window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13929279": {
"type": "attachments",
"id": "arts_13929279",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13929279",
"found": true
},
"parent": 13929225,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1.jpg",
"width": 1600,
"height": 1066
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1536x1023.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1023
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1684351322,
"modified": 1684354761,
"caption": "Aymee Garcia, Cole Thompson and Kennedy Kanagawa in 'Into the Woods.'",
"description": null,
"title": "INTO THE WOODS 1",
"credit": "Matthew Murphy and Evan Zimmerman",
"status": "inherit",
"altTag": "three people, a white woman, a Black man and a Japanese-American man in colorful outfits, perform on a stage with a fake animal skeleton of some kind",
"fetchFailed": false,
"isLoading": false
},
"arts_13889790": {
"type": "attachments",
"id": "arts_13889790",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13889790",
"found": true
},
"parent": 13889729,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-160x109.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 109
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley.jpg",
"width": 1866,
"height": 1275
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-1020x697.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 697
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-1536x1050.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1050
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-800x547.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 547
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/11/TheatreWorks_SimpleGifts_photocredit_TheatreWorksSiliconValley-768x525.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 525
}
},
"publishDate": 1606848648,
"modified": 1606939827,
"caption": "TheatreWorks Silicon Valley presents 'Simple Gifts' through Dec. 27.",
"description": "TheatreWorks Silicon Valley presents 'Simple Gifts' through Dec. 27.",
"title": "promo_sg",
"credit": "Courtesy TheatreWorks",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13869791": {
"type": "attachments",
"id": "arts_13869791",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13869791",
"found": true
},
"parent": 13869783,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TimBond.MAIN_-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1573610216,
"modified": 1573610238,
"caption": "Tim Bond will replace TheatreWorks Silicon Valley's founding director Robert Kelley beginning March, 2020. ",
"description": "Tim Bond will replace TheatreWorks Silicon Valley's founding director Robert Kelley beginning March, 2020. ",
"title": "TimBond.MAIN",
"credit": "Alan Alabastro / Courtesy TheatreWorks",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13864229": {
"type": "attachments",
"id": "arts_13864229",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13864229",
"found": true
},
"parent": 13864214,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish.jpg",
"width": 1600,
"height": 900
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/08/TheJacka.NewParish-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1565897636,
"modified": 1565897696,
"caption": "The Jacka onstage at the New Parish in Oakland.",
"description": "The Jacka onstage at the New Parish in Oakland.",
"title": "TheJacka.NewParish",
"credit": "Pendarvis Harshaw/KQED",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13857558": {
"type": "attachments",
"id": "arts_13857558",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857558",
"found": true
},
"parent": 13857555,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1200x800.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 800
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1558135061,
"modified": 1558135097,
"caption": "Henrietta (Maria Giere Marquis) is captivated by a look into the heavens. ",
"description": "Henrietta (Maria Giere Marquis) is captivated by a look into the heavens. ",
"title": "RS37171_citylights_silentsky_mariagieremarquis-qut",
"credit": "Photo: Courtesy of Taylor Sanders",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13849361": {
"type": "attachments",
"id": "arts_13849361",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13849361",
"found": true
},
"parent": 13849359,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-160x106.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 106
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut.jpg",
"width": 1920,
"height": 1277
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-1020x678.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 678
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-1200x798.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 798
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-800x532.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 532
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-1920x1277.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1277
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-768x511.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 511
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/RS34816_TW_Frost-Nixon_KevinBerne13-qut-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1548381889,
"modified": 1556564555,
"caption": "Richard Nixon (Allen McCullough) reacts to his interviews with Frost in \"Frost/Nixon,\" presented by TheatreWorks Silicon Valley.",
"description": "Richard Nixon (Allen McCullough) reacts to his interviews with Frost in \"Frost/Nixon,\" presented by TheatreWorks Silicon Valley.",
"title": "RS34816_TW_Frost-Nixon_KevinBerne13-qut",
"credit": "Courtesy Kevin Berne",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13851815": {
"type": "attachments",
"id": "arts_13851815",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13851815",
"found": true
},
"parent": 13851676,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto.jpg",
"width": 2048,
"height": 1367
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-1020x681.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 681
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-1200x801.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 801
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-800x534.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 534
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-1920x1282.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1282
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-768x513.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 513
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Oskar4_-ScottDevinePhoto-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1551331510,
"modified": 1551331620,
"caption": "Jomar Martinez and Filip Hofman share a hug in “Oskar and the Big Bully Battle,” performed by TheatreWorks Silicon Valley in schools throughout the San Francisco Bay Area.",
"description": "Jomar Martinez and Filip Hofman share a hug in “Oskar and the Big Bully Battle,” performed by TheatreWorks Silicon Valley in schools throughout the San Francisco Bay Area.",
"title": "Oskar4_ ScottDevinePhoto",
"credit": "Photo: Courtesy of Scott Devine",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13840149": {
"type": "attachments",
"id": "arts_13840149",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13840149",
"found": true
},
"parent": 13840147,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-520x347.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 347
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-960x641.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 641
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-375x250.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 250
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut.jpg",
"width": 1920,
"height": 1282
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1020x681.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 681
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1180x788.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 788
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1200x801.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 801
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-800x534.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 534
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1920x1282.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1282
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1180x788.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 788
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-1920x1282.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1282
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-768x513.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 513
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/08/RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut-240x160.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 160
}
},
"publishDate": 1535768851,
"modified": 1535813188,
"caption": "Neighbors Pablo (Michael Evans Lopez), Virginia (Amy Resnick), Tania (Marlene Martinez) and Frank (Jackson Davis) get testy with each other in 'Native Gardens' by Karen Zacarías presented by TheatreWorks Silicon Valley.",
"description": "Neighbors Pablo (Michael Evans Lopez), Virginia (Amy Resnick), Tania (Marlene Martinez) and Frank (Jackson Davis) get testy with each other in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley.",
"title": "RS32664_TheatreWorks_NativeGardens_KevinBerne8-qut",
"credit": "Courtesy of Kevin Berne",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"arts_13837149": {
"type": "attachments",
"id": "arts_13837149",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13837149",
"found": true
},
"parent": 13837148,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-520x347.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 347
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-960x641.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 641
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-375x250.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 250
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut.jpg",
"width": 1920,
"height": 1282
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1020x681.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 681
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1180x788.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 788
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1200x801.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 801
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-800x534.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 534
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1920x1282.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1282
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1180x788.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 788
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-1920x1282.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1282
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-768x513.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 513
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/07/RS31792_HTT_KevinBerne11-qut-240x160.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 160
}
},
"publishDate": 1531532026,
"modified": 1531532093,
"caption": "Joel de la Fuente stars in TheatreWorks Silicon Valley's 2018/2019 season opener, the Bay Area premiere of Jeanne Sakata's \"Hold These Truths.\"",
"description": "Joel de la Fuente stars in TheatreWorks Silicon Valley's 2018/2019 season opener, the Bay Area premiere of Jeanne Sakata's \"Hold These Truths.\"",
"title": "RS31792_HTT_KevinBerne11-qut",
"credit": "Photo: Courtesy of Kevin Berne",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false
},
"authorsReducer": {
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife, his daughter, and a 1964 Volvo in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "gmeline",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"rachael-myrow": {
"type": "authors",
"id": "251",
"meta": {
"index": "authors_1716337520",
"id": "251",
"found": true
},
"name": "Rachael Myrow",
"firstName": "Rachael",
"lastName": "Myrow",
"slug": "rachael-myrow",
"email": "rmyrow@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "Senior Editor of KQED's Silicon Valley News Desk",
"bio": "Rachael Myrow is Senior Editor of KQED's Silicon Valley News Desk, reporting on topics like \u003ca href=\"https://www.kqed.org/news/12023367/what-big-tech-sees-in-donald-trump\">what Big Tech sees in President Trump\u003c/a>, \u003ca href=\"https://www.kqed.org/news/12020857/california-lawmaker-ready-revive-fight-regulating-ai\">California's many, many AI bills\u003c/a>, and the \u003ca href=\"https://www.kqed.org/news/12017713/lost-sounds-of-san-francisco\">lost sounds of San Francisco\u003c/a>. You can hear her work on \u003ca href=\"https://www.npr.org/search?query=Rachael%20Myrow&page=1\">NPR\u003c/a>, \u003ca href=\"https://theworld.org/people/rachael-myrow\">The World\u003c/a>, WBUR's \u003ca href=\"https://www.wbur.org/search?q=Rachael%20Myrow\">\u003ci>Here & Now\u003c/i>\u003c/a> and the BBC. \u003c/i>She also guest hosts for KQED's \u003ci>\u003ca href=\"https://www.kqed.org/forum/tag/rachael-myrow\">Forum\u003c/a>\u003c/i>. Over the years, she's talked with Kamau Bell, David Byrne, Kamala Harris, Tony Kushner, Armistead Maupin, Van Dyke Parks, Arnold Schwarzenegger and Tommie Smith, among others.\r\n\r\nBefore all this, she hosted \u003cem>The California Report\u003c/em> for 7+ years.\r\n\r\nAwards? Sure: Peabody, Edward R. Murrow, Regional Edward R. Murrow, RTNDA, Northern California RTNDA, SPJ Northern California Chapter, LA Press Club, Golden Mic. Prior to joining KQED, Rachael worked in Los Angeles at KPCC and Marketplace. She holds degrees in English and journalism from UC Berkeley (where she got her start in public radio on KALX-FM).\r\n\r\nOutside of the studio, you'll find Rachael hiking Bay Area trails and whipping up Instagram-ready meals in her kitchen. More recently, she's taken up native-forward gardening.",
"avatar": "https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g",
"twitter": "rachaelmyrow",
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/rachaelmyrow/",
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Rachael Myrow | KQED",
"description": "Senior Editor of KQED's Silicon Valley News Desk",
"ogImgSrc": "https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/rachael-myrow"
},
"slefebvre": {
"type": "authors",
"id": "11091",
"meta": {
"index": "authors_1716337520",
"id": "11091",
"found": true
},
"name": "Sam Lefebvre",
"firstName": "Sam",
"lastName": "Lefebvre",
"slug": "slefebvre",
"email": "sdlefebvre@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Sam Lefebvre is an award-winning reporter at KQED Arts. He has worked as an editor and columnist at the \u003cem>East Bay Express\u003c/em>, \u003cem>SF Weekly \u003c/em>and Impose Magazine, and his journalism and criticism has appeared in \u003cem>The New York Times\u003c/em>, the Guardian and Pitchfork.",
"avatar": "https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g",
"twitter": "Lefebvre_Sam",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Sam Lefebvre | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/slefebvre"
},
"ngluckstern": {
"type": "authors",
"id": "11497",
"meta": {
"index": "authors_1716337520",
"id": "11497",
"found": true
},
"name": "Nicole Gluckstern",
"firstName": "Nicole",
"lastName": "Gluckstern",
"slug": "ngluckstern",
"email": "gluckstern.nicole@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/4fa7e0128404fc3d06ce5f9e27ab9e5a?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
}
],
"headData": {
"title": "Nicole Gluckstern | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/4fa7e0128404fc3d06ce5f9e27ab9e5a?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/4fa7e0128404fc3d06ce5f9e27ab9e5a?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ngluckstern"
},
"djchavez": {
"type": "authors",
"id": "11905",
"meta": {
"index": "authors_1716337520",
"id": "11905",
"found": true
},
"name": "David John Chávez",
"firstName": "David John",
"lastName": "Chávez",
"slug": "djchavez",
"email": "theatrechavez@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Based in San José, David is a theater critic and reporter who serves as Executive Chair of the American Theatre Critics/Journalists Association, as well as a regular theater contributor to The Mercury News, San Francisco Chronicle, American Theatre Magazine and KQED, among other publications. He is a two-time juror for the Pulitzer Prize for Drama (’22-’23) and a 2020 fellow of the Eugene O'Neill National Critics Institute.",
"avatar": "https://secure.gravatar.com/avatar/fabc2bc243ff109345d5c43867bc0b76?s=600&d=blank&r=g",
"twitter": null,
"facebook": "https://www.facebook.com/bydavidjchavez",
"instagram": "https://www.instagram.com/davidjchavez/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
}
],
"headData": {
"title": "David John Chávez | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/fabc2bc243ff109345d5c43867bc0b76?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/fabc2bc243ff109345d5c43867bc0b76?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/djchavez"
}
},
"breakingNewsReducer": {},
"pagesReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13929225": {
"type": "posts",
"id": "arts_13929225",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13929225",
"score": null,
"sort": [
1684785644000
]
},
"guestAuthors": [],
"slug": "bay-area-plays-musicals-summer",
"title": "10 Hot Tickets to Bay Area Plays and Musicals This Summer",
"publishDate": 1684785644,
"format": "aside",
"headTitle": "10 Hot Tickets to Bay Area Plays and Musicals This Summer | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>Theater companies typically grind hard from September to June, and as a result, the summer months ease up a bit before the cycle starts again in the fall. This doesn’t mean the Bay Area theater scene is a barren wasteland over the summer; quite the opposite.\u003c/p>\n\u003cp>Bay Area stages this summer host a healthy mix of the classic and contemporary, along with world premieres and hearty musicals. Here are 10 shows from late May to early September that you don’t want to miss.\u003c/p>\n\u003cfigure id=\"attachment_13929271\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929271\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-800x818.jpg\" alt=\"a photo of three people posed in front of a wooden door, two youngish Latino-appearing men with a Latina woman in an orange standing between them, looking at the camera\" width=\"800\" height=\"818\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-800x818.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-1020x1043.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-160x164.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-768x785.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-1502x1536.jpg 1502w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-1920x1963.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Caleb Cabrera and Regina Morones and Samuel Prince in ‘Yerma.’ \u003ccite>(Robbie Sweeny)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://shotgunplayers.org/Online/default.asp\">Yerma\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Ashby Stage, Berkeley\u003cbr>\nMay 27–June 18, 2023\u003c/em>\u003c/p>\n\u003cp>Spanish poet Federico Garcia Lorca, whose passion explodes from the ink, has a special quality that knows no end. Lorca’s characters are not simply products of circumstance; they are wholly consumed by fate. His ideas and word combinations are incredibly thrilling.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In \u003cem>Yerma\u003c/em>, a play not as frequently produced as the two others in his Rural Trilogy, the title character is childless, desperately yearning to be a mother. Her desperation leads to her self-destruction, which parallels the tragedy of Lorca himself, killed in 1936 at the hands of a firing squad at age 38. \u003cem>Yerma\u003c/em> is the type of play that Shotgun Players does beautifully, with the immeasurable benefit of one of Spain’s greatest voices.\u003c/p>\n\u003cfigure id=\"attachment_13929279\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929279\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-800x533.jpg\" alt=\"three people, a white woman, a Black man and a Japanese-American man in colorful outfits, perform on a stage with a fake animal skeleton of some kind\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aymee Garcia, Cole Thompson and Kennedy Kanagawa in ‘Into the Woods’ \u003ccite>(Matthew Murphy and Evan Zimmerman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://sfcurran.com/\">Into the Woods\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>The Curran, San Francisco\u003cbr>\nJune 20–25, 2023\u003c/em>\u003c/p>\n\u003cp>The Bay Area is a regular stop for national tours, but \u003cem>Into the Woods\u003c/em> offers an added bonus: multiple original cast members from the critically acclaimed Broadway production. The show opened in May of 2022 as a two-week run at the New York City Center before a Broadway transfer led to multiple extensions and six Tony Award nominations.\u003c/p>\n\u003cp>The masterpiece from James Lapine and Stephen Sondheim joins together multiple plots of various fairy tales of the Brothers Grimm — often with much darker consequences than their Disney counterparts. Making its way out West as well is the melancholy cow puppet Milky White, an aspect of the show that was all the rage in New York.\u003c/p>\n\u003cfigure id=\"attachment_13929281\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929281\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-800x533.jpeg\" alt=\"a young Black woman with curly hair poses for a portrait in a red dress\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Longtime Bay Area performer Elizabeth Carter makes her TheatreWorks directorial debut with ‘Steel Magnolias.’ \u003ccite>(Jenny Graham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://theatreworks.org/\">Steel Magnolias\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Mountain View Center for the Performing Arts\u003cbr>\nJune 7–July 2, 2023\u003c/em>\u003c/p>\n\u003cp>TheatreWorks Silicon Valley has been crafting great, innovative artistry for its recent productions, rethinking what a classic can be and infusing the work with components that expand a show’s inclusivity. (Exhibit A: their \u003cem>Little Shop of Horrors\u003c/em>, placed in San Francisco’s Chinatown, this past December.) This year, a play set in the South, which featured an all-white cast in the popular 1989 film, adapts the action into a Black-owned salon. Longtime Bay Area performer Elizabeth Carter directs.\u003c/p>\n\u003cfigure id=\"attachment_13929283\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929283\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-800x533.jpeg\" alt=\"a large group of people in top hats and shiny outfits perform a dance in a chorus line on stage\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-2048x1366.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘A Chorus Line’ at the London Palladium. San Francisco Playhouse closes its 20th anniversary season with the musical starting June 22. \u003ccite>(Alamy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.sfplayhouse.org/sfph/2022-2023-season/a-chorus-line/\">A Chorus Line\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>San Francisco Playhouse\u003cbr>\nJune 22–Sept. 9, 2023\u003c/em>\u003c/p>\n\u003cp>San Francisco Playhouse is going all in with its collection of musicals, offering up three in a 12-month span. One of the most decorated musicals in history, winning nine Tony awards and the Pulitzer Prize for drama in 1976, \u003cem>A Chorus Line\u003c/em> follows a colorful group of dancers vying for a coveted spot on a Broadway chorus line. Each dancer brings deep, personal stories with lots of humor and heartbreak. Despite their variety of backgrounds, each of the dancers ultimately asks the same question — if the dream were to end instantly after so much sacrifice, \u003ca href=\"https://www.youtube.com/watch?v=dwk0Sh3id4w\">are there any regrets\u003c/a>?