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"content": "\u003cp>In Charlie Puth’s music video for “Done for Me,” his dance single featuring Kehlani, the camera cuts to Kehlani dancing on a love interest under dim disco lights. As she cozies up next to the young woman in a hot tub and, later, on a silk comforter, Kehlani’s body language conveys an easy, natural affection — and not one contrived for shock value, like Katy Perry’s “I Kissed a Girl” and other gay-for-a-day displays in mainstream pop.\u003c/p>\n\u003cp>https://youtu.be/TdyllLZeviY\u003c/p>\n\u003cp>Kehlani has long been candid \u003ca href=\"http://www.thefader.com/2015/08/04/kehlani-cover-story-interview\" target=\"_blank\" rel=\"noopener\">in interviews\u003c/a> about her fluid sexuality and history of dating various genders. But with her recent exposure to a broader audience — opening for Demi Lovato’s tour, a feature on Cardi B’s \u003cem>Invasion of Privacy\u003c/em> — some newer fans seemed to have questions about her sexuality.\u003c/p>\n\u003cp>On Apr. 22, Kehlani \u003ca href=\"https://www.billboard.com/articles/news/pride/8367038/kehlani-sexuality-queer-twitter\" target=\"_blank\" rel=\"noopener\">took to Twitter\u003c/a> to clarify: “cuz i keep geddin asked.. i’m queer. not bi, not straight. i’m attracted to women, men, REALLY attracted to queer men, non binary people, intersex people, trans people. lil poly pansexual papi hello good morning. does that answer your questions?” (The tweet has since been deleted.)\u003c/p>\n\u003cp>The 23-year-old singer’s flexible definition of her sexuality resonates with an increasing number of young people. According to a recent study, \u003ca href=\"https://www.out.com/news-opinion/2016/3/11/less-50-teens-identify-straight-says-new-study\" target=\"_blank\" rel=\"noopener\">less than half of U.S. teenagers\u003c/a> identify as straight. And in the Bay Area, it’s more common to meet people who call themselves “\u003ca href=\"http://www.slate.com/blogs/outward/2016/12/20/young_queer_women_don_t_like_lesbian_as_a_name_here_s_why.html\" target=\"_blank\" rel=\"noopener\">queer\u003c/a>” — as opposed to more traditional orientations like gay, lesbian or bisexual — to signify a greater fluidity and inclusion of trans and \u003ca href=\"https://www.kqed.org/futureofyou/335790/boy-girl-both-neither-a-new-generation-overthrows-gender\" target=\"_blank\" rel=\"noopener\">non-binary\u003c/a> people.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I love that Kehlani came out as queer as opposed to coming out as bi or lesbian or straight,” says Kelly Lovemonster, the queer-identifying promoter behind the popular Bay Area LGBTQ party Swagger Like Us. “I think the queer identity is a very important one and it’s also one that, for me, is infused with politics.”\u003c/p>\n\u003cp>He continues, “To identify as queer is to say you actively are aware of folks who live on the margins; you try your best to think outside of a [gender] binary.”\u003c/p>\n\u003cp>Historically speaking, young, female pop artists have striven to appeal to the straight, male gaze. Kehlani’s declaration that she’s “least attracted to straight men” in a follow-up Apr. 22 tweet is a clear break from this tradition, one that gives other young, female artists permission to be themselves.\u003c/p>\n\u003cp>“I think it’s amazing, not only how open she is, but the fact that she is someone who looks relatable,” says Rayana Jay, one of the Bay Area’s most buzzed-about new R&B artists. “She looks like us. A woman of color, tattooed, from home. I mean, it just makes it so much more real when you can relate to the person it’s coming from.”\u003c/p>\n\u003cp>https://youtu.be/_wVB6pfWwnE\u003c/p>\n\u003cp>Jay says she’s still unsure how she identifies, but she says that Kehlani’s recent statements showed her that “we’re not alone in this self-discovery, and we discover ourselves through other people.”\u003c/p>\n\u003cp>Siri, an Oakland rapper and singer who recently opened for tUnE-yArDs at the Fox Theater, says Kehlani’s new openness with her sexuality in her lyrics has inspired her to write songs about love interests other than men. (Kehlani’s 2017 single “Honey” is an earnest love song about a woman: “I like my girls just like I like my honey; sweet / A little selfish.”)\u003c/p>\n\u003cp>“[Kehlani’s] work opens up a lane for people to write what they want and be a part of the narrative,” says Siri. “We’re telling stories for people who don’t feel like their stories are being told or could be told.”\u003c/p>\n\u003cp>As other LGBTQ artists — especially those who are visibly gender non-conforming, like Big Freedia — continue to be \u003ca href=\"https://noisey.vice.com/en_us/article/59j4xn/big-freedia-drake-beyonce-essay\" target=\"_blank\" rel=\"noopener\">sidelined from the music industry\u003c/a>, let’s hope Kehlani’s trans-inclusive queerness starts necessary, long-overdue dialogues about sexuality and gender in the music industry — and which musicians are allowed to succeed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In Charlie Puth’s music video for “Done for Me,” his dance single featuring Kehlani, the camera cuts to Kehlani dancing on a love interest under dim disco lights. As she cozies up next to the young woman in a hot tub and, later, on a silk comforter, Kehlani’s body language conveys an easy, natural affection — and not one contrived for shock value, like Katy Perry’s “I Kissed a Girl” and other gay-for-a-day displays in mainstream pop.