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"content": "\u003cp>Tierra Whack’s 2018 debut, \u003cem>Whack World\u003c/em>, gave a taste of the breakout star’s weird imagination in 15 one-minute-long, bite-sized pieces. Without such stringent time constraints, her hour-long Outside Lands set allowed her oddball, colorful personality to flourish in one of the day’s most dynamic performances.\u003c/p>\n\u003cp>Whack took the stage Saturday in a \u003cem>Cat in the Hat \u003c/em>T-shirt dress draped in tassels, plus matching red-and-white socks and Jordans. Opening with her propulsive trap single “Westbound Eastbound,” she worked the crowd, running back and forth and imploring the audience to turn up with her cartoonish facial expressions.\u003c/p>\n\u003cp>The packed crowd happily obeyed. After asking if there were any birthdays in the house, Whack climbed onto the barrier as if about to crowdsurf, and then, endearingly, handed out cupcakes. (When she was finished, her DJ revealed that it was actually Whack’s birthday, and the audience sang to her.)\u003c/p>\n\u003cfigure id=\"attachment_13863641\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6704-800x533.jpg\" alt=\"Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863641\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper then ran through her \u003cem>Whack World\u003c/em> tracks, each one distilling a different emotion in 60 seconds—a testament to her effectiveness as a songwriter and performer. The twangy “F-ck Off” gave the audience an opportunity for catharsis as they jumped up and down with middle fingers raised, cursing their “deadbeat dads.” During the sexy, winding R&B joint “Hungry Hippo,” she walked offstage in a pseudo-diva moment because the audience didn’t sing along loudly enough. She returned more hyped than ever when they yelled the lyrics to her satisfaction.\u003c/p>\n\u003cp>After a call and response of “Whack! Whack!,” Whack had her audience repeat weird noises—the kind little kids might make when they think adults aren’t listening to their game of pretend. It was the sound of Tierra Whack taking Outside Lands to the wonderful, wacky world of her imagination.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Childish Gambino\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Backed by gospel singers in church robes, Childish Gambino told the Outside Lands audience to put their phones away because “this is church.” Though he commanded the largest crowd in the festival’s history, as he announced, he took care to make the show feel as intimate as possible during Saturday’s headlining set, which he began by singing a cappella in the middle of the audience and giving high fives on the way to the main stage.\u003c/p>\n\u003cp>Calling Oakland his second home, he sang his 2013 pop-rap homage to the Bay Area, “Telegraph Ave. (“Oakland” by Lloyd).” When it came time to perform “This is America,” Gambino—shirtless and in white pants, just like in the music video—broke out in a frenzied dance that underscored the song’s frenetic tempo changes and message of spiritual and political upheaval.\u003c/p>\n\u003cfigure id=\"attachment_13863639\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6646-800x533.jpg\" alt=\"Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863639\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Altin Gün\u003c/strong>\u003c/p>\n\u003cp>Hailing from Amsterdam, the multicultural, psychedelic sextet Altin Gün fused Turkish folk sounds with well-placed electronics and oozing funk-rock instrumentation. Singer, keyboardist and \u003cem>baglama\u003c/em> player Erdinc Yildiz Ecevit proved to be the star of the show with his breathy, dramatic vocal delivery and impressive dexterity on keys and strings alike. Though the audience couldn’t understand the band’s Turkish lyrics, they happily danced and snapped along in the sun.\u003c/p>\n\u003cfigure id=\"attachment_13863645\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Big Wild\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Indie pop singer Jackson Stell, a.k.a. Big Wild, showed off his many abilities as his big, wild hair billowed in the wind. Electronic drumming? Check. Singing anthemic hooks? Check. Not one, but two whistle solos?! Check. Accompanied by an all-woman band in matching jumpsuits and red lipstick, Stell’s soul and disco-infused tracks took the audience to ecstatic heights.\u003c/p>\n\u003ch2>More Photos from Outside Lands 2019 Day Two\u003c/h2>\n\u003cfigure id=\"attachment_13863654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6792-800x533.jpg\" alt=\"Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863647\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-800x533.jpg\" alt=\"CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-800x533.jpg\" alt=\"Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863638\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6882-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863655\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863649\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6799-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863649\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863642\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-800x533.jpg\" alt=\"Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863644\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6742-800x533.jpg\" alt=\"Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863644\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863650\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6803-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6888-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863636\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-800x533.jpg\" alt=\"Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863636\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6633-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863643\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6722-800x533.jpg\" alt=\"Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863643\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863646\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6893-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "Gambino led a sermon, Whack handed out cupcakes, and Saturday's Outside Lands crowd was reportedly the largest in the festival's history.",
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"title": "Tierra Whack's Weirdness, Childish Gambino's Doctrine: Outside Lands Day Two Highlights | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tierra Whack’s 2018 debut, \u003cem>Whack World\u003c/em>, gave a taste of the breakout star’s weird imagination in 15 one-minute-long, bite-sized pieces. Without such stringent time constraints, her hour-long Outside Lands set allowed her oddball, colorful personality to flourish in one of the day’s most dynamic performances.\u003c/p>\n\u003cp>Whack took the stage Saturday in a \u003cem>Cat in the Hat \u003c/em>T-shirt dress draped in tassels, plus matching red-and-white socks and Jordans. Opening with her propulsive trap single “Westbound Eastbound,” she worked the crowd, running back and forth and imploring the audience to turn up with her cartoonish facial expressions.\u003c/p>\n\u003cp>The packed crowd happily obeyed. After asking if there were any birthdays in the house, Whack climbed onto the barrier as if about to crowdsurf, and then, endearingly, handed out cupcakes. (When she was finished, her DJ revealed that it was actually Whack’s birthday, and the audience sang to her.)\u003c/p>\n\u003cfigure id=\"attachment_13863641\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6704-800x533.jpg\" alt=\"Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863641\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6704-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tierra Whack performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper then ran through her \u003cem>Whack World\u003c/em> tracks, each one distilling a different emotion in 60 seconds—a testament to her effectiveness as a songwriter and performer. The twangy “F-ck Off” gave the audience an opportunity for catharsis as they jumped up and down with middle fingers raised, cursing their “deadbeat dads.” During the sexy, winding R&B joint “Hungry Hippo,” she walked offstage in a pseudo-diva moment because the audience didn’t sing along loudly enough. She returned more hyped than ever when they yelled the lyrics to her satisfaction.