at a table for lunch at the Tehachapi Senior Center. The Tehachapi Senior Center is volunteer-run, and the older adults cover costs through donations. Older adults residing in rural areas are at an increased risk of social isolation. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former Surgeon General Dr. Vivek Murthy sounded an alarm in naming loneliness and social isolation a national epidemic in a \u003ca href=\"https://www.hhs.gov/sites/default/files/surgeon-general-social-connection-advisory.pdf\">2023 report\u003c/a> — equating the long-term health effects with smoking 15 cigarettes a day. One in five older Californians like Almeter live alone, making it even more difficult for them to maintain social connections.\u003c/p>\n\u003cp>Going to the senior center may benefit a person’s mental and physical health, according to a 2025 study by researchers from California State University, Northridge, and Kaiser Permanente. They distributed surveys at 23 Los Angeles-area senior centers to gauge how attendance affected the well-being of participants.\u003c/p>\n\u003cp>People who attended frequently — several times a week — or over long periods of time had better mental health and felt less lonely. Frequent senior center attendance was associated with a greater reduction in loneliness among users under age 75, while the positive relationship between senior center attendance and physical health was more evident among users over age 75. Based on those findings, the authors encouraged local officials and doctors “to promote” senior centers as a healthy resource.\u003c/p>\n\u003cfigure id=\"attachment_12074062\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074062\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/3LA-Senior-Center-IK-CM-09-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Residents of an affordable senior housing complex in Santa Monica stand in a hallway in 2020. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hit hard by the social distancing impacts of COVID, community-based centers faced significant challenges when things began to return to normal. Older adults stayed away for some time out of caution.\u003c/p>\n\u003cp>But some returned to centers with a renewed focus on health and well-being. Rather than look for traditional recreation like bingo, post-COVID older adults wanted to see fitness classes and longevity training.\u003c/p>\n\u003cp>“As the population changes, as the opportunities change, as the needs change — senior centers evolve with that,” said Dianne Stone of the National Council on Aging. “At the core of it, senior centers are highly social places. It’s all about creating opportunities for social engagement.\u003c/p>\n\u003cp>“That might be just sitting around having a cup of coffee. It might be taking a class and finding people that are interested in the same things you’re interested in. But all of it is an opportunity to come in and meet people.”\u003c/p>\n\u003ch2>\u003cstrong>Karaoke, tai chi and romance\u003c/strong>\u003c/h2>\n\u003cp>Less than 20 miles from Watts, the Culver City Senior Center surges with energy and enthusiasm. Sunlight filters through large glass windows onto tables bustling with Mah Jong and other games. For $20 a year, participants get daily access to rooms filled with exercise classes, arts and crafts workshops and movie screenings.\u003c/p>\n\u003cp>Members gather early to hit the gym as soon as doors open at 9 a.m. Billiards players bring their own cues to shoot pool. Twice a week, packed-house karaoke sessions involve not just free-spirited singing, but also plenty of dancing.\u003c/p>\n\u003cfigure id=\"attachment_12074091\" class=\"wp-caption aligncenter\" style=\"max-width: 2019px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074091 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED.jpg\" alt=\"\" width=\"2019\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED.jpg 2019w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED-2000x1486.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-4-KQED-1536x1141.jpg 1536w\" sizes=\"auto, (max-width: 2019px) 100vw, 2019px\">\u003cfigcaption class=\"wp-caption-text\">Members dance during weekly karaoke at the Culver City Senior Center. Some older adults attend the center with their caregivers, who are also members. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a sunny, gorgeous day in mid-November, the karaoke team brought microphones and speakers out into the fresh air of Culver’s spacious central courtyard.\u003c/p>\n\u003cp>Selvee Provost bounced around and chatted knowingly with almost every person sitting under the verandas and shade umbrellas. As people took turns singing, she danced intermittently with different friends. Her simple social activity appeared to come naturally, but it was in the aftermath of loss and loneliness.\u003c/p>\n\u003cfigure id=\"attachment_12074059\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074059\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/1-LA-Senior-Center-IK-CM-12-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Toni DiModica, 84, and Jim Diego, 82, dance during karaoke, as Verna Akwa, 77, sings, and Lee Karol, 69, and Stan Kamens, 78, manage the program at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Selvee first came to the Culver Center with her husband, Jim, in 2018. When COVID hit, things shut down. Then Jim died, and Selvee felt utterly alone. She could feel herself spiraling down in isolation.