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TdyllLZeviY'\n title='//www.youtube.com/embed/TdyllLZeviY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Kehlani has long been candid \u003ca href=\"http://www.thefader.com/2015/08/04/kehlani-cover-story-interview\" target=\"_blank\" rel=\"noopener\">in interviews\u003c/a> about her fluid sexuality and history of dating various genders. But with her recent exposure to a broader audience — opening for Demi Lovato’s tour, a feature on Cardi B’s \u003cem>Invasion of Privacy\u003c/em> — some newer fans seemed to have questions about her sexuality.\u003c/p>\n\u003cp>On Apr. 22, Kehlani \u003ca href=\"https://www.billboard.com/articles/news/pride/8367038/kehlani-sexuality-queer-twitter\" target=\"_blank\" rel=\"noopener\">took to Twitter\u003c/a> to clarify: “cuz i keep geddin asked.. i’m queer. not bi, not straight. i’m attracted to women, men, REALLY attracted to queer men, non binary people, intersex people, trans people. lil poly pansexual papi hello good morning. does that answer your questions?” (The tweet has since been deleted.)\u003c/p>\n\u003cp>The 23-year-old singer’s flexible definition of her sexuality resonates with an increasing number of young people. According to a recent study, \u003ca href=\"https://www.out.com/news-opinion/2016/3/11/less-50-teens-identify-straight-says-new-study\" target=\"_blank\" rel=\"noopener\">less than half of U.S. teenagers\u003c/a> identify as straight. And in the Bay Area, it’s more common to meet people who call themselves “\u003ca href=\"http://www.slate.com/blogs/outward/2016/12/20/young_queer_women_don_t_like_lesbian_as_a_name_here_s_why.html\" target=\"_blank\" rel=\"noopener\">queer\u003c/a>” — as opposed to more traditional orientations like gay, lesbian or bisexual — to signify a greater fluidity and inclusion of trans and \u003ca href=\"https://www.kqed.org/futureofyou/335790/boy-girl-both-neither-a-new-generation-overthrows-gender\" target=\"_blank\" rel=\"noopener\">non-binary\u003c/a> people.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I love that Kehlani came out as queer as opposed to coming out as bi or lesbian or straight,” says Kelly Lovemonster, the queer-identifying promoter behind the popular Bay Area LGBTQ party Swagger Like Us. “I think the queer identity is a very important one and it’s also one that, for me, is infused with politics.”\u003c/p>\n\u003cp>He continues, “To identify as queer is to say you actively are aware of folks who live on the margins; you try your best to think outside of a [gender] binary.”\u003c/p>\n\u003cp>Historically speaking, young, female pop artists have striven to appeal to the straight, male gaze. Kehlani’s declaration that she’s “least attracted to straight men” in a follow-up Apr. 22 tweet is a clear break from this tradition, one that gives other young, female artists permission to be themselves.\u003c/p>\n\u003cp>“I think it’s amazing, not only how open she is, but the fact that she is someone who looks relatable,” says Rayana Jay, one of the Bay Area’s most buzzed-about new R&B artists. “She looks like us. A woman of color, tattooed, from home. I mean, it just makes it so much more real when you can relate to the person it’s coming from.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_wVB6pfWwnE'\n title='//www.youtube.com/embed/_wVB6pfWwnE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jay says she’s still unsure how she identifies, but she says that Kehlani’s recent statements showed her that “we’re not alone in this self-discovery, and we discover ourselves through other people.”\u003c/p>\n\u003cp>Siri, an Oakland rapper and singer who recently opened for tUnE-yArDs at the Fox Theater, says Kehlani’s new openness with her sexuality in her lyrics has inspired her to write songs about love interests other than men. (Kehlani’s 2017 single “Honey” is an earnest love song about a woman: “I like my girls just like I like my honey; sweet / A little selfish.”)\u003c/p>\n\u003cp>“[Kehlani’s] work opens up a lane for people to write what they want and be a part of the narrative,” says Siri. “We’re telling stories for people who don’t feel like their stories are being told or could be told.”\u003c/p>\n\u003cp>As other LGBTQ artists — especially those who are visibly gender non-conforming, like Big Freedia — continue to be \u003ca href=\"https://noisey.vice.com/en_us/article/59j4xn/big-freedia-drake-beyonce-essay\" target=\"_blank\" rel=\"noopener\">sidelined from the music industry\u003c/a>, let’s hope Kehlani’s trans-inclusive queerness starts necessary, long-overdue dialogues about sexuality and gender in the music industry — and which musicians are allowed to succeed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Valentine’s Day can be cheesy, but KQED Arts’ playlist of new Bay Area love songs is anything but. These 10 tracks are full of smooth grooves and sexy rhythms to get your Feb. 14 going right — whether you’re hanging out with your boo or dancing alone in your room.