A page from the classic 1940 Haggadah made by Polish artist Arthur Szyk.
Jews mark the first two nights of Passover with a seder, a ritual meal that recalls the Jewish people’s freedom from slavery in Egypt. The word “seder” means order, and while there is a general order to the songs and prayers that precede the feast, these days you’ll find a wide variety of seders to meet your needs.
For example, take Ashley Sullivan, a recent convert to Judaism. For her first Passover as a Jew, she and her boyfriend are creating their own haggadah for their seder in Los Angeles. The word haggadah literally means “the telling.” It’s a booklet that guides guests through the seder.
“It’s totally customizable,” Sullivan says. “You can really think about the themes that are going on in your own life that you want to explore, instead of just, you know, feeling like you have to read whatever’s in the book.”
Sullivan and her boyfriend are using a website called Haggadot.com. (Haggadot is the Hebrew plural form of the word haggadah.) The site allows you to combine text, photos and illustrations and make your own haggadah — or download one that’s already been created.
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“We have a women’s seder, a haggadah for families, a haggadah for justice, a liberal haggadah, a traditional haggadah, an illustrated haggadah, a typographic haggadah,” says Eileen Levinson, the site’s founder and executive director, who also lives in Los Angeles.
There are haggadot you can download with themes of LGBTQ rights, human trafficking, and even a “Black Lives Matter” haggadah. These are all designed to make the seder more relevant to people’s lives today.
According to a recent Pew report, 70 percent of American Jews said they went to a Seder in 2012, down from 78 percent a decade before.
Customizing the haggadah is nothing new. This past Sunday I went to a Passover seder at American Jewish University’s Brandeis-Bardin Campus in Simi Valley, in the suburbs north of Los Angeles.
Graduates of the Valley Kindershule sing “In Dem Land Fun Piramidn” in Yiddish at the Erev Shabbos Discussion Group seder on Sunday, March 29, 2015. (Avishay Artsy/KQED)
This group of left-leaning, secular Jews, known as the Erev Shabbos Discussion Group, began celebrating Passover together back in the early 1960s and created a haggadah that reflects their culture. The group incorporated segments of several haggadot, while adding Yiddish and English poems that were meaningful to the group. It’s been revised every few years.
“It’s an enormous amount of work,” says 90-year-old Sylvia Brown, one of the group’s founders.
“Because we are secular, we don’t include any prayers. We include a lot of songs about justice and freedom and world peace,” Brown says. “Certainly the themes might be the same that are included in a religious sense, but it’s from a different perspective.”
The Passover seder was created after the destruction of the Second Temple in Jerusalem in 70 CE. Rabbis invented the seder as we know it, because Jews no longer had a temple to perform animal sacrifice.
“They took the sacrifice and the temple and they replaced it with the home, and with the text that would be studied and recited in the home,” says David Kraemer, a professor of Jewish literature and rabbinic history at the Jewish Theological Seminary in New York. Kraemer also wrote the commentary for a Haggadah iPad app.
“From the earliest records we have of haggadot, manuscripts going back, at this point, a thousand years, already we see new imagination, different directions,” Kraemer says. “From some of the earliest medieval manuscripts, we’ve got these wonderful visual imaginations.”
An illustrated page from the Sarajevo Haggadah, written in 14th-century Spain.
There are beautifully illustrated haggadot from 14th-century Spain and 17th-century Venice. Yiddish haggadot of the 1800s parodied bourgeois capitalists as well as socialist rabble-rousers. There was even a Polish haggadah in 1934 that challenged Hitler and mocked the rising Nazi party. But the one haggadah that most American Jews are familiar with comes from a coffee company.
In the 1920s, Maxwell House launched an ad campaign to convince Jews that coffee is indeed Kosher for Passover. Some Jews don’t eat beans on Passover (legumes are considered kitniyot, or food not edible during Passover, by Ashkenazi Jews). The company’s point was that coffee comes from the seed of a fruit, not a bean. As part of its campaign, Maxwell House began giving out free haggadot. To date, over 50 million copies have been distributed. But the Maxwell House haggadah also became synonymous with cookie-cutter, traditional Judaism.
A recent edition of the Maxwell House haggadah. The coffee company began printing it in 1932, and has distributed over 50 million copies since then.
“The Maxwell House haggadah and the way Passover was given to us as kids was all about the Exodus. And at some point a lot of us decided that it’s not just about that. That the real story of Passover is liberation of all people,” says Sasha Perry, a documentary filmmaker and vegan activist.
