The Lab's front door in the Redstone Building, at the corner of 16th and Capp Streets in San Francisco's Mission District. (Beth LaBerge/KQED)
Updated 10:05 p.m. Monday.
More than a dozen Bay Area arts nonprofits received emails the afternoon of May 2 that their grants from the National Endowment for the Arts have been canceled.
The cancellations affect a wide range of Bay Area arts organizations, including Berkeley Repertory Theatre, the Frameline film festival, SFJAZZ and The Lab. The emails stated that “the NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the President.”
The grant terminations are effective as of May 31, 2025. Affected grantees now have until June 30, 2025 to make a final payment request — if they are able to complete their awarded projects by the end of May.
Trump’s new priorities
The NEA’s Grants for the Arts, issued twice a year, historically range in value from $10,000 to $100,000 and support arts nonprofits in all 50 states, Puerto Rico, and Washington, D.C. The most recent grant announcement in January totaled nearly $36.8 million, spread across 1,474 awards.
Sponsored
Previous NEA chair Maria Rosario Jackson, who had been appointed by former President Joe Biden, resigned on Jan. 20, the day of Trump’s inauguration. Mary Anne Carter, Trump’s NEA chair during his 2017-2020 administration, is currently overseeing the agency.
The termination emails received by grantees list the updated priorities of the NEA as “projects that elevate the Nation’s HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support the military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.”
An installation view of ‘arcane transmissions,’ presented by The Lab and cloaca projects, based on an original conception by Peter Simensky. The exhibition and performance series was funded by a National Endowment for the Humanities grant. (Robert Divers Herrick)
While some of these are familiar to arts nonprofits who have previously applied for NEA grants, projects intended to “foster AI competency” and “make America healthy again” stood out as new additions.
Confusingly, some organizations had funding rescinded for projects that, in fact, met the NEA’s new criteria. The California Symphony, for instance, had $10,000 in grant funds terminated, resulting in the possible cancellation of a commission by its composer-in-residence, Saad Haddad.
“The unfortunate irony,” symphony director Donato Cabrara told KQED, “is that this final commission was to help celebrate the 250th anniversary of American independence, one of the new criteria listed by the NEA.”
A ‘roller-coaster ride’
SCRAP, the San Francisco creative reuse center, was proud to announce its very first NEA grant in January. But since then, the $25,000 in funds have been effectively frozen. SCRAP received notice that their funding recommendation had been withdrawn on Friday. The grant was meant to support staff and teaching artists running a sustainable fashion design program for underserved youth.
The nonprofit now has seven calendar days to appeal the decision. SCRAP’s Director of Programs Danielle Grant says it’s unlikely they will appeal. “We don’t fit any of those ‘new priorities,’” she told KQED.
Oakland Theater Project, which received a $30,000 award in 2024 for the world premiere production of Erik Ehn’s Moby Dick, was also among the affected nonprofits. Managing Director Colin Mandlin said they have received about half of the funds from the NEA, which were meant to cover a two-year granting period.
Just last month, Oakland Theater Project was hit by other federal funding cuts: Their $25,000 grant from California Humanities was canceled when the National Endowment for the Humanities canceled millions of dollars in previously awarded federal grants to arts and cultural groups across the country.
“The roller-coaster ride continues,” Mandlin wrote in an email to KQED.
Moby Dick was scheduled to premiere in 2026; it’s unlikely Oakland Theater Project will be able to receive their full grant amount by the June deadline. Mandlin said they’ll have to revisit the extent of their plans for the production. “It’s more ambitious, world premieres, when we’re commissioning a piece from scratch,” Mandlin said. “Commissioning a play costs a substantial amount of funds.”
Andrew Smith at The Lab in November 2023. (Beth LaBerge/KQED)
Uncertainty in all sizes
The grant cancellations are particularly dire for smaller arts organizations with smaller operating budgets, for which an NEA grant can constitute substantial assistance.
Andrew Smith, executive director of the San Francisco experimental arts space The Lab, also received the notice-of-termination email — twice. Both projects, Smith said, have thankfully been completed and fully reimbursed.
