Napa County’s Enchanted Hills Camp plays host to corporate conferences, yoga retreats, arts symposia — even weddings. But its founding purpose, and main function for nearly 70 years, is to serve as a summer camp for the blind.
“We in the Bay Area have this special place where if you’re blind or have low vision you can have big fun,” says Bryan Bashin, CEO of LightHouse for the Blind and Visually Impaired, the San Francisco nonprofit that runs Enchanted Hills Camp (EHC). Summer offerings run the gamut from chemistry camp to a music academy, which provides blind musicians and composers with the tools and training to take their practices to the next — possibly professional — level.
An old memorial sign in a charred tree. (Camilla Sterne for LightHouse for the Blind)
In August, participants in this year’s music academy performed in the camp’s Redwood Grove, a natural amphitheater surrounded by stately trees and intricately hand-carved benches. The Steinway Company paid to have a full grand piano brought all the way up winding Mt. Veeder Road. The concert was, Bashin says, “tremendous.”
But then the Nuns and Partrick fires converged on EHC’s 311-acre property, ripping through the lower camp as Cal Fire crews fought to contain the blaze.
Less than a month after EHC was evacuated, site manager Donny Lay stands next to the pile of white ash that was once the amphitheater’s wooden stage. He points to a metal pole. “There’s my rake,” he says. “I’m still looking for my leaf blower.”
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Founded by Rose Resnick in 1950, the camp was the first of its kind on the West Coast, providing blind children (and now teens and adults) with opportunities to explore a natural environment, gain confidence, meet friends and have quintessential camp experiences. Campers can paddle around a small lake, hike miles of trails and play on a sensory jungle gym.
Resnick herself was a professional piano virtuoso — she raised the money to buy the property by teaching piano to the daughters and sons of San Francisco’s elite. “For the first 10 years, camp was just nonstop dancing and singing, with Rose playing the piano,” Bashin says. “It really was very musically oriented.”
The charred edges of hand-carved benches at Redwood Grove theater, which was finished this summer after a multi-year fundraising campaign. (Camilla Sterne for LightHouse for the Blind)
That embrace of the arts continues today, in the music academy and with woodworking and art classes taught by master woodworker and camp construction manager George Wurtzel. Just two weeks before fire, the camp hosted a tactile arts symposium organized by the National Federation of the Blind. In the Tactile Art Gallery, at the opening of Touch This!, artists, educators, curators and EHC neighbors abandoned standard protocol to run their hands over sculpture and installation work by Wurtzel, Ann Cunningham, Jennifer Justice, Ramiro Cairo and Debbie Kent Stein.
“It’s drilled into people from childhood,” says Georgina Kleege, a lecturer in English at UC Berkeley who writes on visual art and blindness and attended the symposium. “Don’t touch the art. But touch sensation is very complex and multidimensional. Just as looking at a painting isn’t about saying what it depicts, touching art is not just about figuring out what the object is.”
It was the type of gathering that happens regularly at EHC, where blind and visually impaired people with common skills and interests convene to challenge societal conceptions of what they can and can’t do.
Cal Fire crews managed to save a number of the camp’s structures — the director’s residence, the lakeside cabins, the Tactile Art Gallery inside the art barn.
Also spared: the home of site managers Donny and Janet Lay. When I visit EHC nearly a month after the fires first broke out, during a community gathering organized by Napa County Supervisors Ryan Gregory and Diane Dillon, Donny drives me down to what remains of Redwood Grove: the stately trees, Wurtzel’s hand-carved benches, and the grove’s sign. (Upon the staff’s return to camp after the fire, they found a post-it note attached to the slightly singed sign: “LAFD Engine 98. We saved this, wish we could have saved more.”)
A sign on the back of the hand carved Redwood Grove theater entrance reads: “LAFD Engine 98. We saved this. Wish we could have saved more.” (Camilla Sterne for LightHouse for the Blind)
The day before the camp’s residents evacuated, Lay cleaned up the redwood needles around the amphitheater and a gathering space called the “Half Moon Circle.” He attributes the survival of those areas to his unknowingly prescient fire abatement.
