The Nova Vista Symphony is celebrating its 50th anniversary. It's one of more than 60 adult amateur orchestras in the San Francisco Bay Area. (Courtesy of Ivory Sky Media)
On nights when many of us are watching TV on the couch, hundreds of amateur musicians are showing up at churches and rec rooms to participate in community orchestras. Why? For the love of it, says George Yefchak, a member of the Nova Vista Symphony, one of the oldest amateur orchestras in Silicon Valley. The orchestra is celebrating its 50th anniversary this year.
“I think we have way more fun than people who do it because it’s their job,” says Yefchak, who works as a research scientist and programmer for Agilent Technologies, a maker of scientific instruments, by day. By night, he’s a musical jack-of-all-trades, filling a wide variety of roles for orchestras all over the Bay Area. For Nova Vista, Yefchak’s an oboist, board member, and occasional rehearsal conductor.
Yefchak is part of a vibrant scene that compels thousands of passionate musicians to dedicate most of their free time to rehearsals in churches and multi-purpose rooms rented on the cheap from local schools.
In truth, the terms “amateur” and “professional” as they’re generally understood today don’t really describe this world effectively. There’s a spectrum of talent that runs between those two points. And while many of the musicians who play for Nova Vista, like Yefchak, do have full-time jobs that are not music-related, they take their hobby seriously.
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“Nobody’s paid, except for me and the concert master and a few professionals we once in awhile bring in,” says Nova Vista music director, Anthony Quartuccio. “But everybody here treats this like a professional orchestra. There’s a very high standard of preparation. There’s a high standard for the way we run board meetings and our financials, and the way we go into the community. So it’s a professionally run orchestra by people who do it for the love of it.”
Keeping musicians challenged and coffers filled
On a recent evening at Lakewood Elementary School in Sunnyvale, many Nova Vista musicians arrived at rehearsal directly from work, wearing nurses scrubs, or jackets emblazoned with tech company logos.
These are people who love a challenge, and Quartuccio is happy to oblige. “Every season, we pick a piece or two that will be a rite of passage, which is something we’re not sure we can do, but we’re going to take it on anyway,” Quartuccio says. This season’s big musical challenge comes in the form of Tchaikovsky’s Fifth Symphony, one of the 19th century Russian composer’s most well-known pieces. Though perhaps not as difficult to perform as Tchaikovsky’s famously unplayable Violin Concerto in D Major, the masterwork isn’t exactly a breeze either.
Even without the heavy overhead professional orchestras labor under, many amateur orchestras struggle for money. “Artistic expenses aside, it still costs money to put on a show,” says Kris Sinclair, executive director of the Association of California Symphony Orchestras. “And those ticket prices, if they charge admission, will be much lower than at a professional orchestra.”
Nova Vista typically charges $15 a ticket. Even so, the organization’s board members say money is not a problem. Nova Vista has an annual budget of $50,000. It doesn’t charge musicians annual dues, but they do donate and fund raise. “Everybody here treats this like a professional orchestra, sheerly for the love of it,” Quartuccio says.
Plus, this being Silicon Valley, there’s no shortage of corporate donors, including Google, NVIDIA, Hewlett-Packard, Intel, Apple, Texas Instruments, VMWare and Cisco Systems.Firms often get behind local orchestras in part because their own employees play in them.
Finding community…and love
Many musicians join these orchestras as a way to find community. Software engineer and cellist Harris Karsch came out from the East Coast to work at Google about a year and a half ago. “I just love playing with an ensemble,” Karsch says. “It also keeps me practicing.”
Playing cello as an undergrad at Cornell, Karsch similarly found music a great way to integrate into the student body. “A lot of my best friends were from orchestra, not from my classes,” Karsch says. “Not the ones I ended up with in the dorms and living with but from orchestra and music.”
That’s proved true for many amateur musicians, some of whom date and even marry each other. Carl and Eva Ching of Sunnyvale met sitting next to each other at an orchestra rehearsal one night.
“I guess we took a liking to each other,” says Carl. “And so we’ve been married, I guess, 35 years.”
