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"content": "\u003cp>The video for Jada Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s “\u003ca href=\"https://www.youtube.com/watch?v=EUXGDLZ5hF4\" target=\"_blank\" rel=\"noopener noreferrer\">Rosa Parks\u003c/a>” features black-and-white footage of civil rights-era marches spliced with modern-day shots of Imani sitting at a bus stop in West Oakland. At times she\u003cspan style=\"font-weight: 400\">’\u003c/span>s joyously dancing. In another instance Imani stares deadpan into the camera, a look that conveys more emotion than words.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Rosa Parks Official Music Video\" width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/EUXGDLZ5hF4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s very confrontational,” \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> tells me, noting the intended target of the glare are the folks who uphold the construct of white supremacy. Imani, who is originally from East St. Louis and raised in Oakland, says, “Black folks have been leading cultural and systemic revolutions for so long, and we’re still here and there’s still something to say. We’re not done.”\u003c/span>\u003c/p>\n\u003cp>The video, directed by \u003ca href=\"https://www.instagram.com/zoemountain/\" target=\"_blank\" rel=\"noopener noreferrer\">Zoe Mountain\u003c/a> and shot by \u003ca href=\"https://www.instagram.com/doreanraye/\" target=\"_blank\" rel=\"noopener noreferrer\">Dorean Raye,\u003c/a> combines the piercing gaze with Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s dancing jubilation, as well as archival footage of Black women smiling and putting their feet in the pool on the Washington Mall. It\u003cspan style=\"font-weight: 400\">’\u003c/span>s a complementary aesthetic for a track that has a classy, swing-jazz vibe with a modern, glossy R&B finish.\u003c/p>\n\u003cp>The song, which originally started off as a freestyle, features the guitar of \u003ca href=\"https://www.instagram.com/themisajames/\" target=\"_blank\" rel=\"noopener noreferrer\">Misa James \u003c/a>and was produced by \u003ca href=\"https://www.instagram.com/willrandolphv/\" target=\"_blank\" rel=\"noopener noreferrer\">Will Randolph V\u003c/a>. It\u003cspan style=\"font-weight: 400\">’\u003c/span>s featured on Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s latest EP\u003cem> \u003ca href=\"https://open.spotify.com/album/5cBKigC7xi5eqW8ME6ChFK\" target=\"_blank\" rel=\"noopener noreferrer\">JUBILEE II\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The entire project is both celebration and a call to action. This song in particular honors Rosa Parks by name, but Jada Imani says it\u003cspan style=\"font-weight: 400\">’\u003c/span>s an homage to numerous freedom fighters who came before us, including \u003ca href=\"https://www.npr.org/2009/03/15/101719889/before-rosa-parks-there-was-claudette-colvin\" target=\"_blank\" rel=\"noopener noreferrer\">Claudette Colvin\u003c/a>. [aside postid='arts_13917938']\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I think it’s really implant that we know about her because she sacrificed the same way Rosa Parks did, and a lot of people just don’t know her name,” says Imani, who made it a point to highlight Colvin’s story in \u003ca href=\"https://www.instagram.com/reel/ChSjWoPJsRp/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">a recent Instagram post\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On September 15, ten days after Colvin\u003cspan style=\"font-weight: 400\">’\u003c/span>s birthday and ten days before her own, Imani will bring her solemn stare, her joyful dancing and her catchy tunes into KQED\u003cspan style=\"font-weight: 400\">’\u003c/span>s headquarters for a performance alongside \u003ca href=\"https://www.instagram.com/salamirosejoelouis/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Salami Rose Joe Louis\u003c/a> and Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s \u003ca href=\"https://smartbomboakland.bandcamp.com/music\" target=\"_blank\" rel=\"noopener noreferrer\">SMARTBOMB \u003c/a>comrade \u003ca href=\"https://www.instagram.com/spotebreeze/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Spote Breeze\u003c/a>. \u003ca href=\"https://www.kqed.org/event/2387\" target=\"_blank\" rel=\"noopener noreferrer\">More info here\u003c/a>.\u003c/p>\n\n",
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"excerpt": "The single from her 'JUBILEE II' EP celebrates the women of the civil rights movement.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The video for Jada Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s “\u003ca href=\"https://www.youtube.com/watch?v=EUXGDLZ5hF4\" target=\"_blank\" rel=\"noopener noreferrer\">Rosa Parks\u003c/a>” features black-and-white footage of civil rights-era marches spliced with modern-day shots of Imani sitting at a bus stop in West Oakland. At times she\u003cspan style=\"font-weight: 400\">’\u003c/span>s joyously dancing. In another instance Imani stares deadpan into the camera, a look that conveys more emotion than words.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Rosa Parks Official Music Video\" width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/EUXGDLZ5hF4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s very confrontational,” \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> tells me, noting the intended target of the glare are the folks who uphold the construct of white supremacy. Imani, who is originally from East St. Louis and raised in Oakland, says, “Black folks have been leading cultural and systemic revolutions for so long, and we’re still here and there’s still something to say. We’re not done.”\u003c/span>\u003c/p>\n\u003cp>The video, directed by \u003ca href=\"https://www.instagram.com/zoemountain/\" target=\"_blank\" rel=\"noopener noreferrer\">Zoe Mountain\u003c/a> and shot by \u003ca href=\"https://www.instagram.com/doreanraye/\" target=\"_blank\" rel=\"noopener noreferrer\">Dorean Raye,\u003c/a> combines the piercing gaze with Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s dancing jubilation, as well as archival footage of Black women smiling and putting their feet in the pool on the Washington Mall. It\u003cspan style=\"font-weight: 400\">’\u003c/span>s a complementary aesthetic for a track that has a classy, swing-jazz vibe with a modern, glossy R&B finish.\u003c/p>\n\u003cp>The song, which originally started off as a freestyle, features the guitar of \u003ca href=\"https://www.instagram.com/themisajames/\" target=\"_blank\" rel=\"noopener noreferrer\">Misa James \u003c/a>and was produced by \u003ca href=\"https://www.instagram.com/willrandolphv/\" target=\"_blank\" rel=\"noopener noreferrer\">Will Randolph V\u003c/a>. It\u003cspan style=\"font-weight: 400\">’\u003c/span>s featured on Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s latest EP\u003cem> \u003ca href=\"https://open.spotify.com/album/5cBKigC7xi5eqW8ME6ChFK\" target=\"_blank\" rel=\"noopener noreferrer\">JUBILEE II\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The entire project is both celebration and a call to action. This song in particular honors Rosa Parks by name, but Jada Imani says it\u003cspan style=\"font-weight: 400\">’\u003c/span>s an homage to numerous freedom fighters who came before us, including \u003ca href=\"https://www.npr.org/2009/03/15/101719889/before-rosa-parks-there-was-claudette-colvin\" target=\"_blank\" rel=\"noopener noreferrer\">Claudette Colvin\u003c/a>. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I think it’s really implant that we know about her because she sacrificed the same way Rosa Parks did, and a lot of people just don’t know her name,” says Imani, who made it a point to highlight Colvin’s story in \u003ca href=\"https://www.instagram.com/reel/ChSjWoPJsRp/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">a recent Instagram post\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On September 15, ten days after Colvin\u003cspan style=\"font-weight: 400\">’\u003c/span>s birthday and ten days before her own, Imani will bring her solemn stare, her joyful dancing and her catchy tunes into KQED\u003cspan style=\"font-weight: 400\">’\u003c/span>s headquarters for a performance alongside \u003ca href=\"https://www.instagram.com/salamirosejoelouis/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Salami Rose Joe Louis\u003c/a> and Imani\u003cspan style=\"font-weight: 400\">’\u003c/span>s \u003ca href=\"https://smartbomboakland.bandcamp.com/music\" target=\"_blank\" rel=\"noopener noreferrer\">SMARTBOMB \u003c/a>comrade \u003ca href=\"https://www.instagram.com/spotebreeze/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Spote Breeze\u003c/a>. \u003ca href=\"https://www.kqed.org/event/2387\" target=\"_blank\" rel=\"noopener noreferrer\">More info here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Hip-Hop Collective Family Not a Group Lives Up to Its Name",
"headTitle": "Hip-Hop Collective Family Not a Group Lives Up to Its Name | KQED",
