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"title": "Who’s Behind the Colorful Lights at San Francisco City Hall?",
"headTitle": "Who’s Behind the Colorful Lights at San Francisco City Hall? | KQED",
"content": "\u003cp>[dropcap]B[/dropcap]ay Curious listener \u003ca href=\"https://www.fireclaytile.com/our-team/\">Katie Emigh \u003c/a>loves walking by San Francisco’s City Hall after sunset. The building’s ominous granite exterior is lit up dramatically every night. Most nights the lights are white. But there are special days when City Hall takes on a whole new look.\u003c/p>\n\u003cp>For \u003ca href=\"http://www.sfpride.org/\">Pride Week\u003c/a>, it glowed in all the colors of the rainbow. After \u003ca href=\"http://www.rollingstone.com/music/artists/prince\">Prince\u003c/a> died, it was bathed in purple. On St. Paddy’s Day, City Hall turned a radiant shamrock green.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>“It’s such a symbol of San Francisco, and has become more of a symbol as time’s gone on,” Katie says as she stands before City Hall.\u003c/p>\n\u003cp>With her favorite San Francisco building in mind, Katie had a question for \u003ca href=\"https://ww2.kqed.org/news/series/baycurious/\">\u003cem>Bay Curious\u003c/em>\u003c/a>:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I was always just curious who decides what the lights are going to be at City Hall — and who does them?”\u003c/p>\n\u003cfigure id=\"attachment_11428739\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428739\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_k4956-11-1020x679.jpg\" alt=\"Katie Emigh met up with her best friend Kim Ish for St. Patricks Day -- but first a stop at her favorite landmark.\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-1920x1277.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-375x249.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Katie Emigh met up with her best friend, Kim Ish, for St. Patrick’s Day — but first a stop at her favorite landmark. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>City Hall History\u003c/h3>\n\u003cp>Like every great structure in every great city, \u003ca href=\"http://sfgov.org/cityhall/\">San Francisco City Hall\u003c/a> has a story to tell.\u003c/p>\n\u003cp>Most city halls are landmarks, it’s true. But our City Hall is even more iconic than your average civic building — one with a history that makes its special luminous hues even more meaningful.\u003c/p>\n\u003cp>Built in 1915, in the \u003ca href=\"https://www.britannica.com/art/Neoclassical-architecture\">neoclassical style\u003c/a>, it rises more than the length of a football field into the San Francisco sky. At 307 feet, it’s taller than the \u003ca href=\"https://www.nps.gov/nr/travel/wash/dc76.htm\">U.S. Capitol Building\u003c/a> in Washington, D.C., and features 240 windows.\u003c/p>\n\u003cp>Every year, tens of thousands of visitors walk through its ornate bronze doors — like \u003ca href=\"http://www.history.com/this-day-in-history/marilyn-monroe-marries-joe-dimaggio\">Marilyn Monroe & Joe DiMaggio\u003c/a> did in 1954. The American icons were \u003ca href=\"http://www.sfmuseum.org/hist8/jodimag.html\">married here\u003c/a>.\u003c/p>\n\u003cp>For generations of San Franciscans, City Hall has long been a symbol of political and social change.\u003c/p>\n\u003cp>It was here that former San Francisco Mayor \u003ca href=\"http://www.ltg.ca.gov/\">Gavin Newsom\u003c/a> unleashed a watershed legal and political tempest when he issued \u003ca href=\"http://www.nytimes.com/2004/02/12/national/san-francisco-city-officials-perform-gay-marriages.html?_r=0\">marriage licenses to gay couples\u003c/a> in 2004, putting the nation on notice when he said, “As California goes, so goes the nation.”\u003c/p>\n\u003cp>City Hall has also seen its \u003ca href=\"http://www.history.com/this-day-in-history/san-francisco-leaders-george-moscone-and-harvey-milk-are-murdered\">tragic moments\u003c/a>. In 1978, then-Board of Supervisors President \u003ca href=\"https://www.feinstein.senate.gov/public/\">Dianne Feinstein\u003c/a> made a chilling announcement on the front steps that both \u003ca href=\"http://www.latimes.com/opinion/la-oe-getlin23-2008nov23-story.html\">Mayor George Moscone\u003c/a> and \u003ca href=\"http://milkfoundation.org/about/harvey-milk-biography/\">Supervisor Harvey Milk\u003c/a>, the first openly gay person elected to public office, had been shot and killed by former Supervisor \u003ca href=\"http://www.biography.com/people/dan-white-17169664\">Dan White\u003c/a>.