\u003c/p>\n\u003cp>“I knew if I sit at home and keep thinking about Jim, I’m gonna get more and more depressed,” she said. “That’s what motivated me to come here and try a class or something — just try anything.”\u003c/p>\n\u003cfigure id=\"attachment_12074092\" class=\"wp-caption aligncenter\" style=\"max-width: 2019px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074092\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED.jpg\" alt=\"\" width=\"2019\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED.jpg 2019w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED-2000x1486.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-5-KQED-1536x1141.jpg 1536w\" sizes=\"auto, (max-width: 2019px) 100vw, 2019px\">\u003cfigcaption class=\"wp-caption-text\">Left: Cristina Guevara, 78, embraces Julia Sedana, 82, at the Lincoln Heights Senior Center. Right: Selvee Provost, 67, bows during a Tai-Chi class at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tai chi became her pathway to community. “I didn’t know anybody, really. But by going to this class, I met people and learned they have a group about dealing with grief.”\u003c/p>\n\u003cp>That’s where she met Daniel Kerson. He’d lost his wife at almost the same time as Selvee lost Jim. “Both of us really needed to find companionship to survive,” she said. They moved in together right away and now come to the center throughout the week for classes, events and to socialize.\u003c/p>\n\u003cfigure id=\"attachment_12074060\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074060\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-15-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Steve Gelb, 78, brushes his hair while seated in the courtyard at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CatchLight/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Louis Cangemi, a newcomer over the last few months, mingled with Selvee and made his own rounds amongst the outdoor karaoke singers and dancers.\u003c/p>\n\u003cp>“I heard about this place and came to meet more people,” said the energetic 80-year-old. “I’m still a bachelor, so I hope to hit it off here with more women.”\u003c/p>\n\u003cp>But he might encounter a bit of competition. Other men like Jim Diego, 82, have been dancing and courting at Culver for years ahead of Cangemi.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"Find a public senior center in Los Angeles\" aria-label=\"Locator map\" id=\"datawrapper-chart-cMgPL\" src=\"https://datawrapper.dwcdn.net/cMgPL/4/\" scrolling=\"no\" frameborder=\"0\" style=\"width: 0; min-width: 100% !important; border: none;\" height=\"695\" data-external=\"1\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Coffee, tea and art — “Cafe, te y arte” — are the kind of social opportunities that begin each weekday at the Lincoln Heights Senior Citizen Center, all gratis for the mostly Spanish-speaking older adults who make themselves at home here. In one large community room, they share galletas and pasteles along with the free coffee.\u003c/p>\n\u003cp>As mid-morning hits, fitness classes like chair yoga and Latin dance entice a dozen or so participants — predominantly women — to move, smile and laugh together beside the room’s raised performance stage. The men mostly sit and watch.\u003c/p>\n\u003cp>Twice a week, la lotería keeps the tables full for a couple of hours. Holiday dances draw crowds of over a hundred and feature DJs and live musicians.\u003c/p>\n\u003cfigure id=\"attachment_12074064\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-16-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Chris Garcia, 78, dances with Eva De La Torre, 75, alongside other members of the Lincoln Heights Senior Center during a Halloween party in the Lincoln Heights neighborhood in Los Angeles. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s such a lovely community,” said the Lincoln Heights director and one-man staff, Anthony Montiel. “I’m really fortunate to be part of this.”\u003c/p>\n\u003cp>As director, he maintains the schedule of classes and fills in wherever necessary. People are asked to contribute a few dollars per class, if they can afford it.\u003c/p>\n\u003cp>In his backroom office, he logs in and accounts for handfuls of dog-eared $1 bills.\u003c/p>\n\u003cp>A lone ping pong player looks for the director in the afternoons. If he’s not too busy with his other duties, he’ll take a break for a quick match. “We have practically a brand new table,” said Montiel. “It’s nice equipment, but the guy usually has no one to play with but me.”\u003c/p>\n\u003ch2>\u003cstrong>Shared meals, shared space, shared community\u003c/strong>\u003c/h2>\n\u003cp>Putting a finger on the pulse of how senior centers maintain relevance, adapt and thrive is no easy task. Each center relies on a mix of different funding and resources.\u003c/p>\n\u003cp>Besides the classes and activities, subsidized lunch programs at all these centers play a crucial role in helping older adults stay healthy. The nutritionally balanced meals provide free or low-cost sustenance, but offering the food in a shared, congregate space might be equally just as vital.