"content": "\u003cp>You can’t stop artists from coming together. Hit ’em with a global pandemic, gas prices that are through the roof, housing costs through the stratosphere and a long list of music venues that have closed down—whatever. \u003cem>Artists are going to be artist\u003c/em>s. They’re going to come together to create, and I’m all here for it.\u003c/p>\n\u003cp>In San Francisco, there’s a very large and extremely talented faction of lyricists, singers, DJs and musicians who are coming together, creating moments and memories, and having fun while doing so.\u003c/p>\n\u003cp>On Wednesday Night the 17-member collective known as \u003ca href=\"https://www.instagram.com/p/CanQJz3PEDZ/\" target=\"_blank\" rel=\"noopener noreferrer\">Family Not A Group\u003c/a> is set to hit the stage, collectively.\u003c/p>\n\u003cfigure id=\"attachment_13910243\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13910243\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/275101607_1137619633707634_4938611485133538895_n.jpg\" alt=\"The night Family Not a Group came together in New York.\" width=\"480\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275101607_1137619633707634_4938611485133538895_n.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275101607_1137619633707634_4938611485133538895_n-160x213.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">The night Family Not a Group came together in New York. \u003ccite>(Via Baghead)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They’re scheduled to perform at The Chapel, and the \u003ca href=\"https://thechapelsf.com/e/269265027947/?utm_source=fb1&utm_medium=shr\" target=\"_blank\" rel=\"noopener noreferrer\">March 9 show\u003c/a> will be the ensemble’s first major performance in their hometown of San Francisco. The show will be headlined by two artists who aren’t officially in the collective, but they’re “family friends”—singer \u003ca href=\"https://www.instagram.com/astu.music/\" target=\"_blank\" rel=\"noopener noreferrer\">Astu\u003c/a> and lyricists-slash-vocalist \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a>. They’ll be flanked by performances from \u003ca href=\"https://www.instagram.com/baghead.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">Baghead\u003c/a>, \u003ca href=\"https://www.instagram.com/aft.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">Afterthought\u003c/a> and \u003ca href=\"https://www.instagram.com/ozersf/\" target=\"_blank\" rel=\"noopener noreferrer\">Ozer, \u003c/a>who are just three of the 17-member conglomerate.\u003c/p>\n\u003cp>Along with Baghead, Afterthought and Ozer, there’s \u003ca href=\"https://www.instagram.com/bae.areash/\" target=\"_blank\" rel=\"noopener noreferrer\">ASH\u003c/a>, \u003ca href=\"https://www.instagram.com/serg.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">Serg2x\u003c/a>, \u003ca href=\"https://www.instagram.com/everybodylovezmike/\" target=\"_blank\" rel=\"noopener noreferrer\">Mike Evans Jr.\u003c/a>, \u003ca href=\"https://www.instagram.com/thejenset/\" target=\"_blank\" rel=\"noopener noreferrer\">Jenset\u003c/a>, \u003ca href=\"https://www.instagram.com/maya_canales/\" target=\"_blank\" rel=\"noopener noreferrer\">Maya Canales\u003c/a>, \u003ca href=\"https://www.instagram.com/captain_cuadra/\" target=\"_blank\" rel=\"noopener noreferrer\">Grand-O\u003c/a>, \u003ca href=\"https://www.instagram.com/maddamcyn/\" target=\"_blank\" rel=\"noopener noreferrer\">Cynny\u003c/a>, \u003ca href=\"https://www.instagram.com/professagabel/\" target=\"_blank\" rel=\"noopener noreferrer\">Professa Gabel\u003c/a>, \u003ca href=\"https://www.instagram.com/ap.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">AP\u003c/a>, \u003ca href=\"https://www.instagram.com/kaly_incognegreaux/\" target=\"_blank\" rel=\"noopener noreferrer\">Kaly Jay\u003c/a>, \u003ca href=\"https://www.instagram.com/sayheykiid/\" target=\"_blank\" rel=\"noopener noreferrer\">DJSAY\u003c/a>, \u003ca href=\"https://www.instagram.com/shotbyjesstarantino/\" target=\"_blank\" rel=\"noopener noreferrer\">JessTarantino\u003c/a>, \u003ca href=\"https://www.instagram.com/sunday.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">SundaY\u003c/a> and \u003ca href=\"https://www.instagram.com/easweh/\" target=\"_blank\" rel=\"noopener noreferrer\">EaSWay\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The majority of the camp is from the City, with some folks hailing from other areas of the Bay, but the team’s origin story starts at a show in the Big Apple.\u003c/p>\n\u003cp>“When we went to New York, we performed at East Berlin,” Ozer tells me during a phone call. The crew did a show called “The Frisco Invasion” at the intimate, popular venue in The East Village. A couple things went wrong. Notably, the computer died before the show started and required someone to make an hour-long trek to get a replacement. But the show was good.\u003c/p>\n\u003cp>“I can’t remember if it was the venue manager or the sound engineer, but they said we killed it,” Ozer reflects. “The next day we talked amongst ourselves and said we’ve got something special here… and that’s how Family Not a Group was born.”\u003c/p>\n\u003cfigure id=\"attachment_13910246\" class=\"wp-caption alignnone\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13910246\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/274938446_2055319477973887_2719572190814469886_n.jpg\" alt=\"Family Not a Group members pose for a photo while rocking a show in San Francisco last year. \" width=\"480\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/274938446_2055319477973887_2719572190814469886_n.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/274938446_2055319477973887_2719572190814469886_n-160x120.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Family Not a Group members pose for a photo while rocking a show in San Francisco last year. \u003ccite>(Via Baghead)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before that show, the nucleus had been forming. The individual artists would constantly support one another, showing up to performances and appearing on each other’s projects.\u003c/p>\n\u003cp>On Ozer’s latest album, \u003cem>Lost In Translation\u003c/em>, which dropped in July of last year, there are appearances from crew members Kaly Jay, EaSWay, Professa Gabel and more. [aside postid='arts_13908051']\u003c/p>\n\u003cp>The project is a lyrical exploration into some of the darker moments in Ozer’s life, and how he and his loved ones have persevered. He speaks on an incident that led to his father’s incarceration, and references his mother’s attempt at taking her own life.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>On the track “Purposeful,” the rapper from Bayview recites, “Shit, I got some skeleton in my footlocker / eye open, I know God not the only one watchin’. / Under fire, smoke in the air, we went through madness / hands full, it’s gettin’ hard to carry the baggage.”\u003c/p>\n\u003cdiv>\n\u003cp>At the end of a track with Lex Culture, “All Falls Down,” Ozer shares an intimate voice note. “I recorded that the night my grandfather died,” Ozer tells me “That takes me back to that night—it was a real moment for me.”\u003c/p>\n\u003cp>He plays with the concept of devils and angels in the song “D & A.” The track is a bit of a double-entendre, referring to humans’ genetic code and how we’re composed of both good and evil.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ozer - Purposeful (Official Music Video)\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/YtD43HD7Lsw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>The etymology of the name “Ozer,” also has two paths: one is a biblical reference and the other is slang for moving drugs.\u003c/p>\n\u003cp>As a teenager he sat in a barbershop when one of his father’s friends walked in, asking if he was “Little O?” After confirming that he is indeed his father’s son, the man donned the name “Little Ozer” on him. Little Ozer went back to his father, telling him that he planned on taking his title, “He was like, ‘You know what that means?'”\u003c/p>\n\u003cp>His father explained that they called him Ozer because he used to push a lot of ounces. Then “Little Ozer” did more research on the name, and found that it also means “God’s Helper” in Hebrew.\u003c/p>\n\u003cdiv>“It has a bad meaning and a good meaning, which represents human life in general,” Ozer tells me in the same deep-raspy voice he uses to deliver his lyrics.\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cfigure id=\"attachment_13910247\" class=\"wp-caption alignright\" style=\"max-width: 360px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13910247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/275064560_152395647170136_2834243853751829814_n.jpg\" alt=\"Ozer rocks the mic with his shirt off.\" width=\"360\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275064560_152395647170136_2834243853751829814_n.jpg 360w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275064560_152395647170136_2834243853751829814_n-160x284.jpg 160w\" sizes=\"(max-width: 360px) 100vw, 360px\">\u003cfigcaption class=\"wp-caption-text\">Ozer rocks the mic with his shirt off. \u003ccite>(Ken IV)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Destined for this path, Ozer’s grandmother told him he’d be a preacher, but he said it was something he couldn’t foresee. Now as an MC he says he’s reaching people, and he’s looking to keep spreading the word this Wednesday.\u003c/p>\n\u003c/div>\n\u003cdiv>The goal of Family Not a Group’s live shows is to “provide a memorable experience to everybody who comes to the show,” Ozer says. “It’s called ‘a family service,’ so it’s going to make you feel like family, and you’ll have a deeper connection to each artist that you see.”\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cdiv>The lineup is full of talented artists I’ve been following. Last year I did \u003ca href=\"https://www.kqed.org/arts/13895377/rightnowish-baghead-cerealforthekids\" target=\"_blank\" rel=\"noopener noreferrer\">a podcast interview\u003c/a> with Baghead, who along with \u003ca href=\"https://www.instagram.com/cerealforthekids/\" target=\"_blank\" rel=\"noopener noreferrer\">Cereal For The Kids\u003c/a>, published a film and audio project called \u003ca href=\"https://www.youtube.com/watch?v=cWmX3Y5GnP8\" target=\"_blank\" rel=\"noopener noreferrer\">“Dedicated To Those Who.”\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13892200/musicians-to-know-jada-imani-on-vibing-with-hawaiian-frogs-and-riffing-off-mac-dre\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> was the subject of an interview from January of last year. I’ve hosted separate events where both Astu and Afterthought (and the band he’s a part of, The Top Chefs) have performed.\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cdiv>I’ve also seen performances by a few of the other members of Family Not a Group, but I’ve yet to see Ozer. Before I got off the phone, I let him know that we’ll cross paths in due time. But what I didn’t explicitly tell him is that his words have already reached me—without having seen him in person yet.\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cdiv>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/div>\n\u003cdiv>\u003cem>Family Not a Group presents “\u003ca href=\"https://thechapelsf.com/e/269265027947/?utm_source=fb1&utm_medium=shr\" target=\"_blank\" rel=\"noopener noreferrer\">A Family Service\u003c/a>” at The Chapel in San Francisco on March 9, with performances by Ozer, Astu, Jada Imani and Afterthought. \u003c/em>\u003c/div>\n\n",
