window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13994895": {
"type": "attachments",
"id": "arts_13994895",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13994895",
"found": true
},
"title": "memorial1017",
"publishDate": 1792517095,
"status": "inherit",
"parent": 0,
"modified": 1792517294,
"caption": "Sammy Gutierrez, 37, poses for a portrait with his puppets “N” and “B,” which stand for nonbinary, outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream on Monday, Oct. 19, 2026.",
"credit": "Estefany Gonzalez for KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"npr-cds-square": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2-600x600.jpg",
"width": 600,
"height": 600,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_015_qed-6a991ed2.JPG",
"width": 2000,
"height": 1333
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13962177": {
"type": "attachments",
"id": "arts_13962177",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13962177",
"found": true
},
"title": "20240804_KQED_FIKSCUE_ML_0223-KQED_1",
"publishDate": 1722981312,
"status": "inherit",
"parent": 13962220,
"modified": 1723059680,
"caption": "A tray with fried rice, smoked brisket, a dino beef rib bone and jalapeño-cheese beef sausage is seen at Fikscue Craft BBQ in Alameda on August 4, 2024. Husband-and-wife team Fik and Reka Saleh opened Fikscue as a pop-up in 2020 before they began serving Texas-style barbecue and Indonesian dishes from their current brick-and-mortar restaurant in Alameda last November. ",
"credit": "Marissa Leshnov for KQED",
"altTag": "A tray of barbecue includes a dino beef rib, a slice of brisket, a sausage, and a cardboard try of fried rice.",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240804_KQED_FIKSCUE_ML_0223-KQED_1.jpg",
"width": 2000,
"height": 1333
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13981425": {
"type": "attachments",
"id": "arts_13981425",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13981425",
"found": true
},
"title": "WWE - 2025 SummerSlam",
"publishDate": 1758135472,
"status": "inherit",
"parent": 13981424,
"modified": 1758135619,
"caption": "Cardi B speaks during SummerSlam at MetLife Stadium on August 2, 2025 in East Rutherford, New Jersey.",
"credit": "Andrew Timms/WWE via Getty Images",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/GettyImages-2228250165-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/GettyImages-2228250165-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/GettyImages-2228250165-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/GettyImages-2228250165-1024x576.jpg",
"width": 1024,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/GettyImages-2228250165.jpg",
"width": 1024,
"height": 683
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13980952": {
"type": "attachments",
"id": "arts_13980952",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13980952",
"found": true
},
"title": "20250830_VALKYRIESDJ_GC-6-KQED-3",
"publishDate": 1756849354,
"status": "inherit",
"parent": 0,
"modified": 1756852874,
"caption": "Golden State Valkyries guard Kate Martin (20), left, autographs DJ LadyRyan’s Valkyries sign during a warmup at Chase Center on August, 30, 2025.",
"credit": "Gina Castro for KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250830_VALKYRIESDJ_GC-6-KQED-3-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250830_VALKYRIESDJ_GC-6-KQED-3-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250830_VALKYRIESDJ_GC-6-KQED-3-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250830_VALKYRIESDJ_GC-6-KQED-3-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250830_VALKYRIESDJ_GC-6-KQED-3-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250830_VALKYRIESDJ_GC-6-KQED-3.jpg",
"width": 2000,
"height": 1333
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13980949": {
"type": "attachments",
"id": "arts_13980949",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13980949",
"found": true
},
"title": "250819-VALKYRIESDJS_00605_TV-KQED-3",
"publishDate": 1756849341,
"status": "inherit",
"parent": 0,
"modified": 1756996880,
"caption": "DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025.",
"credit": "Tâm Vũ/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg",
"width": 2000,
"height": 1333
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13976499": {
"type": "attachments",
"id": "arts_13976499",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13976499",
"found": true
},
"title": "Petros-Studio-Landscape",
"publishDate": 1747691955,
"status": "inherit",
"parent": 13976496,
"modified": 1747692015,
"caption": "Billie EIlish comes to San Francisco's Chase Center on Nov. 22 and 23 as part of her Hit Me Hard and Soft Tour.",
"credit": "Live Nation",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-800x545.jpg",
"width": 800,
"height": 545,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-1020x695.jpg",
"width": 1020,
"height": 695,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-160x109.jpg",
"width": 160,
"height": 109,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-768x523.jpg",
"width": 768,
"height": 523,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-1536x1046.jpg",
"width": 1536,
"height": 1046,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape-1920x1308.jpg",
"width": 1920,
"height": 1308,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Petros-Studio-Landscape.jpg",
"width": 2000,
"height": 1362
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13975047": {
"type": "attachments",
"id": "arts_13975047",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13975047",
"found": true
},
"title": "MAYHEM-Press-Image---Photo-credit-Frank-Lebon",
"publishDate": 1745333414,
"status": "inherit",
"parent": 13975046,
"modified": 1745333473,
"caption": "Lady Gaga's MAYHEM Ball tour comes to San Francisco’s Chase Center on July 22, 24 and 26.",
"credit": "Frank Lebon",
"altTag": "A split image of a woman in black looking dramatic",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon-1920x1080.jpg",
"width": 1920,
"height": 1080,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/MAYHEM-Press-Image-Photo-credit-Frank-Lebon.jpg",
"width": 2000,
"height": 1125
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13973870": {
"type": "attachments",
"id": "arts_13973870",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13973870",
"found": true
},
"title": "el halal amigos cropped",
"publishDate": 1743467190,
"status": "inherit",
"parent": 13973867,
"modified": 1743467404,
"caption": "El Halal Amigos owner Hisham Abdelfattah shows off one of his restaurant's burritos. For the Warriors' Muslim Heritage Night, the burritos will be the first halal dish served inside Chase Center.",
"credit": "Courtesy of El Halal Amigos",
"altTag": "A man in a Warriors jersey holds a burrito in a takeout carton.",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped-1920x1080.jpg",
"width": 1920,
"height": 1080,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/el-halal-amigos-cropped.jpg",
"width": 2000,
"height": 1125
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13970333": {
"type": "attachments",
"id": "arts_13970333",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13970333",
"found": true
},
"title": "GettyImages-1387843805",
"publishDate": 1736961854,
"status": "inherit",
"parent": 13969956,
"modified": 1736962250,
"caption": "The NBA All-Star Game will be held at the Chase Center, pictured, in February. The annual game and its attendant events were last hosted by the Bay Area 25 years ago, in 2000 — and the sports landscape has since changed drastically, along with the cost of living. ",
"credit": "Lance King/Getty Images",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-1020x679.jpg",
"width": 1020,
"height": 679,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-768x511.jpg",
"width": 768,
"height": 511,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-1536x1023.jpg",
"width": 1536,
"height": 1023,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805-1920x1279.jpg",
"width": 1920,
"height": 1279,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1387843805.jpg",
"width": 2000,
"height": 1332
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13969147": {
"type": "attachments",
"id": "arts_13969147",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13969147",
"found": true
},
"title": "Live Music2024",
"publishDate": 1733467079,
"status": "inherit",
"parent": 0,
"modified": 1733467139,
"caption": "Clockwise from top left: Yolanda Adams, Miss Minor, Too Short, the Linda LIndas, Houston Person and D.R.I.",
"credit": "Gabe Meline/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Live-Music2024.jpg",
"width": 1920,
"height": 1080
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13968777": {
"type": "attachments",
"id": "arts_13968777",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13968777",
"found": true
},
"title": "Cyndi.Fans.MAIN",
"publishDate": 1732734166,
"status": "inherit",
"parent": 13968756,
"modified": 1732734212,
"caption": "Best friends Anndrea Miller, left, and Krista Ball pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024.",
"credit": "Gina Castro/KQED",
"altTag": "Two women in neon pink and purple outfits reminiscent of the 1980s pose together in front of a Christmas tree.",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_-1920x1080.jpg",
"width": 1920,
"height": 1080,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/Cyndi.Fans_.MAIN_.jpg",
"width": 2000,
"height": 1125
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13968731": {
"type": "attachments",
"id": "arts_13968731",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13968731",
"found": true
},
"title": "20241127_CyndiLauper_GC-36_qed",
"publishDate": 1732723430,
"status": "inherit",
"parent": 0,
"modified": 1732730981,
"caption": "Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Named after her 1983 hit ‘Girls Just Wanna Have Fun,’ it is said to be her last major tour.",
"credit": "Gina Castro/KQED",
"altTag": "A woman with platinum hair and a grey silver suit sings into a microphone against a multicolored abstract backdrop",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-800x513.jpg",
"width": 800,
"height": 513,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-1020x654.jpg",
"width": 1020,
"height": 654,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-160x103.jpg",
"width": 160,
"height": 103,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-768x492.jpg",
"width": 768,
"height": 492,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-1536x985.jpg",
"width": 1536,
"height": 985,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed-1920x1231.jpg",
"width": 1920,
"height": 1231,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-36_qed.jpg",
"width": 2000,
"height": 1282
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13966901": {
"type": "attachments",
"id": "arts_13966901",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13966901",
"found": true
},
"title": "Roskilde Festival 2024 - Day 6",
"publishDate": 1729537250,
"status": "inherit",
"parent": 13966893,
"modified": 1729537279,
"caption": "Charli XCX performs at Roskilde Festival 2024 on July 05, 2024 in Roskilde, Denmark. ",
"credit": "Joseph Okpako/WireImage",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-800x532.jpg",
"width": 800,
"height": 532,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-1020x679.jpg",
"width": 1020,
"height": 679,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-160x106.jpg",
"width": 160,
"height": 106,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-768x511.jpg",
"width": 768,
"height": 511,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-1536x1022.jpg",
"width": 1536,
"height": 1022,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994-1920x1278.jpg",
"width": 1920,
"height": 1278,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2160833994.jpg",
"width": 2000,
"height": 1331
}
},
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13968756": {
"type": "authors",
"id": "byline_arts_13968756",
"meta": {
"override": true
},
"slug": "byline_arts_13968756",
"name": "Gina Castro",
"isLoading": false
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"egonzalez": {
"type": "authors",
"id": "11384",
"meta": {
"index": "authors_1716337520",
"id": "11384",
"found": true
},
"name": "Estefany Gonzalez",
"firstName": "Estefany",
"lastName": "Gonzalez",
"slug": "egonzalez",
"email": "estefancy@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Estefany is a contributing visual journalist at KQED.",
"avatar": "https://secure.gravatar.com/avatar/f4726947ea620f9a1c857ac0de4e908c516908fdb92a29a74ea5cb19cad1765d?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/estefancy/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
},
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Estefany Gonzalez | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/f4726947ea620f9a1c857ac0de4e908c516908fdb92a29a74ea5cb19cad1765d?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/f4726947ea620f9a1c857ac0de4e908c516908fdb92a29a74ea5cb19cad1765d?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/egonzalez"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter, editor and host at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She regularly appears on podcasts and radio programs, including NPR's All Songs Considered, and hosts live events where music, culture and conversation meet.",
"avatar": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
},
"ltsai": {
"type": "authors",
"id": "11743",
"meta": {
"index": "authors_1716337520",
"id": "11743",
"found": true
},
"name": "Luke Tsai",
"firstName": "Luke",
"lastName": "Tsai",
"slug": "ltsai",
"email": "ltsai@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Food Editor",
"bio": "Luke Tsai is KQED's food editor and resident stinky tofu connoisseur. Prior to KQED, he was an editor at Eater SF, \u003cem>San Francisco \u003c/em>magazine, and the \u003cem>East Bay Express\u003c/em>, and his work has also appeared in TASTE, the \u003cem>San Francisco Chronicle\u003c/em>, and the \u003cem>Best Food Writing\u003c/em> anthology. When he isn't writing or editing, you'll find him eating most everything he can get his hands on.",
"avatar": "https://secure.gravatar.com/avatar/1e59b45bf191526e7339d6ba46e33a57b2030d25c27660ecc64ea3cb863e34f7?s=600&d=blank&r=g",
"twitter": "theluketsai",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor",
"contributor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Luke Tsai | KQED",
"description": "Food Editor",
"ogImgSrc": "https://secure.gravatar.com/avatar/1e59b45bf191526e7339d6ba46e33a57b2030d25c27660ecc64ea3cb863e34f7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/1e59b45bf191526e7339d6ba46e33a57b2030d25c27660ecc64ea3cb863e34f7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ltsai"
}
},
"pagesReducer": {
"arts_tag_chase-center": {
"type": "terms",
"id": "arts_6926",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6926",
"score": 9.895986
},
"featImg": null,
"name": "chase center",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "chase center Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6938,
"slug": "chase-center",
"isLoading": false,
"title": "chase center",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 1
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?tag=chase-center",
"seeMore": false,
"paginated": true,
"page": 1
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://hls.kqed.org/hls/kqed_app/playlist.m3u8",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13994882": {
"type": "posts",
"id": "arts_13994882",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13994882",
"score": null,
"sort": [
1792519374000
]
},
"guestAuthors": [],
"slug": "valkyries-fans-most-creative-fits-at-game-2-of-the-wnba-finals",
"title": "Valkyries Fans’ Most Creative Fits at Game 2 of the WNBA Finals",
"publishDate": 1792519374,
"format": "standard",
"headTitle": "Valkyries Fans’ Most Creative Fits at Game 2 of the WNBA Finals | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\n\u003cp class=\"wp-block-paragraph\">Before the \u003ca href=\"https://www.kqed.org/arts/tag/golden-state-valkyries\">Golden State Valkyries\u003c/a> faced off against the Atlanta Dream during \u003ca href=\"https://www.kqed.org/news/12105116/valkyries-fall-to-dream-65-79-in-game-2-of-wnba-finals\">Game 2 of WNBA Finals\u003c/a> Monday night, the players set the tone with their tunnel fits. Gabby Williams arrived in a cool, casual 49ers jersey and sunglasses, and Angel Reese looked glamorous and polished in a black high-neck gown and kitten heels.\u003c/p>\n\n\n\n\u003cp class=\"wp-block-paragraph\">The fans at Ballhalla showed out, too. Photographer Estefany Gonzalez captured their sparkliest and most creative looks as they filed into the Chase Center, where the Dream beat the Valks, tying the series at 1-1. The teams will meet again at Atlanta’s State Farm Arena on Oct. 21.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG\" alt=\"\" class=\"wp-image-13994884\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Gioia Garner, 53, dresses in all purple outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream on Monday, Oct. 19, 2026. Garner spent her Christmas fund on tickets for the game and said her friends can expect cards this year. “Our ladies are kicking ass and taking names so why wouldn’t we give them our money?” Garner said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG\" alt=\"\" class=\"wp-image-13994885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Details from Gioia Garner’s look. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG\" alt=\"\" class=\"wp-image-13994898\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Brittney Elena, 37, holds her dog, Diva, 16, outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Elena is originally from the Bay Area and travels from Los Angeles for home games as a season ticket holder. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG\" alt=\"\" class=\"wp-image-13994899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Diva the dog shows off her Valkyries T-shirt. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG\" alt=\"\" class=\"wp-image-13994886\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Elias Guting, 30, wears a custom outfit he designed at Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Guting’s clothing brand Nostalgic Attitude has been worn by players themselves. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG\" alt=\"\" class=\"wp-image-13994908\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Sam Akpan, 43, poses for a portrait outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. Akpan was one of the many people watching the game outside of the Chase Center. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG\" alt=\"\" class=\"wp-image-13994906\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Jessica Foung, 43, holds a stack of purple bracelets outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG\" alt=\"\" class=\"wp-image-13994896\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-element-caption\">Tina C., 46, wears a sequence purple suit outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “I didn’t really think that myself was a sports fan, but I didn’t really have a women’s team that I could root for. So, you know, having a big women’s team in the Bay really converted me,” Tina C. said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG\" alt=\"\" class=\"wp-image-13994889\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Tina C. spent more than a week hand gluing feathers to the back of their blazer for the special occasion. “This team, it sparkles. So I needed to have something that matched the team’s vibe, you know? I’m violet’s gay cousin with the black feathers,” they said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG\" alt=\"\" class=\"wp-image-13994887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Lianne Leong, who goes by “the golden Valkyrie,” wears a custom made golden outfit outside of the Chase Center in San Francisco. Leong has made Anime, Star Wars, KPop Demon Hunters, and various other cosplay costumes over the past ten years and decided to use her skills to make a Valkyrie costume after moving back to the Bay Area in January. “Valkyries were going crazy. So I just thought, well, duh, I should just make a costume. Obviously,” Leong said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG\" alt=\"\" class=\"wp-image-13994888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-element-caption\">Tiffany Mease, 40, wears purple fur in honor of the Golden State Valkyries outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “It took four hours on a glue gun believe it or not,” Mease said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG\" alt=\"\" class=\"wp-image-13994897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Jeph Lee, 53, wears a thrifted purple coat outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG\" alt=\"\" class=\"wp-image-13994915\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Monica Blakely, left, poses for a portrait with Angelique Muñoz, after bumping into each other and realizing they were both sporting the same headband outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG\" alt=\"\" class=\"wp-image-13994916\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Fans watch Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>",
"blocks": [
{
"blockName": "core/paragraph",
"attrs": {
"dropCap": false
},
"innerHTML": "\n\u003cp>Before the \u003ca href=\"https://www.kqed.org/arts/tag/golden-state-valkyries\">Golden State Valkyries\u003c/a> faced off against the Atlanta Dream during \u003ca href=\"https://www.kqed.org/news/12105116/valkyries-fall-to-dream-65-79-in-game-2-of-wnba-finals\">Game 2 of WNBA Finals\u003c/a> Monday night, the players set the tone with their tunnel fits. Gabby Williams arrived in a cool, casual 49ers jersey and sunglasses, and Angel Reese looked glamorous and polished in a black high-neck gown and kitten heels.\u003c/p>\n",
"innerContent": [
"\n\u003cp>Before the \u003ca href=\"https://www.kqed.org/arts/tag/golden-state-valkyries\">Golden State Valkyries\u003c/a> faced off against the Atlanta Dream during \u003ca href=\"https://www.kqed.org/news/12105116/valkyries-fall-to-dream-65-79-in-game-2-of-wnba-finals\">Game 2 of WNBA Finals\u003c/a> Monday night, the players set the tone with their tunnel fits. Gabby Williams arrived in a cool, casual 49ers jersey and sunglasses, and Angel Reese looked glamorous and polished in a black high-neck gown and kitten heels.\u003c/p>\n"
],
"innerBlocks": []
},
{
"blockName": "core/paragraph",
"attrs": {
"dropCap": false
},
"innerHTML": "\n\u003cp>The fans at Ballhalla showed out, too. Photographer Estefany Gonzalez captured their sparkliest and most creative looks as they filed into the Chase Center, where the Dream beat the Valks, tying the series at 1-1. The teams will meet again at Atlanta’s State Farm Arena on Oct. 21.\u003c/p>\n",
"innerContent": [
"\n\u003cp>The fans at Ballhalla showed out, too. Photographer Estefany Gonzalez captured their sparkliest and most creative looks as they filed into the Chase Center, where the Dream beat the Valks, tying the series at 1-1. The teams will meet again at Atlanta’s State Farm Arena on Oct. 21.\u003c/p>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994884,
"sizeSlug": "full",
"linkDestination": "none",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG\" alt=\"\" class=\"wp-image-13994884\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Gioia Garner, 53, dresses in all purple outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream on Monday, Oct. 19, 2026. Garner spent her Christmas fund on tickets for the game and said her friends can expect cards this year. “Our ladies are kicking ass and taking names so why wouldn’t we give them our money?” Garner said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG\" alt=\"\" class=\"wp-image-13994884\"/>\u003cfigcaption class=\"wp-element-caption\">Gioia Garner, 53, dresses in all purple outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream on Monday, Oct. 19, 2026. Garner spent her Christmas fund on tickets for the game and said her friends can expect cards this year. “Our ladies are kicking ass and taking names so why wouldn’t we give them our money?” Garner said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994885,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG\" alt=\"\" class=\"wp-image-13994885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Details from Gioia Garner’s look.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG\" alt=\"\" class=\"wp-image-13994885\"/>\u003cfigcaption class=\"wp-element-caption\">Details from Gioia Garner’s look.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994898,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG\" alt=\"\" class=\"wp-image-13994898\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Brittney Elena, 37, holds her dog, Diva, 16, outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Elena is originally from the Bay Area and travels from Los Angeles for home games as a season ticket holder.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG\" alt=\"\" class=\"wp-image-13994898\"/>\u003cfigcaption class=\"wp-element-caption\">Brittney Elena, 37, holds her dog, Diva, 16, outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Elena is originally from the Bay Area and travels from Los Angeles for home games as a season ticket holder.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994899,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG\" alt=\"\" class=\"wp-image-13994899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Diva the dog shows off her Valkyries T-shirt. \u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG\" alt=\"\" class=\"wp-image-13994899\"/>\u003cfigcaption class=\"wp-element-caption\">Diva the dog shows off her Valkyries T-shirt. \u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994886,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG\" alt=\"\" class=\"wp-image-13994886\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Elias Guting, 30, wears a custom outfit he designed at Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Guting’s clothing brand Nostalgic Attitude has been worn by players themselves.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG\" alt=\"\" class=\"wp-image-13994886\"/>\u003cfigcaption class=\"wp-element-caption\">Elias Guting, 30, wears a custom outfit he designed at Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Guting’s clothing brand Nostalgic Attitude has been worn by players themselves.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994908,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG\" alt=\"\" class=\"wp-image-13994908\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Sam Akpan, 43, poses for a portrait outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. Akpan was one of the many people watching the game outside of the Chase Center.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG\" alt=\"\" class=\"wp-image-13994908\"/>\u003cfigcaption class=\"wp-element-caption\">Sam Akpan, 43, poses for a portrait outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. Akpan was one of the many people watching the game outside of the Chase Center.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994906,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG\" alt=\"\" class=\"wp-image-13994906\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Jessica Foung, 43, holds a stack of purple bracelets outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG\" alt=\"\" class=\"wp-image-13994906\"/>\u003cfigcaption class=\"wp-element-caption\">Jessica Foung, 43, holds a stack of purple bracelets outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994896,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG\" alt=\"\" class=\"wp-image-13994896\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Tina C., 46, wears a sequence purple suit outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “I didn’t really think that myself was a sports fan, but I didn’t really have a women’s team that I could root for. So, you know, having a big women’s team in the Bay really converted me,” Tina C. said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG\" alt=\"\" class=\"wp-image-13994896\"/>\u003cfigcaption class=\"wp-element-caption\">Tina C., 46, wears a sequence purple suit outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “I didn’t really think that myself was a sports fan, but I didn’t really have a women’s team that I could root for. So, you know, having a big women’s team in the Bay really converted me,” Tina C. said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994889,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG\" alt=\"\" class=\"wp-image-13994889\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Tina C. spent more than a week hand gluing feathers to the back of their blazer for the special occasion. “This team, it sparkles. So I needed to have something that matched the team’s vibe, you know? I’m violet’s gay cousin with the black feathers,” they said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG\" alt=\"\" class=\"wp-image-13994889\"/>\u003cfigcaption class=\"wp-element-caption\">Tina C. spent more than a week hand gluing feathers to the back of their blazer for the special occasion. “This team, it sparkles. So I needed to have something that matched the team’s vibe, you know? I’m violet’s gay cousin with the black feathers,” they said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994887,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG\" alt=\"\" class=\"wp-image-13994887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Lianne Leong, who goes by “the golden Valkyrie,” wears a custom made golden outfit outside of the Chase Center in San Francisco. Leong has made Anime, Star Wars, KPop Demon Hunters, and various other cosplay costumes over the past ten years and decided to use her skills to make a Valkyrie costume after moving back to the Bay Area in January. “Valkyries were going crazy. So I just thought, well, duh, I should just make a costume. Obviously,” Leong said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG\" alt=\"\" class=\"wp-image-13994887\"/>\u003cfigcaption class=\"wp-element-caption\">Lianne Leong, who goes by “the golden Valkyrie,” wears a custom made golden outfit outside of the Chase Center in San Francisco. Leong has made Anime, Star Wars, KPop Demon Hunters, and various other cosplay costumes over the past ten years and decided to use her skills to make a Valkyrie costume after moving back to the Bay Area in January. “Valkyries were going crazy. So I just thought, well, duh, I should just make a costume. Obviously,” Leong said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994888,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG\" alt=\"\" class=\"wp-image-13994888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Tiffany Mease, 40, wears purple fur in honor of the Golden State Valkyries outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “It took four hours on a glue gun believe it or not,” Mease said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG\" alt=\"\" class=\"wp-image-13994888\"/>\u003cfigcaption class=\"wp-element-caption\">Tiffany Mease, 40, wears purple fur in honor of the Golden State Valkyries outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “It took four hours on a glue gun believe it or not,” Mease said.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994897,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG\" alt=\"\" class=\"wp-image-13994897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Jeph Lee, 53, wears a thrifted purple coat outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG\" alt=\"\" class=\"wp-image-13994897\"/>\u003cfigcaption class=\"wp-element-caption\">Jeph Lee, 53, wears a thrifted purple coat outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994915,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG\" alt=\"\" class=\"wp-image-13994915\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Monica Blakely, left, poses for a portrait with Angelique Muñoz, after bumping into each other and realizing they were both sporting the same headband outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG\" alt=\"\" class=\"wp-image-13994915\"/>\u003cfigcaption class=\"wp-element-caption\">Monica Blakely, left, poses for a portrait with Angelique Muñoz, after bumping into each other and realizing they were both sporting the same headband outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
},
{
"blockName": "core/image",
"attrs": {
"id": 13994916,
"sizeSlug": "full",
"linkDestination": "none",
