Ryan Tran wears a handmade Madonna outfit before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
This story is part of the series The Fandom Vote, exploring the election-year concerns and voting preferences of significant pop culture fanbases.
C
had Belicena vividly remembers the first time he heard Madonna’s music.
The year was 1983. As an 11-year-old boy in the Philippines, “I remember going inside a shopping mall, and I heard ‘Borderline.’ And it stopped me in my tracks,” Belicena said.
“‘This voice is very different. This song is very different,” he recalls thinking. “‘Somehow, I need to know who this woman is.’”
More than 40 years later, Belicena — now a Daly City resident — donned a fabulous white fur coat, a black tank top with “Mother” emblazoned across it and a crimson fedora to see Madonna herself perform at San Francisco’s Chase Center this week.
Chad Belicena wears a shirt that says, ‘Mother’ while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
And what became clear from talking with fans was not just their passion for the music but for the impact Madonna has had on their lives and the role she has played in shaping their personal and political opinions.
Alex Falcioni (left) and Christopher Manning wait in line for the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
Aside from her creative and theatrical prowess, the Material Girl personifies long-standing advocacy for gender equality, LGBTQ+ rights and HIV/AIDS education.
Heather Breiling wears Madonna pants while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
‘She has always loved and supported our community’
“[Madonna] doesn’t give a shit about what anyone thinks about her,” said Sister Roma of the Sisters of Perpetual Indulgence, who was in attendance at Tuesday’s show, wearing a glittering black dress with a tiara adorned with purple feathers.
“People always say, ‘If you have a platform, you should use it.’ Madonna has always used her platform,” Roma said. “She is one of the biggest LGBTQ and AIDS activists the world has ever seen.”
Sister Roma and Honey Mahogany pose for a photo before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
“She has always loved and supported our community … and she really put her career at risk quite often, taking these positions,” Roma said.
During the show, as Madonna sang her 1986 song “Live to Tell,” images of friends who died of AIDS — like Martin Burgoyne and Christopher Flynn — were projected on giant screens. As the song progressed, more faces appeared until the screens were flooded with thousands of portraits, eventually fading to black with the message: “In loving memory to all those we lost to AIDS.”
‘Be in my world’
In conversations with fans at the Chase Center, one thing kept coming up: For her fans, Madonna is not just her music. For many, she is also the confidence and safety that fans feel when listening to her music, watching her perform and hearing her speak out politically.
Kathy Moreno and her daughter Amaya, 16, wait in line for a photo with a Madonna sign before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
“Madonna brings me strength as a woman,” said Amaya Moreno, 16, from the East Bay. “She helps me bring out my feminine energy.”
Standing next to Moreno was her mom, Kathy, a longtime Madonna fan. Madonna’s art is “all about expression, being yourself, being outspoken,” Kathy said. “Being a woman.”
For the mother-daughter duo, the inclusivity expressed in both Madonna’s music and politics was a particular draw — or, as Amaya put it, “She’s standing up for everyone.”
“We love that she brings people together from all walks of life, all sides of life,” Kathy said. “We want to hear messages that we believe in, that bring love into our lives.”
Katie DeClaire and Mandy Waite dance before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
For Belicena of Daly City, Madonna was who he looked to when navigating his identity as a young gay man in the Philippines. “She said, ‘Come near me, be in my world; I can make you feel safe,’” he said.
‘Our voices could be heard’
When he moved to California in the 1990s, Belicena became involved in the community response to the HIV/AIDS crisis, which was taking the lives of thousands of gay men. One of these efforts was the annual AIDS Dance-A-Thon held at San Francisco’s Moscone Center, which raised millions of dollars for AIDS organizations. No matter the year, Belicena says, Madonna’s music was played at these events.
Joey Martinez wears a leather jacket filled with Madonna pins, collected over 20 years, before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. (Beth LaBerge/KQED)
When Madonna became more active in HIV/AIDS fundraising efforts throughout the ’90s, it further deepened Belicena’s bond with the singer and her music. “Of course, it matters that artists take a political stance,” he said.
For Belicena, who now works in the Bay Area as a psychiatric nurse, public and mental health are issues of special importance in 2024 — an election year. And “artists have a platform to talk about these things much louder than us,” Belicena said.
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“But if we vote and go to the polls,” he said, “I think our voices could be heard as loud as these artists.”