\u003c/p>\n\u003cfigure id=\"attachment_13929284\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929284\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0-800x450.png\" alt=\"a group of four people, three Black women and one Black man, Questlove, smile for the camera\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0.png 970w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The team behind ‘Hippest Trip’: Dominique Morrisseau (book), Ahmir ‘Questlove’ Thompson (executive producer), Camille A. Brown (choreography), Kamilah Forbes (director). \u003ccite>(Nicola Goode)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.act-sf.org/whats-on/2023-24-season/soul-train/\">Hippest Trip — The Soul Train Musical\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Toni Rembe Theater, San Francisco\u003cbr>\nAug. 25–Oct. 1, 2023\u003c/em>\u003c/p>\n\u003cp>When Chicago disc jockey Joe Cobb pierced the television speaker with his dulcet falsetto screaming, “The soooooouuulllll train,” followed by Sid McCoy smoothly introducing “the hippest trip in America” while a colorful train \u003ca href=\"https://www.youtube.com/watch?v=f8osiVlz6Ws\">bounced along outer space\u003c/a>, you knew that Saturday morning was ready to commence with unbridled Black joy. Every ounce of \u003cem>Soul Train\u003c/em> is iconic — dapper host Don Cornelius, the \u003ca href=\"https://www.youtube.com/watch?v=lODBVM802H8\">Soul Train line\u003c/a>, prime fashion, and the show’s indelible role in popular culture.\u003c/p>\n\u003cp>This new musical, which finally premieres at A.C.T. after plenty of delays, is led by a dream team, including playwright Dominique Morrisseau and musician/Soul Train savant Ahmir “Questlove” Thompson. A long-anticipated world premiere, it’s poised to become the theatre event of the summer with high ambitions beyond the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13929285\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Virginia_Wolf_h.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929285\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Virginia_Wolf_h-800x533.jpg\" alt=\"a glass of water on a table in front of a woman's face, lit darkly; she has brown skin and black hair and is wearing dark lipstick\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lisa Ramirez in ‘Who’s Afraid of Virginia Woolf.’ \u003ccite>(Ben Krantz Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://oaklandtheaterproject.org/virginia\">Who’s Afraid of Virginia Woolf\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Flax Art & Design, Oakland\u003cbr>\nMay 26–June 18, 2023\u003c/em>\u003c/p>\n\u003cp>Long considered a masterpiece of the American theater, this unflinchingly comedic and profound work from Edward Albee follows middle-aged couple George and Martha, who invite a young professor and his wife over to their place for a nightcap; a dangerous round of fun and games ensues.\u003c/p>\n\u003cp>Oakland Theater Project is on a roll of late, producing gritty narratives from fresh playwrights while continuing to build upon a healthy repertory company of terrific artists. Popular company members Lisa Ramirez and Michael Socrates Moran perform and direct, respectively.\u003c/p>\n\u003cfigure id=\"attachment_13929286\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/StachelAri_SergioPasquariello.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929286\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-800x1201.jpg\" alt=\"a portrait of a man with light brown skin and a very short beard wearing a black t-shirt\" width=\"800\" height=\"1201\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-800x1201.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-1020x1531.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-768x1153.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-1023x1536.jpg 1023w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello.jpg 1066w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ari’el Stachel in ‘Out of Character’ \u003ccite>(Sergio Pasquariello)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.berkeleyrep.org/shows/out-of-character/\">Out of Character\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Berkeley Repertory Theatre\u003cbr>\nJune 23–July 20, 2023\u003c/em>\u003c/p>\n\u003cp>Seeing the beautiful musical \u003cem>The Band’s Visit\u003c/em> in 2017 was to witness an incredible set of performances from an all-star cast. One of those performers, the handsome Berkeley-raised talent Ari’el Stachel, \u003ca href=\"https://www.youtube.com/watch?v=GUW-yM2y53s\">made audiences swoon\u003c/a> as the confident musician Haled. That swooning was no accident; his performance landed him the 2018 Tony Award for best featured actor in a musical.\u003c/p>\n\u003cp>Stachel returns home for this solo debut, telling his story of the difficulties he faced as an Israeli American of Yemeni Jewish descent shortly after the 9/11 attacks. In keeping with the homegrown nature of the piece, the show was developed at the Rep’s Ground Floor and is directed by former artistic director Tony Taccone, who led the Rep for 33 years before retiring in 2019.\u003c/p>\n\u003cfigure id=\"attachment_13929288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/1-01_edited_edited.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929288\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/1-01_edited_edited-800x501.jpg\" alt=\"three people, a Black man in a suit, a Black woman in a white top and black pants and a Black woman in a peach dress, laugh while performing a reading in front of an applauding crowd\" width=\"800\" height=\"501\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-800x501.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-1020x639.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-768x481.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-1536x962.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited.jpg 1599w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actor Rotimi Agbabiaka, playwright Traci Tolmaire and actor Ryan Nicole Austin perform a staged reading of ‘In the Evening by the Moonlight’ at the Museum of African Diaspora. \u003ccite>(Courtesy Lorraine Hansberry Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.lhtsf.org/\">In the Evening by the Moonlight\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Young Performer’s Theatre at Fort Mason, San Francisco\u003cbr>\nJune 15–July 2, 2023\u003c/em>\u003c/p>\n\u003cp>The Lorraine Hansberry Theatre is the home for this new play that imagines a conversation between three major figures: the theatre’s namesake, Lorraine Hansberry, Nina Simone and James Baldwin. The piece is set in Hansberry’s Waverly Place flat in New York, as the three icons confront a fearful future while expressing hopes for a revolution.\u003c/p>\n\u003cp>The play, which received a successful reading in April, is written by Traci Tolmaire, and co-created and directed by artistic director Margo Hall.\u003c/p>\n\u003cfigure id=\"attachment_13929291\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0-1.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929291\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0-1-800x600.png\" alt=\"three white people, two men and one woman, smile for the camera while sitting in an empty theater\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-800x600.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-1020x765.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-160x120.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-768x576.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-1536x1152.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1.png 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The team behind ‘Hamlet’ from the Marin Shakespeare Company, left to right: Jon Tracy (director), Bridgette Loriaux (‘Gertrude’) and Nick Musleh (‘Hamlet’). \u003ccite>(Jon Tracy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.marinshakespeare.org/\">Hamlet\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Forest Meadows Amphitheatre, San Rafael\u003cbr>\nJune 16–July 16, 2023\u003c/em>\u003c/p>\n\u003cp>Nothing screams summer like Shakespeare in an outdoor setting, and the Marin Shakespeare Company has presented the Bard outside since 1989. Well-known Bay Area director Jon Tracy is taking over the reins as summer season artistic producer, and while he has directed for the company plenty, this is his debut in the new role.\u003c/p>\n\u003cp>The story of Hamlet has everything one can ask for in a drama — iconic characters, lust, betrayal, greed, humor and deception. To be or not to be in the house? Grabbing some Shakespeare on a beautiful North Bay night under the stars is a definite “to be.”\u003c/p>\n\u003cfigure id=\"attachment_13929293\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929293\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-800x1105.jpeg\" alt=\"\" width=\"800\" height=\"1105\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-800x1105.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-1020x1408.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-160x221.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-768x1060.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-1112x1536.jpeg 1112w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-1483x2048.jpeg 1483w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1.jpeg 1854w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Timothy Near, director of ‘The Road to Mecca.’ \u003ccite>(David Allen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"http://www.zspace.org/\">The Road to Mecca\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Z Below, San Francisco\u003cbr>\nJune 4–30, 2023\u003c/em>\u003c/p>\n\u003cp>This work from Athol Fugard, long considered the greatest of South African playwrights, centers an aging Miss Helen, who fills her home and garden with sculptures made from junk after the death of her husband. As her mental health continues to deteriorate, two people — a local pastor and a young teacher — fight to determine the ultimate path of her perilous future.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The piece brings together a group of artists who last worked together on another Fugard piece at Z Below, \u003cem>A Lesson from Aloes\u003c/em>, in 2018. Timothy Near leads the three-hander, reuniting the longtime director with top acting talents Victor Talmadge and Wendy vanden Heuvel.\u003c/p>\n\n",
"blocks": [],
"excerpt": "This summer, local theatre stages host a mix of the classic and contemporary, alongside world premieres and hearty musicals.",
"status": "publish",
"parent": 0,
"modified": 1716520206,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 33,
"wordCount": 1559
},
"headData": {
"title": "10 Hot Tickets to Bay Area Plays and Musicals This Summer | KQED",
"description": "This summer, local theatre stages host a mix of the classic and contemporary, alongside world premieres and hearty musicals.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "10 Hot Tickets to Bay Area Plays and Musicals This Summer",
"datePublished": "2023-05-22T13:00:44-07:00",
"dateModified": "2024-05-23T20:10:06-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Hot Summer Guide 2023",
"sourceUrl": "https://www.kqed.org/summerguide2023",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13929225/bay-area-plays-musicals-summer",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>Theater companies typically grind hard from September to June, and as a result, the summer months ease up a bit before the cycle starts again in the fall. This doesn’t mean the Bay Area theater scene is a barren wasteland over the summer; quite the opposite.\u003c/p>\n\u003cp>Bay Area stages this summer host a healthy mix of the classic and contemporary, along with world premieres and hearty musicals. Here are 10 shows from late May to early September that you don’t want to miss.\u003c/p>\n\u003cfigure id=\"attachment_13929271\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929271\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-800x818.jpg\" alt=\"a photo of three people posed in front of a wooden door, two youngish Latino-appearing men with a Latina woman in an orange standing between them, looking at the camera\" width=\"800\" height=\"818\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-800x818.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-1020x1043.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-160x164.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-768x785.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-1502x1536.jpg 1502w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159-1920x1963.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Caleb-Cabrera-and-Regina-Morones-and-Samuel-Prince-Credit-Robbie-Sweeny-DSC00159.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Caleb Cabrera and Regina Morones and Samuel Prince in ‘Yerma.’ \u003ccite>(Robbie Sweeny)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://shotgunplayers.org/Online/default.asp\">Yerma\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Ashby Stage, Berkeley\u003cbr>\nMay 27–June 18, 2023\u003c/em>\u003c/p>\n\u003cp>Spanish poet Federico Garcia Lorca, whose passion explodes from the ink, has a special quality that knows no end. Lorca’s characters are not simply products of circumstance; they are wholly consumed by fate. His ideas and word combinations are incredibly thrilling.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In \u003cem>Yerma\u003c/em>, a play not as frequently produced as the two others in his Rural Trilogy, the title character is childless, desperately yearning to be a mother. Her desperation leads to her self-destruction, which parallels the tragedy of Lorca himself, killed in 1936 at the hands of a firing squad at age 38. \u003cem>Yerma\u003c/em> is the type of play that Shotgun Players does beautifully, with the immeasurable benefit of one of Spain’s greatest voices.\u003c/p>\n\u003cfigure id=\"attachment_13929279\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929279\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/INTO-THE-WOODS-1-800x533.jpg\" alt=\"three people, a white woman, a Black man and a Japanese-American man in colorful outfits, perform on a stage with a fake animal skeleton of some kind\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/INTO-THE-WOODS-1.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aymee Garcia, Cole Thompson and Kennedy Kanagawa in ‘Into the Woods’ \u003ccite>(Matthew Murphy and Evan Zimmerman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://sfcurran.com/\">Into the Woods\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>The Curran, San Francisco\u003cbr>\nJune 20–25, 2023\u003c/em>\u003c/p>\n\u003cp>The Bay Area is a regular stop for national tours, but \u003cem>Into the Woods\u003c/em> offers an added bonus: multiple original cast members from the critically acclaimed Broadway production. The show opened in May of 2022 as a two-week run at the New York City Center before a Broadway transfer led to multiple extensions and six Tony Award nominations.\u003c/p>\n\u003cp>The masterpiece from James Lapine and Stephen Sondheim joins together multiple plots of various fairy tales of the Brothers Grimm — often with much darker consequences than their Disney counterparts. Making its way out West as well is the melancholy cow puppet Milky White, an aspect of the show that was all the rage in New York.\u003c/p>\n\u003cfigure id=\"attachment_13929281\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929281\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-800x533.jpeg\" alt=\"a young Black woman with curly hair poses for a portrait in a red dress\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Elizabeth_Carter_Jenny-Graham-2-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Longtime Bay Area performer Elizabeth Carter makes her TheatreWorks directorial debut with ‘Steel Magnolias.’ \u003ccite>(Jenny Graham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://theatreworks.org/\">Steel Magnolias\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Mountain View Center for the Performing Arts\u003cbr>\nJune 7–July 2, 2023\u003c/em>\u003c/p>\n\u003cp>TheatreWorks Silicon Valley has been crafting great, innovative artistry for its recent productions, rethinking what a classic can be and infusing the work with components that expand a show’s inclusivity. (Exhibit A: their \u003cem>Little Shop of Horrors\u003c/em>, placed in San Francisco’s Chinatown, this past December.) This year, a play set in the South, which featured an all-white cast in the popular 1989 film, adapts the action into a Black-owned salon. Longtime Bay Area performer Elizabeth Carter directs.\u003c/p>\n\u003cfigure id=\"attachment_13929283\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929283\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-800x533.jpeg\" alt=\"a large group of people in top hats and shiny outfits perform a dance in a chorus line on stage\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-2048x1366.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/SFP_AChorusLine_Alamy-scaled-1-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘A Chorus Line’ at the London Palladium. San Francisco Playhouse closes its 20th anniversary season with the musical starting June 22. \u003ccite>(Alamy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.sfplayhouse.org/sfph/2022-2023-season/a-chorus-line/\">A Chorus Line\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>San Francisco Playhouse\u003cbr>\nJune 22–Sept. 9, 2023\u003c/em>\u003c/p>\n\u003cp>San Francisco Playhouse is going all in with its collection of musicals, offering up three in a 12-month span. One of the most decorated musicals in history, winning nine Tony awards and the Pulitzer Prize for drama in 1976, \u003cem>A Chorus Line\u003c/em> follows a colorful group of dancers vying for a coveted spot on a Broadway chorus line. Each dancer brings deep, personal stories with lots of humor and heartbreak. Despite their variety of backgrounds, each of the dancers ultimately asks the same question — if the dream were to end instantly after so much sacrifice, \u003ca href=\"https://www.youtube.com/watch?v=dwk0Sh3id4w\">are there any regrets\u003c/a>?\u003c/p>\n\u003cfigure id=\"attachment_13929284\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929284\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0-800x450.png\" alt=\"a group of four people, three Black women and one Black man, Questlove, smile for the camera\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0.png 970w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The team behind ‘Hippest Trip’: Dominique Morrisseau (book), Ahmir ‘Questlove’ Thompson (executive producer), Camille A. Brown (choreography), Kamilah Forbes (director). \u003ccite>(Nicola Goode)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.act-sf.org/whats-on/2023-24-season/soul-train/\">Hippest Trip — The Soul Train Musical\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Toni Rembe Theater, San Francisco\u003cbr>\nAug. 25–Oct. 1, 2023\u003c/em>\u003c/p>\n\u003cp>When Chicago disc jockey Joe Cobb pierced the television speaker with his dulcet falsetto screaming, “The soooooouuulllll train,” followed by Sid McCoy smoothly introducing “the hippest trip in America” while a colorful train \u003ca href=\"https://www.youtube.com/watch?v=f8osiVlz6Ws\">bounced along outer space\u003c/a>, you knew that Saturday morning was ready to commence with unbridled Black joy. Every ounce of \u003cem>Soul Train\u003c/em> is iconic — dapper host Don Cornelius, the \u003ca href=\"https://www.youtube.com/watch?v=lODBVM802H8\">Soul Train line\u003c/a>, prime fashion, and the show’s indelible role in popular culture.\u003c/p>\n\u003cp>This new musical, which finally premieres at A.C.T. after plenty of delays, is led by a dream team, including playwright Dominique Morrisseau and musician/Soul Train savant Ahmir “Questlove” Thompson. A long-anticipated world premiere, it’s poised to become the theatre event of the summer with high ambitions beyond the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13929285\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Virginia_Wolf_h.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929285\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Virginia_Wolf_h-800x533.jpg\" alt=\"a glass of water on a table in front of a woman's face, lit darkly; she has brown skin and black hair and is wearing dark lipstick\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Virginia_Wolf_h.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lisa Ramirez in ‘Who’s Afraid of Virginia Woolf.’ \u003ccite>(Ben Krantz Studio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://oaklandtheaterproject.org/virginia\">Who’s Afraid of Virginia Woolf\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Flax Art & Design, Oakland\u003cbr>\nMay 26–June 18, 2023\u003c/em>\u003c/p>\n\u003cp>Long considered a masterpiece of the American theater, this unflinchingly comedic and profound work from Edward Albee follows middle-aged couple George and Martha, who invite a young professor and his wife over to their place for a nightcap; a dangerous round of fun and games ensues.\u003c/p>\n\u003cp>Oakland Theater Project is on a roll of late, producing gritty narratives from fresh playwrights while continuing to build upon a healthy repertory company of terrific artists. Popular company members Lisa Ramirez and Michael Socrates Moran perform and direct, respectively.\u003c/p>\n\u003cfigure id=\"attachment_13929286\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/StachelAri_SergioPasquariello.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929286\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-800x1201.jpg\" alt=\"a portrait of a man with light brown skin and a very short beard wearing a black t-shirt\" width=\"800\" height=\"1201\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-800x1201.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-1020x1531.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-768x1153.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello-1023x1536.jpg 1023w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/StachelAri_SergioPasquariello.jpg 1066w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ari’el Stachel in ‘Out of Character’ \u003ccite>(Sergio Pasquariello)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.berkeleyrep.org/shows/out-of-character/\">Out of Character\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Berkeley Repertory Theatre\u003cbr>\nJune 23–July 20, 2023\u003c/em>\u003c/p>\n\u003cp>Seeing the beautiful musical \u003cem>The Band’s Visit\u003c/em> in 2017 was to witness an incredible set of performances from an all-star cast. One of those performers, the handsome Berkeley-raised talent Ari’el Stachel, \u003ca href=\"https://www.youtube.com/watch?v=GUW-yM2y53s\">made audiences swoon\u003c/a> as the confident musician Haled. That swooning was no accident; his performance landed him the 2018 Tony Award for best featured actor in a musical.\u003c/p>\n\u003cp>Stachel returns home for this solo debut, telling his story of the difficulties he faced as an Israeli American of Yemeni Jewish descent shortly after the 9/11 attacks. In keeping with the homegrown nature of the piece, the show was developed at the Rep’s Ground Floor and is directed by former artistic director Tony Taccone, who led the Rep for 33 years before retiring in 2019.\u003c/p>\n\u003cfigure id=\"attachment_13929288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/1-01_edited_edited.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929288\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/1-01_edited_edited-800x501.jpg\" alt=\"three people, a Black man in a suit, a Black woman in a white top and black pants and a Black woman in a peach dress, laugh while performing a reading in front of an applauding crowd\" width=\"800\" height=\"501\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-800x501.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-1020x639.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-768x481.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited-1536x962.