\u003c/p>\n\u003cp>And City Hall has had its turn in the Hollywood spotlight, too, including roles in classics like 1971’s \u003ca href=\"http://www.imdb.com/title/tt0066999/\">“Dirty Harry,”\u003c/a> the blockbuster \u003ca href=\"http://www.imdb.com/title/tt0082971/?ref_=fn_al_tt_1\">“Raiders of the Lost Ark”\u003c/a> and the remake of the sci-fi cult standard, \u003ca href=\"http://www.imdb.com/title/tt0077745/?ref_=fn_al_tt_1\">“Invasion of the Body Snatchers.”\u003c/a>\u003c/p>\n\u003cp>By day, City Hall is a monument to this place we call home. And at night, the lights continue to reflect the city’s unique identity.\u003c/p>\n\u003ch3>So, who makes the lighting decisions?\u003c/h3>\n\u003cp>It’s actually a trio of City Hall officials: \u003ca href=\"http://sfgsa.org/about-naomi-kelly\">City Administrator Naomi Kelly\u003c/a>; the mayor’s director of special events, \u003ca href=\"http://variety.com/2000/film/news/s-f-mayor-ups-cohen-to-head-city-film-office-1117787009/\">Martha Cohen\u003c/a>; and the city’s chief of protocol, \u003ca href=\"http://sfmayor.org/mayor-lee-appoints-charlotte-mailliard-shultz-chief-protocol\">Charlotte Shultz\u003c/a>. Together, they decide which civic events get lit up — always keying into what Kelly calls “a local nexus.”\u003c/p>\n\u003cp>[baycuriousbug]\u003c/p>\n\u003cp>They go with red, white and blue for Election Day and rainbow colors for Pride Week. But sometimes the colors that shine are a little less obvious. Blue on an ordinary February evening? Red tones amid a windy September night?\u003c/p>\n\u003cp>Turns out City Hall can be rented for private events, and paying clients get to decide City Hall’s lighting scheme.\u003c/p>\n\u003cp>Our \u003ca href=\"https://ww2.kqed.org/news/series/baycurious/\">\u003cem>Bay Curious\u003c/em>\u003c/a> question-asker, Katie, also noticed something else.\u003c/p>\n\u003cp>“It used to happen less, and now it seems to happen more frequently,” she says.\u003c/p>\n\u003cp>Katie’s right. City Hall goes all-aglow more often now. The older lighting system made changing colors a big challenge.\u003c/p>\n\u003caside class=\"pullquote alignright\">Funding for the $2.5 million project came from a combination of private donations and city funds.\u003c/aside>\n\u003cp>“We would have to send a team of electricians and our station engineers out on the second floor of this building and manually change each of the 220 exterior lights with these gel caps,” says Kelly. “That process could take days. And they were incandescent lights, so they burned a lot of energy.”\u003c/p>\n\u003cp>Each time there was a lighting change it cost about $5,000 to create a new color scheme, so it didn’t happen very often.\u003c/p>\n\u003cp>But two years ago, City Hall celebrated a milestone — its 100\u003csup>th\u003c/sup> birthday.\u003c/p>\n\u003cp>“All the \u003ca href=\"http://sfcityhall100.com/projects.html\">exterior lights were replaced with LED bulbs\u003c/a>,” says Kelly.\u003c/p>\n\u003cp>Changing the colors of the lights got a lot easier. Instead of hiring a full work crew to make the alterations by hand, now one man makes it shine — \u003ca href=\"https://www.linkedin.com/in/norman-goldwyn-0b922011\">Norm Goldwyn\u003c/a>, IT Director of the City and County of San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11428747\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428747\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_b4850-1-1020x679.jpg\" alt=\"Before the new LED lights were installed, it took a crew hours or days to swap out colored gels on the old lights. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Before the new LED lights were installed, it took a crew hours or days to swap out colored gels on the old lights. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Goldwyn works his magic in a dark, cramped room far below the rattle and hubbub of the San Francisco streets above. Some might call him an artist. Instead of a brush he uses a mouse. His canvas is a piece of granite. And his paint palette – it’s a computer screen.\u003c/p>\n\u003cp>In his windowless lab downstairs, Goldwyn gets to do what he calls “probably one of the funnest parts of my job.”\u003c/p>\n\u003cp>The room is cluttered. Old boxes, a table, some steel machinery, a piece of granite and one of the new LED light fixtures sit amid the mess. He quickly goes to work and explains his process.\u003c/p>\n\u003cfigure id=\"attachment_11428743\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428743\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_bb4887-6-1020x679.jpg\" alt=\"For Norm Goldwyn, getting the hue to shine on the granite just right is an art. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">For Norm Goldwyn, getting the hue to shine on the granite just right is an art. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I grab a computer and hook it up to a light fixture, and then I can adjust the sliders until I can find the exact color combination that makes sense for that particular special occasion,” he says.\u003c/p>\n\u003cp>But getting the colors right can be tricky, since they look different on a laptop than they do shining on the City Hall facade. For this, he has a real-world solution — that slab of granite on the basement floor.\u003c/p>\n\u003cp>“This is an example of the granite we use on the outside of City Hall,” he says, positioning the stone just right. “So when we finally take a color idea, we can shine it on the sample material here and see what color, with our own eyes, it’s really going to look like.”\u003c/p>\n\u003cp>And with a quick touch on a laptop keyboard, the whole space is suddenly lit up green. A shamrock green to be precise. Other nights, the dark basement radiates in \u003ca href=\"https://www.womensmarch.com/\">Women’s March\u003c/a> pink or \u003ca href=\"http://www.nba.com/warriors/\">Warriors\u003c/a> blue and gold.\u003c/p>\n\u003cfigure id=\"attachment_11428744\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428744\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_bb4887-3-1020x679.jpg\" alt=\"A dark room with a sample piece of granite helps Goldwyn find the right hue from his palette of 16 million. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A dark room with a sample piece of granite helps Goldwyn find the right hue from his palette of 16 million. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But getting the colors just right isn’t as easy as you might think.\u003c/p>\n\u003cp>“It took us a lot of tries to get Giants orange looking orange, as opposed to red or yellow,” admits Goldwyn. “And most people don’t actually know what they want. They just want blue. But they don’t think about Sky Blue, Carolina Blue, Deep Indigo. They just say, ‘I want blue.’ ”\u003c/p>\n\u003cp>Goldwyn can adjust for 16 million hues. The colors can also be set to change and move. And with the new technology also comes ease of use. The lights are programmed to go off and on with a touch of the hand and simple flip of a switch.\u003c/p>\n\u003cfigure id=\"attachment_11428745\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428745\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_k4956-7-1020x679.jpg\" alt=\"Katie Emigh is eager for one particular San Francisco sports team to be honored by the City Hall light scheme. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Katie Emigh is eager for one particular San Francisco sports team to be honored by the City Hall light scheme. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside, Katie admires the work of the man in the basement down below.\u003c/p>\n\u003cp>“Norm really did it tonight. He really killed it with the green,” she says. “It’s inspiring, because it’s less bureaucratic than I thought it would be, less people involved than I thought it would be. That this small group of people are able to represent these moments for the city, that really show this beautiful civic monument, is absolutely wonderful.”\u003c/p>\n\u003cp>As she heads off into the San Francisco night, she turns to say one last thing.\u003c/p>\n\u003cp>“Do you want to know the next great moment I’m looking forward to City Hall shining bright for? \u003ca href=\"https://www.mlb.com/giants\">Giants\u003c/a> orange, baby!”\u003c/p>\n\u003cp>It’s a good thing Norm Goldwyn already has the right shade of orange all figured out. Not too red. Not too yellow.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">B\u003c/span>\u003c/p>\u003cp>ay Curious listener \u003ca href=\"https://www.fireclaytile.com/our-team/\">Katie Emigh \u003c/a>loves walking by San Francisco’s City Hall after sunset. The building’s ominous granite exterior is lit up dramatically every night. Most nights the lights are white. But there are special days when City Hall takes on a whole new look.\u003c/p>\n\u003cp>For \u003ca href=\"http://www.sfpride.org/\">Pride Week\u003c/a>, it glowed in all the colors of the rainbow. After \u003ca href=\"http://www.rollingstone.com/music/artists/prince\">Prince\u003c/a> died, it was bathed in purple. On St. Paddy’s Day, City Hall turned a radiant shamrock green.