Eva’s family is full of musicians. Carl’s, not so much. For the past 25 years, Nova Vista has effectively been the couple’s third family; it’s a group where the Chings feel at home.
That, and they get to geek out performing some of classical music’s greatest hits. Last year, Quartuccio’s “rite of passage” piece was Beethoven’s Ninth Symphony. “It’s been on our bucket list for years,” Eva says. “Both of us were sitting there in the middle of the second violin section during the concert, going ‘I can’t believe we’re playing this. Listen to how beautiful it sounds.’ And it just makes so much difference to share it with someone who enjoys it as much as you do.”
Sharing the music
Nova Vista often shares its performances with local students, professionals and musical organizations. Here are a few moments from a rehearsal of John Rutter’s Gloria with Nova Vista Symphony and the San Jose Symphonic Choir conducted by Leroy Kromm. (Courtesy George Yefchak.)
Many of the people in Nova Vista are so deep into making music that they find the time to play for more than one orchestra. This phenomenon is quite common, according to Michael Zwiebach, senior editor of the online classical music journal San Francisco Classical Voice. “Every church, every temple has a choir, right?” Zweibach says. “There are tons of musicians out there and they’re all looking for something to do.”
“We all know people within our own families who’ve been great musicians,” regardless of whether they’re pro, says Michael Zwiebach of San Francisco Classical Voice. Here’s his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married. (Courtesy of Michael Zwiebach)
By Zwiebach’s estimation, the San Francisco Bay Area alone is home to more than 60 community orchestras, like the Redwood Symphony, the Peninsula Symphony, and the South Bay Philharmonic (originally the Hewlett-Packard Symphony Orchestra).
Is the Bay Area typical for density of community orchestras?It’s impossible to tell. There’s nobody keeping a running tally. Celeste Wroblewski of the League of American Orchestras explains that definitions of community orchestras vary, making such a task nigh on impossible. What she can say is that of 1,224 orchestras in the US, 845 run on annual budgets of less than $300,000.
Zwiebach says he’s heard fabulous music from all sorts of ensembles, large and small, semi-professional, and nowhere near it. And how does he feel about the prevailing pejorative attitude about amateurs? “That’s something that we really have to get over,” Zwiebach says. “That’s something that is built into an industrial society where professionalization and specialization is everything.”
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The Nova Vista Symphony performs Elmahmoudi, Grieg, Sarasate and Ravel at the De Anza Visual and Performing Arts Center on April 23. More information here.
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a> On nights when many of us are watching TV on the couch, hundreds of amateur musicians are showing up at churches and rec rooms to participate in community orchestras. Why? For the love of it, says George Yefchak, a member of the \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">Nova Vista Symphony\u003c/a>, one of the oldest amateur orchestras in Silicon Valley. The orchestra is celebrating its 50\u003csup>th\u003c/sup> anniversary this year.\u003c/p>\n\u003cp>“I think we have way more fun than people who do it because it’s their job,” says Yefchak, who works as a research scientist and programmer for Agilent Technologies, a maker of scientific instruments, by day. By night, he’s a musical jack-of-all-trades, filling a wide variety of roles for orchestras all over the Bay Area. For Nova Vista, Yefchak’s an oboist, board member, and occasional rehearsal conductor.\u003c/p>\n\u003cp>Yefchak is part of a vibrant scene that compels thousands of passionate musicians to dedicate most of their free time to rehearsals in churches and multi-purpose rooms rented on the cheap from local schools.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/247923932″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>In truth, the terms “amateur” and “professional” as they’re generally understood today don’t really describe this world effectively. There’s a spectrum of talent that runs between those two points. And while many of the musicians who play for Nova Vista, like Yefchak, do have full-time jobs that are not music-related, they take their hobby seriously.