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"slug": "madonna-fans-chase-center",
"title": "‘Be in My World’: For Many Madonna Fans, Her Art and Advocacy Go Hand in Hand",
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"content": "\u003cp>\u003cem>This story is part of the series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>, exploring the election-year concerns and voting preferences of significant pop culture fanbases.\u003c/em>\u003c/p>\n\u003cp>[dropcap]C[/dropcap]had Belicena vividly remembers the first time he heard Madonna’s music.\u003c/p>\n\u003cp>The year was 1983. As an 11-year-old boy in the Philippines, “I remember going inside a shopping mall, and I heard ‘Borderline.’ And it stopped me in my tracks,” Belicena said.\u003c/p>\n\u003cp>“‘This voice is very different. This song is very different,” he recalls thinking. “‘Somehow, I need to know who this woman is.’”\u003c/p>\n\u003cp>More than 40 years later, Belicena — now a Daly City resident — donned a fabulous white fur coat, a black tank top with “Mother” emblazoned across it and a crimson fedora to see Madonna herself perform at San Francisco’s Chase Center this week.\u003c/p>\n\u003cfigure id=\"attachment_11977691\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977691\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chad Belicena wears a shirt that says, ‘Mother’ while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Queen of Pop \u003ca href=\"https://www.kqed.org/arts/13953137/live-review-madonna-gives-a-master-class-in-eras-in-san-francisco\">brought her Celebration Tour to the Bay Area for two consecutive nights\u003c/a>, and her fans came through in droves — embodying Madonna’s four decades of music through their outfits, merch and energy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And what became clear from talking with fans was not just their passion for the music but for the impact Madonna has had on their lives and the role she has played in shaping their personal and political opinions.\u003c/p>\n\u003cfigure id=\"attachment_11977700\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977700\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex Falcioni (left) and Christopher Manning wait in line for the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aside from her creative and theatrical prowess, the Material Girl personifies long-standing advocacy for gender equality, LGBTQ+ rights and HIV/AIDS education.\u003c/p>\n\u003cp>Even when she’s not being explicitly “political,” Madonna’s music and performances are frequently politicized by others. Just think of the criticism from religious and conservative groups after the release of her \u003ca href=\"https://www.rollingstone.com/music/music-features/madonna-vmas-biography-excerpt-1234829918/\">1984 performance of “Like a Virgin” at the MTV Video Music Awards\u003c/a>, her \u003ca href=\"https://www.etonline.com/like-a-prayer-30-years-later-how-the-controversial-music-video-barely-made-it-to-air-121023\">1989 music video for “Like a Prayer”\u003c/a> or her \u003ca href=\"https://www.billboard.com/music/pop/madonna-erotica-album-sex-book-oral-history-8006663/\">1995 album \u003cem>Erotica\u003c/em>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11977696\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Heather Breiling wears Madonna pants while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘She has always loved and supported our community’\u003c/h2>\n\u003cp>“[Madonna] doesn’t give a shit about what anyone thinks about her,” said Sister Roma of the Sisters of Perpetual Indulgence, who was in attendance at Tuesday’s show, wearing a glittering black dress with a tiara adorned with purple feathers.\u003c/p>\n\u003cp>“People always say, ‘If you have a platform, you should use it.’ Madonna has always used her platform,” Roma said. “She is one of the biggest LGBTQ and AIDS activists the world has ever seen.”\u003c/p>\n\u003cfigure id=\"attachment_11977697\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977697\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Roma and Honey Mahogany pose for a photo before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She has always loved and supported our community … and she really put her career at risk quite often, taking these positions,” Roma said.\u003c/p>\n\u003cp>During the show, as Madonna sang her 1986 song “Live to Tell,” images of friends who died of AIDS — like \u003ca href=\"https://www.facebook.com/madonna/photos/in-my-apartment-on-the-les-where-i-lived-with-my-best-friend-martin-burgoyne-who/10156798913734402/?paipv=0&eav=AfbsIYtD47iRN09is_tMlCTgG6QQDHJ19o3YZe27I3_4uUGGwsf0BI19bXClhn7CCMg&_rdr\">Martin Burgoyne\u003c/a> and \u003ca href=\"https://michiganlgbtqremember.files.wordpress.com/2017/01/christopher-flynn-obit-cruise-19901107.pdf\">Christopher Flynn\u003c/a> — were projected on giant screens. As the song progressed, more faces appeared until the screens were flooded with thousands of portraits, eventually fading to black with the message: “In loving memory to all those we lost to AIDS.”\u003c/p>\n\u003ch2>‘Be in my world’\u003c/h2>\n\u003cp>In conversations with fans at the Chase Center, one thing kept coming up: For her fans, Madonna is not just her music. For many, she is also the confidence and safety that fans feel when listening to her music, watching her perform and hearing her speak out politically.