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“It’s such a symbol of San Francisco, and has become more of a symbol as time’s gone on,” Katie says as she stands before City Hall.\u003c/p>\n\u003cp>With her favorite San Francisco building in mind, Katie had a question for \u003ca href=\"https://ww2.kqed.org/news/series/baycurious/\">\u003cem>Bay Curious\u003c/em>\u003c/a>:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I was always just curious who decides what the lights are going to be at City Hall — and who does them?”\u003c/p>\n\u003cfigure id=\"attachment_11428739\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428739\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_k4956-11-1020x679.jpg\" alt=\"Katie Emigh met up with her best friend Kim Ish for St. Patricks Day -- but first a stop at her favorite landmark.\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-1920x1277.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-375x249.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-11-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Katie Emigh met up with her best friend, Kim Ish, for St. Patrick’s Day — but first a stop at her favorite landmark. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>City Hall History\u003c/h3>\n\u003cp>Like every great structure in every great city, \u003ca href=\"http://sfgov.org/cityhall/\">San Francisco City Hall\u003c/a> has a story to tell.\u003c/p>\n\u003cp>Most city halls are landmarks, it’s true. But our City Hall is even more iconic than your average civic building — one with a history that makes its special luminous hues even more meaningful.\u003c/p>\n\u003cp>Built in 1915, in the \u003ca href=\"https://www.britannica.com/art/Neoclassical-architecture\">neoclassical style\u003c/a>, it rises more than the length of a football field into the San Francisco sky. At 307 feet, it’s taller than the \u003ca href=\"https://www.nps.gov/nr/travel/wash/dc76.htm\">U.S. Capitol Building\u003c/a> in Washington, D.C., and features 240 windows.\u003c/p>\n\u003cp>Every year, tens of thousands of visitors walk through its ornate bronze doors — like \u003ca href=\"http://www.history.com/this-day-in-history/marilyn-monroe-marries-joe-dimaggio\">Marilyn Monroe & Joe DiMaggio\u003c/a> did in 1954. The American icons were \u003ca href=\"http://www.sfmuseum.org/hist8/jodimag.html\">married here\u003c/a>.\u003c/p>\n\u003cp>For generations of San Franciscans, City Hall has long been a symbol of political and social change.\u003c/p>\n\u003cp>It was here that former San Francisco Mayor \u003ca href=\"http://www.ltg.ca.gov/\">Gavin Newsom\u003c/a> unleashed a watershed legal and political tempest when he issued \u003ca href=\"http://www.nytimes.com/2004/02/12/national/san-francisco-city-officials-perform-gay-marriages.html?_r=0\">marriage licenses to gay couples\u003c/a> in 2004, putting the nation on notice when he said, “As California goes, so goes the nation.”\u003c/p>\n\u003cp>City Hall has also seen its \u003ca href=\"http://www.history.com/this-day-in-history/san-francisco-leaders-george-moscone-and-harvey-milk-are-murdered\">tragic moments\u003c/a>. In 1978, then-Board of Supervisors President \u003ca href=\"https://www.feinstein.senate.gov/public/\">Dianne Feinstein\u003c/a> made a chilling announcement on the front steps that both \u003ca href=\"http://www.latimes.com/opinion/la-oe-getlin23-2008nov23-story.html\">Mayor George Moscone\u003c/a> and \u003ca href=\"http://milkfoundation.org/about/harvey-milk-biography/\">Supervisor Harvey Milk\u003c/a>, the first openly gay person elected to public office, had been shot and killed by former Supervisor \u003ca href=\"http://www.biography.com/people/dan-white-17169664\">Dan White\u003c/a>.\u003c/p>\n\u003cp>And City Hall has had its turn in the Hollywood spotlight, too, including roles in classics like 1971’s \u003ca href=\"http://www.imdb.com/title/tt0066999/\">“Dirty Harry,”\u003c/a> the blockbuster \u003ca href=\"http://www.imdb.com/title/tt0082971/?ref_=fn_al_tt_1\">“Raiders of the Lost Ark”\u003c/a> and the remake of the sci-fi cult standard, \u003ca href=\"http://www.imdb.com/title/tt0077745/?ref_=fn_al_tt_1\">“Invasion of the Body Snatchers.”\u003c/a>\u003c/p>\n\u003cp>By day, City Hall is a monument to this place we call home. And at night, the lights continue to reflect the city’s unique identity.\u003c/p>\n\u003ch3>So, who makes the lighting decisions?