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/1-01_edited_edited.jpg 1599w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actor Rotimi Agbabiaka, playwright Traci Tolmaire and actor Ryan Nicole Austin perform a staged reading of ‘In the Evening by the Moonlight’ at the Museum of African Diaspora. \u003ccite>(Courtesy Lorraine Hansberry Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.lhtsf.org/\">In the Evening by the Moonlight\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Young Performer’s Theatre at Fort Mason, San Francisco\u003cbr>\nJune 15–July 2, 2023\u003c/em>\u003c/p>\n\u003cp>The Lorraine Hansberry Theatre is the home for this new play that imagines a conversation between three major figures: the theatre’s namesake, Lorraine Hansberry, Nina Simone and James Baldwin. The piece is set in Hansberry’s Waverly Place flat in New York, as the three icons confront a fearful future while expressing hopes for a revolution.\u003c/p>\n\u003cp>The play, which received a successful reading in April, is written by Traci Tolmaire, and co-created and directed by artistic director Margo Hall.\u003c/p>\n\u003cfigure id=\"attachment_13929291\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0-1.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929291\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/pasted-image-0-1-800x600.png\" alt=\"three white people, two men and one woman, smile for the camera while sitting in an empty theater\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-800x600.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-1020x765.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-160x120.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-768x576.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1-1536x1152.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/pasted-image-0-1.png 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The team behind ‘Hamlet’ from the Marin Shakespeare Company, left to right: Jon Tracy (director), Bridgette Loriaux (‘Gertrude’) and Nick Musleh (‘Hamlet’). \u003ccite>(Jon Tracy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.marinshakespeare.org/\">Hamlet\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Forest Meadows Amphitheatre, San Rafael\u003cbr>\nJune 16–July 16, 2023\u003c/em>\u003c/p>\n\u003cp>Nothing screams summer like Shakespeare in an outdoor setting, and the Marin Shakespeare Company has presented the Bard outside since 1989. Well-known Bay Area director Jon Tracy is taking over the reins as summer season artistic producer, and while he has directed for the company plenty, this is his debut in the new role.\u003c/p>\n\u003cp>The story of Hamlet has everything one can ask for in a drama — iconic characters, lust, betrayal, greed, humor and deception. To be or not to be in the house? Grabbing some Shakespeare on a beautiful North Bay night under the stars is a definite “to be.”\u003c/p>\n\u003cfigure id=\"attachment_13929293\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929293\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-800x1105.jpeg\" alt=\"\" width=\"800\" height=\"1105\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-800x1105.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-1020x1408.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-160x221.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-768x1060.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-1112x1536.jpeg 1112w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1-1483x2048.jpeg 1483w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Timothy-Near_DavidAllenPhoto-scaled-1.jpeg 1854w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Timothy Near, director of ‘The Road to Mecca.’ \u003ccite>(David Allen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"http://www.zspace.org/\">The Road to Mecca\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Z Below, San Francisco\u003cbr>\nJune 4–30, 2023\u003c/em>\u003c/p>\n\u003cp>This work from Athol Fugard, long considered the greatest of South African playwrights, centers an aging Miss Helen, who fills her home and garden with sculptures made from junk after the death of her husband. As her mental health continues to deteriorate, two people — a local pastor and a young teacher — fight to determine the ultimate path of her perilous future.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The piece brings together a group of artists who last worked together on another Fugard piece at Z Below, \u003cem>A Lesson from Aloes\u003c/em>, in 2018. Timothy Near leads the three-hander, reuniting the longtime director with top acting talents Victor Talmadge and Wendy vanden Heuvel.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13929225/bay-area-plays-musicals-summer",
"authors": [
"11905"
],
"categories": [
"arts_1",
"arts_235",
"arts_967"
],
"tags": [
"arts_1237",
"arts_10278",
"arts_1321",
"arts_2360",
"arts_20565",
"arts_1072",
"arts_1815",
"arts_585"
],
"featImg": "arts_13929279",
"label": "source_arts_13929225"
},
"arts_13889729": {
"type": "posts",
"id": "arts_13889729",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13889729",
"score": null,
"sort": [
1606943462000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1606943462,
"format": "standard",
"title": "The 12 Plays of Christmas: Or, How to Spend Your Winter Vacation",
"headTitle": "The 12 Plays of Christmas: Or, How to Spend Your Winter Vacation | KQED",
"content": "\u003cp>Rejoice, rejoice. While being home for the holidays might seem like a redundant concept this year, you don’t have to spend them in total isolation. Here are 12 ways to give yourself the gift of a little escapist pleasure at the end of this unprecedented year while supporting the Bay Area’s heavily impacted performing arts.\u003c/p>\n\u003cfigure id=\"attachment_13889792\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13889792\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taylor Mac gets saucy with the holidays. \u003ccite>(Little Fang Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Don We Now Our Gay Apparel\u003c/h2>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://sfcurran.com/shows/taylor-mac-holiday-sauce-pandemic\" rel=\"noopener noreferrer\" target=\"_blank\">Holiday Sauce…Pandemic!\u003c/a>‘\u003c/strong>\u003cbr>\nCurran Theatre \u003c/p>\n\u003cp>Fans of full-spectrum spectacle need look no further than the works of MacArthur Fellow Taylor Mac, whose shows embody an expansive vision of queer abundance (and abundant queers). A regular visitor to the Bay Area, Mac first presented \u003cem>Holiday Sauce\u003c/em> on the Curran stage in 2018, a sumptuous romp through holiday memories and songs. All proceeds of this year’s virtual offering will go to \u003ca href=\"http://www.openhousesf.org\">Openhouse\u003c/a>, a local community resource for LGBTQ+ seniors.\u003c/p>\n\u003cp>\u003cem>Livestream Dec. 12 at 7pm only. On demand until Jan. 2. $10. Info and tickets\u003ca href=\"http://sfcurran.com/shows/taylor-mac-holiday-sauce-pandemic\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.stellartickets.com/events/the-golden-girls-live/the-golden-girls-live-the-christmas-episodes\" rel=\"noopener noreferrer\" target=\"_blank\">Golden Girls LIVE: Christmas Episodes\u003c/a>‘\u003c/strong>\u003cbr>\nSF Oasis\u003c/p>\n\u003cp>A beloved San Francisco holiday tradition, \u003cem>Golden Girls LIVE: Christmas Episodes\u003c/em> offers nostalgia, drag hilarity, and genuine heart all wrapped up in a Betty White-channeling bow. Co-starring Heklina (Dorothy), Matthew Martin (Blanche), D’Arcy Drollinger (Rose) and Holotta Tymes (Sophia) as our quirky quartet, this year’s episodes will be streamed live from SF Oasis headquarters, complete with a virtual sing-along and VIP meet-and-greet with the cast.\u003c/p>\n\u003cp>\u003cem>Dec. 17-20, times vary. $30-$50. Info and tickets \u003ca href=\"http://www.stellartickets.com/events/the-golden-girls-live/the-golden-girls-live-the-christmas-episodes\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>‘\u003ca href=\"http://www.nctcsf.org/events/A-Mighty-Queer-Virtual-Variety-Show\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>A Mighty Queer Virtual Variety Show\u003c/strong>\u003c/a>‘\u003cbr>\nNew Conservatory Theatre Center\u003c/p>\n\u003cp>Poets, performance artists, drag stars and circus acts alike appear on the New Conservatory Theatre Center’s virtual stage. Wrangled by Epic Party Theatre’s Richard A. Mosqueda, and hosted by operatic drag diva Dusty Pörn, this festive holiday sampler will fill you with holiday cheer. With Azuah, SevanKelee Lucky 7 Boult, Baruch Porras Hernandez, SNJV, and aerialist Joey The Tiger.\u003c/p>\n\u003cp>\u003cem>Dec. 13–Jan. 3, on demand. $10-$40. Info and tickets \u003ca href=\"http://www.nctcsf.org/events/A-Mighty-Queer-Virtual-Variety-Show\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_13889789\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13889789\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-800x582.jpg\" alt=\"\" width=\"800\" height=\"582\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-800x582.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-768x559.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Santa Claus (Glen Micheletti) is here to save Christmas for you. \u003ccite>(JW Darwin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Home Alone\u003c/h2>\n\u003cp>\u003ca href=\"http://www.getsantaclaus.com\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Get Santa Claus\u003c/strong>\u003c/a>\u003cbr>\nGlen A. Micheletti\u003c/p>\n\u003cp>Worried about how the kiddies are going to get Santa their wishlist this year? Let expert magician and professional Santa Claus Glen A. Micheletti help. Like so many other performers, Santa Glen has developed ways to bring his act online, and offers personalized virtual visits for individual family units, large family “gatherings” and company ho-ho-holiday parties.\u003c/p>\n\u003cp>\u003cem>Rates start at $150 for one screen. Custom pricing and packages available for groups. Info and bookings\u003ca href=\"http://www.getsantaclaus.com\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.sfplayhouse.org/sfph/get-tickets\" rel=\"noopener noreferrer\" target=\"_blank\">The Jewelry Box\u003c/a>‘\u003c/strong>\u003cbr>\nSan Francisco Playhouse\u003c/p>\n\u003cp>If you’re one of the thousands of Bay Area denizens who’ve seen Brian Copeland’s \u003cem>Not a Genuine Black Man\u003c/em>, this holiday prequel is for you. A richly detailed portrait of Oakland city life as seen through the eyes of a six-year-old child on a quest to earn the perfect Christmas gift for his mother. Copeland’s performance is filmed live onstage at San Francisco Playhouse, and streamed on demand through Christmas Day.\u003c/p>\n\u003cp>\u003cem>Nov. 28–Dec. 25, 7pm. $15-$100. Info and tickets \u003ca href=\"http://www.sfplayhouse.org/sfph/get-tickets\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"https://cltc.org/tickets/\" rel=\"noopener noreferrer\" target=\"_blank\">A Christmas Carol\u003c/a>‘\u003c/strong>\u003cbr>\nCity Lights Theater Company\u003c/p>\n\u003cp>San Jose’s City Lights Theater Company has been finding all kinds of creative ways to keep active, as this solo performance of Charles Dickens’ \u003cem>A Christmas Carol\u003c/em> proves. Adapted and performed by prolific Bay Area actor and director Mark Anderson Phillips, this virtual tour de force will be mandatory viewing for those who enjoy their classics with a twist.\u003c/p>\n\u003cp>\u003cem>Dec. 15–Jan. 5, on demand. $10-$30 (or part of season pass). Info and tickets\u003ca href=\"https://cltc.org/tickets/\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13889791\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13889791\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-800x532.jpg\" alt=\"\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-1920x1278.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cast of ‘A Christmas Carol’ at A.C.T. in 2018. \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tradition, Tradition\u003c/h2>\n\u003cp>\u003cstrong>‘\u003ca href=\"https://secure.act-sf.org/events\" rel=\"noopener noreferrer\" target=\"_blank\">A Christmas Carol: On Air\u003c/a>‘\u003c/strong>\u003cbr>\nAmerican Conservatory Theater\u003c/p>\n\u003cp>This beloved staple of Bay Area holiday tradition gets a socially distanced makeover in the form of a radio play adaptation, helmed by Peter J. Kuo (who also directed this summer’s successful Zoom production of\u003ca href=\"https://www.kqed.org/arts/13885920/alls-fair-game-in-love-and-warcraft\"> \u003cem>In Love and Warcraft\u003c/em>\u003c/a>). Starring the redoubtable James Carpenter as Ebenezer Scrooge, this tale of Christmas spirit(s) continues to stand the test of time and circumstance.\u003c/p>\n\u003cp>\u003cem>Dec. 4–31, 6pm listening parties and on demand. $40–$60. Info and tickets\u003ca href=\"https://secure.act-sf.org/events\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.koshercomedy.com\" rel=\"noopener noreferrer\" target=\"_blank\">28th Annual Kung Pao Kosher Comedy\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Buckle up \u003cem>bubbeleh\u003c/em>. While gathering in restaurants in person may still be out of the question, there’s nothing stopping you from ordering up a few plates of Chinese food and hanging out with Lisa Geduldig and friends for the 28th annual Kung Pao Kosher Comedy show—the Christmas show by and for Jews. Featuring the award-winning talents of Judy Gold and Alex Edelman, and optional participant breakout rooms for schmoozing.\u003c/p>\n\u003cp>\u003cem>Dec. 24–26, times vary. Livestream. $25-$50. Info and tickets \u003ca href=\"http://www.CityBoxOffice.com/KungPao\">here.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.sfballet.org/productions/nutcracker-online/\" rel=\"noopener noreferrer\" target=\"_blank\">Nutcracker Online\u003c/a>‘\u003c/strong>\u003cbr>\nSan Francisco Ballet\u003c/p>\n\u003cp>The first U.S. company to perform the “full” version of \u003cem>Nutcracker\u003c/em>, in 1944, the San Francisco Ballet hosts an annual, all-ages fantasia that attracts some 75,000 audience members per year. This year, sugar plum lovers will be able to view a classic performance choreographed by Helgi Tomasson, \u003ca href=\"https://video.kqed.org/video/great-performances-san-francisco-ballets-nutcracker-preview\">and filmed by KQED in 2007\u003c/a>. Features the luminous Yuan Yuan Tan as the Snow Queen.\u003c/p>\n\u003cp>\u003cem>Nov. 27–Dec. 31. $49 for 48-hour access. Info and tickets \u003ca href=\"http://www.sfballet.org/productions/nutcracker-online/\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13816058\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-800x450.jpg\" alt=\"Kitka does its annual 'Wintersongs' tour around the Bay Area\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kitka does its annual ‘Wintersongs’ tour around the Bay Area. \u003ccite>(Photo: Tomas Pacha/Kitka )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Winter Wonderland\u003c/h2>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.kitka.org/wintersongs2020\" rel=\"noopener noreferrer\" target=\"_blank\">Wintersongs 2020\u003c/a>‘\u003c/strong>\u003cbr>\nKitka\u003c/p>\n\u003cp>Get into the fun tradition of counting down to Christmas with Kitka’s gift of \u003ca href=\"https://www.kqed.org/forum/2010101868688/live-performance-kitka-sings-wintersongs-of-eastern-europe\">Wintersong\u003c/a>. Each day until Dec. 31, this all-woman vocal ensemble—who specialize in excavating the traditional music of Eastern Europe and the Balkans—will release one new song online for all to enjoy, free of charge (donations accepted).\u003c/p>\n\u003cp>\u003cem>Through Dec. 31. Free. Info and songs \u003ca href=\"http://www.kitka.org/wintersongs2020\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"https://theatreworks.org/simplegifts/\" rel=\"noopener noreferrer\" target=\"_blank\">Simple Gifts\u003c/a>‘\u003c/strong>\u003cbr>\nTheatreWorks Silicon Valley\u003c/p>\n\u003cp>When Tim Bond took over the artistic leadership of TheatreWorks in July, he stepped into a season beset by unanticipated challenges from the pandemic shutdown of live theatre. With \u003cem>Simple Gifts\u003c/em>, he offers a welcome respite from the chaos, with a carefully chosen cast performing music from a diverse array of holiday traditions such as Kwanzaa, Christmas, Hanukkah, Noche Buena, Diwali and Las Posadas.\u003c/p>\n\u003cp>\u003cem>Dec. 10–28. Times vary. $10+. Info and tickets\u003ca href=\"https://theatreworks.org/simplegifts/\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://manualcinema.com/christmascarol\" rel=\"noopener noreferrer\" target=\"_blank\">A Christmas Carol\u003c/a>‘\u003c/strong>\u003cbr>\nManual Cinema\u003c/p>\n\u003cp>‘Tis the season to get Scrooged, and Manual Cinema’s original take on Dickens’ classic is poised to be one of this year’s most memorable. Created by Chicago-based Manual Cinema, who infuse their multimedia projects with elements of live performance, this daring adaptation includes shadow puppets, live actors, projections, immersive sound design and original music. Co-presented with Cal Performances for three nights (and other organizations from Dec. 3-20).\u003c/p>\n\u003cp>\u003cem>Dec. 17-19, times vary, livestream. Info and tickets\u003ca href=\"https://calperformances.org/events/2020-21/at-home/manual-cinema-a-christmas-carol/\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1204,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 39
},
"modified": 1705019786,
"excerpt": "Holiday traditions like 'Nutcracker' and 'A Christmas Carol' meet new, dynamic productions in our livestreamed theater roundup. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Holiday traditions like 'Nutcracker' and 'A Christmas Carol' meet new, dynamic productions in our livestreamed theater roundup. ",
"title": "The 12 Plays of Christmas: Or, How to Spend Your Winter Vacation | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The 12 Plays of Christmas: Or, How to Spend Your Winter Vacation",
"datePublished": "2020-12-02T13:11:02-08:00",
"dateModified": "2024-01-11T16:36:26-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-12-plays-of-christmas-or-how-to-spend-your-winter-vacation",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13889729/the-12-plays-of-christmas-or-how-to-spend-your-winter-vacation",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rejoice, rejoice. While being home for the holidays might seem like a redundant concept this year, you don’t have to spend them in total isolation. Here are 12 ways to give yourself the gift of a little escapist pleasure at the end of this unprecedented year while supporting the Bay Area’s heavily impacted performing arts.\u003c/p>\n\u003cfigure id=\"attachment_13889792\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13889792\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/TaylorMac_HolidaySauce_credit_LittleFang-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taylor Mac gets saucy with the holidays. \u003ccite>(Little Fang Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Don We Now Our Gay Apparel\u003c/h2>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://sfcurran.com/shows/taylor-mac-holiday-sauce-pandemic\" rel=\"noopener noreferrer\" target=\"_blank\">Holiday Sauce…Pandemic!\u003c/a>‘\u003c/strong>\u003cbr>\nCurran Theatre \u003c/p>\n\u003cp>Fans of full-spectrum spectacle need look no further than the works of MacArthur Fellow Taylor Mac, whose shows embody an expansive vision of queer abundance (and abundant queers). A regular visitor to the Bay Area, Mac first presented \u003cem>Holiday Sauce\u003c/em> on the Curran stage in 2018, a sumptuous romp through holiday memories and songs. All proceeds of this year’s virtual offering will go to \u003ca href=\"http://www.openhousesf.org\">Openhouse\u003c/a>, a local community resource for LGBTQ+ seniors.\u003c/p>\n\u003cp>\u003cem>Livestream Dec. 12 at 7pm only. On demand until Jan. 2. $10. Info and tickets\u003ca href=\"http://sfcurran.com/shows/taylor-mac-holiday-sauce-pandemic\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.stellartickets.com/events/the-golden-girls-live/the-golden-girls-live-the-christmas-episodes\" rel=\"noopener noreferrer\" target=\"_blank\">Golden Girls LIVE: Christmas Episodes\u003c/a>‘\u003c/strong>\u003cbr>\nSF Oasis\u003c/p>\n\u003cp>A beloved San Francisco holiday tradition, \u003cem>Golden Girls LIVE: Christmas Episodes\u003c/em> offers nostalgia, drag hilarity, and genuine heart all wrapped up in a Betty White-channeling bow. Co-starring Heklina (Dorothy), Matthew Martin (Blanche), D’Arcy Drollinger (Rose) and Holotta Tymes (Sophia) as our quirky quartet, this year’s episodes will be streamed live from SF Oasis headquarters, complete with a virtual sing-along and VIP meet-and-greet with the cast.\u003c/p>\n\u003cp>\u003cem>Dec. 17-20, times vary. $30-$50. Info and tickets \u003ca href=\"http://www.stellartickets.com/events/the-golden-girls-live/the-golden-girls-live-the-christmas-episodes\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>‘\u003ca href=\"http://www.nctcsf.org/events/A-Mighty-Queer-Virtual-Variety-Show\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>A Mighty Queer Virtual Variety Show\u003c/strong>\u003c/a>‘\u003cbr>\nNew Conservatory Theatre Center\u003c/p>\n\u003cp>Poets, performance artists, drag stars and circus acts alike appear on the New Conservatory Theatre Center’s virtual stage. Wrangled by Epic Party Theatre’s Richard A. Mosqueda, and hosted by operatic drag diva Dusty Pörn, this festive holiday sampler will fill you with holiday cheer. With Azuah, SevanKelee Lucky 7 Boult, Baruch Porras Hernandez, SNJV, and aerialist Joey The Tiger.\u003c/p>\n\u003cp>\u003cem>Dec. 13–Jan. 3, on demand. $10-$40. Info and tickets \u003ca href=\"http://www.nctcsf.org/events/A-Mighty-Queer-Virtual-Variety-Show\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_13889789\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13889789\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-800x582.jpg\" alt=\"\" width=\"800\" height=\"582\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-800x582.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist-768x559.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/SantaGlen_photocredit_courtesyoftheartist.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Santa Claus (Glen Micheletti) is here to save Christmas for you. \u003ccite>(JW Darwin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Home Alone\u003c/h2>\n\u003cp>\u003ca href=\"http://www.getsantaclaus.com\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Get Santa Claus\u003c/strong>\u003c/a>\u003cbr>\nGlen A. Micheletti\u003c/p>\n\u003cp>Worried about how the kiddies are going to get Santa their wishlist this year? Let expert magician and professional Santa Claus Glen A. Micheletti help. Like so many other performers, Santa Glen has developed ways to bring his act online, and offers personalized virtual visits for individual family units, large family “gatherings” and company ho-ho-holiday parties.\u003c/p>\n\u003cp>\u003cem>Rates start at $150 for one screen. Custom pricing and packages available for groups. Info and bookings\u003ca href=\"http://www.getsantaclaus.com\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.sfplayhouse.org/sfph/get-tickets\" rel=\"noopener noreferrer\" target=\"_blank\">The Jewelry Box\u003c/a>‘\u003c/strong>\u003cbr>\nSan Francisco Playhouse\u003c/p>\n\u003cp>If you’re one of the thousands of Bay Area denizens who’ve seen Brian Copeland’s \u003cem>Not a Genuine Black Man\u003c/em>, this holiday prequel is for you. A richly detailed portrait of Oakland city life as seen through the eyes of a six-year-old child on a quest to earn the perfect Christmas gift for his mother. Copeland’s performance is filmed live onstage at San Francisco Playhouse, and streamed on demand through Christmas Day.\u003c/p>\n\u003cp>\u003cem>Nov. 28–Dec. 25, 7pm. $15-$100. Info and tickets \u003ca href=\"http://www.sfplayhouse.org/sfph/get-tickets\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"https://cltc.org/tickets/\" rel=\"noopener noreferrer\" target=\"_blank\">A Christmas Carol\u003c/a>‘\u003c/strong>\u003cbr>\nCity Lights Theater Company\u003c/p>\n\u003cp>San Jose’s City Lights Theater Company has been finding all kinds of creative ways to keep active, as this solo performance of Charles Dickens’ \u003cem>A Christmas Carol\u003c/em> proves. Adapted and performed by prolific Bay Area actor and director Mark Anderson Phillips, this virtual tour de force will be mandatory viewing for those who enjoy their classics with a twist.