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Nobody’s paid, except for me and the concert master and a few professionals we once in awhile bring in,” says Nova Vista music director, Anthony Quartuccio. “But everybody here treats this like a professional orchestra. There’s a very high standard of preparation. There’s a high standard for the way we run board meetings and our financials, and the way we go into the community. So it’s a professionally run orchestra by people who do it for the love of it.”\u003c/p>\n\u003cp>\u003cstrong>Keeping musicians challenged and coffers filled\u003c/strong>\u003c/p>\n\u003cp>On a recent evening at Lakewood Elementary School in Sunnyvale, many Nova Vista musicians arrived at rehearsal directly from work, wearing nurses scrubs, or jackets emblazoned with tech company logos.\u003c/p>\n\u003cp>These are people who love a challenge, and Quartuccio is happy to oblige. “Every season, we pick a piece or two that will be a rite of passage, which is something we’re not sure we can do, but we’re going to take it on anyway,” Quartuccio says. This season’s big musical challenge comes in the form of Tchaikovsky’s \u003ca href=\"http://www.classicfm.com/composers/tchaikovsky/music/symphony-no5-e-minor/#W2K00Z8r2IyxrX1T.97\" target=\"_blank\" rel=\"noopener\">\u003cem>Fifth\u003c/em>\u003cem> Symphony\u003c/em>\u003c/a>, one of the 19th century Russian composer’s most well-known pieces. Though perhaps not as difficult to perform as Tchaikovsky’s famously unplayable \u003cem>Violin Concerto in D Major\u003c/em>, the masterwork isn’t exactly a breeze either.\u003c/p>\n\u003cp>Even without the heavy overhead professional orchestras labor under, many amateur orchestras struggle for money. “Artistic expenses aside, it still costs money to put on a show,” says Kris Sinclair, executive director of the \u003ca href=\"http://www.acso.org/\" target=\"_blank\" rel=\"noopener\">Association of California Symphony Orchestras\u003c/a>. “And those ticket prices, if they charge admission, will be much lower than at a professional orchestra.”\u003c/p>\n\u003cp>Nova Vista typically charges $15 a ticket. Even so, the organization’s board members say money is not a problem. Nova Vista has an annual budget of $50,000. It doesn’t charge musicians annual dues, but they do donate and fund raise. “Everybody here treats this like a professional orchestra, sheerly for the love of it,” Quartuccio says.\u003c/p>\n\u003caside class=\"callout alignright\">\u003cstrong>pARTicipate with us! \u003c/strong>We need your help to make this project bloom. If you have an artistic hobby that you’re passionate about, or know about an artist or organization involved in community art-making, we want to hear from you in any or all of the following ways:\n\u003cul>\n\u003cli>Share an image or video of you (and your friends) participating in your activity\u003c/li>\n\u003cli>Tell us the story of how you got involved in your practice, what it is you do and why it means so much to you\u003c/li>\n\u003cli>Send us information about arts organizations or individual coaches who are helping to bring creativity to your community\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can reach us in the following ways:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Email: \u003c/span>\u003ca href=\"mailto:cveltman@kqed.org\">\u003cspan style=\"font-weight: 400\">cveltman@kqed.org\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">Twitter: @KQEDarts and #KQEDparticipate\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Facebook: KQED Arts\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Instagram: @KQEDofficial and #KQEDparticipate\u003c/span>\u003c/p>\n\u003c/aside>\n\u003cp>Plus, this being Silicon Valley, there’s no shortage of corporate donors, including Google, NVIDIA, Hewlett-Packard, Intel, Apple, Texas Instruments, VMWare and Cisco Systems.\u003cb> \u003c/b>Firms often get behind local orchestras in part because their own employees play in them.\u003c/p>\n\u003cp>\u003cstrong>Finding community…and love\u003c/strong>\u003c/p>\n\u003cp>Many musicians join these orchestras as a way to find community. Software engineer and cellist Harris Karsch came out from the East Coast to work at Google about a year and a half ago. “I just love playing with an ensemble,” Karsch says. “It also keeps me practicing.”\u003c/p>\n\u003cp>Playing cello as an undergrad at Cornell, Karsch similarly found music a great way to integrate into the student body. “A lot of my best friends were from orchestra, not from my classes,” Karsch says. “Not the ones I ended up with in the dorms and living with but from orchestra and music.”\u003c/p>\n\u003cp>That’s proved true for many amateur musicians, some of whom date and even marry each other. Carl and Eva Ching of Sunnyvale met sitting next to each other at an orchestra rehearsal one night.