\u003c/p>\n\u003cp>After a call and response of “Whack! Whack!,” Whack had her audience repeat weird noises—the kind little kids might make when they think adults aren’t listening to their game of pretend. It was the sound of Tierra Whack taking Outside Lands to the wonderful, wacky world of her imagination.\u003c/p>\n\u003ch2>Other Highlights\u003c/h2>\n\u003cfigure id=\"attachment_13863653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6854-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Childish Gambino\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Backed by gospel singers in church robes, Childish Gambino told the Outside Lands audience to put their phones away because “this is church.” Though he commanded the largest crowd in the festival’s history, as he announced, he took care to make the show feel as intimate as possible during Saturday’s headlining set, which he began by singing a cappella in the middle of the audience and giving high fives on the way to the main stage.\u003c/p>\n\u003cp>Calling Oakland his second home, he sang his 2013 pop-rap homage to the Bay Area, “Telegraph Ave. (“Oakland” by Lloyd).” When it came time to perform “This is America,” Gambino—shirtless and in white pants, just like in the music video—broke out in a frenzied dance that underscored the song’s frenetic tempo changes and message of spiritual and political upheaval.\u003c/p>\n\u003cfigure id=\"attachment_13863639\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6646-800x533.jpg\" alt=\"Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863639\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6646-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Altın Gün performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Altin Gün\u003c/strong>\u003c/p>\n\u003cp>Hailing from Amsterdam, the multicultural, psychedelic sextet Altin Gün fused Turkish folk sounds with well-placed electronics and oozing funk-rock instrumentation. Singer, keyboardist and \u003cem>baglama\u003c/em> player Erdinc Yildiz Ecevit proved to be the star of the show with his breathy, dramatic vocal delivery and impressive dexterity on keys and strings alike. Though the audience couldn’t understand the band’s Turkish lyrics, they happily danced and snapped along in the sun.\u003c/p>\n\u003cfigure id=\"attachment_13863645\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6764-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Big Wild\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Indie pop singer Jackson Stell, a.k.a. Big Wild, showed off his many abilities as his big, wild hair billowed in the wind. Electronic drumming? Check. Singing anthemic hooks? Check. Not one, but two whistle solos?! Check. Accompanied by an all-woman band in matching jumpsuits and red lipstick, Stell’s soul and disco-infused tracks took the audience to ecstatic heights.\u003c/p>\n\u003ch2>More Photos from Outside Lands 2019 Day Two\u003c/h2>\n\u003cfigure id=\"attachment_13863654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6878-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6792-800x533.jpg\" alt=\"Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6792-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ella Mai performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863647\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-800x533.jpg\" alt=\"CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6782-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">CupcakKe performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-800x533.jpg\" alt=\"Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863638\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6644-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Delacey at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6882-800x533.jpg\" alt=\"Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863655\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6882-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863649\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6799-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863649\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6799-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863642\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-800x533.jpg\" alt=\"Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6720-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hozier at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863644\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6742-800x533.jpg\" alt=\"Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863644\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6742-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alina Baraz performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863650\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6803-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6803-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6888-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6888-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863636\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-800x533.jpg\" alt=\"Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863636\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6629-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wallows perform at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6633-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6633-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863643\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6722-800x533.jpg\" alt=\"Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863643\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6722-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caamp at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863646\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-800x533.jpg\" alt=\"Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6773-Edit-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Big Wild performs at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13863657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/MG_6893-800x533.jpg\" alt=\"The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13863657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6893-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands music festival in San Francisco, Aug. 10, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Headed to Outside Lands? Here's Everything You Need to Know",
"headTitle": "Headed to Outside Lands? Here’s Everything You Need to Know | KQED",
"content": "\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11957290/outside-lands-2023-tickets-parking-public-transit-road-closures-bart-muni\">\u003cem>Please see KQED’s updated guide to Outside Lands 2023\u003c/em>\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>One of the Bay Area’s most popular festivals, Outside Lands, has grown into a celebration of music, comedy, art and gastronomy that draws tens of thousands of attendees every year. Here’s our handy guide to navigating the big weekend coming up at Golden Gate Park.\u003c/p>\n\u003cp>\u003cstrong>Who To See\u003c/strong>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfoutsidelands.com/lineup/\" target=\"_blank\" rel=\"noopener\">eclectic curation\u003c/a> at Outside Lands hits all the right notes, with nostalgic acts, reigning chart-toppers and buzzed-about new talent. This year’s lineup stars classic rock legend Paul Simon, Grammy-winning pop acts Twenty One Pilots and Childish Gambino, rap icon Lil Wayne, rising club music luminary Yaeji, raunchy up-and-coming rapper Cupcakke and local neo-soul band the Seshen. 2000s pop punk heroes Blink-182 also perform, as well as Berkeley ’90s alternative rockers Counting Crows.