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"content": "\u003cp>Returning to Golden Gate Park after a three-year pandemic-induced hiatus, the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> brings a bevy of big names to San Francisco this weekend, Sept. 30-Oct. 2.\u003cbr>\n[aside postID=\"arts_13916410\"]With acts on tap like Elvis Costello, Allison Russell, Bela Fleck and Emmylou Harris, Hardly Strictly has no shortage of artists who’ve earned their vaunted status as institutions. But if you’re inclined to do a little wandering between the festival’s four stages, one of the prime pleasures of the festival comes from checking out unfamiliar artists, whether a rising star or a veteran performer trying out a new combo.\u003c/p>\n\u003cp>In many ways Hardly Strictly is more than a festival. It’s a musical weather system that sweeps over the region, and not just because of the satellite programming presented as part of \u003ca href=\"https://www.hardlystrictlybluegrass.com/out-of-the-park/\">Hardly Strictly Out of the Park\u003c/a>. A spot on the HSBG roster often serves as the centerpiece for a wider West Coast run, providing strong tailwinds for the fall music season. Here are 10 acts well worth a listen.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N5cET-ipUcQ\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/satya/\">Satya\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 2-2:30pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>At 22, Oakland-reared, New Orleans-based Satya is a neo-soul singer/songwriter with boundless promise. Her relaxed phrasing and becalmed delivery hints at the deep currents flowing through her music, which slows the passage of time with ripples of self-revelation. Her name means “truth” in Sanskrit, but Satya offers hints and clues rather than a road map, inviting listeners along as she finds her way.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sHbl6zhO3wo\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/joy-oladokun/\">Joy Oladokun\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 3:55-4:45pm\u003cbr>\nTowers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>A first-generation Nigerian-American singer/songwriter, Joy Oladokun creates music from her perspective as a queer Black woman who’s absorbed the forthright stance of artists like Tracy Chapman and Joan Armatrading. Raised in Arizona and now based in Los Angeles, she’s staked an early claim as one of the decade’s artists to watch with two albums that brim with confidence, vulnerability, and righteous melodic invention: 2020’s \u003cem>in defense of my own happiness (the beginnings)\u003c/em> and 2021’s \u003cem>in defense of my own happiness\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zvie5df0SP8\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/charley-crockett/\">Charley Crockett\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 5:45-7pm\u003c/strong>\u003cbr>\n\u003cstrong>Towers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>Often cast as polar idioms, country music and the blues share deep roots that the best country artists manifest clearly. With his telegraphic storytelling and dry humor, Charley Crockett embodies the blues aesthetic that hard times are best endured by turning tribulation into a communal exorcism. He’s a dauntingly prolific artist who’s released a diverse array of material on 11 albums since 2015, including a simmering new project, \u003cem>The Man from Waco\u003c/em>, that feels like an homage to Johnny Cash.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JygS9kX-kak\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/cedric-watson/\">Cedric Watson\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Banjo Stage\u003cbr>\nSaturday 11-11:45am\u003c/strong>\u003c/p>\n\u003cp>Fiddler, singer, accordionist and songwriter Cedric Watson is a leading force in the revival of Creole and Acadian roots music, drawing on centuries-old songs spread by the French and Spanish empires and rhythms brought to the Caribbean by enslaved West Africans. Part of what makes Watson such a dynamic artist is that he’s both a deep scholar and a prolific songwriter who carries traditional forms into the 21\u003csup>st\u003c/sup> century, mixing and melding influences as he sees fit. He also performs at the festival afterparty \u003ca href=\"https://www.ashkenaz.com/events-backend/cedric-watson-a-hardly-strictly-bluegrass-afterparty\">Oct. 1 at Ashkenaz\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oEtoiqy0VGo\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/aj-lee-and-blue-summit/\">AJ Lee & Blue Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 1:30-2:10pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A product of the Bay Area’s verdant bluegrass music scene, guitarist, mandolinist and vocalist AJ Lee was still in her mid-teens when she started performing with Blue Summit in 2015. Now a road-seasoned act, the band released an impressive second album last year with \u003cem>I’ll Come Back\u003c/em>, featuring Sullivan Tuttle and Scott Gates on steel string guitars, fiddler Jan Purat and bassist Chad Bowen. Bluegrass is still a major source of inspiration for the group, but their sound now draws on a wider constellation of acoustic idioms, fitting comfortably under the Americana umbrella while avoiding many of the attendant clichés.