Expecting something like this grant termination to happen, Smith pushed NEA-funded programming from the fall to the spring in order to submit for reimbursement as quickly as possible.
Additionally, the literary magazine ZYZZYVA, the Richmond Art Center, the San Francisco International Arts Festival and San Francisco Contemporary Music Players all received emails that their ongoing NEA grants were canceled.
“Our program is happening next Saturday, and the loss of $20K is a major fiscal blow to our organization,” Richard Aldag, executive director of SFCMP, wrote to KQED.
Women’s Audio Mission had been awarded $45,000 from the NEA to support Girls on the Mic, a free music and media arts training and mentorship program with a focus on girls and gender-diverse youth. Those funds were pulled Friday, executive director Terri Winston said.
“I can understand changing priorities moving forward, but withdrawing funds after they had been approved is pretty cruel,” said Winston.
Dance organizations ODC, Flyaway Productions and Dance Mission all had grant funds canceled, as did the Omnira Institute in Oakland, which had been awarded $10,000 to support a festival of Black music and art. The San Francisco Chronicle reported Saturday that Circo Zero and New Conservatory Theatre Center had their funding canceled.
Both The Lab and Oakland Theater Project have submitted applications, currently pending, for future NEA grants. It’s uncertain if any grants submitted under the previous guidelines will be awarded.
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"slug": "national-endowment-for-the-arts-grants-canceled-nonprofits",
"title": "Trump Cancels NEA Grants for Many Bay Area Arts Nonprofits",
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"content": "\u003cp>\u003ci>Updated 10:05 p.m. Monday.\u003c/i>\u003c/p>\n\u003cp>More than a dozen Bay Area arts nonprofits received emails the afternoon of May 2 that their grants from the \u003ca href=\"https://www.kqed.org/arts/tag/nea\">National Endowment for the Arts\u003c/a> have been canceled.\u003c/p>\n\u003cp>The cancellations affect a wide range of Bay Area arts organizations, including \u003ca href=\"https://www.kqed.org/arts/tag/berkeley-rep\">Berkeley Repertory Theatre\u003c/a>, the \u003ca href=\"https://www.kqed.org/arts/tag/frameline\">Frameline\u003c/a> film festival, \u003ca href=\"https://www.kqed.org/arts/tag/sfjazz\">SFJAZZ\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/the-lab\">The Lab\u003c/a>. The emails stated that “the NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the President.”\u003c/p>\n\u003cp>[aside postID='arts_13975921']In a budget proposal released on May 2, \u003ca href=\"https://www.americantheatre.org/2025/05/02/trump-proposes-elimination-of-nea-and-neh/\">President Trump called for eliminating the NEA entirely\u003c/a>, along with the National Endowment for the Humanities and the Institute of Museum and Library Sciences.\u003c/p>\n\u003cp>The grant terminations are effective as of May 31, 2025. Affected grantees now have until June 30, 2025 to make a final payment request — if they are able to complete their awarded projects by the end of May.\u003c/p>\n\u003ch2>Trump’s new priorities\u003c/h2>\n\u003cp>The NEA’s Grants for the Arts, issued twice a year, historically range in value from $10,000 to $100,000 and support arts nonprofits in all 50 states, Puerto Rico, and Washington, D.C. The most recent \u003ca href=\"https://www.kqed.org/arts/13970297/nea-grants-list-of-sf-bay-area-organizations-receiving-grants-in-2025\">grant announcement in January\u003c/a> totaled nearly $36.8 million, spread across 1,474 awards.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"Bay Area National Endowment for the Arts Grantees\" aria-label=\"Table\" id=\"datawrapper-chart-RKmYG\" src=\"https://datawrapper.dwcdn.net/RKmYG/5/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"800\" height=\"650\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Previous NEA chair Maria Rosario Jackson, who had been appointed by former President Joe Biden, resigned on Jan. 20, the day of Trump’s inauguration. Mary Anne Carter, Trump’s NEA chair during his 2017-2020 administration, is currently overseeing the agency.\u003c/p>\n\u003cp>The termination emails received by grantees list the updated priorities of the NEA as “projects that elevate the Nation’s HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support the military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.”