Mari Jacobson stands in front of drying Hachiya persimmons in her home in Berkeley on Tuesday, Dec. 19, 2023. Jacobson began making the dried persimmons, or hoshigaki, in November to fundraise for the Middle East Children’s Alliance. (Juliana Yamada/KQED)
Mari Jacobson’s eyes fill with tears when she talks about the wind.
Decades before Jacobson was born, her great-grandmother used to perform miracles with the cold dry winds that flooded the valley in her mountainous prefecture in central Japan. They were her accomplice as she strung peeled persimmons from the eaves of her green-tiled roof. Together, she and the wind bloomed the natural sugars of the persimmons from the inside out until the fruits had preserved themselves in their own sweetness.
“It’s really nice to think that someone else in my lineage was sitting there, peeling persimmons,” Jacobson says, some 60 years later. “I think it takes a very specific kind of patience to engage in this practice.”
On a damp December morning in Berkeley, the 31-year-old is carrying on the centuries-old technique for drying persimmons, something she first began doing last winter. But now, she’s doing it for a purpose much larger than herself.
Mari Jacobson massages Hachiya persimmons in her home in Berkeley. The process of drying persimmons is called hoshigaki, a centuries-old Japanese practice during the fall season. (Juliana Yamada/KQED)
In early November, Jacobson announced through her pop-up Setsunai Snack that she would be selling dried persimmons for $10 to $20 each, and sending 100% of the proceeds to the Middle East Children’s Alliance, a nonprofit that serves young Palestinians and Syrian refugees. She received $1,050 in orders over the course of 12 hours, for a total of 60 persimmons that would need to travel as far as Pennsylvania, she says.
“I’ve been deeply affected by all the news of the genocide in Palestine as a human, but also as someone who grew up in the Jewish community,” says Jacobson, whose dad is Jewish and whose mom is Japanese. “I wanted to mobilize my very negative feelings towards a small action and the creation of something that I consider very beautiful.”
But after the rain set in, Jacobson worried over the persimmons, strung up by their T-shaped stems from clothes hangers in her kitchen. Weeks after she’d spiraled the peels off the first batch with a knife — leaving the persimmons disrobed and vulnerable — a few dropped off their stems in moldy defeat and were stolen away by Jacobson’s cats.
Anyone who’s tried hoshigaki will tell you it’s a delicate and complicated process. It’s nothing like dumping citrus peels into a pot of bubbling sugar, or sun-drying grapes — unless you’re individually massaging each grape for over a month.
Hachiya persimmons need certain conditions to become sweet: frequent massages, lots of time and a cold, dry place to do their thing.
“It feels like taking care of a living creature,” Jacobson says.
Mari Jacobson massages Hachiya persimmons in her home in Berkeley. (Juliana Yamada/KQED)
Persimmons are a fall and winter fruit, and the Bay Area is generally a nurturing place for young persimmons as they come of age on the branch. But with a winter climate that’s been flip-flopping between weirdly warm days and rainy ones, this season hasn’t provided what hachiya persimmons need to transcend to caramelly excellence.
“Battling the rain, I had to buy this net enclosure for the persimmons, and then I had to move them inside,” Jacobson says. Instead of dry gusts rushing through an ancient valley, she had a large box fan plugged into her kitchen wall, angled towards clothing racks dangling with fruit.
But seven weeks out from when she peeled the very first batch, the surviving fruit had miraculously surrendered its moisture and crinkled inward, just as they were supposed to, around their now crystallized hearts.
Jacobson’s constant attention — and weeks of worry — had paid off, even if she’d lost a few in the process.
“They’re all I think about,” she says with a laugh.
Hachiya persimmons hang from twine to dry in Mari Jacobson’s home. (Juliana Yamada/KQED)
On her kitchen countertop, Jacobson slices one of last year’s dried persimmons, a shriveled nugget of its former self, and offers a taste. A persimmon’s equivalent of powdered sugar dusts the surface of the sliver, and tastes just as sweet but more nuanced than the stuff you’d find in boxes at the store. The innermost layer is its own world of brown sugary goodness, and only gets deeper in flavor with each chew.