EHC has been diligent over the years about clearing brush and reducing the site’s susceptibility to fire. Their spacious and still-standing dining hall, where members of the community (many covered in ash after days of sifting through their ruined homes) gathered on Nov. 2, was recently re-roofed with Class A fire retardant shingles.
The ‘Girls Town’ sign stands in front of the leveled girl’s cabins. (Camilla Sterne for LightHouse for the Blind)
But the 10 cabins, capable of housing 120 kids — some returning year after year — are completely gone. In the bathrooms, the porcelain toilets exploded from the heat. The six double bunk beds in each cabin are now twisted piles of metal and springs. Outside one demolished cabin in the “Girls Town,” a fire extinguisher, once affixed to the building’s exterior, lies in the ashes.
Around the pool, partially drained by fire crews who exhausted the camp’s water tanks in their efforts to douse the flames, new decking, a shade structure and a bathhouse are all destroyed. Lay was particularly proud of the work he’d done around the pool, saying it was in the best shape it had been in years.
Firefighters take water from the EHC pools to put out lingering hot spots. (Camilla Sterne for LightHouse for the Blind)
Neighbors at the community meeting all had memories of or ties to EHC. One couple apologized to Wurtzel that a piece of wood they’d been saving for him was gone, along with their house. A son’s boy scout troop did years of service projects at the camp, though much of the evidence of that work was lost to the flames. Decades ago, one man had his wedding reception in the camp’s dining hall.
“It is a well-loved space,” Bashin says. “I can’t go to a gathering and not find somebody whose kid went to camp or whose friend did work at the camp.”
Now Enchanted Hills is empty of guests. Even during the winter months, the camp was rented for corporate events, training sessions or group retreats, all of which helped fund the summer programming. While they mourn the loss of nearly half the camp’s buildings, including a cabin that housed five staff members, EHC and LightHouse staff approach their next steps optimistically.
“The most encouraging thing is that we get to reimagine what will be a wonderful space,” Bashin says. “We can take advantage of 70 years of learning about blind people and how we like to be in nature.”
Rebuilding will give EHC a chance to incorporate greater accessibility into the camp, so those with multiple disabilities can have more freedom on-site. Bashin envisions using natural materials to line trails; a cane can detect boundaries that might look ordinary to a seeing person.
Off-kilter Enchanted Hills Camp sign, still marked ‘unsafe.’ (Camilla Sterne for LightHouse for the Blind)
Fresh off the three-year process of acquiring, designing and building LightHouse’s new headquarters on Market Street, Bashin welcomes these less right-angled design challenges. “How can we design a space where people can dare to walk in the woods in a place they don’t know — and survive?” he says.
Besides rebuilding cabins, bathrooms and a stage during a time of unprecedented labor shortages and billions of dollars of structural damage throughout the North Bay, the camp grounds will need reseeding to prevent erosion, a mile’s worth of electrical wiring, new furniture and picnic tables. Surviving structures reek of smoke. Twelve refrigerators went a week without electricity and need to be replaced. LightHouse is accepting donations to help fund the years of rebuilding they have ahead of them.
But Bashin is undaunted — the legacy of Enchanted Hills only makes its speedy recovery that much more important. “I’ve seen the miracles that happen when kids who think they’re the only blind kid on the earth or parents who think they’re the only parents with a blind kid come together,” Bashin says.
I ask Lay if he will miss the campers as they rebuild. “Well, they’re coming back!” he says, surprised at the question. “We’ll get this place ready as fast as we can.”
Sponsored
For more information about LightHouse for the Blind and Visually Impaired and their Enchanted Hills Camp, click here.