\u003c/p>\n\u003cfigure id=\"attachment_13975664\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13975664\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000.jpg\" alt=\"gallery space with tables and sculptures, lights on floor\" width=\"2000\" height=\"1036\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-800x414.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-1020x528.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-160x83.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-768x398.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-1536x796.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-1920x995.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An installation view of ‘arcane transmissions,’ presented by The Lab and cloaca projects, based on an original conception by Peter Simensky. The exhibition and performance series was funded by a National Endowment for the Humanities grant. \u003ccite>(Robert Divers Herrick)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While some of these are familiar to arts nonprofits who have previously applied for NEA grants, projects intended to “foster AI competency” and “make America healthy again” stood out as new additions.\u003c/p>\n\u003cp>[aside postID='arts_13971749']Confusingly, some organizations had funding rescinded for projects that, in fact, met the NEA’s new criteria. The \u003ca href=\"https://www.californiasymphony.org/\">California Symphony\u003c/a>, for instance, had $10,000 in grant funds terminated, resulting in the possible cancellation of a commission by its composer-in-residence, Saad Haddad.\u003c/p>\n\u003cp>“The unfortunate irony,” symphony director Donato Cabrara told KQED, “is that this final commission was to help celebrate the 250th anniversary of American independence, one of the new criteria listed by the NEA.”\u003c/p>\n\u003ch2>A ‘roller-coaster ride’\u003c/h2>\n\u003cp>\u003ca href=\"https://www.scrap-sf.org/\">SCRAP\u003c/a>, the San Francisco creative reuse center, was proud to announce its very first NEA grant in January. But since then, the $25,000 in funds have been effectively frozen. SCRAP received notice that their funding recommendation had been withdrawn on Friday. The grant was meant to support staff and teaching artists running a sustainable fashion design program for underserved youth.\u003c/p>\n\u003cp>The nonprofit now has seven calendar days to appeal the decision. SCRAP’s Director of Programs Danielle Grant says it’s unlikely they will appeal. “We don’t fit any of those ‘new priorities,’” she told KQED.\u003c/p>\n\u003cp>[aside postID='arts_13974246']\u003ca href=\"https://oaklandtheaterproject.org/\">Oakland Theater Project\u003c/a>, which received a $30,000 award in 2024 for the world premiere production of Erik Ehn’s \u003ci>Moby Dick\u003c/i>, was also among the affected nonprofits. Managing Director Colin Mandlin said they have received about half of the funds from the NEA, which were meant to cover a two-year granting period.\u003c/p>\n\u003cp>Just last month, Oakland Theater Project was hit by other federal funding cuts: Their $25,000 grant from California Humanities \u003ca href=\"https://www.kqed.org/arts/13974246/neh-funding-canceled-grants-california-humanities\">was canceled\u003c/a> when the National Endowment for the Humanities \u003ca href=\"https://www.npr.org/2025/04/03/nx-s1-5350994/neh-grants-cut-humanities-doge-trump\">canceled millions of dollars\u003c/a> in previously awarded federal grants to arts and cultural groups across the country.\u003c/p>\n\u003cp>“The roller-coaster ride continues,” Mandlin wrote in an email to KQED.\u003c/p>\n\u003cp>\u003ci>Moby Dick\u003c/i> was scheduled to premiere in 2026; it’s unlikely Oakland Theater Project will be able to receive their full grant amount by the June deadline. Mandlin said they’ll have to revisit the extent of their plans for the production. “It’s more ambitious, world premieres, when we’re commissioning a piece from scratch,” Mandlin said. “Commissioning a play costs a substantial amount of funds.”\u003c/p>\n\u003cfigure id=\"attachment_13937813\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13937813\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Andrew Smith at The Lab in November 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Uncertainty in all sizes\u003c/h2>\n\u003cp>The grant cancellations are particularly dire for smaller arts organizations with smaller operating budgets, for which an NEA grant can constitute substantial assistance.