\u003c/p>\n\u003cp>\u003cem>Dec. 15–Jan. 5, on demand. $10-$30 (or part of season pass). Info and tickets\u003ca href=\"https://cltc.org/tickets/\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13889791\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13889791\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-800x532.jpg\" alt=\"\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne-1920x1278.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/11/ACT_AChristmasCarol2018_photocredit_KevinBerne.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cast of ‘A Christmas Carol’ at A.C.T. in 2018. \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tradition, Tradition\u003c/h2>\n\u003cp>\u003cstrong>‘\u003ca href=\"https://secure.act-sf.org/events\" rel=\"noopener noreferrer\" target=\"_blank\">A Christmas Carol: On Air\u003c/a>‘\u003c/strong>\u003cbr>\nAmerican Conservatory Theater\u003c/p>\n\u003cp>This beloved staple of Bay Area holiday tradition gets a socially distanced makeover in the form of a radio play adaptation, helmed by Peter J. Kuo (who also directed this summer’s successful Zoom production of\u003ca href=\"https://www.kqed.org/arts/13885920/alls-fair-game-in-love-and-warcraft\"> \u003cem>In Love and Warcraft\u003c/em>\u003c/a>). Starring the redoubtable James Carpenter as Ebenezer Scrooge, this tale of Christmas spirit(s) continues to stand the test of time and circumstance.\u003c/p>\n\u003cp>\u003cem>Dec. 4–31, 6pm listening parties and on demand. $40–$60. Info and tickets\u003ca href=\"https://secure.act-sf.org/events\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.koshercomedy.com\" rel=\"noopener noreferrer\" target=\"_blank\">28th Annual Kung Pao Kosher Comedy\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Buckle up \u003cem>bubbeleh\u003c/em>. While gathering in restaurants in person may still be out of the question, there’s nothing stopping you from ordering up a few plates of Chinese food and hanging out with Lisa Geduldig and friends for the 28th annual Kung Pao Kosher Comedy show—the Christmas show by and for Jews. Featuring the award-winning talents of Judy Gold and Alex Edelman, and optional participant breakout rooms for schmoozing.\u003c/p>\n\u003cp>\u003cem>Dec. 24–26, times vary. Livestream. $25-$50. Info and tickets \u003ca href=\"http://www.CityBoxOffice.com/KungPao\">here.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.sfballet.org/productions/nutcracker-online/\" rel=\"noopener noreferrer\" target=\"_blank\">Nutcracker Online\u003c/a>‘\u003c/strong>\u003cbr>\nSan Francisco Ballet\u003c/p>\n\u003cp>The first U.S. company to perform the “full” version of \u003cem>Nutcracker\u003c/em>, in 1944, the San Francisco Ballet hosts an annual, all-ages fantasia that attracts some 75,000 audience members per year. This year, sugar plum lovers will be able to view a classic performance choreographed by Helgi Tomasson, \u003ca href=\"https://video.kqed.org/video/great-performances-san-francisco-ballets-nutcracker-preview\">and filmed by KQED in 2007\u003c/a>. Features the luminous Yuan Yuan Tan as the Snow Queen.\u003c/p>\n\u003cp>\u003cem>Nov. 27–Dec. 31. $49 for 48-hour access. Info and tickets \u003ca href=\"http://www.sfballet.org/productions/nutcracker-online/\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13816058\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-800x450.jpg\" alt=\"Kitka does its annual 'Wintersongs' tour around the Bay Area\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kitka-in-the-woods-e1511990404540.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kitka does its annual ‘Wintersongs’ tour around the Bay Area. \u003ccite>(Photo: Tomas Pacha/Kitka )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Winter Wonderland\u003c/h2>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://www.kitka.org/wintersongs2020\" rel=\"noopener noreferrer\" target=\"_blank\">Wintersongs 2020\u003c/a>‘\u003c/strong>\u003cbr>\nKitka\u003c/p>\n\u003cp>Get into the fun tradition of counting down to Christmas with Kitka’s gift of \u003ca href=\"https://www.kqed.org/forum/2010101868688/live-performance-kitka-sings-wintersongs-of-eastern-europe\">Wintersong\u003c/a>. Each day until Dec. 31, this all-woman vocal ensemble—who specialize in excavating the traditional music of Eastern Europe and the Balkans—will release one new song online for all to enjoy, free of charge (donations accepted).\u003c/p>\n\u003cp>\u003cem>Through Dec. 31. Free. Info and songs \u003ca href=\"http://www.kitka.org/wintersongs2020\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"https://theatreworks.org/simplegifts/\" rel=\"noopener noreferrer\" target=\"_blank\">Simple Gifts\u003c/a>‘\u003c/strong>\u003cbr>\nTheatreWorks Silicon Valley\u003c/p>\n\u003cp>When Tim Bond took over the artistic leadership of TheatreWorks in July, he stepped into a season beset by unanticipated challenges from the pandemic shutdown of live theatre. With \u003cem>Simple Gifts\u003c/em>, he offers a welcome respite from the chaos, with a carefully chosen cast performing music from a diverse array of holiday traditions such as Kwanzaa, Christmas, Hanukkah, Noche Buena, Diwali and Las Posadas.\u003c/p>\n\u003cp>\u003cem>Dec. 10–28. Times vary. $10+. Info and tickets\u003ca href=\"https://theatreworks.org/simplegifts/\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>‘\u003ca href=\"http://manualcinema.com/christmascarol\" rel=\"noopener noreferrer\" target=\"_blank\">A Christmas Carol\u003c/a>‘\u003c/strong>\u003cbr>\nManual Cinema\u003c/p>\n\u003cp>‘Tis the season to get Scrooged, and Manual Cinema’s original take on Dickens’ classic is poised to be one of this year’s most memorable. Created by Chicago-based Manual Cinema, who infuse their multimedia projects with elements of live performance, this daring adaptation includes shadow puppets, live actors, projections, immersive sound design and original music. Co-presented with Cal Performances for three nights (and other organizations from Dec. 3-20).\u003c/p>\n\u003cp>\u003cem>Dec. 17-19, times vary, livestream. Info and tickets\u003ca href=\"https://calperformances.org/events/2020-21/at-home/manual-cinema-a-christmas-carol/\"> here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13889729/the-12-plays-of-christmas-or-how-to-spend-your-winter-vacation",
"authors": [
"11497"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_968",
"arts_967"
],
"tags": [
"arts_1175",
"arts_4925",
"arts_2435",
"arts_3388",
"arts_879",
"arts_10278",
"arts_3247",
"arts_1815",
"arts_585"
],
"featImg": "arts_13889790",
"label": "arts_140"
},
"arts_13869783": {
"type": "posts",
"id": "arts_13869783",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869783",
"score": null,
"sort": [
1573614011000
]
},
"guestAuthors": [],
"slug": "theatreworks-silicon-valley-appoints-tim-bond-artistic-director",
"title": "TheatreWorks Silicon Valley Appoints Tim Bond Artistic Director",
"publishDate": 1573614011,
"format": "standard",
"headTitle": "TheatreWorks Silicon Valley Appoints Tim Bond Artistic Director | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>TheatreWorks Silicon Valley on Tuesday revealed Tim Bond as the successor to founding artistic director Robert Kelley, who’s led the Tony Award-winning outfit for the past 50 seasons. [aside postID=arts_13856208,arts_13851676,arts_13206427]\u003c/p>\n\u003cp>Bond, who officially begins in March, previously served as drama professor and head of the professional actor training program at the University of Washington following artistic direction roles at Oregon Shakespeare Festival and Seattle Group Theatre. \u003c/p>\n\u003cp>Decorated and in-demand as a director, teacher and organizational leader, Bond is also known as a prominent interpreter of the late playwright August Wilson and a promoter of inclusion and diversity in the theater world. \u003c/p>\n\u003cp>“I am thrilled to have the opportunity to continue Robert Kelley’s great work, and to lead this spirited company into its next exciting phase,” Bond said in a statement. \u003c/p>\n\u003cp>Roy Johnson, board chair of the company, in a statement noted Bond’s commitment to new works and diversity and inclusion. “We are confident he will honor the profound legacy of Robert Kelley, ensuring TheatreWorks continues the work Kelley began 50 years ago of presenting art that serves our community and contributes to the national theatre narrative,” Johnson said. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Kelley, who announced his retirement in 2017, founded TheatreWorks Silicon Valley in 1970 and oversaw its growth from a youth troupe to one of the region’s largest theater companies. He is believed to hold the record for the longest run as artistic director at a professional League of Resident Theatres member. Last year TheatreWorks Silicon Valley \u003ca href=\"https://www.kqed.org/arts/13856208/theatreworks-silicon-valley-to-receive-regional-theatre-tony-award\">received\u003c/a> the 2019 Regional Theatre Tony Award on the recommendation of the American Theatre Critics Association. \u003c/p>\n\u003cp>As KQED \u003ca href=\"https://www.kqed.org/arts/13206427/theatreworks-founder-robert-kelley-retires-after-50-years\">previously reported\u003c/a>, under Kelley’s leadership TheatreWorks has become a launchpad for national hits and young actors destined for Hollywood and Broadway. The company has some 40 staff members, more than 8,000 subscribers, an annual budget exceeding $8 million and a reputation for fostering new works by emerging artists. The nonprofit organization presents several productions each season at Mountain View and Palo Alto venues. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I don’t think the company could have made a better choice,” Kelley said of Bond in a statement. “A highly respected, nationally known director, Tim also has the personal qualities and values we have always treasured at TheatreWorks.” \u003c/p>\n\n",
"blocks": [],
"excerpt": "Bond replaces founding artistic director Robert Kelley at the Tony Award-winning company.",
"status": "publish",
"parent": 0,
"modified": 1726764914,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 391
},
"headData": {
"title": "TheatreWorks Silicon Valley Appoints Tim Bond Artistic Director | KQED",
"description": "Bond replaces founding artistic director Robert Kelley at the Tony Award-winning company.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "TheatreWorks Silicon Valley Appoints Tim Bond Artistic Director",
"datePublished": "2019-11-12T19:00:11-08:00",
"dateModified": "2024-09-19T09:55:14-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13869783/theatreworks-silicon-valley-appoints-tim-bond-artistic-director",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>TheatreWorks Silicon Valley on Tuesday revealed Tim Bond as the successor to founding artistic director Robert Kelley, who’s led the Tony Award-winning outfit for the past 50 seasons. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13856208,arts_13851676,arts_13206427",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bond, who officially begins in March, previously served as drama professor and head of the professional actor training program at the University of Washington following artistic direction roles at Oregon Shakespeare Festival and Seattle Group Theatre. \u003c/p>\n\u003cp>Decorated and in-demand as a director, teacher and organizational leader, Bond is also known as a prominent interpreter of the late playwright August Wilson and a promoter of inclusion and diversity in the theater world. \u003c/p>\n\u003cp>“I am thrilled to have the opportunity to continue Robert Kelley’s great work, and to lead this spirited company into its next exciting phase,” Bond said in a statement. \u003c/p>\n\u003cp>Roy Johnson, board chair of the company, in a statement noted Bond’s commitment to new works and diversity and inclusion. “We are confident he will honor the profound legacy of Robert Kelley, ensuring TheatreWorks continues the work Kelley began 50 years ago of presenting art that serves our community and contributes to the national theatre narrative,” Johnson said. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kelley, who announced his retirement in 2017, founded TheatreWorks Silicon Valley in 1970 and oversaw its growth from a youth troupe to one of the region’s largest theater companies. He is believed to hold the record for the longest run as artistic director at a professional League of Resident Theatres member. Last year TheatreWorks Silicon Valley \u003ca href=\"https://www.kqed.org/arts/13856208/theatreworks-silicon-valley-to-receive-regional-theatre-tony-award\">received\u003c/a> the 2019 Regional Theatre Tony Award on the recommendation of the American Theatre Critics Association. \u003c/p>\n\u003cp>As KQED \u003ca href=\"https://www.kqed.org/arts/13206427/theatreworks-founder-robert-kelley-retires-after-50-years\">previously reported\u003c/a>, under Kelley’s leadership TheatreWorks has become a launchpad for national hits and young actors destined for Hollywood and Broadway. The company has some 40 staff members, more than 8,000 subscribers, an annual budget exceeding $8 million and a reputation for fostering new works by emerging artists. The nonprofit organization presents several productions each season at Mountain View and Palo Alto venues. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I don’t think the company could have made a better choice,” Kelley said of Bond in a statement. “A highly respected, nationally known director, Tim also has the personal qualities and values we have always treasured at TheatreWorks.” \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869783/theatreworks-silicon-valley-appoints-tim-bond-artistic-director",
"authors": [
"11091"
],
"categories": [
"arts_1",
"arts_235",
"arts_967"
],
"tags": [
"arts_1118",
"arts_746",
"arts_596",
"arts_1072",
"arts_1815"
],
"featImg": "arts_13869791",
"label": "arts"
},
"arts_13864214": {
"type": "posts",
"id": "arts_13864214",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13864214",
"score": null,
"sort": [
1565898881000
]
},
"guestAuthors": [],
"slug": "the-do-list-aug-15-jacka-godspeed-you-black-emperor-pro-arts-39-steps",
"title": "The Do List: Listen to Our Weekend Picks for Aug. 15–22",
"publishDate": 1565898881,
"format": "audio",
"headTitle": "The Do List: Listen to Our Weekend Picks for Aug. 15–22 | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Godspeed You Black Emperor\u003c/strong>: Before a legion of mainstream copycats came along, this large collective pioneered the sprawling instrumental indie music you now hear in Hollywood movies and Nike commercials, recording cassettes on tiny labels and selling anarchist literature at their shows. Their shows are always at beautiful venues when they’re in the Bay Area, and this show is no exception: it’s at the 98-year-old Castro Theater in San Francisco on Sunday, Aug. 18. \u003ca href=\"http://folkyeah.com/godspeed-you-black-emperor-san-francisco-2019\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>The Jacka ‘Tear Gas’ Tribute Show\u003c/strong>: For the ten-year anniversary of The Jacka’s classic \u003cem>Tear Gas\u003c/em> album, a wild lineup of former collaborators pay tribute, including Andre Nickatina, Freeway, J. Stalin, Paul Wall and pretty much the rest of his old group Mob Figaz. The Jacka was killed in Oakland in 2015, and really, the memorials haven’t stopped since. This one’s special, on Thursday, Aug. 15, at the (\u003ca href=\"https://www.kqed.org/arts/13845305/san-francisco-nightclub-mezzanine-will-close-in-2019-after-16-years\" rel=\"noopener\" target=\"_blank\">soon-to-be-office-space\u003c/a>) Mezzanine in San Francisco. \u003ca href=\"https://mezzaninesf.com/events/tear-gas-the-jacka-tribute-show/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘The 39 Steps’\u003c/strong>: For this masterful adaptation of the Alfred Hitchcock film, the cast is just four people, playing multiple parts in a frenzied, madcap fashion. It’s not at all like the suspense-filled movie, and that’s the point; it’s played in London for years to rave reviews. Here, it’s presented in the Bay Area by TheatreWorks Silicon Valley, who earlier this year won the \u003ca href=\"https://www.kqed.org/arts/13856208/theatreworks-silicon-valley-to-receive-regional-theatre-tony-award\" rel=\"noopener\" target=\"_blank\">Tony Award for Best Regional Theater Company\u003c/a>. It opens Wednesday, Aug. 21, and runs through Sept. 22, at the Mountain View Center for the Performing Arts. \u003ca href=\"https://theatreworks.org/201920-season/the-39-steps/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Festival of Infinite Imagination\u003c/strong>: Pro Arts, the gallery in downtown Oakland, has become a really vital venue for experimental music lately, and it hosts this three-day festival presented by the Topsy Turvy Queer Circus, led by India Sky Davis. It features the work of six black queer and transgender artists, including the singer Spellling, who’s premiering a brand new performance-slash-installation piece called “The Spider Heart.” It runs runs Thursday, Friday and Saturday, Aug. 15–17, both inside Pro Arts gallery and outdoors in Frank Ogawa Plaza. \u003ca href=\"https://www.eventbrite.com/e/topsy-turvy-presents-festival-of-infinite-imagination-tickets-66016975551\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Wayne Hancock\u003c/strong>: Country music is in the air: We have “Old Town Road” topping the charts for 19 weeks in a row, pop stars are wearing cowboy hats left & right. But if you want the real deal? You’ll want to check out Wayne Hancock, who’s more Hank Williams than Hank Williams Jr., and who’s been on a tour of juke joints and old saloons since the 1990s. He’s in Santa Rosa this week, playing a free show in the scenic backyard of the radio station KRSH on Thursday, Aug. 22. \u003ca href=\"https://www.krsh.com/event/wayne-the-train-hancock-at-the-krush-backyard/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n",
"blocks": [],
"excerpt": "This week, we're talking about The Jacka, 'The 39 Steps,' Godspeed You Black Emperor, the Festival of Infinite Imagination and more. ",
"status": "publish",
"parent": 0,
"modified": 1726766352,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 9,
"wordCount": 520
},
"headData": {
"title": "The Do List: Listen to Our Weekend Picks for Aug. 15–22 | KQED",
"description": "This week, we're talking about The Jacka, 'The 39 Steps,' Godspeed You Black Emperor, the Festival of Infinite Imagination and more. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Do List: Listen to Our Weekend Picks for Aug. 15–22",
"datePublished": "2019-08-15T12:54:41-07:00",
"dateModified": "2024-09-19T10:19:12-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://ww2.kqed.org/podcasts/wp-content/uploads/sites/77/2019/08/The-Do-List-for-Thursday-August-15-Sunday-August-18-2019-mix2.mp3",
"sticky": false,
"audioTrackLength": 273,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13864214/the-do-list-aug-15-jacka-godspeed-you-black-emperor-pro-arts-39-steps",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Godspeed You Black Emperor\u003c/strong>: Before a legion of mainstream copycats came along, this large collective pioneered the sprawling instrumental indie music you now hear in Hollywood movies and Nike commercials, recording cassettes on tiny labels and selling anarchist literature at their shows. Their shows are always at beautiful venues when they’re in the Bay Area, and this show is no exception: it’s at the 98-year-old Castro Theater in San Francisco on Sunday, Aug. 18. \u003ca href=\"http://folkyeah.com/godspeed-you-black-emperor-san-francisco-2019\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>The Jacka ‘Tear Gas’ Tribute Show\u003c/strong>: For the ten-year anniversary of The Jacka’s classic \u003cem>Tear Gas\u003c/em> album, a wild lineup of former collaborators pay tribute, including Andre Nickatina, Freeway, J. Stalin, Paul Wall and pretty much the rest of his old group Mob Figaz. The Jacka was killed in Oakland in 2015, and really, the memorials haven’t stopped since. This one’s special, on Thursday, Aug. 15, at the (\u003ca href=\"https://www.kqed.org/arts/13845305/san-francisco-nightclub-mezzanine-will-close-in-2019-after-16-years\" rel=\"noopener\" target=\"_blank\">soon-to-be-office-space\u003c/a>) Mezzanine in San Francisco. \u003ca href=\"https://mezzaninesf.com/events/tear-gas-the-jacka-tribute-show/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘The 39 Steps’\u003c/strong>: For this masterful adaptation of the Alfred Hitchcock film, the cast is just four people, playing multiple parts in a frenzied, madcap fashion. It’s not at all like the suspense-filled movie, and that’s the point; it’s played in London for years to rave reviews. Here, it’s presented in the Bay Area by TheatreWorks Silicon Valley, who earlier this year won the \u003ca href=\"https://www.kqed.org/arts/13856208/theatreworks-silicon-valley-to-receive-regional-theatre-tony-award\" rel=\"noopener\" target=\"_blank\">Tony Award for Best Regional Theater Company\u003c/a>. It opens Wednesday, Aug. 21, and runs through Sept. 22, at the Mountain View Center for the Performing Arts. \u003ca href=\"https://theatreworks.org/201920-season/the-39-steps/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Festival of Infinite Imagination\u003c/strong>: Pro Arts, the gallery in downtown Oakland, has become a really vital venue for experimental music lately, and it hosts this three-day festival presented by the Topsy Turvy Queer Circus, led by India Sky Davis. It features the work of six black queer and transgender artists, including the singer Spellling, who’s premiering a brand new performance-slash-installation piece called “The Spider Heart.” It runs runs Thursday, Friday and Saturday, Aug. 15–17, both inside Pro Arts gallery and outdoors in Frank Ogawa Plaza. \u003ca href=\"https://www.eventbrite.com/e/topsy-turvy-presents-festival-of-infinite-imagination-tickets-66016975551\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Wayne Hancock\u003c/strong>: Country music is in the air: We have “Old Town Road” topping the charts for 19 weeks in a row, pop stars are wearing cowboy hats left & right. But if you want the real deal? You’ll want to check out Wayne Hancock, who’s more Hank Williams than Hank Williams Jr., and who’s been on a tour of juke joints and old saloons since the 1990s. He’s in Santa Rosa this week, playing a free show in the scenic backyard of the radio station KRSH on Thursday, Aug. 22. \u003ca href=\"https://www.krsh.com/event/wayne-the-train-hancock-at-the-krush-backyard/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13864214/the-do-list-aug-15-jacka-godspeed-you-black-emperor-pro-arts-39-steps",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_966",
"arts_69",
"arts_235",
"arts_967"
],
"tags": [
"arts_3670",
"arts_1707",
"arts_1118",
"arts_3649",
"arts_831",
"arts_1815"
],
"featImg": "arts_13864229",
"label": "arts_140"
},
"arts_13857555": {
"type": "posts",
"id": "arts_13857555",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857555",
"score": null,
"sort": [
1558184408000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1558184408,
"format": "standard",
"title": "'Silent Sky' Shines a Spotlight on a Woman in Love with Astronomy",
"headTitle": "‘Silent Sky’ Shines a Spotlight on a Woman in Love with Astronomy | KQED",