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"headTitle": "Napa Camp for the Blind to Rebuild for Future Generations | KQED",
"content": "\u003cp>Napa County’s \u003ca href=\"http://lighthouse-sf.org/enchanted-hills/about-enchanted-hills/\" rel=\"noopener\" target=\"_blank\">Enchanted Hills Camp\u003c/a> plays host to corporate conferences, yoga retreats, arts symposia — even weddings. But its founding purpose, and main function for nearly 70 years, is to serve as a summer camp for the blind. \u003c/p>\n\u003cp>“We in the Bay Area have this special place where if you’re blind or have low vision you can have big fun,” says Bryan Bashin, CEO of \u003ca href=\"http://lighthouse-sf.org/\" rel=\"noopener\" target=\"_blank\">LightHouse for the Blind and Visually Impaired\u003c/a>, the San Francisco nonprofit that runs Enchanted Hills Camp (EHC). Summer offerings run the gamut from chemistry camp to a music academy, which provides blind musicians and composers with the tools and training to take their practices to the next — possibly professional — level.\u003c/p>\n\u003cfigure id=\"attachment_13814870\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200.jpg\" alt=\"An old memorial sign in a charred tree.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814870\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An old memorial sign in a charred tree. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In August, participants in this year’s music academy performed in the camp’s Redwood Grove, a natural amphitheater surrounded by stately trees and intricately hand-carved benches. The Steinway Company paid to have a full grand piano brought all the way up winding Mt. Veeder Road. The concert was, Bashin says, “tremendous.” \u003c/p>\n\u003cp>But then the Nuns and Partrick fires converged on EHC’s 311-acre property, ripping through the lower camp as Cal Fire crews fought to contain the blaze. \u003c/p>\n\u003cp>Less than a month after EHC was evacuated, site manager Donny Lay stands next to the pile of white ash that was once the amphitheater’s wooden stage. He points to a metal pole. “There’s my rake,” he says. “I’m still looking for my leaf blower.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Founded by Rose Resnick in 1950, the camp was the first of its kind on the West Coast, providing blind children (and now teens and adults) with opportunities to explore a natural environment, gain confidence, meet friends and have quintessential camp experiences. Campers can paddle around a small lake, hike miles of trails and play on a sensory jungle gym. \u003c/p>\n\u003cp>Resnick herself was a professional piano virtuoso — she raised the money to buy the property by teaching piano to the daughters and sons of San Francisco’s elite. “For the first 10 years, camp was just nonstop dancing and singing, with Rose playing the piano,” Bashin says. “It really was very musically oriented.”\u003c/p>\n\u003cfigure id=\"attachment_13814868\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200.jpg\" alt=\"The charred edges of hand-carved benches at Redwood Grove theater, which was finished this summer after a multi-year fundraising campaign.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814868\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The charred edges of hand-carved benches at Redwood Grove theater, which was finished this summer after a multi-year fundraising campaign. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That embrace of the arts continues today, in the music academy and with woodworking and art classes taught by master woodworker and camp construction manager George Wurtzel. Just two weeks before fire, the camp hosted a tactile arts symposium organized by the National Federation of the Blind. In the Tactile Art Gallery, at the opening of \u003ci>Touch This!\u003c/i>, artists, educators, curators and EHC neighbors abandoned standard protocol to run their hands over sculpture and installation work by Wurtzel, Ann Cunningham, Jennifer Justice, Ramiro Cairo and Debbie Kent Stein.\u003c/p>\n\u003cp>“It’s drilled into people from childhood,” says \u003ca href=\"https://english.berkeley.edu/users/45\" rel=\"noopener\" target=\"_blank\">Georgina Kleege\u003c/a>, a lecturer in English at UC Berkeley who writes on visual art and blindness and attended the symposium. “Don’t touch the art. But touch sensation is very complex and multidimensional. Just as looking at a painting isn’t about saying what it depicts, touching art is not just about figuring out what the object is.”\u003c/p>\n\u003cp>It was the type of gathering that happens regularly at EHC, where blind and visually impaired people with common skills and interests convene to challenge societal conceptions of what they can and can’t do.