\u003c/p>\n\u003cfigure id=\"attachment_11977698\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977698\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Moreno and her daughter Amaya, 16, wait in line for a photo with a Madonna sign before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Madonna brings me strength as a woman,” said Amaya Moreno, 16, from the East Bay. “She helps me bring out my feminine energy.”\u003c/p>\n\u003cp>Standing next to Moreno was her mom, Kathy, a longtime Madonna fan. Madonna’s art is “all about expression, being yourself, being outspoken,” Kathy said. “Being a woman.”\u003c/p>\n\u003cp>For the mother-daughter duo, the inclusivity expressed in both Madonna’s music and politics was a particular draw — or, as Amaya put it, “She’s standing up for everyone.”\u003c/p>\n\u003cp>“We love that she brings people together from all walks of life, all sides of life,” Kathy said. “We want to hear messages that we believe in, that bring love into our lives.”\u003c/p>\n\u003cfigure id=\"attachment_11977393\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977393\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Katie DeClaire and Mandy Waite dance before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Belicena of Daly City, Madonna was who he looked to when navigating his identity as a young gay man in the Philippines. “She said, ‘Come near me, be in my world; I can make you feel safe,’” he said.\u003c/p>\n\u003ch2>‘Our voices could be heard’\u003c/h2>\n\u003cp>When he moved to California in the 1990s, Belicena became involved in the community response to the HIV/AIDS crisis, which was taking the lives of thousands of gay men. One of these efforts was the annual \u003ca href=\"https://www.sfgate.com/news/article/the-dance-a-thon-as-aids-fund-raiser-3150037.php\">AIDS Dance-A-Thon held at San Francisco’s Moscone Center\u003c/a>, which raised millions of dollars for AIDS organizations. No matter the year, Belicena says, Madonna’s music was played at these events.\u003c/p>\n\u003cfigure id=\"attachment_11977396\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977396\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Joey Martinez wears a leather jacket filled with Madonna pins, collected over 20 years, before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Madonna became more active in HIV/AIDS fundraising efforts throughout the ’90s, it further deepened Belicena’s bond with the singer and her music. “Of course, it matters that artists take a political stance,” he said.\u003c/p>\n\u003cp>For Belicena, who now works in the Bay Area as a psychiatric nurse, public and mental health are issues of special importance in 2024 — an election year. And “artists have a platform to talk about these things much louder than us,” Belicena said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“But if we vote and go to the polls,” he said, “I think our voices could be heard as loud as these artists.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story is part of the series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>, exploring the election-year concerns and voting preferences of significant pop culture fanbases.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">C\u003c/span>\u003c/p>\u003cp>had Belicena vividly remembers the first time he heard Madonna’s music.\u003c/p>\n\u003cp>The year was 1983. As an 11-year-old boy in the Philippines, “I remember going inside a shopping mall, and I heard ‘Borderline.’ And it stopped me in my tracks,” Belicena said.\u003c/p>\n\u003cp>“‘This voice is very different. This song is very different,” he recalls thinking. “‘Somehow, I need to know who this woman is.’”\u003c/p>\n\u003cp>More than 40 years later, Belicena — now a Daly City resident — donned a fabulous white fur coat, a black tank top with “Mother” emblazoned across it and a crimson fedora to see Madonna herself perform at San Francisco’s Chase Center this week.\u003c/p>\n\u003cfigure id=\"attachment_11977691\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977691\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chad Belicena wears a shirt that says, ‘Mother’ while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Queen of Pop \u003ca href=\"https://www.kqed.org/arts/13953137/live-review-madonna-gives-a-master-class-in-eras-in-san-francisco\">brought her Celebration Tour to the Bay Area for two consecutive nights\u003c/a>, and her fans came through in droves — embodying Madonna’s four decades of music through their outfits, merch and energy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And what became clear from talking with fans was not just their passion for the music but for the impact Madonna has had on their lives and the role she has played in shaping their personal and political opinions.\u003c/p>\n\u003cfigure id=\"attachment_11977700\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977700\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex Falcioni (left) and Christopher Manning wait in line for the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aside from her creative and theatrical prowess, the Material Girl personifies long-standing advocacy for gender equality, LGBTQ+ rights and HIV/AIDS education.