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/2017/08/30/pop-music-is-mostly-ignoring-rbs-women-of-color-and-it-totally-sucks/\" target=\"_blank\" rel=\"noopener\">Kehlani\u003c/a> is adorably head-over-heels with her lady in the stripped-down, acoustic “Honey.” Meanwhile, \u003ca href=\"https://soundcloud.com/tianomore\" target=\"_blank\" rel=\"noopener\">Tia Nomore\u003c/a> spits game on the ’90s freestyle-inspired banger “Beggin’ (Remix),” also featuring Felicia Douglass and Studio Dad. \u003ca href=\"https://ww2.kqed.org/arts/2016/07/25/jay-som-and-the-transformation-of-turn-into/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a> charms on the low-key indie rock jam “I Think You’re Alright,” and producer \u003ca href=\"https://ww2.kqed.org/arts/2017/10/16/behind-the-beats-mikos-da-gawd/\" target=\"_blank\" rel=\"noopener\">Mikos Da Gawd\u003c/a> raps on his disco track “Start Things New,” which — refreshingly — is about approaching love from a place of openness and honesty.\u003c/p>\n\u003cp>Stream below and tell us your favorite song in the comments. And if you still need a valentine to give to your date, check out this year’s batch of our original \u003ca href=\"https://ww2.kqed.org/arts/2018/02/12/bay-area-themed-valentines-for-2018-from-sf-with-love/\" target=\"_blank\" rel=\"noopener\">Bay Area valentines\u003c/a> here.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://embed.spotify.com/?uri=spotify%3Auser%3Aga2ldjo713dvtkdfxiik0wai6%3Aplaylist%3A4QtaXwBQ0WP9CABwY8OT2t\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Valentine’s Day can be cheesy, but KQED Arts’ playlist of new Bay Area love songs is anything but. These 10 tracks are full of smooth grooves and sexy rhythms to get your Feb. 14 going right — whether you’re hanging out with your boo or dancing alone in your room.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/2017/08/30/pop-music-is-mostly-ignoring-rbs-women-of-color-and-it-totally-sucks/\" target=\"_blank\" rel=\"noopener\">Kehlani\u003c/a> is adorably head-over-heels with her lady in the stripped-down, acoustic “Honey.” Meanwhile, \u003ca href=\"https://soundcloud.com/tianomore\" target=\"_blank\" rel=\"noopener\">Tia Nomore\u003c/a> spits game on the ’90s freestyle-inspired banger “Beggin’ (Remix),” also featuring Felicia Douglass and Studio Dad. \u003ca href=\"https://ww2.kqed.org/arts/2016/07/25/jay-som-and-the-transformation-of-turn-into/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a> charms on the low-key indie rock jam “I Think You’re Alright,” and producer \u003ca href=\"https://ww2.kqed.org/arts/2017/10/16/behind-the-beats-mikos-da-gawd/\" target=\"_blank\" rel=\"noopener\">Mikos Da Gawd\u003c/a> raps on his disco track “Start Things New,” which — refreshingly — is about approaching love from a place of openness and honesty.\u003c/p>\n\u003cp>Stream below and tell us your favorite song in the comments. And if you still need a valentine to give to your date, check out this year’s batch of our original \u003ca href=\"https://ww2.kqed.org/arts/2018/02/12/bay-area-themed-valentines-for-2018-from-sf-with-love/\" target=\"_blank\" rel=\"noopener\">Bay Area valentines\u003c/a> here.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://embed.spotify.com/?uri=spotify%3Auser%3Aga2ldjo713dvtkdfxiik0wai6%3Aplaylist%3A4QtaXwBQ0WP9CABwY8OT2t\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The 60th Grammy Awards might well be its most diverse.\u003c/p>\n\u003cp>Early Tuesday the Recording Academy announced the first round of nominees following changes to its nomination process. After much-celebrated works by Black musicians were snubbed in recent years, the academy implemented a digitized voting system in June and added review committees for rap, new age and contemporary instrumental nominees — two decisions that the academy hoped would result in a level playing field.\u003c/p>\n\u003cp>The impact was apparent this year. Kendrick Lamar, Childish Gambino, and former GRAMMY winners Bruno Mars and Jay-Z, are all in contention for Album of the Year, but not one white artist. (Ed Sheeran’s \u003ci>Divide,\u003c/i> one of the year’s best sellers, was \u003ca href=\"https://www.washingtonpost.com/news/business/wp/2017/11/28/by-shunning-taylor-swift-and-ed-sheeran-grammys-somewhat-move-away-from-mega-sellers/?utm_term=.9840407b0906\" target=\"_blank\" rel=\"noopener\">expected to be in the running\u003c/a>.)\u003c/p>\n\u003cp>The Bay Area, in all its eclectic musical breadth, has also earned a considerable amount of love at the Grammy nominations this year. Here’s a list of six Bay Area artists nominated for the gilded gramophone.\u003c/p>\n\u003ch2>Kehlani\u003c/h2>\n\u003cp>\u003cstrong>Best R&B Performance\u003c/strong> — “Distraction”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oakland’s very own Kehlani follows her sterling record with the Recording Academy with a nod for “Distraction,” a track off her 2017 release \u003cem>SweetSexySavage\u003c/em>. It is her second Grammy nomination in her short but illustrious career: her mixtape \u003cem>You Should Be Here\u003c/em> was nominated in 2016 for Best Urban Contemporary Album.\u003c/p>\n\u003cp>“Distraction,” a number produced by Pop & Oak, distills the promise of her album title into a three-minute confection. It is in contention with Bruno Mars’ “That’s What I Like,” SZA’s “The Weekend,” Ledisi’s “High” and Daniel Caesar’s “Get You.”\u003c/p>\n\u003ch2>Metallica\u003c/h2>\n\u003cp>\u003cstrong>Best Rock Song\u003c/strong> — “Atlas, Rise!”