\u003c/p>\n\u003cp>Music is the centerpiece of the experience, but there’s a lot more to see and do. An underrated part of the fest is the \u003ca href=\"https://www.sfoutsidelands.com/experience/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastromagic\u003c/a> stage, where chefs get silly in the kitchen with comedians, drag stars and musicians. It’s an opportunity to see your faves in a more intimate setting, with plenty of crowd participation. This year, Cupcakke pairs up with chef and \u003cem>Bon Appetit\u003c/em> editor Andy Baraghani to make slurpable food and drinks (an homage to some of the dirtier acts the rapper describes in her lyrics). \u003cem>Drag Race\u003c/em> star Alyssa Edwards and Counting Crows’ Adam Duritz are also among the entertainers rolling their sleeves up at Gastromagic.\u003c/p>\n\u003cfigure id=\"attachment_13838860\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838860\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8552-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Getting There\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Unless you want to waste gas driving around in circles for hours and then parking 20 blocks away, we strongly suggest leaving your car at home for Outside Lands. The festival has a \u003ca href=\"https://outsidelands.frontgatetickets.com/event/smenw2zlix4g6ffk\" target=\"_blank\" rel=\"noopener\">shuttle\u003c/a> from Bill Graham Civic Auditorium, just a stone’s throw from Civic Center BART, with passes going for $49.50 for all three days.\u003c/p>\n\u003cp>A little-known pro-tip for those who live in the East Bay, North Bay or South Bay? For a steeper price ($112 and up for a three-day pass, depending on where you’re coming from) you can take one of the \u003ca href=\"https://festdrive.busbank.com/outside-lands-festival/\" target=\"_blank\" rel=\"noopener\">regional shuttles\u003c/a> that pick up and drop off in Sacramento, Palo Alto, San Jose, Mill Valley or Oakland.\u003c/p>\n\u003cp>Uber and Lyft will likely have crazy surge pricing—plus, phone reception is spotty in the main festival zone. MUNI is a solid and much cheaper option for traveling within San Francisco, with \u003ca href=\"https://www.sfmta.com/muni\" target=\"_blank\" rel=\"noopener\">several lines\u003c/a> walking distance from festival gates. Another pro-tip: MUNI buses are going to be packed with festivalgoers by the end of the night, so ride a few stops in the outbound direction and get back on where it’s less crowded. And of course, you can always bike, or rent a scooter. The festival partners with JUMP bikes and SKIP scooters this year, and JUMP has a promo code (\u003cstrong>OSL19D\u003c/strong>) for a free ride.\u003c/p>\n\u003cfigure id=\"attachment_13838870\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838870\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8586-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Wear\u003c/strong>\u003c/p>\n\u003cp>Racist fashion choices are to music festivals as plastic trash is to the ocean. The positive news is that Outside Lands banned appropriative Native American headdresses, so you won’t be seeing them paired with furry raver boots or bro tanks there (shudder). Otherwise, wear whatever you want—just make sure to bring layers. You might feel silly carrying a puffer jacket when it’s a warm 68 degrees in the afternoon, but once that Pacific wind and fog hit when it gets dark, you’ll thank yourself for planning ahead.\u003c/p>\n\u003cp>\u003cstrong>Bag Policy\u003c/strong>\u003c/p>\n\u003cp>Like many mass gatherings these days, Outside Lands requires backpacks and larger bags to be made out of clear plastic. Fortunately, you can find those at major retailers like Target and Amazon. H&M, Top Shop, Zara and other fast-fashion brands have a bunch of cute clear purses too.\u003c/p>\n\u003cp>Bags and fanny packs smaller than 6″ x 8″ x 3″ don’t have to be clear, and drawstring bags with only one openings (up to 13″ x 16″) are fine too.\u003c/p>\n\u003cfigure id=\"attachment_13838748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7615-800x533.jpg\" alt=\"Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Eat and Drink\u003c/strong>\u003c/p>\n\u003cp>San Francisco is all about fine dining, and Outside Lands has plenty of \u003ca href=\"https://www.sfoutsidelands.com/taste/\" target=\"_blank\" rel=\"noopener\">gourmet food trucks and vendors\u003c/a> lining the paths to most of the stages. But for those on a budget, it’s perfectly fine to bring your own food—or at least snacks to keep you fortified while you do laps around the festival grounds to catch all your favorite acts. You can save money on water too. Outside Lands allows you to bring two factory-sealed water bottles, or an empty container to get your H2O from one of their many free dispensers.\u003c/p>\n\u003cp>Beer and wine lovers will find some of Northern California’s best offerings at \u003ca href=\"https://www.sfoutsidelands.com/beer-lands/\" target=\"_blank\" rel=\"noopener\">Beer Lands\u003c/a> and \u003ca href=\"https://www.sfoutsidelands.com/wine-lands/\" target=\"_blank\" rel=\"noopener\">Wine Lands\u003c/a> (which is a hop and a skip away from Cheese Lands, who knew!) Those who like something boozier can find craft cocktails in the \u003ca href=\"https://www.sfoutsidelands.com/cocktail-magic/\" target=\"_blank\" rel=\"noopener\">Cocktail Magic\u003c/a> section in McLaren Pass, where you can catch magic shows and intimate performances between mixology demos.\u003c/p>\n\u003cfigure id=\"attachment_13805291\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805291\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg\" alt=\"Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>When You Need a Break from Crowds\u003c/strong>\u003c/p>\n\u003cp>Though marijuana is legal in California, smoking isn’t permitted in Golden Gate Park. (However, that says nothing about edibles—which are technically food.) Cannabis enthusiasts can learn more about the local weed industry at \u003ca href=\"https://www.sfoutsidelands.com/experience/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, an educational and multi-sensory showcase with lots to smell south of Polo Field.\u003c/p>\n\u003cp>The festival has a Sober Lands tent for those who are in substance recovery and want to attend a quick meeting to stay sane among all party people.\u003c/p>\n\u003cfigure id=\"attachment_13805242\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805242\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/experience/comedy-and-talks/\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a> comedy and improv stage is definitely worth a visit when you get tired of jostling through crowds. (It’s indoors! And has ample seating and a bar!) Alyssa Edwards has a headlining comedy set there, and Tony Danza and \u003cem>Crazy Rich Asians\u003c/em> and \u003cem>Silicon Valley\u003c/em> star Jimmy O. Yang are slated to perform too.\u003c/p>\n\u003cp>\u003cstrong>Remember to Have Fun\u003c/strong>\u003c/p>\n\u003cp>With all there is to see and do, Outside Lands can be overwhelming. The festival’s official app is helpful for scheduling your days. But don’t plan too strict of an itinerary—leaving room to explore off the beaten path is what it’s all about.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11957290/outside-lands-2023-tickets-parking-public-transit-road-closures-bart-muni\">\u003cem>Please see KQED’s updated guide to Outside Lands 2023\u003c/em>\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>One of the Bay Area’s most popular festivals, Outside Lands, has grown into a celebration of music, comedy, art and gastronomy that draws tens of thousands of attendees every year. Here’s our handy guide to navigating the big weekend coming up at Golden Gate Park.\u003c/p>\n\u003cp>\u003cstrong>Who To See\u003c/strong>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfoutsidelands.com/lineup/\" target=\"_blank\" rel=\"noopener\">eclectic curation\u003c/a> at Outside Lands hits all the right notes, with nostalgic acts, reigning chart-toppers and buzzed-about new talent. This year’s lineup stars classic rock legend Paul Simon, Grammy-winning pop acts Twenty One Pilots and Childish Gambino, rap icon Lil Wayne, rising club music luminary Yaeji, raunchy up-and-coming rapper Cupcakke and local neo-soul band the Seshen. 