As a kid in Las Vegas, Perry’s family seders were pretty traditional. When she got to college, she brought her radical politics into the seder.
“The first haggadah I tried making was kind of like a ransom note-looking haggadah, where I was cutting things out of physical haggadahs I had seen, the same way I would sit in a record store and made zines about vegan food and music,” Perry says.
She made other haggadot that referenced transgender rights, racial and economic inequality, and she hosted vegan seders in Los Angeles.
Michael Hebb had a similar experience. He began hosting seders in his early 20’s in Portland, Oregon.
“One of the dinners was co-hosted by an accordion artist named Miss Murgatroid, and the whole haggadah was set to experimental accordion music,” Hebb says. “And there was a whole free jam word association that happened at that dinner.”
Hebb didn’t grown up religious, but he liked the idea of getting people together to talk about deep, philosophical issues. He recently became known for Let’s Have Dinner and Talk About Death, a national campaign to get people to discuss mortality with family and friends. He’s now launched Seder2015.org, a digital platform and campaign to reinvigorate the seder.
“When we started working on Seder 2015, I expected that we would hit immediate backlash, that we were taking something sacred and putting it into something that you could access on your iPhone,” Hebb says.
Instead, he says he’s gotten nothing but support from rabbis and members of the Jewish community.
“Everybody has been incredibly positive and passionate about the fact that somebody is thinking about conserving and invigorating and bringing Passover into the digital so that it can reach younger generations,” Hebb says.
“If you just do Passover and you only sing and you do all the prayers and you do all the rituals, and you don’t internalize the story, I think you’ve missed the point,” says Eileen Levinson of Haggadot.com.
The point, she says, is that the seder should be a chance to reflect on the story of Jews escaping slavery, and how it applies to every group that fights for freedom and equality. If you want to have those kinds of discussions around the Passover table, it’s never been easier to create your own haggadah.
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"content": "\u003cp>Jews mark the first two nights of Passover with a seder, a ritual meal that recalls the Jewish people’s freedom from slavery in Egypt. The word “seder” means order, and while there is a \u003cem>general\u003c/em> order to the songs and prayers that precede the feast, these days you’ll find a wide variety of seders to meet your needs.\u003c/p>\n\u003cp>For example, take Ashley Sullivan, a recent convert to Judaism. For her first Passover as a Jew, she and her boyfriend are creating their own haggadah for their seder in Los Angeles. The word haggadah literally means “the telling.” It’s a booklet that guides guests through the seder.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/199149998″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>“It’s totally customizable,” Sullivan says. “You can really think about the themes that are going on in your own life that you want to explore, instead of just, you know, feeling like you have to read whatever’s in the book.”\u003c/p>\n\u003cp>Sullivan and her boyfriend are using a website called \u003ca href=\"http://www.haggadot.com/\">Haggadot.com\u003c/a>. (Haggadot is the Hebrew plural form of the word haggadah.) The site allows you to combine text, photos and illustrations and make your own haggadah — or download one that’s already been created.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We have a women’s seder, a haggadah for families, a haggadah for justice, a liberal haggadah, a traditional haggadah, an illustrated haggadah, a typographic haggadah,” says Eileen Levinson, the site’s founder and executive director, who also lives in Los Angeles.\u003c/p>\n\u003cp>There are haggadot you can download with themes of LGBTQ rights, human trafficking, and even a “\u003ca href=\"http://www.haggadot.com/content/tzedek-seder-blacklivesmatter\">Black Lives Matter\u003c/a>” haggadah. These are all designed to make the seder more relevant to people’s lives today.\u003c/p>\n\u003cp>According to a \u003ca href=\"http://www.pewforum.org/2013/10/01/jewish-american-beliefs-attitudes-culture-survey/\">recent Pew report\u003c/a>, 70 percent of American Jews said they went to a Seder in 2012, down from 78 percent a decade before.\u003c/p>\n\u003cp>Customizing the haggadah is nothing new. This past Sunday I went to a Passover seder at American Jewish University’s Brandeis-Bardin Campus in Simi Valley, in the suburbs north of Los Angeles.\u003c/p>\n\u003cfigure id=\"attachment_10476900\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Singing.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Singing-800x528.jpg\" alt=\"Graduates of the Valley Kindershule sing “In Dem Land Fun Piramidn” in Yiddish at the Erev Shabbos Discussion Group seder on Sunday, March 29, 2015.