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Cal Fire crews managed to save a number of the camp’s structures — the director’s residence, the lakeside cabins, the Tactile Art Gallery inside the art barn. \u003c/p>\n\u003cp>Also spared: the home of site managers Donny and Janet Lay. When I visit EHC nearly a month after the fires first broke out, during a community gathering organized by Napa County Supervisors Ryan Gregory and Diane Dillon, Donny drives me down to what remains of Redwood Grove: the stately trees, Wurtzel’s hand-carved benches, and the grove’s sign. (Upon the staff’s return to camp after the fire, they found a post-it note attached to the slightly singed sign: “LAFD Engine 98. We saved this, wish we could have saved more.”)\u003c/p>\n\u003cfigure id=\"attachment_13814865\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200.jpg\" alt=\"A sign on the back of the hand carved Redwood Grove theater entrance reads: “LAFD Engine 98. We saved this. Wish we could have saved more.”\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A sign on the back of the hand carved Redwood Grove theater entrance reads: “LAFD Engine 98. We saved this. Wish we could have saved more.” \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The day before the camp’s residents evacuated, Lay cleaned up the redwood needles around the amphitheater and a gathering space called the “Half Moon Circle.” He attributes the survival of those areas to his unknowingly prescient fire abatement.\u003c/p>\n\u003cp>EHC has been diligent over the years about clearing brush and reducing the site’s susceptibility to fire. Their spacious and still-standing dining hall, where members of the community (many covered in ash after days of sifting through their ruined homes) gathered on Nov. 2, was recently re-roofed with Class A fire retardant shingles. \u003c/p>\n\u003cfigure id=\"attachment_13814864\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200.jpg\" alt=\"The ‘Girls Town’ sign stands in front of the leveled girl’s cabins.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Girls Town’ sign stands in front of the leveled girl’s cabins. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the 10 cabins, capable of housing 120 kids — some returning year after year — are completely gone. In the bathrooms, the porcelain toilets exploded from the heat. The six double bunk beds in each cabin are now twisted piles of metal and springs. Outside one demolished cabin in the “Girls Town,” a fire extinguisher, once affixed to the building’s exterior, lies in the ashes.\u003c/p>\n\u003cp>Around the pool, partially drained by fire crews who exhausted the camp’s water tanks in their efforts to douse the flames, new decking, a shade structure and a bathhouse are all destroyed. Lay was particularly proud of the work he’d done around the pool, saying it was in the best shape it had been in years. \u003c/p>\n\u003cfigure id=\"attachment_13814869\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200.jpg\" alt=\"Firefighters take water from the EHC pools to put out lingering hot spots.\" width=\"1200\" height=\"750\" class=\"size-full wp-image-13814869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-520x325.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Firefighters take water from the EHC pools to put out lingering hot spots. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neighbors at the community meeting all had memories of or ties to EHC. One couple apologized to Wurtzel that a piece of wood they’d been saving for him was gone, along with their house. A son’s boy scout troop did years of service projects at the camp, though much of the evidence of that work was lost to the flames. Decades ago, one man had his wedding reception in the camp’s dining hall. \u003c/p>\n\u003cp>“It is a well-loved space,” Bashin says. “I can’t go to a gathering and not find somebody whose kid went to camp or whose friend did work at the camp.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Now Enchanted Hills is empty of guests. Even during the winter months, the camp was rented for corporate events, training sessions or group retreats, all of which helped fund the summer programming. While they mourn the loss of nearly half the camp’s buildings, including a cabin that housed five staff members, EHC and LightHouse staff approach their next steps optimistically.\u003c/p>\n\u003cp>“The most encouraging thing is that we get to reimagine what will be a wonderful space,” Bashin says. “We can take advantage of 70 years of learning about blind people and how we like to be in nature.” \u003c/p>\n\u003cp>Rebuilding will give EHC a chance to incorporate greater accessibility into the camp, so those with multiple disabilities can have more freedom on-site. Bashin envisions using natural materials to line trails; a cane can detect boundaries that might look ordinary to a seeing person. \u003c/p>\n\u003cfigure id=\"attachment_13814867\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200.jpg\" alt=\"Off-kilter Enchanted Hills Camp sign, still marked ‘unsafe.'