"align": "center",
"alt": "",
"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)",
"isDecorative": false
},
"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG\" alt=\"\" class=\"wp-image-13994916\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Fans watch Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG\" alt=\"\" class=\"wp-image-13994916\"/>\u003cfigcaption class=\"wp-element-caption\">Fans watch Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
],
"innerBlocks": []
}
],
"excerpt": "San Francisco’s Chase Center was a sea of sequins, feathers and all things purple on Monday night.",
"status": "publish",
"parent": 0,
"modified": 1792790071,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 0,
"wordCount": 720
},
"headData": {
"title": "Valkyries Fans’ Most Creative Fits at Game 2 of the WNBA Finals | KQED",
"description": "San Francisco’s Chase Center was a sea of sequins, feathers and all things purple on Monday night.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Valkyries Fans’ Most Creative Fits at Game 2 of the WNBA Finals",
"datePublished": "2026-10-20T11:02:54-07:00",
"dateModified": "2026-10-23T14:14:31-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"sticky": false,
"nprStoryId": "kqed-13994882",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13994882/valkyries-fans-most-creative-fits-at-game-2-of-the-wnba-finals",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp class=\"wp-block-paragraph\">Before the \u003ca href=\"https://www.kqed.org/arts/tag/golden-state-valkyries\">Golden State Valkyries\u003c/a> faced off against the Atlanta Dream during \u003ca href=\"https://www.kqed.org/news/12105116/valkyries-fall-to-dream-65-79-in-game-2-of-wnba-finals\">Game 2 of WNBA Finals\u003c/a> Monday night, the players set the tone with their tunnel fits. Gabby Williams arrived in a cool, casual 49ers jersey and sunglasses, and Angel Reese looked glamorous and polished in a black high-neck gown and kitten heels.\u003c/p>\n\n\n\n\u003cp class=\"wp-block-paragraph\">The fans at Ballhalla showed out, too. Photographer Estefany Gonzalez captured their sparkliest and most creative looks as they filed into the Chase Center, where the Dream beat the Valks, tying the series at 1-1. The teams will meet again at Atlanta’s State Farm Arena on Oct. 21.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG\" alt=\"\" class=\"wp-image-13994884\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_018_qed-d271061a-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Gioia Garner, 53, dresses in all purple outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream on Monday, Oct. 19, 2026. Garner spent her Christmas fund on tickets for the game and said her friends can expect cards this year. “Our ladies are kicking ass and taking names so why wouldn’t we give them our money?” Garner said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG\" alt=\"\" class=\"wp-image-13994885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_019_qed-52d7c0e8-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Details from Gioia Garner’s look. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG\" alt=\"\" class=\"wp-image-13994898\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_022_qed-7dee8ef6-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Brittney Elena, 37, holds her dog, Diva, 16, outside of the Chase Center in San Francisco during Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Elena is originally from the Bay Area and travels from Los Angeles for home games as a season ticket holder. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG\" alt=\"\" class=\"wp-image-13994899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_023_qed-273a938f-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Diva the dog shows off her Valkyries T-shirt. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG\" alt=\"\" class=\"wp-image-13994886\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_039_qed-e8517d83-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Elias Guting, 30, wears a custom outfit he designed at Game 2 of the WNBA Finals on Monday, Oct. 19, 2026. Guting’s clothing brand Nostalgic Attitude has been worn by players themselves. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG\" alt=\"\" class=\"wp-image-13994908\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_035_qed-5eee009f-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Sam Akpan, 43, poses for a portrait outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. Akpan was one of the many people watching the game outside of the Chase Center. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG\" alt=\"\" class=\"wp-image-13994906\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_030_qed-06696c63-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Jessica Foung, 43, holds a stack of purple bracelets outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG\" alt=\"\" class=\"wp-image-13994896\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_013_qed-c07c1ecb-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-element-caption\">Tina C., 46, wears a sequence purple suit outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “I didn’t really think that myself was a sports fan, but I didn’t really have a women’s team that I could root for. So, you know, having a big women’s team in the Bay really converted me,” Tina C. said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG\" alt=\"\" class=\"wp-image-13994889\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_014_qed-17d4ab75-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Tina C. spent more than a week hand gluing feathers to the back of their blazer for the special occasion. “This team, it sparkles. So I needed to have something that matched the team’s vibe, you know? I’m violet’s gay cousin with the black feathers,” they said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG\" alt=\"\" class=\"wp-image-13994887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_003_qed-72b0d4b1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Lianne Leong, who goes by “the golden Valkyrie,” wears a custom made golden outfit outside of the Chase Center in San Francisco. Leong has made Anime, Star Wars, KPop Demon Hunters, and various other cosplay costumes over the past ten years and decided to use her skills to make a Valkyrie costume after moving back to the Bay Area in January. “Valkyries were going crazy. So I just thought, well, duh, I should just make a costume. Obviously,” Leong said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1999\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG\" alt=\"\" class=\"wp-image-13994888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132.JPG 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_012_qed-8bb9d132-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" />\u003cfigcaption class=\"wp-element-caption\">Tiffany Mease, 40, wears purple fur in honor of the Golden State Valkyries outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. “It took four hours on a glue gun believe it or not,” Mease said. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG\" alt=\"\" class=\"wp-image-13994897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_021_qed-694d4742-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Jeph Lee, 53, wears a thrifted purple coat outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG\" alt=\"\" class=\"wp-image-13994915\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_009_qed-ee26845e-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Monica Blakely, left, poses for a portrait with Angelique Muñoz, after bumping into each other and realizing they were both sporting the same headband outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG\" alt=\"\" class=\"wp-image-13994916\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013.JPG 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/10/20261019_ValksGame2_045_qed-0d7d5013-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Fans watch Game 2 of the WNBA Finals between the Golden State Valkyries and the Atlanta Dream outside of the Chase Center in San Francisco on Monday, Oct. 19, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13994882/valkyries-fans-most-creative-fits-at-game-2-of-the-wnba-finals",
"authors": [
"11384"
],
"categories": [
"arts_1",
"arts_13238"
],
"tags": [
"arts_5786",
"arts_6926",
"arts_10278",
"arts_22151",
"arts_822",
"arts_22730",
"arts_1146",
"arts_22199"
],
"featImg": "arts_13994895",
"label": "arts"
},
"arts_13985375": {
"type": "posts",
"id": "arts_13985375",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13985375",
"score": null,
"sort": [
1768334323000
]
},
"guestAuthors": [],
"slug": "warriors-muslim-heritage-night-chase-center-fikscue-barbecue",
"title": "Warriors Celebrate Muslim Heritage With a Night of Indo-Texan Halal Barbecue",
"publishDate": 1768334323,
"format": "standard",
"headTitle": "Warriors Celebrate Muslim Heritage With a Night of Indo-Texan Halal Barbecue | KQED",
"labelTerm": {},
"content": "\u003cp>Fik and Reka Saleh are no stranger to long lines and sold-out events. \u003ca href=\"https://www.kqed.org/arts/13962220/fikscue-best-indonesian-texas-barbecue-smoked-brisket-alameda\">Fikscue\u003c/a>, the couple’s Indonesian-Texan halal barbecue spot in Alameda, has drawn around-the-block crowds since its debut in 2023. Meanwhile, the restaurant’s new location in so-called Thrive City, the promenade just outside \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a>, has introduced the Salehs’ unique combination of Texas-style smoked meats and Indonesian side dishes to an even wider audience.\u003c/p>\n\u003cp>This Thursday night’s Warriors home game against the Knicks will mark another milestone: It’ll be the first time halal-keeping fans can chow down on Fikscue’s brisket sandwiches and sate ayam (grilled chicken skewers) inside the arena itself.\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003cb>\u003cstrong>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13962220']\u003c/span>\u003c/strong>\u003c/b>\u003c/span>The occasion? The Warriors’ fifth annual Muslim Heritage Night, which the team hosts in collaboration with local food festival organizer \u003ca href=\"https://www.kqed.org/arts/13972704/suhoor-fest-ramadan-san-jose-halal-food-festival-2025\">HalalFest\u003c/a>. The event brings the Bay Area Muslim community together for a night of halal food (normally not available inside Chase Center) and much-needed celebration — especially during this time of \u003ca href=\"https://www.kqed.org/forum/2010101895300/hate-crimes-against-muslims-and-jews-on-the-rise\">rising\u003c/a> \u003ca href=\"https://www.kqed.org/news/11991016/islamic-prayer-at-san-francisco-park-interrupted-by-hateful-verbal-attack\">Islamophobia\u003c/a>, ICE crackdowns and targeted \u003ca href=\"https://www.cnn.com/2025/12/16/politics/travel-ban-trump-expands-countries\">travel bans\u003c/a>.\u003c/p>\n\u003cp>HalalFest founder Irfan Rydhan expects this year’s edition to be the largest one yet: 700 fans have already bought tickets, including 250 who purchased boxed barbecue meals from Fikscue. While the deadline has passed for pre-ordering the Fikscue meals, a handful of promotional tickets for the game are still available, ranging from $120 to $275 — the latter for seats in the \u003ca href=\"https://www.chasecenter.com/vendor/modelo-cantina/\">Modelo Cantina\u003c/a>, whose buffet spread that night will feature all halal meats and seafood. The Chase Center will also provide a designated room where Muslim fans can pray during the game.\u003c/p>\n\u003cfigure id=\"attachment_13985378\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985378\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372.jpg\" alt=\"Warriors' fans hold up a "Muslim Heritage Night" T-shirt.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans at the 2025 edition of Muslim Heritage Night show off a commemorative T-shirt. \u003ccite>(Meriam Salem, via HalalFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The promotion brings halal-keeping Warriors’ fans one step closer to their longer-term goal: having a permanent halal food vendor inside the venue Even though Fikscue’s Thrive City shop is located just a few steps away from Chase Center, purchases there still count as “outside food” and can’t be brought inside the arena. It’s a question the restaurant’s Thrive City team has had to answer “many, many times,” Reka Saleh says with bemusement — so it’s clear the demand is there.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For Fik and Reka, participating in this year’s Muslim Heritage feels like the logical next step for Fikscue, which has mushroomed since its days as a scrappy pop-up. The restaurant went from being open just a few hours on weekends only at its Alameda location to adding Wednesday night dinner service and, since last June, the operation in San Francisco — featuring a \u003ca href=\"https://www.instagram.com/p/DGoQ4r6zRj5/?hl=en\">gorgeous new pit room\u003c/a> that faces the Bay.\u003c/p>\n\u003cp>But this year, Reka says, they’re looking forward to participating in more events like Muslim Heritage Night. “It means a lot,” she says, “because that was the whole purpose of us being 100% halal, right? It was to be able to connect to the broader community.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>To purchase Muslim Heritage Night promotional tickets to the Jan. 15 Warriors game against the Knicks, email info@halalfest.com. Prices range from $120 to $275 per ticket. The deadline to order the tickets is 3 p.m. on Jan. 15.\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The annual event returns to Chase Center for a game against the Knicks on Jan. 15.",
"status": "publish",
"parent": 0,
"modified": 1768334807,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 565
},
"headData": {
"title": "Warriors Celebrate Muslim Heritage Night With Fikscue Halal Barbecue | KQED",
"description": "The annual event returns to Chase Center for a game against the Knicks on Jan. 15.",
"ogTitle": "Warriors Celebrate Muslim Heritage With a Night of Indo-Texan Halal Barbecue",
"ogDescription": "",
"ogImgId": "",
"twTitle": "Warriors Celebrate Muslim Heritage With a Night of Indo-Texan Halal Barbecue",
"twDescription": "",
"twImgId": "",
"socialTitle": "Warriors Celebrate Muslim Heritage Night With Fikscue Halal Barbecue %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Warriors Celebrate Muslim Heritage With a Night of Indo-Texan Halal Barbecue",
"datePublished": "2026-01-13T11:58:43-08:00",
"dateModified": "2026-01-13T12:06:47-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 12276,
"slug": "food",
"name": "Food"
},
"source": "Food",
"sourceUrl": "https://www.kqed.org/food",
"sticky": false,
"nprStoryId": "kqed-13985375",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13985375/warriors-muslim-heritage-night-chase-center-fikscue-barbecue",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fik and Reka Saleh are no stranger to long lines and sold-out events. \u003ca href=\"https://www.kqed.org/arts/13962220/fikscue-best-indonesian-texas-barbecue-smoked-brisket-alameda\">Fikscue\u003c/a>, the couple’s Indonesian-Texan halal barbecue spot in Alameda, has drawn around-the-block crowds since its debut in 2023. Meanwhile, the restaurant’s new location in so-called Thrive City, the promenade just outside \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a>, has introduced the Salehs’ unique combination of Texas-style smoked meats and Indonesian side dishes to an even wider audience.\u003c/p>\n\u003cp>This Thursday night’s Warriors home game against the Knicks will mark another milestone: It’ll be the first time halal-keeping fans can chow down on Fikscue’s brisket sandwiches and sate ayam (grilled chicken skewers) inside the arena itself.\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003cb>\u003cstrong>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13962220",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/strong>\u003c/b>\u003c/span>The occasion? The Warriors’ fifth annual Muslim Heritage Night, which the team hosts in collaboration with local food festival organizer \u003ca href=\"https://www.kqed.org/arts/13972704/suhoor-fest-ramadan-san-jose-halal-food-festival-2025\">HalalFest\u003c/a>. The event brings the Bay Area Muslim community together for a night of halal food (normally not available inside Chase Center) and much-needed celebration — especially during this time of \u003ca href=\"https://www.kqed.org/forum/2010101895300/hate-crimes-against-muslims-and-jews-on-the-rise\">rising\u003c/a> \u003ca href=\"https://www.kqed.org/news/11991016/islamic-prayer-at-san-francisco-park-interrupted-by-hateful-verbal-attack\">Islamophobia\u003c/a>, ICE crackdowns and targeted \u003ca href=\"https://www.cnn.com/2025/12/16/politics/travel-ban-trump-expands-countries\">travel bans\u003c/a>.\u003c/p>\n\u003cp>HalalFest founder Irfan Rydhan expects this year’s edition to be the largest one yet: 700 fans have already bought tickets, including 250 who purchased boxed barbecue meals from Fikscue. While the deadline has passed for pre-ordering the Fikscue meals, a handful of promotional tickets for the game are still available, ranging from $120 to $275 — the latter for seats in the \u003ca href=\"https://www.chasecenter.com/vendor/modelo-cantina/\">Modelo Cantina\u003c/a>, whose buffet spread that night will feature all halal meats and seafood. The Chase Center will also provide a designated room where Muslim fans can pray during the game.\u003c/p>\n\u003cfigure id=\"attachment_13985378\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13985378\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372.jpg\" alt=\"Warriors' fans hold up a "Muslim Heritage Night" T-shirt.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/warriors2025-4372-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fans at the 2025 edition of Muslim Heritage Night show off a commemorative T-shirt. \u003ccite>(Meriam Salem, via HalalFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The promotion brings halal-keeping Warriors’ fans one step closer to their longer-term goal: having a permanent halal food vendor inside the venue Even though Fikscue’s Thrive City shop is located just a few steps away from Chase Center, purchases there still count as “outside food” and can’t be brought inside the arena. It’s a question the restaurant’s Thrive City team has had to answer “many, many times,” Reka Saleh says with bemusement — so it’s clear the demand is there.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Fik and Reka, participating in this year’s Muslim Heritage feels like the logical next step for Fikscue, which has mushroomed since its days as a scrappy pop-up. The restaurant went from being open just a few hours on weekends only at its Alameda location to adding Wednesday night dinner service and, since last June, the operation in San Francisco — featuring a \u003ca href=\"https://www.instagram.com/p/DGoQ4r6zRj5/?hl=en\">gorgeous new pit room\u003c/a> that faces the Bay.\u003c/p>\n\u003cp>But this year, Reka says, they’re looking forward to participating in more events like Muslim Heritage Night. “It means a lot,” she says, “because that was the whole purpose of us being 100% halal, right? It was to be able to connect to the broader community.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>To purchase Muslim Heritage Night promotional tickets to the Jan. 15 Warriors game against the Knicks, email info@halalfest.com. Prices range from $120 to $275 per ticket. The deadline to order the tickets is 3 p.m. on Jan. 15.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13985375/warriors-muslim-heritage-night-chase-center-fikscue-barbecue",
"authors": [
"11743"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_12276",
"arts_13238"
],
"tags": [
"arts_13831",
"arts_6926",
"arts_9346",
"arts_22255",
"arts_21762",
"arts_585"
],
"featImg": "arts_13962177",
"label": "source_arts_13985375"
},
"arts_13981424": {
"type": "posts",
"id": "arts_13981424",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13981424",
"score": null,
"sort": [
1758136642000
]
},
"guestAuthors": [],
"slug": "presale-cardi-b-little-miss-drama-tour-san-francisco-chase-center",
"title": "Ticket Alert: Cardi B’s Little Miss Drama Tour in San Francisco",
"publishDate": 1758136642,
"format": "standard",
"headTitle": "Ticket Alert: Cardi B’s Little Miss Drama Tour in San Francisco | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Even though she hasn’t put out an album in seven years, Cardi B has kept the public’s attention through hot singles and viral moments, whether it’s \u003ca href=\"https://musettedc.medium.com/the-raunchy-hip-hop-hit-that-humiliated-ben-shapiro-38f2456b437f\">shocking conservative pundits\u003c/a> with facts about the female anatomy in “W.A.P.” or giving fans a turnt-up block party soundtrack with her latest song, “Outside.”\u003c/p>\n\u003cp>After much anticipation, the Bronx rap star returns on Sept. 19 with her new album, \u003ci>Am I the Drama?\u003c/i>, and her first-ever headlining arena run, the Little Miss Drama Tour. The tour kicks off in Palm Desert on Feb. 11, 2026, and makes its way to the Bay Area for a Feb. 27 show at San Francisco’s Chase Center.\u003c/p>\n\u003cp>Tickets go on sale to the general public on Sept. 25, but there are a few ways to get presale access beforehand. The easiest one is signing up for \u003ca href=\"https://signup.ticketmaster.com/cardib\">Cardi’s artist presale\u003c/a> by Sunday, Sept. 21 at 10 p.m. On Sept. 23 at 10 a.m., fans who joined will get access via their Ticketmaster accounts, no promo code required.\u003c/p>\n\u003cp>Verizon customers get access to an even \u003ca href=\"https://www.verizon.com/my-access-rewards/?CMP=oth_b_x_pr_var_aw_2024_06_access\">earlier presale on Sept. 22 and 23\u003c/a>, both at 7 a.m., and \u003ca href=\"https://www.citientertainment.com/\">Citi cardholders\u003c/a> can begin their hunt for tickets on Sept. 23 at 7 a.m.\u003c/p>\n\u003cp>\u003ci>Am I the Drama?\u003c/i> takes its name from a quote from \u003ci>RuPaul’s Drag Race All Stars\u003c/i> contestant \u003ca href=\"https://www.tiktok.com/@akapigatto/video/7128558779754482950?lang=en\">Scarlet Envy\u003c/a>, who spawned many memes when she coyly wondered whether she was the villain of her season in a confessional interview. The album promises collaborations with a long list of heavy-hitters such as Janet Jackson, Megan Thee Stallion, Kehlani, Summer Walker and Tyla.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The rap star will headline Chase Center on Feb. 27, 2026, in support of her highly anticipated new album.",
"status": "publish",
"parent": 0,
"modified": 1758148774,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 289
},
"headData": {
"title": "Ticket Alert: Cardi B’s Little Miss Drama Tour in San Francisco | KQED",
"description": "The rap star will headline Chase Center on Feb. 27, 2026, in support of her highly anticipated new album.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ticket Alert: Cardi B’s Little Miss Drama Tour in San Francisco",
"datePublished": "2025-09-17T12:17:22-07:00",
"dateModified": "2025-09-17T15:39:34-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"sticky": false,
"nprStoryId": "kqed-13981424",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13981424/presale-cardi-b-little-miss-drama-tour-san-francisco-chase-center",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even though she hasn’t put out an album in seven years, Cardi B has kept the public’s attention through hot singles and viral moments, whether it’s \u003ca href=\"https://musettedc.medium.com/the-raunchy-hip-hop-hit-that-humiliated-ben-shapiro-38f2456b437f\">shocking conservative pundits\u003c/a> with facts about the female anatomy in “W.A.P.” or giving fans a turnt-up block party soundtrack with her latest song, “Outside.”\u003c/p>\n\u003cp>After much anticipation, the Bronx rap star returns on Sept. 19 with her new album, \u003ci>Am I the Drama?\u003c/i>, and her first-ever headlining arena run, the Little Miss Drama Tour. The tour kicks off in Palm Desert on Feb. 11, 2026, and makes its way to the Bay Area for a Feb. 27 show at San Francisco’s Chase Center.\u003c/p>\n\u003cp>Tickets go on sale to the general public on Sept. 25, but there are a few ways to get presale access beforehand. The easiest one is signing up for \u003ca href=\"https://signup.ticketmaster.com/cardib\">Cardi’s artist presale\u003c/a> by Sunday, Sept. 21 at 10 p.m. On Sept. 23 at 10 a.m., fans who joined will get access via their Ticketmaster accounts, no promo code required.\u003c/p>\n\u003cp>Verizon customers get access to an even \u003ca href=\"https://www.verizon.com/my-access-rewards/?CMP=oth_b_x_pr_var_aw_2024_06_access\">earlier presale on Sept. 22 and 23\u003c/a>, both at 7 a.m., and \u003ca href=\"https://www.citientertainment.com/\">Citi cardholders\u003c/a> can begin their hunt for tickets on Sept. 23 at 7 a.m.\u003c/p>\n\u003cp>\u003ci>Am I the Drama?\u003c/i> takes its name from a quote from \u003ci>RuPaul’s Drag Race All Stars\u003c/i> contestant \u003ca href=\"https://www.tiktok.com/@akapigatto/video/7128558779754482950?lang=en\">Scarlet Envy\u003c/a>, who spawned many memes when she coyly wondered whether she was the villain of her season in a confessional interview. The album promises collaborations with a long list of heavy-hitters such as Janet Jackson, Megan Thee Stallion, Kehlani, Summer Walker and Tyla.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13981424/presale-cardi-b-little-miss-drama-tour-san-francisco-chase-center",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_6226",
"arts_6926",
"arts_10278",
"arts_1146",
"arts_585",
"arts_700",
"arts_4798"
],
"featImg": "arts_13981425",
"label": "arts_140"
},
"arts_13980855": {
"type": "posts",
"id": "arts_13980855",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13980855",
"score": null,
"sort": [
1757018768000
]
},
"guestAuthors": [],
"slug": "golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center",
"title": "Meet the DJs Bringing the Pride and the Party to the Valkyries’ Ballhalla",
"publishDate": 1757018768,
"format": "standard",
"headTitle": "Meet the DJs Bringing the Pride and the Party to the Valkyries’ Ballhalla | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>On a recent August afternoon, \u003ca href=\"https://www.kqed.org/news/tag/golden-state-valkyries\">Golden State Valkyries\u003c/a> guard Kaitlyn Chen looks up, bends her knees and releases the ball with a flick of the wrist, sinking another 3-pointer. Down the violet-tinted court, forward Cecilia Zandalasini runs drills, crouching low as she dribbles the ball between her legs.\u003c/p>\n\u003cp>Two hours before tip-off, the Valkyries are getting ready to take on the Phoenix Mercury. To hype up the players, DJ Shellheart is behind the decks, blending Soulja Boy’s nostalgic swag rap with the sad-boy crooning of Drake and the cocky, Memphis-inflected flow of GloRilla. By the time she hits a transition into E-40’s “Yay Area,” the players are clearly feeling themselves.\u003c/p>\n\u003cp>“What it dooo?” Kate Martin says as she jogs by and fist-bumps Shellheart, who has one eye on her DJ controller and the other on the players, making sure they’re responding to the music.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I love a good DJ,” guard Tiffany Hayes tells KQED courtside, pointing to a music note tattoo on her ankle. “I think positive frequencies are important. … The DJ in here got us rockin’ right now, gettin’ ready for the game.”\u003c/p>\n\u003cp>In their \u003ca href=\"https://www.kqed.org/news/12039501/wnbas-newest-team-golden-state-valkyries-kick-off-first-season\">inaugural season\u003c/a>, the Valkyries have made WNBA history, consistently selling out Chase Center and breaking the record for most wins by an expansion team.\u003c/p>\n\u003cfigure id=\"attachment_13980965\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980965\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED-768x521.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED-1536x1041.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Golden State Valkyries guard Tiffany Hayes (15) advances towards the basket as Los Angeles Sparks guard Odyssey Sims (0) defends during the Valkyries’ home opener at Chase Center on May 16, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along the way, they’ve cultivated an unmatched energy at “Ballhalla,” as their home arena is known. For the legions of fans packing Chase Center game after game — \u003ca href=\"https://www.kqed.org/news/12047885/how-to-be-a-valkyries-fan-a-beginners-guide-to-bay-area-wnba-fandom\">many of them women and queer people\u003c/a> — the atmosphere rivals Oracle Arena during the Warriors’ 2010s championship run. Behind the decks, Bay Area nightlife fixtures Shellheart and LadyRyan provide the soundtrack, from warmups to the final buzzer.\u003c/p>\n\u003cp>“It’s 18,000 people I get to DJ in front of. It’s just motivated me so much,” Shellheart says, still visibly in disbelief that this is her life.\u003c/p>\n\u003cp>“It’s \u003ca href=\"https://www.urbandictionary.com/define.php?term=Mainey\">mainey\u003c/a>,” she says. “I got chills.”\u003c/p>\n\u003ch2>The rise of two nightlife luminaries\u003c/h2>\n\u003cp>Shellheart and LadyRyan have been friends and colleagues in the Bay Area music scene for a decade, but they’ve taken different paths to Ballhalla. Shellheart, who’s been DJing since 2014, is a major figure in Bay Area hip-hop: She’s the tour DJ for \u003ca href=\"https://www.kqed.org/arts/13979968/rexx-life-raj-in-rhythm-new-album\">Rexx Life Raj\u003c/a>, the Berkeley-raised rapper.\u003c/p>\n\u003cp>When she’s not on the road, Shellheart spins at big-name events, sharing stages with stars like DJ Jazzy Jeff and Anderson .Paak, or DJing atop the San Francisco Bay Ferry for P-Lo’s album release party.\u003c/p>\n\u003cfigure id=\"attachment_13980949\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980949\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her day party, Good Times, is an Oakland summer staple, and her annual Green Party — celebrating her birthday — recently packed San Francisco’s Midway with hundreds of partygoers in head-to-toe forest, chartreuse and lime green outfits to see Bay Area rap heavy-hitters DaBoii and Kamaiyah.\u003c/p>\n\u003cp>LadyRyan began spinning at Bay Area parties in 2006 and has become one of the most influential figures in Oakland’s LGBTQ+ scene. The party she co-founded 14 years ago, Soulovely — with its eclectic mix of hip-hop, house and multicultural sounds like dembow and dabke — continues to draw a passionate following of queer and trans people of color.[aside postID=arts_13980000 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Violet-Valkyries.jpg']Over the summer, LadyRyan got thousands dancing at festivals like Stern Grove, where she most recently opened for the Pointer Sisters, and the San Francisco Hip-Hop Festival, headlined by Digable Planets. She hosts a weekly radio show on KALW, and on Sept. 7, she’ll perform at Oakland Pride. She and her partner, Dennise Acio, also recently opened Golden Ratio, a cozy, inclusive cocktail lounge with a dance floor and giant disco ball in downtown Oakland.\u003c/p>\n\u003cp>At Chase Center, LadyRyan and Shellheart hype the crowd during interactive T-shirt-throwing moments, timeouts and halftime. For both DJs, joining the Valkyries for their inaugural season is a career highlight.\u003c/p>\n\u003cp>“When people are there at their first game, and you catch that vibe, it makes you want to be involved in this major unison of excitement and celebration,” LadyRyan says. “You get there, and you’re like, ‘Oh my god, this is bigger than I thought it would be.’ They’re loud, and I’m loud with them.”\u003c/p>\n\u003cp>As they entered the sports world, both DJs found a supporter in the Warriors’ official DJ, D Sharp. A hip-hop veteran with the team since before their mid-2010s dynasty, D Sharp guided LadyRyan and Shellheart when they became the Valkyries’ official selectors.\u003c/p>\n\u003cfigure id=\"attachment_13980968\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13980968 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan (left) and DJ ShellHeart (right) pose for a portrait before starting their “Cut a Rug” event at the venue ForTheCulture in Oakland on Sept. 1, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Especially in the male-dominated industry where people kind of look at each other as competition,” LadyRyan says, “he’s one of those DJs that knows that there’s enough for everybody.”\u003c/p>\n\u003cp>D Sharp has supported LadyRyan since they met almost a decade ago while performing at a pan-African festival. “She was killing it. And I was like, ‘Go, girl, do your thing,” he says. They bonded through mutual appreciation of each other’s DJing skills.\u003c/p>\n\u003cp>Speaking about Shellheart, D Sharp beams with pride, recalling her on the jumbotron at a Valkyries game for the first time. “They gave her a DJ spotlight and she murdered that s—,” he says.\u003c/p>\n\u003ch2>The WNBA embraces queer culture\u003c/h2>\n\u003cp>The Valkyries’ selection of Shellheart and LadyRyan comes as the WNBA increasingly embraces its queer players and fans. When the league debuted in 1997, it marketed a feminine, straight image; in the 2000s, when WNBA greats like Sue Wicks and Sheryl Swoopes came out, it rocked the sports world.\u003c/p>\n\u003cp>Fast-forward to 2025, LGBTQ+ players’ ability to be themselves is fueling the league’s growing mainstream popularity. During All-Star Weekend, charismatic Minnesota Lynx players Court Williams and Natisha “T” Hiedeman livestreamed off-court antics on their Twitch channel, StudBudz, to give fans unprecedented behind-the-scenes access for 72 hours.\u003c/p>\n\u003cfigure id=\"attachment_13980970\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980970\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan plays her set as a friend chats with her at the “Cut a Rug” event at the venue ForTheCulture in Oakland on Sept. 1, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They went viral, and \u003ca href=\"https://www.nytimes.com/athletic/6507411/2025/07/22/stud-budz-studbudz-courtney-williams-natisha-hiedeman-wnba-twitch/\">\u003cem>The New York Times\u003c/em> called them a “sensation.”\u003c/a> During the same weekend, the Dallas Wings’ No. 1 overall draft pick Paige Bueckers hard-launched her relationship with University of Connecticut player Azzi Fudd, adding to a growing list of WNBA couples.\u003c/p>\n\u003cp>Shellheart was at the center of the All-Star Weekend, hanging with the players at the celebrations and afterparties. She’d DJed NBA All-Star parties before, but the W felt different. “Just seeing all the beautiful women, all the athletic women — being around women that are wealthy, you know?” she says.\u003c/p>\n\u003cp>“Shellheart, this is it,” she remembers telling herself. “This is where you belong.”[aside postID=arts_13977457 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/RIKKIS-0326-fave.jpg']For LadyRyan, DJing on such a massive platform that centers women comes with a sense of pride. Her sets feature amped-up anthems like Beyoncé’s “My House” and Doechii’s “Nissan Altima.” “It just feels comfortable and really empowering,” she says.\u003c/p>\n\u003cp>At Chase Center during Valkyries games, it’s common to see Pride flags, fashion-forward queer friend groups and couples on dates. But LadyRyan warns that openness comes with backlash: a contingent of incel-ish MNBA fans routinely post sexist and homophobic comments on social media. In the past month, three men were arrested for throwing sex toys onto the court during WNBA games.\u003c/p>\n\u003cp>“If we weren’t discriminated against to begin with, we wouldn’t have to be proud about it, you know? We’re just not past it,” LadyRyan says. “As much as people wanna say everything’s fine, we still have an administration that is working against our existence.”\u003c/p>\n\u003cp>Seeing LadyRyan and DJ Shellheart in the DJ booth is especially meaningful to fans like Vanessa Hernandez, the co-founder of Valqueeries, an LGBTQ+ Valkyries fan club that organizes meet-ups and events at games and bars.\u003c/p>\n\u003cfigure id=\"attachment_13980951\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980951\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As the Valkyries are still figuring out their identity, I hope in the future they still continue to lean on LadyRyan and Shellheart because they’re huge influences in the Bay Area, especially in the DJ community,” she says. “In the queer community at large, these people are so essential to us.”\u003c/p>\n\u003cp>At Chase Center, the Valkyries’ fandom transcends gender identity, sexual orientation, race and age. Shellheart knows that by bringing their skills, she and LadyRyan are inspiring the next generation of fans, no matter their background.\u003c/p>\n\u003cp>At her second-ever game spinning for the Valkyries, a young boy approached her for an autograph. “I was, like, ‘Oh, s—, nice,’” she says. “You just don’t know who you’re motivating.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "At sold-out WNBA games in San Francisco, LadyRyan and Shellheart are fueling off-the-charts excitement at Chase Center. ",