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"excerpt": "Seventeen artists united for one cause: to create!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You can’t stop artists from coming together. Hit ’em with a global pandemic, gas prices that are through the roof, housing costs through the stratosphere and a long list of music venues that have closed down—whatever. \u003cem>Artists are going to be artist\u003c/em>s. They’re going to come together to create, and I’m all here for it.\u003c/p>\n\u003cp>In San Francisco, there’s a very large and extremely talented faction of lyricists, singers, DJs and musicians who are coming together, creating moments and memories, and having fun while doing so.\u003c/p>\n\u003cp>On Wednesday Night the 17-member collective known as \u003ca href=\"https://www.instagram.com/p/CanQJz3PEDZ/\" target=\"_blank\" rel=\"noopener noreferrer\">Family Not A Group\u003c/a> is set to hit the stage, collectively.\u003c/p>\n\u003cfigure id=\"attachment_13910243\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13910243\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/275101607_1137619633707634_4938611485133538895_n.jpg\" alt=\"The night Family Not a Group came together in New York.\" width=\"480\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275101607_1137619633707634_4938611485133538895_n.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275101607_1137619633707634_4938611485133538895_n-160x213.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">The night Family Not a Group came together in New York. \u003ccite>(Via Baghead)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They’re scheduled to perform at The Chapel, and the \u003ca href=\"https://thechapelsf.com/e/269265027947/?utm_source=fb1&utm_medium=shr\" target=\"_blank\" rel=\"noopener noreferrer\">March 9 show\u003c/a> will be the ensemble’s first major performance in their hometown of San Francisco. The show will be headlined by two artists who aren’t officially in the collective, but they’re “family friends”—singer \u003ca href=\"https://www.instagram.com/astu.music/\" target=\"_blank\" rel=\"noopener noreferrer\">Astu\u003c/a> and lyricists-slash-vocalist \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a>. They’ll be flanked by performances from \u003ca href=\"https://www.instagram.com/baghead.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">Baghead\u003c/a>, \u003ca href=\"https://www.instagram.com/aft.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">Afterthought\u003c/a> and \u003ca href=\"https://www.instagram.com/ozersf/\" target=\"_blank\" rel=\"noopener noreferrer\">Ozer, \u003c/a>who are just three of the 17-member conglomerate.\u003c/p>\n\u003cp>Along with Baghead, Afterthought and Ozer, there’s \u003ca href=\"https://www.instagram.com/bae.areash/\" target=\"_blank\" rel=\"noopener noreferrer\">ASH\u003c/a>, \u003ca href=\"https://www.instagram.com/serg.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">Serg2x\u003c/a>, \u003ca href=\"https://www.instagram.com/everybodylovezmike/\" target=\"_blank\" rel=\"noopener noreferrer\">Mike Evans Jr.\u003c/a>, \u003ca href=\"https://www.instagram.com/thejenset/\" target=\"_blank\" rel=\"noopener noreferrer\">Jenset\u003c/a>, \u003ca href=\"https://www.instagram.com/maya_canales/\" target=\"_blank\" rel=\"noopener noreferrer\">Maya Canales\u003c/a>, \u003ca href=\"https://www.instagram.com/captain_cuadra/\" target=\"_blank\" rel=\"noopener noreferrer\">Grand-O\u003c/a>, \u003ca href=\"https://www.instagram.com/maddamcyn/\" target=\"_blank\" rel=\"noopener noreferrer\">Cynny\u003c/a>, \u003ca href=\"https://www.instagram.com/professagabel/\" target=\"_blank\" rel=\"noopener noreferrer\">Professa Gabel\u003c/a>, \u003ca href=\"https://www.instagram.com/ap.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">AP\u003c/a>, \u003ca href=\"https://www.instagram.com/kaly_incognegreaux/\" target=\"_blank\" rel=\"noopener noreferrer\">Kaly Jay\u003c/a>, \u003ca href=\"https://www.instagram.com/sayheykiid/\" target=\"_blank\" rel=\"noopener noreferrer\">DJSAY\u003c/a>, \u003ca href=\"https://www.instagram.com/shotbyjesstarantino/\" target=\"_blank\" rel=\"noopener noreferrer\">JessTarantino\u003c/a>, \u003ca href=\"https://www.instagram.com/sunday.fng/\" target=\"_blank\" rel=\"noopener noreferrer\">SundaY\u003c/a> and \u003ca href=\"https://www.instagram.com/easweh/\" target=\"_blank\" rel=\"noopener noreferrer\">EaSWay\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The majority of the camp is from the City, with some folks hailing from other areas of the Bay, but the team’s origin story starts at a show in the Big Apple.\u003c/p>\n\u003cp>“When we went to New York, we performed at East Berlin,” Ozer tells me during a phone call. The crew did a show called “The Frisco Invasion” at the intimate, popular venue in The East Village. A couple things went wrong. Notably, the computer died before the show started and required someone to make an hour-long trek to get a replacement. But the show was good.\u003c/p>\n\u003cp>“I can’t remember if it was the venue manager or the sound engineer, but they said we killed it,” Ozer reflects. “The next day we talked amongst ourselves and said we’ve got something special here… and that’s how Family Not a Group was born.”\u003c/p>\n\u003cfigure id=\"attachment_13910246\" class=\"wp-caption alignnone\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13910246\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/274938446_2055319477973887_2719572190814469886_n.jpg\" alt=\"Family Not a Group members pose for a photo while rocking a show in San Francisco last year. \" width=\"480\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/274938446_2055319477973887_2719572190814469886_n.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/274938446_2055319477973887_2719572190814469886_n-160x120.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Family Not a Group members pose for a photo while rocking a show in San Francisco last year. \u003ccite>(Via Baghead)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before that show, the nucleus had been forming. The individual artists would constantly support one another, showing up to performances and appearing on each other’s projects.\u003c/p>\n\u003cp>On Ozer’s latest album, \u003cem>Lost In Translation\u003c/em>, which dropped in July of last year, there are appearances from crew members Kaly Jay, EaSWay, Professa Gabel and more. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The project is a lyrical exploration into some of the darker moments in Ozer’s life, and how he and his loved ones have persevered. He speaks on an incident that led to his father’s incarceration, and references his mother’s attempt at taking her own life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the track “Purposeful,” the rapper from Bayview recites, “Shit, I got some skeleton in my footlocker / eye open, I know God not the only one watchin’. / Under fire, smoke in the air, we went through madness / hands full, it’s gettin’ hard to carry the baggage.”\u003c/p>\n\u003cdiv>\n\u003cp>At the end of a track with Lex Culture, “All Falls Down,” Ozer shares an intimate voice note. “I recorded that the night my grandfather died,” Ozer tells me “That takes me back to that night—it was a real moment for me.”\u003c/p>\n\u003cp>He plays with the concept of devils and angels in the song “D & A.” The track is a bit of a double-entendre, referring to humans’ genetic code and how we’re composed of both good and evil.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ozer - Purposeful (Official Music Video)\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/YtD43HD7Lsw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>The etymology of the name “Ozer,” also has two paths: one is a biblical reference and the other is slang for moving drugs.\u003c/p>\n\u003cp>As a teenager he sat in a barbershop when one of his father’s friends walked in, asking if he was “Little O?” After confirming that he is indeed his father’s son, the man donned the name “Little Ozer” on him. Little Ozer went back to his father, telling him that he planned on taking his title, “He was like, ‘You know what that means?'”\u003c/p>\n\u003cp>His father explained that they called him Ozer because he used to push a lot of ounces. Then “Little Ozer” did more research on the name, and found that it also means “God’s Helper” in Hebrew.\u003c/p>\n\u003cdiv>“It has a bad meaning and a good meaning, which represents human life in general,” Ozer tells me in the same deep-raspy voice he uses to deliver his lyrics.