2000s pop punk heroes Blink-182 also perform, as well as Berkeley ’90s alternative rockers Counting Crows.\u003c/p>\n\u003cp>Music is the centerpiece of the experience, but there’s a lot more to see and do. An underrated part of the fest is the \u003ca href=\"https://www.sfoutsidelands.com/experience/gastromagic/\" target=\"_blank\" rel=\"noopener\">Gastromagic\u003c/a> stage, where chefs get silly in the kitchen with comedians, drag stars and musicians. It’s an opportunity to see your faves in a more intimate setting, with plenty of crowd participation. This year, Cupcakke pairs up with chef and \u003cem>Bon Appetit\u003c/em> editor Andy Baraghani to make slurpable food and drinks (an homage to some of the dirtier acts the rapper describes in her lyrics). \u003cem>Drag Race\u003c/em> star Alyssa Edwards and Counting Crows’ Adam Duritz are also among the entertainers rolling their sleeves up at Gastromagic.\u003c/p>\n\u003cfigure id=\"attachment_13838860\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838860\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8552-800x533.jpg\" alt=\"Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8552-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janet Jackson performs at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Getting There\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Unless you want to waste gas driving around in circles for hours and then parking 20 blocks away, we strongly suggest leaving your car at home for Outside Lands. The festival has a \u003ca href=\"https://outsidelands.frontgatetickets.com/event/smenw2zlix4g6ffk\" target=\"_blank\" rel=\"noopener\">shuttle\u003c/a> from Bill Graham Civic Auditorium, just a stone’s throw from Civic Center BART, with passes going for $49.50 for all three days.\u003c/p>\n\u003cp>A little-known pro-tip for those who live in the East Bay, North Bay or South Bay? For a steeper price ($112 and up for a three-day pass, depending on where you’re coming from) you can take one of the \u003ca href=\"https://festdrive.busbank.com/outside-lands-festival/\" target=\"_blank\" rel=\"noopener\">regional shuttles\u003c/a> that pick up and drop off in Sacramento, Palo Alto, San Jose, Mill Valley or Oakland.\u003c/p>\n\u003cp>Uber and Lyft will likely have crazy surge pricing—plus, phone reception is spotty in the main festival zone. MUNI is a solid and much cheaper option for traveling within San Francisco, with \u003ca href=\"https://www.sfmta.com/muni\" target=\"_blank\" rel=\"noopener\">several lines\u003c/a> walking distance from festival gates. Another pro-tip: MUNI buses are going to be packed with festivalgoers by the end of the night, so ride a few stops in the outbound direction and get back on where it’s less crowded. And of course, you can always bike, or rent a scooter. The festival partners with JUMP bikes and SKIP scooters this year, and JUMP has a promo code (\u003cstrong>OSL19D\u003c/strong>) for a free ride.\u003c/p>\n\u003cfigure id=\"attachment_13838870\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838870\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_8586-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_8586-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 12, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Wear\u003c/strong>\u003c/p>\n\u003cp>Racist fashion choices are to music festivals as plastic trash is to the ocean. The positive news is that Outside Lands banned appropriative Native American headdresses, so you won’t be seeing them paired with furry raver boots or bro tanks there (shudder). Otherwise, wear whatever you want—just make sure to bring layers. You might feel silly carrying a puffer jacket when it’s a warm 68 degrees in the afternoon, but once that Pacific wind and fog hit when it gets dark, you’ll thank yourself for planning ahead.\u003c/p>\n\u003cp>\u003cstrong>Bag Policy\u003c/strong>\u003c/p>\n\u003cp>Like many mass gatherings these days, Outside Lands requires backpacks and larger bags to be made out of clear plastic. Fortunately, you can find those at major retailers like Target and Amazon. H&M, Top Shop, Zara and other fast-fashion brands have a bunch of cute clear purses too.\u003c/p>\n\u003cp>Bags and fanny packs smaller than 6″ x 8″ x 3″ don’t have to be clear, and drawstring bags with only one openings (up to 13″ x 16″) are fine too.\u003c/p>\n\u003cfigure id=\"attachment_13838748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13838748\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/MG_7615-800x533.jpg\" alt=\"Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_7615-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs at the Outside Lands music festival in San Francisco, Aug. 11, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What to Eat and Drink\u003c/strong>\u003c/p>\n\u003cp>San Francisco is all about fine dining, and Outside Lands has plenty of \u003ca href=\"https://www.sfoutsidelands.com/taste/\" target=\"_blank\" rel=\"noopener\">gourmet food trucks and vendors\u003c/a> lining the paths to most of the stages. But for those on a budget, it’s perfectly fine to bring your own food—or at least snacks to keep you fortified while you do laps around the festival grounds to catch all your favorite acts. You can save money on water too. Outside Lands allows you to bring two factory-sealed water bottles, or an empty container to get your H2O from one of their many free dispensers.\u003c/p>\n\u003cp>Beer and wine lovers will find some of Northern California’s best offerings at \u003ca href=\"https://www.sfoutsidelands.com/beer-lands/\" target=\"_blank\" rel=\"noopener\">Beer Lands\u003c/a> and \u003ca href=\"https://www.sfoutsidelands.com/wine-lands/\" target=\"_blank\" rel=\"noopener\">Wine Lands\u003c/a> (which is a hop and a skip away from Cheese Lands, who knew!) Those who like something boozier can find craft cocktails in the \u003ca href=\"https://www.sfoutsidelands.com/cocktail-magic/\" target=\"_blank\" rel=\"noopener\">Cocktail Magic\u003c/a> section in McLaren Pass, where you can catch magic shows and intimate performances between mixology demos.\u003c/p>\n\u003cfigure id=\"attachment_13805291\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805291\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg\" alt=\"Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Empire-Of-The-Sun-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Empire Of The Sun performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>When You Need a Break from Crowds\u003c/strong>\u003c/p>\n\u003cp>Though marijuana is legal in California, smoking isn’t permitted in Golden Gate Park. (However, that says nothing about edibles—which are technically food.) Cannabis enthusiasts can learn more about the local weed industry at \u003ca href=\"https://www.sfoutsidelands.com/experience/grass-lands/\" target=\"_blank\" rel=\"noopener\">Grass Lands\u003c/a>, an educational and multi-sensory showcase with lots to smell south of Polo Field.\u003c/p>\n\u003cp>The festival has a Sober Lands tent for those who are in substance recovery and want to attend a quick meeting to stay sane among all party people.\u003c/p>\n\u003cfigure id=\"attachment_13805242\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805242\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg\" alt=\"The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/MG_4623-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.sfoutsidelands.com/experience/comedy-and-talks/\" target=\"_blank\" rel=\"noopener\">The Barbary\u003c/a> comedy and improv stage is definitely worth a visit when you get tired of jostling through crowds. (It’s indoors! And has ample seating and a bar!) Alyssa Edwards has a headlining comedy set there, and Tony Danza and \u003cem>Crazy Rich Asians\u003c/em> and \u003cem>Silicon Valley\u003c/em> star Jimmy O. Yang are slated to perform too.\u003c/p>\n\u003cp>\u003cstrong>Remember to Have Fun\u003c/strong>\u003c/p>\n\u003cp>With all there is to see and do, Outside Lands can be overwhelming. The festival’s official app is helpful for scheduling your days. But don’t plan too strict of an itinerary—leaving room to explore off the beaten path is what it’s all about.