"status": "publish",
"parent": 0,
"modified": 1757543417,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 31,
"wordCount": 1699
},
"headData": {
"title": "At Golden State Valkyries’ WNBA Home Games, Bay Area DJs Bring the Party | KQED",
"description": "During sold-out games in San Francisco, LadyRyan and Shellheart are fueling off-the-charts excitement at Chase Center.",
"ogTitle": "How Valkyries DJs LadyRyan and Shellheart Keep the Vibes High in ‘Ballhalla’",
"ogDescription": "At sold-out WNBA games in San Francisco, the DJs are fueling off-the-charts excitement at Chase Center.",
"ogImgId": "arts_13980949",
"twTitle": "How Valkyries DJs LadyRyan and Shellheart Keep the Vibes High in ‘Ballhalla’",
"twDescription": "At sold-out WNBA games in San Francisco, the DJs are fueling off-the-charts excitement at Chase Center.",
"twImgId": "arts_13980949",
"socialTitle": "At Golden State Valkyries’ WNBA Home Games, Bay Area DJs Bring the Party %%page%% %%sep%% KQED",
"socialDescription": "During sold-out games in San Francisco, LadyRyan and Shellheart are fueling off-the-charts excitement at Chase Center.",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Meet the DJs Bringing the Pride and the Party to the Valkyries’ Ballhalla",
"datePublished": "2025-09-04T13:46:08-07:00",
"dateModified": "2025-09-10T15:30:17-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/19b5a147-017c-4800-a524-b34f010d63c9/audio.mp3",
"sticky": false,
"nprStoryId": "kqed-13980855",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On a recent August afternoon, \u003ca href=\"https://www.kqed.org/news/tag/golden-state-valkyries\">Golden State Valkyries\u003c/a> guard Kaitlyn Chen looks up, bends her knees and releases the ball with a flick of the wrist, sinking another 3-pointer. Down the violet-tinted court, forward Cecilia Zandalasini runs drills, crouching low as she dribbles the ball between her legs.\u003c/p>\n\u003cp>Two hours before tip-off, the Valkyries are getting ready to take on the Phoenix Mercury. To hype up the players, DJ Shellheart is behind the decks, blending Soulja Boy’s nostalgic swag rap with the sad-boy crooning of Drake and the cocky, Memphis-inflected flow of GloRilla. By the time she hits a transition into E-40’s “Yay Area,” the players are clearly feeling themselves.\u003c/p>\n\u003cp>“What it dooo?” Kate Martin says as she jogs by and fist-bumps Shellheart, who has one eye on her DJ controller and the other on the players, making sure they’re responding to the music.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I love a good DJ,” guard Tiffany Hayes tells KQED courtside, pointing to a music note tattoo on her ankle. “I think positive frequencies are important. … The DJ in here got us rockin’ right now, gettin’ ready for the game.”\u003c/p>\n\u003cp>In their \u003ca href=\"https://www.kqed.org/news/12039501/wnbas-newest-team-golden-state-valkyries-kick-off-first-season\">inaugural season\u003c/a>, the Valkyries have made WNBA history, consistently selling out Chase Center and breaking the record for most wins by an expansion team.\u003c/p>\n\u003cfigure id=\"attachment_13980965\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980965\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED-768x521.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/20250516_VALKYRIESHOMEOPENER_GC-66-KQED-1536x1041.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Golden State Valkyries guard Tiffany Hayes (15) advances towards the basket as Los Angeles Sparks guard Odyssey Sims (0) defends during the Valkyries’ home opener at Chase Center on May 16, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along the way, they’ve cultivated an unmatched energy at “Ballhalla,” as their home arena is known. For the legions of fans packing Chase Center game after game — \u003ca href=\"https://www.kqed.org/news/12047885/how-to-be-a-valkyries-fan-a-beginners-guide-to-bay-area-wnba-fandom\">many of them women and queer people\u003c/a> — the atmosphere rivals Oracle Arena during the Warriors’ 2010s championship run. Behind the decks, Bay Area nightlife fixtures Shellheart and LadyRyan provide the soundtrack, from warmups to the final buzzer.\u003c/p>\n\u003cp>“It’s 18,000 people I get to DJ in front of. It’s just motivated me so much,” Shellheart says, still visibly in disbelief that this is her life.\u003c/p>\n\u003cp>“It’s \u003ca href=\"https://www.urbandictionary.com/define.php?term=Mainey\">mainey\u003c/a>,” she says. “I got chills.”\u003c/p>\n\u003ch2>The rise of two nightlife luminaries\u003c/h2>\n\u003cp>Shellheart and LadyRyan have been friends and colleagues in the Bay Area music scene for a decade, but they’ve taken different paths to Ballhalla. Shellheart, who’s been DJing since 2014, is a major figure in Bay Area hip-hop: She’s the tour DJ for \u003ca href=\"https://www.kqed.org/arts/13979968/rexx-life-raj-in-rhythm-new-album\">Rexx Life Raj\u003c/a>, the Berkeley-raised rapper.\u003c/p>\n\u003cp>When she’s not on the road, Shellheart spins at big-name events, sharing stages with stars like DJ Jazzy Jeff and Anderson .Paak, or DJing atop the San Francisco Bay Ferry for P-Lo’s album release party.\u003c/p>\n\u003cfigure id=\"attachment_13980949\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980949\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her day party, Good Times, is an Oakland summer staple, and her annual Green Party — celebrating her birthday — recently packed San Francisco’s Midway with hundreds of partygoers in head-to-toe forest, chartreuse and lime green outfits to see Bay Area rap heavy-hitters DaBoii and Kamaiyah.\u003c/p>\n\u003cp>LadyRyan began spinning at Bay Area parties in 2006 and has become one of the most influential figures in Oakland’s LGBTQ+ scene. The party she co-founded 14 years ago, Soulovely — with its eclectic mix of hip-hop, house and multicultural sounds like dembow and dabke — continues to draw a passionate following of queer and trans people of color.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13980000",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/Violet-Valkyries.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Over the summer, LadyRyan got thousands dancing at festivals like Stern Grove, where she most recently opened for the Pointer Sisters, and the San Francisco Hip-Hop Festival, headlined by Digable Planets. She hosts a weekly radio show on KALW, and on Sept. 7, she’ll perform at Oakland Pride. She and her partner, Dennise Acio, also recently opened Golden Ratio, a cozy, inclusive cocktail lounge with a dance floor and giant disco ball in downtown Oakland.\u003c/p>\n\u003cp>At Chase Center, LadyRyan and Shellheart hype the crowd during interactive T-shirt-throwing moments, timeouts and halftime. For both DJs, joining the Valkyries for their inaugural season is a career highlight.\u003c/p>\n\u003cp>“When people are there at their first game, and you catch that vibe, it makes you want to be involved in this major unison of excitement and celebration,” LadyRyan says. “You get there, and you’re like, ‘Oh my god, this is bigger than I thought it would be.’ They’re loud, and I’m loud with them.”\u003c/p>\n\u003cp>As they entered the sports world, both DJs found a supporter in the Warriors’ official DJ, D Sharp. A hip-hop veteran with the team since before their mid-2010s dynasty, D Sharp guided LadyRyan and Shellheart when they became the Valkyries’ official selectors.\u003c/p>\n\u003cfigure id=\"attachment_13980968\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13980968 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS00326_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan (left) and DJ ShellHeart (right) pose for a portrait before starting their “Cut a Rug” event at the venue ForTheCulture in Oakland on Sept. 1, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Especially in the male-dominated industry where people kind of look at each other as competition,” LadyRyan says, “he’s one of those DJs that knows that there’s enough for everybody.”\u003c/p>\n\u003cp>D Sharp has supported LadyRyan since they met almost a decade ago while performing at a pan-African festival. “She was killing it. And I was like, ‘Go, girl, do your thing,” he says. They bonded through mutual appreciation of each other’s DJing skills.\u003c/p>\n\u003cp>Speaking about Shellheart, D Sharp beams with pride, recalling her on the jumbotron at a Valkyries game for the first time. “They gave her a DJ spotlight and she murdered that s—,” he says.\u003c/p>\n\u003ch2>The WNBA embraces queer culture\u003c/h2>\n\u003cp>The Valkyries’ selection of Shellheart and LadyRyan comes as the WNBA increasingly embraces its queer players and fans. When the league debuted in 1997, it marketed a feminine, straight image; in the 2000s, when WNBA greats like Sue Wicks and Sheryl Swoopes came out, it rocked the sports world.\u003c/p>\n\u003cp>Fast-forward to 2025, LGBTQ+ players’ ability to be themselves is fueling the league’s growing mainstream popularity. During All-Star Weekend, charismatic Minnesota Lynx players Court Williams and Natisha “T” Hiedeman livestreamed off-court antics on their Twitch channel, StudBudz, to give fans unprecedented behind-the-scenes access for 72 hours.\u003c/p>\n\u003cfigure id=\"attachment_13980970\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980970\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250901-VALKYRIESDJS01816_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ LadyRyan plays her set as a friend chats with her at the “Cut a Rug” event at the venue ForTheCulture in Oakland on Sept. 1, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They went viral, and \u003ca href=\"https://www.nytimes.com/athletic/6507411/2025/07/22/stud-budz-studbudz-courtney-williams-natisha-hiedeman-wnba-twitch/\">\u003cem>The New York Times\u003c/em> called them a “sensation.”\u003c/a> During the same weekend, the Dallas Wings’ No. 1 overall draft pick Paige Bueckers hard-launched her relationship with University of Connecticut player Azzi Fudd, adding to a growing list of WNBA couples.\u003c/p>\n\u003cp>Shellheart was at the center of the All-Star Weekend, hanging with the players at the celebrations and afterparties. She’d DJed NBA All-Star parties before, but the W felt different. “Just seeing all the beautiful women, all the athletic women — being around women that are wealthy, you know?” she says.\u003c/p>\n\u003cp>“Shellheart, this is it,” she remembers telling herself. “This is where you belong.”\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13977457",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/RIKKIS-0326-fave.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>For LadyRyan, DJing on such a massive platform that centers women comes with a sense of pride. Her sets feature amped-up anthems like Beyoncé’s “My House” and Doechii’s “Nissan Altima.” “It just feels comfortable and really empowering,” she says.\u003c/p>\n\u003cp>At Chase Center during Valkyries games, it’s common to see Pride flags, fashion-forward queer friend groups and couples on dates. But LadyRyan warns that openness comes with backlash: a contingent of incel-ish MNBA fans routinely post sexist and homophobic comments on social media. In the past month, three men were arrested for throwing sex toys onto the court during WNBA games.\u003c/p>\n\u003cp>“If we weren’t discriminated against to begin with, we wouldn’t have to be proud about it, you know? We’re just not past it,” LadyRyan says. “As much as people wanna say everything’s fine, we still have an administration that is working against our existence.”\u003c/p>\n\u003cp>Seeing LadyRyan and DJ Shellheart in the DJ booth is especially meaningful to fans like Vanessa Hernandez, the co-founder of Valqueeries, an LGBTQ+ Valkyries fan club that organizes meet-ups and events at games and bars.\u003c/p>\n\u003cfigure id=\"attachment_13980951\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13980951\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00749_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As the Valkyries are still figuring out their identity, I hope in the future they still continue to lean on LadyRyan and Shellheart because they’re huge influences in the Bay Area, especially in the DJ community,” she says. “In the queer community at large, these people are so essential to us.”\u003c/p>\n\u003cp>At Chase Center, the Valkyries’ fandom transcends gender identity, sexual orientation, race and age. Shellheart knows that by bringing their skills, she and LadyRyan are inspiring the next generation of fans, no matter their background.\u003c/p>\n\u003cp>At her second-ever game spinning for the Valkyries, a young boy approached her for an autograph. “I was, like, ‘Oh, s—, nice,’” she says. “You just don’t know who you’re motivating.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13980855/golden-state-valkyries-wnba-bay-area-djs-ladyryan-shellheart-chase-center",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69",
"arts_235",
"arts_13238"
],
"tags": [
"arts_5786",
"arts_6926",
"arts_2852",
"arts_10342",
"arts_10278",
"arts_10422",
"arts_22151",
"arts_831",
"arts_3226",
"arts_5351",
"arts_22382",
"arts_1146",
"arts_22199",
"arts_22247"
],
"featImg": "arts_13980952",
"label": "arts"
},
"arts_13976496": {
"type": "posts",
"id": "arts_13976496",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13976496",
"score": null,
"sort": [
1747693286000
]
},
"guestAuthors": [],
"slug": "tickets-billie-eilish-presale-code-chase-center-san-francisco",
"title": "Ticket Alert: Billie Eilish at the Chase Center, San Francisco",
"publishDate": 1747693286,
"format": "standard",
"headTitle": "Ticket Alert: Billie Eilish at the Chase Center, San Francisco | KQED",
"labelTerm": {},
"content": "\u003cp>Billie Eilish has extended her Hit Me Hard and Soft Tour to include two dates at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a> on Nov. 22 and 23, 2025, and we’ve got details on how to get tickets.\u003c/p>\n\u003cp>Normally, popular stars like Eilish have three or four different presales for tickets, including a fan club presale, a Live Nation presale, a venue presale, a CitiCard presale, and a Certified Member of Some Elite Club You’ve Never Heard Of And Will Never Get Into® presale.\u003c/p>\n\u003cp>Tickets for Eilish’s shows in San Francisco are simpler and a little more egalitarian.\u003c/p>\n\u003cfigure id=\"attachment_13838671\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13838671\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946.jpg\" alt=\"Billie Eilish performs at the Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at the Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a presale for American Express cardholders on Tuesday, May 20, starting at noon. Then there’s a general onsale starting Thursday, May 22, at noon. Links for both are \u003ca href=\"https://www.ticketmaster.com/billie-eilish-tickets/artist/2257710?_ga=2.193644591.386331962.1747690777-1717370913.1739293577&_gl=1*c7mxrb*_ga*MTcxNzM3MDkxMy4xNzM5MjkzNTc3*_ga_C1T806G4DF*czE3NDc2OTA3NzYkbzIyJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkZG14clpyRFFZQnVYQlNKT05RRzQ4RGJnRnVZdktQQUhYUQ..*_ga_H1KKSGW33X*czE3NDc2OTA3NzYkbzIxJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkV3VramdCcUpoS2FmTTM0ZmI2S1p3eGJCYnV4ekJTT3RsZw..*_gcl_dc*R0NMLjE3NDQ5NDI2OTEuMmViNWJjNmU5NGNmMWI0MDhjYmRkNDZmMjE5ZWI4Yzc.*_gcl_au*MTI0MDI3OTk4OS4xNzQ3MTYzNTcz\">here\u003c/a>. That’s it.\u003c/p>\n\u003cp>Tickets \u003cem>can\u003c/em> be bought via a fan club presale, but presale codes have already been emailed by Ticketmaster to select fans who happened to sign up for Billie Eilish alerts. If you haven’t gotten that email by now, with a presale code unique to you and your Ticketmaster account, it’s likely you cannot access the fan presale. (You could try the \u003ca href=\"https://store.billieeilish.com/pages/tour\">“Sign Up for Info” link on this page\u003c/a>, I suppose, but no guarantees.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='forum_2010101892062']Options also exist for “Changemaker” tickets, which are essentially Platinum Tickets — far, far more expensive, with “a portion” of the proceeds going to charity. (Q: How much of a portion? A: ¯\\_(ツ)_/¯)\u003c/p>\n\u003cp>Notably, and laudably, Eilish has requested that resale tickets — think Stubhub, or Ticketmaster’s own ticket-scalping feature — \u003cstrong>only be sold for face value\u003c/strong>. According to the press release:\u003c/p>\n\u003cblockquote>\u003cp>Billie Eilish wants to give fans, not scalpers, the best chance to buy tickets at face value. To make this possible, they have chosen to use Ticketmaster’s Face Value Exchange. If fans purchase tickets for a show and can’t attend, they’ll have the option to resell them to other fans on Ticketmaster at the original price paid. To ensure Face Value Exchange works as intended, Billie Eilish has requested all tickets be mobile only and restricted from transfer.\u003c/p>\u003c/blockquote>\n\u003cp>(Laws in certain states, like New York, Illinois, Colorado, Virginia, Utah and Connecticut, allow people to resell tickets for any amount no matter how astronomical, but not California.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Ticket links and more details for the two Chase Center shows can be found \u003ca href=\"https://www.ticketmaster.com/billie-eilish-tickets/artist/2257710?_ga=2.193644591.386331962.1747690777-1717370913.1739293577&_gl=1*c7mxrb*_ga*MTcxNzM3MDkxMy4xNzM5MjkzNTc3*_ga_C1T806G4DF*czE3NDc2OTA3NzYkbzIyJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkZG14clpyRFFZQnVYQlNKT05RRzQ4RGJnRnVZdktQQUhYUQ..*_ga_H1KKSGW33X*czE3NDc2OTA3NzYkbzIxJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkV3VramdCcUpoS2FmTTM0ZmI2S1p3eGJCYnV4ekJTT3RsZw..*_gcl_dc*R0NMLjE3NDQ5NDI2OTEuMmViNWJjNmU5NGNmMWI0MDhjYmRkNDZmMjE5ZWI4Yzc.*_gcl_au*MTI0MDI3OTk4OS4xNzQ3MTYzNTcz\">here\u003c/a>.\u003c/p>\n\n",
"blocks": [],
"excerpt": "The singer’s ’Hit Me Hard and Soft Tour’ comes to San Francisco in November — here's how to score tickets.",
"status": "publish",
"parent": 0,
"modified": 1747693286,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 444
},
"headData": {
"title": "Ticket Alert: Billie Eilish at the Chase Center, San Francisco | KQED",
"description": "The singer’s ’Hit Me Hard and Soft Tour’ comes to San Francisco in November — here's how to score tickets.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ticket Alert: Billie Eilish at the Chase Center, San Francisco",
"datePublished": "2025-05-19T15:21:26-07:00",
"dateModified": "2025-05-19T15:21:26-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "The Do List",
"sourceUrl": "https://www.kqed.org/thedolist",
"sticky": false,
"nprStoryId": "kqed-13976496",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13976496/tickets-billie-eilish-presale-code-chase-center-san-francisco",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Billie Eilish has extended her Hit Me Hard and Soft Tour to include two dates at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a> on Nov. 22 and 23, 2025, and we’ve got details on how to get tickets.\u003c/p>\n\u003cp>Normally, popular stars like Eilish have three or four different presales for tickets, including a fan club presale, a Live Nation presale, a venue presale, a CitiCard presale, and a Certified Member of Some Elite Club You’ve Never Heard Of And Will Never Get Into® presale.\u003c/p>\n\u003cp>Tickets for Eilish’s shows in San Francisco are simpler and a little more egalitarian.\u003c/p>\n\u003cfigure id=\"attachment_13838671\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13838671\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946.jpg\" alt=\"Billie Eilish performs at the Outside Lands music festival in San Francisco, Aug. 10, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/MG_6946-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs at the Outside Lands music festival in San Francisco, Aug. 10, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a presale for American Express cardholders on Tuesday, May 20, starting at noon. Then there’s a general onsale starting Thursday, May 22, at noon. Links for both are \u003ca href=\"https://www.ticketmaster.com/billie-eilish-tickets/artist/2257710?_ga=2.193644591.386331962.1747690777-1717370913.1739293577&_gl=1*c7mxrb*_ga*MTcxNzM3MDkxMy4xNzM5MjkzNTc3*_ga_C1T806G4DF*czE3NDc2OTA3NzYkbzIyJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkZG14clpyRFFZQnVYQlNKT05RRzQ4RGJnRnVZdktQQUhYUQ..*_ga_H1KKSGW33X*czE3NDc2OTA3NzYkbzIxJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkV3VramdCcUpoS2FmTTM0ZmI2S1p3eGJCYnV4ekJTT3RsZw..*_gcl_dc*R0NMLjE3NDQ5NDI2OTEuMmViNWJjNmU5NGNmMWI0MDhjYmRkNDZmMjE5ZWI4Yzc.*_gcl_au*MTI0MDI3OTk4OS4xNzQ3MTYzNTcz\">here\u003c/a>. That’s it.\u003c/p>\n\u003cp>Tickets \u003cem>can\u003c/em> be bought via a fan club presale, but presale codes have already been emailed by Ticketmaster to select fans who happened to sign up for Billie Eilish alerts. If you haven’t gotten that email by now, with a presale code unique to you and your Ticketmaster account, it’s likely you cannot access the fan presale. (You could try the \u003ca href=\"https://store.billieeilish.com/pages/tour\">“Sign Up for Info” link on this page\u003c/a>, I suppose, but no guarantees.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "forum_2010101892062",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Options also exist for “Changemaker” tickets, which are essentially Platinum Tickets — far, far more expensive, with “a portion” of the proceeds going to charity. (Q: How much of a portion? A: ¯\\_(ツ)_/¯)\u003c/p>\n\u003cp>Notably, and laudably, Eilish has requested that resale tickets — think Stubhub, or Ticketmaster’s own ticket-scalping feature — \u003cstrong>only be sold for face value\u003c/strong>. According to the press release:\u003c/p>\n\u003cblockquote>\u003cp>Billie Eilish wants to give fans, not scalpers, the best chance to buy tickets at face value. To make this possible, they have chosen to use Ticketmaster’s Face Value Exchange. If fans purchase tickets for a show and can’t attend, they’ll have the option to resell them to other fans on Ticketmaster at the original price paid. To ensure Face Value Exchange works as intended, Billie Eilish has requested all tickets be mobile only and restricted from transfer.\u003c/p>\u003c/blockquote>\n\u003cp>(Laws in certain states, like New York, Illinois, Colorado, Virginia, Utah and Connecticut, allow people to resell tickets for any amount no matter how astronomical, but not California.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Ticket links and more details for the two Chase Center shows can be found \u003ca href=\"https://www.ticketmaster.com/billie-eilish-tickets/artist/2257710?_ga=2.193644591.386331962.1747690777-1717370913.1739293577&_gl=1*c7mxrb*_ga*MTcxNzM3MDkxMy4xNzM5MjkzNTc3*_ga_C1T806G4DF*czE3NDc2OTA3NzYkbzIyJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkZG14clpyRFFZQnVYQlNKT05RRzQ4RGJnRnVZdktQQUhYUQ..*_ga_H1KKSGW33X*czE3NDc2OTA3NzYkbzIxJGcxJHQxNzQ3NjkxMTE5JGo2MCRsMCRoMCRkV3VramdCcUpoS2FmTTM0ZmI2S1p3eGJCYnV4ekJTT3RsZw..*_gcl_dc*R0NMLjE3NDQ5NDI2OTEuMmViNWJjNmU5NGNmMWI0MDhjYmRkNDZmMjE5ZWI4Yzc.*_gcl_au*MTI0MDI3OTk4OS4xNzQ3MTYzNTcz\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13976496/tickets-billie-eilish-presale-code-chase-center-san-francisco",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69",
"arts_22313"
],
"tags": [
"arts_7164",
"arts_6926",
"arts_22445",
"arts_1146",
"arts_585",
"arts_700",
"arts_4802"
],
"featImg": "arts_13976499",
"label": "source_arts_13976496"
},
"arts_13975046": {
"type": "posts",
"id": "arts_13975046",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13975046",
"score": null,
"sort": [
1745333705000
]
},
"guestAuthors": [],
"slug": "lady-gaga-tickets-presale-code-san-francisco-mayhem-ball-tour-chase-center",
"title": "Ticket Alert: Lady Gaga’s MAYHEM Ball Tour at San Francisco’s Chase Center",
"publishDate": 1745333705,
"format": "standard",
"headTitle": "Ticket Alert: Lady Gaga’s MAYHEM Ball Tour at San Francisco’s Chase Center | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>At long last, \u003ca href=\"https://www.kqed.org/arts/tag/lady-gaga\">Lady Gaga\u003c/a> has announced San Francisco dates for her MAYHEM Ball tour. Tickets for the three shows, on July 22, 24 and 26 at the \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a>, go on sale this week — and we have presale details.\u003c/p>\n\u003cp>Presale tickets for Lady Gaga’s San Francisco shows go on sale \u003cstrong>Thursday, April 24\u003c/strong> at noon Pacific Daylight Time (PDT) to Citi cardmembers. The first six digits of an eligible Citi credit or debit card are your presale code, and you’ve got to buy the tickets using a Citi card. If you don’t have a Citi credit card, you can \u003ca href=\"https://www.citi.com/usc/LPACA/Citi/Cards/CustomCash/ps/index.html?ProspectID=PxmWzcNsIt22lmf2jceyC6sAq4jDG973\">apply for something called a Citi custom cash card\u003c/a> and, if approved, “may be eligible to receive temporary card details if Citi is able to instantly verify your identity” — in other words, you’d get a credit card number to type in to access and purchase tickets on Ticketmaster \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>[aside postID='forum_2010101892062']Presale tickets go on sale to Verizon customers on \u003cstrong>Friday, April 25\u003c/strong> at noon PDT, “just for being a Verizon customer.” More details from Verizon \u003ca href=\"https://www.verizon.com/my-access-rewards/\">here\u003c/a>; Ticketmaster link is \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>An artist presale starts \u003cstrong>Monday, April 28\u003c/strong> at noon PDT. You can \u003ca href=\"https://signup.ticketmaster.com/ladygaga\">sign up here\u003c/a> to access the artist presale (the deadline to sign up is 7 a.m. PDT on Thursday, April 24).\u003c/p>\n\u003cp>Expensive \u003cstrong>VIP packages\u003c/strong> will be available for the San Francisco shows, although currently there’s no details on Live Nation’s site about them. If you’re a superfan interested in VIP, \u003ca href=\"https://www.vipnation.com/tour/2025-26\">keep checking back here\u003c/a> to see if the San Francisco shows get added. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13972793']And finally, tickets go on sale to the general public on \u003cstrong>Tuesday, April 29\u003c/strong> at noon PDT \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>As always, be sure to sign in to your Ticketmaster account early, have your credit card ready or already stored in your account, have patience in any virtual waiting rooms or queues, and try to fight off the anxiety that’s strategically engineered by Ticketmaster to make you panic in the moment and overspend. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Good luck!\u003c/p>\n\n",
"blocks": [],
"excerpt": "Get presale codes, special onsales and tips for buying tickets to Lady Gaga’s three Bay Area dates.",
"status": "publish",
"parent": 0,
"modified": 1745334460,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 359
},
"headData": {
"title": "Ticket Alert: Lady Gaga’s MAYHEM Ball Tour at San Francisco’s Chase Center | KQED",
"description": "Get presale codes, special onsales and tips for buying tickets to Lady Gaga’s three Bay Area dates.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ticket Alert: Lady Gaga’s MAYHEM Ball Tour at San Francisco’s Chase Center",
"datePublished": "2025-04-22T07:55:05-07:00",
"dateModified": "2025-04-22T08:07:40-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"WpOldSlug": "lady-gaga-tickets-presale-code-san-franciscomayhem-ball-tour-at-san-francisco-chase-center",