\u003c/p>\n\u003cp>Even when she’s not being explicitly “political,” Madonna’s music and performances are frequently politicized by others. Just think of the criticism from religious and conservative groups after the release of her \u003ca href=\"https://www.rollingstone.com/music/music-features/madonna-vmas-biography-excerpt-1234829918/\">1984 performance of “Like a Virgin” at the MTV Video Music Awards\u003c/a>, her \u003ca href=\"https://www.etonline.com/like-a-prayer-30-years-later-how-the-controversial-music-video-barely-made-it-to-air-121023\">1989 music video for “Like a Prayer”\u003c/a> or her \u003ca href=\"https://www.billboard.com/music/pop/madonna-erotica-album-sex-book-oral-history-8006663/\">1995 album \u003cem>Erotica\u003c/em>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11977696\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Heather Breiling wears Madonna pants while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘She has always loved and supported our community’\u003c/h2>\n\u003cp>“[Madonna] doesn’t give a shit about what anyone thinks about her,” said Sister Roma of the Sisters of Perpetual Indulgence, who was in attendance at Tuesday’s show, wearing a glittering black dress with a tiara adorned with purple feathers.\u003c/p>\n\u003cp>“People always say, ‘If you have a platform, you should use it.’ Madonna has always used her platform,” Roma said. “She is one of the biggest LGBTQ and AIDS activists the world has ever seen.”\u003c/p>\n\u003cfigure id=\"attachment_11977697\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977697\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Roma and Honey Mahogany pose for a photo before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She has always loved and supported our community … and she really put her career at risk quite often, taking these positions,” Roma said.\u003c/p>\n\u003cp>During the show, as Madonna sang her 1986 song “Live to Tell,” images of friends who died of AIDS — like \u003ca href=\"https://www.facebook.com/madonna/photos/in-my-apartment-on-the-les-where-i-lived-with-my-best-friend-martin-burgoyne-who/10156798913734402/?paipv=0&eav=AfbsIYtD47iRN09is_tMlCTgG6QQDHJ19o3YZe27I3_4uUGGwsf0BI19bXClhn7CCMg&_rdr\">Martin Burgoyne\u003c/a> and \u003ca href=\"https://michiganlgbtqremember.files.wordpress.com/2017/01/christopher-flynn-obit-cruise-19901107.pdf\">Christopher Flynn\u003c/a> — were projected on giant screens. As the song progressed, more faces appeared until the screens were flooded with thousands of portraits, eventually fading to black with the message: “In loving memory to all those we lost to AIDS.”\u003c/p>\n\u003ch2>‘Be in my world’\u003c/h2>\n\u003cp>In conversations with fans at the Chase Center, one thing kept coming up: For her fans, Madonna is not just her music. For many, she is also the confidence and safety that fans feel when listening to her music, watching her perform and hearing her speak out politically.\u003c/p>\n\u003cfigure id=\"attachment_11977698\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977698\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Moreno and her daughter Amaya, 16, wait in line for a photo with a Madonna sign before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Madonna brings me strength as a woman,” said Amaya Moreno, 16, from the East Bay. “She helps me bring out my feminine energy.”\u003c/p>\n\u003cp>Standing next to Moreno was her mom, Kathy, a longtime Madonna fan. Madonna’s art is “all about expression, being yourself, being outspoken,” Kathy said. “Being a woman.”\u003c/p>\n\u003cp>For the mother-daughter duo, the inclusivity expressed in both Madonna’s music and politics was a particular draw — or, as Amaya put it, “She’s standing up for everyone.”\u003c/p>\n\u003cp>“We love that she brings people together from all walks of life, all sides of life,” Kathy said. “We want to hear messages that we believe in, that bring love into our lives.”\u003c/p>\n\u003cfigure id=\"attachment_11977393\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977393\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Katie DeClaire and Mandy Waite dance before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Belicena of Daly City, Madonna was who he looked to when navigating his identity as a young gay man in the Philippines. “She said, ‘Come near me, be in my world; I can make you feel safe,’” he said.\u003c/p>\n\u003ch2>‘Our voices could be heard’\u003c/h2>\n\u003cp>When he moved to California in the 1990s, Belicena became involved in the community response to the HIV/AIDS crisis, which was taking the lives of thousands of gay men. One of these efforts was the annual \u003ca href=\"https://www.sfgate.com/news/article/the-dance-a-thon-as-aids-fund-raiser-3150037.php\">AIDS Dance-A-Thon held at San Francisco’s Moscone Center\u003c/a>, which raised millions of dollars for AIDS organizations. No matter the year, Belicena says, Madonna’s music was played at these events.\u003c/p>\n\u003cfigure id=\"attachment_11977396\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977396\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Joey Martinez wears a leather jacket filled with Madonna pins, collected over 20 years, before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Madonna became more active in HIV/AIDS fundraising efforts throughout the ’90s, it further deepened Belicena’s bond with the singer and her music. “Of course, it matters that artists take a political stance,” he said.\u003c/p>\n\u003cp>For Belicena, who now works in the Bay Area as a psychiatric nurse, public and mental health are issues of special importance in 2024 — an election year. And “artists have a platform to talk about these things much louder than us,” Belicena said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"link": "/californiareportmagazine",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
"site": "radio",
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},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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