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cEyYlyRr2_U\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/waxahatchee/\">Waxahatchee\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 3:55-4:55pm\u003cbr>\nBanjo Stage\u003c/strong>\u003c/p>\n\u003cp>Named after a creek that runs close to her childhood home in Alabama, Katie Crutchfield’s solo project Waxahatchee has become a major outlet for her songwriting in recent years. She’s released a series of trenchant, critically acclaimed albums over the past decade, but 2020’s \u003cem>Saint Cloud\u003c/em> found her in particularly harrowing territory, a sojourn inspired by her determination to attain sobriety. Crutchfield returns to the Bay Area next month with Plains, her project with Jess Williamson, playing \u003ca href=\"https://folkyeah.com/#/plains-katie-crutchfield-jess-williamson-sonoma-1024\">Sonoma\u003c/a> and \u003ca href=\"https://www.axs.com/events/442689/plains-featuring-katie-crutchfield-from-waxahatchee-and-jess-williamso-tickets\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U89BGcn_AOs\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/arooj-aftab/\">Arooj Aftab\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 12:30-1:15pm\u003cbr>\nRooster Stage\u003c/strong>\u003c/p>\n\u003cp>Born in Saudi Arabia to parents from Pakistan, Grammy Award-winning vocalist Arooj Aftab applies her training in Hindustani classical music to a sumptuous array of settings for Urdu poetry. A brilliant improviser who’s collaborated with leading jazz musicians like pianist Vijay Iyer, she’s crafted her own mesmerizing sound, drawing on love-besotted ghazals and minimalist patterns.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GC5UBAoa6nw\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/danielle-ponder/\">Danielle Ponder\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:20-2pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Since leaving her job as a public defender in upstate New York, powerhouse vocalist Danielle Ponder has emerged as a clarion artist whose songs tackle knotty territory without compromising melodic force. Steeped in gospel and inspired by blues, rock and hip-hop, she sings with sanctified authority and hard-knock knowledge gleaned from personal experience. Before Hardly Strictly she also headlines \u003ca href=\"https://moesalley.com/event-details/12402625/-folkyeah-presents-danielle-ponder-with-special-guests/\">Sept. 29 at Moe’s Alley\u003c/a> in Santa Cruz and opens for Marcus Mumford \u003ca href=\"https://concerts.livenation.com/marcus-mumford-san-francisco-california-10-01-2022/event/1C005D0AF94E4173?_ga=2.239581635.1978444917.1663717476-386014478.1663717475\">Sept. 30 at the Fillmore\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4EWY6W5jkSs\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/dashawn-hickman/\">DaShawn Hickman with Charlie Hunter\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:25-2pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A master of the Sacred Steel tradition, DaShawn Hickman was a founding member of The Allen Boys, a group that took the rollicking music powering Pentecostal Holiness services in North Carolina out of the church and on the road. Teaming up with Charlie Hunter, the jazz-meets-funk guitarist who contributed to influential albums by D’Angelo and A Tribe Called Quest, Hickman recorded the stellar album \u003cem>Drums, Roots & Steel\u003c/em> for Little Village Foundation, a project that ushers the Sacred Steel sound into celebratory secular settings. A Berkeley native based in North Carolina, Hunter is also in town with SuperBlue, his hip-hop-inflected collaboration with jazz vocalist Kurt Elling, playing Menlo Park’s \u003ca href=\"https://guildtheatre.com/events/superblue-kurt-elling-ft-charlie-hunter-9-27-22/\">Guild Theater Sept. 27\u003c/a> and \u003ca href=\"https://secure.thefreight.org/11472/kurt-elling-charlie-hunter\">Freight & Salvage Sept. 30\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7RzaRh6E6bY\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/the-whitmore-sisters/\">The Whitmore Sisters\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 4:55-5:40pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Eleanor Whitmore has long been known for her work with her husband Chris Masterson in The Mastersons, but after being grounded by the pandemic she teamed up with her younger sister Bonnie to renew their musical relationship in the Whitmore Sisters. Collaborating on \u003cem>Ghost Stories\u003c/em> (Red House Records), they created an enthralling collection of songs that marry voluptuous arrangements to fever-pitch themes of love, death and loss.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Acts like Elvis Costello and Emmylou Harris get top billing at this year's festival, which takes place Sept. 30-Oct. 2. But good things come to those who wander—like the discovery of your new favorite up-and-coming artist. ",