"nprStoryId": "kqed-13975046",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13975046/lady-gaga-tickets-presale-code-san-francisco-mayhem-ball-tour-chase-center",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At long last, \u003ca href=\"https://www.kqed.org/arts/tag/lady-gaga\">Lady Gaga\u003c/a> has announced San Francisco dates for her MAYHEM Ball tour. Tickets for the three shows, on July 22, 24 and 26 at the \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a>, go on sale this week — and we have presale details.\u003c/p>\n\u003cp>Presale tickets for Lady Gaga’s San Francisco shows go on sale \u003cstrong>Thursday, April 24\u003c/strong> at noon Pacific Daylight Time (PDT) to Citi cardmembers. The first six digits of an eligible Citi credit or debit card are your presale code, and you’ve got to buy the tickets using a Citi card. If you don’t have a Citi credit card, you can \u003ca href=\"https://www.citi.com/usc/LPACA/Citi/Cards/CustomCash/ps/index.html?ProspectID=PxmWzcNsIt22lmf2jceyC6sAq4jDG973\">apply for something called a Citi custom cash card\u003c/a> and, if approved, “may be eligible to receive temporary card details if Citi is able to instantly verify your identity” — in other words, you’d get a credit card number to type in to access and purchase tickets on Ticketmaster \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "forum_2010101892062",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Presale tickets go on sale to Verizon customers on \u003cstrong>Friday, April 25\u003c/strong> at noon PDT, “just for being a Verizon customer.” More details from Verizon \u003ca href=\"https://www.verizon.com/my-access-rewards/\">here\u003c/a>; Ticketmaster link is \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>An artist presale starts \u003cstrong>Monday, April 28\u003c/strong> at noon PDT. You can \u003ca href=\"https://signup.ticketmaster.com/ladygaga\">sign up here\u003c/a> to access the artist presale (the deadline to sign up is 7 a.m. PDT on Thursday, April 24).\u003c/p>\n\u003cp>Expensive \u003cstrong>VIP packages\u003c/strong> will be available for the San Francisco shows, although currently there’s no details on Live Nation’s site about them. If you’re a superfan interested in VIP, \u003ca href=\"https://www.vipnation.com/tour/2025-26\">keep checking back here\u003c/a> to see if the San Francisco shows get added. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13972793",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>And finally, tickets go on sale to the general public on \u003cstrong>Tuesday, April 29\u003c/strong> at noon PDT \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>As always, be sure to sign in to your Ticketmaster account early, have your credit card ready or already stored in your account, have patience in any virtual waiting rooms or queues, and try to fight off the anxiety that’s strategically engineered by Ticketmaster to make you panic in the moment and overspend. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Good luck!\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13975046/lady-gaga-tickets-presale-code-san-francisco-mayhem-ball-tour-chase-center",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_6926",
"arts_2797",
"arts_700",
"arts_4798"
],
"featImg": "arts_13975047",
"label": "arts"
},
"arts_13973867": {
"type": "posts",
"id": "arts_13973867",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13973867",
"score": null,
"sort": [
1743468172000
]
},
"guestAuthors": [],
"slug": "warriors-chase-center-halal-food-muslim-heritage-night",
"title": "The Warriors’ Latest Slam Dunk? Halal Food",
"publishDate": 1743468172,
"format": "aside",
"headTitle": "The Warriors’ Latest Slam Dunk? Halal Food | KQED",
"labelTerm": {},
"content": "\u003cfigure id=\"attachment_13973871\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito.jpg\" alt=\"A man in a Warriors jersey holds a burrito in a takeout carton.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-1920x1920.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">El Halal Amigos owner Hisham Abdelfattah shows off one of his restaurant’s burritos. For the Warriors’ Muslim Heritage Night, the burritos will be the first halal dish served inside Chase Center. \u003ccite>(Courtesy of El Halal Amigos)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s been a month of milestones for the \u003ca href=\"https://www.kqed.org/arts/tag/golden-state-warriors\">Golden State Warriors\u003c/a>, who in recent weeks have seen Steph Curry swish his \u003ca href=\"https://www.nytimes.com/athletic/6202940/2025/03/14/steph-curry-warriors-3-point-record-legacy/\">4,000th three-pointer\u003c/a> and then, just two nights later, watched as Steve Kerr became the team’s \u003ca href=\"https://apnews.com/article/warriors-steve-kerr-wins-record-f0741722c6530099cc7240fb69bc8601\">all-time winningest head coach\u003c/a>.\u003c/p>\n\u003cp>Later this week, the Chase Center will mark another, more delicious breakthrough. For the first time ever, Warriors fans will be able to purchase halal food inside the arena — hefty, well-packed burritos from San Jose’s \u003ca href=\"https://www.instagram.com/elhalalamigos/?hl=en\">El Halal Amigos\u003c/a>, to be specific. The halal-friendly burritos will be featured during the Dubs’ game against the Denver Nuggets on Friday, April 4, which the team has designated as its fourth annual \u003ca href=\"https://www.facebook.com/photo.php?fbid=1441594320597455&id=100042407024320&set=a.382933859796845\">Muslim Heritage Night\u003c/a>, in collaboration with food festival organizer \u003ca href=\"https://www.halalfest.com/\">HalalFest\u003c/a>.\u003c/p>\n\u003cp>“It’s a big step right now in a most vital time — to be a Palestinian, to be a Muslim, and go into a very popular, brand new stadium and be recognized,” El Halal Amigos chef-owner Hisham Abdelfattah says.\u003c/p>\n\u003cp>In addition to the food, the event will also include official Warriors-branded Muslim Heritage Night T-shirts, opportunities for kids from local Muslim communities to high-five the players as they’re coming out of the tunnel, and a designated prayer room.\u003c/p>\n\u003cfigure id=\"attachment_13973873\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972.jpg\" alt=\"Fans cheer and dance on the jumbotron at Chase Center during a Warriors game.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Young Warriors fans cheer and dance on the jumbotron during the 2024 edition of Muslim Heritage Night. \u003ccite>(Meriam Salem, courtesy of HalalFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Getting to serve halal food to young Warriors fans at the game feels particularly meaningful to Abdelfattah, who says he often felt left out as a Muslim kid growing up.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I went to sports games my whole life with my dad,” he says. “I remember being at Niner games, A’s games when I was seven, eight, nine years old, and I would only get to eat popcorn or soda. I never got the really cool burgers; I never got to have that hot dog experience. It sucked.”\u003c/p>\n\u003cp>When the \u003ca href=\"https://en.wikipedia.org/wiki/Salah_times\">call to prayer\u003c/a> came during the game, Abdelfattah and his father would just have to pray out on the concourse in front of everybody. He still remembers how uncomfortable that felt: “At the time, it was very weird for people to see that.”\u003c/p>\n\u003cp>It feels like a real landmark in representation, then, for Abdelfattah to be able to sell his burritos (\u003ca href=\"https://www.instagram.com/p/DHw2cCyytiM/?hl=en\">via pre-purchase\u003c/a>) at Friday’s game, and for the Warriors to provide a place where Muslim fans can pray in private — even if it is only for one night. In the past, the only \u003ca href=\"https://www.facebook.com/groups/bayareahalalfoodies/posts/1553404965345854/\">viable food options\u003c/a> for halal-keeping Chase Center attendees have been located outside the arena itself (including \u003ca href=\"https://www.kqed.org/arts/13962220/fikscue-best-indonesian-texas-barbecue-smoked-brisket-alameda\">Fikscue\u003c/a>, the forthcoming Indo-Tex halal barbecue spot in Thrive City). For Friday night’s Muslim Heritage Night promotion, the concessions team will also offer a halal chicken option at the \u003ca href=\"https://www.chasecenter.com/vendor/modelo-cantina/\">Modelo Cantina\u003c/a> restaurant in the Upper Concourse.\u003c/p>\n\u003cfigure id=\"attachment_13973874\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300.jpg\" alt=\"Two young women of Arabic descent hold Golden State Warriors–branded Hello Kitty plushies inside a sports arena\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Two young Warriors fans hold Warriors–branded Hello Kitty plushies at last year’s Muslim Heritage Night event, which coincided with Hello Kitty Night. \u003ccite>(Meriam Salem, courtesy of HalalFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Muslim Heritage Night has grown steadily since it started during the peak of the pandemic. “Last year, over 600 people from the Muslim community came,” HalalFest founder Irfan Rydhan says.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='news_12033099,arts_13958466,arts_13962220']\u003c/span>\u003c/span>A handful of tickets for this year’s event, ranging from $110 to $320 each, are still available by emailing HalalFest at info@halalfest.com. Food tickets need to be purchased separately through the same email address — $23 for a burrito (steak or chicken), or $20 each when purchasing four or more. Each order will come with a side of chips and El Halal Amigos’ signature Nar (Arabic for “hellfire”) hot sauce.\u003c/p>\n\u003cp>All told, Abdelfattah expects to wrap between 100 and 200 burritos for Friday’s game. The dream, he says, would be to eventually bring El Halal Amigos — and halal food, more broadly — to Chase Center on a long-term basis. (Indeed, a \u003ca href=\"https://www.youtube.com/watch?v=oGp_uRQCq7M\">similar collab\u003c/a> with the San Jose Sharks culminated in a permanent El Halal Amigos concessions stand at the \u003ca href=\"https://www.sapcenter.com/plan-your-visit/food-beverage\">SAP Center\u003c/a>.)\u003c/p>\n\u003cp>“When I was growing up, it was just very unheard of to see halal food in cool places,” Abdelfattah says. “And now I can’t believe that I’m the one serving it. That’s cool, you know?”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>This year’s \u003c/i>\u003ca href=\"https://www.nba.com/warriors/tickets/group-theme-nights-and-giveaways\">\u003ci>Muslim Heritage Night\u003c/i>\u003c/a>\u003ci> will take place during the Warriors vs. Nuggets game at the Chase Center at 7 p.m. on Friday, April 4. To take part in the promotion, purchase tickets to the game by emailing info@halalfest.com. Pre-purchase El Halal Amigos food tickets via the same email address by no later than April 2. After ordering, customers will receive instructions on where to pick up their food during the game.\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "This year’s Muslim Heritage Night will feature swag, a prayer room and El Halal Amigos burritos.",
"status": "publish",
"parent": 0,
"modified": 1743526813,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 15,
"wordCount": 866
},
"headData": {
"title": "The Warriors Bring Halal Food to Chase Center for the First Time | KQED",
"description": "This year’s Muslim Heritage Night will feature swag, a prayer room and El Halal Amigos burritos.",
"ogTitle": "The Warriors' Latest Slam Dunk? Halal Food",
"ogDescription": "",
"ogImgId": "",
"twTitle": "The Warriors' Latest Slam Dunk? Halal Food",
"twDescription": "",
"twImgId": "",
"socialTitle": "The Warriors Bring Halal Food to Chase Center for the First Time %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Warriors’ Latest Slam Dunk? Halal Food",
"datePublished": "2025-03-31T17:42:52-07:00",
"dateModified": "2025-04-01T10:00:13-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "The Do List",
"sourceUrl": "https://www.kqed.org/thedolist",
"sticky": false,
"nprStoryId": "kqed-13973867",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13973867/warriors-chase-center-halal-food-muslim-heritage-night",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13973871\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito.jpg\" alt=\"A man in a Warriors jersey holds a burrito in a takeout carton.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/hisham-el-halal-amigos-burrito-1920x1920.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">El Halal Amigos owner Hisham Abdelfattah shows off one of his restaurant’s burritos. For the Warriors’ Muslim Heritage Night, the burritos will be the first halal dish served inside Chase Center. \u003ccite>(Courtesy of El Halal Amigos)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s been a month of milestones for the \u003ca href=\"https://www.kqed.org/arts/tag/golden-state-warriors\">Golden State Warriors\u003c/a>, who in recent weeks have seen Steph Curry swish his \u003ca href=\"https://www.nytimes.com/athletic/6202940/2025/03/14/steph-curry-warriors-3-point-record-legacy/\">4,000th three-pointer\u003c/a> and then, just two nights later, watched as Steve Kerr became the team’s \u003ca href=\"https://apnews.com/article/warriors-steve-kerr-wins-record-f0741722c6530099cc7240fb69bc8601\">all-time winningest head coach\u003c/a>.\u003c/p>\n\u003cp>Later this week, the Chase Center will mark another, more delicious breakthrough. For the first time ever, Warriors fans will be able to purchase halal food inside the arena — hefty, well-packed burritos from San Jose’s \u003ca href=\"https://www.instagram.com/elhalalamigos/?hl=en\">El Halal Amigos\u003c/a>, to be specific. The halal-friendly burritos will be featured during the Dubs’ game against the Denver Nuggets on Friday, April 4, which the team has designated as its fourth annual \u003ca href=\"https://www.facebook.com/photo.php?fbid=1441594320597455&id=100042407024320&set=a.382933859796845\">Muslim Heritage Night\u003c/a>, in collaboration with food festival organizer \u003ca href=\"https://www.halalfest.com/\">HalalFest\u003c/a>.\u003c/p>\n\u003cp>“It’s a big step right now in a most vital time — to be a Palestinian, to be a Muslim, and go into a very popular, brand new stadium and be recognized,” El Halal Amigos chef-owner Hisham Abdelfattah says.\u003c/p>\n\u003cp>In addition to the food, the event will also include official Warriors-branded Muslim Heritage Night T-shirts, opportunities for kids from local Muslim communities to high-five the players as they’re coming out of the tunnel, and a designated prayer room.\u003c/p>\n\u003cfigure id=\"attachment_13973873\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972.jpg\" alt=\"Fans cheer and dance on the jumbotron at Chase Center during a Warriors game.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7972-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Young Warriors fans cheer and dance on the jumbotron during the 2024 edition of Muslim Heritage Night. \u003ccite>(Meriam Salem, courtesy of HalalFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Getting to serve halal food to young Warriors fans at the game feels particularly meaningful to Abdelfattah, who says he often felt left out as a Muslim kid growing up.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I went to sports games my whole life with my dad,” he says. “I remember being at Niner games, A’s games when I was seven, eight, nine years old, and I would only get to eat popcorn or soda. I never got the really cool burgers; I never got to have that hot dog experience. It sucked.”\u003c/p>\n\u003cp>When the \u003ca href=\"https://en.wikipedia.org/wiki/Salah_times\">call to prayer\u003c/a> came during the game, Abdelfattah and his father would just have to pray out on the concourse in front of everybody. He still remembers how uncomfortable that felt: “At the time, it was very weird for people to see that.”\u003c/p>\n\u003cp>It feels like a real landmark in representation, then, for Abdelfattah to be able to sell his burritos (\u003ca href=\"https://www.instagram.com/p/DHw2cCyytiM/?hl=en\">via pre-purchase\u003c/a>) at Friday’s game, and for the Warriors to provide a place where Muslim fans can pray in private — even if it is only for one night. In the past, the only \u003ca href=\"https://www.facebook.com/groups/bayareahalalfoodies/posts/1553404965345854/\">viable food options\u003c/a> for halal-keeping Chase Center attendees have been located outside the arena itself (including \u003ca href=\"https://www.kqed.org/arts/13962220/fikscue-best-indonesian-texas-barbecue-smoked-brisket-alameda\">Fikscue\u003c/a>, the forthcoming Indo-Tex halal barbecue spot in Thrive City). For Friday night’s Muslim Heritage Night promotion, the concessions team will also offer a halal chicken option at the \u003ca href=\"https://www.chasecenter.com/vendor/modelo-cantina/\">Modelo Cantina\u003c/a> restaurant in the Upper Concourse.\u003c/p>\n\u003cfigure id=\"attachment_13973874\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13973874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300.jpg\" alt=\"Two young women of Arabic descent hold Golden State Warriors–branded Hello Kitty plushies inside a sports arena\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/03/warriorsnight_halalfest_2024-nowatermark-7300-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Two young Warriors fans hold Warriors–branded Hello Kitty plushies at last year’s Muslim Heritage Night event, which coincided with Hello Kitty Night. \u003ccite>(Meriam Salem, courtesy of HalalFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Muslim Heritage Night has grown steadily since it started during the peak of the pandemic. “Last year, over 600 people from the Muslim community came,” HalalFest founder Irfan Rydhan says.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_12033099,arts_13958466,arts_13962220",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/span>A handful of tickets for this year’s event, ranging from $110 to $320 each, are still available by emailing HalalFest at info@halalfest.com. Food tickets need to be purchased separately through the same email address — $23 for a burrito (steak or chicken), or $20 each when purchasing four or more. Each order will come with a side of chips and El Halal Amigos’ signature Nar (Arabic for “hellfire”) hot sauce.\u003c/p>\n\u003cp>All told, Abdelfattah expects to wrap between 100 and 200 burritos for Friday’s game. The dream, he says, would be to eventually bring El Halal Amigos — and halal food, more broadly — to Chase Center on a long-term basis. (Indeed, a \u003ca href=\"https://www.youtube.com/watch?v=oGp_uRQCq7M\">similar collab\u003c/a> with the San Jose Sharks culminated in a permanent El Halal Amigos concessions stand at the \u003ca href=\"https://www.sapcenter.com/plan-your-visit/food-beverage\">SAP Center\u003c/a>.)\u003c/p>\n\u003cp>“When I was growing up, it was just very unheard of to see halal food in cool places,” Abdelfattah says. “And now I can’t believe that I’m the one serving it. That’s cool, you know?”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>This year’s \u003c/i>\u003ca href=\"https://www.nba.com/warriors/tickets/group-theme-nights-and-giveaways\">\u003ci>Muslim Heritage Night\u003c/i>\u003c/a>\u003ci> will take place during the Warriors vs. Nuggets game at the Chase Center at 7 p.m. on Friday, April 4. To take part in the promotion, purchase tickets to the game by emailing info@halalfest.com. Pre-purchase El Halal Amigos food tickets via the same email address by no later than April 2. After ordering, customers will receive instructions on where to pick up their food during the game.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13973867/warriors-chase-center-halal-food-muslim-heritage-night",
"authors": [
"11743"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_12276",
"arts_22313"
],
"tags": [
"arts_21731",
"arts_6926",
"arts_10278",
"arts_1297",
"arts_9346",
"arts_21762",
"arts_585"
],
"featImg": "arts_13973870",
"label": "source_arts_13973867"
},
"arts_13969956": {
"type": "posts",
"id": "arts_13969956",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13969956",
"score": null,
"sort": [
1736969768000
]
},
"guestAuthors": [],
"slug": "nba-all-star-game-different-bay-area-oakland-san-francisco",
"title": "The NBA All Star Game Will Return to a Very Different Bay Area",
"publishDate": 1736969768,
"format": "standard",
"headTitle": "The NBA All Star Game Will Return to a Very Different Bay Area | KQED",
"labelTerm": {},
"content": "\u003cp>[dropcap]A[/dropcap] quarter century ago, during the 2000 NBA All-Star slam dunk contest, Vince Carter put on a show that solidified his nickname of “Half-Man Half-Amazing.”\u003c/p>\n\u003cp>He hit a reverse 360 dunk that made Shaquille O’Neal react like a 7-foot kid. He followed it with “The East Bay Funk,” in which he hit off a bounce pass from his cousin and fellow member of the NBA Hall of Fame Tracy McGrady.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13833985\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg\" alt=\"\" width=\"135\" height=\"155\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w\" sizes=\"auto, (max-width: 135px) 100vw, 135px\">\u003c/p>\n\u003cp>On his final attempt, he jumped so far into the sky that upon his descent, he was able to put his entire right forearm into the rim, hanging there for a few seconds.\u003c/p>\n\u003cp>The stars in the audience were stunned. Carter hanging off the rim from his forearm is an image forever etched into basketball history.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The All-Star Game returns to the Bay Area this February. A lot has changed since then.\u003c/p>\n\u003cfigure id=\"attachment_13970096\" class=\"wp-caption aligncenter\" style=\"max-width: 1712px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970096\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-scaled.jpg\" alt=\"\" width=\"1712\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-scaled.jpg 1712w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-800x1196.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1020x1525.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-160x239.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-768x1149.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1027x1536.jpg 1027w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1369x2048.jpg 1369w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1920x2871.jpg 1920w\" sizes=\"auto, (max-width: 1712px) 100vw, 1712px\">\u003cfigcaption class=\"wp-caption-text\">Vince Carter of the Toronto Raptors hangs with his forearm inside the rim during the NBA Allstar Game Slam Dunk Contest at the Oakland Coliseum on Feb. 13, 2000. \u003ccite>(Jed Jacobsohn /Allsport)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Vince Carter finally returned to Earth, he landed on the floor of the Oakland Arena. Professional hoops are no longer played there; the Warriors moved to the Chase Center in San Francisco in 2019.\u003c/p>\n\u003cp>Over the past decade, the Dubs have won four NBA championships, three before leaving Oakland. But this year, after a promising start, they’re playing .500 ball. As star guard Steph Curry said in a recent interview, “We’re very mid right now.”\u003c/p>\n\u003cp>[aside postID='news_12006567']In fact, the whole Bay Area pro sports landscape, once rich with accolades, has been mid.\u003c/p>\n\u003cp>The San Francisco 49ers, one of the winningest franchises in NFL history, had a dismal year. Over the past three decades, they’ve repeatedly come close to being crowned champs, but they haven’t won a Super Bowl since 1995.\u003c/p>\n\u003cp>The Raiders, founded in Oakland in 1966, moved to Las Vegas in 2020. And last year, the Oakland Athletics, the baseball team that once shared a stadium with the Raiders, also left for Las Vegas — taking the scenic route through Sacramento for a couple seasons.\u003c/p>\n\u003cfigure id=\"attachment_13970097\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970097\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A fan cheers during the A’s final home game at the Oakland Coliseum. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sacramento sports fans are no stranger to change either. Their basketball team, the Kings, recently fired head coach Mike Brown. That’s par for the course; the team has had eight different head coaches in the past 12 years.\u003c/p>\n\u003cp>The only remaining major league baseball team in Northern California, the San Francisco Giants, were two games under .500 last year. And Northern California’s only pro hockey team, the San Jose Sharks, had the worst record in the entire NHL last year — and they aren’t doing much better this season.\u003c/p>\n\u003cp>Sure, it’s not all bad. The Bay FC soccer team had a solid inaugural year. The Golden State Valkyries play their first WNBA game later this spring. And the Oakland Roots soccer team is set to play a few games at the Oakland Coliseum next season.\u003c/p>\n\u003cp>[aside postID='news_12019505']But on the whole, it’s been rough for local sports fans. Last year we mourned the loss of legendary athletes Rickey Henderson and Willie Mays. We even said goodbye to an entire collegiate athletic division, the Pac-12.\u003c/p>\n\u003cp>All this to say, when the All-Star Game comes around, you might run into some sports fans with some chips on their shoulders.\u003c/p>\n\u003cfigure id=\"attachment_13970334\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Oakland ‘The Town’ logo is projected on the floor before a game between the Golden State Warriors and the Sacramento Kings at the Chase Center in 2020. \u003ccite>(Lachlan Cunningham/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]N[/dropcap]ot only has sports been mid, the cost of living has been high. That’s reflected most directly in the issue of housing disparity. In 2000, the City’s second-ever homeless census counted 5,376 people living without proper shelter. Last May, San Francisco tallied more than 8,300.\u003c/p>\n\u003cp>A 2018 United Nations report characterized the living conditions of San Francisco and Oakland’s unhoused population as “cruel and inhuman” and “a violation of multiple human rights.” Those conditions were exacerbated by the COVID-19 pandemic, and last year, the Supreme Court’s Grants Pass decision led to large sweeps of encampments all around the region.\u003c/p>\n\u003cp>Even with these efforts to rid the streets of the people who call them home, mass homelessness is so widespread that visitors enjoying the glitz of All-Star weekend will have no choice but to be at least subtly aware of what’s going on.\u003c/p>\n\u003cfigure id=\"attachment_13952165\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952165\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022.jpg\" alt='RVs in an encampment with signs that read \"Where do we go?\" and \"Respect existence or expect resistance.\"' width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Signs cover two RVs at the Wood Street encampment in Oakland on Sept. 8, 2022, while CalTrans moved in to clear the area. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Concerns about homelessness, crime and the fentanyl epidemic have fueled political turmoil, as voters have rallied for tough-on-crime stances, voted against prison reform initiatives and lost faith in elected officials — even recalling two local district attorneys and the mayor of Oakland.\u003c/p>\n\u003cp>As driverless cars whiz past the neon lights of cannabis dispensaries, new high rises have redrawn the City’s skyline. The region has grown not just vertically but horizontally, with new developments adding to urban sprawl.\u003c/p>\n\u003cp>And the influence of tech money in the region is as clear as the Rakuten logo on the Warriors’ official jersey. If you haven’t been here since 2000, it’s changed a lot. Even to those of us from here, it looks like an entirely new place.\u003c/p>\n\u003cp>[aside postID='arts_13964538']In the winter of 2000, I was a 12 year-old aspiring baseball player, but I couldn’t pass up free tickets gifted to my oldest friend Jon and I for the NBA All-Star weekend rookie game. We considered hiding out in the bathroom to see the dunk contest later that evening, but ended up hanging out in front of the arena and enjoying ourselves.\u003c/p>\n\u003cp>The energy in the Town was live. Around the arena, radio station vans pulled up and people played arcade-style hoop games. Despite the losing records of the local sports teams and the community issues of the time, it was fun.\u003c/p>\n\u003cfigure id=\"attachment_13970128\" class=\"wp-caption aligncenter\" style=\"max-width: 924px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970128\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980.jpg\" alt=\"\" width=\"924\" height=\"1356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980.jpg 924w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980-800x1174.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980-160x235.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980-768x1127.jpg 768w\" sizes=\"auto, (max-width: 924px) 100vw, 924px\">\u003cfigcaption class=\"wp-caption-text\">Sean Evelya of Oakland dunks the ball at one of the many basketball activities outside the Oakland Arena for the 2000 All-Star Game. \u003ccite>(Ray Chavez/MediaNews Group/Bay Area News via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]S[/dropcap]o as we dig deeper into 2025, I acknowledge that some of us are on edge about both national and local issues. And yeah, our pro sports teams are going through something right now.\u003c/p>\n\u003cp>But this event, first and foremost, is for the home team. Make it memorable. And to visitors coming to the Bay, be prepared: there are different realities based on your economic status. After bringing your luggage straight to the hotel instead of leaving it in your car, come out and enjoy the festivities.\u003c/p>\n\u003cp>There will inevitably be a protest of some sort, you’ll hear some E-40, and I’d bet my pink slip that there’ll be at least one sideshow that weekend. This is one of the most unique places in the world, mostly because there are so many people here from all around the world.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>While our sports teams (hopefully) get on the mend, there’s arguably no place with more game. Soak some.\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Bay Area has changed drastically since the annual game was last hosted here 25 years ago, in 2000.",
"status": "publish",
"parent": 0,
"modified": 1742837954,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 30,
"wordCount": 1278
},
"headData": {
"title": "The NBA All Star Game Will Return to a Very Different Bay Area | KQED",
"description": "The Bay Area has changed drastically since the annual game was last hosted here 25 years ago, in 2000.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The NBA All Star Game Will Return to a Very Different Bay Area",
"datePublished": "2025-01-15T11:36:08-08:00",
"dateModified": "2025-03-24T10:39:14-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Commentary",
"sourceUrl": "https://www.kqed.org/artscommentary",
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/7a26a38c-cfb7-4e6c-a1fb-b2810117971d/audio.mp3",
"sticky": false,