\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cfigure id=\"attachment_13910247\" class=\"wp-caption alignright\" style=\"max-width: 360px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13910247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/275064560_152395647170136_2834243853751829814_n.jpg\" alt=\"Ozer rocks the mic with his shirt off.\" width=\"360\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275064560_152395647170136_2834243853751829814_n.jpg 360w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/275064560_152395647170136_2834243853751829814_n-160x284.jpg 160w\" sizes=\"(max-width: 360px) 100vw, 360px\">\u003cfigcaption class=\"wp-caption-text\">Ozer rocks the mic with his shirt off. \u003ccite>(Ken IV)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Destined for this path, Ozer’s grandmother told him he’d be a preacher, but he said it was something he couldn’t foresee. Now as an MC he says he’s reaching people, and he’s looking to keep spreading the word this Wednesday.\u003c/p>\n\u003c/div>\n\u003cdiv>The goal of Family Not a Group’s live shows is to “provide a memorable experience to everybody who comes to the show,” Ozer says. “It’s called ‘a family service,’ so it’s going to make you feel like family, and you’ll have a deeper connection to each artist that you see.”\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cdiv>The lineup is full of talented artists I’ve been following. Last year I did \u003ca href=\"https://www.kqed.org/arts/13895377/rightnowish-baghead-cerealforthekids\" target=\"_blank\" rel=\"noopener noreferrer\">a podcast interview\u003c/a> with Baghead, who along with \u003ca href=\"https://www.instagram.com/cerealforthekids/\" target=\"_blank\" rel=\"noopener noreferrer\">Cereal For The Kids\u003c/a>, published a film and audio project called \u003ca href=\"https://www.youtube.com/watch?v=cWmX3Y5GnP8\" target=\"_blank\" rel=\"noopener noreferrer\">“Dedicated To Those Who.”\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13892200/musicians-to-know-jada-imani-on-vibing-with-hawaiian-frogs-and-riffing-off-mac-dre\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> was the subject of an interview from January of last year. I’ve hosted separate events where both Astu and Afterthought (and the band he’s a part of, The Top Chefs) have performed.\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cdiv>I’ve also seen performances by a few of the other members of Family Not a Group, but I’ve yet to see Ozer. Before I got off the phone, I let him know that we’ll cross paths in due time. But what I didn’t explicitly tell him is that his words have already reached me—without having seen him in person yet.\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cdiv>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/div>\n\u003cdiv>\u003cem>Family Not a Group presents “\u003ca href=\"https://thechapelsf.com/e/269265027947/?utm_source=fb1&utm_medium=shr\" target=\"_blank\" rel=\"noopener noreferrer\">A Family Service\u003c/a>” at The Chapel in San Francisco on March 9, with performances by Ozer, Astu, Jada Imani and Afterthought. \u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Musicians to Know: Jada Imani on Vibing with Hawaiian Frogs and Riffing Off Mac Dre",
"headTitle": "Musicians to Know: Jada Imani on Vibing with Hawaiian Frogs and Riffing Off Mac Dre | KQED",
"content": "\u003cfigure id=\"attachment_13892201\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892201\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-1-800x1199.jpg\" alt=\"Jada Imani sits in front of a couple of palm trees as she poses for a photo.\" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani sits in front of a couple of palm trees as she poses for a photo. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci data-stringify-type=\"italic\">Over 4 weeks, \u003c/i>\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" data-sk=\"tooltip_parent\">Rightnowish is featuring artists with local roots\u003c/a>\u003c/i>\u003ci data-stringify-type=\"italic\"> who are taking the sounds of the Bay to a national stage.\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2592114794\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Neo-soul and hip-hop artist \u003ca href=\"https://www.jadaimani.info/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> gets her inspiration from a range of lived experiences: parking tickets, lessons from her parents, and Mac Dre lyrics.\u003c/p>\n\u003cp>Despite the pandemic, Jada has been dropping three-track EPs every first Friday since October, and plans to continue to do so until March. It’s a legacy of the collaborations and vibe she cultivated while organizing and hosting First Friday events at the \u003ca href=\"https://www.facebook.com/ABC4JUSTICE/\" target=\"_blank\" rel=\"noopener noreferrer\">Alan Blueford Center\u003c/a> in Oakland for over 3 years.\u003c/p>\n\u003cp>While honoring her origins, she’s also incorporating inspiration from her new surroundings — like Hawaiian tree frogs.\u003c/p>\n\u003cp>This week on Rightnowish we talk to Jada Imani about astrology, ‘high vibration clapbacks’ and how music was her access to culture when she was a small girl in a small town.\u003c/p>\n\u003cfigure id=\"attachment_13892214\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-2-800x1199.jpg\" alt=\"Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6ok3fmGwvwmuyGvuWxlv3Q\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Jada Imani.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>PEN: Where did you start learning about hip hop culture?\u003c/em>\u003c/p>\n\u003cp>JADA: I was born into it because my parents were both very young hip hop heads when they had us. And music was the only thing that we really had to grasp on to when it came to culture… We moved to the Bay when I was about 10 years old. But before that, we were in kind of the rural Midwest, in this little town called Belleville, right outside of east St. Louis. There wasn’t much happening, it was kind of desolate in a way. So it was hip hop and music that gave me life.\u003c/p>\n\u003cp>JADA: I think both of my parents have always been very conscious of the world they live in… And my dad especially was always very radical and very pro Black. And just like ‘you need to understand the world is not set up for us.’ And the music was the medium that he taught me through…\u003c/p>\n\u003cp>\u003cem>PEN: How has the Bay influenced your art?\u003c/em>\u003c/p>\n\u003cp>JADA: Oh, my gosh, in so many ways! The Bay taught me how to dance! The Bay has also influenced a lot of my style and the ability to rock thrift shops, not because that’s all you can afford growing up, but because you can make that fly.\u003c/p>\n\u003cp>JADA: One thing that I really admire about the Bay is that there is a strong activist history and there’s also a strong hyphy history. And when we’re talking about bringing those sounds together, like, what does it mean to talk about identity and power over a Bay slap rap? But, yeah, it’s hard to say what the Bay hasn’t done for me. I owe so much to the Bay [laughs] Especially with the first project we sampled Mac Dre, and it was like an ode to the Bay and that was like part of the tone.\u003c/p>\n\u003cp>\u003cem>PEN: You mentioned the Mac Dre line… That’s what inspired me to ask that question. You sampled the line “sometimes I’m not myself, sometimes I’m another man.”\u003c/em>\u003c/p>\n\u003cp>JADA: I really enjoyed that line in particular because he was like, you don’t know who I am. Or I can recreate who I am, or like, you might see me one way because of the body I live in, but, you know, what else is there? Also it’s just like some like sassy clapping back against misogyny. I was like sixteen feeling myself. Because so much of the reason why I feel like I couldn’t talk is because I was born into a girl’s body, and so much of what inspires me to write is clapping back at the patriarchy.\u003c/p>\n\u003cp>\u003cem>PEN: It’s a high vibration clapback, if you will.\u003c/em>\u003c/p>\n\u003cp>JADA: HA! Let’s go! High vibration clap back. I love it.\u003c/p>\n\u003cp>PEN: But another line that stands out to me correct me if I butcher it… “reading looks reading books, reading minds, reading charts.” Did I say that right?\u003c/p>\n\u003cp>JADA: “Reading books, reading charts, read myself, it’s a work of art, way more work than to fall apart…”\u003c/p>\n\u003cp>JADA: I was really– and I still am– an astrology nerd. So reading birth charts was part of my hustle when I didn’t want to get a nine to five and I wanted to only do things I genuinely enjoyed. I read birth charts for people. And then reading myself, you know, introspection is hard work, but you can’t let yourself fall apart. You got to keep reading into it.\u003c/p>\n\u003cp>\u003cem>PEN: … So, you’re calling us from Hawaii right now, where you’ve been for months, is it influencing the music that you’re producing?\u003c/em>\u003c/p>\n\u003cp>JADA: That’s such a big question because I’m constantly processing it… how few black folks are here. I see more white folks than brown folks, indigenous folks out here. And I’m like, who gets to be here, who doesn’t and why? I’m really grateful to have the access to the kind of retreat that I need to grow and heal from my own, like, hurts and things. And I’m hella grateful for that… And in terms of the overarching narrative that’s going on here with the history of colonization and how it shows up in the present day. I think about it all the time. There’s colonization all over, in the Bay, like there’s gentrification, all these things. But it hits different here. You know, it really does.\u003c/p>\n\u003cp>JADA: … The coqui frogs are really loud at night. They sound like birds. And so when I’m recording at night, they get into the recordings of the songs. And so it ended up being the whole soundscape of an EP… Literally sounds of rainforest entering the music now [laughs]\u003c/p>\n\u003cp>\u003cem>PEN: So being that your parents put a seed in you in terms of like hip hop history, culture, the importance of the art. What role do you play?