\u003cbr>\n\u003cstrong>Best Rock Album\u003c/strong> — \u003cem>Hardwired…To Self-Destruct\u003c/em>\u003c/p>\n\u003cp>\u003cem>Hardwired…to Self-Destruct\u003c/em>, Metallica’s tenth album, was recorded entirely in the band’s San Rafael headquarters and released in November 2016. It heralds a return-to-form for the band, who have already won nine Grammys.\u003c/p>\n\u003cp>Its nominated single, “Atlas, Rise!” is in competition for Best Rock Song with songs by acts as varied as rap-rock songwriter K. Flay, fellow metal stalwarts Avenged Sevenfold and perennial Grammy favorites Foo Fighters.\u003c/p>\n\u003cp>The nomination follows Metallica’s headlining performance at \u003ca href=\"https://ww2.kqed.org/arts/2017/11/10/photo-recap-band-together-bay-area/\" target=\"_blank\" rel=\"noopener\">Band Together Bay Area\u003c/a>, a North Bay fire benefit held in early November at AT&T Park.\u003c/p>\n\u003ch2>Kitaro\u003c/h2>\n\u003cp>\u003cstrong>Best New Age Album\u003c/strong> — \u003cem>Sacred Journey of Ku-Kai Vol. 5\u003c/em>\u003c/p>\n\u003cp>Japanese new age composer Kitaro’s \u003cem>Sacred Journey of Ku-Kai\u003c/em> series was conceived following the 9/11 attacks. It is a statement on global connectivity and peace amid a period of unrest.\u003c/p>\n\u003cp>He’s been putting out volumes from this series since 2003, all of which have earned Grammy nods. And Kitaro, who now resides in Sebastopol, couldn’t have dropped this fifth volume at a better time. As his North Bay community comes to grips with environmental disaster, his work, which is laden with tranquil natural soundscapes, is a necessary reminder of Earth’s majesty in spite of its cruelties.\u003c/p>\n\u003cp>Following the North Bay wildfires, Kitaro performed a duo of shows in Healsburg’s Raven Performing Arts Theater shows on Nov. 19 — one recalling the immersive glory of space, and the other assuaging Sonoma County residents afflicted by the fires.\u003c/p>\n\u003ch2>Alphabet Rockers\u003c/h2>\n\u003cp>\u003cstrong>Best Children’s Album\u003c/strong> — \u003cem>Rise Shine #Woke\u003c/em>\u003c/p>\n\u003cp>Alphabet Rockers’ latest release, \u003cem>Rise Shine #Woke\u003c/em>, is the rare release that doesn’t treat its audience with kid gloves. Tommy Shepherd, Jr. and Kaitlin McGaw, the children’s hip-hop outfit’s two lead performers, have produced a work that stands for multiculturalism and social justice amid a political time where these goals seem to be held in low regard. (We covered the release of this album \u003ca href=\"https://ww2.kqed.org/arts/2017/02/01/alphabet-rockers-now-making-childrens-songs-about-social-issues/\" target=\"_blank\" rel=\"noopener\">back in February\u003c/a>.)\u003c/p>\n\u003ch2>The Grateful Dead\u003c/h2>\n\u003cp>\u003cstrong>Best Music Film\u003c/strong> — \u003cem>Long Strange Trip\u003c/em>\u003cbr>\n\u003cstrong>Best Boxed Or Special Limited Edition Package\u003c/strong> — \u003cem>May 1977: Get Shown the Light\u003c/em>\u003c/p>\n\u003cp>The Grateful Dead’s two Grammy nods this year are for works that serve as great introductions to their world. \u003cem>Get Shown the Light — \u003c/em>a boxset of remastered audio from their revered performance at Cornell University’s Barton Hall and other performances from that era — is a polished display of the Dead at its most approachable. The nearly four-hour documentary \u003cem>Long Strange Trip\u003c/em>, true to its word, is a sprawling, oftentimes messy document of the band at its peak.\u003c/p>\n\u003ch2>Julian Lage\u003c/h2>\n\u003cp>\u003cstrong>Best Contemporary Instrumental Album\u003c/strong> — \u003cem>Mount Royal \u003c/em>(with Chris Eldridge)\u003c/p>\n\u003cp>Santa Rosa local Julian Lage is nothing if not prodigious. By the age of 13, Lage was performing on the Grammys stage. By 22, his debut solo album was nominated for a Grammy.\u003c/p>\n\u003cp>At 29, well, he’s crafting lovely guitar music with the likes of Wilco’s Nels Cline and Punch Brothers’ Chris Eldridge. His second full-length with Eldridge, \u003cem>Mount Royal\u003c/em> was nominated for a Grammy, both their second nod by the Recording Academy. Not too shabby for someone who’s just about to celebrate his 30th birthday in less than a month.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Honorable mention: Florida blues rock duo Tedeschi Trucks Band, while they’re not based in the Bay Area, received a Grammy nomination for Best Contemporary Blues Album for a live album recorded right in Oakland’s Fox Theatre.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The 60th Grammy Awards might well be its most diverse.\u003c/p>\n\u003cp>Early Tuesday the Recording Academy announced the first round of nominees following changes to its nomination process. After much-celebrated works by Black musicians were snubbed in recent years, the academy implemented a digitized voting system in June and added review committees for rap, new age and contemporary instrumental nominees — two decisions that the academy hoped would result in a level playing field.\u003c/p>\n\u003cp>The impact was apparent this year. Kendrick Lamar, Childish Gambino, and former GRAMMY winners Bruno Mars and Jay-Z, are all in contention for Album of the Year, but not one white artist. (Ed Sheeran’s \u003ci>Divide,\u003c/i> one of the year’s best sellers, was \u003ca href=\"https://www.washingtonpost.com/news/business/wp/2017/11/28/by-shunning-taylor-swift-and-ed-sheeran-grammys-somewhat-move-away-from-mega-sellers/?utm_term=.9840407b0906\" target=\"_blank\" rel=\"noopener\">expected to be in the running\u003c/a>.)