Caroline Shaw's new album, Orange, is a love letter to the string quartet. The North Carolina native burst onto the music scene in 2013, when she was the youngest composer to win a Pulitzer Prize. She's still in her 30s and now, for the first time, there's a recording devoted entirely to her work.
The album is like a garden, Shaw says in the liner notes. The soil contains musical remnants of the old masters which nourish her own new compositions — a refreshing twist on a centuries-old genre. In a piece called "The Cutting Garden," she grafts sprigs of Mozart then Ravel onto her own new quartet.
The musicians playing Shaw's music — tending her garden, as she puts it — are members of the Attacca Quartet. It takes agility and precision to pull off this music, which tends to shift gears suddenly. The album's opener, Entr'acte, is all about abrupt juxtapositions and was inspired by a particularly lovely transition in a string quartet by Haydn. At one luminous point in Shaw's piece, the Attacca players negotiate a thicket of pizzicato, then pivot to a single viola bowing across all four strings.
Shaw is inspired by more than just the classic composers. In a piece called Limestone & Felt, she imagines herself in a Gothic cathedral, where shards of melody bounce off the walls and intertwine. In another, Valencia, she creates an ode to the noble, store-bought orange, marveling at its architecture, its tiny sacks of juice explode via a pulsating spray of plucked notes.