\u003c/h3>\n\u003cp>It’s actually a trio of City Hall officials: \u003ca href=\"http://sfgsa.org/about-naomi-kelly\">City Administrator Naomi Kelly\u003c/a>; the mayor’s director of special events, \u003ca href=\"http://variety.com/2000/film/news/s-f-mayor-ups-cohen-to-head-city-film-office-1117787009/\">Martha Cohen\u003c/a>; and the city’s chief of protocol, \u003ca href=\"http://sfmayor.org/mayor-lee-appoints-charlotte-mailliard-shultz-chief-protocol\">Charlotte Shultz\u003c/a>. Together, they decide which civic events get lit up — always keying into what Kelly calls “a local nexus.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n What do you wonder about the Bay Area, its culture or people that you want KQED to investigate?\n \u003ca href=\"/news/series/baycurious\">Ask Bay Curious.\u003c/a>\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>They go with red, white and blue for Election Day and rainbow colors for Pride Week. But sometimes the colors that shine are a little less obvious. Blue on an ordinary February evening? Red tones amid a windy September night?\u003c/p>\n\u003cp>Turns out City Hall can be rented for private events, and paying clients get to decide City Hall’s lighting scheme.\u003c/p>\n\u003cp>Our \u003ca href=\"https://ww2.kqed.org/news/series/baycurious/\">\u003cem>Bay Curious\u003c/em>\u003c/a> question-asker, Katie, also noticed something else.\u003c/p>\n\u003cp>“It used to happen less, and now it seems to happen more frequently,” she says.\u003c/p>\n\u003cp>Katie’s right. City Hall goes all-aglow more often now. The older lighting system made changing colors a big challenge.\u003c/p>\n\u003caside class=\"pullquote alignright\">Funding for the $2.5 million project came from a combination of private donations and city funds.\u003c/aside>\n\u003cp>“We would have to send a team of electricians and our station engineers out on the second floor of this building and manually change each of the 220 exterior lights with these gel caps,” says Kelly. “That process could take days. And they were incandescent lights, so they burned a lot of energy.”\u003c/p>\n\u003cp>Each time there was a lighting change it cost about $5,000 to create a new color scheme, so it didn’t happen very often.\u003c/p>\n\u003cp>But two years ago, City Hall celebrated a milestone — its 100\u003csup>th\u003c/sup> birthday.\u003c/p>\n\u003cp>“All the \u003ca href=\"http://sfcityhall100.com/projects.html\">exterior lights were replaced with LED bulbs\u003c/a>,” says Kelly.\u003c/p>\n\u003cp>Changing the colors of the lights got a lot easier. Instead of hiring a full work crew to make the alterations by hand, now one man makes it shine — \u003ca href=\"https://www.linkedin.com/in/norman-goldwyn-0b922011\">Norm Goldwyn\u003c/a>, IT Director of the City and County of San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11428747\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428747\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_b4850-1-1020x679.jpg\" alt=\"Before the new LED lights were installed, it took a crew hours or days to swap out colored gels on the old lights. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_b4850-1-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Before the new LED lights were installed, it took a crew hours or days to swap out colored gels on the old lights. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Goldwyn works his magic in a dark, cramped room far below the rattle and hubbub of the San Francisco streets above. Some might call him an artist. Instead of a brush he uses a mouse. His canvas is a piece of granite. And his paint palette – it’s a computer screen.\u003c/p>\n\u003cp>In his windowless lab downstairs, Goldwyn gets to do what he calls “probably one of the funnest parts of my job.”\u003c/p>\n\u003cp>The room is cluttered. Old boxes, a table, some steel machinery, a piece of granite and one of the new LED light fixtures sit amid the mess. He quickly goes to work and explains his process.\u003c/p>\n\u003cfigure id=\"attachment_11428743\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428743\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_bb4887-6-1020x679.jpg\" alt=\"For Norm Goldwyn, getting the hue to shine on the granite just right is an art. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-6-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">For Norm Goldwyn, getting the hue to shine on the granite just right is an art. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I grab a computer and hook it up to a light fixture, and then I can adjust the sliders until I can find the exact color combination that makes sense for that particular special occasion,” he says.\u003c/p>\n\u003cp>But getting the colors right can be tricky, since they look different on a laptop than they do shining on the City Hall facade. For this, he has a real-world solution — that slab of granite on the basement floor.