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"title": "10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Returning to Golden Gate Park after a three-year pandemic-induced hiatus, the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> brings a bevy of big names to San Francisco this weekend, Sept. 30-Oct. 2.\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>With acts on tap like Elvis Costello, Allison Russell, Bela Fleck and Emmylou Harris, Hardly Strictly has no shortage of artists who’ve earned their vaunted status as institutions. But if you’re inclined to do a little wandering between the festival’s four stages, one of the prime pleasures of the festival comes from checking out unfamiliar artists, whether a rising star or a veteran performer trying out a new combo.\u003c/p>\n\u003cp>In many ways Hardly Strictly is more than a festival. It’s a musical weather system that sweeps over the region, and not just because of the satellite programming presented as part of \u003ca href=\"https://www.hardlystrictlybluegrass.com/out-of-the-park/\">Hardly Strictly Out of the Park\u003c/a>. A spot on the HSBG roster often serves as the centerpiece for a wider West Coast run, providing strong tailwinds for the fall music season. Here are 10 acts well worth a listen.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N5cET-ipUcQ'\n title='//www.youtube.com/embed/N5cET-ipUcQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/satya/\">Satya\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 2-2:30pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>At 22, Oakland-reared, New Orleans-based Satya is a neo-soul singer/songwriter with boundless promise. Her relaxed phrasing and becalmed delivery hints at the deep currents flowing through her music, which slows the passage of time with ripples of self-revelation. Her name means “truth” in Sanskrit, but Satya offers hints and clues rather than a road map, inviting listeners along as she finds her way.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sHbl6zhO3wo'\n title='//www.youtube.com/embed/sHbl6zhO3wo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/joy-oladokun/\">Joy Oladokun\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 3:55-4:45pm\u003cbr>\nTowers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>A first-generation Nigerian-American singer/songwriter, Joy Oladokun creates music from her perspective as a queer Black woman who’s absorbed the forthright stance of artists like Tracy Chapman and Joan Armatrading. Raised in Arizona and now based in Los Angeles, she’s staked an early claim as one of the decade’s artists to watch with two albums that brim with confidence, vulnerability, and righteous melodic invention: 2020’s \u003cem>in defense of my own happiness (the beginnings)\u003c/em> and 2021’s \u003cem>in defense of my own happiness\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zvie5df0SP8'\n title='//www.youtube.com/embed/zvie5df0SP8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/charley-crockett/\">Charley Crockett\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 5:45-7pm\u003c/strong>\u003cbr>\n\u003cstrong>Towers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>Often cast as polar idioms, country music and the blues share deep roots that the best country artists manifest clearly. With his telegraphic storytelling and dry humor, Charley Crockett embodies the blues aesthetic that hard times are best endured by turning tribulation into a communal exorcism. He’s a dauntingly prolific artist who’s released a diverse array of material on 11 albums since 2015, including a simmering new project, \u003cem>The Man from Waco\u003c/em>, that feels like an homage to Johnny Cash.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JygS9kX-kak'\n title='//www.youtube.com/embed/JygS9kX-kak'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/cedric-watson/\">Cedric Watson\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Banjo Stage\u003cbr>\nSaturday 11-11:45am\u003c/strong>\u003c/p>\n\u003cp>Fiddler, singer, accordionist and songwriter Cedric Watson is a leading force in the revival of Creole and Acadian roots music, drawing on centuries-old songs spread by the French and Spanish empires and rhythms brought to the Caribbean by enslaved West Africans. Part of what makes Watson such a dynamic artist is that he’s both a deep scholar and a prolific songwriter who carries traditional forms into the 21\u003csup>st\u003c/sup> century, mixing and melding influences as he sees fit. He also performs at the festival afterparty \u003ca href=\"https://www.ashkenaz.com/events-backend/cedric-watson-a-hardly-strictly-bluegrass-afterparty\">Oct. 1 at Ashkenaz\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oEtoiqy0VGo'\n title='//www.youtube.com/embed/oEtoiqy0VGo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/aj-lee-and-blue-summit/\">AJ Lee & Blue Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 1:30-2:10pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A product of the Bay Area’s verdant bluegrass music scene, guitarist, mandolinist and vocalist AJ Lee was still in her mid-teens when she started performing with Blue Summit in 2015. Now a road-seasoned act, the band released an impressive second album last year with \u003cem>I’ll Come Back\u003c/em>, featuring Sullivan Tuttle and Scott Gates on steel string guitars, fiddler Jan Purat and bassist Chad Bowen. Bluegrass is still a major source of inspiration for the group, but their sound now draws on a wider constellation of acoustic idioms, fitting comfortably under the Americana umbrella while avoiding many of the attendant clichés.