It’s sublime — and even better with some tea, bread and a soft cheese, Jacobson says.
Food and freedom
As Jacobson attends to each fruit this December morning, she handles them according to where each one is on their journey. Some get a firm squeeze, others the delicate pressure of hugging a great-grandparent.
“The fruit takes on a life of its own,” she says, softly pinching a persimmon between her thumb and forefinger.
Mari Jacobson wears a necklace showing the different stages of hoshigaki. (Juliana Yamada/KQED)
Lately, Jacobson has been thinking about how food — and lack thereof — can be a tool of oppression. According to the NGO Human Rights Watch, the Israeli government is using starvation as a method of warfare, blocking the delivery of food, fuel and water to Palestinian civilians — a war crime, under international humanitarian law.
The connection between food and culture is precious, she says. It isn’t lost on her that hoshigaki brought Jacobson and her great-grandmother into harmony with their ecosystem; she sees the Israeli government’s actions as an attempt to sever that bond between Palestinians and their land.
“It’s very heavy to think about food sovereignty right now,” she said. “To think about how much Palestine is struggling with starvation right now and how violating it can be to not have access to important cultural foods that provide vibrancy to your life.”
Soon, Jacobson will be packaging the candied fruits to be shipped out all over the U.S. She hopes that people who encounter her effort will use their own gifts to express their solidarity with Palestinians.
“There’s always going to be some way that you can take a localized action to support a cause,” she said. “Even if it’s geographically very far.”
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"slug": "persimmons-for-palestine-the-berkeley-pop-up-turning-a-japanese-tradition-into-activism",
"title": "Persimmons for Palestine: The Berkeley Pop-Up Turning a Japanese Tradition Into Activism",
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"content": "\u003cp>Mari Jacobson’s eyes fill with tears when she talks about the wind.\u003c/p>\n\u003cp>[aside postID='news_11969701']Decades before Jacobson was born, her great-grandmother used to perform miracles with the cold dry winds that flooded the valley in her mountainous prefecture in central Japan. They were her accomplice as she strung peeled persimmons from the eaves of her green-tiled roof. Together, she and the wind bloomed the natural sugars of the persimmons from the inside out until the fruits had preserved themselves in their own sweetness.\u003c/p>\n\u003cp>“It’s really nice to think that someone else in my lineage was sitting there, peeling persimmons,” Jacobson says, some 60 years later. “I think it takes a very specific kind of patience to engage in this practice.”\u003c/p>\n\u003cp>On a damp December morning in Berkeley, the 31-year-old is carrying on the centuries-old technique for drying persimmons, something she first began doing last winter. But now, she’s doing it for a purpose much larger than herself.\u003c/p>\n\u003cfigure id=\"attachment_13939721\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939721 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED.jpg\" alt=\"a close-up of hands touching dried persimmons\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mari Jacobson massages Hachiya persimmons in her home in Berkeley. The process of drying persimmons is called hoshigaki, a centuries-old Japanese practice during the fall season. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In early November, Jacobson announced through her pop-up \u003ca href=\"https://www.instagram.com/setsunai_snack/?hl=en\">Setsunai Snack\u003c/a> that she would be selling dried persimmons for $10 to $20 each, and sending 100% of the proceeds to the \u003ca href=\"https://www.mecaforpeace.org/\">Middle East Children’s Alliance\u003c/a>, a nonprofit that serves young Palestinians and Syrian refugees. She received $1,050 in orders over the course of 12 hours, for a total of 60 persimmons that would need to travel as far as Pennsylvania, she says.\u003c/p>\n\u003cp>“I’ve been deeply affected by all the news of the genocide in Palestine as a human, but also as someone who grew up in the Jewish community,” says Jacobson, whose dad is Jewish and whose mom is Japanese. “I wanted to mobilize my very negative feelings towards a small action and the creation of something that I consider very beautiful.”[aside postID='arts_13938450']But after the rain set in, Jacobson worried over the persimmons, strung up by their T-shaped stems from clothes hangers in her kitchen. Weeks after she’d spiraled the peels off the first batch with a knife — leaving the persimmons disrobed and vulnerable — a few dropped off their stems in moldy defeat and were stolen away by Jacobson’s cats.