Still from 'Trash Cat.' (Courtesy of Film School Shorts)
Getting tired of the same old, same old on the TV? Worse still, do you struggle each night to find something, anything, remotely inspiring in the dregs of Netflix or Amazon Prime now that you’ve watched every single available episode of Game of Thrones, Stranger Things and Battlestar Galactica?
For those of you inclined towards what we’ll call “unreality television” — the shows providing us with nightmares of the zombie/alien/dragon variety — this year’s season of Film School Shorts will not disappoint.
Here are six reasons to tune in to your local PBS station starting this very Friday, Sept. 9 for the fourth season of Film School Shorts. We could all use a little bit of distraction from the very real realness of our current day.
Still from ‘Zelos.’ (Courtesy of Film School Shorts)
Here in the present, we continue to debate whether or not women can “have it all” (and even if they should want to “have it all”) when it comes to career and familial success. But Zelos offers us a glimpse into potential future, where “can I?” turns into “why wouldn’t I?”
The change comes, as it so often does, with the advent of a new technology — a custom-made clone — to lift the burden of baking, family game night and tidying up around the house from wife and mother Maria. How often have we all said, “I just wish I could clone myself!” in an exhausted and on-the-verge-of-tears tone?
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Maria dives into what seems to be a no-lose situation, devoting her own body to training for a race while her clone’s body takes on the menial chores. But as sci-fi teaches us, doppelgängers usually spell disaster — or at the very least, discomfort — despite their temporary benefits.
Think The One I Love meets The Stepford Wives meets The Ice Storm and you’ll have a sense of the deliciously creepy world Zelos introduces.
Still from ‘Timmy II.’ (Courtesy of Film School Shorts)
South Bay native Imran J. Khan maintains a lighthearted tone throughout this tale of fatherly love, post-9/11 xenophobia, the subprime mortgage crisis, Arab Spring and what it means to be “unique” even if you’re a robot version of a dead human.
When a housing developer’s son dies in a “tragic tractor football accident,” he does the logical thing (if you’re a modern-day Dr. Frankenstein) and builds “Timmy II,” to replace his progeny, complete with the late Timmy’s heart. It only gets weirder from there.
Highlights include a “Man or Muppet”-esque musical interlude, an ill-timed head transplant from a degenerate doctor and an unlikely friendship in an unidentified Middle-Eastern prison.
Like his predecessor Forrest Gump, Timmy II has the knack for being in the right place at the right time, experiencing large-scale historical moments as deeply personal events. And in the process, Timmy II proves that even with developments in the fields of heart and head transplants, robots don’t have it any better than we do.
Still from ‘The Life and Death of Tommy Chaos and Stacey Danger.’ (Courtesy of Film School Shorts)
The Life and Death of Tommy Chaos and Stacey Danger
Like Timmy II, charming voice-over narration guides this story of two incorrigible adventurers as we follow them from trench warfare against alien T-rexes to a Life Aquatic-like underwater romance to marriage — and its discontents — in space.
“Blame it on the lack of gravity, but something was different,” says the omniscient voice, setting up a conflict between the title characters as old as the Earth dinosaurs. Tommy and Stacey, amazing as they are, still have to deal with normal people stuff: overly romanticized relationships, the realities of long-term commitment and how to get your groove back when you don’t even recognize yourself anymore.
At turns languid and break-neck, The Life and Death of Tommy Chaos and Stacey Danger is an ode to all things fantastic, yes, but also a lesson in the ways in which fantasy can help or hinder a relationship, even when you’re a T-rex-fighting, celery-wielding astronaut from the future.
Still from ‘Fool of People.’ (Courtesy of Film School Shorts)
Wordless, jaunty, magical, José Rodríguez’s sweet short short (just under three minutes) takes us on a tour through a convivial gathering at what might be a haunted mansion. Suffice to say, the imagined conversations at this soirée could fuel an entire 22-episode arc during the glory days of network TV. The character list includes: a wine-drinking cloud of smoke, newspaper-reading teacups, anthropomorphic victrolas and various animal-headed people doing various things.
This short made me want to throw a costume party.
Still from ‘Expiration Date.’ (Courtesy of Film School Shorts)
Before Seth Rogen and crew got us used to the idea that our foods have feelings (and desires) too, Sarah Tejada brought a kitchen-themed zombie disaster flick to life with stop motion animation. A lot happens in four minutes: friendships are tested, sacrifices are made, old attractions are put to rest as a chocolate chip cookie, a sandwich and a carrot fight against “the plague” (aka being perishable).