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cEyYlyRr2_U'\n title='//www.youtube.com/embed/cEyYlyRr2_U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/waxahatchee/\">Waxahatchee\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 3:55-4:55pm\u003cbr>\nBanjo Stage\u003c/strong>\u003c/p>\n\u003cp>Named after a creek that runs close to her childhood home in Alabama, Katie Crutchfield’s solo project Waxahatchee has become a major outlet for her songwriting in recent years. She’s released a series of trenchant, critically acclaimed albums over the past decade, but 2020’s \u003cem>Saint Cloud\u003c/em> found her in particularly harrowing territory, a sojourn inspired by her determination to attain sobriety. Crutchfield returns to the Bay Area next month with Plains, her project with Jess Williamson, playing \u003ca href=\"https://folkyeah.com/#/plains-katie-crutchfield-jess-williamson-sonoma-1024\">Sonoma\u003c/a> and \u003ca href=\"https://www.axs.com/events/442689/plains-featuring-katie-crutchfield-from-waxahatchee-and-jess-williamso-tickets\">San Francisco\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U89BGcn_AOs'\n title='//www.youtube.com/embed/U89BGcn_AOs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/arooj-aftab/\">Arooj Aftab\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 12:30-1:15pm\u003cbr>\nRooster Stage\u003c/strong>\u003c/p>\n\u003cp>Born in Saudi Arabia to parents from Pakistan, Grammy Award-winning vocalist Arooj Aftab applies her training in Hindustani classical music to a sumptuous array of settings for Urdu poetry. A brilliant improviser who’s collaborated with leading jazz musicians like pianist Vijay Iyer, she’s crafted her own mesmerizing sound, drawing on love-besotted ghazals and minimalist patterns.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GC5UBAoa6nw'\n title='//www.youtube.com/embed/GC5UBAoa6nw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/danielle-ponder/\">Danielle Ponder\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:20-2pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Since leaving her job as a public defender in upstate New York, powerhouse vocalist Danielle Ponder has emerged as a clarion artist whose songs tackle knotty territory without compromising melodic force. Steeped in gospel and inspired by blues, rock and hip-hop, she sings with sanctified authority and hard-knock knowledge gleaned from personal experience. Before Hardly Strictly she also headlines \u003ca href=\"https://moesalley.com/event-details/12402625/-folkyeah-presents-danielle-ponder-with-special-guests/\">Sept. 29 at Moe’s Alley\u003c/a> in Santa Cruz and opens for Marcus Mumford \u003ca href=\"https://concerts.livenation.com/marcus-mumford-san-francisco-california-10-01-2022/event/1C005D0AF94E4173?_ga=2.239581635.1978444917.1663717476-386014478.1663717475\">Sept. 30 at the Fillmore\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4EWY6W5jkSs'\n title='//www.youtube.com/embed/4EWY6W5jkSs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/dashawn-hickman/\">DaShawn Hickman with Charlie Hunter\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:25-2pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A master of the Sacred Steel tradition, DaShawn Hickman was a founding member of The Allen Boys, a group that took the rollicking music powering Pentecostal Holiness services in North Carolina out of the church and on the road. Teaming up with Charlie Hunter, the jazz-meets-funk guitarist who contributed to influential albums by D’Angelo and A Tribe Called Quest, Hickman recorded the stellar album \u003cem>Drums, Roots & Steel\u003c/em> for Little Village Foundation, a project that ushers the Sacred Steel sound into celebratory secular settings. A Berkeley native based in North Carolina, Hunter is also in town with SuperBlue, his hip-hop-inflected collaboration with jazz vocalist Kurt Elling, playing Menlo Park’s \u003ca href=\"https://guildtheatre.com/events/superblue-kurt-elling-ft-charlie-hunter-9-27-22/\">Guild Theater Sept. 27\u003c/a> and \u003ca href=\"https://secure.thefreight.org/11472/kurt-elling-charlie-hunter\">Freight & Salvage Sept. 30\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7RzaRh6E6bY'\n title='//www.youtube.com/embed/7RzaRh6E6bY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/the-whitmore-sisters/\">The Whitmore Sisters\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 4:55-5:40pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Eleanor Whitmore has long been known for her work with her husband Chris Masterson in The Mastersons, but after being grounded by the pandemic she teamed up with her younger sister Bonnie to renew their musical relationship in the Whitmore Sisters. 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"title": "Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022",