"nprStoryId": "kqed-13969956",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13969956/nba-all-star-game-different-bay-area-oakland-san-francisco",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">A\u003c/span>\u003c/p>\u003cp> quarter century ago, during the 2000 NBA All-Star slam dunk contest, Vince Carter put on a show that solidified his nickname of “Half-Man Half-Amazing.”\u003c/p>\n\u003cp>He hit a reverse 360 dunk that made Shaquille O’Neal react like a 7-foot kid. He followed it with “The East Bay Funk,” in which he hit off a bounce pass from his cousin and fellow member of the NBA Hall of Fame Tracy McGrady.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13833985\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg\" alt=\"\" width=\"135\" height=\"155\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w\" sizes=\"auto, (max-width: 135px) 100vw, 135px\">\u003c/p>\n\u003cp>On his final attempt, he jumped so far into the sky that upon his descent, he was able to put his entire right forearm into the rim, hanging there for a few seconds.\u003c/p>\n\u003cp>The stars in the audience were stunned. Carter hanging off the rim from his forearm is an image forever etched into basketball history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The All-Star Game returns to the Bay Area this February. A lot has changed since then.\u003c/p>\n\u003cfigure id=\"attachment_13970096\" class=\"wp-caption aligncenter\" style=\"max-width: 1712px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970096\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-scaled.jpg\" alt=\"\" width=\"1712\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-scaled.jpg 1712w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-800x1196.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1020x1525.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-160x239.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-768x1149.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1027x1536.jpg 1027w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1369x2048.jpg 1369w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-72442645-1920x2871.jpg 1920w\" sizes=\"auto, (max-width: 1712px) 100vw, 1712px\">\u003cfigcaption class=\"wp-caption-text\">Vince Carter of the Toronto Raptors hangs with his forearm inside the rim during the NBA Allstar Game Slam Dunk Contest at the Oakland Coliseum on Feb. 13, 2000. \u003ccite>(Jed Jacobsohn /Allsport)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Vince Carter finally returned to Earth, he landed on the floor of the Oakland Arena. Professional hoops are no longer played there; the Warriors moved to the Chase Center in San Francisco in 2019.\u003c/p>\n\u003cp>Over the past decade, the Dubs have won four NBA championships, three before leaving Oakland. But this year, after a promising start, they’re playing .500 ball. As star guard Steph Curry said in a recent interview, “We’re very mid right now.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_12006567",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In fact, the whole Bay Area pro sports landscape, once rich with accolades, has been mid.\u003c/p>\n\u003cp>The San Francisco 49ers, one of the winningest franchises in NFL history, had a dismal year. Over the past three decades, they’ve repeatedly come close to being crowned champs, but they haven’t won a Super Bowl since 1995.\u003c/p>\n\u003cp>The Raiders, founded in Oakland in 1966, moved to Las Vegas in 2020. And last year, the Oakland Athletics, the baseball team that once shared a stadium with the Raiders, also left for Las Vegas — taking the scenic route through Sacramento for a couple seasons.\u003c/p>\n\u003cfigure id=\"attachment_13970097\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970097\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/20240926_AsFinalHomeGame_GC-31-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A fan cheers during the A’s final home game at the Oakland Coliseum. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sacramento sports fans are no stranger to change either. Their basketball team, the Kings, recently fired head coach Mike Brown. That’s par for the course; the team has had eight different head coaches in the past 12 years.\u003c/p>\n\u003cp>The only remaining major league baseball team in Northern California, the San Francisco Giants, were two games under .500 last year. And Northern California’s only pro hockey team, the San Jose Sharks, had the worst record in the entire NHL last year — and they aren’t doing much better this season.\u003c/p>\n\u003cp>Sure, it’s not all bad. The Bay FC soccer team had a solid inaugural year. The Golden State Valkyries play their first WNBA game later this spring. And the Oakland Roots soccer team is set to play a few games at the Oakland Coliseum next season.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_12019505",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>But on the whole, it’s been rough for local sports fans. Last year we mourned the loss of legendary athletes Rickey Henderson and Willie Mays. We even said goodbye to an entire collegiate athletic division, the Pac-12.\u003c/p>\n\u003cp>All this to say, when the All-Star Game comes around, you might run into some sports fans with some chips on their shoulders.\u003c/p>\n\u003cfigure id=\"attachment_13970334\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1209815211-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Oakland ‘The Town’ logo is projected on the floor before a game between the Golden State Warriors and the Sacramento Kings at the Chase Center in 2020. \u003ccite>(Lachlan Cunningham/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">N\u003c/span>\u003c/p>\u003cp>ot only has sports been mid, the cost of living has been high. That’s reflected most directly in the issue of housing disparity. In 2000, the City’s second-ever homeless census counted 5,376 people living without proper shelter. Last May, San Francisco tallied more than 8,300.\u003c/p>\n\u003cp>A 2018 United Nations report characterized the living conditions of San Francisco and Oakland’s unhoused population as “cruel and inhuman” and “a violation of multiple human rights.” Those conditions were exacerbated by the COVID-19 pandemic, and last year, the Supreme Court’s Grants Pass decision led to large sweeps of encampments all around the region.\u003c/p>\n\u003cp>Even with these efforts to rid the streets of the people who call them home, mass homelessness is so widespread that visitors enjoying the glitz of All-Star weekend will have no choice but to be at least subtly aware of what’s going on.\u003c/p>\n\u003cfigure id=\"attachment_13952165\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952165\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022.jpg\" alt='RVs in an encampment with signs that read \"Where do we go?\" and \"Respect existence or expect resistance.\"' width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/013_KQED_WoodStreet_JessicaFountaine_09082022-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Signs cover two RVs at the Wood Street encampment in Oakland on Sept. 8, 2022, while CalTrans moved in to clear the area. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Concerns about homelessness, crime and the fentanyl epidemic have fueled political turmoil, as voters have rallied for tough-on-crime stances, voted against prison reform initiatives and lost faith in elected officials — even recalling two local district attorneys and the mayor of Oakland.\u003c/p>\n\u003cp>As driverless cars whiz past the neon lights of cannabis dispensaries, new high rises have redrawn the City’s skyline. The region has grown not just vertically but horizontally, with new developments adding to urban sprawl.\u003c/p>\n\u003cp>And the influence of tech money in the region is as clear as the Rakuten logo on the Warriors’ official jersey. If you haven’t been here since 2000, it’s changed a lot. Even to those of us from here, it looks like an entirely new place.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13964538",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In the winter of 2000, I was a 12 year-old aspiring baseball player, but I couldn’t pass up free tickets gifted to my oldest friend Jon and I for the NBA All-Star weekend rookie game. We considered hiding out in the bathroom to see the dunk contest later that evening, but ended up hanging out in front of the arena and enjoying ourselves.\u003c/p>\n\u003cp>The energy in the Town was live. Around the arena, radio station vans pulled up and people played arcade-style hoop games. Despite the losing records of the local sports teams and the community issues of the time, it was fun.\u003c/p>\n\u003cfigure id=\"attachment_13970128\" class=\"wp-caption aligncenter\" style=\"max-width: 924px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13970128\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980.jpg\" alt=\"\" width=\"924\" height=\"1356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980.jpg 924w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980-800x1174.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980-160x235.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/01/GettyImages-1359133980-768x1127.jpg 768w\" sizes=\"auto, (max-width: 924px) 100vw, 924px\">\u003cfigcaption class=\"wp-caption-text\">Sean Evelya of Oakland dunks the ball at one of the many basketball activities outside the Oakland Arena for the 2000 All-Star Game. \u003ccite>(Ray Chavez/MediaNews Group/Bay Area News via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">S\u003c/span>\u003c/p>\u003cp>o as we dig deeper into 2025, I acknowledge that some of us are on edge about both national and local issues. And yeah, our pro sports teams are going through something right now.\u003c/p>\n\u003cp>But this event, first and foremost, is for the home team. Make it memorable. And to visitors coming to the Bay, be prepared: there are different realities based on your economic status. After bringing your luggage straight to the hotel instead of leaving it in your car, come out and enjoy the festivities.\u003c/p>\n\u003cp>There will inevitably be a protest of some sort, you’ll hear some E-40, and I’d bet my pink slip that there’ll be at least one sideshow that weekend. This is one of the most unique places in the world, mostly because there are so many people here from all around the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While our sports teams (hopefully) get on the mend, there’s arguably no place with more game. Soak some.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13969956/nba-all-star-game-different-bay-area-oakland-san-francisco",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_2303",
"arts_13238"
],
"tags": [
"arts_6926",
"arts_2767",
"arts_10342",
"arts_10278",
"arts_1355",
"arts_22450",
"arts_1146",
"arts_3298"
],
"featImg": "arts_13970333",
"label": "source_arts_13969956"
},
"arts_13969081": {
"type": "posts",
"id": "arts_13969081",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13969081",
"score": null,
"sort": [
1733500820000
]
},
"guestAuthors": [],
"slug": "best-live-music-bay-area-2024",
"title": "The Best Live Music I Saw But Didn’t Get to Review in 2024",
"publishDate": 1733500820,
"format": "standard",
"headTitle": "The Best Live Music I Saw But Didn’t Get to Review in 2024 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Maybe it was the election anxiety. I went to see live music \u003cem>compulsively\u003c/em> in 2024 — over 50 shows, and that’s on top of another 20-odd plays, art exhibits, movies and events. Yes, it’s part of my job, but it’s also my connection to others, my spiritual practice, my therapy. And while I was able to review 15 live music shows for KQED by stars of \u003ca href=\"https://www.kqed.org/arts/13953284/nicki-minaj-review-oakland-arena-pink-friday-2-tour\">rap\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13962051/review-olivia-rodrigo-san-francisco-chase-center-guts-tour\">pop\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13955312/review-green-day-fillmore-photos-san-francisco\">rock\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13951043/review-michael-tilson-thomas-mahler-5-san-francisco-symphony\">classical\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13953845/review-brandee-younger-alice-coltrane-san-francisco-sfjazz\">jazz\u003c/a>, many others went unnoted.\u003c/p>\n\u003cp>There are dozens of reasons for all of us to see live music, and to especially \u003ca href=\"https://www.kqed.org/arts/11027790/keep-listening-notes-on-turning-40-and-still-seeking-out-new-music\">seek out new music, no matter your age\u003c/a>. But in 2024, you’ll notice below, I also allowed myself the guilty pleasure of nostalgia. Here, then, are 30 shows I saw in 2024 which I didn’t review, now reviewed in just one sentence each — complete with bad photos from my phone.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796.jpeg\" alt=\"\" width=\"1920\" height=\"1472\" class=\"aligncenter size-full wp-image-13969134\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-800x613.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-1020x782.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-160x123.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-768x589.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-1536x1178.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Jan. 14\u003cbr>\n\u003cstrong>David Hegarty\u003cbr>\nCastro Theatre, San Francisco\u003c/strong>\u003cbr>\nBefore the double feature of \u003cem>Blade Runner\u003c/em> and \u003cem>Robocop\u003c/em>, I made a point of writing down the beloved organist’s setlist: “Consider Yourself,” “S’Wonderful,” “This Could Be the Start of Something Big,” “A Wonderful Guy,” “Cheek to Cheek,” “That’s Entertainment” and, naturally, “San Francisco” (two weeks later, before a screening of \u003cem>2001\u003c/em>, he played “Also Sprach Zarathustra”).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM.png\" alt=\"\" width=\"1294\" height=\"1126\" class=\"aligncenter size-full wp-image-13969132\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM.png 1294w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-800x696.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-1020x888.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-160x139.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-768x668.png 768w\" sizes=\"auto, (max-width: 1294px) 100vw, 1294px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Feb. 3\u003cbr>\n\u003cstrong>Howard Wiley\u003cbr>\nSFJAZZ, San Francisco\u003c/strong>\u003cbr>\nGod bless saxophonist Howard Wiley, who advertised a gospel music show and then opened his set with Ornette Coleman’s “The Face of the Bass.” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410.jpeg\" alt=\"\" width=\"1920\" height=\"1590\" class=\"aligncenter size-full wp-image-13969143\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-800x663.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-1020x845.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-160x133.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-768x636.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-1536x1272.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Feb. 10\u003cbr>\n\u003cstrong>MDC\u003cbr>\nThe Ivy Room, Albany \u003c/strong>\u003cbr>\nThis San Francisco punk band once \u003ca href=\"https://www.kqed.org/arts/12454758/bay-area-warehouse-scene-threatened-after-decades-of-incubating-art\">squatted inside the giant underground beer vats\u003c/a> of the former Hamm’s brewery on Bryant Street, just two and a half blocks from KQED’s current headquarters; at this haywire show, “Born to Die” still sounded tremendous, 43 years later. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM.png\" alt=\"\" width=\"1292\" height=\"1096\" class=\"aligncenter size-full wp-image-13969129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM.png 1292w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-800x679.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-1020x865.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-160x136.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-768x651.png 768w\" sizes=\"auto, (max-width: 1292px) 100vw, 1292px\">\u003c/p>\n\u003cp>Feb. 10\u003cbr>\n\u003cstrong>Deltrice\u003cbr>\nChris Club, Vallejo \u003c/strong>\u003cbr>\nI want Deltrice to sing the hook on almost every Bay Area rap song I hear.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/cellski.main_.jpg\" width=\"1286\" height=\"866\" class=\"size-full wp-image-13959762\">\u003c/p>\n\u003cp>Feb. 22\u003cbr>\n\u003cstrong>Cellski with the Top Chefs\u003cbr>\nBrick & Mortar Music Hall, San Francisco \u003c/strong>\u003cbr>\nThere is nothing like a whole city turning out to shower love on one of its own, who performed \u003ca href=\"https://www.instagram.com/p/C3rqbZIraS_/\">every single song\u003c/a> from \u003cem>Mr. Predicter\u003c/em> for its 30th anniversary.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM.png\" alt=\"\" width=\"1286\" height=\"866\" class=\"aligncenter size-full wp-image-13969135\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM.png 1286w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-800x539.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-1020x687.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-768x517.png 768w\" sizes=\"auto, (max-width: 1286px) 100vw, 1286px\">\u003c/p>\n\u003cp>March 24\u003cbr>\n\u003cstrong>Lil Kayla\u003cbr>\nPhoenix Theatre, Petaluma\u003c/strong>\u003cbr>\nDear Lil Kayla, I apologize on behalf of Sonoma County that only 85 people came to your show, hope you give us another shot someday.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004.jpg\" alt=\"\" width=\"1920\" height=\"1320\" class=\"aligncenter size-full wp-image-13969128\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-1536x1056.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>March 28 (and 31)\u003cbr>\n\u003cstrong>Bruce Springsteen and the E Street Band\u003cbr>\nChase Center, San Francisco\u003c/strong>\u003cbr>\nI am not allowed to talk about Bruce Springsteen in public, because eventually someone spins their forefinger around their ear in the universal sign for “this guy’s crazy,” but suffice it to say, he opened with “Something In the Night” (!!) and when I got home I immediately bought a solo ticket to the second show. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM.png\" alt=\"\" width=\"1290\" height=\"994\" class=\"aligncenter size-full wp-image-13969136\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM.png 1290w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-800x616.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-1020x786.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-160x123.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-768x592.png 768w\" sizes=\"auto, (max-width: 1290px) 100vw, 1290px\">\u003c/p>\n\u003cp>April 3\u003cbr>\n\u003cstrong>Danny Brown\u003cbr>\nRegency Ballroom, San Francisco\u003c/strong>\u003cbr>\nOpener Alice Longyu Gao bent minds with “Let’s Hope Heteros Fail, Learn and Retire” and Bruiser Wolf melted hearts with “Momma Was a Dopefiend,” but it’s Detroit’s era in rap, and Danny Brown still brought the heat (speaketh the forefather: “\u003ca href=\"https://www.youtube.com/watch?v=PUv_OIFmLwg\">My hoe got tats on her face, sell me them cookies from Oakland\u003c/a>”). \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147.png\" alt=\"\" width=\"1715\" height=\"1638\" class=\"aligncenter size-full wp-image-13969137\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147.png 1715w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-800x764.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-1020x974.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-160x153.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-768x734.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-1536x1467.png 1536w\" sizes=\"auto, (max-width: 1715px) 100vw, 1715px\">\u003c/p>\n\u003cp>May 8\u003cbr>\n\u003cstrong>454\u003cbr>\nThe Independent, San Francisco\u003c/strong>\u003cbr>\nLet us all have the energy of 10 bowls of Frosted Flakes before we bound onstage and bounce, weave, skitter and float about for 40 minutes of unfiltered joy. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM.png\" alt=\"\" width=\"1526\" height=\"1384\" class=\"aligncenter size-full wp-image-13969138\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM.png 1526w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-800x726.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-1020x925.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-160x145.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-768x697.png 768w\" sizes=\"auto, (max-width: 1526px) 100vw, 1526px\">\u003c/p>\n\u003cp>May 18\u003cbr>\n\u003cstrong>The Piner High School Band\u003cbr>\nRose Parade, Santa Rosa\u003c/strong>\u003cbr>\nIt should be considered cruel and unusual punishment to force high school music students into military marching rituals, and yet I, a former band kid, still felt a strange sort of pride to see my alma mater persisting against brutal budget cuts to public school music programs.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM.png\" alt=\"\" width=\"1298\" height=\"1276\" class=\"aligncenter size-full wp-image-13969140\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM.png 1298w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-800x786.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-1020x1003.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-160x157.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-768x755.png 768w\" sizes=\"auto, (max-width: 1298px) 100vw, 1298px\">\u003c/p>\n\u003cp>May 21\u003cbr>\n\u003cstrong>Too Short\u003cbr>\nLake Merritt Bandstand, Oakland\u003c/strong>\u003cbr>\nOakland Is the Most Amazing City In the World, Chapter 3,276: Too Short agreeing to this free afternoon show on the shore of the lake for thousands of people on a random Tuesday … to promote \u003cem>voter registration\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971.png\" alt=\"\" width=\"1275\" height=\"1162\" class=\"aligncenter size-full wp-image-13969141\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971.png 1275w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-800x729.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-1020x930.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-160x146.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-768x700.png 768w\" sizes=\"auto, (max-width: 1275px) 100vw, 1275px\">\u003c/p>\n\u003cp>May 29\u003cbr>\n\u003cstrong>Los Alegres del Barranco\u003cbr>\nJuilliard Park, Santa Rosa\u003c/strong>\u003cbr>\nThere is an attraction in \u003ca href=\"https://bohemian.com/listening-to-huey-lewis-outside-the-fence-at-the-sonoma-county-fair-isnt-all-that-bad/\">listening to concerts from outside the fence\u003c/a> — and just a few nights after watching Los Alegres del Barranco’s norteño corridos through the chain link, my daughter and I stood outside City Hall in San Francisco to hear Skrillex’s set wafting through the nighttime air.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM.png\" alt=\"\" width=\"1288\" height=\"1102\" class=\"aligncenter size-full wp-image-13969117\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM.png 1288w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-800x684.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-1020x873.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-160x137.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-768x657.png 768w\" sizes=\"auto, (max-width: 1288px) 100vw, 1288px\">\u003c/p>\n\u003cp>June 9\u003cbr>\n\u003cstrong>Gary Bartz\u003cbr>\nSFJAZZ, San Francisco \u003c/strong>\u003cbr>\nTruly (and I imagine guest trumpeter Ambrose Akinmusire agrees) all of us can only hope to be one-tenth as funny and creative as Gary Bartz when we, too, are 83. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM.png\" alt=\"\" width=\"1722\" height=\"1324\" class=\"aligncenter size-full wp-image-13969118\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM.png 1722w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-800x615.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-1020x784.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-160x123.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-768x590.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-1536x1181.png 1536w\" sizes=\"auto, (max-width: 1722px) 100vw, 1722px\">\u003c/p>\n\u003cp>June 15\u003cbr>\n\u003cstrong>Houston Person\u003cbr>\nTown Plaza, Healdsburg \u003c/strong>\u003cbr>\nI played his version of “\u003ca href=\"https://www.youtube.com/watch?v=lR3K7msLNes\">Young, Gifted and Black\u003c/a>” for a week straight afterward.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a.jpg\" alt=\"\" width=\"1920\" height=\"1394\" class=\"aligncenter size-full wp-image-13969116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-1536x1115.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>July 6\u003cbr>\n\u003cstrong>Standing on the Corner\u003cbr>\nSFJAZZ, San Francisco\u003c/strong>\u003cbr>\nAcross a 13-song set of spaced-out songs like “Angel,” “Get Out the Ghetto” and “Genocide,” Gio Escobar recited original poetry, covered Chuck Berry and showed that New York, though it historically looks down on the Bay Area, has a bit of our experimental, political bent after all.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c.jpg\" alt=\"\" width=\"1920\" height=\"1522\" class=\"aligncenter size-full wp-image-13969121\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-800x634.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-1020x809.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-768x609.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-1536x1218.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Aug. 20\u003cbr>\n\u003cstrong>X\u003cbr>\nGuild Theatre, Menlo Park\u003c/strong>\u003cbr>\nI danced and danced and danced and danced and danced, and did not stop until an acoustic duet of John and Exene singing “\u003ca href=\"https://www.youtube.com/watch?v=V9zfrW0F2K8\">See How We Are\u003c/a>,” and only because it rendered my knees too weak to move. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM.png\" alt=\"\" width=\"1144\" height=\"936\" class=\"aligncenter size-full wp-image-13969119\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-800x655.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-1020x835.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-160x131.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-768x628.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Sept. 1\u003cbr>\n\u003cstrong>Fifteen\u003cbr>\nArlene Francis Center, Santa Rosa\u003c/strong>\u003cbr>\nThe lines “\u003ca href=\"https://youtu.be/fv5ZFuiGiXQ?si=UqRQ4WULyM6Qv2Gy&t=165\">I was born a little too late to see the dream that they called America / See I only wanna be a free man but it’s against the law to sleep on the ground in God’s land\u003c/a>” felt more relevant than ever after the \u003ca href=\"https://www.kqed.org/news/11991340/supreme-court-says-laws-criminalizing-homeless-camping-do-not-violate-constitution\">Supreme Court’s Grants Pass decision criminalizing camping on public property\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM.png\" alt=\"\" width=\"1042\" height=\"776\" class=\"aligncenter size-full wp-image-13969123\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM.png 1042w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-800x596.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-1020x760.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-768x572.png 768w\" sizes=\"auto, (max-width: 1042px) 100vw, 1042px\">\u003c/p>\n\u003cp>Sept. 3\u003cbr>\n\u003cstrong>Smoking Popes\u003cbr>\nGreat American Music Hall, San Francisco\u003c/strong>\u003cbr>\nThey dropped a minute or so of the Replacements’ “Can’t Hardly Wait” into the middle of “Gotta Know Right Now,” and I died right then and there.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM.png\" alt=\"\" width=\"1144\" height=\"1002\" class=\"aligncenter size-full wp-image-13969125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-800x701.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-1020x893.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-160x140.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-768x673.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Sept. 5\u003cbr>\n\u003cstrong>Future and Metro Boomin\u003cbr>\nOakland Arena, Oakland\u003c/strong>\u003cbr>\nWhile Future isn’t a rap dinosaur by any means, when the transcendence of “March Madness” filled the arena, I had a sobering realization that the song is now nearly 10 years old. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM.png\" alt=\"\" width=\"1140\" height=\"784\" class=\"aligncenter size-full wp-image-13969126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM.png 1140w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-800x550.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-1020x701.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-160x110.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-768x528.png 768w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\">\u003c/p>\n\u003cp>Sept. 16\u003cbr>\n\u003cstrong>Pulp\u003cbr>\nBill Graham Civic Auditorium, San Francisco\u003c/strong>\u003cbr>\nIt was a Monday night, tickets on Stubhub were literally $9, and Jarvis Cocker talked about Richard Brautigan living on Geary Street before soaring through “This Is Hardcore,” a perfect song.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c.jpg\" alt=\"\" width=\"1920\" height=\"1582\" class=\"aligncenter size-full wp-image-13969114\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-800x659.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-1020x840.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-160x132.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-768x633.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-1536x1266.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Sept. 21\u003cbr>\n\u003cstrong>The Linda Lindas\u003cbr>\n924 Gilman, Berkeley\u003c/strong>\u003cbr>\nPerhaps the most wholesome punk show I’ve ever seen; I lost count of how many parents I ran into in the packed crowd, bringing their children to Gilman for the first time. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM.png\" alt=\"\" width=\"1146\" height=\"828\" class=\"aligncenter size-full wp-image-13969112\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM.png 1146w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-800x578.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-1020x737.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-160x116.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-768x555.png 768w\" sizes=\"auto, (max-width: 1146px) 100vw, 1146px\">\u003c/p>\n\u003cp>Sept. 23\u003cbr>\n\u003cstrong>Nicki Minaj\u003cbr>\nChase Center, San Francisco\u003c/strong>\u003cbr>\nI WISH I COULD QUIT YOU NICKI 🤷♂️\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM.png\" alt=\"\" width=\"1138\" height=\"770\" class=\"aligncenter size-full wp-image-13969113\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM.png 1138w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-800x541.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-1020x690.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-768x520.png 768w\" sizes=\"auto, (max-width: 1138px) 100vw, 1138px\">\u003c/p>\n\u003cp>Sept. 28\u003cbr>\n\u003cstrong>Built to Spill\u003cbr>\nThe Fillmore, San Francisco\u003c/strong>\u003cbr>\nThe new rhythm section shreds, the transition from “Twin Falls” into “Some” is better than hospital painkillers, and Doug Martsch’s beard has grown capable of knocking over tall buildings.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM.png\" alt=\"\" width=\"1144\" height=\"846\" class=\"aligncenter size-full wp-image-13969115\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-800x592.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-1020x754.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-160x118.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-768x568.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Oct. 6\u003cbr>\n\u003cstrong>Billy Ocean\u003cbr>\nGraton Casino, Rohnert Park\u003c/strong>\u003cbr>\nA very long-overdue show in the Bay Area; Billy Ocean basically has six hits, but they are really, really good hits, and he still has \u003cem>that voice\u003c/em> — let’s hope we don’t have to wait another 20 years for him to return. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM.png\" alt=\"\" width=\"1134\" height=\"810\" class=\"aligncenter size-full wp-image-13969120\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM.png 1134w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-800x571.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-1020x729.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-160x114.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-768x549.png 768w\" sizes=\"auto, (max-width: 1134px) 100vw, 1134px\">\u003c/p>\n\u003cp>Oct. 10\u003cbr>\n\u003cstrong>Bladee\u003cbr>\nThe Warfield, San Francisco\u003c/strong>\u003cbr>\nTwo years ago, with ecco2k, Bladee delivered a beautiful, joyful show at Complex in Oakland, and maybe fame really does curdle people, or else Bladee was simply leaning hard into the concept of \u003cem>Cold Visions\u003c/em>, because this time around, bleakness reigned.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM.png\" alt=\"\" width=\"1140\" height=\"1006\" class=\"aligncenter size-full wp-image-13969122\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM.png 1140w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-800x706.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-1020x900.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-160x141.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-768x678.png 768w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\">\u003c/p>\n\u003cp>Oct. 19\u003cbr>\n\u003cstrong>History of the Bay\u003cbr>\nThe Midway, San Francisco\u003c/strong>\u003cbr>\nThe Bay Area has an eternally deep well of unsung rap heroes, which means that as monumental as it is to get B-Legit, Kamaiyah, Souls of Mischief, Rick Rock and Mob Figaz on stage together, it still feels like a mere sliver of talent; shout out to Dregs One for playing the long game and building the history piece by piece. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM.png\" alt=\"\" width=\"1144\" height=\"972\" class=\"aligncenter size-full wp-image-13969124\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-800x680.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-1020x867.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-160x136.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-768x653.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Oct. 19\u003cbr>\n\u003cstrong>D.R.I.\u003cbr>\nNeck of the Woods, San Francisco\u003c/strong>\u003cbr>\nTwo people got thrown out, girls crowdsurfed over the pit, someone fell asleep on the stage, and afterward, talking to singer Kurt Brecht with swirling thoughts of 500 things to say, all I could muster was “Thank you for the great art you have given the world.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM.png\" alt=\"\" width=\"1142\" height=\"950\" class=\"aligncenter size-full wp-image-13969130\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM.png 1142w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-800x665.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-1020x849.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-160x133.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-768x639.png 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\">\u003c/p>\n\u003cp>Oct. 27\u003cbr>\n\u003cstrong>Phoenix Halloween Show\u003cbr>\nPhoenix Theatre, Petaluma\u003c/strong>\u003cbr>\nA classic Halloween-covers night, except this year at the Phoenix, Miss Minor’s insanely elaborate Britney Spears tribute — period-correct in wardrobe, set and choreography — capped the night, along with a giant balloon drop.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM.png\" alt=\"\" width=\"1142\" height=\"1016\" class=\"aligncenter size-full wp-image-13969133\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM.png 1142w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-800x712.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-1020x907.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-160x142.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-768x683.png 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\">\u003c/p>\n\u003cp>Nov. 2\u003cbr>\n\u003cstrong>Kirk Franklin’s Reunion Tour\u003cbr>\nOakland Arena, Oakland\u003c/strong>\u003cbr>\nI went for the Clark Sisters, but the surprise of the night was Yolanda Adams, who, at 63, sent shivers down the spine; meanwhile, Kirk Franklin only had to play two piano notes before a spontaneous mass acapella sing-along of “Silver & Gold” broke out around the arena.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720.jpg\" alt=\"\" width=\"1920\" height=\"1996\" class=\"aligncenter size-full wp-image-13969144\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-800x832.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-1020x1060.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-768x798.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-1478x1536.jpg 1478w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Nov. 30\u003cbr>\n\u003cstrong>Victims Family\u003cbr>\nThe Big Easy, Petaluma\u003c/strong>\u003cbr>\nAfter Victims Family’s epic 40-song set to celebrate their 40th anniversary, I genuinely worried that I had permanent hearing loss, but you know, I wouldn’t have complained if this life-affirming show had been the last music I ever heard.\u003c/p>\n\n",