\u003c/em>\u003c/p>\n\u003cp>JADA: I think I’m a weaver of community, like to hold space and open space whether it be the community center or a cafe where folks can cipher, for poets or hip hop artists to come together and see each other’s craft and like, love on each other…\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13892201\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892201\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-1-800x1199.jpg\" alt=\"Jada Imani sits in front of a couple of palm trees as she poses for a photo.\" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani sits in front of a couple of palm trees as she poses for a photo. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci data-stringify-type=\"italic\">Over 4 weeks, \u003c/i>\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" data-sk=\"tooltip_parent\">Rightnowish is featuring artists with local roots\u003c/a>\u003c/i>\u003ci data-stringify-type=\"italic\"> who are taking the sounds of the Bay to a national stage.\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2592114794\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Neo-soul and hip-hop artist \u003ca href=\"https://www.jadaimani.info/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> gets her inspiration from a range of lived experiences: parking tickets, lessons from her parents, and Mac Dre lyrics.\u003c/p>\n\u003cp>Despite the pandemic, Jada has been dropping three-track EPs every first Friday since October, and plans to continue to do so until March. It’s a legacy of the collaborations and vibe she cultivated while organizing and hosting First Friday events at the \u003ca href=\"https://www.facebook.com/ABC4JUSTICE/\" target=\"_blank\" rel=\"noopener noreferrer\">Alan Blueford Center\u003c/a> in Oakland for over 3 years.\u003c/p>\n\u003cp>While honoring her origins, she’s also incorporating inspiration from her new surroundings — like Hawaiian tree frogs.\u003c/p>\n\u003cp>This week on Rightnowish we talk to Jada Imani about astrology, ‘high vibration clapbacks’ and how music was her access to culture when she was a small girl in a small town.\u003c/p>\n\u003cfigure id=\"attachment_13892214\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-2-800x1199.jpg\" alt=\"Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6ok3fmGwvwmuyGvuWxlv3Q\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Jada Imani.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>PEN: Where did you start learning about hip hop culture?\u003c/em>\u003c/p>\n\u003cp>JADA: I was born into it because my parents were both very young hip hop heads when they had us. And music was the only thing that we really had to grasp on to when it came to culture… We moved to the Bay when I was about 10 years old. But before that, we were in kind of the rural Midwest, in this little town called Belleville, right outside of east St. Louis. There wasn’t much happening, it was kind of desolate in a way. So it was hip hop and music that gave me life.\u003c/p>\n\u003cp>JADA: I think both of my parents have always been very conscious of the world they live in… And my dad especially was always very radical and very pro Black. And just like ‘you need to understand the world is not set up for us.’ And the music was the medium that he taught me through…\u003c/p>\n\u003cp>\u003cem>PEN: How has the Bay influenced your art?\u003c/em>\u003c/p>\n\u003cp>JADA: Oh, my gosh, in so many ways! The Bay taught me how to dance! The Bay has also influenced a lot of my style and the ability to rock thrift shops, not because that’s all you can afford growing up, but because you can make that fly.\u003c/p>\n\u003cp>JADA: One thing that I really admire about the Bay is that there is a strong activist history and there’s also a strong hyphy history. And when we’re talking about bringing those sounds together, like, what does it mean to talk about identity and power over a Bay slap rap? But, yeah, it’s hard to say what the Bay hasn’t done for me. I owe so much to the Bay [laughs] Especially with the first project we sampled Mac Dre, and it was like an ode to the Bay and that was like part of the tone.\u003c/p>\n\u003cp>\u003cem>PEN: You mentioned the Mac Dre line… That’s what inspired me to ask that question. You sampled the line “sometimes I’m not myself, sometimes I’m another man.”\u003c/em>\u003c/p>\n\u003cp>JADA: I really enjoyed that line in particular because he was like, you don’t know who I am. Or I can recreate who I am, or like, you might see me one way because of the body I live in, but, you know, what else is there? Also it’s just like some like sassy clapping back against misogyny. I was like sixteen feeling myself. Because so much of the reason why I feel like I couldn’t talk is because I was born into a girl’s body, and so much of what inspires me to write is clapping back at the patriarchy.\u003c/p>\n\u003cp>\u003cem>PEN: It’s a high vibration clapback, if you will.\u003c/em>\u003c/p>\n\u003cp>JADA: HA! Let’s go! High vibration clap back. I love it.\u003c/p>\n\u003cp>PEN: But another line that stands out to me correct me if I butcher it… “reading looks reading books, reading minds, reading charts.” Did I say that right?\u003c/p>\n\u003cp>JADA: “Reading books, reading charts, read myself, it’s a work of art, way more work than to fall apart…”\u003c/p>\n\u003cp>JADA: I was really– and I still am– an astrology nerd. So reading birth charts was part of my hustle when I didn’t want to get a nine to five and I wanted to only do things I genuinely enjoyed. I read birth charts for people. And then reading myself, you know, introspection is hard work, but you can’t let yourself fall apart. You got to keep reading into it.\u003c/p>\n\u003cp>\u003cem>PEN: … So, you’re calling us from Hawaii right now, where you’ve been for months, is it influencing the music that you’re producing?\u003c/em>\u003c/p>\n\u003cp>JADA: That’s such a big question because I’m constantly processing it… how few black folks are here. I see more white folks than brown folks, indigenous folks out here. And I’m like, who gets to be here, who doesn’t and why? I’m really grateful to have the access to the kind of retreat that I need to grow and heal from my own, like, hurts and things. And I’m hella grateful for that… And in terms of the overarching narrative that’s going on here with the history of colonization and how it shows up in the present day. I think about it all the time. There’s colonization all over, in the Bay, like there’s gentrification, all these things. But it hits different here. You know, it really does.\u003c/p>\n\u003cp>JADA: … The coqui frogs are really loud at night. They sound like birds. And so when I’m recording at night, they get into the recordings of the songs. And so it ended up being the whole soundscape of an EP… Literally sounds of rainforest entering the music now [laughs]\u003c/p>\n\u003cp>\u003cem>PEN: So being that your parents put a seed in you in terms of like hip hop history, culture, the importance of the art. What role do you play?\u003c/em>\u003c/p>\n\u003cp>JADA: I think I’m a weaver of community, like to hold space and open space whether it be the community center or a cafe where folks can cipher, for poets or hip hop artists to come together and see each other’s craft and like, love on each other…\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "its-still-raining-game-in-northern-california",
"title": "It's Still Raining Game in Northern California",
"publishDate": 1589500848,
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"headTitle": "It’s Still Raining Game in Northern California | KQED",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>f there’s one thing I’ve learned in the past two months, it’s that a worldwide pandemic can’t stifle the artists of Northern California. Which makes sense—it’s one of the most innovative places on the planet. Creativity is in our cellular membranes and the culture pulses through our veins. Plus, the rent is too damn high to quit.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Let’s start with the well-known names. This past weekend, Oakland’s own \u003cstrong>Kehlani\u003c/strong> hit No. 1 on the Apple Music charts with her latest album, \u003cem>It Was Good Until It Wasn’t\u003c/em>. As the project took off, Kehlani made videos in quarantine and took to Twitter sharing intimate details of her experience to promote the album. It was something she had to do—otherwise, citing the coronavirus, \u003ca href=\"https://pitchfork.com/thepitch/kehlani-it-was-good-until-it-wasnt-album-cover-interview/?mbid=social_facebook&utm_source=facebook&utm_social-type=owned&utm_brand=p4k&utm_medium=social&utm_source=twitter&utm_brand=p4k&mbid=social_twitter&utm_medium=social&utm_social-type=owned\" target=\"_blank\" rel=\"noopener noreferrer\">her label would’ve postponed the release of her album\u003c/a>.\u003c/p>\n\u003cp>Just a few days before that, Sacramento’s \u003cstrong>Mozzy\u003c/strong> dropped \u003cem>Beyond Bulletproof.\u003c/em> He’d recently broadcasted a series of \u003ca href=\"https://www.youtube.com/watch?v=ZAVuUtxc5fg&feature=emb_title\">public therapy sessions\u003c/a>, and \u003ca href=\"https://www.kqed.org/arts/13880011/mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing\">initially dropped the album through JPay\u003c/a>—a service for incarcerated folks—a week before the album’s general release. On top of that, he did an interview with Rap Radar’s \u003ca href=\"https://www.instagram.com/tv/B_xsftpHAQn/?utm_source=ig_web_copy_link\">Elliott Wilson\u003c/a>. Active on the internet, in the streets and behind bars.