\u003c/p>\n\u003cp>The Bay Area, in all its eclectic musical breadth, has also earned a considerable amount of love at the Grammy nominations this year. Here’s a list of six Bay Area artists nominated for the gilded gramophone.\u003c/p>\n\u003ch2>Kehlani\u003c/h2>\n\u003cp>\u003cstrong>Best R&B Performance\u003c/strong> — “Distraction”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oakland’s very own Kehlani follows her sterling record with the Recording Academy with a nod for “Distraction,” a track off her 2017 release \u003cem>SweetSexySavage\u003c/em>. It is her second Grammy nomination in her short but illustrious career: her mixtape \u003cem>You Should Be Here\u003c/em> was nominated in 2016 for Best Urban Contemporary Album.\u003c/p>\n\u003cp>“Distraction,” a number produced by Pop & Oak, distills the promise of her album title into a three-minute confection. It is in contention with Bruno Mars’ “That’s What I Like,” SZA’s “The Weekend,” Ledisi’s “High” and Daniel Caesar’s “Get You.”\u003c/p>\n\u003ch2>Metallica\u003c/h2>\n\u003cp>\u003cstrong>Best Rock Song\u003c/strong> — “Atlas, Rise!”\u003cbr>\n\u003cstrong>Best Rock Album\u003c/strong> — \u003cem>Hardwired…To Self-Destruct\u003c/em>\u003c/p>\n\u003cp>\u003cem>Hardwired…to Self-Destruct\u003c/em>, Metallica’s tenth album, was recorded entirely in the band’s San Rafael headquarters and released in November 2016. It heralds a return-to-form for the band, who have already won nine Grammys.\u003c/p>\n\u003cp>Its nominated single, “Atlas, Rise!” is in competition for Best Rock Song with songs by acts as varied as rap-rock songwriter K. Flay, fellow metal stalwarts Avenged Sevenfold and perennial Grammy favorites Foo Fighters.\u003c/p>\n\u003cp>The nomination follows Metallica’s headlining performance at \u003ca href=\"https://ww2.kqed.org/arts/2017/11/10/photo-recap-band-together-bay-area/\" target=\"_blank\" rel=\"noopener\">Band Together Bay Area\u003c/a>, a North Bay fire benefit held in early November at AT&T Park.\u003c/p>\n\u003ch2>Kitaro\u003c/h2>\n\u003cp>\u003cstrong>Best New Age Album\u003c/strong> — \u003cem>Sacred Journey of Ku-Kai Vol. 5\u003c/em>\u003c/p>\n\u003cp>Japanese new age composer Kitaro’s \u003cem>Sacred Journey of Ku-Kai\u003c/em> series was conceived following the 9/11 attacks. It is a statement on global connectivity and peace amid a period of unrest.\u003c/p>\n\u003cp>He’s been putting out volumes from this series since 2003, all of which have earned Grammy nods. And Kitaro, who now resides in Sebastopol, couldn’t have dropped this fifth volume at a better time. As his North Bay community comes to grips with environmental disaster, his work, which is laden with tranquil natural soundscapes, is a necessary reminder of Earth’s majesty in spite of its cruelties.\u003c/p>\n\u003cp>Following the North Bay wildfires, Kitaro performed a duo of shows in Healsburg’s Raven Performing Arts Theater shows on Nov. 19 — one recalling the immersive glory of space, and the other assuaging Sonoma County residents afflicted by the fires.\u003c/p>\n\u003ch2>Alphabet Rockers\u003c/h2>\n\u003cp>\u003cstrong>Best Children’s Album\u003c/strong> — \u003cem>Rise Shine #Woke\u003c/em>\u003c/p>\n\u003cp>Alphabet Rockers’ latest release, \u003cem>Rise Shine #Woke\u003c/em>, is the rare release that doesn’t treat its audience with kid gloves. Tommy Shepherd, Jr. and Kaitlin McGaw, the children’s hip-hop outfit’s two lead performers, have produced a work that stands for multiculturalism and social justice amid a political time where these goals seem to be held in low regard. (We covered the release of this album \u003ca href=\"https://ww2.kqed.org/arts/2017/02/01/alphabet-rockers-now-making-childrens-songs-about-social-issues/\" target=\"_blank\" rel=\"noopener\">back in February\u003c/a>.)\u003c/p>\n\u003ch2>The Grateful Dead\u003c/h2>\n\u003cp>\u003cstrong>Best Music Film\u003c/strong> — \u003cem>Long Strange Trip\u003c/em>\u003cbr>\n\u003cstrong>Best Boxed Or Special Limited Edition Package\u003c/strong> — \u003cem>May 1977: Get Shown the Light\u003c/em>\u003c/p>\n\u003cp>The Grateful Dead’s two Grammy nods this year are for works that serve as great introductions to their world. \u003cem>Get Shown the Light — \u003c/em>a boxset of remastered audio from their revered performance at Cornell University’s Barton Hall and other performances from that era — is a polished display of the Dead at its most approachable. The nearly four-hour documentary \u003cem>Long Strange Trip\u003c/em>, true to its word, is a sprawling, oftentimes messy document of the band at its peak.\u003c/p>\n\u003ch2>Julian Lage\u003c/h2>\n\u003cp>\u003cstrong>Best Contemporary Instrumental Album\u003c/strong> — \u003cem>Mount Royal \u003c/em>(with Chris Eldridge)\u003c/p>\n\u003cp>Santa Rosa local Julian Lage is nothing if not prodigious. By the age of 13, Lage was performing on the Grammys stage. By 22, his debut solo album was nominated for a Grammy.\u003c/p>\n\u003cp>At 29, well, he’s crafting lovely guitar music with the likes of Wilco’s Nels Cline and Punch Brothers’ Chris Eldridge. His second full-length with Eldridge, \u003cem>Mount Royal\u003c/em> was nominated for a Grammy, both their second nod by the Recording Academy. Not too shabby for someone who’s just about to celebrate his 30th birthday in less than a month.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Honorable mention: Florida blues rock duo Tedeschi Trucks Band, while they’re not based in the Bay Area, received a Grammy nomination for Best Contemporary Blues Album for a live album recorded right in Oakland’s Fox Theatre.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Goapele Weaves Sultry R&B With Activism on 'Dreamseeker'",