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Somewhere at Donald Glover HQ, decked out in Gucci formals and the comfiest of loafers, I can imagine one of the busiest entertainers in America musing, “I got \u003cem>Atlanta\u003c/em>. Lando Calrissian was the best thing about \u003cem>Solo\u003c/em> (don’t @ me). ‘This Is America,’ a noisy \u003ca href=\"https://www.npr.org/2018/05/07/609150167/donald-glovers-this-is-america-holds-ugly-truths-to-be-self-evident\">barrage of symbolism and chaos\u003c/a>, is an unlikely (but truly bangin’) contender for the song of the summer. What else can I give the people to make this summer just a little bit more ‘Donald Glover’?”\u003c/p>\n\u003cp>How about two new \u003ca href=\"https://www.npr.org/artists/250255694/childish-gambino\">Childish Gambino\u003c/a> songs? If you have any doubt of the vibe intended, it’s literally in the titles: “Summertime Magic” and “Feels Like Summer.” Co-written and co-produced by Childish Gambino and Ludwig Goransson, the same folks behind “This Is America,” both tracks have that far-away, steamy gaze — soft bops that simmer in steel drums, synths pads and the most gentle of guitar strums.\u003c/p>\n\u003cp>The bigger question now: Is this \u003ca href=\"https://www.npr.org/sections/allsongs/611745187/ros-wave-your-summer-soundtrack\">roséwave\u003c/a>?\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Childish Gambino - Summertime Magic (Audio)\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/diLp6hUqvVk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Childish Gambino - Feels Like Summer (Audio)\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/ieL7BHjiyd8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Childish+Gambino+Wants+To+Dominate+This+Summer+And+Who+Are+We+To+Deny%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003ca href=\"https://www.npr.org/tags/494394643/donald-glover\">Donald Glover\u003c/a>‘s latest Childish Gambino release “This Is America,” which dropped in the late hours of Saturday, May 5 alongside a jarring, symbol-rich music video, has sparked hot takes, debate and abounding \u003ca href=\"https://www.kqed.org/arts/13831328/on-childish-gambinos-this-is-america-and-our-national-ugliness\">think pieces\u003c/a> since its release. Now, the art has the metrics to back up the rhetoric: “This Is America” debuted at the \u003ca href=\"https://www.billboard.com/charts/hot-100\">No.1 spot on the Billboard Hot 100\u003c/a>, bumping Drake to the No. 2 spot and marking the first No. 1 song in the 34-year-old’s music career.\u003c/p>\n\u003cp>https://youtu.be/VYOjWnS4cMY\u003c/p>\n\u003cp>Before Glover nudged Drizzy off the leaderboard, the Canadian rapper held the top spot for 15 weeks straight, first with “\u003ca href=\"https://www.npr.org/sections/allsongs/2018/02/16/586450750/drake-sprinkles-good-deeds-across-miami-in-video-for-god-s-plan\">God’s Plan\u003c/a>” ruling for \u003ca href=\"https://www.billboard.com/music/drake/chart-history/hot-100/song/1063267\">11 weeks \u003c/a>and then with “\u003ca href=\"https://www.npr.org/event/music/600527206/drake-bounces-looking-to-uplift-single-women-as-they-drop-it-low\">Nice For What\u003c/a>” holding steady for \u003ca href=\"https://www.billboard.com/music/drake/chart-history/hot-100/song/1072670\">four weeks\u003c/a>. In addition to claiming the No. 1 spot on the Hot 100, the song also simultaneously hit another high, with the Hiro Murai-directed video \u003ca href=\"https://www.billboard.com/articles/news/8456014/childish-gambino-this-is-america-youtube-statistics\">becoming\u003c/a> YouTube’s biggest first-week debut of 2018 so far. The four-minute clip garnered 85.3 million views in its first week on the site and is currently at 119 million views and counting — well above its stream count on Spotify.\u003c/p>\n\u003cp>\u003cem>Billboard\u003c/em>‘s \u003ca href=\"https://www.billboard.com/articles/news/8427967/billboard-changes-streaming-weighting-hot-100-billboard-200\">chart requirements\u003c/a> currently weigh subscription streams from on-demand sites like Apple Music, Amazon Music and Spotify and YouTube greater than streaming sites like Pandora, where listeners are unable to jump song-to-song as they wish. But starting this summer, plays on paid subscription-based services will be given more weight in chart calculations than plays on ad-supported services, like Spotify’s free tier and YouTube. As of Jan. 2017, YouTube Red, the video site’s own subscription service, reportedly accounted for \u003ca href=\"http://www.businessinsider.com/heres-where-youtube-red-stands-after-one-year-2017-1\">less than 5 percent of the site’s total revenue\u003c/a>. These chart calculation changes will likely make it harder for a song to skip the line and land at No. 1 based heavily on the video going forward.\u003c/p>\n\u003cp>Beyond chart technicalities, Glover’s dethroning of Drake is also notable considering the fact that the ascents of both of Drake’s recent anthems were aided by conversation-starting visuals. But while Drake played the roles of Miami’s guardian angel and an advocate for independent women — both worthy causes — Glover’s video is one that takes marksman-like aim at issues foremost in the minds of many these days.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Glover delivered a trenchant message beautifully, and timed it exceptionally, releasing the material literally in the middle of co-hosting \u003ca href=\"https://www.npr.org/sections/therecord/2018/05/06/608874886/donald-glover-brings-his-black-renaissance-to-saturday-night-live\">\u003cem>Saturday Night Live\u003c/em>\u003c/a>, a precursor to both the second-season finale of his award-winning \u003ca href=\"https://www.npr.org/2016/11/01/500225189/donald-glover-challenges-stereotypes-about-rappers-in-atlanta\">show \u003cem>Atlanta\u003c/em> \u003c/a>and a co-starring role in a new Star Wars movie. Who knew that’s all it would take to knock the planet that is Aubrey Graham out of orbit?\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27This+Is+America%27+Earns+Donald+Glover+His+First+No.+1+Hit&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "Donald Glover's latest release as Childish Gambino was a perfect storm, sparking a cultural conversation and expertly wielding his spotlight.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.npr.org/tags/494394643/donald-glover\">Donald Glover\u003c/a>‘s latest Childish Gambino release “This Is America,” which dropped in the late hours of Saturday, May 5 alongside a jarring, symbol-rich music video, has sparked hot takes, debate and abounding \u003ca href=\"https://www.kqed.org/arts/13831328/on-childish-gambinos-this-is-america-and-our-national-ugliness\">think pieces\u003c/a> since its release. Now, the art has the metrics to back up the rhetoric: “This Is America” debuted at the \u003ca href=\"https://www.billboard.com/charts/hot-100\">No.1 spot on the Billboard Hot 100\u003c/a>, bumping Drake to the No. 2 spot and marking the first No. 1 song in the 34-year-old’s music career.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VYOjWnS4cMY'\n title='//www.youtube.com/embed/VYOjWnS4cMY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before Glover nudged Drizzy off the leaderboard, the Canadian rapper held the top spot for 15 weeks straight, first with “\u003ca href=\"https://www.npr.org/sections/allsongs/2018/02/16/586450750/drake-sprinkles-good-deeds-across-miami-in-video-for-god-s-plan\">God’s Plan\u003c/a>” ruling for \u003ca href=\"https://www.billboard.com/music/drake/chart-history/hot-100/song/1063267\">11 weeks \u003c/a>and then with “\u003ca href=\"https://www.npr.org/event/music/600527206/drake-bounces-looking-to-uplift-single-women-as-they-drop-it-low\">Nice For What\u003c/a>” holding steady for \u003ca href=\"https://www.billboard.com/music/drake/chart-history/hot-100/song/1072670\">four weeks\u003c/a>. In addition to claiming the No. 1 spot on the Hot 100, the song also simultaneously hit another high, with the Hiro Murai-directed video \u003ca href=\"https://www.billboard.com/articles/news/8456014/childish-gambino-this-is-america-youtube-statistics\">becoming\u003c/a> YouTube’s biggest first-week debut of 2018 so far. The four-minute clip garnered 85.3 million views in its first week on the site and is currently at 119 million views and counting — well above its stream count on Spotify.