\u003c/p>\n\u003cp>Andrew Smith, executive director of the San Francisco experimental arts space \u003ca href=\"https://www.kqed.org/arts/13937804/the-lab-new-lease-redstone-building-sf-labor-temple\">The Lab\u003c/a>, also received the notice-of-termination email — twice. Both projects, Smith said, have thankfully been completed and fully reimbursed.\u003c/p>\n\u003cp>Expecting something like this grant termination to happen, Smith pushed NEA-funded programming from the fall to the spring in order to submit for reimbursement as quickly as possible.\u003c/p>\n\u003cp>Additionally, the literary magazine \u003ci>ZYZZYVA\u003c/i>, the Richmond Art Center, the San Francisco International Arts Festival and San Francisco Contemporary Music Players all received emails that their ongoing NEA grants were canceled.\u003c/p>\n\u003cp>“\u003ca href=\"https://sfcmp.org/concerts/2024-2025-season/shared-rituals/\">Our program\u003c/a> is happening next Saturday, and the loss of $20K is a major fiscal blow to our organization,” Richard Aldag, executive director of SFCMP, wrote to KQED.\u003c/p>\n\u003cp>[aside postID='arts_13973894']\u003ca href=\"https://www.kqed.org/news/tag/womens-audio-mission\">Women’s Audio Mission\u003c/a> had been awarded $45,000 from the NEA to support Girls on the Mic, a free music and media arts training and mentorship program with a focus on girls and gender-diverse youth. Those funds were pulled Friday, executive director Terri Winston said.\u003c/p>\n\u003cp>“I can understand changing priorities moving forward, but withdrawing funds after they had been approved is pretty cruel,” said Winston.\u003c/p>\n\u003cp>Dance organizations ODC, Flyaway Productions and Dance Mission all had grant funds canceled, as did the Omnira Institute in Oakland, which had been awarded $10,000 to support a festival of Black music and art. The \u003cem>\u003ca href=\"https://www.sfchronicle.com/entertainment/article/bay-area-nea-cuts-trump-20308037.php\">San Francisco Chronicle\u003c/a>\u003c/em> reported Saturday that Circo Zero and New Conservatory Theatre Center had their funding canceled.\u003c/p>\n\u003cp>Larger arts groups were not spared in Friday’s slashing of funds. A representative of both \u003ca href=\"https://www.kqed.org/arts/tag/berkeley-rep\">Berkeley Repertory Theatre\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/act\">American Conservatory Theater\u003c/a> confirmed to KQED that the long-running theater companies received the cancellation email. The 42-year-old \u003ca href=\"https://www.kqed.org/arts/tag/sfjazz\">SFJAZZ\u003c/a> and 55-year-old \u003ca href=\"https://www.kqed.org/arts/tag/theatreworks-silicon-valley\">TheatreWorks Silicon Valley\u003c/a> also had their NEA grants canceled.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Both The Lab and Oakland Theater Project have submitted applications, currently pending, for future NEA grants. It’s uncertain if any grants submitted under the previous guidelines will be awarded.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>Updated 10:05 p.m. Monday.\u003c/i>\u003c/p>\n\u003cp>More than a dozen Bay Area arts nonprofits received emails the afternoon of May 2 that their grants from the \u003ca href=\"https://www.kqed.org/arts/tag/nea\">National Endowment for the Arts\u003c/a> have been canceled.\u003c/p>\n\u003cp>The cancellations affect a wide range of Bay Area arts organizations, including \u003ca href=\"https://www.kqed.org/arts/tag/berkeley-rep\">Berkeley Repertory Theatre\u003c/a>, the \u003ca href=\"https://www.kqed.org/arts/tag/frameline\">Frameline\u003c/a> film festival, \u003ca href=\"https://www.kqed.org/arts/tag/sfjazz\">SFJAZZ\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/the-lab\">The Lab\u003c/a>. The emails stated that “the NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the President.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In a budget proposal released on May 2, \u003ca href=\"https://www.americantheatre.org/2025/05/02/trump-proposes-elimination-of-nea-and-neh/\">President Trump called for eliminating the NEA entirely\u003c/a>, along with the National Endowment for the Humanities and the Institute of Museum and Library Sciences.\u003c/p>\n\u003cp>The grant terminations are effective as of May 31, 2025. Affected grantees now have until June 30, 2025 to make a final payment request — if they are able to complete their awarded projects by the end of May.\u003c/p>\n\u003ch2>Trump’s new priorities\u003c/h2>\n\u003cp>The NEA’s Grants for the Arts, issued twice a year, historically range in value from $10,000 to $100,000 and support arts nonprofits in all 50 states, Puerto Rico, and Washington, D.C. The most recent \u003ca href=\"https://www.kqed.org/arts/13970297/nea-grants-list-of-sf-bay-area-organizations-receiving-grants-in-2025\">grant announcement in January\u003c/a> totaled nearly $36.8 million, spread across 1,474 awards.