"headTitle": "Goapele Weaves Sultry R&B With Activism on ‘Dreamseeker’ | KQED",
"content": "\u003cp>Goapele walks into a downtown Oakland coffee shop for our interview looking perfectly poised, in a banana-yellow tracksuit with subtle accents of gold jewelry. As she waits in line to order, other patrons start to notice and look excitedly in in her direction.\u003c/p>\n\u003cp>“It’s like this when we go to certain cities,” her manager explains — like, for example the singer’s native Oakland. As Goapele sits down, a woman comes over and nervously offers her a business card, inviting her to get involved with a nonprofit that advocates for immigrant women. Goapele thanks her warmly — not in the polite way of a celebrity interacting with a fan, but as if she’ll genuinely consider the offer.\u003c/p>\n\u003cfigure id=\"attachment_13250206\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13250206\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-800x1200.jpg\" alt=\"Goapele\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-520x780.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Goapele. \u003ccite>(Samuel Whitworth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though she’s lived in Los Angeles for the past six years, Goapele is still an Oakland legend, celebrated in equal measure for her music and humanitarian work. She first entered the public consciousness in 2001 with her debut album, \u003cem>Closer\u003c/em>, which peaked at No. 24 on Billboard’s independent albums chart. Add in her many collaborations with Zion-I and Hieroglyphics — as well as high-profile Bay Area acts like E-40 — and it’s not hard to see why she’s made a name for herself as one of the most formidable local artists of her generation.\u003c/p>\n\u003cp>This week, she’s in Oakland to give her new EP, \u003cem>Dreamseeker\u003c/em>, out May 19, a proper hometown reception. She’s introducing it to Oakland with eight back-to-back shows — two per night — at Yoshi’s from Thursday, May 18 through Sunday, May 21.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lskwOztBmlg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The concept [of \u003cem>Dreamseeker\u003c/em>] was just capturing different snapshots of emotions and vibes over the past couple years and putting it into a project that could just be played from start to finish,” she says. “I feel like we don’t always get to show the complexities of ourselves as women.”\u003c/p>\n\u003cp>Indeed, when Goapele was first coming up as a singer, she was one of a handful of women in Oakland’s male-dominated underground scene. Now, with local R&B artists like Kehlani, \u003ca href=\"https://ww2.kqed.org/arts/2017/03/20/rayana-jay-wants-to-talk-about-your-messy-breakup/\" target=\"_blank\" rel=\"noopener noreferrer\">Rayana Jay\u003c/a>, and Samaria gaining recognition, it’s clear she helped pave the way for a new generation of female talent.\u003c/p>\n\u003cp>“It’s nice to see a new wave of R&B coming out of here, to see more women making it out of here and having a huge platform,” she says. She downplays her role as a pioneer, but lets out an excited squeal as the conversation turns to the ways the scene is becoming more inclusive.\u003c/p>\n\u003cp>“The Bay Area is an influential place in terms of swag, but we don’t always get credit for it,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13250512\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13250512\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani.jpg\" alt=\"Goapele and Kehlani backstage at the Fox Theater in 2015, after Goapele appeared as a special guest of the singer.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Goapele and Kehlani backstage at the Fox Theater in 2015, after Goapele appeared as a special guest of the singer. \u003ccite>(Goapele/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Dreamseeker\u003c/em> shows Goapele updating her sound, moving towards a trap-influenced style of R&B –though the project also contains strains of jazz and neo-soul that have been present in her music from the beginning. The EP cruises along at a modest speed, building tension through dusky undertones in Goapele’s usually velvety voice.\u003c/p>\n\u003cp>Like Goapele herself, \u003cem>Dreamseeker\u003c/em> strikes a balance between edgy and classic. The seductive lead single, “$ecret,” conjures images of a slow wind on the dance floor; airy anthems like “Power” celebrate self-empowerment and liberation.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FBiEwOz9qeQ\u003c/p>\n\u003cp>“Coming from the Bay Area and coming from the family I did, I always felt encouraged to speak my mind,” she says of her evolution. (Goapele is the daughter of a South African anti-apartheid activist Douglas Mohlabane.) But “permission to feel like it’s okay to be sexy and it’s okay to be vulnerable — that’s something that I had to grow into.”