\u003c/p>\n\u003cp>\u003cem>Billboard\u003c/em>‘s \u003ca href=\"https://www.billboard.com/articles/news/8427967/billboard-changes-streaming-weighting-hot-100-billboard-200\">chart requirements\u003c/a> currently weigh subscription streams from on-demand sites like Apple Music, Amazon Music and Spotify and YouTube greater than streaming sites like Pandora, where listeners are unable to jump song-to-song as they wish. But starting this summer, plays on paid subscription-based services will be given more weight in chart calculations than plays on ad-supported services, like Spotify’s free tier and YouTube. As of Jan. 2017, YouTube Red, the video site’s own subscription service, reportedly accounted for \u003ca href=\"http://www.businessinsider.com/heres-where-youtube-red-stands-after-one-year-2017-1\">less than 5 percent of the site’s total revenue\u003c/a>. These chart calculation changes will likely make it harder for a song to skip the line and land at No. 1 based heavily on the video going forward.\u003c/p>\n\u003cp>Beyond chart technicalities, Glover’s dethroning of Drake is also notable considering the fact that the ascents of both of Drake’s recent anthems were aided by conversation-starting visuals. But while Drake played the roles of Miami’s guardian angel and an advocate for independent women — both worthy causes — Glover’s video is one that takes marksman-like aim at issues foremost in the minds of many these days.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Glover delivered a trenchant message beautifully, and timed it exceptionally, releasing the material literally in the middle of co-hosting \u003ca href=\"https://www.npr.org/sections/therecord/2018/05/06/608874886/donald-glover-brings-his-black-renaissance-to-saturday-night-live\">\u003cem>Saturday Night Live\u003c/em>\u003c/a>, a precursor to both the second-season finale of his award-winning \u003ca href=\"https://www.npr.org/2016/11/01/500225189/donald-glover-challenges-stereotypes-about-rappers-in-atlanta\">show \u003cem>Atlanta\u003c/em> \u003c/a>and a co-starring role in a new Star Wars movie. Who knew that’s all it would take to knock the planet that is Aubrey Graham out of orbit?\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27This+Is+America%27+Earns+Donald+Glover+His+First+No.+1+Hit&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "On Childish Gambino's 'This Is America' and Our National Ugliness",
"headTitle": "On Childish Gambino’s ‘This Is America’ and Our National Ugliness | KQED",
"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>f you’ve been online in the past eight years, you’ve probably come across the “\u003ca href=\"http://78.media.tumblr.com/tumblr_mdyd1cbIqU1rby04wo1_1280.gif\" target=\"_blank\" rel=\"noopener noreferrer\">LOL Nothing Matters\u003c/a>” GIF, rotating in sparkly letters. Deployed as an exit to a debate, or an expression of exhaustion to a troll, it has become a de facto national flag of the internet. It says, finally and definitively: enough.\u003c/p>\n\u003cp>“\u003ca href=\"https://www.youtube.com/watch?v=VYOjWnS4cMY\" target=\"_blank\" rel=\"noopener noreferrer\">This Is America\u003c/a>,” the new video by Childish Gambino released Saturday night, perfectly capped a wild week in America — which is to say, these days, any week in America. When the president of the country wasn’t running through his greatest hits of “NO COLLUSION!” on Twitter, he was busy changing his story on a $130,000 payment to a porn star. Meanwhile, Kanye West appeared on TMZ to \u003ca href=\"https://www.nytimes.com/video/arts/music/100000005880261/kanye-west-likened-slavery-to-a-choice-history-says-otherwise.html\" target=\"_blank\" rel=\"noopener noreferrer\">declare\u003c/a> that slavery is a choice, earning the admiration of said president, who praised Kanye in an NRA speech instead of talking about the 67 mass shootings so far in the United States in 2018.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VYOjWnS4cMY\u003c/p>\n\u003cp>When I watched “This Is America ” — graphically showing Gambino shooting first one person dead, and then an entire gospel choir dead, only to continue dancing in unconcerned fashion to a carefree music of African highlife and adlibs from a half-dozen current rappers like Migos and 21 Savage — I initially felt like one of the country’s favorite artists had, like Kanye and Trump, entered the business of poking a stick into a beehive just to watch the resulting frenzy. The unconcerned smile, the overt provocation, the guaranteed reaction to it all led me to wonder if maybe Gambino didn’t actually believe in anything anymore.\u003c/p>\n\u003cp>Then it hit me: \u003cem>Maybe I didn’t believe in anything anymore either\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13831365\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Gambino.Pretty.gif\" alt=\"\" width=\"480\" height=\"270\">\u003c/p>\n\u003cp>“This is America” is not a salve, nor a solution, nor a guideline. It’s a mirror. It’s right there in the title of the song, which quickly lit up the very same social media networks that are corroding our communication and our political process. The video’s careful detail — guns wrapped in cloth, for example, and treated more reverently than dead black bodies — has already been \u003ca href=\"https://www.reddit.com/r/donaldglover/comments/8gu044/childish_gambino_this_is_america_single_megathread/#bottom-comments\" target=\"_blank\" rel=\"noopener noreferrer\">analyzed and decoded\u003c/a>, and it ends with Gambino running from a mob of white people, a precursor to what’ll likely be a conservative-led parade of outrage about it come Monday morning.\u003c/p>\n\u003cp>Jim Crow, corruption, Charleston, police brutality — these are all a part of “This is America.” But overall, its presentation reflects another national ugliness; the growing sensation that there is no purpose, nor hope, nor reason for faith. It’s a sad and harrowing work of art, a spinning “LOL Nothing Matters” GIF, and 100-percent on point about the state of discourse in America.\u003c/p>\n\u003cfigure id=\"attachment_13831359\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13831359\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-800x450.jpg\" alt=\"A still from Childish Gambino's 'This Is America.'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A still from Childish Gambino’s ‘This Is America.’ \u003ccite>(Vevo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here are those who oppose this administration but believe its sowing of discord and untruth will result, eventually, in a net positive for the country. That we are in a reckoning with ourselves which was already coming. That it’s merely expedited by Trump, with a few years of social and political chaos as collateral damage. I can’t join them, but I know what they’re getting at, and part of it is that deep down, we as a country are better than all of this.\u003c/p>\n\u003cp>On Saturday, before “This is America” was released, I attended a lecture in Berkeley by Lil B, one of the first rappers to maximize technology and social media to build a career that, for a time between 2010 and 2014, looked like a movement.\u003c/p>\n\u003cp>It’s hard to explain Lil B to the unconverted. (When I \u003ca href=\"https://www.kqed.org/arts/10224812/thank-you-based-god-10-reasons-why-you-should-see-lil-b-this-weekend\" target=\"_blank\" rel=\"noopener noreferrer\">asked a 15-year-old\u003c/a> once, he said “imagine if the internet threw up all the good things in it.”) At his lecture, he wore a salmon-colored ladies jacket and a long print skirt; he spoke of his duty as an artist to respect everybody, and to bring people closer to his “Based” philosophy of creative energy, removing filters, and free expression.\u003c/p>\n\u003cfigure id=\"attachment_13831357\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13831357\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-800x566.jpg\" alt=\"Lil B appears at BAMPFA in Berkeley, May 5, 2018.\" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-768x543.