"content": "\u003cp>Which is worse? To have your work minimized as boring and routine? Or trumpeted to the heavens but the credit hogged by the man you work for? These narratives are sadly common when you look at the history of women in science — but they make for good theater, as in the play \u003ca href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">\u003cem>Silent Sky\u003c/em>\u003c/a> in San Jose.\u003ci>\u003c/i>\u003c/p>\n\u003cp>The play focuses on a woman named Henrietta Swan Leavitt, whose work laid the ground for later revelations, like the idea the universe is much bigger than our little solar system.\u003c/p>\n\u003cp>When the Harvard Observatory hired her at the turn of the 20th century, women weren’t allowed to look through its telescopes. The delicate dears might catch a chill in the evening air. Also, they could be paid a whole lot less than men.\u003c/p>\n\u003cp>Leavitt and other “computers,” as female mathematicians were called then, volunteered or worked for 30 cents an hour cataloguing the brightness of stars on photographic plates taken by astronomer Edward Charles Pickering. But Leavitt, looking down at those plates of Cepheid variable stars, had an a-ha moment. Well, two of them, really.\u003c/p>\n\u003cp>The brightness of these “variable” stars varies, from day to day or week to week. Leavitt figured out that the longer a star took to change brightness, the brighter it actually was. So, if a star took a longer time to change brightness than others but didn’t appear brighter, it must be farther away.\u003c/p>\n\u003cfigure id=\"attachment_13857560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857560\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-800x1200.jpg\" alt=\"Three pioneering woman astronomers at work in the Harvard Observatory: from left, Williamina Fleming (Karen DeHart), Henrietta Leavitt (Maria Giere Marquis) and Annie Jump Cannon (April Green). \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut.jpg 1365w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Three pioneering woman astronomers at work in the Harvard Observatory: from left, Williamina Fleming (Karen DeHart), Henrietta Leavitt (Maria Giere Marquis) and Annie Jump Cannon (April Green). \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Looking at a clutch of these stars in the same astronomic neighborhood, the Magellanic Clouds, she came to another conclusion: if one star looked much brighter than another, it was probably brighter. Together, these observations help astronomers figure out relative distances between stars and the Earth.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“If you know how quickly the star is changing brightness, you can actually measure its distance. It helped us establish the size and scale of the universe,” said \u003ca href=\"http://www.ucolick.org/~egates/\" target=\"_blank\" rel=\"noopener\">Elinor Gates\u003c/a> of Lick Observatory was a local science consultant for the City Lights production of Silent Sky, written by \u003ca href=\"http://laurengunderson.com\" target=\"_blank\" rel=\"noopener\">Lauren Gunderson\u003c/a> of San Francisco.\u003c/p>\n\u003cp>Gunderson has a taste for science and a habit of profiling women under-represented in history. Leavitt, she said, was an obvious choice. “Her story is a beautiful one. Her scientific discovery is profound. She really had a major impact. It was a real pleasure and an honor to tell her story,” Gunderson said.\u003c/p>\n\u003cp>\u003cem>Silent Sky\u003c/em> has been making the rounds of small community theaters around the country since its publication in 2010. It debuted in the Bay Area in \u003ca href=\"https://www.kqed.org/arts/129311/seeking-answers-in-a-silent-sky\" target=\"_blank\" rel=\"noopener\">2014\u003c/a> with a \u003ca href=\"https://theatreworks.org\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a> production.\u003c/p>\n\u003cp>Science and Leavitt’s love for it may be at the heart of the play, but Gunderson externalizes what could be a quiet internal drama by exploring Leavitt’s relationships with family and colleagues.\u003c/p>\n\u003cfigure id=\"attachment_13857562\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857562\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-800x585.jpeg\" alt=\""Pickering's Harem," so-called, for the group of women computers at the Harvard College Observatory, who worked for the astronomer Edward Charles Pickering. The group included Henrietta Swan Leavitt, Annie Jump Cannon, and Williamina Fleming.\" width=\"800\" height=\"585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-800x585.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-160x117.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-768x562.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-1020x746.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-1200x878.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers.jpeg 1762w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Pickering’s Harem,” so-called, for the group of women computers at the Harvard College Observatory, who worked for the astronomer Edward Charles Pickering. The group included Henrietta Swan Leavitt, Annie Jump Cannon, and Williamina Fleming. \u003ccite>(Photo: Courtesy of Harvard College Observatory)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Married sister Margaret provides a convenient Victorian Era counterpoint, content to keep to the domestic sphere as society expected at the time.\u003c/p>\n\u003cp>Wisecracking buddies Williamina Fleming and Annie Jump Cannon stand in for the team of Harvard computers Leavitt worked with. Of course, Fleming and Cannon were accomplished astronomers as well, stultified in many of the same ways. The Harvard Computers in that room you see pictured above were full of scientific talent, and if they weren’t respected properly, they were surrounded by data they could use.\u003c/p>\n\u003cp>In real life, Cannon shares credit with Pickering for designing the Harvard Classification Scheme, the first serious attempt to classify stars based on their temperatures and spectral types. Fleming, who first came to Harvard to work as a maid, is best known now for her discovery of the Horsehead Nebula in 1888.\u003c/p>\n\u003cp>“It’s not actually the story of one incredible woman. It’s the story of four!” said Gunderson. “I’m inspired because it’s a true story. They were doing this menial work, but even so, they discovered things that changed the course of astronomy.”\u003c/p>\n\u003cp>“It’s about all of these people who are just so hungry for the truth,” said actress \u003ca href=\"http://www.mariagmarquis.com\" target=\"_blank\" rel=\"noopener\">Maria Marquis\u003c/a>, who plays Leavitt. Her favorite line in the play? “The real point is seeing something bigger, and knowing you’re a small part of it, if you’re lucky. In the end, that is a life well lived.”\u003c/p>\n\u003cfigure id=\"attachment_13857559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857559\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-800x533.jpg\" alt=\"For women in the early 1900s, balancing career and family was never easy. Here, Henrietta's (Maria Giere Marquis, left) relationship with her sister Margaret (Jessica Whittemore) has become strained.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">For women in the early 1900s, balancing career and family was never easy. Here, Henrietta’s (Maria Giere Marquis, left) relationship with her sister Margaret (Jessica Whittemore) has become strained. \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[aside postID='arts_13853573,forum_2010101864798,news_10342438' label='Related Coverage']Marquis is a stand in for all of us who admire astronomy from a distance. “If you talk to astronomers, they all know who [Leavitt] is. But we aren’t taught about her at all. So I did a bunch of research then, after being cast, and was like, ‘Why are we not yelling her name from the rooftops?’”\u003c/p>\n\u003cp>Leavitt did publish her findings, and her name was on those papers, but their importance didn’t become clear to the world until years later, when Edwin Hubble used her work to show how the universe is expanding.\u003c/p>\n\u003cp>Hubble often said Leavitt deserved a Nobel Prize for her work, but even though he was a nominator on the Nobel committee, it was Swedish mathematician Gustaf Mittag-Leffler who tried to nominate Leavitt in 1924. He was too late. Leavitt died in 1921, and Nobel Prizes can’t be awarded posthumously.\u003c/p>\n\u003cp>She never got proper credit during her lifetime, but Leavitt’s work lit the way for later discoveries. It would take decades for the rest of the world to catch up to a woman with an irrepressible passion for astronomy.\u003c/p>\n\u003cp>\u003cem>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Silent Sky \u003c/strong>runs May 16 – June 16, 2019 at City Lights Theater Company in San Jose. For more information, click \u003ca href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1090,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1705026191,
"excerpt": "San Francisco playwright Lauren Gunderson resurrects the story of a trailblazing astronomer and her cohort.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "San Francisco playwright Lauren Gunderson resurrects the story of a trailblazing astronomer and her cohort.",
"title": "'Silent Sky' Shines a Spotlight on a Woman in Love with Astronomy | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Silent Sky' Shines a Spotlight on a Woman in Love with Astronomy",
"datePublished": "2019-05-18T06:00:08-07:00",
"dateModified": "2024-01-11T18:23:11-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy",
"status": "publish",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/2019/05/SilentSky.mp3",
"sticky": false,
"audioTrackLength": 104,
"path": "/arts/13857555/silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Which is worse? To have your work minimized as boring and routine? Or trumpeted to the heavens but the credit hogged by the man you work for? These narratives are sadly common when you look at the history of women in science — but they make for good theater, as in the play \u003ca href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">\u003cem>Silent Sky\u003c/em>\u003c/a> in San Jose.\u003ci>\u003c/i>\u003c/p>\n\u003cp>The play focuses on a woman named Henrietta Swan Leavitt, whose work laid the ground for later revelations, like the idea the universe is much bigger than our little solar system.\u003c/p>\n\u003cp>When the Harvard Observatory hired her at the turn of the 20th century, women weren’t allowed to look through its telescopes. The delicate dears might catch a chill in the evening air. Also, they could be paid a whole lot less than men.\u003c/p>\n\u003cp>Leavitt and other “computers,” as female mathematicians were called then, volunteered or worked for 30 cents an hour cataloguing the brightness of stars on photographic plates taken by astronomer Edward Charles Pickering. But Leavitt, looking down at those plates of Cepheid variable stars, had an a-ha moment. Well, two of them, really.\u003c/p>\n\u003cp>The brightness of these “variable” stars varies, from day to day or week to week. Leavitt figured out that the longer a star took to change brightness, the brighter it actually was. So, if a star took a longer time to change brightness than others but didn’t appear brighter, it must be farther away.\u003c/p>\n\u003cfigure id=\"attachment_13857560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857560\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-800x1200.jpg\" alt=\"Three pioneering woman astronomers at work in the Harvard Observatory: from left, Williamina Fleming (Karen DeHart), Henrietta Leavitt (Maria Giere Marquis) and Annie Jump Cannon (April Green). \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37167_citylights_silentsky_astronomers-qut.jpg 1365w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Three pioneering woman astronomers at work in the Harvard Observatory: from left, Williamina Fleming (Karen DeHart), Henrietta Leavitt (Maria Giere Marquis) and Annie Jump Cannon (April Green). \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Looking at a clutch of these stars in the same astronomic neighborhood, the Magellanic Clouds, she came to another conclusion: if one star looked much brighter than another, it was probably brighter. Together, these observations help astronomers figure out relative distances between stars and the Earth.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If you know how quickly the star is changing brightness, you can actually measure its distance. It helped us establish the size and scale of the universe,” said \u003ca href=\"http://www.ucolick.org/~egates/\" target=\"_blank\" rel=\"noopener\">Elinor Gates\u003c/a> of Lick Observatory was a local science consultant for the City Lights production of Silent Sky, written by \u003ca href=\"http://laurengunderson.com\" target=\"_blank\" rel=\"noopener\">Lauren Gunderson\u003c/a> of San Francisco.\u003c/p>\n\u003cp>Gunderson has a taste for science and a habit of profiling women under-represented in history. Leavitt, she said, was an obvious choice. “Her story is a beautiful one. Her scientific discovery is profound. She really had a major impact. It was a real pleasure and an honor to tell her story,” Gunderson said.\u003c/p>\n\u003cp>\u003cem>Silent Sky\u003c/em> has been making the rounds of small community theaters around the country since its publication in 2010. It debuted in the Bay Area in \u003ca href=\"https://www.kqed.org/arts/129311/seeking-answers-in-a-silent-sky\" target=\"_blank\" rel=\"noopener\">2014\u003c/a> with a \u003ca href=\"https://theatreworks.org\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a> production.\u003c/p>\n\u003cp>Science and Leavitt’s love for it may be at the heart of the play, but Gunderson externalizes what could be a quiet internal drama by exploring Leavitt’s relationships with family and colleagues.\u003c/p>\n\u003cfigure id=\"attachment_13857562\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857562\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-800x585.jpeg\" alt=\""Pickering's Harem," so-called, for the group of women computers at the Harvard College Observatory, who worked for the astronomer Edward Charles Pickering. The group included Henrietta Swan Leavitt, Annie Jump Cannon, and Williamina Fleming.\" width=\"800\" height=\"585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-800x585.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-160x117.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-768x562.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-1020x746.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers-1200x878.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Astronomer_Edward_Charles_Pickerings_Harvard_computers.jpeg 1762w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Pickering’s Harem,” so-called, for the group of women computers at the Harvard College Observatory, who worked for the astronomer Edward Charles Pickering. The group included Henrietta Swan Leavitt, Annie Jump Cannon, and Williamina Fleming. \u003ccite>(Photo: Courtesy of Harvard College Observatory)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Married sister Margaret provides a convenient Victorian Era counterpoint, content to keep to the domestic sphere as society expected at the time.\u003c/p>\n\u003cp>Wisecracking buddies Williamina Fleming and Annie Jump Cannon stand in for the team of Harvard computers Leavitt worked with. Of course, Fleming and Cannon were accomplished astronomers as well, stultified in many of the same ways. The Harvard Computers in that room you see pictured above were full of scientific talent, and if they weren’t respected properly, they were surrounded by data they could use.\u003c/p>\n\u003cp>In real life, Cannon shares credit with Pickering for designing the Harvard Classification Scheme, the first serious attempt to classify stars based on their temperatures and spectral types. Fleming, who first came to Harvard to work as a maid, is best known now for her discovery of the Horsehead Nebula in 1888.\u003c/p>\n\u003cp>“It’s not actually the story of one incredible woman. It’s the story of four!” said Gunderson. “I’m inspired because it’s a true story. They were doing this menial work, but even so, they discovered things that changed the course of astronomy.”\u003c/p>\n\u003cp>“It’s about all of these people who are just so hungry for the truth,” said actress \u003ca href=\"http://www.mariagmarquis.com\" target=\"_blank\" rel=\"noopener\">Maria Marquis\u003c/a>, who plays Leavitt. Her favorite line in the play? “The real point is seeing something bigger, and knowing you’re a small part of it, if you’re lucky. In the end, that is a life well lived.”\u003c/p>\n\u003cfigure id=\"attachment_13857559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857559\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-800x533.jpg\" alt=\"For women in the early 1900s, balancing career and family was never easy. Here, Henrietta's (Maria Giere Marquis, left) relationship with her sister Margaret (Jessica Whittemore) has become strained.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37170_citylights_silentsky_mariagieremarquis_jessicawhittemore_hug-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">For women in the early 1900s, balancing career and family was never easy. Here, Henrietta’s (Maria Giere Marquis, left) relationship with her sister Margaret (Jessica Whittemore) has become strained. \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13853573,forum_2010101864798,news_10342438",
"label": "Related Coverage "
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Marquis is a stand in for all of us who admire astronomy from a distance. “If you talk to astronomers, they all know who [Leavitt] is. But we aren’t taught about her at all. So I did a bunch of research then, after being cast, and was like, ‘Why are we not yelling her name from the rooftops?’”\u003c/p>\n\u003cp>Leavitt did publish her findings, and her name was on those papers, but their importance didn’t become clear to the world until years later, when Edwin Hubble used her work to show how the universe is expanding.\u003c/p>\n\u003cp>Hubble often said Leavitt deserved a Nobel Prize for her work, but even though he was a nominator on the Nobel committee, it was Swedish mathematician Gustaf Mittag-Leffler who tried to nominate Leavitt in 1924. He was too late. Leavitt died in 1921, and Nobel Prizes can’t be awarded posthumously.\u003c/p>\n\u003cp>She never got proper credit during her lifetime, but Leavitt’s work lit the way for later discoveries. It would take decades for the rest of the world to catch up to a woman with an irrepressible passion for astronomy.\u003c/p>\n\u003cp>\u003cem>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Silent Sky \u003c/strong>runs May 16 – June 16, 2019 at City Lights Theater Company in San Jose. For more information, click \u003ca href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857555/silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy",
"authors": [
"251"
],
"categories": [
"arts_235",
"arts_967"
],
"tags": [
"arts_3343",
"arts_1118",
"arts_596",
"arts_4642",
"arts_1084",
"arts_1072",
"arts_1815"
],
"featImg": "arts_13857558",
"label": "arts"
},
"arts_13856208": {
"type": "posts",
"id": "arts_13856208",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13856208",
"score": null,
"sort": [
1556565000000
]
},
"guestAuthors": [],
"slug": "theatreworks-silicon-valley-to-receive-regional-theatre-tony-award",
"title": "TheatreWorks Silicon Valley to Receive Regional Theatre Tony Award",
"publishDate": 1556565000,
"format": "standard",
"headTitle": "TheatreWorks Silicon Valley to Receive Regional Theatre Tony Award | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The Tony Awards announced Monday that TheatreWorks Silicon Valley will receive the 2019 Regional Theatre Tony Award on the recommendation of the American Theatre Critics Association.\u003c/p>\n\u003cp>The non-competitive honorary award, which generally recognizes excellence in incubating new productions, includes a $25,000 grant. The news comes as Robert Kelley, TheatreWorks’ founding artistic director, launches his 50th and final season with the company he created as a new Stanford University graduate in 1970.\u003c/p>\n\u003cp>[aside tag='theatreworks-silicon-valley' label='TheatreWorks Silicon Valley']\u003c/p>\n\u003cp>“I can think of no better way to begin TheatreWorks’s 50th Anniversary Season than with this highest honor, a testament to the passion and imaginative spirit of the artists whose work has been presented on TheatreWorks’s stages,” Kelley said in a statement. “There is a joy here, a warmth to the creative process that many have found inspiring. For me, that joy has been worth a lifetime.” \u003c/p>\n\u003cp>In a joint statement, Broadway League president Charlotte St. Martin and American Theatre Wing president Heather Hitchens lauded TheatreWorks for celebrating the human spirit. \u003c/p>\n\u003cp>“They have helped develop hundreds of vibrant new plays and musicals that are now being performed in theaters across America, and they have pioneered education programs that inspire thousands of students each year, creating future generations of creative artists and enthusiastic audiences,” said St. Martin and Hitchens. \u003c/p>\n\u003cp>\u003ca href=\"https://www.theatreworks.org/\">TheatreWorks Silicon Valley\u003c/a> produced 13 wholly original works in its first three years, staging them in unconventional venues, including warehouses, basements and a parking garage. The company developed a reputation for diverse programming and savvy use of a limited budget.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As the organization grew, it continued to stress new works by emerging artists, staging smaller productions alongside its main season. In the 1990s, TheatreWorks started producing shows at the Mountain View Center for the Performing Arts as well as the Lucie Stern Theatre in Palo Alto, and opened a new black-box theatre at the Cubberley Center.\u003c/p>\n\u003cp>Today, the organization is one of California’s largest theaters, with 40 staff members, more than 8,000 subscribers and an annual budget exceeding $8 million. Its New Works Initiative, which includes an annual writers’ retreat and festival, is central to the organization’s identity. \u003c/p>\n\u003cp>TheatreWorks Silicon Valley is the first Bay Area company to receive the Regional Theatre Tony Award since Berkeley Repertory Theatre, in 1997. Last year the award went to La MaMa Experimental Theatre Club, an Off-Off-Broadway theatre in New York city. \u003c/p>\n\u003cp>The Tony Awards will broadcast live from Radio City Music Hall in New York City on Sunday, June 9. \u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The prestigious award—the first for a Bay Area theater company in over 20 years—comes with a $25,000 grant.",
"status": "publish",
"parent": 0,
"modified": 1726704689,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 439
},
"headData": {
"title": "TheatreWorks Silicon Valley to Receive Regional Theatre Tony Award | KQED",
"description": "The prestigious award—the first for a Bay Area theater company in over 20 years—comes with a $25,000 grant.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "TheatreWorks Silicon Valley to Receive Regional Theatre Tony Award",
"datePublished": "2019-04-29T12:10:00-07:00",
"dateModified": "2024-09-18T17:11:29-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13856208/theatreworks-silicon-valley-to-receive-regional-theatre-tony-award",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Tony Awards announced Monday that TheatreWorks Silicon Valley will receive the 2019 Regional Theatre Tony Award on the recommendation of the American Theatre Critics Association.\u003c/p>\n\u003cp>The non-competitive honorary award, which generally recognizes excellence in incubating new productions, includes a $25,000 grant. The news comes as Robert Kelley, TheatreWorks’ founding artistic director, launches his 50th and final season with the company he created as a new Stanford University graduate in 1970.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"tag": "theatreworks-silicon-valley",
"label": "TheatreWorks Silicon Valley "
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I can think of no better way to begin TheatreWorks’s 50th Anniversary Season than with this highest honor, a testament to the passion and imaginative spirit of the artists whose work has been presented on TheatreWorks’s stages,” Kelley said in a statement. “There is a joy here, a warmth to the creative process that many have found inspiring. For me, that joy has been worth a lifetime.” \u003c/p>\n\u003cp>In a joint statement, Broadway League president Charlotte St. Martin and American Theatre Wing president Heather Hitchens lauded TheatreWorks for celebrating the human spirit. \u003c/p>\n\u003cp>“They have helped develop hundreds of vibrant new plays and musicals that are now being performed in theaters across America, and they have pioneered education programs that inspire thousands of students each year, creating future generations of creative artists and enthusiastic audiences,” said St. Martin and Hitchens. \u003c/p>\n\u003cp>\u003ca href=\"https://www.theatreworks.org/\">TheatreWorks Silicon Valley\u003c/a> produced 13 wholly original works in its first three years, staging them in unconventional venues, including warehouses, basements and a parking garage. The company developed a reputation for diverse programming and savvy use of a limited budget.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As the organization grew, it continued to stress new works by emerging artists, staging smaller productions alongside its main season. In the 1990s, TheatreWorks started producing shows at the Mountain View Center for the Performing Arts as well as the Lucie Stern Theatre in Palo Alto, and opened a new black-box theatre at the Cubberley Center.\u003c/p>\n\u003cp>Today, the organization is one of California’s largest theaters, with 40 staff members, more than 8,000 subscribers and an annual budget exceeding $8 million. Its New Works Initiative, which includes an annual writers’ retreat and festival, is central to the organization’s identity. \u003c/p>\n\u003cp>TheatreWorks Silicon Valley is the first Bay Area company to receive the Regional Theatre Tony Award since Berkeley Repertory Theatre, in 1997. Last year the award went to La MaMa Experimental Theatre Club, an Off-Off-Broadway theatre in New York city. \u003c/p>\n\u003cp>The Tony Awards will broadcast live from Radio City Music Hall in New York City on Sunday, June 9. \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13856208/theatreworks-silicon-valley-to-receive-regional-theatre-tony-award",