Like The Walking Dead, the villains in Expiration Date, aren’t quite dead and they aren’t quite alive — they’re “expired.” And like The Walking Dead, the foolish members of this party of survivors are the ones who unfairly live the longest. Look out for: excellent puns and the most expressive googly eyes you’ll ever see.
Still from ‘Trash Cat.’ (Courtesy of Film School Shorts)
I can’t get enough of this one. Looking for attention while its owner plays a videogame, a kerchief-wearing cat (potentially the cutest cat in all of animated history) knocks over a trashcan. (It might also be the most annoying cat in all of animated history.) Through a bit of animal meets technology magic, the cat is transformed and yet it remains fundamentally the same; knocking over trashcans is its overriding concern.
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Seriously though, Trash Cat asks the hard questions. Like: What’s the dividing line between our digital lives and our real lives, when everything we do is increasingly digital? Do not look away when this one goes to credits. Kelsey Goldych has an extra treat for you at the end, like all the best blockbusters of the summer franchise variety. Fingers crossed for a Trash Cat sequel.
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"headTitle": "Creepy Sci-Fi, Haunted Mansions and a Cute Cat: What to Watch on ‘Film School Shorts’ | KQED",
"content": "\u003cp>Getting tired of the same old, same old on the TV? Worse still, do you struggle each night to find something, anything, remotely inspiring in the dregs of Netflix or Amazon Prime now that you’ve watched every single available episode of \u003ci>Game of Thrones\u003c/i>, \u003ci>Stranger Things\u003c/i> and \u003ci>Battlestar Galactica\u003c/i>? \u003c/p>\n\u003cp>For those of you inclined towards what we’ll call “unreality television” — the shows providing us with nightmares of the zombie/alien/dragon variety — this year’s season of \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/\" target=\"_blank\" rel=\"noopener\">\u003cem>Film School Shorts\u003c/em>\u003c/a> will not disappoint.\u003c/p>\n\u003cp>Here are six reasons to tune in to your local PBS station starting this very Friday, Sept. 9 for the fourth season of \u003cem>Film School Shorts\u003c/em>. We could all use a little bit of distraction from the very real realness of our current day. \u003c/p>\n\u003cfigure id=\"attachment_12037302\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Zelos.jpg\" alt=\"Still from 'Zelos.'\" width=\"640\" height=\"239\" class=\"size-full wp-image-12037302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Zelos.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Zelos-400x149.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Zelos.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Zelos\u003c/i>\u003c/h3>\n\u003ch5>Episode 401: “Future”\u003cbr>\nAirs Friday, Sept. 9, 8:30pm\u003c/h5>\n\u003cp>Here in the present, we continue to debate whether or not women can “have it all” (and even if they should want to “have it all”) when it comes to career and familial success. But \u003ci>Zelos\u003c/i> offers us a glimpse into potential future, where “can I?” turns into “why wouldn’t I?” \u003c/p>\n\u003cp>The change comes, as it so often does, with the advent of a new technology — a custom-made clone — to lift the burden of baking, family game night and tidying up around the house from wife and mother Maria. How often have we all said, “I just wish I could clone myself!” in an exhausted and on-the-verge-of-tears tone? \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Maria dives into what seems to be a no-lose situation, devoting her own body to training for a race while her clone’s body takes on the menial chores. But as sci-fi teaches us, doppelgängers usually spell disaster — or at the very least, discomfort — despite their temporary benefits. \u003c/p>\n\u003cp>Think \u003ci>The One I Love\u003c/i> meets The Stepford Wives meets \u003ci>The Ice Storm\u003c/i> and you’ll have a sense of the deliciously creepy world \u003ci>Zelos\u003c/i> introduces.\u003c/p>\n\u003cfigure id=\"attachment_12037298\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Timmy.jpg\" alt=\"Still from 'Timmy II.'\" width=\"640\" height=\"360\" class=\"size-full wp-image-12037298\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Timmy.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Timmy-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Timmy II.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Timmy II\u003c/i>\u003c/h3>\n\u003ch5>Episode 402: “America”\u003cbr>\nAirs Friday, Sept. 16, 8:30pm\u003c/h5>\n\u003cp>South Bay native Imran J. Khan maintains a lighthearted tone throughout this tale of fatherly love, post-9/11 xenophobia, the subprime mortgage crisis, Arab Spring and what it means to be “unique” even if you’re a robot version of a dead human. \u003c/p>\n\u003cp>When a housing developer’s son dies in a “tragic tractor football accident,” he does the logical thing (if you’re a modern-day Dr. Frankenstein) and builds “Timmy II,” to replace his progeny, complete with the late Timmy’s heart. It only gets weirder from there. \u003c/p>\n\u003cp>Highlights include a \u003ca href=\"https://www.youtube.com/watch?v=T8EURqoKLY8\" target=\"_blank\" rel=\"noopener\">“Man or Muppet”\u003c/a>-esque musical interlude, an ill-timed head transplant from a degenerate doctor and an unlikely friendship in an unidentified Middle-Eastern prison. \u003c/p>\n\u003cp>Like his predecessor Forrest Gump, Timmy II has the knack for being in the right place at the right time, experiencing large-scale historical moments as deeply personal events. And in the process, \u003ci>Timmy II\u003c/i> proves that even with developments in the fields of heart and head transplants, robots don’t have it any better than we do.