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"Bay Area National Endowment for the Arts Grantees\" aria-label=\"Table\" id=\"datawrapper-chart-RKmYG\" src=\"https://datawrapper.dwcdn.net/RKmYG/5/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"800\" height=\"650\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Previous NEA chair Maria Rosario Jackson, who had been appointed by former President Joe Biden, resigned on Jan. 20, the day of Trump’s inauguration. Mary Anne Carter, Trump’s NEA chair during his 2017-2020 administration, is currently overseeing the agency.\u003c/p>\n\u003cp>The termination emails received by grantees list the updated priorities of the NEA as “projects that elevate the Nation’s HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support the military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.”\u003c/p>\n\u003cfigure id=\"attachment_13975664\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13975664\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000.jpg\" alt=\"gallery space with tables and sculptures, lights on floor\" width=\"2000\" height=\"1036\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-800x414.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-1020x528.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-160x83.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-768x398.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-1536x796.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/250221_TheLab_PeterSiminsky_ArcaneTransmissions_RDH_097-Smaller_2000-1920x995.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An installation view of ‘arcane transmissions,’ presented by The Lab and cloaca projects, based on an original conception by Peter Simensky. The exhibition and performance series was funded by a National Endowment for the Humanities grant. \u003ccite>(Robert Divers Herrick)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While some of these are familiar to arts nonprofits who have previously applied for NEA grants, projects intended to “foster AI competency” and “make America healthy again” stood out as new additions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Confusingly, some organizations had funding rescinded for projects that, in fact, met the NEA’s new criteria. The \u003ca href=\"https://www.californiasymphony.org/\">California Symphony\u003c/a>, for instance, had $10,000 in grant funds terminated, resulting in the possible cancellation of a commission by its composer-in-residence, Saad Haddad.\u003c/p>\n\u003cp>“The unfortunate irony,” symphony director Donato Cabrara told KQED, “is that this final commission was to help celebrate the 250th anniversary of American independence, one of the new criteria listed by the NEA.”\u003c/p>\n\u003ch2>A ‘roller-coaster ride’\u003c/h2>\n\u003cp>\u003ca href=\"https://www.scrap-sf.org/\">SCRAP\u003c/a>, the San Francisco creative reuse center, was proud to announce its very first NEA grant in January. But since then, the $25,000 in funds have been effectively frozen. SCRAP received notice that their funding recommendation had been withdrawn on Friday. The grant was meant to support staff and teaching artists running a sustainable fashion design program for underserved youth.\u003c/p>\n\u003cp>The nonprofit now has seven calendar days to appeal the decision. SCRAP’s Director of Programs Danielle Grant says it’s unlikely they will appeal. “We don’t fit any of those ‘new priorities,’” she told KQED.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ca href=\"https://oaklandtheaterproject.org/\">Oakland Theater Project\u003c/a>, which received a $30,000 award in 2024 for the world premiere production of Erik Ehn’s \u003ci>Moby Dick\u003c/i>, was also among the affected nonprofits. Managing Director Colin Mandlin said they have received about half of the funds from the NEA, which were meant to cover a two-year granting period.\u003c/p>\n\u003cp>Just last month, Oakland Theater Project was hit by other federal funding cuts: Their $25,000 grant from California Humanities \u003ca href=\"https://www.kqed.org/arts/13974246/neh-funding-canceled-grants-california-humanities\">was canceled\u003c/a> when the National Endowment for the Humanities \u003ca href=\"https://www.npr.org/2025/04/03/nx-s1-5350994/neh-grants-cut-humanities-doge-trump\">canceled millions of dollars\u003c/a> in previously awarded federal grants to arts and cultural groups across the country.