"authors": [
"11091"
],
"categories": [
"arts_1",
"arts_235",
"arts_967"
],
"tags": [
"arts_746",
"arts_596",
"arts_1815",
"arts_5092"
],
"featImg": "arts_13849361",
"label": "arts"
},
"arts_13851676": {
"type": "posts",
"id": "arts_13851676",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13851676",
"score": null,
"sort": [
1551362426000
]
},
"guestAuthors": [],
"slug": "theatreworks-silicon-valley-tackles-slings-arrows-of-childhood-with-oskar",
"title": "TheatreWorks Silicon Valley Tackles Slings & Arrows of Childhood With ‘Oskar’",
"publishDate": 1551362426,
"format": "audio",
"headTitle": "TheatreWorks Silicon Valley Tackles Slings & Arrows of Childhood With ‘Oskar’ | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>This week marks the start of this year’s season of \u003ca href=\"https://www.theatreworks.org/education/oskar/\" target=\"_blank\" rel=\"noopener\">\u003cem>Oskar\u003c/em>\u003c/a> in schools, community centers and hospitals around the Bay Area. \u003ca href=\"https://www.theatreworks.org/\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a> tours with a short list of plays especially focused on the challenges of being a kid today. \u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003cem>Oskar and the Last Straw\u003c/em>, for instance, is about a 10 year-old lugging around what appears to be the biggest backpack known to humankind. He’s got too much to do this week: school, soccer practice, ukulele lessons, buy a present for his friend Molly’s birthday, memorize songs for Mikey’s rock concert, and deal with the pressures of mass media. “Whatever that means!” his friends on stage yell periodically.\u003c/p>\n\u003cp>When a proverbial last straw is added to his pack, Oskar falls over and can’t get up. It may sound a little silly, but the idea behind “drama therapy” — as plays like this one are called — is to introduce coping skills to elementary school kids before they’re really overwhelmed in high school.\u003c/p>\n\u003cp>The Oskar plays — there are now \u003ca href=\"https://www.whatwouldoskardo.org/the-plays-1\" target=\"_blank\" rel=\"noopener\">five in all\u003c/a> — were originally commissioned from playwright \u003ca href=\"https://www.youtube.com/channel/UCDYP5B63aDxdrZ5gPh47Dmw\" target=\"_blank\" rel=\"noopener\">Prince Gomolvilas\u003c/a> by the Palo Alto Unified School District about a decade ago, around the time it began to struggle with teen suicide spikes.\u003c/p>\n\u003cfigure id=\"attachment_13851816\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851816\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-800x757.jpeg\" alt='Jomar Martinez, Vivian Marino, and Filip Hofman perform in “Oskar and the Big Bully Battle,\" touring with TheatreWorks Silicon Valley through April 5, 2019.' width=\"800\" height=\"757\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-800x757.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-160x151.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-768x726.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-1020x965.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-1200x1135.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-1920x1816.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jomar Martinez, Vivian Marino, and Filip Hofman perform in “Oskar and the Big Bully Battle,” touring with TheatreWorks Silicon Valley through April 5, 2019. \u003ccite>(Photo: Courtesy of Scott Devine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was a response to community concerns,” said TheatreWorks’ Director of Education Lisa Giglio, who added the play topics come from suggestions forwarded by the schools, including embracing diversity, gender stereotypes and bullying.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The other play on tap this year from TheatreWorks is \u003cem>Oskar the Big Bully Battle\u003c/em>. “I think we know it in our bones, sadly, that bullying would be the number one thing that people will relate to.”\u003c/p>\n\u003cp>Or #2, according to recent research from the \u003ca href=\"http://www.pewsocialtrends.org/2019/02/20/most-u-s-teens-see-anxiety-and-depression-as-a-major-problem-among-their-peers/\" target=\"_blank\" rel=\"noopener\">Pew Research Center\u003c/a> that ranks anxiety and depression as #1. Whatever the case, there is a growing body of evidence American teenagers operate under psychological stress. So it stands to reason younger children are just a few years away from needing the tools to cope.\u003c/p>\n\u003cp>“This is happening. How do we convey it to kids that haven’t yet reached that point?” said \u003cem>Oskar\u003c/em> tour stage manager Rachel Spanner, who added the series is designed to plant the seed in children’s minds that they can turn to friends, family and educators for help in later years for “coping strategies that actually work in high school and college.”\u003c/p>\n\u003cp>The plays last a little more than a half hour, and are typically attached to lesson plans ahead of the performance and Q&As after.\u003c/p>\n\u003cp>“Hopefully these plays can provide a way for kids to deal that they either didn’t think of before or were thinking of doing but didn’t know how to approach it,” said \u003ca href=\"https://www.filiphofman.com\" target=\"_blank\" rel=\"noopener\">Filip Hofman\u003c/a>, who plays Oskar this year.\u003c/p>\n\u003cp>Sadly, grown ups are often the primary source of stress in children’s lives, and they often can’t stay off social media unless their goal is total social isolation. But if they leave \u003cem>Oskar\u003c/em> plays thinking they’re not alone, it’s a positive start in the direction of psychological health.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic\">Oskar the Big Bully Battle\u003c/strong>\u003ci> and\u003c/i>\u003cstrong style=\"font-style: italic\"> Oskar and the Last Straw\u003c/strong>\u003ci> run through April 5, 2019, with TheatreWorks Silicon Valley performances scheduled throughout the San Francisco Bay Area. For more information, click \u003c/i>\u003cstrong style=\"font-style: italic\">\u003ca href=\"https://www.theatreworks.org/education/oskar/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003c/strong>\u003ci>.\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "A drama therapy series from TheatreWorks Silicon Valley spreads cheer and good mental health to children throughout the Bay Area.",
"status": "publish",
"parent": 0,
"modified": 1726767256,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 15,
"wordCount": 617
},
"headData": {
"title": "TheatreWorks Silicon Valley Tackles Slings & Arrows of Childhood With ‘Oskar’ | KQED",
"description": "A drama therapy series from TheatreWorks Silicon Valley spreads cheer and good mental health to children throughout the Bay Area.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "TheatreWorks Silicon Valley Tackles Slings & Arrows of Childhood With ‘Oskar’",
"datePublished": "2019-02-28T06:00:26-08:00",
"dateModified": "2024-09-19T10:34:16-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/tcr/2019/03/MyrowDramaTherapy.mp3",
"sticky": false,
"audioTrackLength": 123,
"path": "/arts/13851676/theatreworks-silicon-valley-tackles-slings-arrows-of-childhood-with-oskar",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week marks the start of this year’s season of \u003ca href=\"https://www.theatreworks.org/education/oskar/\" target=\"_blank\" rel=\"noopener\">\u003cem>Oskar\u003c/em>\u003c/a> in schools, community centers and hospitals around the Bay Area. \u003ca href=\"https://www.theatreworks.org/\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a> tours with a short list of plays especially focused on the challenges of being a kid today. \u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003cem>Oskar and the Last Straw\u003c/em>, for instance, is about a 10 year-old lugging around what appears to be the biggest backpack known to humankind. He’s got too much to do this week: school, soccer practice, ukulele lessons, buy a present for his friend Molly’s birthday, memorize songs for Mikey’s rock concert, and deal with the pressures of mass media. “Whatever that means!” his friends on stage yell periodically.\u003c/p>\n\u003cp>When a proverbial last straw is added to his pack, Oskar falls over and can’t get up. It may sound a little silly, but the idea behind “drama therapy” — as plays like this one are called — is to introduce coping skills to elementary school kids before they’re really overwhelmed in high school.\u003c/p>\n\u003cp>The Oskar plays — there are now \u003ca href=\"https://www.whatwouldoskardo.org/the-plays-1\" target=\"_blank\" rel=\"noopener\">five in all\u003c/a> — were originally commissioned from playwright \u003ca href=\"https://www.youtube.com/channel/UCDYP5B63aDxdrZ5gPh47Dmw\" target=\"_blank\" rel=\"noopener\">Prince Gomolvilas\u003c/a> by the Palo Alto Unified School District about a decade ago, around the time it began to struggle with teen suicide spikes.\u003c/p>\n\u003cfigure id=\"attachment_13851816\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851816\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-800x757.jpeg\" alt='Jomar Martinez, Vivian Marino, and Filip Hofman perform in “Oskar and the Big Bully Battle,\" touring with TheatreWorks Silicon Valley through April 5, 2019.' width=\"800\" height=\"757\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-800x757.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-160x151.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-768x726.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-1020x965.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-1200x1135.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto-1920x1816.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/Oskar5_-ScottDevinePhoto.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jomar Martinez, Vivian Marino, and Filip Hofman perform in “Oskar and the Big Bully Battle,” touring with TheatreWorks Silicon Valley through April 5, 2019. \u003ccite>(Photo: Courtesy of Scott Devine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was a response to community concerns,” said TheatreWorks’ Director of Education Lisa Giglio, who added the play topics come from suggestions forwarded by the schools, including embracing diversity, gender stereotypes and bullying.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The other play on tap this year from TheatreWorks is \u003cem>Oskar the Big Bully Battle\u003c/em>. “I think we know it in our bones, sadly, that bullying would be the number one thing that people will relate to.”\u003c/p>\n\u003cp>Or #2, according to recent research from the \u003ca href=\"http://www.pewsocialtrends.org/2019/02/20/most-u-s-teens-see-anxiety-and-depression-as-a-major-problem-among-their-peers/\" target=\"_blank\" rel=\"noopener\">Pew Research Center\u003c/a> that ranks anxiety and depression as #1. Whatever the case, there is a growing body of evidence American teenagers operate under psychological stress. So it stands to reason younger children are just a few years away from needing the tools to cope.\u003c/p>\n\u003cp>“This is happening. How do we convey it to kids that haven’t yet reached that point?” said \u003cem>Oskar\u003c/em> tour stage manager Rachel Spanner, who added the series is designed to plant the seed in children’s minds that they can turn to friends, family and educators for help in later years for “coping strategies that actually work in high school and college.”\u003c/p>\n\u003cp>The plays last a little more than a half hour, and are typically attached to lesson plans ahead of the performance and Q&As after.\u003c/p>\n\u003cp>“Hopefully these plays can provide a way for kids to deal that they either didn’t think of before or were thinking of doing but didn’t know how to approach it,” said \u003ca href=\"https://www.filiphofman.com\" target=\"_blank\" rel=\"noopener\">Filip Hofman\u003c/a>, who plays Oskar this year.\u003c/p>\n\u003cp>Sadly, grown ups are often the primary source of stress in children’s lives, and they often can’t stay off social media unless their goal is total social isolation. But if they leave \u003cem>Oskar\u003c/em> plays thinking they’re not alone, it’s a positive start in the direction of psychological health.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic\">Oskar the Big Bully Battle\u003c/strong>\u003ci> and\u003c/i>\u003cstrong style=\"font-style: italic\"> Oskar and the Last Straw\u003c/strong>\u003ci> run through April 5, 2019, with TheatreWorks Silicon Valley performances scheduled throughout the San Francisco Bay Area. For more information, click \u003c/i>\u003cstrong style=\"font-style: italic\">\u003ca href=\"https://www.theatreworks.org/education/oskar/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003c/strong>\u003ci>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13851676/theatreworks-silicon-valley-tackles-slings-arrows-of-childhood-with-oskar",
"authors": [
"251"
],
"categories": [
"arts_1",
"arts_235",
"arts_967"
],
"tags": [
"arts_6801",
"arts_6325",
"arts_1118",
"arts_596",
"arts_1315",
"arts_4642",
"arts_5165",
"arts_5164",
"arts_1815"
],
"featImg": "arts_13851815",
"label": "arts"
},
"arts_13840147": {
"type": "posts",
"id": "arts_13840147",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13840147",
"score": null,
"sort": [
1535807185000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1535807185,
"format": "image",
"title": "'Native Gardens' Shows What 'Nice' People Look Like When They Dig in Their Heels",
"headTitle": "‘Native Gardens’ Shows What ‘Nice’ People Look Like When They Dig in Their Heels | KQED",
"content": "\u003cp>Ever fight with your neighbors? Maybe she steals your paper. Or he parks that clunker in front of your house. Or maybe I’m describing \u003cem>you\u003c/em>.\u003c/p>\n\u003cp>Playwright \u003ca href=\"http://www.karenzacarias.com\" target=\"_blank\" rel=\"noopener\">Karen Zacarías\u003c/a> says she was inspired to write \u003cem>Native Gardens \u003c/em>after a dinner party in which a number of her friends related problems with their neighbors. “We all talked about how terrible it is to be in a fight with your neighbor, because it’s where you live, you know. But also, I noticed what all the stories had in common: there was something primal and poetic and absurd.”\u003c/p>\n\u003cp>That got Zacarías thinking, “What if every fight in the world can be narrowed down to four people in a backyard? And what can I learn about myself and my community by looking at it like that?”\u003c/p>\n\u003cp>Zacarías lives in Washington, D.C., but a story about neighbors new and old struggling to find common ground with each other resonates nationwide. In fact, \u003ca href=\"https://theatreworks.org/201819-season/201819-season/native-gardens/\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a> is one of six companies to perform it this year alone. Others include the \u003ca href=\"https://www.pasadenaplayhouse.org/event/native-gardens/\" target=\"_blank\" rel=\"noopener\">Pasadena Playhouse\u003c/a>, where \u003cem>Seinfeld\u003c/em> star Jason Alexander is directing, the \u003ca href=\"https://www.theoldglobe.org/pdp/17-18-season/native-gardens/#?startDate=2018-08-01&?endDate=2018-08-31\" target=\"_blank\" rel=\"noopener\">Old Globe\u003c/a> in San Diego and \u003ca href=\"http://www.intiman.org/nativegardens/#showinfo\" target=\"_blank\" rel=\"noopener\">Intiman Theatre\u003c/a> in Seattle.\u003c/p>\n\u003cfigure id=\"attachment_13840151\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840151\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-800x534.jpg\" alt=\"It's all smiles and laughter before two couples get to know each other, really, in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">It’s all smiles and laughter before two couples get to know each other, really, in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley. \u003ccite>(Photo: Courtesy of Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cspan style=\"font-weight: 400\">The plot (pun intended)\u003c/span>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">A young Latino couple, \u003c/span>Pablo (Michael Evans Lopez) and Tania (Marlene Martinez),\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003cspan style=\"font-weight: 400\">moves into a nice suburb in Washington, D.C.. They form a fast friendship with the older white couple next door, \u003c/span>Frank (Jackson Davis) and Virginia (Amy Resnick)\u003cspan style=\"font-weight: 400\">. Both couples listen to NPR. Both couples have strong, if conflicting, philosophies about gardening. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But then it turns out the fence between them is located two feet onto the young couple’s property. What’s going to happen to \u003c/span>Frank’s potentially prize-winning purple iris and hydrangea?\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Awkward.\u003c/p>\n\u003cp>Add a dash of racial tension — it is a border dispute after all — and you have instant comedy. Yes, says Zacarías, who adds she \u003ci>judges\u003c/i> everyone in the play, including herself.\u003cspan class=\"Apple-converted-space\"> Thinking back to a small neighborly dispute she survived, she says “\u003c/span>You know, I wanted it to be right more than I wanted it to be over.”\u003c/p>\n\u003cfigure id=\"attachment_13840153\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840153\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-800x534.jpg\" alt=\"A simple property line dispute becomes a proxy for issues neighbors find harder to talk about, like racism, sexism, ageism, culture, class, privilege and immigration in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A simple property line dispute becomes a proxy for issues neighbors find harder to talk about, like racism, sexism, ageism, culture, class, privilege and immigration in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley. \u003ccite>(Photo: Courtesy of Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"story_text\">She also wants the audience to change their alliances over the course of the play. Zacarías studied international relations at Stanford, which proved good preparation for this play.\u003cspan class=\"Apple-converted-space\"> She says, \u003c/span>“I think comedy is one of the best ways to talk about things that are thorny.”\u003c/p>\n\u003cp class=\"story_text\">Everybody’s earnest, self-pitying, self-righteous and patronizing. It’s impossible to see the play without thinking of the national border dispute directed by the Trump Administration, but this story could take place in almost any town in Silicon Valley. We can all irritate each other very, very easily, even without the help of politics.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Native Gardens\u003c/strong>, put on by TheatreWorks Silicon Valley, runs through September 16th at the Mountain View Center \u003c/em>\u003cbr>\n\u003cem>for the Performing Arts. For more info, click \u003ca href=\"https://theatreworks.org/201819-season/201819-season/native-gardens/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 599,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705027299,
"excerpt": "A property line dispute becomes a proxy for issues neighbors find tough to talk about in “Native Gardens” by Karen Zacarías. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A property line dispute becomes a proxy for issues neighbors find tough to talk about in “Native Gardens” by Karen Zacarías. ",
"title": "'Native Gardens' Shows What 'Nice' People Look Like When They Dig in Their Heels | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Native Gardens' Shows What 'Nice' People Look Like When They Dig in Their Heels",
"datePublished": "2018-09-01T06:06:25-07:00",
"dateModified": "2024-01-11T18:41:39-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "native-gardens-shows-what-nice-people-look-like-when-they-dig-in-their-heels",
"status": "publish",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/2018/09/MyrowGarden.mp3",
"sticky": false,
"audioTrackLength": 117,
"path": "/arts/13840147/native-gardens-shows-what-nice-people-look-like-when-they-dig-in-their-heels",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ever fight with your neighbors? Maybe she steals your paper. Or he parks that clunker in front of your house. Or maybe I’m describing \u003cem>you\u003c/em>.\u003c/p>\n\u003cp>Playwright \u003ca href=\"http://www.karenzacarias.com\" target=\"_blank\" rel=\"noopener\">Karen Zacarías\u003c/a> says she was inspired to write \u003cem>Native Gardens \u003c/em>after a dinner party in which a number of her friends related problems with their neighbors. “We all talked about how terrible it is to be in a fight with your neighbor, because it’s where you live, you know. But also, I noticed what all the stories had in common: there was something primal and poetic and absurd.”\u003c/p>\n\u003cp>That got Zacarías thinking, “What if every fight in the world can be narrowed down to four people in a backyard? And what can I learn about myself and my community by looking at it like that?”\u003c/p>\n\u003cp>Zacarías lives in Washington, D.C., but a story about neighbors new and old struggling to find common ground with each other resonates nationwide. In fact, \u003ca href=\"https://theatreworks.org/201819-season/201819-season/native-gardens/\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a> is one of six companies to perform it this year alone. Others include the \u003ca href=\"https://www.pasadenaplayhouse.org/event/native-gardens/\" target=\"_blank\" rel=\"noopener\">Pasadena Playhouse\u003c/a>, where \u003cem>Seinfeld\u003c/em> star Jason Alexander is directing, the \u003ca href=\"https://www.theoldglobe.org/pdp/17-18-season/native-gardens/#?startDate=2018-08-01&?endDate=2018-08-31\" target=\"_blank\" rel=\"noopener\">Old Globe\u003c/a> in San Diego and \u003ca href=\"http://www.intiman.org/nativegardens/#showinfo\" target=\"_blank\" rel=\"noopener\">Intiman Theatre\u003c/a> in Seattle.\u003c/p>\n\u003cfigure id=\"attachment_13840151\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840151\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-800x534.jpg\" alt=\"It's all smiles and laughter before two couples get to know each other, really, in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32661_TheatreWorks_NativeGardens_KevinBerne1-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">It’s all smiles and laughter before two couples get to know each other, really, in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley. \u003ccite>(Photo: Courtesy of Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cspan style=\"font-weight: 400\">The plot (pun intended)\u003c/span>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">A young Latino couple, \u003c/span>Pablo (Michael Evans Lopez) and Tania (Marlene Martinez),\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003cspan style=\"font-weight: 400\">moves into a nice suburb in Washington, D.C.. They form a fast friendship with the older white couple next door, \u003c/span>Frank (Jackson Davis) and Virginia (Amy Resnick)\u003cspan style=\"font-weight: 400\">. Both couples listen to NPR. Both couples have strong, if conflicting, philosophies about gardening. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But then it turns out the fence between them is located two feet onto the young couple’s property. What’s going to happen to \u003c/span>Frank’s potentially prize-winning purple iris and hydrangea?\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Awkward.\u003c/p>\n\u003cp>Add a dash of racial tension — it is a border dispute after all — and you have instant comedy. Yes, says Zacarías, who adds she \u003ci>judges\u003c/i> everyone in the play, including herself.\u003cspan class=\"Apple-converted-space\"> Thinking back to a small neighborly dispute she survived, she says “\u003c/span>You know, I wanted it to be right more than I wanted it to be over.”\u003c/p>\n\u003cfigure id=\"attachment_13840153\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840153\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-800x534.jpg\" alt=\"A simple property line dispute becomes a proxy for issues neighbors find harder to talk about, like racism, sexism, ageism, culture, class, privilege and immigration in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/RS32663_TheatreWorks_NativeGardens_KevinBerne3-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A simple property line dispute becomes a proxy for issues neighbors find harder to talk about, like racism, sexism, ageism, culture, class, privilege and immigration in “Native Gardens” by Karen Zacarías presented by TheatreWorks Silicon Valley. \u003ccite>(Photo: Courtesy of Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp class=\"story_text\">She also wants the audience to change their alliances over the course of the play. Zacarías studied international relations at Stanford, which proved good preparation for this play.\u003cspan class=\"Apple-converted-space\"> She says, \u003c/span>“I think comedy is one of the best ways to talk about things that are thorny.”\u003c/p>\n\u003cp class=\"story_text\">Everybody’s earnest, self-pitying, self-righteous and patronizing. It’s impossible to see the play without thinking of the national border dispute directed by the Trump Administration, but this story could take place in almost any town in Silicon Valley. We can all irritate each other very, very easily, even without the help of politics.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Native Gardens\u003c/strong>, put on by TheatreWorks Silicon Valley, runs through September 16th at the Mountain View Center \u003c/em>\u003cbr>\n\u003cem>for the Performing Arts. For more info, click \u003ca href=\"https://theatreworks.org/201819-season/201819-season/native-gardens/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13840147/native-gardens-shows-what-nice-people-look-like-when-they-dig-in-their-heels",