\u003c/p>\n\u003cp>The Bay’s even getting active in television. Check the soundtrack for this season of \u003cem>Insecure\u003c/em>, which features previously released music from \u003ca href=\"https://twitter.com/LilSnickerfoot/status/1252642870319702016?s=20\">\u003cstrong>Michael Sneed\u003c/strong>\u003c/a> in one episode and \u003ca href=\"https://twitter.com/kamaiyah/status/1259701062908252160?s=20\">\u003cstrong>Kamaiyah\u003c/strong>\u003c/a> in another. And, of course, the Bay’s own \u003ca href=\"https://www.instagram.com/p/B_x8IAsJaGc/\">\u003cstrong>Nijla Mu’min\u003c/strong>\u003c/a> directed \u003cem>Insecure\u003c/em>‘s fourth episode from this season.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pReD5WRO3vI\u003c/p>\n\u003cp>As for getting active in Hollywood, check Netflix’s \u003ca href=\"https://variety.com/2020/film/reviews/all-day-and-a-night-review-ashton-sanders-1234593865/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>All Day and A Night\u003c/em>\u003c/a>. The story of an aspiring rapper from Oakland, the film has star power from Oakland’s \u003cstrong>Yahya Abdul-Mateen II\u003c/strong> and a bunch of cameos from Northern California folks, including members of the dance crew \u003cstrong>Turf Fiendz\u003c/strong> and Oakland’s \u003cstrong>Rolanda D. Bell\u003c/strong>. The film was written by San Francisco’s \u003cstrong>Joe Robert Cole\u003c/strong>, was filmed in Oakland and Alameda, and \u003ca href=\"https://www.youtube.com/playlist?list=PL09XmXSlwDoreuB74JlQD-a4KfsTVvxie\">its soundtrack\u003c/a> features \u003cstrong>Tia Nomore, SOBxRBE, Paris,\u003c/strong> the \u003cstrong>Conscious Daughters, P-Lo, Mac Dre\u003c/strong> and more.\u003c/p>\n\u003cp>And then there’s \u003cstrong>Kool John\u003c/strong>, who’s also featured on the aforementioned soundtrack. The Richmond artist was recently shot six times during a robbery, recovered, and \u003ca href=\"https://twitter.com/K00LJ0HN/status/1257490570995331073?s=20\">hopped on Twitter to remix a Tupac quote to fit to his situation\u003c/a>.\u003c/p>\n\u003cp>Further evidence that despite catastrophic circumstances, we don’t know how to stop.\u003c/p>\n\u003cfigure id=\"attachment_13880487\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880487\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg\" alt=\"Nappy Nina's 30 Bag album cover\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs.jpg 2048w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Nappy Nina’s ’30 Bag’ album cover. \u003ccite>(Nappy Nina)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or artists in the Northern California, being creative is damn near synonymous with breathing. Even when we leave our region, we carry it with us. Ask Oakland’s own \u003cstrong>Nappy Nina\u003c/strong>, who’s currently living in New York and bringing heat to all the \u003ca href=\"https://twitter.com/Nappy_Nina/status/1259252529814265860?s=20\">MENcees\u003c/a> out there. Nappy Nina’s latest project \u003cem>\u003ca href=\"https://nappynina.lnk.to/30Bag\">30 Bag\u003c/a>\u003c/em>, full of quality vibes and strategic wordplay, dropped on her 30th birthday.\u003c/p>\n\u003cfigure id=\"attachment_13880374\" class=\"wp-caption alignright\" style=\"max-width: 238px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13880374\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg\" alt=\"Drew Banga by Stoni\" width=\"238\" height=\"345\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw-160x232.jpg 160w\" sizes=\"(max-width: 238px) 100vw, 238px\">\u003cfigcaption class=\"wp-caption-text\">Drew Banga by Stoni. \u003ccite>(Stoni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Need that more twang in your tunes? On Texas rapper \u003cstrong>Siddiq\u003c/strong>’s latest album, \u003ca href=\"https://li.sten.to/SlideMusic\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Slide Music\u003c/em>\u003c/a>, his southern delivery pairs well with the production of Oakland’s \u003cstrong>1-O.A.K.\u003c/strong>, Alameda’s \u003cstrong>Trackademicks\u003c/strong> and the rest of the HNRL crew—\u003ca href=\"https://www.npr.org/sections/allsongs/2020/05/11/853575718/heat-check-shook-up-shook-down-shook-out\" target=\"_blank\" rel=\"noopener noreferrer\">even NPR thinks so\u003c/a>. The track that caught my ear is “Wantanabe,” produced by Oakland’s \u003cstrong>Drew Banga\u003c/strong>.\u003c/p>\n\u003cp>I’ve \u003ca href=\"https://www.kqed.org/arts/13859615/rightnowish-rap-producer-drew-banga-on-music-and-fatherhood\">talked to Banga\u003c/a> on a few occasions, I can assure you he’s a really bright guy. But I’m thoroughly convinced the term “take a break” isn’t in his lexicon.\u003c/p>\n\u003cp>Banga just released a song and dance, “\u003ca href=\"https://twitter.com/DrewwwBanga/status/1258847454583091201?s=20\">G-Step\u003c/a>,” with San Francisco’s \u003cstrong>Jordan “Stunnaman02” Gomes\u003c/strong>. Banga then turned around and announced he’s got an upcoming project with Oakland lyricist \u003cstrong>Stoni\u003c/strong> called \u003cem>Ferrari Fawcet\u003c/em>, set to drop in July. Evidently, Stoni isn’t familiar with slowing down either, as she’s been occupying her time by \u003ca href=\"https://twitter.com/CallHerStoni/status/1251240115227123714?s=20\">drawing folks\u003c/a> on commission—she’s done over 20 pieces.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pReD5WRO3vI\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ne of the silver linings of this downtime is the ability to get familiar with artists I should’ve been listening to. For example, San Francisco’s \u003cstrong>Troy LLF\u003c/strong>, who just released \u003ca href=\"https://soundcloud.com/troyllf\">\u003cem>Til Death Do Us Part II\u003c/em>. \u003c/a>Troy LLF’s mature lyrical approach is a great counterbalance to the party music our region’s often associated with.\u003c/p>\n\u003cp>Another artist who’s newly on my radar is Oakland’s \u003cstrong>Mahawam\u003c/strong>. I couldn’t help but notice Mahawam’s recent video for, “\u003ca href=\"https://www.youtube.com/watch?v=pReD5WRO3vI\">HOPING NO ONE NOTICE\u003c/a>.” And if you like that trippy-hop vibe, I’d suggest checking out the work of \u003cstrong>MH the Verb\u003c/strong>, who calls Oakland home now but is originally from New York by way of Philly. The new 420-friendly video for his song “\u003ca href=\"https://www.instagram.com/tv/B_NbXTSFLPN/?utm_source=ig_web_copy_link\">Birthstones\u003c/a>” is a great introduction to his lyrical space odyssey of an album, \u003cem>\u003ca href=\"https://ffm.to/spaceninja\">Afronaut\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>Need more vibes? Check out \u003ca href=\"https://www.ashiakarana.com/\">\u003cstrong>Ashia Karana\u003c/strong>\u003c/a>—she grew up between New Jersey and Atlanta, but came to the Bay to study sound healing. The people she met influenced her so much that the cover art for her new project, \u003cem>Trust\u003c/em>, is done by Bay Area singer, songwriter and graphic designer \u003ca href=\"https://www.instagram.com/stoneycreation/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stoney\u003c/strong>\u003c/a>. (No relation to the aforementioned Stoni.) I listened to Ashia’s project twice last weekend, and ended up on the floor of my apartment holding a staring contest with the ceiling. I won.\u003c/p>\n\u003cp>https://youtu.be/e1U-t277yXE\u003c/p>\n\u003cp>Another mention along those vibe lines: Oakland’s \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jada Imani\u003c/strong>\u003c/a> dropped a new atmospheric single while sheltering in place, called “\u003ca href=\"https://jadaimani.bandcamp.com/track/i-think-that-i-am\" target=\"_blank\" rel=\"noopener noreferrer\">I Think That I Am\u003c/a>.”\u003c/p>\n\u003cp>Need more of that romantic R&B feel in your life? The new single from Union City’s \u003ca href=\"https://twitter.com/larrenwong\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>LarrenWong\u003c/strong>\u003c/a>, “\u003ca href=\"https://twitter.com/larrenwong/status/1253575585583861760?s=20\">Out My Way\u003c/a>,” almost made me text an ex. But then the pure vocals from Oakland’s \u003cstrong>Dom Jones\u003c/strong>, on her latest single “\u003ca href=\"https://distrokid.com/hyperfollow/domjones/crazytown\" target=\"_blank\" rel=\"noopener noreferrer\">Crazy Town\u003c/a>,” reminded me to put my phone down.\u003c/p>\n\u003cp>Soon after that, I was told to remain focused on my craft by an elder statesman, Vallejo’s \u003cstrong>E-40\u003c/strong>. He just dropped \u003cem>\u003ca href=\"https://twitter.com/E40/status/1259646488428212224?s=20\">The Curb Commentator\u003c/a>\u003c/em>, the first of a four-part EP series scheduled to drop throughout the year.\u003c/p>\n\u003cp>I repeat: E-40’s releasing a \u003cem>four-part project\u003c/em> this year, and he’s 52 years old. What’s your excuse?\u003c/p>\n\u003cfigure id=\"attachment_13880470\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13880470\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg\" alt=\"Cruise USA, Larry June and Cardo's latest project\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cruise USA, Larry June and Cardo’s latest project. \u003ccite>(Larry June)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>omeone with a similar consistency and penchant for putting real-spill over dope beats is San Francisco’s \u003cstrong>Larry June\u003c/strong>. I honestly didn’t know he even dropped a project last week until I started writing this article. I checked his Twitter, just because dude drops a new project every time the fog comes in over the Golden Gate, and sure enough, his latest project \u003cem>\u003ca href=\"https://twitter.com/LarryJuneTFM/status/1258943562248421378?s=20\">Cruise USA\u003c/a>\u003c/em> is on all platforms.