\u003c/p>\n\u003cp>Anyone who’s tried \u003ca href=\"https://www.npr.org/sections/thesalt/2019/01/09/682936866/ancient-japanese-food-craft-brings-persimmons-to-american-palates\">hoshigaki\u003c/a> will tell you it’s a delicate and complicated process. It’s nothing like dumping citrus peels into a pot of bubbling sugar, or sun-drying grapes — unless you’re individually massaging each grape for over a month.\u003c/p>\n\u003cp>Hachiya persimmons need certain conditions to become sweet: frequent massages, lots of time and a cold, dry place to do their thing.\u003c/p>\n\u003cp>“It feels like taking care of a living creature,” Jacobson says.\u003c/p>\n\u003cfigure id=\"attachment_13939722\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939722 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED.jpg\" alt=\"a woman with bleach blonde hair and red lipstick cares for drying persimmons hanging from clothes hangers\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mari Jacobson massages Hachiya persimmons in her home in Berkeley. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Persimmons are a fall and winter fruit, and the Bay Area is generally a nurturing place for young persimmons as they come of age on the branch. But with a winter climate that’s been flip-flopping between weirdly warm days and rainy ones, this season hasn’t provided what hachiya persimmons need to transcend to caramelly excellence.\u003c/p>\n\u003cp>“Battling the rain, I had to buy this net enclosure for the persimmons, and then I had to move them inside,” Jacobson says. Instead of dry gusts rushing through an ancient valley, she had a large box fan plugged into her kitchen wall, angled towards clothing racks dangling with fruit.\u003c/p>\n\u003cp>But seven weeks out from when she peeled the very first batch, the surviving fruit had miraculously surrendered its moisture and crinkled inward, just as they were supposed to, around their now crystallized hearts.\u003c/p>\n\u003cp>Jacobson’s constant attention — and weeks of worry — had paid off, even if she’d lost a few in the process.\u003c/p>\n\u003cp>“They’re all I think about,” she says with a laugh.\u003c/p>\n\u003cfigure id=\"attachment_13939723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939723 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED.jpg\" alt=\"dried persimmons hanging from clothes hangers\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Hachiya persimmons hang from twine to dry in Mari Jacobson’s home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On her kitchen countertop, Jacobson slices one of last year’s dried persimmons, a shriveled nugget of its former self, and offers a taste. A persimmon’s equivalent of powdered sugar dusts the surface of the sliver, and tastes just as sweet but more nuanced than the stuff you’d find in boxes at the store. The innermost layer is its own world of brown sugary goodness, and only gets deeper in flavor with each chew.\u003c/p>\n\u003cp>It’s sublime — and even better with some tea, bread and a soft cheese, Jacobson says.\u003c/p>\n\u003ch2>Food and freedom\u003c/h2>\n\u003cp>As Jacobson attends to each fruit this December morning, she handles them according to where each one is on their journey. Some get a firm squeeze, others the delicate pressure of hugging a great-grandparent.\u003c/p>\n\u003cp>“The fruit takes on a life of its own,” she says, softly pinching a persimmon between her thumb and forefinger.\u003c/p>\n\u003cfigure id=\"attachment_13939725\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939725 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED.jpg\" alt=\"a close-up of a woman's neck, wearing a white sweater and a gold chain with small persimmon baubles\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mari Jacobson wears a necklace showing the different stages of hoshigaki. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lately, Jacobson has been thinking about how food — and lack thereof — can be a tool of oppression. According to the NGO Human Rights Watch, \u003ca href=\"https://www.hrw.org/news/2023/12/18/israel-starvation-used-weapon-war-gaza\">the Israeli government is using starvation\u003c/a> as a method of warfare, blocking the delivery of food, fuel and water to Palestinian civilians — a war crime, under international humanitarian law.\u003c/p>\n\u003cp>The connection between food and culture is precious, she says. It isn’t lost on her that hoshigaki brought Jacobson and her great-grandmother into harmony with their ecosystem; she sees the Israeli government’s actions as an attempt to sever that bond between Palestinians and their land.\u003c/p>\n\u003cp>“It’s very heavy to think about food sovereignty right now,” she said. “To think about how much Palestine is struggling with starvation right now and how violating it can be to not have access to important cultural foods that provide vibrancy to your life.”\u003c/p>\n\u003cp>Soon, Jacobson will be packaging the candied fruits to be shipped out all over the U.S. She hopes that people who encounter her effort will use their own gifts to express their solidarity with Palestinians.\u003c/p>\n\u003cp>“There’s always going to be some way that you can take a localized action to support a cause,” she said. “Even if it’s geographically very far.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Mari Jacobson is selling sweet hoshigaki, just like her great-grandmother made, to benefit kids in the Middle East.",