"headTitle": "Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022 | KQED",
"content": "\u003cp>\u003cstrong>Update, Sept. 7, 2022: \u003c/strong>A new round of artists has been announced as part of the lineup for this year’s Hardly Strictly Bluegrass festival, set to take place Sept. 30 through Oct. 2. Acts include Elvis Costello, Steve Earle & the Dukes, The Travelin’ McCourys, Bob Schneider, Moonalice, Cymande, Arooj Aftab, Cedric Watson, Alison Brown and Jim Lauderdale.\u003c/p>\n\u003cp>Steve Earle is scheduled to host a tribute to longtime festival regulars who have died over the past few years, like John Prine, Justin Townes Earle and Nancy Bechtle.\u003c/p>\n\u003cp>And Elvis Costello has added a night show: “Elvis Sings Hunter-Garcia,” a tribute to the Grateful Dead’s Robert Hunter and Jerry Garcia, is set for Sept. 30 at the Great American Music Hall, with two shows at 7 and 10pm. The evening is a benefit for the nonprofit Prader-Willi Homes of California, which funds residential facilities for people with developmental disabilities. \u003ca href=\"https://gamh.com/shows-elvis-costello-sings-hunter-garcia/\">Tickets and more info here\u003c/a>.\u003c/p>\n\u003cp>Organizers say the full festival lineup will be announced Sept. 13. Check out the lineup (so far) on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">HSB website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 10, 2022: \u003c/strong>Festival organizers have rolled out a second installment of the lineup for this year’s Hardly Strictly Bluegrass, and it’s a good one, with a strong local showing. Artists added to the slate include festival veteran Emmylou Harris, Talking Heads’ Jerry Harrison & Adrian Belew performing songs from “Remain In Light,” Sacramento’s Tré Burt, San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\">Meklit\u003c/a>, Petaluma-born \u003ca href=\"https://www.kqed.org/arts/13838086/the-brothers-comatoses-trade-deal-with-china-bluegrass\">the Brothers Comatose\u003c/a>, Seratones, the Tallest Man On Earth, \u003ca href=\"https://www.npr.org/sections/now-playing/2022/02/22/1082325550/jake-blount-the-man-was-burning\">Jake Blount\u003c/a>, Sarah Shook & the Disarmers and Antibalas.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Playing Hardly Strictly for the first time ever this year feels a bit like coming home,” Tré Burt told organizers. “I used to sneak in and play for as long as I could on the footpaths before eventually being kicked out by security back in the day, so it feels great to actually be invited onto the stage!”\u003c/p>\n\u003cp>Expect at least one or two more lineup announcements in the coming weeks, teased on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">festival’s website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, July 27, 2022:\u003c/strong> Hardly Strictly Bluegrass organizers have released \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">an initial lineup\u003c/a> for this year’s festival. Artists slated to perform include Marcus Mumford, Allison Russell, Las Cafeteras, Lucius, Galactic, AJ Lee & Blue Summit, Joy Oladokun, Charley Crockett, Buddy Miller and Dashawn Hickman. Further lineup announcements are expected in the coming weeks, teased \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\" target=\"_blank\" rel=\"noopener noreferrer\">via song medleys on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 21, 2022:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, the free music festival, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">is scheduled to return in-person\u003c/a> to Golden Gate Park this year for the first time since 2019. The festival will run Sept. 30 through Oct. 2.\u003c/p>\n\u003cp>The lineup of performers at this year’s Hardly Strictly festival has yet to be announced, with organizers planning to roll out artist announcements—via hint-filled song medleys—beginning July 26.\u003c/p>\n\u003cp>The all-ages festival was founded in 2001 by the late venture capitalist and bluegrass fan Warren Hellman, and has become a beginning-of-fall \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" target=\"_blank\" rel=\"noopener noreferrer\">tradition for a generation of San Franciscans\u003c/a> ever since. In pre-pandemic years, the fest reliably drew more than half a million people to Golden Gate Park for performances by folk and bluegrass icons like Emmylou Harris, John Prine, Steve Earle and Mavis Staples.\u003c/p>\n\u003cp>[aside postID='arts_13810342']The 2020 and 2021 Hardly Strictly festivals were held virtually online due to COVID, with livestreams of performances by the likes of Bonnie Raitt, Boz Scaggs, Chuck Prophet, Fantastic Negrito and Rainbow Girls.\u003c/p>\n\u003cp>Still funded by the Hellman Foundation more than a decade after its founder’s death, the festival remains free to attendees, and has never taken on corporate sponsors, making it a cherished anomaly in the current music festival landscape.