O
ften when Pat Yollin had to break bad news about a piece I had written — as when she had encountered a typo or missing word or some other gibberish in my copy — she’d preface it with a tongue-in-cheek apology.
“Not to be galling and nettlesome,” she’d say, “but there seems to be a word left out here.”
Her notes stopped just before Christmas, when doctors told Pat — a KQED News online editor for the past seven years — that she was suffering from an incurable cancer that had already reached an advanced stage. The cancer, complicated by infections and a stroke, rapidly overwhelmed her, and she died last Saturday in Berkeley. She was 69.
Pat’s illness also ended a 45-year career as a reporter, editor and mentor who was unendingly curious and eager to explore the world with all its quirks, oddities and wonders.
Pat told her longtime partner, San Francisco Chronicle photographer Paul Chinn, that she wanted no formal memorial or tributes after she died. She probably would have insisted that she didn’t want a formal obituary, either.
So now, it’s my turn to apologize to her for something she might well find galling and nettlesome: a look at her life and work.
A
mong the many things Pat was known for — the precision and clarity in her writing and editing, her eye for detail, her empathy for the people she wrote about — was her sense of fun and love of the oddball story. So in her time editing for KQED, she’d sometimes make time to do pieces like one on the blooming of a corpse flower at the San Francisco Conservatory of Flowers or on the challenges a group of local entrepreneurs faced marketing a smart vibrator.
“There is no prouder parent than Sidney Price,” the corpse flower story began. “On Monday morning, he savored a private visit with his ‘baby’ at the San Francisco Conservatory of Flowers.
“ ‘I always thought she'd be an early bloomer,’ said Price, as he gazed at Terra the Titan, a 9-year-old corpse flower poised to unleash an overpowering stench that has been compared to decaying animal flesh, filthy socks, rotting garbage and human feces.”
But even knowing how enthusiastically she embraced the unusual, it’s surprising to dig through Pat’s earliest stories.
The very first piece I can find carrying her byline is from the summer of 1975 for the San Francisco Examiner’s old Sunday magazine, California Living.
The story tells the tale of a young woman named Magi (pronounced Maggie), recently hired as a barker for one of the North Beach strip clubs. Pat hung out for an afternoon with the new barker, whose job was to entice (or badger) male passersby to come see the show inside. Business was depressingly slow: The few people strolling down Broadway weren’t interested in Magi’s spiel. And then this happened:
“A short bespectacled white-haired man is approaching at a brisk pace, puffing on a cigar. He breezes past Magi’s pitch, and has almost reached the end of the block when Magi, still persevering, shouts, “Let me show you something really disgusting.” It works. His head whirls around. “Disgusting!” he yelps hopefully in a heavy German accent, and marches back to investigate. He’s on his way once again within a few minutes, but the encounter has revived Magi’s good humor.”
I laughed out loud at the line, “Let me show you something really disgusting.” It’s so unexpected, so funny and so Pat. And it’s a little astounding to me to see her, at age 24, showing such a refined eye for the detail that would make the story.
Where did she pick up the affinity for the strange and the knack for conveying it to readers? Pat didn’t talk much about her formative years — spent in and around Philadelphia. After she fell ill, I told her once I’d like to ask her about her family.
“Why?” she demanded, as if she knew what I might be up to. I let it drop. But maybe her past holds a few clues to her fundamental enthusiasm for life and her willingness to embrace and learn from whoever and whatever she encountered.
P
atricia Leah Yollin was born Aug. 17, 1950, in Abington, Pennsylvania, just outside Philadelphia, the only child of Charles Yollin and Veronica Rita Dugan.
Pat’s father was Jewish, a native of Kiev, Ukraine, whose family emigrated to Pennsylvania during the last years of Czar Nicholas II’s reign. Charlie Yollin left high school after one year and worked as a salesman and electrician.
Her mother, the daughter of Irish Catholic immigrants, was born at home in the town of Bristol, just up the Delaware River from Philadelphia. If census records are to be believed, she also dropped out of high school and worked for years as a stenographer at a local Elks Club.
None of that sounds way out there, but of course there’s a lot more to the story.
Charlie Yollin was 46 and had two sons from his previous marriage — they were already in their 20s — when Pat came along. Veronica had apparently lived at home into her 30s before marrying Charles. She was 42 when Pat was born.
Friends say Pat spoke seldom about her upbringing, but a couple of details stick out. Pat described her mother poring over the Daily Racing Form, the horse players’ bible, as she sipped Schmidt's beer. Veronica, whom Pat described to some as “a hard-drinking, hard-smoking, hard-gambling woman,” would sometimes take her daughter along on her outings to the track.
Her father? My eye is drawn to one particular about him. In the early ‘50s, soon after Pat was born, Charles advertised for a business he had started — raising minks — at the family’s home in the outlying Philadelphia suburb of Ambler.
“Attention Mink Rancher,” the ads were headlined. “We are looking for live stock. If you have 300 minks or less and would like to sell out before pelting season, call or write. …”