\" width=\"800\" height=\"528\" class=\"size-medium wp-image-10476900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-800x528.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-400x264.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-1440x951.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-1180x779.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-768x507.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-320x211.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Graduates of the Valley Kindershule sing “In Dem Land Fun Piramidn” in Yiddish at the Erev Shabbos Discussion Group seder on Sunday, March 29, 2015. \u003ccite>(Avishay Artsy/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This group of left-leaning, secular Jews, known as the Erev Shabbos Discussion Group, began celebrating Passover together back in the early 1960s and created a haggadah that reflects their culture. The group incorporated segments of several haggadot, while adding Yiddish and English poems that were meaningful to the group. It’s been revised every few years.\u003c/p>\n\u003cp>“It’s an enormous amount of work,” says 90-year-old Sylvia Brown, one of the group’s founders.\u003c/p>\n\u003cp>“Because we are secular, we don’t include any prayers. We include a lot of songs about justice and freedom and world peace,” Brown says. “Certainly the themes might be the same that are included in a religious sense, but it’s from a different perspective.”\u003c/p>\n\u003cp>The Passover seder was created after the destruction of the Second Temple in Jerusalem in 70 CE. \u003ca href=\"http://judaism.about.com/od/passover/a/seder_golinkin.htm\">Rabbis invented the seder\u003c/a> as we know it, because Jews no longer had a temple to perform animal sacrifice.\u003c/p>\n\u003cp>“They took the sacrifice and the temple and they replaced it with the home, and with the text that would be studied and recited in the home,” says David Kraemer, a professor of Jewish literature and rabbinic history at the Jewish Theological Seminary in New York. Kraemer also wrote the commentary for a \u003ca href=\"http://www.jewishjournal.com/cover_story/article/coming_to_a_seder_near_you_a_haggadah_on_your_ipad_20120404\">Haggadah iPad app\u003c/a>.\u003c/p>\n\u003cp>“From the earliest records we have of haggadot, manuscripts going back, at this point, a thousand years, already we see new imagination, different directions,” Kraemer says. “From some of the earliest medieval manuscripts, we’ve got these wonderful visual imaginations.”\u003c/p>\n\u003cfigure id=\"attachment_10476619\" class=\"wp-caption aligncenter\" style=\"max-width: 512px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10476619\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2.jpg\" alt=\"An illustrated page from the Sarajevo Haggadah, written in 14th-century Spain.\" width=\"512\" height=\"604\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2.jpg 512w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2-400x472.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2-320x378.jpg 320w\" sizes=\"(max-width: 512px) 100vw, 512px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An illustrated page from the Sarajevo Haggadah, written in 14th-century Spain.\u003c/figcaption>\u003c/figure>\n\u003cp>There are beautifully illustrated haggadot from 14th-century Spain and 17th-century Venice. Yiddish haggadot of the 1800s parodied bourgeois capitalists as well as socialist rabble-rousers. There was even a \u003ca href=\"https://bsimmons.wordpress.com/2007/04/08/the-haggadah-that-challenged-hitler/\">Polish haggadah in 1934\u003c/a> that challenged Hitler and mocked the rising Nazi party. But the one haggadah that most American Jews are familiar with comes from a coffee company.\u003c/p>\n\u003cp>In the 1920s, Maxwell House launched an ad campaign to convince Jews that coffee is indeed Kosher for Passover. Some Jews don’t eat beans on Passover (legumes are considered \u003cem>kitniyot\u003c/em>, or food not edible during Passover, by Ashkenazi Jews). The company’s point was that coffee comes from the seed of a \u003cem>fruit,\u003c/em> not a bean. As part of its campaign, Maxwell House began giving out free haggadot. To date, over 50 million copies have been distributed. But the \u003ca href=\"http://blogs.forward.com/the-arty-semite/173621/-years-of-the-maxwell-house-haggadah/\">Maxwell House haggadah\u003c/a> also became synonymous with cookie-cutter, traditional Judaism.\u003c/p>\n\u003cfigure id=\"attachment_10476615\" class=\"wp-caption aligncenter\" style=\"max-width: 487px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Maxwell-House-2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10476615\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Maxwell-House-2.jpg\" alt=\"A recent edition of the Maxwell House Haggadah. The coffee company began printing it in 1932, and has distributed over 50 million copies since then.