"authors": [
"251"
],
"categories": [
"arts_1",
"arts_968",
"arts_235",
"arts_967"
],
"tags": [
"arts_1118",
"arts_2286",
"arts_596",
"arts_4642",
"arts_3001",
"arts_5164",
"arts_1815"
],
"featImg": "arts_13840149",
"label": "arts"
},
"arts_13837148": {
"type": "posts",
"id": "arts_13837148",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13837148",
"score": null,
"sort": [
1531573222000
]
},
"guestAuthors": [],
"slug": "hold-these-truths-remembers-one-mans-refusal-to-cede-his-civil-rights-during-wwii",
"title": "'Hold These Truths' Remembers One Man's Refusal to Cede His Civil Rights During WWII",
"publishDate": 1531573222,
"format": "audio",
"headTitle": "‘Hold These Truths’ Remembers One Man’s Refusal to Cede His Civil Rights During WWII | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>The Trump Administration’s policies on travel and immigration have reignited interest in an old precedent from World War II: the mass incarceration of Japanese-Americans by the Roosevelt Administration with Executive Order 9066.\u003c/p>\n\u003cp>Opinion pieces on the right, left and in-between argue over the similarities and differences, but the arguments at the core of the debate are not about the specifics of how people are incarcerated or what legal principle is up for review. We are at a point in time when we are asking as a nation whether it’s OK to target specific ethnic groups to address large and complicated threats to our national welfare. That’s what brings to mind World War II.\u003c/p>\n\u003cp>“Today is the first time, so far as I am aware, that we have sustained a substantial restriction of the personal liberty of citizens of the United States based upon the accident of race or ancestry.” – \u003ci>Hirabayashi v. United States\u003c/i>, 320 U.S. 81 (1943)\u003c/p>\n\u003cp>That political context makes \u003cem>Hold These Truths\u003c/em>, a play written more than a decade ago about that case and the man behind the name Hirabayashi, strikingly resonant as it makes its Bay Area premiere this week with \u003ca href=\"https://theatreworks.org/201819-season/201819-season/hold-these-truths/\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a>.\u003c/p>\n\u003cp>Gordon Hirabayashi was a college student in 1942 when he decided to turn himself in for refusing to abide by laws established to isolate Japanese and Japanese-Americans in the Western United States, on no other basis than race.\u003c/p>\n\u003cblockquote>\u003cp>Over sixty percent are American citizens, yet they are denied, without due process of law, the civil liberties which are theirs.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>If I were to register and cooperate under these circumstances, I would be giving helpless consent to the denial of practically all of the things which give me incentive to live.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>I consider it my duty to maintain the democratic standards for which this nation lives. Therefore–I must refuse this order for evacuation.\u003c/p>\n\u003cp>Signed, Gordon K. Hirabayashi.\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13837156\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13837156\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-800x534.jpg\" alt=\"Joel de la Fuente plays more than 35 characters in the one-man play "Hold These Truths." Director Lisa Rothe says, "It was pretty intense to go through all of those characters and find, you know, the vocal and physical characteristics for each one. That takes [an actor] who's got a tremendous range and flexibility. "\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joel de la Fuente plays more than 35 characters in the one-man play “Hold These Truths.” Director Lisa Rothe says, “It was pretty intense to go through all of those characters and find, you know, the vocal and physical characteristics for each one. That takes [an actor] who’s got a tremendous range and flexibility. “ \u003ccite>(Photo: Courtesy of Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Hold These Truths\u003c/em> was written by Watsonville-born, Los Angeles-based actress Jeanne Sakata. As a Japanese-American, she thought she knew the history of the internment camps.\u003cspan class=\"Apple-converted-space\"> So she was surprised to learn about Hirabayashi by watching a 1992 documentary, \u003ca href=\"https://caamedia.org/films/personal-matter-gordon-hirabayashi-vs-the-united-states/\" target=\"_blank\" rel=\"noopener\">\u003cem>A Personal Matter\u003c/em>\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It just flabbergasted me that I didn’t know. At the same time, the story itself delighted me,” Sakata says.\u003c/p>\n\u003cp>Three Japanese-Americans took their fight against internment all the way to the U.S. Supreme Court in the 1940s. But most people, if they know about the court cases at all, know about \u003cem>Korematsu v. United States\u003c/em>. (The podcast \u003cem>More Perfect\u003c/em> provides an excellent history of that story \u003ca href=\"https://www.wnycstudios.org/story/radiolab-presents-more-perfect-american-pendulum-i/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.)\u003c/p>\n\u003cp>Sakata considered writing a play about all three: Korematsu, Hirabayashi and \u003ca href=\"https://www.minoruyasuitribute.org\" target=\"_blank\" rel=\"noopener\">Minoru Yasuri\u003c/a>. But the longtime actress had never written a play before, and that challenge seemed too daunting. “It was just a little too much to handle. So I thought I would just focus on telling this one story that I loved so much, and that I never saw in my history books,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13837158\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13837158\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-800x934.jpg\" alt=\"After World War II and his landmark court battle, Gordon Hirabayashi became a sociologist.\" width=\"800\" height=\"934\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-800x934.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-160x187.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-768x896.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-1020x1190.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-1028x1200.jpg 1028w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-1180x1377.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-960x1120.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-240x280.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-375x438.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-520x607.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut.jpg 1400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">After World War II and his landmark court battle, Gordon Hirabayashi became a sociologist. \u003ccite>(Photo: Courtesy of the Associated Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Part of what intrigued Sakata was Hirabayashi’s Quaker faith. “I had grown up in a Japanese-American Presbyterian family, and that’s something I never heard of: a second generation Japanese-American Quaker.” Hirabayashi converted in college, but as Sakata learned, it wasn’t a big stretch, given that his parents were members of a Japanese Christian sect called \u003ci>Mukyōkaishugi\u003c/i>, known for its socially progressive values similar to those of the Quakers.\u003c/p>\n\u003cp>Perhaps it took a man given to iconoclasm to pick a fight with the federal government. He had already joined the Quaker-run \u003ca href=\"https://www.afsc.org\" target=\"_blank\" rel=\"noopener\">American Friends Service Committee\u003c/a> by that point, as the group was helping Japanese-Americans thrown into disarray by Executive Order 9066. Later, the ACLU would help him in court.\u003c/p>\n\u003cp>Like Korematsu and Yasui, Hirabayashi lost before the U.S. Supreme Court. He was legally vindicated in the 1980s, though. Hirabayashi’s convictions on both charges were overturned by the U.S. District Court in Seattle and the federal appeals curt, because evidence arose that the Solicitor General’s office cited examples of Japanese-American sabotage in its Supreme Court arguments, despite having determined the rumored incidents were indeed rumors only.\u003c/p>\n\u003cp>Hirabayashi died in 2012 and received a posthumous Presidential Medal of Freedom from President Barack Obama.\u003c/p>\n\u003ch2>A Showcase for An Asian-American Actor\u003c/h2>\n\u003cp>\u003cem>Hold These Truths\u003c/em> provides plenty of opportunity to stretch for Joel de la Fuente, perhaps best known for his role as Inspector Kido in Amazon’s \u003ca href=\"https://www.amazon.com/Man-High-Castle-Season/dp/B00RSGIVVO\" target=\"_blank\" rel=\"noopener\">\u003cem>The Man in the High Castle\u003c/em>\u003c/a>. He gets to play more than 35 characters, switching between them with impressively deft rapidity, sometimes mid-sentence.\u003c/p>\n\u003cp>Sakata says, “I really wanted one Asian-American actor to have a chance to show his virtuosity. You see him do one role on \u003cem>High Castle,\u003c/em> but in this play, you get to see him play an amazing array.” In a way, the role is a vindication for Sakata, too, she says, having suffered as an actress from the paucity of complex roles written for Asian-Americans during her own career.\u003c/p>\n\u003cp>Watch de la Fuente perform a conversation between Gordon Hirabayashi and his mother in \u003cem>Hold These Truths\u003c/em>.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=H-Gi2BMEYqA]\u003c/p>\n\u003cp>\u003cem>Hold These Truths\u003c/em> made its world premiere in 2007 in Los Angeles with \u003ca href=\"http://www.eastwestplayers.org\" target=\"_blank\" rel=\"noopener\">East West Players\u003c/a>, the nation’s oldest Asian-American theater company.\u003c/p>\n\u003cp>Sakata says she originally wrote the play to preserve and celebrate the history, even though now it sounds like it was ripped from today’s news headlines. “We are in a time right now politically where we need some beam of light, some hope, and I hope that the story will provide that, will inspire us to stand for what’s right even when times are going against us.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.lisarothe.com\" target=\"_blank\" rel=\"noopener\">Lisa Rothe\u003c/a>, who’s been directing this play since 2009, agrees that audience reaction has changed markedly over the years the play has traveled the country. Rothe says, “Before the election [of President Donald Trump], the conversation was on a shelf. Like, ‘Aren’t we happy that we’ve moved beyond this?’ Now, to actually see it on the front pages of the newspaper is pretty extraordinary, and depressing.\u003c/p>\n\u003cp>Even if you don’t agree with the politics of the play, it is a rip-roaring ride through a dramatic chapter in American history, and a reminder that the civil liberties promised in this nation’s founding documents are still the subject of continuous debate and conflict.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Hold These Truths\u003c/strong> runs through August 5th at the Lucie Stern Theatre in Palo Alto. More info \u003ca href=\"https://theatreworks.org/201819-season/201819-season/hold-these-truths/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "A new performance of the play revisits the mass incarceration of Japanese Americans by the Roosevelt Administration with Executive Order 9066.",
"status": "publish",
"parent": 0,
"modified": 1726771035,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 28,
"wordCount": 1241
},
"headData": {
"title": "'Hold These Truths' Remembers One Man's Refusal to Cede His Civil Rights During WWII | KQED",
"description": "A new performance of the play revisits the mass incarceration of Japanese Americans by the Roosevelt Administration with Executive Order 9066.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Hold These Truths' Remembers One Man's Refusal to Cede His Civil Rights During WWII",
"datePublished": "2018-07-14T06:00:22-07:00",
"dateModified": "2024-09-19T11:37:15-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/2018/07/MyrowWWII.mp3",
"sticky": false,
"audioTrackLength": 113,
"path": "/arts/13837148/hold-these-truths-remembers-one-mans-refusal-to-cede-his-civil-rights-during-wwii",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Trump Administration’s policies on travel and immigration have reignited interest in an old precedent from World War II: the mass incarceration of Japanese-Americans by the Roosevelt Administration with Executive Order 9066.\u003c/p>\n\u003cp>Opinion pieces on the right, left and in-between argue over the similarities and differences, but the arguments at the core of the debate are not about the specifics of how people are incarcerated or what legal principle is up for review. We are at a point in time when we are asking as a nation whether it’s OK to target specific ethnic groups to address large and complicated threats to our national welfare. That’s what brings to mind World War II.\u003c/p>\n\u003cp>“Today is the first time, so far as I am aware, that we have sustained a substantial restriction of the personal liberty of citizens of the United States based upon the accident of race or ancestry.” – \u003ci>Hirabayashi v. United States\u003c/i>, 320 U.S. 81 (1943)\u003c/p>\n\u003cp>That political context makes \u003cem>Hold These Truths\u003c/em>, a play written more than a decade ago about that case and the man behind the name Hirabayashi, strikingly resonant as it makes its Bay Area premiere this week with \u003ca href=\"https://theatreworks.org/201819-season/201819-season/hold-these-truths/\" target=\"_blank\" rel=\"noopener\">TheatreWorks Silicon Valley\u003c/a>.\u003c/p>\n\u003cp>Gordon Hirabayashi was a college student in 1942 when he decided to turn himself in for refusing to abide by laws established to isolate Japanese and Japanese-Americans in the Western United States, on no other basis than race.\u003c/p>\n\u003cblockquote>\u003cp>Over sixty percent are American citizens, yet they are denied, without due process of law, the civil liberties which are theirs.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>If I were to register and cooperate under these circumstances, I would be giving helpless consent to the denial of practically all of the things which give me incentive to live.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>I consider it my duty to maintain the democratic standards for which this nation lives. Therefore–I must refuse this order for evacuation.\u003c/p>\n\u003cp>Signed, Gordon K. Hirabayashi.\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13837156\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13837156\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-800x534.jpg\" alt=\"Joel de la Fuente plays more than 35 characters in the one-man play "Hold These Truths." Director Lisa Rothe says, "It was pretty intense to go through all of those characters and find, you know, the vocal and physical characteristics for each one. That takes [an actor] who's got a tremendous range and flexibility. "\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-1180x788.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31791_HTT_KevinBerne7-qut-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joel de la Fuente plays more than 35 characters in the one-man play “Hold These Truths.” Director Lisa Rothe says, “It was pretty intense to go through all of those characters and find, you know, the vocal and physical characteristics for each one. That takes [an actor] who’s got a tremendous range and flexibility. “ \u003ccite>(Photo: Courtesy of Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Hold These Truths\u003c/em> was written by Watsonville-born, Los Angeles-based actress Jeanne Sakata. As a Japanese-American, she thought she knew the history of the internment camps.\u003cspan class=\"Apple-converted-space\"> So she was surprised to learn about Hirabayashi by watching a 1992 documentary, \u003ca href=\"https://caamedia.org/films/personal-matter-gordon-hirabayashi-vs-the-united-states/\" target=\"_blank\" rel=\"noopener\">\u003cem>A Personal Matter\u003c/em>\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It just flabbergasted me that I didn’t know. At the same time, the story itself delighted me,” Sakata says.\u003c/p>\n\u003cp>Three Japanese-Americans took their fight against internment all the way to the U.S. Supreme Court in the 1940s. But most people, if they know about the court cases at all, know about \u003cem>Korematsu v. United States\u003c/em>. (The podcast \u003cem>More Perfect\u003c/em> provides an excellent history of that story \u003ca href=\"https://www.wnycstudios.org/story/radiolab-presents-more-perfect-american-pendulum-i/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.)\u003c/p>\n\u003cp>Sakata considered writing a play about all three: Korematsu, Hirabayashi and \u003ca href=\"https://www.minoruyasuitribute.org\" target=\"_blank\" rel=\"noopener\">Minoru Yasuri\u003c/a>. But the longtime actress had never written a play before, and that challenge seemed too daunting. “It was just a little too much to handle. So I thought I would just focus on telling this one story that I loved so much, and that I never saw in my history books,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13837158\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13837158\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-800x934.jpg\" alt=\"After World War II and his landmark court battle, Gordon Hirabayashi became a sociologist.\" width=\"800\" height=\"934\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-800x934.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-160x187.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-768x896.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-1020x1190.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-1028x1200.jpg 1028w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-1180x1377.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-960x1120.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-240x280.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-375x438.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut-520x607.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/07/RS31793_Gordon20Hirabayashi_AP20Photo_1985-qut.jpg 1400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">After World War II and his landmark court battle, Gordon Hirabayashi became a sociologist. \u003ccite>(Photo: Courtesy of the Associated Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Part of what intrigued Sakata was Hirabayashi’s Quaker faith. “I had grown up in a Japanese-American Presbyterian family, and that’s something I never heard of: a second generation Japanese-American Quaker.” Hirabayashi converted in college, but as Sakata learned, it wasn’t a big stretch, given that his parents were members of a Japanese Christian sect called \u003ci>Mukyōkaishugi\u003c/i>, known for its socially progressive values similar to those of the Quakers.\u003c/p>\n\u003cp>Perhaps it took a man given to iconoclasm to pick a fight with the federal government. He had already joined the Quaker-run \u003ca href=\"https://www.afsc.org\" target=\"_blank\" rel=\"noopener\">American Friends Service Committee\u003c/a> by that point, as the group was helping Japanese-Americans thrown into disarray by Executive Order 9066. Later, the ACLU would help him in court.\u003c/p>\n\u003cp>Like Korematsu and Yasui, Hirabayashi lost before the U.S. Supreme Court. He was legally vindicated in the 1980s, though. Hirabayashi’s convictions on both charges were overturned by the U.S. District Court in Seattle and the federal appeals curt, because evidence arose that the Solicitor General’s office cited examples of Japanese-American sabotage in its Supreme Court arguments, despite having determined the rumored incidents were indeed rumors only.\u003c/p>\n\u003cp>Hirabayashi died in 2012 and received a posthumous Presidential Medal of Freedom from President Barack Obama.\u003c/p>\n\u003ch2>A Showcase for An Asian-American Actor\u003c/h2>\n\u003cp>\u003cem>Hold These Truths\u003c/em> provides plenty of opportunity to stretch for Joel de la Fuente, perhaps best known for his role as Inspector Kido in Amazon’s \u003ca href=\"https://www.amazon.com/Man-High-Castle-Season/dp/B00RSGIVVO\" target=\"_blank\" rel=\"noopener\">\u003cem>The Man in the High Castle\u003c/em>\u003c/a>. He gets to play more than 35 characters, switching between them with impressively deft rapidity, sometimes mid-sentence.\u003c/p>\n\u003cp>Sakata says, “I really wanted one Asian-American actor to have a chance to show his virtuosity. You see him do one role on \u003cem>High Castle,\u003c/em> but in this play, you get to see him play an amazing array.” In a way, the role is a vindication for Sakata, too, she says, having suffered as an actress from the paucity of complex roles written for Asian-Americans during her own career.\u003c/p>\n\u003cp>Watch de la Fuente perform a conversation between Gordon Hirabayashi and his mother in \u003cem>Hold These Truths\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/H-Gi2BMEYqA'\n title='//www.youtube.com/embed/H-Gi2BMEYqA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cem>Hold These Truths\u003c/em> made its world premiere in 2007 in Los Angeles with \u003ca href=\"http://www.eastwestplayers.org\" target=\"_blank\" rel=\"noopener\">East West Players\u003c/a>, the nation’s oldest Asian-American theater company.\u003c/p>\n\u003cp>Sakata says she originally wrote the play to preserve and celebrate the history, even though now it sounds like it was ripped from today’s news headlines. “We are in a time right now politically where we need some beam of light, some hope, and I hope that the story will provide that, will inspire us to stand for what’s right even when times are going against us.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.lisarothe.com\" target=\"_blank\" rel=\"noopener\">Lisa Rothe\u003c/a>, who’s been directing this play since 2009, agrees that audience reaction has changed markedly over the years the play has traveled the country. Rothe says, “Before the election [of President Donald Trump], the conversation was on a shelf. Like, ‘Aren’t we happy that we’ve moved beyond this?’ Now, to actually see it on the front pages of the newspaper is pretty extraordinary, and depressing.\u003c/p>\n\u003cp>Even if you don’t agree with the politics of the play, it is a rip-roaring ride through a dramatic chapter in American history, and a reminder that the civil liberties promised in this nation’s founding documents are still the subject of continuous debate and conflict.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Hold These Truths\u003c/strong> runs through August 5th at the Lucie Stern Theatre in Palo Alto. More info \u003ca href=\"https://theatreworks.org/201819-season/201819-season/hold-these-truths/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13837148/hold-these-truths-remembers-one-mans-refusal-to-cede-his-civil-rights-during-wwii",