"blocks": [],
"excerpt": "One can only review so many concerts. Here's a roundup of 30 stellar shows that didn't make the cut this year.",
"status": "publish",
"parent": 0,
"modified": 1733469472,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 64,
"wordCount": 1664
},
"headData": {
"title": "The Best Live Music I Saw But Didn’t Get to Review in 2024 | KQED",
"description": "One can only review so many concerts. Here's a roundup of 30 stellar shows that didn't make the cut this year.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Best Live Music I Saw But Didn’t Get to Review in 2024",
"datePublished": "2024-12-06T08:00:20-08:00",
"dateModified": "2024-12-05T23:17:52-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13969081/best-live-music-bay-area-2024",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maybe it was the election anxiety. I went to see live music \u003cem>compulsively\u003c/em> in 2024 — over 50 shows, and that’s on top of another 20-odd plays, art exhibits, movies and events. Yes, it’s part of my job, but it’s also my connection to others, my spiritual practice, my therapy. And while I was able to review 15 live music shows for KQED by stars of \u003ca href=\"https://www.kqed.org/arts/13953284/nicki-minaj-review-oakland-arena-pink-friday-2-tour\">rap\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13962051/review-olivia-rodrigo-san-francisco-chase-center-guts-tour\">pop\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13955312/review-green-day-fillmore-photos-san-francisco\">rock\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13951043/review-michael-tilson-thomas-mahler-5-san-francisco-symphony\">classical\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13953845/review-brandee-younger-alice-coltrane-san-francisco-sfjazz\">jazz\u003c/a>, many others went unnoted.\u003c/p>\n\u003cp>There are dozens of reasons for all of us to see live music, and to especially \u003ca href=\"https://www.kqed.org/arts/11027790/keep-listening-notes-on-turning-40-and-still-seeking-out-new-music\">seek out new music, no matter your age\u003c/a>. But in 2024, you’ll notice below, I also allowed myself the guilty pleasure of nostalgia. Here, then, are 30 shows I saw in 2024 which I didn’t review, now reviewed in just one sentence each — complete with bad photos from my phone.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796.jpeg\" alt=\"\" width=\"1920\" height=\"1472\" class=\"aligncenter size-full wp-image-13969134\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-800x613.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-1020x782.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-160x123.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-768x589.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_4637-scaled-e1733464046796-1536x1178.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Jan. 14\u003cbr>\n\u003cstrong>David Hegarty\u003cbr>\nCastro Theatre, San Francisco\u003c/strong>\u003cbr>\nBefore the double feature of \u003cem>Blade Runner\u003c/em> and \u003cem>Robocop\u003c/em>, I made a point of writing down the beloved organist’s setlist: “Consider Yourself,” “S’Wonderful,” “This Could Be the Start of Something Big,” “A Wonderful Guy,” “Cheek to Cheek,” “That’s Entertainment” and, naturally, “San Francisco” (two weeks later, before a screening of \u003cem>2001\u003c/em>, he played “Also Sprach Zarathustra”).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM.png\" alt=\"\" width=\"1294\" height=\"1126\" class=\"aligncenter size-full wp-image-13969132\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM.png 1294w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-800x696.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-1020x888.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-160x139.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.41.41-PM-768x668.png 768w\" sizes=\"auto, (max-width: 1294px) 100vw, 1294px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Feb. 3\u003cbr>\n\u003cstrong>Howard Wiley\u003cbr>\nSFJAZZ, San Francisco\u003c/strong>\u003cbr>\nGod bless saxophonist Howard Wiley, who advertised a gospel music show and then opened his set with Ornette Coleman’s “The Face of the Bass.” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410.jpeg\" alt=\"\" width=\"1920\" height=\"1590\" class=\"aligncenter size-full wp-image-13969143\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-800x663.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-1020x845.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-160x133.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-768x636.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_5133-scaled-e1733463947410-1536x1272.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Feb. 10\u003cbr>\n\u003cstrong>MDC\u003cbr>\nThe Ivy Room, Albany \u003c/strong>\u003cbr>\nThis San Francisco punk band once \u003ca href=\"https://www.kqed.org/arts/12454758/bay-area-warehouse-scene-threatened-after-decades-of-incubating-art\">squatted inside the giant underground beer vats\u003c/a> of the former Hamm’s brewery on Bryant Street, just two and a half blocks from KQED’s current headquarters; at this haywire show, “Born to Die” still sounded tremendous, 43 years later. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM.png\" alt=\"\" width=\"1292\" height=\"1096\" class=\"aligncenter size-full wp-image-13969129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM.png 1292w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-800x679.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-1020x865.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-160x136.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.45.07-PM-768x651.png 768w\" sizes=\"auto, (max-width: 1292px) 100vw, 1292px\">\u003c/p>\n\u003cp>Feb. 10\u003cbr>\n\u003cstrong>Deltrice\u003cbr>\nChris Club, Vallejo \u003c/strong>\u003cbr>\nI want Deltrice to sing the hook on almost every Bay Area rap song I hear.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/cellski.main_.jpg\" width=\"1286\" height=\"866\" class=\"size-full wp-image-13959762\">\u003c/p>\n\u003cp>Feb. 22\u003cbr>\n\u003cstrong>Cellski with the Top Chefs\u003cbr>\nBrick & Mortar Music Hall, San Francisco \u003c/strong>\u003cbr>\nThere is nothing like a whole city turning out to shower love on one of its own, who performed \u003ca href=\"https://www.instagram.com/p/C3rqbZIraS_/\">every single song\u003c/a> from \u003cem>Mr. Predicter\u003c/em> for its 30th anniversary.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM.png\" alt=\"\" width=\"1286\" height=\"866\" class=\"aligncenter size-full wp-image-13969135\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM.png 1286w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-800x539.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-1020x687.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.48.20-PM-768x517.png 768w\" sizes=\"auto, (max-width: 1286px) 100vw, 1286px\">\u003c/p>\n\u003cp>March 24\u003cbr>\n\u003cstrong>Lil Kayla\u003cbr>\nPhoenix Theatre, Petaluma\u003c/strong>\u003cbr>\nDear Lil Kayla, I apologize on behalf of Sonoma County that only 85 people came to your show, hope you give us another shot someday.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004.jpg\" alt=\"\" width=\"1920\" height=\"1320\" class=\"aligncenter size-full wp-image-13969128\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/IMG_6004-1536x1056.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>March 28 (and 31)\u003cbr>\n\u003cstrong>Bruce Springsteen and the E Street Band\u003cbr>\nChase Center, San Francisco\u003c/strong>\u003cbr>\nI am not allowed to talk about Bruce Springsteen in public, because eventually someone spins their forefinger around their ear in the universal sign for “this guy’s crazy,” but suffice it to say, he opened with “Something In the Night” (!!) and when I got home I immediately bought a solo ticket to the second show. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM.png\" alt=\"\" width=\"1290\" height=\"994\" class=\"aligncenter size-full wp-image-13969136\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM.png 1290w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-800x616.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-1020x786.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-160x123.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.51.05-PM-768x592.png 768w\" sizes=\"auto, (max-width: 1290px) 100vw, 1290px\">\u003c/p>\n\u003cp>April 3\u003cbr>\n\u003cstrong>Danny Brown\u003cbr>\nRegency Ballroom, San Francisco\u003c/strong>\u003cbr>\nOpener Alice Longyu Gao bent minds with “Let’s Hope Heteros Fail, Learn and Retire” and Bruiser Wolf melted hearts with “Momma Was a Dopefiend,” but it’s Detroit’s era in rap, and Danny Brown still brought the heat (speaketh the forefather: “\u003ca href=\"https://www.youtube.com/watch?v=PUv_OIFmLwg\">My hoe got tats on her face, sell me them cookies from Oakland\u003c/a>”). \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147.png\" alt=\"\" width=\"1715\" height=\"1638\" class=\"aligncenter size-full wp-image-13969137\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147.png 1715w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-800x764.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-1020x974.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-160x153.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-768x734.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.04-PM-e1733464012147-1536x1467.png 1536w\" sizes=\"auto, (max-width: 1715px) 100vw, 1715px\">\u003c/p>\n\u003cp>May 8\u003cbr>\n\u003cstrong>454\u003cbr>\nThe Independent, San Francisco\u003c/strong>\u003cbr>\nLet us all have the energy of 10 bowls of Frosted Flakes before we bound onstage and bounce, weave, skitter and float about for 40 minutes of unfiltered joy. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM.png\" alt=\"\" width=\"1526\" height=\"1384\" class=\"aligncenter size-full wp-image-13969138\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM.png 1526w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-800x726.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-1020x925.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-160x145.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.54.36-PM-768x697.png 768w\" sizes=\"auto, (max-width: 1526px) 100vw, 1526px\">\u003c/p>\n\u003cp>May 18\u003cbr>\n\u003cstrong>The Piner High School Band\u003cbr>\nRose Parade, Santa Rosa\u003c/strong>\u003cbr>\nIt should be considered cruel and unusual punishment to force high school music students into military marching rituals, and yet I, a former band kid, still felt a strange sort of pride to see my alma mater persisting against brutal budget cuts to public school music programs.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM.png\" alt=\"\" width=\"1298\" height=\"1276\" class=\"aligncenter size-full wp-image-13969140\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM.png 1298w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-800x786.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-1020x1003.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-160x157.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-8.57.10-PM-768x755.png 768w\" sizes=\"auto, (max-width: 1298px) 100vw, 1298px\">\u003c/p>\n\u003cp>May 21\u003cbr>\n\u003cstrong>Too Short\u003cbr>\nLake Merritt Bandstand, Oakland\u003c/strong>\u003cbr>\nOakland Is the Most Amazing City In the World, Chapter 3,276: Too Short agreeing to this free afternoon show on the shore of the lake for thousands of people on a random Tuesday … to promote \u003cem>voter registration\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971.png\" alt=\"\" width=\"1275\" height=\"1162\" class=\"aligncenter size-full wp-image-13969141\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971.png 1275w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-800x729.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-1020x930.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-160x146.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.01.34-PM-e1733463982971-768x700.png 768w\" sizes=\"auto, (max-width: 1275px) 100vw, 1275px\">\u003c/p>\n\u003cp>May 29\u003cbr>\n\u003cstrong>Los Alegres del Barranco\u003cbr>\nJuilliard Park, Santa Rosa\u003c/strong>\u003cbr>\nThere is an attraction in \u003ca href=\"https://bohemian.com/listening-to-huey-lewis-outside-the-fence-at-the-sonoma-county-fair-isnt-all-that-bad/\">listening to concerts from outside the fence\u003c/a> — and just a few nights after watching Los Alegres del Barranco’s norteño corridos through the chain link, my daughter and I stood outside City Hall in San Francisco to hear Skrillex’s set wafting through the nighttime air.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM.png\" alt=\"\" width=\"1288\" height=\"1102\" class=\"aligncenter size-full wp-image-13969117\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM.png 1288w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-800x684.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-1020x873.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-160x137.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.02.29-PM-768x657.png 768w\" sizes=\"auto, (max-width: 1288px) 100vw, 1288px\">\u003c/p>\n\u003cp>June 9\u003cbr>\n\u003cstrong>Gary Bartz\u003cbr>\nSFJAZZ, San Francisco \u003c/strong>\u003cbr>\nTruly (and I imagine guest trumpeter Ambrose Akinmusire agrees) all of us can only hope to be one-tenth as funny and creative as Gary Bartz when we, too, are 83. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM.png\" alt=\"\" width=\"1722\" height=\"1324\" class=\"aligncenter size-full wp-image-13969118\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM.png 1722w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-800x615.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-1020x784.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-160x123.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-768x590.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.03.23-PM-1536x1181.png 1536w\" sizes=\"auto, (max-width: 1722px) 100vw, 1722px\">\u003c/p>\n\u003cp>June 15\u003cbr>\n\u003cstrong>Houston Person\u003cbr>\nTown Plaza, Healdsburg \u003c/strong>\u003cbr>\nI played his version of “\u003ca href=\"https://www.youtube.com/watch?v=lR3K7msLNes\">Young, Gifted and Black\u003c/a>” for a week straight afterward.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a.jpg\" alt=\"\" width=\"1920\" height=\"1394\" class=\"aligncenter size-full wp-image-13969116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/E99FCECE-8347-4F39-87B5-E3D5B50892F3_1_201_a-1536x1115.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>July 6\u003cbr>\n\u003cstrong>Standing on the Corner\u003cbr>\nSFJAZZ, San Francisco\u003c/strong>\u003cbr>\nAcross a 13-song set of spaced-out songs like “Angel,” “Get Out the Ghetto” and “Genocide,” Gio Escobar recited original poetry, covered Chuck Berry and showed that New York, though it historically looks down on the Bay Area, has a bit of our experimental, political bent after all.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c.jpg\" alt=\"\" width=\"1920\" height=\"1522\" class=\"aligncenter size-full wp-image-13969121\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-800x634.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-1020x809.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-768x609.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/A054A4D5-A61A-45BA-9A0B-F51B003D27C5_1_105_c-1536x1218.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Aug. 20\u003cbr>\n\u003cstrong>X\u003cbr>\nGuild Theatre, Menlo Park\u003c/strong>\u003cbr>\nI danced and danced and danced and danced and danced, and did not stop until an acoustic duet of John and Exene singing “\u003ca href=\"https://www.youtube.com/watch?v=V9zfrW0F2K8\">See How We Are\u003c/a>,” and only because it rendered my knees too weak to move. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM.png\" alt=\"\" width=\"1144\" height=\"936\" class=\"aligncenter size-full wp-image-13969119\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-800x655.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-1020x835.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-160x131.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.09.39-PM-768x628.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Sept. 1\u003cbr>\n\u003cstrong>Fifteen\u003cbr>\nArlene Francis Center, Santa Rosa\u003c/strong>\u003cbr>\nThe lines “\u003ca href=\"https://youtu.be/fv5ZFuiGiXQ?si=UqRQ4WULyM6Qv2Gy&t=165\">I was born a little too late to see the dream that they called America / See I only wanna be a free man but it’s against the law to sleep on the ground in God’s land\u003c/a>” felt more relevant than ever after the \u003ca href=\"https://www.kqed.org/news/11991340/supreme-court-says-laws-criminalizing-homeless-camping-do-not-violate-constitution\">Supreme Court’s Grants Pass decision criminalizing camping on public property\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM.png\" alt=\"\" width=\"1042\" height=\"776\" class=\"aligncenter size-full wp-image-13969123\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM.png 1042w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-800x596.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-1020x760.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.11.28-PM-768x572.png 768w\" sizes=\"auto, (max-width: 1042px) 100vw, 1042px\">\u003c/p>\n\u003cp>Sept. 3\u003cbr>\n\u003cstrong>Smoking Popes\u003cbr>\nGreat American Music Hall, San Francisco\u003c/strong>\u003cbr>\nThey dropped a minute or so of the Replacements’ “Can’t Hardly Wait” into the middle of “Gotta Know Right Now,” and I died right then and there.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM.png\" alt=\"\" width=\"1144\" height=\"1002\" class=\"aligncenter size-full wp-image-13969125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-800x701.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-1020x893.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-160x140.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.14.15-PM-768x673.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Sept. 5\u003cbr>\n\u003cstrong>Future and Metro Boomin\u003cbr>\nOakland Arena, Oakland\u003c/strong>\u003cbr>\nWhile Future isn’t a rap dinosaur by any means, when the transcendence of “March Madness” filled the arena, I had a sobering realization that the song is now nearly 10 years old. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM.png\" alt=\"\" width=\"1140\" height=\"784\" class=\"aligncenter size-full wp-image-13969126\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM.png 1140w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-800x550.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-1020x701.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-160x110.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.17.27-PM-768x528.png 768w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\">\u003c/p>\n\u003cp>Sept. 16\u003cbr>\n\u003cstrong>Pulp\u003cbr>\nBill Graham Civic Auditorium, San Francisco\u003c/strong>\u003cbr>\nIt was a Monday night, tickets on Stubhub were literally $9, and Jarvis Cocker talked about Richard Brautigan living on Geary Street before soaring through “This Is Hardcore,” a perfect song.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c.jpg\" alt=\"\" width=\"1920\" height=\"1582\" class=\"aligncenter size-full wp-image-13969114\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-800x659.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-1020x840.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-160x132.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-768x633.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/F3AE3AD0-48A6-482E-8102-017383C095FB_1_105_c-1536x1266.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Sept. 21\u003cbr>\n\u003cstrong>The Linda Lindas\u003cbr>\n924 Gilman, Berkeley\u003c/strong>\u003cbr>\nPerhaps the most wholesome punk show I’ve ever seen; I lost count of how many parents I ran into in the packed crowd, bringing their children to Gilman for the first time. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM.png\" alt=\"\" width=\"1146\" height=\"828\" class=\"aligncenter size-full wp-image-13969112\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM.png 1146w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-800x578.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-1020x737.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-160x116.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.25.55-PM-768x555.png 768w\" sizes=\"auto, (max-width: 1146px) 100vw, 1146px\">\u003c/p>\n\u003cp>Sept. 23\u003cbr>\n\u003cstrong>Nicki Minaj\u003cbr>\nChase Center, San Francisco\u003c/strong>\u003cbr>\nI WISH I COULD QUIT YOU NICKI 🤷♂️\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM.png\" alt=\"\" width=\"1138\" height=\"770\" class=\"aligncenter size-full wp-image-13969113\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM.png 1138w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-800x541.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-1020x690.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.27.28-PM-768x520.png 768w\" sizes=\"auto, (max-width: 1138px) 100vw, 1138px\">\u003c/p>\n\u003cp>Sept. 28\u003cbr>\n\u003cstrong>Built to Spill\u003cbr>\nThe Fillmore, San Francisco\u003c/strong>\u003cbr>\nThe new rhythm section shreds, the transition from “Twin Falls” into “Some” is better than hospital painkillers, and Doug Martsch’s beard has grown capable of knocking over tall buildings.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM.png\" alt=\"\" width=\"1144\" height=\"846\" class=\"aligncenter size-full wp-image-13969115\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-800x592.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-1020x754.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-160x118.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.28.28-PM-768x568.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Oct. 6\u003cbr>\n\u003cstrong>Billy Ocean\u003cbr>\nGraton Casino, Rohnert Park\u003c/strong>\u003cbr>\nA very long-overdue show in the Bay Area; Billy Ocean basically has six hits, but they are really, really good hits, and he still has \u003cem>that voice\u003c/em> — let’s hope we don’t have to wait another 20 years for him to return. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM.png\" alt=\"\" width=\"1134\" height=\"810\" class=\"aligncenter size-full wp-image-13969120\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM.png 1134w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-800x571.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-1020x729.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-160x114.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.29.39-PM-768x549.png 768w\" sizes=\"auto, (max-width: 1134px) 100vw, 1134px\">\u003c/p>\n\u003cp>Oct. 10\u003cbr>\n\u003cstrong>Bladee\u003cbr>\nThe Warfield, San Francisco\u003c/strong>\u003cbr>\nTwo years ago, with ecco2k, Bladee delivered a beautiful, joyful show at Complex in Oakland, and maybe fame really does curdle people, or else Bladee was simply leaning hard into the concept of \u003cem>Cold Visions\u003c/em>, because this time around, bleakness reigned.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM.png\" alt=\"\" width=\"1140\" height=\"1006\" class=\"aligncenter size-full wp-image-13969122\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM.png 1140w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-800x706.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-1020x900.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-160x141.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.31.18-PM-768x678.png 768w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\">\u003c/p>\n\u003cp>Oct. 19\u003cbr>\n\u003cstrong>History of the Bay\u003cbr>\nThe Midway, San Francisco\u003c/strong>\u003cbr>\nThe Bay Area has an eternally deep well of unsung rap heroes, which means that as monumental as it is to get B-Legit, Kamaiyah, Souls of Mischief, Rick Rock and Mob Figaz on stage together, it still feels like a mere sliver of talent; shout out to Dregs One for playing the long game and building the history piece by piece. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM.png\" alt=\"\" width=\"1144\" height=\"972\" class=\"aligncenter size-full wp-image-13969124\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM.png 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-800x680.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-1020x867.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-160x136.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.34.02-PM-768x653.png 768w\" sizes=\"auto, (max-width: 1144px) 100vw, 1144px\">\u003c/p>\n\u003cp>Oct. 19\u003cbr>\n\u003cstrong>D.R.I.\u003cbr>\nNeck of the Woods, San Francisco\u003c/strong>\u003cbr>\nTwo people got thrown out, girls crowdsurfed over the pit, someone fell asleep on the stage, and afterward, talking to singer Kurt Brecht with swirling thoughts of 500 things to say, all I could muster was “Thank you for the great art you have given the world.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM.png\" alt=\"\" width=\"1142\" height=\"950\" class=\"aligncenter size-full wp-image-13969130\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM.png 1142w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-800x665.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-1020x849.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-160x133.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.36.36-PM-768x639.png 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\">\u003c/p>\n\u003cp>Oct. 27\u003cbr>\n\u003cstrong>Phoenix Halloween Show\u003cbr>\nPhoenix Theatre, Petaluma\u003c/strong>\u003cbr>\nA classic Halloween-covers night, except this year at the Phoenix, Miss Minor’s insanely elaborate Britney Spears tribute — period-correct in wardrobe, set and choreography — capped the night, along with a giant balloon drop.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM.png\" alt=\"\" width=\"1142\" height=\"1016\" class=\"aligncenter size-full wp-image-13969133\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM.png 1142w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-800x712.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-1020x907.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-160x142.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/Screenshot-2024-12-05-at-9.38.28-PM-768x683.png 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\">\u003c/p>\n\u003cp>Nov. 2\u003cbr>\n\u003cstrong>Kirk Franklin’s Reunion Tour\u003cbr>\nOakland Arena, Oakland\u003c/strong>\u003cbr>\nI went for the Clark Sisters, but the surprise of the night was Yolanda Adams, who, at 63, sent shivers down the spine; meanwhile, Kirk Franklin only had to play two piano notes before a spontaneous mass acapella sing-along of “Silver & Gold” broke out around the arena.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720.jpg\" alt=\"\" width=\"1920\" height=\"1996\" class=\"aligncenter size-full wp-image-13969144\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-800x832.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-1020x1060.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-768x798.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/img_1409_720-1478x1536.jpg 1478w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nov. 30\u003cbr>\n\u003cstrong>Victims Family\u003cbr>\nThe Big Easy, Petaluma\u003c/strong>\u003cbr>\nAfter Victims Family’s epic 40-song set to celebrate their 40th anniversary, I genuinely worried that I had permanent hearing loss, but you know, I wouldn’t have complained if this life-affirming show had been the last music I ever heard.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13969081/best-live-music-bay-area-2024",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_21795",
"arts_22377",
"arts_6926",
"arts_10278",
"arts_2187",
"arts_21988",
"arts_22378",
"arts_2048",
"arts_2996"
],
"featImg": "arts_13969147",
"label": "arts"
},
"arts_13968756": {
"type": "posts",
"id": "arts_13968756",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13968756",
"score": null,
"sort": [
1732735491000
]
},
"guestAuthors": [],
"slug": "photos-cyndi-lauper-fans-fashion-outfits-style-san-francisco",
"title": "Photos: Cyndi Lauper Fans Show Their True Colors in San Francisco",
"publishDate": 1732735491,
"format": "aside",