\u003c/p>\n\u003cp>A good example of an “I’m not letting COVID stop my artistic flow,” is Allen “\u003ca href=\"https://www.instagram.com/LooveMoore2020/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Loove Moore\u003c/strong>\u003c/a>” Moore. He’s from West Oakland—specifically, Acorn–and he’s a musician, multimedia maker and a self-proclaimed introvert who’s found solace in creating a safe place for others to be themselves. That space was a weekly talent showcase called “\u003ca href=\"https://www.instagram.com/LooveAtTheLake/\" target=\"_blank\" rel=\"noopener noreferrer\">Loove at the Lake\u003c/a>.” Last year, in its first year of operation, it was featured in the \u003ca href=\"https://projects.sfchronicle.com/2019/visuals/lake-merritt-backyard/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>But now that people aren’t (supposed to be) gathering en masse, he’s spending his time shooting and editing videos for the music he’s continually making. How’s he staying inspired?\u003c/p>\n\u003cp>“I march to my own understanding of life,” Loove Moore told me during a phone call, sitting outside of a studio working on a podcast. “I feel like self-expression is needed, so I don’t explode.”\u003c/p>\n\u003cp>He says it’s not just the resilient mentality that comes with being raised in West Oakland, but “the spirit” from the black church that has pushed his artistic endeavors. And now, he creates something new, constantly. When asked what the key to it all is, he simply says: “I just participate in life, bro.”\u003c/p>\n\u003cp>And it’s as simple as that for some of us. Creating is just how we participate in life.\u003c/p>\n\u003cfigure id=\"attachment_13880517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/LoveMoore-800x533.jpg\" alt=\"LoveMoore.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Loove Moore. \u003ccite>(Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">H\u003c/span>ats off to the artists from this region who haven’t stopped creating. To those who’ve been sitting on work and finally dropped it, as well as those who’ve used this time in isolation to get creative.\u003c/p>\n\u003cp>I’m looking forward to the work of Class of 2020 high school graduate (and future NYU student) \u003ca href=\"https://www.instagram.com/official.jwalt/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>J.Walt\u003c/strong>\u003c/a>, who’s dropping a project called \u003cem>Yours Truly\u003c/em> this weekend.\u003c/p>\n\u003cp>Keeping an eye as well on East Bay lyricist \u003ca href=\"https://www.instagram.com/tv/CAIso0bggWP/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ruby Ibarra\u003c/strong>\u003c/a>, who just dropped a new video this week and is guaranteed to be working on more.\u003c/p>\n\u003cp>Berkeley’s \u003cstrong>Caleborate\u003c/strong> also dropped a five-track project called “\u003ca href=\"http://ffm.to/sparksinthestudio\" target=\"_blank\" rel=\"noopener noreferrer\">Sparks In The Studio\u003c/a>,” just this week. I’ve yet to listen to it, but given what I know of the guy’s work, it’ll be worthwhile.\u003c/p>\n\u003cp>Fellow Berkeleyite \u003ca href=\"https://twitter.com/RexxLifeRaj/status/1260401866661232640?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rexx Life Raj\u003c/strong>\u003c/a> announced a new video coming Friday. I’ll watch that in tandem with \u003ca href=\"https://twitter.com/kamaiyah/status/1260646823082905600?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">Kamaiyah’s latest song\u003c/a>, as she’s just announced that she’s dropping new music every Friday, starting this week.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>As a consumer and fan, I want to thank y’all for your art. It’s needed all the time, and especially right now.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>f there’s one thing I’ve learned in the past two months, it’s that a worldwide pandemic can’t stifle the artists of Northern California. Which makes sense—it’s one of the most innovative places on the planet. Creativity is in our cellular membranes and the culture pulses through our veins. Plus, the rent is too damn high to quit.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Let’s start with the well-known names. This past weekend, Oakland’s own \u003cstrong>Kehlani\u003c/strong> hit No. 1 on the Apple Music charts with her latest album, \u003cem>It Was Good Until It Wasn’t\u003c/em>. As the project took off, Kehlani made videos in quarantine and took to Twitter sharing intimate details of her experience to promote the album. It was something she had to do—otherwise, citing the coronavirus, \u003ca href=\"https://pitchfork.com/thepitch/kehlani-it-was-good-until-it-wasnt-album-cover-interview/?mbid=social_facebook&utm_source=facebook&utm_social-type=owned&utm_brand=p4k&utm_medium=social&utm_source=twitter&utm_brand=p4k&mbid=social_twitter&utm_medium=social&utm_social-type=owned\" target=\"_blank\" rel=\"noopener noreferrer\">her label would’ve postponed the release of her album\u003c/a>.\u003c/p>\n\u003cp>Just a few days before that, Sacramento’s \u003cstrong>Mozzy\u003c/strong> dropped \u003cem>Beyond Bulletproof.\u003c/em> He’d recently broadcasted a series of \u003ca href=\"https://www.youtube.com/watch?v=ZAVuUtxc5fg&feature=emb_title\">public therapy sessions\u003c/a>, and \u003ca href=\"https://www.kqed.org/arts/13880011/mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing\">initially dropped the album through JPay\u003c/a>—a service for incarcerated folks—a week before the album’s general release. On top of that, he did an interview with Rap Radar’s \u003ca href=\"https://www.instagram.com/tv/B_xsftpHAQn/?utm_source=ig_web_copy_link\">Elliott Wilson\u003c/a>. Active on the internet, in the streets and behind bars.\u003c/p>\n\u003cp>The Bay’s even getting active in television. Check the soundtrack for this season of \u003cem>Insecure\u003c/em>, which features previously released music from \u003ca href=\"https://twitter.com/LilSnickerfoot/status/1252642870319702016?s=20\">\u003cstrong>Michael Sneed\u003c/strong>\u003c/a> in one episode and \u003ca href=\"https://twitter.com/kamaiyah/status/1259701062908252160?s=20\">\u003cstrong>Kamaiyah\u003c/strong>\u003c/a> in another. And, of course, the Bay’s own \u003ca href=\"https://www.instagram.com/p/B_x8IAsJaGc/\">\u003cstrong>Nijla Mu’min\u003c/strong>\u003c/a> directed \u003cem>Insecure\u003c/em>‘s fourth episode from this season.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pReD5WRO3vI'\n title='//www.youtube.com/embed/pReD5WRO3vI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As for getting active in Hollywood, check Netflix’s \u003ca href=\"https://variety.com/2020/film/reviews/all-day-and-a-night-review-ashton-sanders-1234593865/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>All Day and A Night\u003c/em>\u003c/a>. The story of an aspiring rapper from Oakland, the film has star power from Oakland’s \u003cstrong>Yahya Abdul-Mateen II\u003c/strong> and a bunch of cameos from Northern California folks, including members of the dance crew \u003cstrong>Turf Fiendz\u003c/strong> and Oakland’s \u003cstrong>Rolanda D. Bell\u003c/strong>. The film was written by San Francisco’s \u003cstrong>Joe Robert Cole\u003c/strong>, was filmed in Oakland and Alameda, and \u003ca href=\"https://www.youtube.com/playlist?list=PL09XmXSlwDoreuB74JlQD-a4KfsTVvxie\">its soundtrack\u003c/a> features \u003cstrong>Tia Nomore, SOBxRBE, Paris,\u003c/strong> the \u003cstrong>Conscious Daughters, P-Lo, Mac Dre\u003c/strong> and more.\u003c/p>\n\u003cp>And then there’s \u003cstrong>Kool John\u003c/strong>, who’s also featured on the aforementioned soundtrack. The Richmond artist was recently shot six times during a robbery, recovered, and \u003ca href=\"https://twitter.com/K00LJ0HN/status/1257490570995331073?s=20\">hopped on Twitter to remix a Tupac quote to fit to his situation\u003c/a>.\u003c/p>\n\u003cp>Further evidence that despite catastrophic circumstances, we don’t know how to stop.\u003c/p>\n\u003cfigure id=\"attachment_13880487\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880487\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg\" alt=\"Nappy Nina's 30 Bag album cover\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs.jpg 2048w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Nappy Nina’s ’30 Bag’ album cover. \u003ccite>(Nappy Nina)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or artists in the Northern California, being creative is damn near synonymous with breathing. Even when we leave our region, we carry it with us. Ask Oakland’s own \u003cstrong>Nappy Nina\u003c/strong>, who’s currently living in New York and bringing heat to all the \u003ca href=\"https://twitter.com/Nappy_Nina/status/1259252529814265860?s=20\">MENcees\u003c/a> out there. Nappy Nina’s latest project \u003cem>\u003ca href=\"https://nappynina.lnk.to/30Bag\">30 Bag\u003c/a>\u003c/em>, full of quality vibes and strategic wordplay, dropped on her 30th birthday.\u003c/p>\n\u003cfigure id=\"attachment_13880374\" class=\"wp-caption alignright\" style=\"max-width: 238px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13880374\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg\" alt=\"Drew Banga by Stoni\" width=\"238\" height=\"345\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw-160x232.jpg 160w\" sizes=\"(max-width: 238px) 100vw, 238px\">\u003cfigcaption class=\"wp-caption-text\">Drew Banga by Stoni. \u003ccite>(Stoni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Need that more twang in your tunes? On Texas rapper \u003cstrong>Siddiq\u003c/strong>’s latest album, \u003ca href=\"https://li.sten.to/SlideMusic\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Slide Music\u003c/em>\u003c/a>, his southern delivery pairs well with the production of Oakland’s \u003cstrong>1-O.A.K.