\u003c/p>\n\u003cfigure id=\"attachment_12037300\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/ChaosDanger.jpg\" alt=\"Still from 'The Life and Death of Tommy Chaos and Stacey Danger.'\" width=\"640\" height=\"360\" class=\"size-full wp-image-12037300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ChaosDanger.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ChaosDanger-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘The Life and Death of Tommy Chaos and Stacey Danger.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>The Life and Death of Tommy Chaos and Stacey Danger\u003c/i>\u003c/h3>\n\u003ch5>Episode 406: “Crossed Stars”\u003cbr>\nAirs Friday, Oct. 14, 8:30pm\u003c/h5>\n\u003cp>Like \u003ci>Timmy II\u003c/i>, charming voice-over narration guides this story of two incorrigible adventurers as we follow them from trench warfare against alien T-rexes to a \u003ci>Life Aquatic\u003c/i>-like underwater romance to marriage — and its discontents — in space.\u003c/p>\n\u003cp>“Blame it on the lack of gravity, but something was different,” says the omniscient voice, setting up a conflict between the title characters as old as the Earth dinosaurs. Tommy and Stacey, amazing as they are, still have to deal with normal people stuff: overly romanticized relationships, the realities of long-term commitment and how to get your groove back when you don’t even recognize yourself anymore. \u003c/p>\n\u003cp>At turns languid and break-neck, \u003ci>The Life and Death of Tommy Chaos and Stacey Danger\u003c/i> is an ode to all things fantastic, yes, but also a lesson in the ways in which fantasy can help or hinder a relationship, even when you’re a T-rex-fighting, celery-wielding astronaut from the future.\u003c/p>\n\u003cfigure id=\"attachment_12037301\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/FoolOfPeople.jpg\" alt=\"Still from 'Fool of People.'\" width=\"640\" height=\"358\" class=\"size-full wp-image-12037301\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/FoolOfPeople.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/FoolOfPeople-400x224.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Fool of People.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Fool of People\u003c/i>\u003c/h3>\n\u003ch5>Episode 406: “Crossed Stars”\u003cbr>\nAirs Friday, Oct. 14, 8:30pm\u003c/h5>\n\u003cp>Wordless, jaunty, magical, José Rodríguez’s sweet short short (just under three minutes) takes us on a tour through a convivial gathering at what might be a haunted mansion. Suffice to say, the imagined conversations at this soirée could fuel an entire 22-episode arc during the glory days of network TV. The character list includes: a wine-drinking cloud of smoke, newspaper-reading teacups, anthropomorphic victrolas and various animal-headed people doing various things. \u003c/p>\n\u003cp>This short made me want to throw a costume party.\u003c/p>\n\u003cfigure id=\"attachment_12060117\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/ExpirationToast-1180x670.jpg\" alt=\"Still from ‘Expiration Date.’\" width=\"640\" height=\"363\" class=\"size-large wp-image-12060117\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-1180x670.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-400x227.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-800x454.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-768x436.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-960x545.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Expiration Date.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Expiration Date\u003c/i>\u003c/h3>\n\u003ch5>Episode 409: “Behind Closed Doors”\u003cbr>\nAirs Friday, Nov. 4, 8:30pm\u003c/h5>\n\u003cp>Before Seth Rogen and crew got us used to the idea that our foods have feelings (and desires) too, Sarah Tejada brought a kitchen-themed zombie disaster flick to life with stop motion animation. A lot happens in four minutes: friendships are tested, sacrifices are made, old attractions are put to rest as a chocolate chip cookie, a sandwich and a carrot fight against “the plague” (aka being perishable). \u003c/p>\n\u003cp>Like \u003ci>The Walking Dead\u003c/i>, the villains in \u003ci>Expiration Date\u003c/i>, aren’t quite dead and they aren’t quite alive — they’re “expired.” And like \u003ci>The Walking Dead\u003c/i>, the foolish members of this party of survivors are the ones who unfairly live the longest. Look out for: excellent puns and the most expressive googly eyes you’ll ever see.