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Visit the festival’s website\u003c/a> for more information and lineup announcements beginning next week.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Sept. 7, 2022: \u003c/strong>A new round of artists has been announced as part of the lineup for this year’s Hardly Strictly Bluegrass festival, set to take place Sept. 30 through Oct. 2. Acts include Elvis Costello, Steve Earle & the Dukes, The Travelin’ McCourys, Bob Schneider, Moonalice, Cymande, Arooj Aftab, Cedric Watson, Alison Brown and Jim Lauderdale.\u003c/p>\n\u003cp>Steve Earle is scheduled to host a tribute to longtime festival regulars who have died over the past few years, like John Prine, Justin Townes Earle and Nancy Bechtle.\u003c/p>\n\u003cp>And Elvis Costello has added a night show: “Elvis Sings Hunter-Garcia,” a tribute to the Grateful Dead’s Robert Hunter and Jerry Garcia, is set for Sept. 30 at the Great American Music Hall, with two shows at 7 and 10pm. The evening is a benefit for the nonprofit Prader-Willi Homes of California, which funds residential facilities for people with developmental disabilities. \u003ca href=\"https://gamh.com/shows-elvis-costello-sings-hunter-garcia/\">Tickets and more info here\u003c/a>.\u003c/p>\n\u003cp>Organizers say the full festival lineup will be announced Sept. 13. Check out the lineup (so far) on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">HSB website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 10, 2022: \u003c/strong>Festival organizers have rolled out a second installment of the lineup for this year’s Hardly Strictly Bluegrass, and it’s a good one, with a strong local showing. Artists added to the slate include festival veteran Emmylou Harris, Talking Heads’ Jerry Harrison & Adrian Belew performing songs from “Remain In Light,” Sacramento’s Tré Burt, San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\">Meklit\u003c/a>, Petaluma-born \u003ca href=\"https://www.kqed.org/arts/13838086/the-brothers-comatoses-trade-deal-with-china-bluegrass\">the Brothers Comatose\u003c/a>, Seratones, the Tallest Man On Earth, \u003ca href=\"https://www.npr.org/sections/now-playing/2022/02/22/1082325550/jake-blount-the-man-was-burning\">Jake Blount\u003c/a>, Sarah Shook & the Disarmers and Antibalas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Playing Hardly Strictly for the first time ever this year feels a bit like coming home,” Tré Burt told organizers. “I used to sneak in and play for as long as I could on the footpaths before eventually being kicked out by security back in the day, so it feels great to actually be invited onto the stage!”\u003c/p>\n\u003cp>Expect at least one or two more lineup announcements in the coming weeks, teased on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">festival’s website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, July 27, 2022:\u003c/strong> Hardly Strictly Bluegrass organizers have released \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">an initial lineup\u003c/a> for this year’s festival. Artists slated to perform include Marcus Mumford, Allison Russell, Las Cafeteras, Lucius, Galactic, AJ Lee & Blue Summit, Joy Oladokun, Charley Crockett, Buddy Miller and Dashawn Hickman. Further lineup announcements are expected in the coming weeks, teased \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\" target=\"_blank\" rel=\"noopener noreferrer\">via song medleys on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 21, 2022:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, the free music festival, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">is scheduled to return in-person\u003c/a> to Golden Gate Park this year for the first time since 2019. The festival will run Sept. 30 through Oct. 2.\u003c/p>\n\u003cp>The lineup of performers at this year’s Hardly Strictly festival has yet to be announced, with organizers planning to roll out artist announcements—via hint-filled song medleys—beginning July 26.\u003c/p>\n\u003cp>The all-ages festival was founded in 2001 by the late venture capitalist and bluegrass fan Warren Hellman, and has become a beginning-of-fall \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" target=\"_blank\" rel=\"noopener noreferrer\">tradition for a generation of San Franciscans\u003c/a> ever since. In pre-pandemic years, the fest reliably drew more than half a million people to Golden Gate Park for performances by folk and bluegrass icons like Emmylou Harris, John Prine, Steve Earle and Mavis Staples.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
"closealltabs": {
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
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},
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"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
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"officialWebsiteLink": "/perspectives/",
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"order": 14
},
"link": "/perspectives",
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