\" width=\"487\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Maxwell-House-2.jpg 487w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Maxwell-House-2-400x631.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Maxwell-House-2-320x505.jpg 320w\" sizes=\"(max-width: 487px) 100vw, 487px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A recent edition of the Maxwell House haggadah. The coffee company began printing it in 1932, and has distributed over 50 million copies since then.\u003c/figcaption>\u003c/figure>\n\u003cp>“The Maxwell House haggadah and the way Passover was given to us as kids was all about the Exodus. And at some point a lot of us decided that it’s not just about that. That the real story of Passover is liberation of all people,” says \u003ca href=\"http://iamsasha.com/\">Sasha Perry\u003c/a>, a documentary filmmaker and vegan activist.\u003c/p>\n\u003cp>As a kid in Las Vegas, Perry’s family seders were pretty traditional. When she got to college, she brought her radical politics into the seder.\u003c/p>\n\u003cp>“The first haggadah I tried making was kind of like a ransom note-looking haggadah, where I was cutting things out of physical haggadahs I had seen, the same way I would sit in a record store and made zines about vegan food and music,” Perry says.\u003c/p>\n\u003cp>She made other haggadot that referenced transgender rights, racial and economic inequality, and she hosted vegan seders in Los Angeles.\u003c/p>\n\u003cp>Michael Hebb had a similar experience. He began hosting seders in his early 20’s in Portland, Oregon.\u003c/p>\n\u003cp>“One of the dinners was co-hosted by an accordion artist named Miss Murgatroid, and the whole haggadah was set to experimental accordion music,” Hebb says. “And there was a whole free jam word association that happened at that dinner.”\u003c/p>\n\u003cp>Hebb didn’t grown up religious, but he liked the idea of getting people together to talk about deep, philosophical issues. He recently became known for \u003ca href=\"http://deathoverdinner.org/\">Let’s Have Dinner and Talk About Death\u003c/a>, a national campaign to get people to discuss mortality with family and friends. He’s now launched \u003ca href=\"http://seder2015.org/\">Seder2015.org\u003c/a>, a digital platform and campaign to reinvigorate the seder.\u003c/p>\n\u003cp>“When we started working on Seder 2015, I expected that we would hit immediate backlash, that we were taking something sacred and putting it into something that you could access on your iPhone,” Hebb says.\u003c/p>\n\u003cp>Instead, he says he’s gotten nothing but support from rabbis and members of the Jewish community.\u003c/p>\n\u003cp>“Everybody has been incredibly positive and passionate about the fact that somebody is thinking about conserving and invigorating and bringing Passover into the digital so that it can reach younger generations,” Hebb says.\u003c/p>\n\u003cp>“If you just do Passover and you only sing and you do all the prayers and you do all the rituals, and you don’t internalize the story, I think you’ve missed the point,” says Eileen Levinson of Haggadot.com.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The point, she says, is that the seder should be a chance to reflect on the story of Jews escaping slavery, and how it applies to every group that fights for freedom and equality. If you want to have \u003cem>those\u003c/em> kinds of discussions around the Passover table, it’s never been easier to create your own haggadah.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jews mark the first two nights of Passover with a seder, a ritual meal that recalls the Jewish people’s freedom from slavery in Egypt. The word “seder” means order, and while there is a \u003cem>general\u003c/em> order to the songs and prayers that precede the feast, these days you’ll find a wide variety of seders to meet your needs.\u003c/p>\n\u003cp>For example, take Ashley Sullivan, a recent convert to Judaism. For her first Passover as a Jew, she and her boyfriend are creating their own haggadah for their seder in Los Angeles. The word haggadah literally means “the telling.” It’s a booklet that guides guests through the seder.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/199149998″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/199149998″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“It’s totally customizable,” Sullivan says. “You can really think about the themes that are going on in your own life that you want to explore, instead of just, you know, feeling like you have to read whatever’s in the book.”\u003c/p>\n\u003cp>Sullivan and her boyfriend are using a website called \u003ca href=\"http://www.haggadot.com/\">Haggadot.com\u003c/a>. (Haggadot is the Hebrew plural form of the word haggadah.) The site allows you to combine text, photos and illustrations and make your own haggadah — or download one that’s already been created.