\u003c/p>\n\u003cfigure id=\"attachment_12037304\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/trashcat.jpg\" alt=\"Still from 'Trash Cat.'\" width=\"640\" height=\"360\" class=\"size-full wp-image-12037304\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/trashcat.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/trashcat-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Trash Cat.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Trash Cat\u003c/i>\u003c/h3>\n\u003ch5>Episode 410: “Our Culture”\u003cbr>\nAirs Friday, Nov. 11, 8:30pm\u003c/h5>\n\u003cp>I can’t get enough of this one. Looking for attention while its owner plays a videogame, a kerchief-wearing cat (potentially the cutest cat in all of animated history) knocks over a trashcan. (It might also be the most annoying cat in all of animated history.) Through a bit of animal meets technology magic, the cat is transformed and yet it remains fundamentally the same; knocking over trashcans is its overriding concern.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Seriously though, \u003ci>Trash Cat\u003c/i> asks the hard questions. Like: What’s the dividing line between our digital lives and our real lives, when everything we do is increasingly digital? Do \u003ci>not\u003c/i> look away when this one goes to credits. Kelsey Goldych has an extra treat for you at the end, like all the best blockbusters of the summer franchise variety. Fingers crossed for a \u003ci>Trash Cat\u003c/i> sequel.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Getting tired of the same old, same old on the TV? Worse still, do you struggle each night to find something, anything, remotely inspiring in the dregs of Netflix or Amazon Prime now that you’ve watched every single available episode of \u003ci>Game of Thrones\u003c/i>, \u003ci>Stranger Things\u003c/i> and \u003ci>Battlestar Galactica\u003c/i>? \u003c/p>\n\u003cp>For those of you inclined towards what we’ll call “unreality television” — the shows providing us with nightmares of the zombie/alien/dragon variety — this year’s season of \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/\" target=\"_blank\" rel=\"noopener\">\u003cem>Film School Shorts\u003c/em>\u003c/a> will not disappoint.\u003c/p>\n\u003cp>Here are six reasons to tune in to your local PBS station starting this very Friday, Sept. 9 for the fourth season of \u003cem>Film School Shorts\u003c/em>. We could all use a little bit of distraction from the very real realness of our current day. \u003c/p>\n\u003cfigure id=\"attachment_12037302\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Zelos.jpg\" alt=\"Still from 'Zelos.'\" width=\"640\" height=\"239\" class=\"size-full wp-image-12037302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Zelos.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Zelos-400x149.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Zelos.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Zelos\u003c/i>\u003c/h3>\n\u003ch5>Episode 401: “Future”\u003cbr>\nAirs Friday, Sept. 9, 8:30pm\u003c/h5>\n\u003cp>Here in the present, we continue to debate whether or not women can “have it all” (and even if they should want to “have it all”) when it comes to career and familial success. But \u003ci>Zelos\u003c/i> offers us a glimpse into potential future, where “can I?” turns into “why wouldn’t I?” \u003c/p>\n\u003cp>The change comes, as it so often does, with the advent of a new technology — a custom-made clone — to lift the burden of baking, family game night and tidying up around the house from wife and mother Maria. How often have we all said, “I just wish I could clone myself!” in an exhausted and on-the-verge-of-tears tone? \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Maria dives into what seems to be a no-lose situation, devoting her own body to training for a race while her clone’s body takes on the menial chores. But as sci-fi teaches us, doppelgängers usually spell disaster — or at the very least, discomfort — despite their temporary benefits. \u003c/p>\n\u003cp>Think \u003ci>The One I Love\u003c/i> meets The Stepford Wives meets \u003ci>The Ice Storm\u003c/i> and you’ll have a sense of the deliciously creepy world \u003ci>Zelos\u003c/i> introduces.\u003c/p>\n\u003cfigure id=\"attachment_12037298\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Timmy.jpg\" alt=\"Still from 'Timmy II.'\" width=\"640\" height=\"360\" class=\"size-full wp-image-12037298\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Timmy.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Timmy-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Timmy II.