A new project led by Bay Area artist Christy Chan turns beams of light into a monumental statements of strength and resistance. Dear America, launched in late May, projects the work of Asian American artists onto high-rise buildings throughout the region, with messages in English and eight different Asian languages. It’s a direct answer to the national increase in anti-Asian hate incidents and violence, a way of asserting and bestowing a sense of belonging—whether officially sanctioned or not.
“Asian Americans have been in the U.S. since the 1800s,” Chan says in a press release about the project. “In sharp contrast to the false notion that Asian Americans are a people whose belonging in America must be granted to them by non-Asian Americans, this project is about Asian Americans unapologetically taking up space, celebrating each other’s presence, and not asking permission to do so.”
In 2019, Chan created the video projection Inside Out, a public art piece funded by the city of Richmond that was censored by the arts and culture commission. Chan spent months collecting phrases from Richmond residents for inclusion in the artwork, but the city barred the display of submissions critical of then-President Trump and his government’s policies. In protest of the decision, Chan included those phrases with red bars across the words.
Dear America has no such limitations. The highly mobile project, supported by community donations and partnerships with the Mills College Art Museum and the organization Stand With Asian Americans, creates images that can be anywhere between four and 15 stories tall. Dear America made its first appearance outside the Chinese Historical Society of America Museum in San Francisco. So far, 17 different artworks have been featured in the project, created by artists Cathy Lu, Christine Wong Yap, Christy Chan, Jenifer K Wofford, Mel Chin and For Freedoms, and Related Tactics. More are to come.
On July 2, the message “Dear America, Fix Your Racism” will light up the Downtown Oakland and Lake Merritt areas. For Chan, it’s important to link this project not just to recent events, but to the unfulfilled promises of American independence. “This violence didn’t begin with Trump,” she says. “It began centuries ago and has been preserved by passive attitudes about the long-running, broad effects of white supremacy culture.”