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-240x170.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-375x265.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-520x368.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B appears at BAMPFA in Berkeley, May 5, 2018. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Those ideas parallel the Instagram-ready inspirational quotes currently comprising Kanye’s Twitter stream, but in Lil B’s hands, they’re in the service of generosity and selflessness. Fifteen minutes into his lecture, Lil B became overcome, and invited the audience to take anything they wanted, absolutely free: his art and photographs from the museum’s walls, his photos and other ephemera from a table, a Casio keyboard he’d used for his latest album.\u003c/p>\n\u003cp>A crowd formed to take him up on the offer. Lil B spent the next hour hugging people. “It’s all love!” he intermittently said into the mic. “I love you all!”\u003c/p>\n\u003cp>No new album to generate interest for. No $700 Adidas to sell. No alignment with white supremacists. Just a kid from the Bay Area who once believed in the power of connecting everybody.\u003c/p>\n\u003cfigure id=\"attachment_13831360\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13831360\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-800x450.jpg\" alt=\"Childish Gambino, in a still from 'This Is America.'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino, in a still from ‘This Is America.’ \u003ccite>(Vevo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he internet was once Childish Gambino’s hometown, too; in 2014 he made \u003ca href=\"https://www.youtube.com/watch?v=WaZRq4J-Kbo&list=PLUel01P27D7pzmCJMX6pg2_WUCy2or4Lp\" target=\"_blank\" rel=\"noopener noreferrer\">an entire album about it\u003c/a>, referencing E-Vites, Instagram, hashtags, various memes, friend requests, Twitter, and Worldstarhiphop.com. When I \u003ca href=\"https://www.kqed.org/arts/10143865/erykah-badu-and-childish-gambino-the-queen-and-the-court-jester\" target=\"_blank\" rel=\"noopener noreferrer\">saw him that year\u003c/a>, it felt like Gambino also believed in the power of connecting everybody, or at least acknowledged the reality that, hey, we all live online now, and it’s kind of fun.\u003c/p>\n\u003cp>A lot changes in four years. Gambino, a.k.a. the inconceivably multitalented Donald Glover, has hopped from the internet to television, where he’s making some of the \u003ca href=\"https://www.kqed.org/pop/41491/last-nights-atlanta-surreal-and-provoking-in-all-the-right-ways\" target=\"_blank\" rel=\"noopener noreferrer\">most interesting work on TV with \u003cem>Atlanta\u003c/em>\u003c/a>. As if to prove that real life is more important than URLs, he premiered his latest album \u003cem>Awaken, My Love!\u003c/em> at a campout in the Joshua Tree desert.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And on Saturday, after hosting \u003cem>Saturday Night Live\u003c/em>, Glover offered up the result of all that time online, a place he left but we all stayed, arguing with each other and spreading misinformation and elevating narcissists. And, for four minutes at least, watching “This Is America,” and then quickly opening a new tab to post something about it.\u003c/p>\n\n",
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"excerpt": "Jim Crow, police brutality, Charleston — these are all a part of Childish Gambino's 'This is America,' which reflects a deep hopelessness. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>f you’ve been online in the past eight years, you’ve probably come across the “\u003ca href=\"http://78.media.tumblr.com/tumblr_mdyd1cbIqU1rby04wo1_1280.gif\" target=\"_blank\" rel=\"noopener noreferrer\">LOL Nothing Matters\u003c/a>” GIF, rotating in sparkly letters. Deployed as an exit to a debate, or an expression of exhaustion to a troll, it has become a de facto national flag of the internet. It says, finally and definitively: enough.\u003c/p>\n\u003cp>“\u003ca href=\"https://www.youtube.com/watch?v=VYOjWnS4cMY\" target=\"_blank\" rel=\"noopener noreferrer\">This Is America\u003c/a>,” the new video by Childish Gambino released Saturday night, perfectly capped a wild week in America — which is to say, these days, any week in America. When the president of the country wasn’t running through his greatest hits of “NO COLLUSION!” on Twitter, he was busy changing his story on a $130,000 payment to a porn star. Meanwhile, Kanye West appeared on TMZ to \u003ca href=\"https://www.nytimes.com/video/arts/music/100000005880261/kanye-west-likened-slavery-to-a-choice-history-says-otherwise.html\" target=\"_blank\" rel=\"noopener noreferrer\">declare\u003c/a> that slavery is a choice, earning the admiration of said president, who praised Kanye in an NRA speech instead of talking about the 67 mass shootings so far in the United States in 2018.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VYOjWnS4cMY'\n title='//www.youtube.com/embed/VYOjWnS4cMY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When I watched “This Is America ” — graphically showing Gambino shooting first one person dead, and then an entire gospel choir dead, only to continue dancing in unconcerned fashion to a carefree music of African highlife and adlibs from a half-dozen current rappers like Migos and 21 Savage — I initially felt like one of the country’s favorite artists had, like Kanye and Trump, entered the business of poking a stick into a beehive just to watch the resulting frenzy. The unconcerned smile, the overt provocation, the guaranteed reaction to it all led me to wonder if maybe Gambino didn’t actually believe in anything anymore.\u003c/p>\n\u003cp>Then it hit me: \u003cem>Maybe I didn’t believe in anything anymore either\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13831365\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Gambino.Pretty.gif\" alt=\"\" width=\"480\" height=\"270\">\u003c/p>\n\u003cp>“This is America” is not a salve, nor a solution, nor a guideline. It’s a mirror. It’s right there in the title of the song, which quickly lit up the very same social media networks that are corroding our communication and our political process. The video’s careful detail — guns wrapped in cloth, for example, and treated more reverently than dead black bodies — has already been \u003ca href=\"https://www.reddit.com/r/donaldglover/comments/8gu044/childish_gambino_this_is_america_single_megathread/#bottom-comments\" target=\"_blank\" rel=\"noopener noreferrer\">analyzed and decoded\u003c/a>, and it ends with Gambino running from a mob of white people, a precursor to what’ll likely be a conservative-led parade of outrage about it come Monday morning.\u003c/p>\n\u003cp>Jim Crow, corruption, Charleston, police brutality — these are all a part of “This is America.” But overall, its presentation reflects another national ugliness; the growing sensation that there is no purpose, nor hope, nor reason for faith. It’s a sad and harrowing work of art, a spinning “LOL Nothing Matters” GIF, and 100-percent on point about the state of discourse in America.\u003c/p>\n\u003cfigure id=\"attachment_13831359\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13831359\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-800x450.jpg\" alt=\"A still from Childish Gambino's 'This Is America.'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Gun_-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A still from Childish Gambino’s ‘This Is America.’ \u003ccite>(Vevo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here are those who oppose this administration but believe its sowing of discord and untruth will result, eventually, in a net positive for the country. That we are in a reckoning with ourselves which was already coming. That it’s merely expedited by Trump, with a few years of social and political chaos as collateral damage. I can’t join them, but I know what they’re getting at, and part of it is that deep down, we as a country are better than all of this.\u003c/p>\n\u003cp>On Saturday, before “This is America” was released, I attended a lecture in Berkeley by Lil B, one of the first rappers to maximize technology and social media to build a career that, for a time between 2010 and 2014, looked like a movement.