\u003c/p>\n\u003cp>“This is an example of the granite we use on the outside of City Hall,” he says, positioning the stone just right. “So when we finally take a color idea, we can shine it on the sample material here and see what color, with our own eyes, it’s really going to look like.”\u003c/p>\n\u003cp>And with a quick touch on a laptop keyboard, the whole space is suddenly lit up green. A shamrock green to be precise. Other nights, the dark basement radiates in \u003ca href=\"https://www.womensmarch.com/\">Women’s March\u003c/a> pink or \u003ca href=\"http://www.nba.com/warriors/\">Warriors\u003c/a> blue and gold.\u003c/p>\n\u003cfigure id=\"attachment_11428744\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428744\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_bb4887-3-1020x679.jpg\" alt=\"A dark room with a sample piece of granite helps Goldwyn find the right hue from his palette of 16 million. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_bb4887-3-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A dark room with a sample piece of granite helps Goldwyn find the right hue from his palette of 16 million. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But getting the colors just right isn’t as easy as you might think.\u003c/p>\n\u003cp>“It took us a lot of tries to get Giants orange looking orange, as opposed to red or yellow,” admits Goldwyn. “And most people don’t actually know what they want. They just want blue. But they don’t think about Sky Blue, Carolina Blue, Deep Indigo. They just say, ‘I want blue.’ ”\u003c/p>\n\u003cp>Goldwyn can adjust for 16 million hues. The colors can also be set to change and move. And with the new technology also comes ease of use. The lights are programmed to go off and on with a touch of the hand and simple flip of a switch.\u003c/p>\n\u003cfigure id=\"attachment_11428745\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-11428745\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/DSC_k4956-7-1020x679.jpg\" alt=\"Katie Emigh is eager for one particular San Francisco sports team to be honored by the City Hall light scheme. \" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-1920x1278.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/DSC_k4956-7-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Katie Emigh is eager for one particular San Francisco sports team to be honored by the City Hall light scheme. \u003ccite>(Blair Wells/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Outside, Katie admires the work of the man in the basement down below.\u003c/p>\n\u003cp>“Norm really did it tonight. He really killed it with the green,” she says. “It’s inspiring, because it’s less bureaucratic than I thought it would be, less people involved than I thought it would be. That this small group of people are able to represent these moments for the city, that really show this beautiful civic monument, is absolutely wonderful.”\u003c/p>\n\u003cp>As she heads off into the San Francisco night, she turns to say one last thing.\u003c/p>\n\u003cp>“Do you want to know the next great moment I’m looking forward to City Hall shining bright for? \u003ca href=\"https://www.mlb.com/giants\">Giants\u003c/a> orange, baby!”\u003c/p>\n\u003cp>It’s a good thing Norm Goldwyn already has the right shade of orange all figured out. Not too red. Not too yellow.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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},
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"airtime": "SUN 7:30pm-8pm",
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},
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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},
"latino-usa": {
"id": "latino-usa",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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},
"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
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"order": 13
},
"link": "/podcasts/mindshift",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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"meta": {
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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"planet-money": {
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
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"order": 6
},
"link": "/podcasts/politicalbreakdown",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
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