\u003c/strong>, Alameda’s \u003cstrong>Trackademicks\u003c/strong> and the rest of the HNRL crew—\u003ca href=\"https://www.npr.org/sections/allsongs/2020/05/11/853575718/heat-check-shook-up-shook-down-shook-out\" target=\"_blank\" rel=\"noopener noreferrer\">even NPR thinks so\u003c/a>. The track that caught my ear is “Wantanabe,” produced by Oakland’s \u003cstrong>Drew Banga\u003c/strong>.\u003c/p>\n\u003cp>I’ve \u003ca href=\"https://www.kqed.org/arts/13859615/rightnowish-rap-producer-drew-banga-on-music-and-fatherhood\">talked to Banga\u003c/a> on a few occasions, I can assure you he’s a really bright guy. But I’m thoroughly convinced the term “take a break” isn’t in his lexicon.\u003c/p>\n\u003cp>Banga just released a song and dance, “\u003ca href=\"https://twitter.com/DrewwwBanga/status/1258847454583091201?s=20\">G-Step\u003c/a>,” with San Francisco’s \u003cstrong>Jordan “Stunnaman02” Gomes\u003c/strong>. Banga then turned around and announced he’s got an upcoming project with Oakland lyricist \u003cstrong>Stoni\u003c/strong> called \u003cem>Ferrari Fawcet\u003c/em>, set to drop in July. Evidently, Stoni isn’t familiar with slowing down either, as she’s been occupying her time by \u003ca href=\"https://twitter.com/CallHerStoni/status/1251240115227123714?s=20\">drawing folks\u003c/a> on commission—she’s done over 20 pieces.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pReD5WRO3vI'\n title='//www.youtube.com/embed/pReD5WRO3vI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ne of the silver linings of this downtime is the ability to get familiar with artists I should’ve been listening to. For example, San Francisco’s \u003cstrong>Troy LLF\u003c/strong>, who just released \u003ca href=\"https://soundcloud.com/troyllf\">\u003cem>Til Death Do Us Part II\u003c/em>. \u003c/a>Troy LLF’s mature lyrical approach is a great counterbalance to the party music our region’s often associated with.\u003c/p>\n\u003cp>Another artist who’s newly on my radar is Oakland’s \u003cstrong>Mahawam\u003c/strong>. I couldn’t help but notice Mahawam’s recent video for, “\u003ca href=\"https://www.youtube.com/watch?v=pReD5WRO3vI\">HOPING NO ONE NOTICE\u003c/a>.” And if you like that trippy-hop vibe, I’d suggest checking out the work of \u003cstrong>MH the Verb\u003c/strong>, who calls Oakland home now but is originally from New York by way of Philly. The new 420-friendly video for his song “\u003ca href=\"https://www.instagram.com/tv/B_NbXTSFLPN/?utm_source=ig_web_copy_link\">Birthstones\u003c/a>” is a great introduction to his lyrical space odyssey of an album, \u003cem>\u003ca href=\"https://ffm.to/spaceninja\">Afronaut\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>Need more vibes? Check out \u003ca href=\"https://www.ashiakarana.com/\">\u003cstrong>Ashia Karana\u003c/strong>\u003c/a>—she grew up between New Jersey and Atlanta, but came to the Bay to study sound healing. The people she met influenced her so much that the cover art for her new project, \u003cem>Trust\u003c/em>, is done by Bay Area singer, songwriter and graphic designer \u003ca href=\"https://www.instagram.com/stoneycreation/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stoney\u003c/strong>\u003c/a>. (No relation to the aforementioned Stoni.) I listened to Ashia’s project twice last weekend, and ended up on the floor of my apartment holding a staring contest with the ceiling. I won.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/e1U-t277yXE'\n title='//www.youtube.com/embed/e1U-t277yXE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Another mention along those vibe lines: Oakland’s \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jada Imani\u003c/strong>\u003c/a> dropped a new atmospheric single while sheltering in place, called “\u003ca href=\"https://jadaimani.bandcamp.com/track/i-think-that-i-am\" target=\"_blank\" rel=\"noopener noreferrer\">I Think That I Am\u003c/a>.”\u003c/p>\n\u003cp>Need more of that romantic R&B feel in your life? The new single from Union City’s \u003ca href=\"https://twitter.com/larrenwong\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>LarrenWong\u003c/strong>\u003c/a>, “\u003ca href=\"https://twitter.com/larrenwong/status/1253575585583861760?s=20\">Out My Way\u003c/a>,” almost made me text an ex. But then the pure vocals from Oakland’s \u003cstrong>Dom Jones\u003c/strong>, on her latest single “\u003ca href=\"https://distrokid.com/hyperfollow/domjones/crazytown\" target=\"_blank\" rel=\"noopener noreferrer\">Crazy Town\u003c/a>,” reminded me to put my phone down.\u003c/p>\n\u003cp>Soon after that, I was told to remain focused on my craft by an elder statesman, Vallejo’s \u003cstrong>E-40\u003c/strong>. He just dropped \u003cem>\u003ca href=\"https://twitter.com/E40/status/1259646488428212224?s=20\">The Curb Commentator\u003c/a>\u003c/em>, the first of a four-part EP series scheduled to drop throughout the year.\u003c/p>\n\u003cp>I repeat: E-40’s releasing a \u003cem>four-part project\u003c/em> this year, and he’s 52 years old. What’s your excuse?\u003c/p>\n\u003cfigure id=\"attachment_13880470\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13880470\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg\" alt=\"Cruise USA, Larry June and Cardo's latest project\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cruise USA, Larry June and Cardo’s latest project. \u003ccite>(Larry June)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>omeone with a similar consistency and penchant for putting real-spill over dope beats is San Francisco’s \u003cstrong>Larry June\u003c/strong>. I honestly didn’t know he even dropped a project last week until I started writing this article. I checked his Twitter, just because dude drops a new project every time the fog comes in over the Golden Gate, and sure enough, his latest project \u003cem>\u003ca href=\"https://twitter.com/LarryJuneTFM/status/1258943562248421378?s=20\">Cruise USA\u003c/a>\u003c/em> is on all platforms.\u003c/p>\n\u003cp>A good example of an “I’m not letting COVID stop my artistic flow,” is Allen “\u003ca href=\"https://www.instagram.com/LooveMoore2020/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Loove Moore\u003c/strong>\u003c/a>” Moore. He’s from West Oakland—specifically, Acorn–and he’s a musician, multimedia maker and a self-proclaimed introvert who’s found solace in creating a safe place for others to be themselves. That space was a weekly talent showcase called “\u003ca href=\"https://www.instagram.com/LooveAtTheLake/\" target=\"_blank\" rel=\"noopener noreferrer\">Loove at the Lake\u003c/a>.” Last year, in its first year of operation, it was featured in the \u003ca href=\"https://projects.sfchronicle.com/2019/visuals/lake-merritt-backyard/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>But now that people aren’t (supposed to be) gathering en masse, he’s spending his time shooting and editing videos for the music he’s continually making. How’s he staying inspired?\u003c/p>\n\u003cp>“I march to my own understanding of life,” Loove Moore told me during a phone call, sitting outside of a studio working on a podcast. “I feel like self-expression is needed, so I don’t explode.”\u003c/p>\n\u003cp>He says it’s not just the resilient mentality that comes with being raised in West Oakland, but “the spirit” from the black church that has pushed his artistic endeavors. And now, he creates something new, constantly. When asked what the key to it all is, he simply says: “I just participate in life, bro.”\u003c/p>\n\u003cp>And it’s as simple as that for some of us. Creating is just how we participate in life.\u003c/p>\n\u003cfigure id=\"attachment_13880517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/LoveMoore-800x533.jpg\" alt=\"LoveMoore.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Loove Moore. \u003ccite>(Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">H\u003c/span>ats off to the artists from this region who haven’t stopped creating. To those who’ve been sitting on work and finally dropped it, as well as those who’ve used this time in isolation to get creative.\u003c/p>\n\u003cp>I’m looking forward to the work of Class of 2020 high school graduate (and future NYU student) \u003ca href=\"https://www.instagram.com/official.jwalt/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>J.Walt\u003c/strong>\u003c/a>, who’s dropping a project called \u003cem>Yours Truly\u003c/em> this weekend.\u003c/p>\n\u003cp>Keeping an eye as well on East Bay lyricist \u003ca href=\"https://www.instagram.com/tv/CAIso0bggWP/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ruby Ibarra\u003c/strong>\u003c/a>, who just dropped a new video this week and is guaranteed to be working on more.\u003c/p>\n\u003cp>Berkeley’s \u003cstrong>Caleborate\u003c/strong> also dropped a five-track project called “\u003ca href=\"http://ffm.to/sparksinthestudio\" target=\"_blank\" rel=\"noopener noreferrer\">Sparks In The Studio\u003c/a>,” just this week. I’ve yet to listen to it, but given what I know of the guy’s work, it’ll be worthwhile.\u003c/p>\n\u003cp>Fellow Berkeleyite \u003ca href=\"https://twitter.com/RexxLifeRaj/status/1260401866661232640?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rexx Life Raj\u003c/strong>\u003c/a> announced a new video coming Friday. I’ll watch that in tandem with \u003ca href=\"https://twitter.com/kamaiyah/status/1260646823082905600?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">Kamaiyah’s latest song\u003c/a>, as she’s just announced that she’s dropping new music every Friday, starting this week.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As a consumer and fan, I want to thank y’all for your art. It’s needed all the time, and especially right now.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"hidden-brain": {
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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