\u003c/p>\n\u003cp>“The roller-coaster ride continues,” Mandlin wrote in an email to KQED.\u003c/p>\n\u003cp>\u003ci>Moby Dick\u003c/i> was scheduled to premiere in 2026; it’s unlikely Oakland Theater Project will be able to receive their full grant amount by the June deadline. Mandlin said they’ll have to revisit the extent of their plans for the production. “It’s more ambitious, world premieres, when we’re commissioning a piece from scratch,” Mandlin said. “Commissioning a play costs a substantial amount of funds.”\u003c/p>\n\u003cfigure id=\"attachment_13937813\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13937813\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231108-TheLab-25-BL_2000-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Andrew Smith at The Lab in November 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Uncertainty in all sizes\u003c/h2>\n\u003cp>The grant cancellations are particularly dire for smaller arts organizations with smaller operating budgets, for which an NEA grant can constitute substantial assistance.\u003c/p>\n\u003cp>Andrew Smith, executive director of the San Francisco experimental arts space \u003ca href=\"https://www.kqed.org/arts/13937804/the-lab-new-lease-redstone-building-sf-labor-temple\">The Lab\u003c/a>, also received the notice-of-termination email — twice. Both projects, Smith said, have thankfully been completed and fully reimbursed.\u003c/p>\n\u003cp>Expecting something like this grant termination to happen, Smith pushed NEA-funded programming from the fall to the spring in order to submit for reimbursement as quickly as possible.\u003c/p>\n\u003cp>Additionally, the literary magazine \u003ci>ZYZZYVA\u003c/i>, the Richmond Art Center, the San Francisco International Arts Festival and San Francisco Contemporary Music Players all received emails that their ongoing NEA grants were canceled.\u003c/p>\n\u003cp>“\u003ca href=\"https://sfcmp.org/concerts/2024-2025-season/shared-rituals/\">Our program\u003c/a> is happening next Saturday, and the loss of $20K is a major fiscal blow to our organization,” Richard Aldag, executive director of SFCMP, wrote to KQED.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/womens-audio-mission\">Women’s Audio Mission\u003c/a> had been awarded $45,000 from the NEA to support Girls on the Mic, a free music and media arts training and mentorship program with a focus on girls and gender-diverse youth. Those funds were pulled Friday, executive director Terri Winston said.\u003c/p>\n\u003cp>“I can understand changing priorities moving forward, but withdrawing funds after they had been approved is pretty cruel,” said Winston.\u003c/p>\n\u003cp>Dance organizations ODC, Flyaway Productions and Dance Mission all had grant funds canceled, as did the Omnira Institute in Oakland, which had been awarded $10,000 to support a festival of Black music and art. The \u003cem>\u003ca href=\"https://www.sfchronicle.com/entertainment/article/bay-area-nea-cuts-trump-20308037.php\">San Francisco Chronicle\u003c/a>\u003c/em> reported Saturday that Circo Zero and New Conservatory Theatre Center had their funding canceled.\u003c/p>\n\u003cp>Larger arts groups were not spared in Friday’s slashing of funds. A representative of both \u003ca href=\"https://www.kqed.org/arts/tag/berkeley-rep\">Berkeley Repertory Theatre\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/act\">American Conservatory Theater\u003c/a> confirmed to KQED that the long-running theater companies received the cancellation email. The 42-year-old \u003ca href=\"https://www.kqed.org/arts/tag/sfjazz\">SFJAZZ\u003c/a> and 55-year-old \u003ca href=\"https://www.kqed.org/arts/tag/theatreworks-silicon-valley\">TheatreWorks Silicon Valley\u003c/a> also had their NEA grants canceled.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Both The Lab and Oakland Theater Project have submitted applications, currently pending, for future NEA grants. It’s uncertain if any grants submitted under the previous guidelines will be awarded.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"selected-shorts": {
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"title": "Selected Shorts",
"info": "Spellbinding short stories by established and emerging writers take on a new life when they are performed by stars of the stage and screen.",
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"title": "Snap Judgment",
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