\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814867\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Off-kilter Enchanted Hills Camp sign, still marked ‘unsafe.’ \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fresh off the three-year process of acquiring, designing and building LightHouse’s new headquarters on Market Street, Bashin welcomes these less right-angled design challenges. “How can we design a space where people can dare to walk in the woods in a place they don’t know — and survive?” he says.\u003c/p>\n\u003cp>Besides rebuilding cabins, bathrooms and a stage during a time of unprecedented labor shortages and billions of dollars of structural damage throughout the North Bay, the camp grounds will need reseeding to prevent erosion, a mile’s worth of electrical wiring, new furniture and picnic tables. Surviving structures reek of smoke. Twelve refrigerators went a week without electricity and need to be replaced. \u003ca href=\"https://protect-us.mimecast.com/s/X8JQBbSpm4Zik?domain=lighthouse-sf.org\" rel=\"noopener\" target=\"_blank\">LightHouse is accepting donations\u003c/a> to help fund the years of rebuilding they have ahead of them.\u003c/p>\n\u003cp>But Bashin is undaunted — the legacy of Enchanted Hills only makes its speedy recovery that much more important. “I’ve seen the miracles that happen when kids who think they’re the only blind kid on the earth or parents who think they’re the only parents with a blind kid come together,” Bashin says.\u003c/p>\n\u003cp>I ask Lay if he will miss the campers as they rebuild. “Well, they’re coming back!” he says, surprised at the question. “We’ll get this place ready as fast as we can.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>For more information about LightHouse for the Blind and Visually Impaired and their Enchanted Hills Camp, \u003ca href=\"http://lighthouse-sf.org/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i> \u003c/p>\n\n",
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"excerpt": "LightHouse mourns the loss of 67-year history in Enchanted Hills Camp buildings, but plans to rebuild to better serve future generations of blind campers.",
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"description": "LightHouse mourns the loss of 67-year history in Enchanted Hills Camp buildings, but plans to rebuild to better serve future generations of blind campers.",
"title": "Napa Camp for the Blind to Rebuild for Future Generations | KQED",
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"headline": "Napa Camp for the Blind to Rebuild for Future Generations",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Napa County’s \u003ca href=\"http://lighthouse-sf.org/enchanted-hills/about-enchanted-hills/\" rel=\"noopener\" target=\"_blank\">Enchanted Hills Camp\u003c/a> plays host to corporate conferences, yoga retreats, arts symposia — even weddings. But its founding purpose, and main function for nearly 70 years, is to serve as a summer camp for the blind. \u003c/p>\n\u003cp>“We in the Bay Area have this special place where if you’re blind or have low vision you can have big fun,” says Bryan Bashin, CEO of \u003ca href=\"http://lighthouse-sf.org/\" rel=\"noopener\" target=\"_blank\">LightHouse for the Blind and Visually Impaired\u003c/a>, the San Francisco nonprofit that runs Enchanted Hills Camp (EHC). Summer offerings run the gamut from chemistry camp to a music academy, which provides blind musicians and composers with the tools and training to take their practices to the next — possibly professional — level.\u003c/p>\n\u003cfigure id=\"attachment_13814870\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200.jpg\" alt=\"An old memorial sign in a charred tree.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814870\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_13_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An old memorial sign in a charred tree. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In August, participants in this year’s music academy performed in the camp’s Redwood Grove, a natural amphitheater surrounded by stately trees and intricately hand-carved benches. The Steinway Company paid to have a full grand piano brought all the way up winding Mt. Veeder Road. The concert was, Bashin says, “tremendous.” \u003c/p>\n\u003cp>But then the Nuns and Partrick fires converged on EHC’s 311-acre property, ripping through the lower camp as Cal Fire crews fought to contain the blaze. \u003c/p>\n\u003cp>Less than a month after EHC was evacuated, site manager Donny Lay stands next to the pile of white ash that was once the amphitheater’s wooden stage. He points to a metal pole. “There’s my rake,” he says. “I’m still looking for my leaf blower.