We start 15 years ago, in a pre-credits sequence featuring our ultra-cool co-spies (also lovers). Their job is to pose as French arms dealers visiting the home of a shadowy Russian terrorist — then break into a safe and steal a key to the entire world’s infrastructure or something.
On the private jet headed back home, Emily reveals a secret we already knew: her home pregnancy test was positive. Actually, all six of them were.
Matt says he’s all in. They break out the champagne (well, for him). And then all heck breaks loose and they end up needing to kill a bunch of people and parachute into the snowy mountains. It’s indeed funny when Matt observes: “We can’t keep doing this, especially with that baby on the way.”
Flash forward 15 years. and the couple, having gone underground, live in a comfy suburban house with two lovely (and barely annoying) teenagers. Matt coaches the soccer team. The teens, Alice and Leo (McKenna Roberts and Rylan Jackson, both appealing), are not aware of their parents’ high-flying past; Matt and Emily want their lives to be normal.
Director Gordon, who co-wrote the script with Brendan O’Brien, has said he was aiming to explore what might happen when spies become parents. (This was brilliantly addressed in The Americans on FX, but that was a whole different thing.) Now, without knowing too many spy couples, or any, I’m pretty sure what happens is NOT that the parents become SO uncool SO fast that they buy binoculars on Amazon to spy on their daughter’s social life from the car at school dropoff. Guys, at least hide so she doesn’t see you. Did CIA training teach you nothing?
Equally unartful is the way they explain their past to their kids. We join this conversation as the kids wonder why Dad was speaking Russian to the AC guy. The parents explain they picked it up during their time in the Peace Corps. But they don’t even have their story straight: Were they in Colombia, Belize, or Russia? Again, they had 15 years to get this straight.