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We have a women’s seder, a haggadah for families, a haggadah for justice, a liberal haggadah, a traditional haggadah, an illustrated haggadah, a typographic haggadah,” says Eileen Levinson, the site’s founder and executive director, who also lives in Los Angeles.\u003c/p>\n\u003cp>There are haggadot you can download with themes of LGBTQ rights, human trafficking, and even a “\u003ca href=\"http://www.haggadot.com/content/tzedek-seder-blacklivesmatter\">Black Lives Matter\u003c/a>” haggadah. These are all designed to make the seder more relevant to people’s lives today.\u003c/p>\n\u003cp>According to a \u003ca href=\"http://www.pewforum.org/2013/10/01/jewish-american-beliefs-attitudes-culture-survey/\">recent Pew report\u003c/a>, 70 percent of American Jews said they went to a Seder in 2012, down from 78 percent a decade before.\u003c/p>\n\u003cp>Customizing the haggadah is nothing new. This past Sunday I went to a Passover seder at American Jewish University’s Brandeis-Bardin Campus in Simi Valley, in the suburbs north of Los Angeles.\u003c/p>\n\u003cfigure id=\"attachment_10476900\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Singing.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Singing-800x528.jpg\" alt=\"Graduates of the Valley Kindershule sing “In Dem Land Fun Piramidn” in Yiddish at the Erev Shabbos Discussion Group seder on Sunday, March 29, 2015.\" width=\"800\" height=\"528\" class=\"size-medium wp-image-10476900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-800x528.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-400x264.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-1440x951.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-1180x779.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-768x507.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing-320x211.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Singing.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Graduates of the Valley Kindershule sing “In Dem Land Fun Piramidn” in Yiddish at the Erev Shabbos Discussion Group seder on Sunday, March 29, 2015. \u003ccite>(Avishay Artsy/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This group of left-leaning, secular Jews, known as the Erev Shabbos Discussion Group, began celebrating Passover together back in the early 1960s and created a haggadah that reflects their culture. The group incorporated segments of several haggadot, while adding Yiddish and English poems that were meaningful to the group. It’s been revised every few years.\u003c/p>\n\u003cp>“It’s an enormous amount of work,” says 90-year-old Sylvia Brown, one of the group’s founders.\u003c/p>\n\u003cp>“Because we are secular, we don’t include any prayers. We include a lot of songs about justice and freedom and world peace,” Brown says. “Certainly the themes might be the same that are included in a religious sense, but it’s from a different perspective.”\u003c/p>\n\u003cp>The Passover seder was created after the destruction of the Second Temple in Jerusalem in 70 CE. \u003ca href=\"http://judaism.about.com/od/passover/a/seder_golinkin.htm\">Rabbis invented the seder\u003c/a> as we know it, because Jews no longer had a temple to perform animal sacrifice.\u003c/p>\n\u003cp>“They took the sacrifice and the temple and they replaced it with the home, and with the text that would be studied and recited in the home,” says David Kraemer, a professor of Jewish literature and rabbinic history at the Jewish Theological Seminary in New York. Kraemer also wrote the commentary for a \u003ca href=\"http://www.jewishjournal.com/cover_story/article/coming_to_a_seder_near_you_a_haggadah_on_your_ipad_20120404\">Haggadah iPad app\u003c/a>.\u003c/p>\n\u003cp>“From the earliest records we have of haggadot, manuscripts going back, at this point, a thousand years, already we see new imagination, different directions,” Kraemer says. “From some of the earliest medieval manuscripts, we’ve got these wonderful visual imaginations.”\u003c/p>\n\u003cfigure id=\"attachment_10476619\" class=\"wp-caption aligncenter\" style=\"max-width: 512px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10476619\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2.jpg\" alt=\"An illustrated page from the Sarajevo Haggadah, written in 14th-century Spain.\" width=\"512\" height=\"604\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2.jpg 512w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2-400x472.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Sarajevo-Haggadah-2-320x378.jpg 320w\" sizes=\"(max-width: 512px) 100vw, 512px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An illustrated page from the Sarajevo Haggadah, written in 14th-century Spain.\u003c/figcaption>\u003c/figure>\n\u003cp>There are beautifully illustrated haggadot from 14th-century Spain and 17th-century Venice. Yiddish haggadot of the 1800s parodied bourgeois capitalists as well as socialist rabble-rousers. There was even a \u003ca href=\"https://bsimmons.wordpress.com/2007/04/08/the-haggadah-that-challenged-hitler/\">Polish haggadah in 1934\u003c/a> that challenged Hitler and mocked the rising Nazi party. But the one haggadah that most American Jews are familiar with comes from a coffee company.