\u003c/p>\n\u003cp>\u003cem>Dreamseeker \u003c/em>also taps into Goapele’s activist roots. The stripped-down political track “Stand” grapples with the ongoing police brutality crisis. “It was a song I started writing years ago when Oscar Grant was murdered,” she said. “Since then, [police brutality is] happening all the time, all over the U.S.”\u003c/p>\n\u003cp>For a moment, she breaks her aura of calm. “We’re still not seeing laws change to protect citizens, really. I feel like with the current administration, women’s rights are being majorly threatened, [as well as] immigrant rights. So I felt like it was time to say something.”\u003c/p>\n\u003cp>Fighting for social justice causes comes second nature to the musician. Currently, she and soul singer Raheem DeVaughn have been traveling with the country with the AIDS Healthcare Foundation to educate vulnerable populations — especially women of color — about the disease.\u003c/p>\n\u003cfigure id=\"attachment_13250511\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13250511\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-1020x1020.jpg\" alt=\"Goapele at an AIDS Healthcare Foundation event in Oakland.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_.jpg 1080w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Goapele at an AIDS Healthcare Foundation event in Oakland. \u003ccite>(Goapele/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re not even really doing shows,” she says. “It’s more coming together as a community at these events that are free to the public, just to open up the conversation so people can be comfortable … and [hopefully] we can figure out where the disconnect is. If the information is out there, why are the statistics so high? And how can we shift that?”\u003c/p>\n\u003cp>In Goapele’s view, being a public figure comes with social responsibility. But as a savvy songwriter, she also knows that she needs to move her audience on an emotional level to get her ideas across. “When it comes down to it, it’s about ‘how can we touch lives?’ Even if I’m singing a song that has some political references, I feel like it has to affect you on a personal level, or else it’s just statistics that we’ve been hearing,” she says.\u003c/p>\n\u003cp>“It comes down to, ‘How can we connect with each other?’”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Goapele performs May 18–21 at Yoshi’s in Oakland; shows at 8pm and 10pm nightly. \u003ca href=\"http://www.yoshis.com/search/?q=GOAPELE\" target=\"_blank\" rel=\"noopener noreferrer\">Tickets ($29–$24) and more info here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "The Oakland native paved the way for independent female artists in the Bay Area, and a four-night run at Yoshi's shows she hasn't forgotten her roots. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Goapele walks into a downtown Oakland coffee shop for our interview looking perfectly poised, in a banana-yellow tracksuit with subtle accents of gold jewelry. As she waits in line to order, other patrons start to notice and look excitedly in in her direction.\u003c/p>\n\u003cp>“It’s like this when we go to certain cities,” her manager explains — like, for example the singer’s native Oakland. As Goapele sits down, a woman comes over and nervously offers her a business card, inviting her to get involved with a nonprofit that advocates for immigrant women. Goapele thanks her warmly — not in the polite way of a celebrity interacting with a fan, but as if she’ll genuinely consider the offer.\u003c/p>\n\u003cfigure id=\"attachment_13250206\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13250206\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-800x1200.jpg\" alt=\"Goapele\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Photo-Credit-Samuel-Whitworth-520x780.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Goapele. \u003ccite>(Samuel Whitworth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though she’s lived in Los Angeles for the past six years, Goapele is still an Oakland legend, celebrated in equal measure for her music and humanitarian work. She first entered the public consciousness in 2001 with her debut album, \u003cem>Closer\u003c/em>, which peaked at No. 24 on Billboard’s independent albums chart. Add in her many collaborations with Zion-I and Hieroglyphics — as well as high-profile Bay Area acts like E-40 — and it’s not hard to see why she’s made a name for herself as one of the most formidable local artists of her generation.\u003c/p>\n\u003cp>This week, she’s in Oakland to give her new EP, \u003cem>Dreamseeker\u003c/em>, out May 19, a proper hometown reception. She’s introducing it to Oakland with eight back-to-back shows — two per night — at Yoshi’s from Thursday, May 18 through Sunday, May 21.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lskwOztBmlg'\n title='//www.youtube.com/embed/lskwOztBmlg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The concept [of \u003cem>Dreamseeker\u003c/em>] was just capturing different snapshots of emotions and vibes over the past couple years and putting it into a project that could just be played from start to finish,” she says. “I feel like we don’t always get to show the complexities of ourselves as women.”