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"content": "\u003cp>The traditional marker of a fiftieth anniversary is gold, but this year, \u003ca href=\"http://canyoncinema.com/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema\u003c/a> celebrates five decades of existence with all things silver screen. Incorporated as a film distribution business in 1967 by a group of avant-garde, underground and experimental filmmakers (among them, \u003ca href=\"https://ww2.kqed.org/arts/2016/10/28/bruce-conner-artist-who-twice-declared-himself-dead-lives-on-at-sfmoma/\" target=\"_blank\" rel=\"noopener\">Bruce Conner\u003c/a>), Canyon Cinema is now a nonprofit foundation dedicated to the preservation and presentation of non-commercial artist-made moving images. \u003c/p>\n\u003cp>\u003ca href=\"http://canyoncinema50.org/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema 50\u003c/a>, a year-long program celebrating the organization’s past, present and future, kicks off at 7pm on Feb. 15, with “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-15-17-inside-and-out-more-or-less-of-me-presented-by-mark-street/\" target=\"_blank\" rel=\"noopener\">Inside and Out: More or Less of Me\u003c/a>,” a presentation by New York-based artist Mark Street at California College of the Arts. Street’s work ranges from material explorations of 16mm film to urban “essays” to an upcoming documentary tracing economic cycles in North Dakota oil country. “I’m inspired by filmmakers whose artistic journey begins with their quotidian life and takes us into uncharted terrain,” Street says. Along with his own work, Street will screen 16mm shorts from the Canyon Cinema archive, films by Gunvor Nelson, Robert Breer and Paula Froehle.\u003c/p>\n\u003cfigure id=\"attachment_12768080\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg\" alt=\"Mark Street\" width=\"1200\" height=\"675\" class=\"size-full wp-image-12768080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Mark Street \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If Street’s presentation whets your appetite for “uncharted terrain,” but you’re looking to stretch your legs \u003ci>and\u003c/i> watch experimental film, head to the Exploratorium’s Kanbar Forum on Feb. 16, 7:30pm. “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-16-17-changing-the-shape-of-film-an-evening-with-barbara-hammer/\" target=\"_blank\" rel=\"noopener\">Changing the Shape of Film: An Evening with Barbara Hammer\u003c/a>” introduces audiences to two examples of “transmuted cinema” from the filmmaker’s 40-plus-year career. By making a weather balloon a projection surface or putting a 16mm projector in motion, Hammer’s works question the formal arrangement between projector, audience and screen, sometimes forcing viewers to negotiate new vantage points lest they miss out on the action. After the screenings, Hammer, a pioneer of queer cinema with over 80 moving images under her belt, holds court for an intimate conversation with her audience.\u003c/p>\n\u003cfigure id=\"attachment_12768084\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg\" alt=\"Barbara Hammer performing 'Available Apace' at A Space, Toronto, 1979.\" width=\"2048\" height=\"1578\" class=\"size-full wp-image-12768084\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-800x617.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-768x592.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1020x786.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1920x1480.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1180x909.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-960x740.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-240x185.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-375x289.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-520x401.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Hammer performing ‘Available Apace’ at A Space, Toronto, 1979. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Canyon Cinema 50 screening series continues for the rest of 2017, with yet-to-be-announced events at partner institutions the Exploratorium, Pro Arts, BAMPFA, the San Francisco Film Society and San Francisco Cinematheque. If there seems to be very little to look forward to in the year(s) to come, Canyon Cinema proves the avant-garde, underground and experimental can and will survive despite political climates that would rather see such artistic practices discredited, defunded and dissolved. Long may it survive as well.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cstrong>Canyon Cinema 50\u003c/strong> begins Wednesday, Feb. 15 and continues throughout 2017. For more information on the series, visit \u003ca href=\"http://canyoncinema50.org\" target=\"_blank\" rel=\"noopener\">canyoncinema50.org\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The traditional marker of a fiftieth anniversary is gold, but this year, \u003ca href=\"http://canyoncinema.com/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema\u003c/a> celebrates five decades of existence with all things silver screen. Incorporated as a film distribution business in 1967 by a group of avant-garde, underground and experimental filmmakers (among them, \u003ca href=\"https://ww2.kqed.org/arts/2016/10/28/bruce-conner-artist-who-twice-declared-himself-dead-lives-on-at-sfmoma/\" target=\"_blank\" rel=\"noopener\">Bruce Conner\u003c/a>), Canyon Cinema is now a nonprofit foundation dedicated to the preservation and presentation of non-commercial artist-made moving images. \u003c/p>\n\u003cp>\u003ca href=\"http://canyoncinema50.org/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema 50\u003c/a>, a year-long program celebrating the organization’s past, present and future, kicks off at 7pm on Feb. 15, with “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-15-17-inside-and-out-more-or-less-of-me-presented-by-mark-street/\" target=\"_blank\" rel=\"noopener\">Inside and Out: More or Less of Me\u003c/a>,” a presentation by New York-based artist Mark Street at California College of the Arts. Street’s work ranges from material explorations of 16mm film to urban “essays” to an upcoming documentary tracing economic cycles in North Dakota oil country. “I’m inspired by filmmakers whose artistic journey begins with their quotidian life and takes us into uncharted terrain,” Street says. Along with his own work, Street will screen 16mm shorts from the Canyon Cinema archive, films by Gunvor Nelson, Robert Breer and Paula Froehle.\u003c/p>\n\u003cfigure id=\"attachment_12768080\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg\" alt=\"Mark Street\" width=\"1200\" height=\"675\" class=\"size-full wp-image-12768080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Mark Street \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If Street’s presentation whets your appetite for “uncharted terrain,” but you’re looking to stretch your legs \u003ci>and\u003c/i> watch experimental film, head to the Exploratorium’s Kanbar Forum on Feb. 16, 7:30pm. “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-16-17-changing-the-shape-of-film-an-evening-with-barbara-hammer/\" target=\"_blank\" rel=\"noopener\">Changing the Shape of Film: An Evening with Barbara Hammer\u003c/a>” introduces audiences to two examples of “transmuted cinema” from the filmmaker’s 40-plus-year career. By making a weather balloon a projection surface or putting a 16mm projector in motion, Hammer’s works question the formal arrangement between projector, audience and screen, sometimes forcing viewers to negotiate new vantage points lest they miss out on the action. After the screenings, Hammer, a pioneer of queer cinema with over 80 moving images under her belt, holds court for an intimate conversation with her audience.\u003c/p>\n\u003cfigure id=\"attachment_12768084\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg\" alt=\"Barbara Hammer performing 'Available Apace' at A Space, Toronto, 1979.\" width=\"2048\" height=\"1578\" class=\"size-full wp-image-12768084\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-800x617.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-768x592.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1020x786.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1920x1480.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1180x909.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-960x740.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-240x185.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-375x289.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-520x401.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Hammer performing ‘Available Apace’ at A Space, Toronto, 1979. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Canyon Cinema 50 screening series continues for the rest of 2017, with yet-to-be-announced events at partner institutions the Exploratorium, Pro Arts, BAMPFA, the San Francisco Film Society and San Francisco Cinematheque. If there seems to be very little to look forward to in the year(s) to come, Canyon Cinema proves the avant-garde, underground and experimental can and will survive despite political climates that would rather see such artistic practices discredited, defunded and dissolved. Long may it survive as well.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cstrong>Canyon Cinema 50\u003c/strong> begins Wednesday, Feb. 15 and continues throughout 2017. For more information on the series, visit \u003ca href=\"http://canyoncinema50.org\" target=\"_blank\" rel=\"noopener\">canyoncinema50.org\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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