"headTitle": "Photos: Cyndi Lauper Fans Show Their True Colors in San Francisco | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cfigure id=\"attachment_13968772\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed.jpg\" alt=\"Two women in neon pink and purple outfits reminiscent of the 1980s pose together in front of a Christmas tree.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968772\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Best friends Anndrea Miller, left, and Krista Ball pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cyndi Lauper came to San Francisco Tuesday night on what she’s promising is her final tour — and her fans came appropriately dressed in style. \u003c/p>\n\u003cp>KQED’s Gina Castro was there to document the looks. \u003ca href=\"https://www.kqed.org/arts/13968734/review-cyndi-lauper-san-francisco-farewell-tour-chase-center\">Read our review of the show here\u003c/a>, and see photos of fan fashions at the Chase Center below.\u003c/p>\n\u003cfigure id=\"attachment_13968776\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968776\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An attendee of the Cyndi Lauper concert holds up a pink glove during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968771\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968771\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Shannon McVey, left, and her daughter Bridget McVey, 16, pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968768\" class=\"wp-caption aligncenter\" style=\"max-width: 889px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed.jpg\" alt=\"\" width=\"889\" height=\"1333\" class=\"size-full wp-image-13968768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed-768x1152.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-caption-text\">Dione Zumbach, of Reno, NV, poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Dione became a fan when her father gifted her Cyndi’s record ‘She’s So Unusual’ when she was around 7 years old. Her mom made her a custom red dress similar to Cyndi Lauper’s dress on the cover of album. For Dione, Cyndi represents power, love and the freedom to be whoever you want to be. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968765\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed.jpg\" alt=\"\" width=\"2000\" height=\"1318\" class=\"size-full wp-image-13968765\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-800x527.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-1020x672.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-768x506.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-1536x1012.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-1920x1265.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dione Zumbach wears a Cyndi Lauper pin for the concert during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. Dione became a fan when her father gifted her the album ‘She’s So Unusual’ when she was around 7 years old. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968764\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968764\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Friends Rebecca Lee, of Grass Valley, and Tangerine Gyi pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968773\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968773\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Erwin Kunnen, from the Netherlands, Shannon Spicer and Greg Phelps pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968767\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968767\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Tan poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968774\" class=\"wp-caption aligncenter\" style=\"max-width: 1910px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed.jpg\" alt=\"\" width=\"1910\" height=\"1333\" class=\"size-full wp-image-13968774\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed.jpg 1910w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-1536x1072.jpg 1536w\" sizes=\"(max-width: 1910px) 100vw, 1910px\">\u003cfigcaption class=\"wp-caption-text\">Trixie Mattel, drag queen, DJ and TV personality, opens for Cyndi Lauper during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968769\" class=\"wp-caption aligncenter\" style=\"max-width: 889px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed.jpg\" alt=\"\" width=\"889\" height=\"1333\" class=\"size-full wp-image-13968769\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed-768x1152.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-caption-text\">Cousins Elaina Hernandez, left, and Karista Cavasos, right, pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Elaina remembers rollerblading while listening to Cyndi Lauper in the ’80s. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968779\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968779\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sister Shalita, left, and Sister Roma, right, both with the Sisters of Perpetual Indulgence, attend the Cyndi Lauper concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968766\" class=\"wp-caption aligncenter\" style=\"max-width: 889px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed.jpg\" alt=\"\" width=\"889\" height=\"1333\" class=\"size-full wp-image-13968766\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed-768x1152.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-caption-text\">Mikey Medrano poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Mikey’s mom played Cyndi’s music when he was young, and he’s been a fan ever since. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968778\" class=\"wp-caption aligncenter\" style=\"max-width: 1936px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed.jpg\" alt=\"\" width=\"1936\" height=\"1333\" class=\"size-full wp-image-13968778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed.jpg 1936w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-800x551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-1020x702.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-1536x1058.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-1920x1322.jpg 1920w\" sizes=\"(max-width: 1936px) 100vw, 1936px\">\u003cfigcaption class=\"wp-caption-text\">From left, friends Adrianne Adams, Heather Parker, Pamela Collver and Jennifer Bernstein, all coming from Eureka, pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968775\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968775\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trixie Carr looks out across the crowd during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968763\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968763\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Graves of Palo Alto, a Cyndi Lauper fan since the early ’80s, poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Cyndi Lauper fans dressed up in style for her tour stop at the Chase Center on Tuesday night. ",
"status": "publish",
"parent": 0,
"modified": 1733159926,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 4,
"wordCount": 780
},
"headData": {
"title": "Photos: Cyndi Lauper Fans Show Their True Colors in San Francisco | KQED",
"description": "Cyndi Lauper fans dressed up in style for her tour stop at the Chase Center on Tuesday night. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Photos: Cyndi Lauper Fans Show Their True Colors in San Francisco",
"datePublished": "2024-11-27T11:24:51-08:00",
"dateModified": "2024-12-02T09:18:46-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Gina Castro",
"nprStoryId": "kqed-13968756",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13968756/photos-cyndi-lauper-fans-fashion-outfits-style-san-francisco",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13968772\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed.jpg\" alt=\"Two women in neon pink and purple outfits reminiscent of the 1980s pose together in front of a Christmas tree.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968772\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-12_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Best friends Anndrea Miller, left, and Krista Ball pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cyndi Lauper came to San Francisco Tuesday night on what she’s promising is her final tour — and her fans came appropriately dressed in style. \u003c/p>\n\u003cp>KQED’s Gina Castro was there to document the looks. \u003ca href=\"https://www.kqed.org/arts/13968734/review-cyndi-lauper-san-francisco-farewell-tour-chase-center\">Read our review of the show here\u003c/a>, and see photos of fan fashions at the Chase Center below.\u003c/p>\n\u003cfigure id=\"attachment_13968776\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968776\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-22_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An attendee of the Cyndi Lauper concert holds up a pink glove during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968771\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968771\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-14_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Shannon McVey, left, and her daughter Bridget McVey, 16, pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968768\" class=\"wp-caption aligncenter\" style=\"max-width: 889px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed.jpg\" alt=\"\" width=\"889\" height=\"1333\" class=\"size-full wp-image-13968768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-6_qed-768x1152.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-caption-text\">Dione Zumbach, of Reno, NV, poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Dione became a fan when her father gifted her Cyndi’s record ‘She’s So Unusual’ when she was around 7 years old. Her mom made her a custom red dress similar to Cyndi Lauper’s dress on the cover of album. For Dione, Cyndi represents power, love and the freedom to be whoever you want to be. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968765\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed.jpg\" alt=\"\" width=\"2000\" height=\"1318\" class=\"size-full wp-image-13968765\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-800x527.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-1020x672.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-768x506.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-1536x1012.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-7_qed-1920x1265.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dione Zumbach wears a Cyndi Lauper pin for the concert during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. Dione became a fan when her father gifted her the album ‘She’s So Unusual’ when she was around 7 years old. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968764\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968764\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-4_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Friends Rebecca Lee, of Grass Valley, and Tangerine Gyi pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968773\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968773\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-13_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Erwin Kunnen, from the Netherlands, Shannon Spicer and Greg Phelps pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968767\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968767\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-8_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Tan poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968774\" class=\"wp-caption aligncenter\" style=\"max-width: 1910px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed.jpg\" alt=\"\" width=\"1910\" height=\"1333\" class=\"size-full wp-image-13968774\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed.jpg 1910w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-18_qed-1536x1072.jpg 1536w\" sizes=\"(max-width: 1910px) 100vw, 1910px\">\u003cfigcaption class=\"wp-caption-text\">Trixie Mattel, drag queen, DJ and TV personality, opens for Cyndi Lauper during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968769\" class=\"wp-caption aligncenter\" style=\"max-width: 889px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed.jpg\" alt=\"\" width=\"889\" height=\"1333\" class=\"size-full wp-image-13968769\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-9_qed-768x1152.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-caption-text\">Cousins Elaina Hernandez, left, and Karista Cavasos, right, pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Elaina remembers rollerblading while listening to Cyndi Lauper in the ’80s. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968779\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968779\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-23_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sister Shalita, left, and Sister Roma, right, both with the Sisters of Perpetual Indulgence, attend the Cyndi Lauper concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968766\" class=\"wp-caption aligncenter\" style=\"max-width: 889px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed.jpg\" alt=\"\" width=\"889\" height=\"1333\" class=\"size-full wp-image-13968766\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed.jpg 889w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-5_qed-768x1152.jpg 768w\" sizes=\"(max-width: 889px) 100vw, 889px\">\u003cfigcaption class=\"wp-caption-text\">Mikey Medrano poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. Mikey’s mom played Cyndi’s music when he was young, and he’s been a fan ever since. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968778\" class=\"wp-caption aligncenter\" style=\"max-width: 1936px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed.jpg\" alt=\"\" width=\"1936\" height=\"1333\" class=\"size-full wp-image-13968778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed.jpg 1936w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-800x551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-1020x702.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-1536x1058.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-11_qed-1920x1322.jpg 1920w\" sizes=\"(max-width: 1936px) 100vw, 1936px\">\u003cfigcaption class=\"wp-caption-text\">From left, friends Adrianne Adams, Heather Parker, Pamela Collver and Jennifer Bernstein, all coming from Eureka, pose for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968775\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968775\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-21_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trixie Carr looks out across the crowd during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13968763\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13968763\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-2_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Graves of Palo Alto, a Cyndi Lauper fan since the early ’80s, poses for a photo ahead of Cyndi Lauper’s concert for her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13968756/photos-cyndi-lauper-fans-fashion-outfits-style-san-francisco",
"authors": [
"byline_arts_13968756"
],
"categories": [
"arts_1",
"arts_76",
"arts_69"
],
"tags": [
"arts_10493",
"arts_6926",
"arts_6012",
"arts_1146"
],
"featImg": "arts_13968777",
"label": "arts"
},
"arts_13968734": {
"type": "posts",
"id": "arts_13968734",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13968734",
"score": null,
"sort": [
1732732419000
]
},
"guestAuthors": [],
"slug": "review-cyndi-lauper-san-francisco-farewell-tour-chase-center",
"title": "Cyndi Lauper Consoles a Post-Election Crowd in San Francisco",
"publishDate": 1732732419,
"format": "standard",
"headTitle": "Cyndi Lauper Consoles a Post-Election Crowd in San Francisco | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Cyndi Lauper didn’t once mention the election Tuesday night, but it hung in the air so clearly that she didn’t need to. For a San Francisco crowd that included Nancy Pelosi in the third row, Lauper acknowledged the past three weeks without once saying the E-word or, God forbid, the T-word. \u003c/p>\n\u003cp>“I never thought I’d be a second-class citizen again, and not have autonomy over my own body because of my gender,” she said at one point. She talked about rock bands full of “men, men, men, men, men”; she spoke of the power in a woman driving herself somewhere, or writing her own songs. \u003c/p>\n\u003cfigure id=\"attachment_13968723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg\" alt=\"\" width=\"2000\" height=\"1280\" class=\"size-full wp-image-13968723\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1536x983.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1920x1229.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, after opener “She Bop” — a once-scandalous ode to (gasp!) female masturbation that underscored just how far American society has progressed since the 1980s — she talked about pretty much anything on her mind, like the ways American society has moved backward, particularly on women’s equal rights.\u003c/p>\n\u003cp>Lauper is on what she’s promising is her final tour, and she’s so beloved by fans that she padded an hour-and-45-minute farewell set with these extended, off-the-cuff monologues. But it was the songs that got the people to their feet, from the belting Gene Pitney torch ballad “I’m Gonna Be Strong’ to the No. 1 single “Time After Time,” performed to an arena bathed in phone lights. \u003c/p>\n\u003cfigure id=\"attachment_13968725\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg\" alt=\"\" width=\"2000\" height=\"1400\" class=\"size-full wp-image-13968725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-800x560.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1020x714.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-768x538.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1536x1075.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1920x1344.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It is an odd artifact of the 1980s that both Cyndi Lauper and Donald Trump advocated for and \u003ca href=\"https://www.youtube.com/watch?v=JsKMb899g2Y\">participated in\u003c/a> pro wrestling. “The Goonies ‘R’ Good Enough” and its attendant film montage gave Lauper a reason to shout out wrestlers like Lou Albano, Fred Blassie and Rowdy Roddy Piper. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>How Trump used pro wrestling’s playbook and a reality TV show (on which Lauper \u003ca href=\"https://www.youtube.com/watch?v=k_Ie5B6utUA\">appeared\u003c/a>) to commandeer a political party and twice take over a nation will be studied for decades. For her part, Lauper on Tuesday night introduced a song that, as she said, seemed more true than ever: “Money Changes Everything.”\u003c/p>\n\u003cfigure id=\"attachment_13968726\" class=\"wp-caption aligncenter\" style=\"max-width: 1480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg\" alt=\"\" width=\"1480\" height=\"2000\" class=\"size-full wp-image-13968726\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg 1480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-800x1081.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1020x1378.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-160x216.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-768x1038.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1137x1536.jpg 1137w\" sizes=\"(max-width: 1480px) 100vw, 1480px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In fact, just about any song from Lauper’s smash album \u003cem>She’s So Unusual\u003c/em> won over the mostly 40-and-up crowd. During “When You Were Mine,” the masterwork by Prince about the aftermath of a situationship, you could feel the energy of thousands of people remembering what the song once meant to them, or who they shared it with, and where, long ago. \u003c/p>\n\u003cp>That connection persisted for “True Colors,” the enduring LGBTQ anthem which Lauper performed on a small stage in the center of the arena, a sheer rainbow fabric rippling in the air above. The moment was so strong, nearly reverent, that the following set closer arrived as a foregone afterthought.\u003c/p>\n\u003cfigure id=\"attachment_13968728\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" class=\"size-full wp-image-13968728\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Girls Just Wanna Have Fun” is so ubiquitous, so universal, that Lauper often finds new ways to perform it. On Tuesday night, oddly, that meant three giant portraits of the artist Yayoi Kusama, stern and unsmiling, on the giant stage backdrop, and a set and wardrobe bathed in Kusama’s red-and-white polka dots.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cyndi Lauper hugged Nancy Pelosi. Opener Trixie Mattel came back out to sing the second verse. Confetti ribbons shot into the air. If this truly was the last time San Francisco will see Lauper sing her hits, it left a memorable image. \u003c/p>\n\n",
"blocks": [],
"excerpt": "The pop icon showed how American society has progressed since the 1980s — and how it’s gone backward.",
"status": "publish",
"parent": 0,
"modified": 1732736745,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 689
},
"headData": {
"title": "Review: Cyndi Lauper at Chase Center for Farewell Tour | KQED",
"description": "The pop icon showed how American society has progressed since the 1980s — and how it’s gone backward.",
"ogTitle": "Cyndi Lauper Consoles a Post-Election Crowd in San Francisco",
"ogDescription": "",
"ogImgId": "",
"twTitle": "Cyndi Lauper Consoles a Post-Election Crowd in San Francisco",
"twDescription": "",
"twImgId": "",
"socialTitle": "Review: Cyndi Lauper at Chase Center for Farewell Tour %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Cyndi Lauper Consoles a Post-Election Crowd in San Francisco",
"datePublished": "2024-11-27T10:33:39-08:00",
"dateModified": "2024-11-27T11:45:45-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13968734",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13968734/review-cyndi-lauper-san-francisco-farewell-tour-chase-center",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Cyndi Lauper didn’t once mention the election Tuesday night, but it hung in the air so clearly that she didn’t need to. For a San Francisco crowd that included Nancy Pelosi in the third row, Lauper acknowledged the past three weeks without once saying the E-word or, God forbid, the T-word. \u003c/p>\n\u003cp>“I never thought I’d be a second-class citizen again, and not have autonomy over my own body because of my gender,” she said at one point. She talked about rock bands full of “men, men, men, men, men”; she spoke of the power in a woman driving herself somewhere, or writing her own songs. \u003c/p>\n\u003cfigure id=\"attachment_13968723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg\" alt=\"\" width=\"2000\" height=\"1280\" class=\"size-full wp-image-13968723\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1536x983.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1920x1229.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, after opener “She Bop” — a once-scandalous ode to (gasp!) female masturbation that underscored just how far American society has progressed since the 1980s — she talked about pretty much anything on her mind, like the ways American society has moved backward, particularly on women’s equal rights.\u003c/p>\n\u003cp>Lauper is on what she’s promising is her final tour, and she’s so beloved by fans that she padded an hour-and-45-minute farewell set with these extended, off-the-cuff monologues. But it was the songs that got the people to their feet, from the belting Gene Pitney torch ballad “I’m Gonna Be Strong’ to the No. 1 single “Time After Time,” performed to an arena bathed in phone lights. \u003c/p>\n\u003cfigure id=\"attachment_13968725\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg\" alt=\"\" width=\"2000\" height=\"1400\" class=\"size-full wp-image-13968725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-800x560.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1020x714.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-768x538.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1536x1075.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1920x1344.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It is an odd artifact of the 1980s that both Cyndi Lauper and Donald Trump advocated for and \u003ca href=\"https://www.youtube.com/watch?v=JsKMb899g2Y\">participated in\u003c/a> pro wrestling. “The Goonies ‘R’ Good Enough” and its attendant film montage gave Lauper a reason to shout out wrestlers like Lou Albano, Fred Blassie and Rowdy Roddy Piper. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>How Trump used pro wrestling’s playbook and a reality TV show (on which Lauper \u003ca href=\"https://www.youtube.com/watch?v=k_Ie5B6utUA\">appeared\u003c/a>) to commandeer a political party and twice take over a nation will be studied for decades. For her part, Lauper on Tuesday night introduced a song that, as she said, seemed more true than ever: “Money Changes Everything.”\u003c/p>\n\u003cfigure id=\"attachment_13968726\" class=\"wp-caption aligncenter\" style=\"max-width: 1480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg\" alt=\"\" width=\"1480\" height=\"2000\" class=\"size-full wp-image-13968726\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg 1480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-800x1081.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1020x1378.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-160x216.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-768x1038.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1137x1536.jpg 1137w\" sizes=\"(max-width: 1480px) 100vw, 1480px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In fact, just about any song from Lauper’s smash album \u003cem>She’s So Unusual\u003c/em> won over the mostly 40-and-up crowd. During “When You Were Mine,” the masterwork by Prince about the aftermath of a situationship, you could feel the energy of thousands of people remembering what the song once meant to them, or who they shared it with, and where, long ago. \u003c/p>\n\u003cp>That connection persisted for “True Colors,” the enduring LGBTQ anthem which Lauper performed on a small stage in the center of the arena, a sheer rainbow fabric rippling in the air above. The moment was so strong, nearly reverent, that the following set closer arrived as a foregone afterthought.\u003c/p>\n\u003cfigure id=\"attachment_13968728\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" class=\"size-full wp-image-13968728\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Girls Just Wanna Have Fun” is so ubiquitous, so universal, that Lauper often finds new ways to perform it. On Tuesday night, oddly, that meant three giant portraits of the artist Yayoi Kusama, stern and unsmiling, on the giant stage backdrop, and a set and wardrobe bathed in Kusama’s red-and-white polka dots.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cyndi Lauper hugged Nancy Pelosi. Opener Trixie Mattel came back out to sing the second verse. Confetti ribbons shot into the air. If this truly was the last time San Francisco will see Lauper sing her hits, it left a memorable image. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13968734/review-cyndi-lauper-san-francisco-farewell-tour-chase-center",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_10493",
"arts_6926",
"arts_10278",
"arts_6012",
"arts_769",
"arts_1146"
],
"featImg": "arts_13968731",
"label": "arts"
},
"arts_13966893": {
"type": "posts",
"id": "arts_13966893",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13966893",
"score": null,
"sort": [
1729538065000
]
},
"guestAuthors": [],
"slug": "charli-xcx-troye-sivan-chase-center-san-francisco-review",
"title": "Charli XCX’s Pop Genius Was in Sharp Focus in San Francisco",
"publishDate": 1729538065,
"format": "standard",
"headTitle": "Charli XCX’s Pop Genius Was in Sharp Focus in San Francisco | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In a white dress, Charli XCX lightly swayed on the small stage while performing “Stay Away.” The crowd of 500 had come, curious to see the new British sensation who had broken through as a songwriter on Icona Pop’s “I Love It.” Her original ’80s-tinged, gothy pop showed individuality and \u003cspan style=\"font-weight: 400\">—\u003c/span> importantly for a 21-year-old on her first U.S. tour \u003cspan style=\"font-weight: 400\">—\u003c/span> potential.\u003c/p>\n\u003cp>Obviously, this wasn’t the Sweat tour with Charli XCX and Troye Sivan at the Chase Center, but rather Charli XCX’s first-ever Bay Area show at the San Francisco club Slim’s in 2013. I’d gone to it enamored with her debut album \u003cem>True Romance\u003c/em>; she joked with the crowd, gave it her all, and in lieu of a deep catalog, covered Bow Wow Wow’s “I Want Candy.” The whole thing was charming, unpolished and promising.\u003c/p>\n\u003cp>Eleven years and seven albums later, that promise reached its apex Sunday night as Charli dominated a very, very sold-out crowd of 20,000 in San Francisco, still riding high on \u003ca href=\"https://x.com/chartscharli/status/1848226339981038054\">this year’s dominant \u003cem>brat\u003c/em>\u003c/a>. She’s also graciously chosen to lend her clout to Sivan, a tour co-headliner on paper but a junior-league colleague in spirit, whose songs are fine but pale in close comparison to his tour partner.\u003c/p>\n\u003cfigure id=\"attachment_13966898\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966898\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/IMG_0581.jpg\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/IMG_0581.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/IMG_0581-160x160.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX on her first U.S. tour at Slim’s in San Francisco in 2013. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ask any one of the \u003ca href=\"https://www.colorbook.io/hexcolors/view/8ACE00\">#8ACE00 green\u003c/a>-bedecked fans last night in “Gay Son” or “Thot Daughter” shirts to explain brat summer, and they’ll riff on a rotation of themes: living each night like it’s your last, looking extremely hot, going out and getting high with friends and strangers and being young and in love with the world. Which is to say, every teenage summer since modern times, except this year, \u003ca href=\"https://www.vox.com/the-goods/2019/7/12/20690515/hot-girl-summer-meme-define-explained\">like those before her\u003c/a>, Charli’s been able to soundtrack — and siphon — the horniest season.\u003c/p>\n\u003cp>That soundtrack sounded downright celestial Sunday night in a high-energy performance drawing heavily from \u003cem>brat\u003c/em>. “Club Classics,” “Von Dutch” and highlight “Sympathy Is a Knife” boomed with authority as Charli danced like a glitching \u003cem>Street Fighter\u003c/em> character on molly around the stage’s bare-scaffolding aesthetics of a warehouse rave. Whether playing to the camera beneath the stage’s transparent catwalk or reaching to fans over the furthest corners of its railings, Charli painted a canvas of the album that I’d always pictured when listening to it, minus any big gimmicks, pyrotechnics or backup dancers.\u003c/p>\n\u003cfigure id=\"attachment_13966902\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966902\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055.jpg\" alt=\"\" width=\"2000\" height=\"2500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1229x1536.jpg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1638x2048.jpg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1920x2400.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs during the sold-out Sweat tour stop at Madison Square Garden on September 23, 2024 in New York City. \u003ccite>(Rich Fury/MSG/Getty Images for MSG Entertainment Holdings, LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Apple” got its viral dance moment with a group of fans on the jumbotron, “Vroom Vroom” and “I Love It” got the crowd pumped and deluxe edition track “Spring Breakers” was a nice surprise. But it was during “Girl, So Confusing” that I noticed the crowd singing along to the verses louder and more passionately than the chorus, a testament to Charli’s focus as a songwriter, and her ability to connect.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sivan’s appeal is a little more inexplicable, juxtaposed as it is on the Sweat tour with Charli’s pop genius. All of the edges that Charli leaves jagged and honest, he sands off. With undulating choreography and undeniable sexiness, his performances of hits like “Youth” and “One of Your Girls” drove the crowd into a frenzy. Writhing on the satin sheets of an onstage bed, making out with his backup dancers, country two-stepping in chaps and a Stetson: Sivan knew the playbook for connecting with a very gay crowd.\u003c/p>\n\u003cfigure id=\"attachment_13966899\" class=\"wp-caption aligncenter\" style=\"max-width: 1708px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966899\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-scaled.jpg\" alt=\"\" width=\"1708\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-scaled.jpg 1708w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1020x1529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1025x1536.jpg 1025w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1920x2879.jpg 1920w\" sizes=\"(max-width: 1708px) 100vw, 1708px\">\u003cfigcaption class=\"wp-caption-text\">Troye Sivan performs at Viejas Arena in San Diego on Oct. 18, 2024 as part of his Sweat tour with Charli XCX. \u003ccite>(Live Nation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But take away the early YouTube fame, the gyrations of his backup dancers and the brilliance of his music videos, and what you’ve got is playlist music that might make for a decent 3 p.m. slot on the Twin Peaks stage at Outside Lands.\u003c/p>\n\u003cp>Sivan’s singing is limited (“Rager teenager!” came off like a monotone Drake melody; other songs’ higher notes were handled by a backing track), and his stage patter consisted mostly of saying the words “San Francisco” as many times as possible. Checking my notebook from last night, I found myself writing “He has the range of a fencepost and the stage presence of a wet receipt on the sidewalk.”\u003c/p>\n\u003cfigure id=\"attachment_13966900\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966900\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515.jpg\" alt=\"\" width=\"2000\" height=\"1205\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-800x482.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-1020x615.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-768x463.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-1536x925.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-1920x1157.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX joins Troye Sivan on stage during the Something to Give Each Other Tour at OVO Arena Wembley on June 27, 2024 in London, England. \u003ccite>(Katja Ogrin/Redferns)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That’s harsh, I admit. (You might have gotten an opposing view if Charli and Troye’s tour publicists \u003ca href=\"https://x.com/supermarke/status/1847327677356896373\">didn’t ridiculously deny press requests\u003c/a> from Bay Area queer journalists.) But Charli wasn’t always such a hypnotizing artist either. After that first San Francisco show at Slim’s, it took years and no small amount of risk-taking, of experimenting and sometimes failing, to refine her singular voice as a writer, singer and performer. Sivan is a perfectly fine avatar, but I don’t know if he’ll be adventurous enough to try similar risks, and that’s what it will take for him to fully come into his own as an artist.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Summertime is over, anyway, but you’d never guess it from the rapt crowd last night, screaming and dancing and on their feet for the entire 90 minutes, even during the ballad “Track 10” or during set-change lulls. After performing “1999” together, and a closing duet of the “Talk Talk” remix, Charli and Sivan bid farewell to the sea of green, and it spilled out into the street flush with rapture and, yes, sweat.\u003c/p>\n\n",