\u003c/p>\n\u003cp>Indeed, when Goapele was first coming up as a singer, she was one of a handful of women in Oakland’s male-dominated underground scene. Now, with local R&B artists like Kehlani, \u003ca href=\"https://ww2.kqed.org/arts/2017/03/20/rayana-jay-wants-to-talk-about-your-messy-breakup/\" target=\"_blank\" rel=\"noopener noreferrer\">Rayana Jay\u003c/a>, and Samaria gaining recognition, it’s clear she helped pave the way for a new generation of female talent.\u003c/p>\n\u003cp>“It’s nice to see a new wave of R&B coming out of here, to see more women making it out of here and having a huge platform,” she says. She downplays her role as a pioneer, but lets out an excited squeal as the conversation turns to the ways the scene is becoming more inclusive.\u003c/p>\n\u003cp>“The Bay Area is an influential place in terms of swag, but we don’t always get credit for it,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13250512\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13250512\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani.jpg\" alt=\"Goapele and Kehlani backstage at the Fox Theater in 2015, after Goapele appeared as a special guest of the singer.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.Kehlani-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Goapele and Kehlani backstage at the Fox Theater in 2015, after Goapele appeared as a special guest of the singer. \u003ccite>(Goapele/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Dreamseeker\u003c/em> shows Goapele updating her sound, moving towards a trap-influenced style of R&B –though the project also contains strains of jazz and neo-soul that have been present in her music from the beginning. The EP cruises along at a modest speed, building tension through dusky undertones in Goapele’s usually velvety voice.\u003c/p>\n\u003cp>Like Goapele herself, \u003cem>Dreamseeker\u003c/em> strikes a balance between edgy and classic. The seductive lead single, “$ecret,” conjures images of a slow wind on the dance floor; airy anthems like “Power” celebrate self-empowerment and liberation.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FBiEwOz9qeQ'\n title='//www.youtube.com/embed/FBiEwOz9qeQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Coming from the Bay Area and coming from the family I did, I always felt encouraged to speak my mind,” she says of her evolution. (Goapele is the daughter of a South African anti-apartheid activist Douglas Mohlabane.) But “permission to feel like it’s okay to be sexy and it’s okay to be vulnerable — that’s something that I had to grow into.”\u003c/p>\n\u003cp>\u003cem>Dreamseeker \u003c/em>also taps into Goapele’s activist roots. The stripped-down political track “Stand” grapples with the ongoing police brutality crisis. “It was a song I started writing years ago when Oscar Grant was murdered,” she said. “Since then, [police brutality is] happening all the time, all over the U.S.”\u003c/p>\n\u003cp>For a moment, she breaks her aura of calm. “We’re still not seeing laws change to protect citizens, really. I feel like with the current administration, women’s rights are being majorly threatened, [as well as] immigrant rights. So I felt like it was time to say something.”\u003c/p>\n\u003cp>Fighting for social justice causes comes second nature to the musician. Currently, she and soul singer Raheem DeVaughn have been traveling with the country with the AIDS Healthcare Foundation to educate vulnerable populations — especially women of color — about the disease.\u003c/p>\n\u003cfigure id=\"attachment_13250511\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13250511\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-1020x1020.jpg\" alt=\"Goapele at an AIDS Healthcare Foundation event in Oakland.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Goapele.AIDS_.jpg 1080w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Goapele at an AIDS Healthcare Foundation event in Oakland. \u003ccite>(Goapele/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re not even really doing shows,” she says. “It’s more coming together as a community at these events that are free to the public, just to open up the conversation so people can be comfortable … and [hopefully] we can figure out where the disconnect is. If the information is out there, why are the statistics so high? And how can we shift that?”\u003c/p>\n\u003cp>In Goapele’s view, being a public figure comes with social responsibility. But as a savvy songwriter, she also knows that she needs to move her audience on an emotional level to get her ideas across. “When it comes down to it, it’s about ‘how can we touch lives?’ Even if I’m singing a song that has some political references, I feel like it has to affect you on a personal level, or else it’s just statistics that we’ve been hearing,” she says.\u003c/p>\n\u003cp>“It comes down to, ‘How can we connect with each other?’”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Goapele performs May 18–21 at Yoshi’s in Oakland; shows at 8pm and 10pm nightly. \u003ca href=\"http://www.yoshis.com/search/?q=GOAPELE\" target=\"_blank\" rel=\"noopener noreferrer\">Tickets ($29–$24) and more info here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/news/series/baycurious",
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"source": "kqed",
"order": 3
},
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
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