\u003c/p>\n\u003cp>“I guess we took a liking to each other,” says Carl. “And so we’ve been married, I guess, 35 years.”\u003c/p>\n\u003cp>Eva’s family is full of musicians. Carl’s, not so much. For the past 25 years, Nova Vista has effectively been the couple’s third family; it’s a group where the Chings feel at home.\u003c/p>\n\u003cp>That, and they get to geek out performing some of classical music’s greatest hits. Last year, Quartuccio’s “rite of passage” piece was Beethoven’s \u003cem>Ninth Symphony\u003c/em>. “It’s been on our bucket list for years,” Eva says. “Both of us were sitting there in the middle of the second violin section during the concert, going ‘I can’t believe we’re playing this. Listen to how beautiful it sounds.’ And it just makes so much difference to share it with someone who enjoys it as much as you do.”\u003c/p>\n\u003cp>\u003cstrong>Sharing the music\u003c/strong>\u003c/p>\n\u003cp>Nova Vista often shares its performances with local students, professionals and musical organizations. Here are a few moments from a rehearsal of John Rutter’s \u003cem>Gloria\u003c/em> with Nova Vista Symphony and the San Jose Symphonic Choir conducted by Leroy Kromm. (Courtesy George Yefchak.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=44_n3RMdsDc\u003c/p>\n\u003cp>Many of the people in Nova Vista are so deep into making music that they find the time to play for more than one orchestra. This phenomenon is quite common, according to Michael Zwiebach, senior editor of the online classical music journal \u003cem>\u003ca href=\"https://www.sfcv.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Classical Voice\u003c/a>\u003c/em>. “Every church, every temple has a choir, right?” Zweibach says. “There are tons of musicians out there and they’re all looking for something to do.”\u003c/p>\n\u003cfigure id=\"attachment_11316324\" class=\"wp-caption alignright\" style=\"max-width: 325px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11316324\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg\" alt=\""We all know people within our own families who’ve been great musicians," regardless of whether they're pro, says Michael Zwiebach of San Francisco Classical Voice. Here's his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married.\" width=\"325\" height=\"509\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-383x600.jpg 383w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut.jpg 511w\" sizes=\"(max-width: 325px) 100vw, 325px\">\u003cfigcaption class=\"wp-caption-text\">“We all know people within our own families who’ve been great musicians,” regardless of whether they’re pro, says Michael Zwiebach of San Francisco Classical Voice. Here’s his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married. \u003ccite>(Courtesy of Michael Zwiebach)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By Zwiebach’s estimation, the San Francisco Bay Area alone is home to more than 60 community orchestras, like the \u003ca href=\"http://www.redwoodsymphony.org/\" target=\"_blank\" rel=\"noopener\">Redwood Symphony\u003c/a>, the \u003ca href=\"http://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener\">Peninsula Symphony\u003c/a>, and the \u003ca href=\"http://southbayphilharmonic.org/\" target=\"_blank\" rel=\"noopener\">South Bay Philharmonic\u003c/a> (originally the Hewlett-Packard Symphony Orchestra).\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>Is the Bay Area typical for density of community orchestras?It’s impossible to tell. There’s nobody keeping a running tally. Celeste Wroblewski of the\u003ca href=\"http://www.americanorchestras.org/\" target=\"_blank\" rel=\"noopener\"> League of American Orchestras\u003c/a> explains that definitions of community orchestras vary, making such a task nigh on impossible. What she can say is that of 1,224 orchestras in the US, 845 run on annual budgets of less than $300,000.\u003c/p>\n\u003cp>Zwiebach says he’s heard fabulous music from all sorts of ensembles, large and small, semi-professional, and nowhere near it. And how does he feel about the prevailing pejorative attitude about amateurs? “That’s something that we really have to get over,” Zwiebach says. “That’s something that is built into an industrial society where professionalization and specialization is everything.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Nova Vista Symphony performs Elmahmoudi, Grieg, Sarasate and Ravel\u003c/em>\u003cem> at the De Anza Visual and Performing Arts Center on April 23. More information \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/strong>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a> On nights when many of us are watching TV on the couch, hundreds of amateur musicians are showing up at churches and rec rooms to participate in community orchestras. Why? For the love of it, says George Yefchak, a member of the \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">Nova Vista Symphony\u003c/a>, one of the oldest amateur orchestras in Silicon Valley. The orchestra is celebrating its 50\u003csup>th\u003c/sup> anniversary this year.