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Founded by Rose Resnick in 1950, the camp was the first of its kind on the West Coast, providing blind children (and now teens and adults) with opportunities to explore a natural environment, gain confidence, meet friends and have quintessential camp experiences. Campers can paddle around a small lake, hike miles of trails and play on a sensory jungle gym. \u003c/p>\n\u003cp>Resnick herself was a professional piano virtuoso — she raised the money to buy the property by teaching piano to the daughters and sons of San Francisco’s elite. “For the first 10 years, camp was just nonstop dancing and singing, with Rose playing the piano,” Bashin says. “It really was very musically oriented.”\u003c/p>\n\u003cfigure id=\"attachment_13814868\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200.jpg\" alt=\"The charred edges of hand-carved benches at Redwood Grove theater, which was finished this summer after a multi-year fundraising campaign.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814868\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_10_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The charred edges of hand-carved benches at Redwood Grove theater, which was finished this summer after a multi-year fundraising campaign. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That embrace of the arts continues today, in the music academy and with woodworking and art classes taught by master woodworker and camp construction manager George Wurtzel. Just two weeks before fire, the camp hosted a tactile arts symposium organized by the National Federation of the Blind. In the Tactile Art Gallery, at the opening of \u003ci>Touch This!\u003c/i>, artists, educators, curators and EHC neighbors abandoned standard protocol to run their hands over sculpture and installation work by Wurtzel, Ann Cunningham, Jennifer Justice, Ramiro Cairo and Debbie Kent Stein.\u003c/p>\n\u003cp>“It’s drilled into people from childhood,” says \u003ca href=\"https://english.berkeley.edu/users/45\" rel=\"noopener\" target=\"_blank\">Georgina Kleege\u003c/a>, a lecturer in English at UC Berkeley who writes on visual art and blindness and attended the symposium. “Don’t touch the art. But touch sensation is very complex and multidimensional. Just as looking at a painting isn’t about saying what it depicts, touching art is not just about figuring out what the object is.”\u003c/p>\n\u003cp>It was the type of gathering that happens regularly at EHC, where blind and visually impaired people with common skills and interests convene to challenge societal conceptions of what they can and can’t do.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Cal Fire crews managed to save a number of the camp’s structures — the director’s residence, the lakeside cabins, the Tactile Art Gallery inside the art barn. \u003c/p>\n\u003cp>Also spared: the home of site managers Donny and Janet Lay. When I visit EHC nearly a month after the fires first broke out, during a community gathering organized by Napa County Supervisors Ryan Gregory and Diane Dillon, Donny drives me down to what remains of Redwood Grove: the stately trees, Wurtzel’s hand-carved benches, and the grove’s sign. (Upon the staff’s return to camp after the fire, they found a post-it note attached to the slightly singed sign: “LAFD Engine 98. We saved this, wish we could have saved more.”)\u003c/p>\n\u003cfigure id=\"attachment_13814865\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200.jpg\" alt=\"A sign on the back of the hand carved Redwood Grove theater entrance reads: “LAFD Engine 98. We saved this. Wish we could have saved more.”\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_7_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A sign on the back of the hand carved Redwood Grove theater entrance reads: “LAFD Engine 98. We saved this. Wish we could have saved more.” \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The day before the camp’s residents evacuated, Lay cleaned up the redwood needles around the amphitheater and a gathering space called the “Half Moon Circle.” He attributes the survival of those areas to his unknowingly prescient fire abatement.\u003c/p>\n\u003cp>EHC has been diligent over the years about clearing brush and reducing the site’s susceptibility to fire. Their spacious and still-standing dining hall, where members of the community (many covered in ash after days of sifting through their ruined homes) gathered on Nov. 2, was recently re-roofed with Class A fire retardant shingles. \u003c/p>\n\u003cfigure id=\"attachment_13814864\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200.jpg\" alt=\"The ‘Girls Town’ sign stands in front of the leveled girl’s cabins.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_6_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Girls Town’ sign stands in front of the leveled girl’s cabins. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the 10 cabins, capable of housing 120 kids — some returning year after year — are completely gone. In the bathrooms, the porcelain toilets exploded from the heat. The six double bunk beds in each cabin are now twisted piles of metal and springs. Outside one demolished cabin in the “Girls Town,” a fire extinguisher, once affixed to the building’s exterior, lies in the ashes.