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Timmy II\u003c/i>\u003c/h3>\n\u003ch5>Episode 402: “America”\u003cbr>\nAirs Friday, Sept. 16, 8:30pm\u003c/h5>\n\u003cp>South Bay native Imran J. Khan maintains a lighthearted tone throughout this tale of fatherly love, post-9/11 xenophobia, the subprime mortgage crisis, Arab Spring and what it means to be “unique” even if you’re a robot version of a dead human. \u003c/p>\n\u003cp>When a housing developer’s son dies in a “tragic tractor football accident,” he does the logical thing (if you’re a modern-day Dr. Frankenstein) and builds “Timmy II,” to replace his progeny, complete with the late Timmy’s heart. It only gets weirder from there. \u003c/p>\n\u003cp>Highlights include a \u003ca href=\"https://www.youtube.com/watch?v=T8EURqoKLY8\" target=\"_blank\" rel=\"noopener\">“Man or Muppet”\u003c/a>-esque musical interlude, an ill-timed head transplant from a degenerate doctor and an unlikely friendship in an unidentified Middle-Eastern prison. \u003c/p>\n\u003cp>Like his predecessor Forrest Gump, Timmy II has the knack for being in the right place at the right time, experiencing large-scale historical moments as deeply personal events. And in the process, \u003ci>Timmy II\u003c/i> proves that even with developments in the fields of heart and head transplants, robots don’t have it any better than we do.\u003c/p>\n\u003cfigure id=\"attachment_12037300\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/ChaosDanger.jpg\" alt=\"Still from 'The Life and Death of Tommy Chaos and Stacey Danger.'\" width=\"640\" height=\"360\" class=\"size-full wp-image-12037300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ChaosDanger.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ChaosDanger-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘The Life and Death of Tommy Chaos and Stacey Danger.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>The Life and Death of Tommy Chaos and Stacey Danger\u003c/i>\u003c/h3>\n\u003ch5>Episode 406: “Crossed Stars”\u003cbr>\nAirs Friday, Oct. 14, 8:30pm\u003c/h5>\n\u003cp>Like \u003ci>Timmy II\u003c/i>, charming voice-over narration guides this story of two incorrigible adventurers as we follow them from trench warfare against alien T-rexes to a \u003ci>Life Aquatic\u003c/i>-like underwater romance to marriage — and its discontents — in space.\u003c/p>\n\u003cp>“Blame it on the lack of gravity, but something was different,” says the omniscient voice, setting up a conflict between the title characters as old as the Earth dinosaurs. Tommy and Stacey, amazing as they are, still have to deal with normal people stuff: overly romanticized relationships, the realities of long-term commitment and how to get your groove back when you don’t even recognize yourself anymore. \u003c/p>\n\u003cp>At turns languid and break-neck, \u003ci>The Life and Death of Tommy Chaos and Stacey Danger\u003c/i> is an ode to all things fantastic, yes, but also a lesson in the ways in which fantasy can help or hinder a relationship, even when you’re a T-rex-fighting, celery-wielding astronaut from the future.\u003c/p>\n\u003cfigure id=\"attachment_12037301\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/FoolOfPeople.jpg\" alt=\"Still from 'Fool of People.'\" width=\"640\" height=\"358\" class=\"size-full wp-image-12037301\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/FoolOfPeople.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/FoolOfPeople-400x224.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Fool of People.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Fool of People\u003c/i>\u003c/h3>\n\u003ch5>Episode 406: “Crossed Stars”\u003cbr>\nAirs Friday, Oct. 14, 8:30pm\u003c/h5>\n\u003cp>Wordless, jaunty, magical, José Rodríguez’s sweet short short (just under three minutes) takes us on a tour through a convivial gathering at what might be a haunted mansion. Suffice to say, the imagined conversations at this soirée could fuel an entire 22-episode arc during the glory days of network TV. The character list includes: a wine-drinking cloud of smoke, newspaper-reading teacups, anthropomorphic victrolas and various animal-headed people doing various things. \u003c/p>\n\u003cp>This short made me want to throw a costume party.\u003c/p>\n\u003cfigure id=\"attachment_12060117\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/ExpirationToast-1180x670.jpg\" alt=\"Still from ‘Expiration Date.’\" width=\"640\" height=\"363\" class=\"size-large wp-image-12060117\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-1180x670.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-400x227.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-800x454.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-768x436.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/ExpirationToast-960x545.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Expiration Date.’ \u003ccite>(Courtesy of Film School Shorts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ci>Expiration Date\u003c/i>\u003c/h3>\n\u003ch5>Episode 409: “Behind Closed Doors”\u003cbr>\nAirs Friday, Nov. 4, 8:30pm\u003c/h5>\n\u003cp>Before Seth Rogen and crew got us used to the idea that our foods have feelings (and desires) too, Sarah Tejada brought a kitchen-themed zombie disaster flick to life with stop motion animation. 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Looking for attention while its owner plays a videogame, a kerchief-wearing cat (potentially the cutest cat in all of animated history) knocks over a trashcan. (It might also be the most annoying cat in all of animated history.) Through a bit of animal meets technology magic, the cat is transformed and yet it remains fundamentally the same; knocking over trashcans is its overriding concern.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
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