\u003c/p>\n\u003cp>“I think we have way more fun than people who do it because it’s their job,” says Yefchak, who works as a research scientist and programmer for Agilent Technologies, a maker of scientific instruments, by day. By night, he’s a musical jack-of-all-trades, filling a wide variety of roles for orchestras all over the Bay Area. For Nova Vista, Yefchak’s an oboist, board member, and occasional rehearsal conductor.\u003c/p>\n\u003cp>Yefchak is part of a vibrant scene that compels thousands of passionate musicians to dedicate most of their free time to rehearsals in churches and multi-purpose rooms rented on the cheap from local schools.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/247923932″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/247923932″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>In truth, the terms “amateur” and “professional” as they’re generally understood today don’t really describe this world effectively. There’s a spectrum of talent that runs between those two points. And while many of the musicians who play for Nova Vista, like Yefchak, do have full-time jobs that are not music-related, they take their hobby seriously.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Nobody’s paid, except for me and the concert master and a few professionals we once in awhile bring in,” says Nova Vista music director, Anthony Quartuccio. “But everybody here treats this like a professional orchestra. There’s a very high standard of preparation. There’s a high standard for the way we run board meetings and our financials, and the way we go into the community. So it’s a professionally run orchestra by people who do it for the love of it.”\u003c/p>\n\u003cp>\u003cstrong>Keeping musicians challenged and coffers filled\u003c/strong>\u003c/p>\n\u003cp>On a recent evening at Lakewood Elementary School in Sunnyvale, many Nova Vista musicians arrived at rehearsal directly from work, wearing nurses scrubs, or jackets emblazoned with tech company logos.\u003c/p>\n\u003cp>These are people who love a challenge, and Quartuccio is happy to oblige. “Every season, we pick a piece or two that will be a rite of passage, which is something we’re not sure we can do, but we’re going to take it on anyway,” Quartuccio says. This season’s big musical challenge comes in the form of Tchaikovsky’s \u003ca href=\"http://www.classicfm.com/composers/tchaikovsky/music/symphony-no5-e-minor/#W2K00Z8r2IyxrX1T.97\" target=\"_blank\" rel=\"noopener\">\u003cem>Fifth\u003c/em>\u003cem> Symphony\u003c/em>\u003c/a>, one of the 19th century Russian composer’s most well-known pieces. Though perhaps not as difficult to perform as Tchaikovsky’s famously unplayable \u003cem>Violin Concerto in D Major\u003c/em>, the masterwork isn’t exactly a breeze either.\u003c/p>\n\u003cp>Even without the heavy overhead professional orchestras labor under, many amateur orchestras struggle for money. “Artistic expenses aside, it still costs money to put on a show,” says Kris Sinclair, executive director of the \u003ca href=\"http://www.acso.org/\" target=\"_blank\" rel=\"noopener\">Association of California Symphony Orchestras\u003c/a>. “And those ticket prices, if they charge admission, will be much lower than at a professional orchestra.”\u003c/p>\n\u003cp>Nova Vista typically charges $15 a ticket. Even so, the organization’s board members say money is not a problem. Nova Vista has an annual budget of $50,000. It doesn’t charge musicians annual dues, but they do donate and fund raise. “Everybody here treats this like a professional orchestra, sheerly for the love of it,” Quartuccio says.\u003c/p>\n\u003caside class=\"callout alignright\">\u003cstrong>pARTicipate with us! \u003c/strong>We need your help to make this project bloom. If you have an artistic hobby that you’re passionate about, or know about an artist or organization involved in community art-making, we want to hear from you in any or all of the following ways:\n\u003cul>\n\u003cli>Share an image or video of you (and your friends) participating in your activity\u003c/li>\n\u003cli>Tell us the story of how you got involved in your practice, what it is you do and why it means so much to you\u003c/li>\n\u003cli>Send us information about arts organizations or individual coaches who are helping to bring creativity to your