\u003c/p>\n\u003cp>It’s hard to explain Lil B to the unconverted. (When I \u003ca href=\"https://www.kqed.org/arts/10224812/thank-you-based-god-10-reasons-why-you-should-see-lil-b-this-weekend\" target=\"_blank\" rel=\"noopener noreferrer\">asked a 15-year-old\u003c/a> once, he said “imagine if the internet threw up all the good things in it.”) At his lecture, he wore a salmon-colored ladies jacket and a long print skirt; he spoke of his duty as an artist to respect everybody, and to bring people closer to his “Based” philosophy of creative energy, removing filters, and free expression.\u003c/p>\n\u003cfigure id=\"attachment_13831357\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13831357\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-800x566.jpg\" alt=\"Lil B appears at BAMPFA in Berkeley, May 5, 2018.\" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-768x543.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-240x170.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-375x265.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LilB.BAMPFA-520x368.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B appears at BAMPFA in Berkeley, May 5, 2018. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Those ideas parallel the Instagram-ready inspirational quotes currently comprising Kanye’s Twitter stream, but in Lil B’s hands, they’re in the service of generosity and selflessness. Fifteen minutes into his lecture, Lil B became overcome, and invited the audience to take anything they wanted, absolutely free: his art and photographs from the museum’s walls, his photos and other ephemera from a table, a Casio keyboard he’d used for his latest album.\u003c/p>\n\u003cp>A crowd formed to take him up on the offer. Lil B spent the next hour hugging people. “It’s all love!” he intermittently said into the mic. “I love you all!”\u003c/p>\n\u003cp>No new album to generate interest for. No $700 Adidas to sell. No alignment with white supremacists. Just a kid from the Bay Area who once believed in the power of connecting everybody.\u003c/p>\n\u003cfigure id=\"attachment_13831360\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13831360\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-800x450.jpg\" alt=\"Childish Gambino, in a still from 'This Is America.'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Gambino.Dance_-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Childish Gambino, in a still from ‘This Is America.’ \u003ccite>(Vevo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he internet was once Childish Gambino’s hometown, too; in 2014 he made \u003ca href=\"https://www.youtube.com/watch?v=WaZRq4J-Kbo&list=PLUel01P27D7pzmCJMX6pg2_WUCy2or4Lp\" target=\"_blank\" rel=\"noopener noreferrer\">an entire album about it\u003c/a>, referencing E-Vites, Instagram, hashtags, various memes, friend requests, Twitter, and Worldstarhiphop.com. When I \u003ca href=\"https://www.kqed.org/arts/10143865/erykah-badu-and-childish-gambino-the-queen-and-the-court-jester\" target=\"_blank\" rel=\"noopener noreferrer\">saw him that year\u003c/a>, it felt like Gambino also believed in the power of connecting everybody, or at least acknowledged the reality that, hey, we all live online now, and it’s kind of fun.\u003c/p>\n\u003cp>A lot changes in four years. Gambino, a.k.a. the inconceivably multitalented Donald Glover, has hopped from the internet to television, where he’s making some of the \u003ca href=\"https://www.kqed.org/pop/41491/last-nights-atlanta-surreal-and-provoking-in-all-the-right-ways\" target=\"_blank\" rel=\"noopener noreferrer\">most interesting work on TV with \u003cem>Atlanta\u003c/em>\u003c/a>. As if to prove that real life is more important than URLs, he premiered his latest album \u003cem>Awaken, My Love!\u003c/em> at a campout in the Joshua Tree desert.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And on Saturday, after hosting \u003cem>Saturday Night Live\u003c/em>, Glover offered up the result of all that time online, a place he left but we all stayed, arguing with each other and spreading misinformation and elevating narcissists. And, for four minutes at least, watching “This Is America,” and then quickly opening a new tab to post something about it.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Ticket Alert: Childish Gambino at Oracle Arena",
"headTitle": "Ticket Alert: Childish Gambino at Oracle Arena | KQED",
"content": "\u003cp>Donald Glover, a.k.a. Childish Gambino, is having a great year. The second season of his critically acclaimed FX series \u003cem>Atlanta\u003c/em> premiered last week, and in February he won a Grammy for his funk revival hit, “Redbone.”\u003c/p>\n\u003cp>And now, Childish Gambino’s announced a tour that makes a stop in Oakland. It’s Gambino’s first Bay Area show since 2014, when he \u003ca href=\"https://www.kqed.org/arts/10143865/erykah-badu-and-childish-gambino-the-queen-and-the-court-jester\" rel=\"noopener\" target=\"_blank\">opened for Erykah Badu\u003c/a> at the Greek Theatre in Berkeley.\u003c/p>\n\u003cp>Tickets go on sale for Childish Gambino’s \u003ca href=\"https://www1.ticketmaster.com/childish-gambino-oakland-california-09-27-2018/event/1C00545C182ED583?artistid=1503424&majorcatid=10001&minorcatid=3\" target=\"_blank\" rel=\"noopener\">Sept. 27 Oracle Arena show\u003c/a> with openers Rae Sremmurd this Friday, March 9, at noon, but there are a few opportunities to snag them early. Childish Gambino has his own presale that starts tomorrow, Mar. 6, at 10am. (The code has yet to be publicly announced, but the rumor on Twitter is that it might be “FIFTHTRIBE.” We suggest checking Childish Gambino’s \u003ca href=\"http://childishgambino.com/\" target=\"_blank\" rel=\"noopener\">website\u003c/a> and Twitter for updates.)\u003c/p>\n\u003cp>There’s also a March 6 presale for American Express cardholders at noon, and a Live Nation mobile app presale on March 8 at 10am. (The passwords “ENCORE” and “ACCESS” are being floated around for that one.) Also on March 8, the Oracle Arena is offering its own \u003ca href=\"http://www.oraclearena.com/events/detail/childish-gambino\" target=\"_blank\" rel=\"noopener\">presale\u003c/a> with the code “SWEATPANTS.” (If all else fails, that one is confirmed.)\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Donald Glover, a.k.a. Childish Gambino, is having a great year. The second season of his critically acclaimed FX series \u003cem>Atlanta\u003c/em> premiered last week, and in February he won a Grammy for his funk revival hit, “Redbone.”\u003c/p>\n\u003cp>And now, Childish Gambino’s announced a tour that makes a stop in Oakland. It’s Gambino’s first Bay Area show since 2014, when he \u003ca href=\"https://www.kqed.org/arts/10143865/erykah-badu-and-childish-gambino-the-queen-and-the-court-jester\" rel=\"noopener\" target=\"_blank\">opened for Erykah Badu\u003c/a> at the Greek Theatre in Berkeley.\u003c/p>\n\u003cp>Tickets go on sale for Childish Gambino’s \u003ca href=\"https://www1.ticketmaster.com/childish-gambino-oakland-california-09-27-2018/event/1C00545C182ED583?artistid=1503424&majorcatid=10001&minorcatid=3\" target=\"_blank\" rel=\"noopener\">Sept. 27 Oracle Arena show\u003c/a> with openers Rae Sremmurd this Friday, March 9, at noon, but there are a few opportunities to snag them early. Childish Gambino has his own presale that starts tomorrow, Mar. 6, at 10am. (The code has yet to be publicly announced, but the rumor on Twitter is that it might be “FIFTHTRIBE.” We suggest checking Childish Gambino’s \u003ca href=\"http://childishgambino.com/\" target=\"_blank\" rel=\"noopener\">website\u003c/a> and Twitter for updates.)\u003c/p>\n\u003cp>There’s also a March 6 presale for American Express cardholders at noon, and a Live Nation mobile app presale on March 8 at 10am. (The passwords “ENCORE” and “ACCESS” are being floated around for that one.) Also on March 8, the Oracle Arena is offering its own \u003ca href=\"http://www.oraclearena.com/events/detail/childish-gambino\" target=\"_blank\" rel=\"noopener\">presale\u003c/a> with the code “SWEATPANTS.” (If all else fails, that one is confirmed.)\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
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