\u003c/p>\n\u003cfigure id=\"attachment_12074065\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074065\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-17-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members gather at different tables in the afternoon at the Lincoln Heights Senior Center in Los Angeles. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When people are able to go to a setting like a senior center to enjoy a meal in the company of others, possibly to have music and entertainment and activities, that can be really good for people’s mental health,” said DeMarois of the Department of Aging. “That’s a big part of it — just trying to foster that connection and engagement on the preventive side.”\u003c/p>\n\u003cp>Congregate setting meal programs accounted for over 2.3 million older adult meals in the City of Los Angeles and in L.A. County in 2024, according to California Department of Aging records. But this data is not specific to senior centers, as it also includes meals in senior care facilities and other older adult group spaces.\u003c/p>\n\u003cp>“When it comes to senior centers, there is not good data,” said Stone. “There is not that central database of senior centers or community-based organizations, and there’s not even a shared definition of what they are.\u003c/p>\n\u003cfigure id=\"attachment_12074093\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12074093 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED.jpg\" alt=\"\" width=\"2500\" height=\"823\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-2000x658.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/021326-LA-Senior-Center-IK-CM-01-DIP-6-KQED-2048x674.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Maudell Robinson, 95, at the Watts Senior Center in Los Angeles. Right: A member of the Watts Senior Center prepares to depart for the day in Los Angeles. \u003ccite>(Isadora Kosofsky for CalMatters/CatchLight)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Senior centers are community responses to community aging. No two are the same because no two communities are the same.”\u003c/p>\n\u003cp>Speaking anecdotally from her own experience, Stone sees the bulk of most senior center populations as being between 75 and 85 years old. But that age range is evolving as older adult communities expand.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>DeMarois sees the same dynamics taking shape. “When we talk about people 60-plus, we’re experiencing the greatest longevity ever right now,” she said. “The fastest growing demographic in California is 85-plus. We’re talking about four decades of life for many people from 60 to 100, so their needs and preferences will change over time.”\u003c/p>\n\u003cp>Back in Watts, Almeter’s not much interested in a free meal. “I eat my own food.” She sits around as other older adults filter into the center one by one. Many grab their subsidized lunch in styrofoam containers and soon walk right back out the door.\u003c/p>\n\u003cp>She waits patiently for her friends to arrive — women like Luretha Muckelroy, Maudell Robinson and Watts advisory board member Linda Cleveland. They gather here two or three times each week to play Spades or Bid Whist, card games that evoke plenty of smack talking and mirth.\u003c/p>\n\u003cp>“We need more men around here,” said Linda, as she noted the all-female crowd. Older adult males show up for some functions and events, but women seem to comprise most of the Watts Center attendance.\u003c/p>\n\u003cfigure id=\"attachment_12074066\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12074066\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20.jpeg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/NOT4FILE-021326-LA-Senior-Center-IK-CM-20-1536x1024.jpeg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sharron Robinson, 80, Laura Shroder, 89, and Johnnie Devereaux, 86, hold hands and dance as other members sing karaoke at the Culver City Senior Center. \u003ccite>(Isadora Kosofsky for CatchLight/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For a few hours, the close-knit group makes the place come alive. Four players compete in two-person teams, while others keep tally. The losing team must vacate their seats.\u003c/p>\n\u003cp>They laugh, point fingers and chastise one another — all in good fun. The games can sometimes get heated. In between hands and shuffles, they share snacks and pour sodas.\u003c/p>\n\u003cp>When asked how she feels about aging alone, Almeter answers without hesitation. “Oh, I love being 87. It’s great to be alive.”\u003c/p>\n\u003cp>\u003cem>Joe Garcia is a California Local News fellow. \u003c/em>\u003cem>This story was produced jointly by CalMatters and CatchLight as part of our \u003c/em>\u003ca href=\"https://www.catchlight.io/mental-health\">\u003cem>mental health initiative\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>This article was \u003ca href=\"https://calmatters.org/health/mental-health/2026/02/senior-centers-aging-health/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
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