"authors": [
"251"
],
"programs": [
"arts_140"
],
"categories": [
"arts_235",
"arts_967"
],
"tags": [
"arts_4672",
"arts_1118",
"arts_2640",
"arts_596",
"arts_1315",
"arts_4642",
"arts_3001",
"arts_5166",
"arts_5165",
"arts_5164",
"arts_1815"
],
"featImg": "arts_13837149",
"label": "arts_140"
}
},
"programsReducer": {
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"1a": {
"id": "1a",
"title": "1A",
"info": "1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.",
"airtime": "MON-THU 11pm-12am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg",
"officialWebsiteLink": "https://the1a.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/1a",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/1A-p947376/",
"rss": "https://feeds.npr.org/510316/podcast.xml"
}
},
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "\"KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 4
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"inside-europe": {
"id": "inside-europe",
"title": "Inside Europe",
"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
"airtime": "SAT 3am-4am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Inside-Europe-Podcast-Tile-300x300-1.jpg",
"meta": {
"site": "news",
"source": "Deutsche Welle"
},
"link": "/radio/program/inside-europe",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/inside-europe/id80106806?mt=2",
"tuneIn": "https://tunein.com/radio/Inside-Europe-p731/",
"rss": "https://partner.dw.com/xml/podcast_inside-europe"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"live-from-here-highlights": {
"id": "live-from-here-highlights",
"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
"site": "arts",
"source": "american public media"
},
"link": "/radio/program/live-from-here-highlights",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1167173941",
"tuneIn": "https://tunein.com/radio/Live-from-Here-Highlights-p921744/",
"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://our-body-politic.simplecast.com/",
"meta": {
"site": "news",
"source": "kcrw"
},
"link": "/radio/program/our-body-politic",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
"spotify": "https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc",
"rss": "https://feeds.simplecast.com/_xaPhs1s",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 15
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 6
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"says-you": {
"id": "says-you",
"title": "Says You!",
"info": "Public radio's game show of bluff and bluster, words and whimsy. The warmest, wittiest cocktail party - it's spirited and civil, brainy and boisterous, peppered with musical interludes. Fast paced and playful, it's the most fun you can have with language without getting your mouth washed out with soap. Our motto: It's not important to know the answers, it's important to like the answers!",
"airtime": "SUN 4pm-5pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Says-You-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.saysyouradio.com/",
"meta": {
"site": "comedy",
"source": "Pipit and Finch"
},
"link": "/radio/program/says-you",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/says-you!/id1050199826",
"tuneIn": "https://tunein.com/radio/Says-You-p480/",
"rss": "https://saysyou.libsyn.com/rss"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"selected-shorts": {
"id": "selected-shorts",
"title": "Selected Shorts",
"info": "Spellbinding short stories by established and emerging writers take on a new life when they are performed by stars of the stage and screen.",
"airtime": "SAT 8pm-9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Selected-Shorts-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/selected-shorts",
"meta": {
"site": "arts",
"source": "pri"
},
"link": "/radio/program/selected-shorts",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=253191824&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Selected-Shorts-p31792/",
"rss": "https://feeds.megaphone.fm/selectedshorts"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 5
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 14
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vc29sZG91dA"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 3
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM4MjU5Nzg2MzI3",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "\"KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 2
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM0NTcwODQ2MjY2",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-takeaway": {
"id": "the-takeaway",
"title": "The Takeaway",
"info": "The Takeaway is produced in partnership with its national audience. It delivers perspective and analysis to help us better understand the day’s news. Be a part of the American conversation on-air and online.",
"airtime": "MON-THU 12pm-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Takeaway-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/takeaway",
"meta": {
"site": "news",
"source": "WNYC"
},
"link": "/radio/program/the-takeaway",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-takeaway/id363143310?mt=2",
"tuneIn": "http://tunein.com/radio/The-Takeaway-p150731/",
"rss": "https://feeds.feedburner.com/takeawaypodcast"
}
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"truthbetold": {
"id": "truthbetold",
"title": "Truth Be Told",
"tagline": "Advice by and for people of color",
"info": "We’re the friend you call after a long day, the one who gets it. Through wisdom from some of the greatest thinkers of our time, host Tonya Mosley explores what it means to grow and thrive as a Black person in America, while discovering new ways of being that serve as a portal to more love, more healing, and more joy.",
"airtime": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Truth-Be-Told-Podcast-Tile-360x360-1.jpg",
"imageAlt": "KQED Truth Be Told with Tonya Mosley",
"officialWebsiteLink": "https://www.kqed.ord/podcasts/truthbetold",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/podcasts/truthbetold",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS90cnV0aC1iZS10b2xkLXBvZGNhc3QvZmVlZA",
"npr": "https://www.npr.org/podcasts/719210818/truth-be-told",
"stitcher": "https://www.stitcher.com/s?fid=398170&refid=stpr",
"spotify": "https://open.spotify.com/show/587DhwTBxke6uvfwDfaV5N"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"washington-week": {
"id": "washington-week",
"title": "Washington Week",
"info": "For 50 years, Washington Week has been the most intelligent and up to date conversation about the most important news stories of the week. Washington Week is the longest-running news and public affairs program on PBS and features journalists -- not pundits -- lending insight and perspective to the week's important news stories.",
"airtime": "SAT 1:30am-2am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/washington-week.jpg",
"officialWebsiteLink": "http://www.pbs.org/weta/washingtonweek/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/washington-week",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/washington-week-audio-pbs/id83324702?mt=2",
"tuneIn": "https://tunein.com/podcasts/Current-Affairs/Washington-Week-p693/",
"rss": "http://feeds.pbs.org/pbs/weta/washingtonweek-audio"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
},
"world-affairs": {
"id": "world-affairs",
"title": "World Affairs",
"info": "The world as we knew it is undergoing a rapid transformation…so what's next? Welcome to WorldAffairs, your guide to a changing world. We give you the context you need to navigate across borders and ideologies. Through sound-rich stories and in-depth interviews, we break down what it means to be a global citizen on a hot, crowded planet. Our hosts, Ray Suarez, Teresa Cotsirilos and Philip Yun help you make sense of an uncertain world, one story at a time.",
"airtime": "MON 10pm, TUE 1am, SAT 3am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/World-Affairs-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.worldaffairs.org/",
"meta": {
"site": "news",
"source": "World Affairs"
},
"link": "/radio/program/world-affairs",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/world-affairs/id101215657?mt=2",
"tuneIn": "https://tunein.com/radio/WorldAffairs-p1665/",
"rss": "https://worldaffairs.libsyn.com/rss"
}
},
"on-shifting-ground": {
"id": "on-shifting-ground",
"title": "On Shifting Ground with Ray Suarez",
"info": "Geopolitical turmoil. A warming planet. Authoritarians on the rise. We live in a chaotic world that’s rapidly shifting around us. “On Shifting Ground with Ray Suarez” explores international fault lines and how they impact us all. Each week, NPR veteran Ray Suarez hosts conversations with journalists, leaders and policy experts to help us read between the headlines – and give us hope for human resilience.",
"airtime": "MON 10pm, TUE 1am, SAT 3am",
"imageSrc": "https://ww2.kqed.org/app/uploads/2022/12/onshiftingground-600x600-1.png",
"officialWebsiteLink": "https://worldaffairs.org/radio-podcast/",
"meta": {
"site": "news",
"source": "On Shifting Ground"
},
"link": "/radio/program/on-shifting-ground",
"subscribe": {
"apple": "https://podcasts.apple.com/ie/podcast/on-shifting-ground/id101215657",
"rss": "https://feeds.libsyn.com/36668/rss"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"white-lies": {
"id": "white-lies",
"title": "White Lies",
"info": "In 1965, Rev. James Reeb was murdered in Selma, Alabama. Three men were tried and acquitted, but no one was ever held to account. Fifty years later, two journalists from Alabama return to the city where it happened, expose the lies that kept the murder from being solved and uncover a story about guilt and memory that says as much about America today as it does about the past.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/White-Lies-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/podcasts/510343/white-lies",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/white-lies",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/whitelies",
"apple": "https://podcasts.apple.com/podcast/id1462650519?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM0My9wb2RjYXN0LnhtbA",
"spotify": "https://open.spotify.com/show/12yZ2j8vxqhc0QZyRES3ft?si=LfWYEK6URA63hueKVxRLAw",
"rss": "https://feeds.npr.org/510343/podcast.xml"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9zZXJpZXMvamVycnlicm93bi9mZWVkL3BvZGNhc3Qv"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=theatreworks-silicon-valley": {
"isFetching": false,
"latestQuery": {
"from": 0,
"postsToRender": 9
},
"tag": null,
"vitalsOnly": true,
"totalRequested": 9,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 11,
"relation": "eq"
},
"items": [
"arts_13929225",
"arts_13889729",
"arts_13869783",
"arts_13864214",
"arts_13857555",
"arts_13856208",
"arts_13851676",
"arts_13840147",
"arts_13837148"
]
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"pfsSessionReducer": {},
"subscriptionsReducer": {},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_1815": {
"type": "terms",
"id": "arts_1815",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1815",
"found": true
},
"relationships": {},
"featImg": null,
"name": "theatreworks silicon valley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "theatreworks silicon valley Archives | KQED Arts",
"ogDescription": null,
"imageData": {
"ogImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"width": 1200,
"height": 630
},
"twImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
},
"twitterCard": "summary_large_image"
}
},
"ttid": 1827,
"slug": "theatreworks-silicon-valley",
"isLoading": false,
"link": "/arts/tag/theatreworks-silicon-valley"
},
"source_arts_13929225": {
"type": "terms",
"id": "source_arts_13929225",
"meta": {
"override": true
},
"name": "Hot Summer Guide 2023",
"link": "https://www.kqed.org/summerguide2023",
"isLoading": false
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_1237": {
"type": "terms",
"id": "arts_1237",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1237",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Berkeley Rep",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Berkeley Rep Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1249,
"slug": "berkeley-rep",
"isLoading": false,
"link": "/arts/tag/berkeley-rep"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_1321": {
"type": "terms",
"id": "arts_1321",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1321",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco Playhouse",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Playhouse Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1333,
"slug": "san-francisco-playhouse",
"isLoading": false,
"link": "/arts/tag/san-francisco-playhouse"
},
"arts_2360": {
"type": "terms",
"id": "arts_2360",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2360",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Shotgun Players",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Experience Raw & Daring Theatre: Shotgun Players, Berkeley's Gem",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Dive into the electrifying world of Shotgun Players, Berkeley's acclaimed theatre company. Discover immersive productions & intimate experiences.",
"metaRobotsNoIndex": "index",
"title": "Experience Raw & Daring Theatre: Shotgun Players, Berkeley's Gem",
"ogDescription": null
},
"ttid": 2372,
"slug": "shotgun-players",
"isLoading": false,
"link": "/arts/tag/shotgun-players"
},
"arts_20565": {
"type": "terms",
"id": "arts_20565",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "20565",
"found": true
},
"relationships": {},
"featImg": null,
"name": "summerguide2023",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "summerguide2023 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 20577,
"slug": "summerguide2023",
"isLoading": false,
"link": "/arts/tag/summerguide2023"
},
"arts_1072": {
"type": "terms",
"id": "arts_1072",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1072",
"found": true
},
"relationships": {},
"featImg": null,
"name": "theater",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1089,
"slug": "theater",
"isLoading": false,
"link": "/arts/tag/theater"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_1175": {
"type": "terms",
"id": "arts_1175",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1175",
"found": true
},
"relationships": {},
"featImg": null,
"name": "American Conservatory Theater",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "American Conservatory Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1187,
"slug": "american-conservatory-theater",
"isLoading": false,
"link": "/arts/tag/american-conservatory-theater"
},
"arts_4925": {
"type": "terms",
"id": "arts_4925",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4925",
"found": true
},
"relationships": {},
"featImg": null,
"name": "brian copeland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "brian copeland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4937,
"slug": "brian-copeland",
"isLoading": false,
"link": "/arts/tag/brian-copeland"
},
"arts_2435": {
"type": "terms",
"id": "arts_2435",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2435",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Cal Performances",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Cal Performances Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2447,
"slug": "cal-performances",
"isLoading": false,
"link": "/arts/tag/cal-performances"
},
"arts_3388": {
"type": "terms",
"id": "arts_3388",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3388",
"found": true
},
"relationships": {},
"featImg": null,
"name": "christmas",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "christmas Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3400,
"slug": "christmas",
"isLoading": false,
"link": "/arts/tag/christmas"
},
"arts_879": {
"type": "terms",
"id": "arts_879",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dance",
"description": "Covering dance events in the Bay Area and more.",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Covering dance events in the Bay Area and more.",
"title": "dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 897,
"slug": "dance",
"isLoading": false,
"link": "/arts/tag/dance"
},
"arts_3247": {
"type": "terms",
"id": "arts_3247",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3247",
"found": true
},
"relationships": {},
"featImg": null,
"name": "holidays",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "holidays Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3259,
"slug": "holidays",
"isLoading": false,
"link": "/arts/tag/holidays"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_3670": {
"type": "terms",
"id": "arts_3670",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3670",
"found": true
},
"relationships": {},
"featImg": null,
"name": "castro theater",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "castro theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3682,
"slug": "castro-theater",
"isLoading": false,
"link": "/arts/tag/castro-theater"
},
"arts_1707": {
"type": "terms",
"id": "arts_1707",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1707",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Circus",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Circus Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1719,
"slug": "circus",
"isLoading": false,
"link": "/arts/tag/circus"
},
"arts_3649": {
"type": "terms",
"id": "arts_3649",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3649",
"found": true
},
"relationships": {},
"featImg": null,
"name": "galleries",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "galleries Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3661,
"slug": "galleries",
"isLoading": false,
"link": "/arts/tag/galleries"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_3343": {
"type": "terms",
"id": "arts_3343",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3343",
"found": true
},
"relationships": {},
"featImg": null,
"name": "City Lights Theater Company",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "City Lights Theater Company Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3355,
"slug": "city-lights-theater-company",
"isLoading": false,
"link": "/arts/tag/city-lights-theater-company"
},
"arts_4642": {
"type": "terms",
"id": "arts_4642",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4642",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rachael Myrow",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rachael Myrow Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4654,
"slug": "rachael-myrow",
"isLoading": false,
"link": "/arts/tag/rachael-myrow"
},
"arts_1084": {
"type": "terms",
"id": "arts_1084",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1084",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Jose",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Jose Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1101,
"slug": "san-jose",
"isLoading": false,
"link": "/arts/tag/san-jose"
},
"arts_5092": {
"type": "terms",
"id": "arts_5092",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5092",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tony awards",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tony awards Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5104,
"slug": "tony-awards",
"isLoading": false,
"link": "/arts/tag/tony-awards"
},
"arts_6801": {
"type": "terms",
"id": "arts_6801",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6801",
"found": true
},
"relationships": {},
"featImg": null,
"name": "anxiety",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "anxiety Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6813,
"slug": "anxiety",
"isLoading": false,
"link": "/arts/tag/anxiety"
},
"arts_6325": {
"type": "terms",
"id": "arts_6325",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6325",
"found": true
},
"relationships": {},
"featImg": null,
"name": "depression",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "depression Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6337,
"slug": "depression",
"isLoading": false,
"link": "/arts/tag/depression"
},
"arts_1315": {
"type": "terms",
"id": "arts_1315",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1315",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Palo Alto",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Palo Alto Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1327,
"slug": "palo-alto",
"isLoading": false,
"link": "/arts/tag/palo-alto"
},
"arts_5165": {
"type": "terms",
"id": "arts_5165",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5165",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SV Feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SV Feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5177,
"slug": "sv-feature",
"isLoading": false,
"link": "/arts/tag/sv-feature"
},
"arts_5164": {
"type": "terms",
"id": "arts_5164",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5164",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SVCulture",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SVCulture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5176,
"slug": "svculture",
"isLoading": false,
"link": "/arts/tag/svculture"
},
"arts_2286": {
"type": "terms",
"id": "arts_2286",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2286",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mountain View",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mountain View Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2298,
"slug": "mountain-view",
"isLoading": false,
"link": "/arts/tag/mountain-view"
},
"arts_3001": {
"type": "terms",
"id": "arts_3001",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3001",
"found": true
},
"relationships": {},
"featImg": null,
"name": "silicon valley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "silicon valley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3013,
"slug": "silicon-valley",
"isLoading": false,
"link": "/arts/tag/silicon-valley"
},
"arts_4672": {
"type": "terms",
"id": "arts_4672",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4672",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Asian American",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Asian American Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4684,
"slug": "asian-american",
"isLoading": false,
"link": "/arts/tag/asian-american"
},
"arts_2640": {
"type": "terms",
"id": "arts_2640",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2640",
"found": true
},
"relationships": {},
"featImg": null,
"name": "history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "history Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2652,
"slug": "history",
"isLoading": false,
"link": "/arts/tag/history"
},
"arts_5166": {
"type": "terms",
"id": "arts_5166",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5166",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SiliconValley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SiliconValley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5178,
"slug": "siliconvalley",
"isLoading": false,
"link": "/arts/tag/siliconvalley"
}
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"localStorageReducer": {},
"browserHistoryReducer": [],
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {},
"restaurantData": []
},
"location": {
"pathname": "/arts/tag/theatreworks-silicon-valley",
"previousPathname": "/"
}
}