"blocks": [],
"excerpt": "At Chase Center, her raw lyrics, not gimmicks, enraptured the crowd. The same can't be said for Troye Sivan.",
"status": "publish",
"parent": 0,
"modified": 1729561239,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 1054
},
"headData": {
"title": "Review: Charli XCX at the Chase Center in San Francisco | KQED",
"description": "At Chase Center, her raw lyrics, not gimmicks, enraptured the crowd. The same can't be said for Troye Sivan.",
"ogTitle": "Charli XCX's Pop Genius Was in Sharp Focus in San Francisco",
"ogDescription": "",
"ogImgId": "",
"twTitle": "Charli XCX's Pop Genius Was in Sharp Focus in San Francisco",
"twDescription": "",
"twImgId": "",
"socialTitle": "Review: Charli XCX at the Chase Center in San Francisco %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Charli XCX’s Pop Genius Was in Sharp Focus in San Francisco",
"datePublished": "2024-10-21T12:14:25-07:00",
"dateModified": "2024-10-21T18:40:39-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13966893",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13966893/charli-xcx-troye-sivan-chase-center-san-francisco-review",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a white dress, Charli XCX lightly swayed on the small stage while performing “Stay Away.” The crowd of 500 had come, curious to see the new British sensation who had broken through as a songwriter on Icona Pop’s “I Love It.” Her original ’80s-tinged, gothy pop showed individuality and \u003cspan style=\"font-weight: 400\">—\u003c/span> importantly for a 21-year-old on her first U.S. tour \u003cspan style=\"font-weight: 400\">—\u003c/span> potential.\u003c/p>\n\u003cp>Obviously, this wasn’t the Sweat tour with Charli XCX and Troye Sivan at the Chase Center, but rather Charli XCX’s first-ever Bay Area show at the San Francisco club Slim’s in 2013. I’d gone to it enamored with her debut album \u003cem>True Romance\u003c/em>; she joked with the crowd, gave it her all, and in lieu of a deep catalog, covered Bow Wow Wow’s “I Want Candy.” The whole thing was charming, unpolished and promising.\u003c/p>\n\u003cp>Eleven years and seven albums later, that promise reached its apex Sunday night as Charli dominated a very, very sold-out crowd of 20,000 in San Francisco, still riding high on \u003ca href=\"https://x.com/chartscharli/status/1848226339981038054\">this year’s dominant \u003cem>brat\u003c/em>\u003c/a>. She’s also graciously chosen to lend her clout to Sivan, a tour co-headliner on paper but a junior-league colleague in spirit, whose songs are fine but pale in close comparison to his tour partner.\u003c/p>\n\u003cfigure id=\"attachment_13966898\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966898\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/IMG_0581.jpg\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/IMG_0581.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/IMG_0581-160x160.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX on her first U.S. tour at Slim’s in San Francisco in 2013. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ask any one of the \u003ca href=\"https://www.colorbook.io/hexcolors/view/8ACE00\">#8ACE00 green\u003c/a>-bedecked fans last night in “Gay Son” or “Thot Daughter” shirts to explain brat summer, and they’ll riff on a rotation of themes: living each night like it’s your last, looking extremely hot, going out and getting high with friends and strangers and being young and in love with the world. Which is to say, every teenage summer since modern times, except this year, \u003ca href=\"https://www.vox.com/the-goods/2019/7/12/20690515/hot-girl-summer-meme-define-explained\">like those before her\u003c/a>, Charli’s been able to soundtrack — and siphon — the horniest season.\u003c/p>\n\u003cp>That soundtrack sounded downright celestial Sunday night in a high-energy performance drawing heavily from \u003cem>brat\u003c/em>. “Club Classics,” “Von Dutch” and highlight “Sympathy Is a Knife” boomed with authority as Charli danced like a glitching \u003cem>Street Fighter\u003c/em> character on molly around the stage’s bare-scaffolding aesthetics of a warehouse rave. Whether playing to the camera beneath the stage’s transparent catwalk or reaching to fans over the furthest corners of its railings, Charli painted a canvas of the album that I’d always pictured when listening to it, minus any big gimmicks, pyrotechnics or backup dancers.\u003c/p>\n\u003cfigure id=\"attachment_13966902\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966902\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055.jpg\" alt=\"\" width=\"2000\" height=\"2500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1229x1536.jpg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1638x2048.jpg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2174224055-1920x2400.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs during the sold-out Sweat tour stop at Madison Square Garden on September 23, 2024 in New York City. \u003ccite>(Rich Fury/MSG/Getty Images for MSG Entertainment Holdings, LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Apple” got its viral dance moment with a group of fans on the jumbotron, “Vroom Vroom” and “I Love It” got the crowd pumped and deluxe edition track “Spring Breakers” was a nice surprise. But it was during “Girl, So Confusing” that I noticed the crowd singing along to the verses louder and more passionately than the chorus, a testament to Charli’s focus as a songwriter, and her ability to connect.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sivan’s appeal is a little more inexplicable, juxtaposed as it is on the Sweat tour with Charli’s pop genius. All of the edges that Charli leaves jagged and honest, he sands off. With undulating choreography and undeniable sexiness, his performances of hits like “Youth” and “One of Your Girls” drove the crowd into a frenzy. Writhing on the satin sheets of an onstage bed, making out with his backup dancers, country two-stepping in chaps and a Stetson: Sivan knew the playbook for connecting with a very gay crowd.\u003c/p>\n\u003cfigure id=\"attachment_13966899\" class=\"wp-caption aligncenter\" style=\"max-width: 1708px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966899\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-scaled.jpg\" alt=\"\" width=\"1708\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-scaled.jpg 1708w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1020x1529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1025x1536.jpg 1025w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/FG3A4962-1920x2879.jpg 1920w\" sizes=\"(max-width: 1708px) 100vw, 1708px\">\u003cfigcaption class=\"wp-caption-text\">Troye Sivan performs at Viejas Arena in San Diego on Oct. 18, 2024 as part of his Sweat tour with Charli XCX. \u003ccite>(Live Nation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But take away the early YouTube fame, the gyrations of his backup dancers and the brilliance of his music videos, and what you’ve got is playlist music that might make for a decent 3 p.m. slot on the Twin Peaks stage at Outside Lands.\u003c/p>\n\u003cp>Sivan’s singing is limited (“Rager teenager!” came off like a monotone Drake melody; other songs’ higher notes were handled by a backing track), and his stage patter consisted mostly of saying the words “San Francisco” as many times as possible. Checking my notebook from last night, I found myself writing “He has the range of a fencepost and the stage presence of a wet receipt on the sidewalk.”\u003c/p>\n\u003cfigure id=\"attachment_13966900\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966900\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515.jpg\" alt=\"\" width=\"2000\" height=\"1205\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-800x482.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-1020x615.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-768x463.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-1536x925.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-2159614515-1920x1157.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX joins Troye Sivan on stage during the Something to Give Each Other Tour at OVO Arena Wembley on June 27, 2024 in London, England. \u003ccite>(Katja Ogrin/Redferns)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That’s harsh, I admit. (You might have gotten an opposing view if Charli and Troye’s tour publicists \u003ca href=\"https://x.com/supermarke/status/1847327677356896373\">didn’t ridiculously deny press requests\u003c/a> from Bay Area queer journalists.) But Charli wasn’t always such a hypnotizing artist either. After that first San Francisco show at Slim’s, it took years and no small amount of risk-taking, of experimenting and sometimes failing, to refine her singular voice as a writer, singer and performer. Sivan is a perfectly fine avatar, but I don’t know if he’ll be adventurous enough to try similar risks, and that’s what it will take for him to fully come into his own as an artist.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Summertime is over, anyway, but you’d never guess it from the rapt crowd last night, screaming and dancing and on their feet for the entire 90 minutes, even during the ballad “Track 10” or during set-change lulls. After performing “1999” together, and a closing duet of the “Talk Talk” remix, Charli and Sivan bid farewell to the sea of green, and it spilled out into the street flush with rapture and, yes, sweat.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13966893/charli-xcx-troye-sivan-chase-center-san-francisco-review",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_6926",
"arts_10278",
"arts_769"
],
"featImg": "arts_13966901",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=chase-center": {
"isFetching": false,
"latestQuery": {
"from": 0,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 28,
"relation": "eq"
},
"items": [
"arts_13994882",
"arts_13985375",
"arts_13981424",
"arts_13980855",
"arts_13976496",
"arts_13975046",
"arts_13973867",
"arts_13969956",
"arts_13969081",
"arts_13968756",
"arts_13968734",
"arts_13966893"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_tag_chase-center": {
"isLoading": true
},
"arts_6926": {
"type": "terms",
"id": "arts_6926",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6926",
"found": true
},
"relationships": {},
"featImg": null,
"name": "chase center",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "chase center Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6938,
"slug": "chase-center",
"isLoading": false,
"link": "/arts/tag/chase-center"
},
"source_arts_13985375": {
"type": "terms",
"id": "source_arts_13985375",
"meta": {
"override": true
},
"name": "Food",
"link": "https://www.kqed.org/food",
"isLoading": false
},
"source_arts_13976496": {
"type": "terms",
"id": "source_arts_13976496",
"meta": {
"override": true
},
"name": "The Do List",
"link": "https://www.kqed.org/thedolist",
"isLoading": false
},
"source_arts_13973867": {
"type": "terms",
"id": "source_arts_13973867",
"meta": {
"override": true
},
"name": "The Do List",
"link": "https://www.kqed.org/thedolist",
"isLoading": false
},
"source_arts_13969956": {
"type": "terms",
"id": "source_arts_13969956",
"meta": {
"override": true
},
"name": "Commentary",
"link": "https://www.kqed.org/artscommentary",
"isLoading": false
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_13238": {
"type": "terms",
"id": "arts_13238",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13238",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sports",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Sports Archives | KQED Arts",
"ogDescription": null
},
"ttid": 13250,
"slug": "sports",
"isLoading": false,
"link": "/arts/category/sports"
},
"arts_5786": {
"type": "terms",
"id": "arts_5786",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5786",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Basketball",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Basketball Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5798,
"slug": "basketball",
"isLoading": false,
"link": "/arts/tag/basketball"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_22151": {
"type": "terms",
"id": "arts_22151",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22151",
"found": true
},
"relationships": {},
"name": "Golden State Valkyries",
"slug": "golden-state-valkyries",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Golden State Valkyries | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22163,
"isLoading": false,
"link": "/arts/tag/golden-state-valkyries"
},
"arts_822": {
"type": "terms",
"id": "arts_822",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "822",
"found": true
},
"relationships": {},
"featImg": null,
"name": "photography",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "photography Archives | KQED Arts",
"ogDescription": null
},
"ttid": 840,
"slug": "photography",
"isLoading": false,
"link": "/arts/tag/photography"
},
"arts_22730": {
"type": "terms",
"id": "arts_22730",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22730",
"found": true
},
"relationships": {},
"name": "qed-up-2",
"slug": "qed-up-2-2",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "qed-up-2 | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22742,
"isLoading": false,
"link": "/arts/tag/qed-up-2-2"
},
"arts_1146": {
"type": "terms",
"id": "arts_1146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1146",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 701,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/tag/san-francisco"
},
"arts_22199": {
"type": "terms",
"id": "arts_22199",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22199",
"found": true
},
"relationships": {},
"name": "wnba",
"slug": "wnba",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "wnba Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22211,
"isLoading": false,
"link": "/arts/tag/wnba"
},
"arts_21866": {
"type": "terms",
"id": "arts_21866",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21866",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21878,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/arts/interest/arts-and-culture"
},
"arts_21879": {
"type": "terms",
"id": "arts_21879",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Entertainment",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Entertainment Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21891,
"slug": "entertainment",
"isLoading": false,
"link": "/arts/interest/entertainment"
},
"arts_21870": {
"type": "terms",
"id": "arts_21870",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21870",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Events",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Events Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21882,
"slug": "events",
"isLoading": false,
"link": "/arts/interest/events"
},
"arts_21859": {
"type": "terms",
"id": "arts_21859",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21859",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21871,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/interest/san-francisco"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_12276": {
"type": "terms",
"id": "arts_12276",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "12276",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Food",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Explore the Bay Area culinary scene through KQED's food stories, recipes, dining experiences, and stories from the diverse tastemakers that define the Bay's cuisines.",
"title": "Bay Area Food Archives, Articles, News, and Reviews | KQED",
"ogDescription": null
},
"ttid": 12288,
"slug": "food",
"isLoading": false,
"link": "/arts/category/food"
},
"arts_13831": {
"type": "terms",
"id": "arts_13831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "barbecue",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "barbecue Archives | KQED Arts",
"ogDescription": null
},
"ttid": 13843,
"slug": "barbecue",
"isLoading": false,
"link": "/arts/tag/barbecue"
},
"arts_9346": {
"type": "terms",
"id": "arts_9346",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9346",
"found": true
},
"relationships": {},
"featImg": null,
"name": "golden state warriors",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "golden state warriors Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9358,
"slug": "golden-state-warriors",
"isLoading": false,
"link": "/arts/tag/golden-state-warriors"
},
"arts_22255": {
"type": "terms",
"id": "arts_22255",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22255",
"found": true
},
"relationships": {},
"name": "indonesian food",
"slug": "indonesian-food",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "indonesian food Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22267,
"isLoading": false,
"link": "/arts/tag/indonesian-food"
},
"arts_21762": {
"type": "terms",
"id": "arts_21762",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21762",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Islam",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Islam Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21774,
"slug": "islam",
"isLoading": false,
"link": "/arts/tag/islam"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_21865": {
"type": "terms",
"id": "arts_21865",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21865",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Food and Drink",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Food and Drink Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21877,
"slug": "food-and-drink",
"isLoading": false,
"link": "/arts/interest/food-and-drink"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_6226": {
"type": "terms",
"id": "arts_6226",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6226",
"found": true
},
"relationships": {},
"featImg": null,
"name": "cardi b",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "cardi b Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6238,
"slug": "cardi-b",
"isLoading": false,
"link": "/arts/tag/cardi-b"
},
"arts_700": {
"type": "terms",
"id": "arts_700",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "700",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ticket alert",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ticket alert Archives | KQED Arts",
"ogDescription": null
},
"ttid": 711,
"slug": "ticket-alert",
"isLoading": false,
"link": "/arts/tag/ticket-alert"
},
"arts_4798": {
"type": "terms",
"id": "arts_4798",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4798",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tickets",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tickets Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4810,
"slug": "tickets",
"isLoading": false,
"link": "/arts/tag/tickets"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_2852": {
"type": "terms",
"id": "arts_2852",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2852",
"found": true
},
"relationships": {},
"featImg": null,
"name": "DJs",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "DJs Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2864,
"slug": "djs",
"isLoading": false,
"link": "/arts/tag/djs"
},
"arts_10342": {
"type": "terms",
"id": "arts_10342",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10342",
"found": true
},
"relationships": {},
"featImg": null,
"name": "editorspick",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "editorspick Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10354,
"slug": "editorspick",
"isLoading": false,
"link": "/arts/tag/editorspick"
},
"arts_10422": {
"type": "terms",
"id": "arts_10422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10434,
"slug": "featured-news",
"isLoading": false,
"link": "/arts/tag/featured-news"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_3226": {
"type": "terms",
"id": "arts_3226",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3226",
"found": true
},
"relationships": {},
"name": "LGBTQ+",
"slug": "lgbtq",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "LGBTQ+ | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 3238,
"isLoading": false,
"link": "/arts/tag/lgbtq"
},
"arts_5351": {
"type": "terms",
"id": "arts_5351",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5351",
"found": true
},
"relationships": {},
"featImg": null,
"name": "nightlife",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "nightlife Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5363,
"slug": "nightlife",
"isLoading": false,
"link": "/arts/tag/nightlife"
},
"arts_22382": {
"type": "terms",
"id": "arts_22382",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22382",
"found": true
},
"relationships": {},
"name": "rap music",
"slug": "rap-music",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "rap music | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22394,
"isLoading": false,
"link": "/arts/tag/rap-music"
},
"arts_22247": {
"type": "terms",
"id": "arts_22247",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22247",
"found": true
},
"relationships": {},
"name": "women's sports",
"slug": "womens-sports",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "women's sports Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22259,
"isLoading": false,
"link": "/arts/tag/womens-sports"
},
"arts_21863": {
"type": "terms",
"id": "arts_21863",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21863",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21875,
"slug": "news",
"isLoading": false,
"link": "/arts/interest/news"
},
"arts_22313": {
"type": "terms",
"id": "arts_22313",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22313",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "The Do List | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22325,
"isLoading": false,
"link": "/arts/category/the-do-list"
},
"arts_7164": {
"type": "terms",
"id": "arts_7164",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7164",
"found": true
},
"relationships": {},
"featImg": null,
"name": "billie eilish",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "billie eilish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7176,
"slug": "billie-eilish",
"isLoading": false,
"link": "/arts/tag/billie-eilish"
},
"arts_22445": {
"type": "terms",
"id": "arts_22445",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22445",
"found": true
},
"relationships": {},
"name": "presale code",
"slug": "presale-code",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "presale code | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22457,
"isLoading": false,
"link": "/arts/tag/presale-code"
},
"arts_4802": {
"type": "terms",
"id": "arts_4802",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4802",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ticketmaster",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ticketmaster Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4814,
"slug": "ticketmaster",
"isLoading": false,
"link": "/arts/tag/ticketmaster"
},
"arts_2797": {
"type": "terms",
"id": "arts_2797",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2797",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Lady Gaga",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Lady Gaga Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2809,
"slug": "lady-gaga",
"isLoading": false,
"link": "/arts/tag/lady-gaga"
},
"arts_21731": {
"type": "terms",
"id": "arts_21731",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21731",
"found": true
},
"relationships": {},
"featImg": null,
"name": "burrito",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "burrito Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21743,
"slug": "burrito",
"isLoading": false,
"link": "/arts/tag/burrito"
},
"arts_1297": {
"type": "terms",
"id": "arts_1297",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1297",
"found": true
},
"relationships": {},
"featImg": null,
"name": "food",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "food Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1309,
"slug": "food",
"isLoading": false,
"link": "/arts/tag/food"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_1355": {
"type": "terms",
"id": "arts_1355",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1355",
"found": true
},
"relationships": {},
"featImg": null,
"name": "homelessness",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "homelessness Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1367,
"slug": "homelessness",
"isLoading": false,
"link": "/arts/tag/homelessness"
},
"arts_22450": {
"type": "terms",
"id": "arts_22450",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22450",
"found": true
},
"relationships": {},
"name": "Oakland Roots",
"slug": "oakland-roots",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Oakland Roots | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22462,
"isLoading": false,
"link": "/arts/tag/oakland-roots"
},
"arts_3298": {
"type": "terms",
"id": "arts_3298",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3298",
"found": true
},
"relationships": {},
"featImg": null,
"name": "warriors",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "warriors Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3310,
"slug": "warriors",
"isLoading": false,
"link": "/arts/tag/warriors"
},
"arts_21795": {
"type": "terms",
"id": "arts_21795",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21795",
"found": true
},
"relationships": {},
"featImg": null,
"name": "924 gilman",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "924 gilman Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21807,
"slug": "924-gilman",
"isLoading": false,
"link": "/arts/tag/924-gilman"
},
"arts_22377": {
"type": "terms",
"id": "arts_22377",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22377",
"found": true
},
"relationships": {},
"name": "Best of 2024",
"slug": "best-of-2024",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Best of 2024 | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22389,
"isLoading": false,
"link": "/arts/tag/best-of-2024"
},
"arts_2187": {
"type": "terms",
"id": "arts_2187",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2187",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Great American Music Hall",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Great American Music Hall Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2199,
"slug": "great-american-music-hall",
"isLoading": false,
"link": "/arts/tag/great-american-music-hall"
},
"arts_21988": {
"type": "terms",
"id": "arts_21988",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21988",
"found": true
},
"relationships": {},
"featImg": null,
"name": "oakland arena",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "oakland arena Archives | KQED Arts",
"ogDescription": null
},
"ttid": 22000,
"slug": "oakland-arena",
"isLoading": false,
"link": "/arts/tag/oakland-arena"
},
"arts_22378": {
"type": "terms",
"id": "arts_22378",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22378",
"found": true
},
"relationships": {},
"name": "phoenix theatre",
"slug": "phoenix-theatre",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "phoenix theatre | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22390,
"isLoading": false,
"link": "/arts/tag/phoenix-theatre"
},
"arts_2048": {
"type": "terms",
"id": "arts_2048",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2048",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SFJAZZ",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SFJAZZ Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2060,
"slug": "sfjazz",
"isLoading": false,
"link": "/arts/tag/sfjazz"
},
"arts_2996": {
"type": "terms",
"id": "arts_2996",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2996",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the fillmore",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the fillmore Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3008,
"slug": "the-fillmore",
"isLoading": false,
"link": "/arts/tag/the-fillmore"
},
"arts_21872": {
"type": "terms",
"id": "arts_21872",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21872",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Berkeley",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Berkeley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21884,
"slug": "berkeley",
"isLoading": false,
"link": "/arts/interest/berkeley"
},
"arts_21871": {
"type": "terms",
"id": "arts_21871",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21871",
"found": true
},
"relationships": {},
"featImg": null,
"name": "East Bay",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "East Bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21883,
"slug": "east-bay",
"isLoading": false,
"link": "/arts/interest/east-bay"
},
"arts_21873": {
"type": "terms",
"id": "arts_21873",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21873",
"found": true
},
"relationships": {},
"featImg": null,
"name": "North Bay",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "North Bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21885,
"slug": "north-bay",
"isLoading": false,
"link": "/arts/interest/north-bay"
},
"arts_21860": {
"type": "terms",
"id": "arts_21860",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21860",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21872,
"slug": "oakland",
"isLoading": false,
"link": "/arts/interest/oakland"
},
"arts_21861": {
"type": "terms",
"id": "arts_21861",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21861",
"found": true
},
"relationships": {},
"featImg": null,
"name": "South Bay",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "South Bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21873,
"slug": "south-bay",
"isLoading": false,
"link": "/arts/interest/south-bay"
},
"arts_76": {
"type": "terms",
"id": "arts_76",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "76",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Fashion/Design",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Fashion/Design Archives | KQED Arts",
"ogDescription": null
},
"ttid": 77,
"slug": "design",
"isLoading": false,
"link": "/arts/category/design"
},
"arts_10493": {
"type": "terms",
"id": "arts_10493",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10493",
"found": true
},
"relationships": {},
"featImg": null,
"name": "1980s",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "1980s Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10505,
"slug": "1980s",
"isLoading": false,
"link": "/arts/tag/1980s"
},
"arts_6012": {
"type": "terms",
"id": "arts_6012",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6012",
"found": true
},
"relationships": {},
"featImg": null,
"name": "pop music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "pop music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6024,
"slug": "pop-music",
"isLoading": false,
"link": "/arts/tag/pop-music"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}