\u003c/p>\n\u003cp>Around the pool, partially drained by fire crews who exhausted the camp’s water tanks in their efforts to douse the flames, new decking, a shade structure and a bathhouse are all destroyed. Lay was particularly proud of the work he’d done around the pool, saying it was in the best shape it had been in years. \u003c/p>\n\u003cfigure id=\"attachment_13814869\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200.jpg\" alt=\"Firefighters take water from the EHC pools to put out lingering hot spots.\" width=\"1200\" height=\"750\" class=\"size-full wp-image-13814869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_12_CamillaSterne_1200-520x325.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Firefighters take water from the EHC pools to put out lingering hot spots. \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neighbors at the community meeting all had memories of or ties to EHC. One couple apologized to Wurtzel that a piece of wood they’d been saving for him was gone, along with their house. A son’s boy scout troop did years of service projects at the camp, though much of the evidence of that work was lost to the flames. Decades ago, one man had his wedding reception in the camp’s dining hall. \u003c/p>\n\u003cp>“It is a well-loved space,” Bashin says. “I can’t go to a gathering and not find somebody whose kid went to camp or whose friend did work at the camp.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Now Enchanted Hills is empty of guests. Even during the winter months, the camp was rented for corporate events, training sessions or group retreats, all of which helped fund the summer programming. While they mourn the loss of nearly half the camp’s buildings, including a cabin that housed five staff members, EHC and LightHouse staff approach their next steps optimistically.\u003c/p>\n\u003cp>“The most encouraging thing is that we get to reimagine what will be a wonderful space,” Bashin says. “We can take advantage of 70 years of learning about blind people and how we like to be in nature.” \u003c/p>\n\u003cp>Rebuilding will give EHC a chance to incorporate greater accessibility into the camp, so those with multiple disabilities can have more freedom on-site. Bashin envisions using natural materials to line trails; a cane can detect boundaries that might look ordinary to a seeing person. \u003c/p>\n\u003cfigure id=\"attachment_13814867\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200.jpg\" alt=\"Off-kilter Enchanted Hills Camp sign, still marked ‘unsafe.'\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13814867\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/EnchantedHills_9_CamillaSterne_1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Off-kilter Enchanted Hills Camp sign, still marked ‘unsafe.’ \u003ccite>(Camilla Sterne for LightHouse for the Blind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fresh off the three-year process of acquiring, designing and building LightHouse’s new headquarters on Market Street, Bashin welcomes these less right-angled design challenges. “How can we design a space where people can dare to walk in the woods in a place they don’t know — and survive?” he says.\u003c/p>\n\u003cp>Besides rebuilding cabins, bathrooms and a stage during a time of unprecedented labor shortages and billions of dollars of structural damage throughout the North Bay, the camp grounds will need reseeding to prevent erosion, a mile’s worth of electrical wiring, new furniture and picnic tables. Surviving structures reek of smoke. Twelve refrigerators went a week without electricity and need to be replaced. \u003ca href=\"https://protect-us.mimecast.com/s/X8JQBbSpm4Zik?domain=lighthouse-sf.org\" rel=\"noopener\" target=\"_blank\">LightHouse is accepting donations\u003c/a> to help fund the years of rebuilding they have ahead of them.\u003c/p>\n\u003cp>But Bashin is undaunted — the legacy of Enchanted Hills only makes its speedy recovery that much more important. “I’ve seen the miracles that happen when kids who think they’re the only blind kid on the earth or parents who think they’re the only parents with a blind kid come together,” Bashin says.\u003c/p>\n\u003cp>I ask Lay if he will miss the campers as they rebuild. “Well, they’re coming back!” he says, surprised at the question. “We’ll get this place ready as fast as we can.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"title": "Selected Shorts",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
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"title": "TED Radio Hour",
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"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
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"thebay": {
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"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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