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"title": "Persimmons for Palestine: The Berkeley Pop-Up Turning a Japanese Tradition Into Activism | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mari Jacobson’s eyes fill with tears when she talks about the wind.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Decades before Jacobson was born, her great-grandmother used to perform miracles with the cold dry winds that flooded the valley in her mountainous prefecture in central Japan. They were her accomplice as she strung peeled persimmons from the eaves of her green-tiled roof. Together, she and the wind bloomed the natural sugars of the persimmons from the inside out until the fruits had preserved themselves in their own sweetness.\u003c/p>\n\u003cp>“It’s really nice to think that someone else in my lineage was sitting there, peeling persimmons,” Jacobson says, some 60 years later. “I think it takes a very specific kind of patience to engage in this practice.”\u003c/p>\n\u003cp>On a damp December morning in Berkeley, the 31-year-old is carrying on the centuries-old technique for drying persimmons, something she first began doing last winter. But now, she’s doing it for a purpose much larger than herself.\u003c/p>\n\u003cfigure id=\"attachment_13939721\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939721 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED.jpg\" alt=\"a close-up of hands touching dried persimmons\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-007-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mari Jacobson massages Hachiya persimmons in her home in Berkeley. The process of drying persimmons is called hoshigaki, a centuries-old Japanese practice during the fall season. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In early November, Jacobson announced through her pop-up \u003ca href=\"https://www.instagram.com/setsunai_snack/?hl=en\">Setsunai Snack\u003c/a> that she would be selling dried persimmons for $10 to $20 each, and sending 100% of the proceeds to the \u003ca href=\"https://www.mecaforpeace.org/\">Middle East Children’s Alliance\u003c/a>, a nonprofit that serves young Palestinians and Syrian refugees. She received $1,050 in orders over the course of 12 hours, for a total of 60 persimmons that would need to travel as far as Pennsylvania, she says.\u003c/p>\n\u003cp>“I’ve been deeply affected by all the news of the genocide in Palestine as a human, but also as someone who grew up in the Jewish community,” says Jacobson, whose dad is Jewish and whose mom is Japanese. “I wanted to mobilize my very negative feelings towards a small action and the creation of something that I consider very beautiful.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But after the rain set in, Jacobson worried over the persimmons, strung up by their T-shaped stems from clothes hangers in her kitchen. Weeks after she’d spiraled the peels off the first batch with a knife — leaving the persimmons disrobed and vulnerable — a few dropped off their stems in moldy defeat and were stolen away by Jacobson’s cats.\u003c/p>\n\u003cp>Anyone who’s tried \u003ca href=\"https://www.npr.org/sections/thesalt/2019/01/09/682936866/ancient-japanese-food-craft-brings-persimmons-to-american-palates\">hoshigaki\u003c/a> will tell you it’s a delicate and complicated process. It’s nothing like dumping citrus peels into a pot of bubbling sugar, or sun-drying grapes — unless you’re individually massaging each grape for over a month.\u003c/p>\n\u003cp>Hachiya persimmons need certain conditions to become sweet: frequent massages, lots of time and a cold, dry place to do their thing.\u003c/p>\n\u003cp>“It feels like taking care of a living creature,” Jacobson says.\u003c/p>\n\u003cfigure id=\"attachment_13939722\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939722 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED.jpg\" alt=\"a woman with bleach blonde hair and red lipstick cares for drying persimmons hanging from clothes hangers\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-009-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mari Jacobson massages Hachiya persimmons in her home in Berkeley. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Persimmons are a fall and winter fruit, and the Bay Area is generally a nurturing place for young persimmons as they come of age on the branch. But with a winter climate that’s been flip-flopping between weirdly warm days and rainy ones, this season hasn’t provided what hachiya persimmons need to transcend to caramelly excellence.\u003c/p>\n\u003cp>“Battling the rain, I had to buy this net enclosure for the persimmons, and then I had to move them inside,” Jacobson says. Instead of dry gusts rushing through an ancient valley, she had a large box fan plugged into her kitchen wall, angled towards clothing racks dangling with fruit.\u003c/p>\n\u003cp>But seven weeks out from when she peeled the very first batch, the surviving fruit had miraculously surrendered its moisture and crinkled inward, just as they were supposed to, around their now crystallized hearts.\u003c/p>\n\u003cp>Jacobson’s constant attention — and weeks of worry — had paid off, even if she’d lost a few in the process.\u003c/p>\n\u003cp>“They’re all I think about,” she says with a laugh.\u003c/p>\n\u003cfigure id=\"attachment_13939723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939723 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED.jpg\" alt=\"dried persimmons hanging from clothes hangers\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-020-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Hachiya persimmons hang from twine to dry in Mari Jacobson’s home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On her kitchen countertop, Jacobson slices one of last year’s dried persimmons, a shriveled nugget of its former self, and offers a taste. A persimmon’s equivalent of powdered sugar dusts the surface of the sliver, and tastes just as sweet but more nuanced than the stuff you’d find in boxes at the store. The innermost layer is its own world of brown sugary goodness, and only gets deeper in flavor with each chew.\u003c/p>\n\u003cp>It’s sublime — and even better with some tea, bread and a soft cheese, Jacobson says.\u003c/p>\n\u003ch2>Food and freedom\u003c/h2>\n\u003cp>As Jacobson attends to each fruit this December morning, she handles them according to where each one is on their journey. Some get a firm squeeze, others the delicate pressure of hugging a great-grandparent.\u003c/p>\n\u003cp>“The fruit takes on a life of its own,” she says, softly pinching a persimmon between her thumb and forefinger.\u003c/p>\n\u003cfigure id=\"attachment_13939725\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13939725 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED.jpg\" alt=\"a close-up of a woman's neck, wearing a white sweater and a gold chain with small persimmon baubles\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231219-HOSHIGAKI-031-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mari Jacobson wears a necklace showing the different stages of hoshigaki. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lately, Jacobson has been thinking about how food — and lack thereof — can be a tool of oppression. According to the NGO Human Rights Watch, \u003ca href=\"https://www.hrw.org/news/2023/12/18/israel-starvation-used-weapon-war-gaza\">the Israeli government is using starvation\u003c/a> as a method of warfare, blocking the delivery of food, fuel and water to Palestinian civilians — a war crime, under international humanitarian law.\u003c/p>\n\u003cp>The connection between food and culture is precious, she says. It isn’t lost on her that hoshigaki brought Jacobson and her great-grandmother into harmony with their ecosystem; she sees the Israeli government’s actions as an attempt to sever that bond between Palestinians and their land.\u003c/p>\n\u003cp>“It’s very heavy to think about food sovereignty right now,” she said. “To think about how much Palestine is struggling with starvation right now and how violating it can be to not have access to important cultural foods that provide vibrancy to your life.”\u003c/p>\n\u003cp>Soon, Jacobson will be packaging the candied fruits to be shipped out all over the U.S. She hopes that people who encounter her effort will use their own gifts to express their solidarity with Palestinians.\u003c/p>\n\u003cp>“There’s always going to be some way that you can take a localized action to support a cause,” she said. “Even if it’s geographically very far.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
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},
"mindshift": {
"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"link": "/radio/program/reveal",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
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