\u003c/p>\n\u003cp>In the 1920s, Maxwell House launched an ad campaign to convince Jews that coffee is indeed Kosher for Passover. Some Jews don’t eat beans on Passover (legumes are considered \u003cem>kitniyot\u003c/em>, or food not edible during Passover, by Ashkenazi Jews). The company’s point was that coffee comes from the seed of a \u003cem>fruit,\u003c/em> not a bean. As part of its campaign, Maxwell House began giving out free haggadot. To date, over 50 million copies have been distributed. But the \u003ca href=\"http://blogs.forward.com/the-arty-semite/173621/-years-of-the-maxwell-house-haggadah/\">Maxwell House haggadah\u003c/a> also became synonymous with cookie-cutter, traditional Judaism.\u003c/p>\n\u003cfigure id=\"attachment_10476615\" class=\"wp-caption aligncenter\" style=\"max-width: 487px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Maxwell-House-2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10476615\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/04/Maxwell-House-2.jpg\" alt=\"A recent edition of the Maxwell House Haggadah. The coffee company began printing it in 1932, and has distributed over 50 million copies since then.\" width=\"487\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Maxwell-House-2.jpg 487w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Maxwell-House-2-400x631.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/04/Maxwell-House-2-320x505.jpg 320w\" sizes=\"(max-width: 487px) 100vw, 487px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A recent edition of the Maxwell House haggadah. The coffee company began printing it in 1932, and has distributed over 50 million copies since then.\u003c/figcaption>\u003c/figure>\n\u003cp>“The Maxwell House haggadah and the way Passover was given to us as kids was all about the Exodus. And at some point a lot of us decided that it’s not just about that. That the real story of Passover is liberation of all people,” says \u003ca href=\"http://iamsasha.com/\">Sasha Perry\u003c/a>, a documentary filmmaker and vegan activist.\u003c/p>\n\u003cp>As a kid in Las Vegas, Perry’s family seders were pretty traditional. When she got to college, she brought her radical politics into the seder.\u003c/p>\n\u003cp>“The first haggadah I tried making was kind of like a ransom note-looking haggadah, where I was cutting things out of physical haggadahs I had seen, the same way I would sit in a record store and made zines about vegan food and music,” Perry says.\u003c/p>\n\u003cp>She made other haggadot that referenced transgender rights, racial and economic inequality, and she hosted vegan seders in Los Angeles.\u003c/p>\n\u003cp>Michael Hebb had a similar experience. He began hosting seders in his early 20’s in Portland, Oregon.\u003c/p>\n\u003cp>“One of the dinners was co-hosted by an accordion artist named Miss Murgatroid, and the whole haggadah was set to experimental accordion music,” Hebb says. “And there was a whole free jam word association that happened at that dinner.”\u003c/p>\n\u003cp>Hebb didn’t grown up religious, but he liked the idea of getting people together to talk about deep, philosophical issues. He recently became known for \u003ca href=\"http://deathoverdinner.org/\">Let’s Have Dinner and Talk About Death\u003c/a>, a national campaign to get people to discuss mortality with family and friends. He’s now launched \u003ca href=\"http://seder2015.org/\">Seder2015.org\u003c/a>, a digital platform and campaign to reinvigorate the seder.\u003c/p>\n\u003cp>“When we started working on Seder 2015, I expected that we would hit immediate backlash, that we were taking something sacred and putting it into something that you could access on your iPhone,” Hebb says.\u003c/p>\n\u003cp>Instead, he says he’s gotten nothing but support from rabbis and members of the Jewish community.\u003c/p>\n\u003cp>“Everybody has been incredibly positive and passionate about the fact that somebody is thinking about conserving and invigorating and bringing Passover into the digital so that it can reach younger generations,” Hebb says.\u003c/p>\n\u003cp>“If you just do Passover and you only sing and you do all the prayers and you do all the rituals, and you don’t internalize the story, I think you’ve missed the point,” says Eileen Levinson of Haggadot.com.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The point, she says, is that the seder should be a chance to reflect on the story of Jews escaping slavery, and how it applies to every group that fights for freedom and equality. If you want to have \u003cem>those\u003c/em> kinds of discussions around the Passover table, it’s never been easier to create your own haggadah.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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