community\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can reach us in the following ways:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Email: \u003c/span>\u003ca href=\"mailto:cveltman@kqed.org\">\u003cspan style=\"font-weight: 400\">cveltman@kqed.org\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">Twitter: @KQEDarts and #KQEDparticipate\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Facebook: KQED Arts\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Instagram: @KQEDofficial and #KQEDparticipate\u003c/span>\u003c/p>\n\u003c/aside>\n\u003cp>Plus, this being Silicon Valley, there’s no shortage of corporate donors, including Google, NVIDIA, Hewlett-Packard, Intel, Apple, Texas Instruments, VMWare and Cisco Systems.\u003cb> \u003c/b>Firms often get behind local orchestras in part because their own employees play in them.\u003c/p>\n\u003cp>\u003cstrong>Finding community…and love\u003c/strong>\u003c/p>\n\u003cp>Many musicians join these orchestras as a way to find community. Software engineer and cellist Harris Karsch came out from the East Coast to work at Google about a year and a half ago. “I just love playing with an ensemble,” Karsch says. “It also keeps me practicing.”\u003c/p>\n\u003cp>Playing cello as an undergrad at Cornell, Karsch similarly found music a great way to integrate into the student body. “A lot of my best friends were from orchestra, not from my classes,” Karsch says. “Not the ones I ended up with in the dorms and living with but from orchestra and music.”\u003c/p>\n\u003cp>That’s proved true for many amateur musicians, some of whom date and even marry each other. Carl and Eva Ching of Sunnyvale met sitting next to each other at an orchestra rehearsal one night.\u003c/p>\n\u003cp>“I guess we took a liking to each other,” says Carl. “And so we’ve been married, I guess, 35 years.”\u003c/p>\n\u003cp>Eva’s family is full of musicians. Carl’s, not so much. For the past 25 years, Nova Vista has effectively been the couple’s third family; it’s a group where the Chings feel at home.\u003c/p>\n\u003cp>That, and they get to geek out performing some of classical music’s greatest hits. Last year, Quartuccio’s “rite of passage” piece was Beethoven’s \u003cem>Ninth Symphony\u003c/em>. “It’s been on our bucket list for years,” Eva says. “Both of us were sitting there in the middle of the second violin section during the concert, going ‘I can’t believe we’re playing this. Listen to how beautiful it sounds.’ And it just makes so much difference to share it with someone who enjoys it as much as you do.”\u003c/p>\n\u003cp>\u003cstrong>Sharing the music\u003c/strong>\u003c/p>\n\u003cp>Nova Vista often shares its performances with local students, professionals and musical organizations. Here are a few moments from a rehearsal of John Rutter’s \u003cem>Gloria\u003c/em> with Nova Vista Symphony and the San Jose Symphonic Choir conducted by Leroy Kromm. (Courtesy George Yefchak.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/44_n3RMdsDc'\n title='//www.youtube.com/embed/44_n3RMdsDc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Many of the people in Nova Vista are so deep into making music that they find the time to play for more than one orchestra. This phenomenon is quite common, according to Michael Zwiebach, senior editor of the online classical music journal \u003cem>\u003ca href=\"https://www.sfcv.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Classical Voice\u003c/a>\u003c/em>. “Every church, every temple has a choir, right?” Zweibach says. “There are tons of musicians out there and they’re all looking for something to do.”\u003c/p>\n\u003cfigure id=\"attachment_11316324\" class=\"wp-caption alignright\" style=\"max-width: 325px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11316324\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg\" alt=\""We all know people within our own families who’ve been great musicians," regardless of whether they're pro, says Michael Zwiebach of San Francisco Classical Voice. Here's his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married.\" width=\"325\" height=\"509\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-383x600.jpg 383w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut.jpg 511w\" sizes=\"(max-width: 325px) 100vw, 325px\">\u003cfigcaption class=\"wp-caption-text\">“We all know people within our own families who’ve been great musicians,” regardless of whether they’re pro, says Michael Zwiebach of San Francisco Classical Voice. Here’s his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married. \u003ccite>(Courtesy of Michael Zwiebach)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By Zwiebach’s estimation, the San Francisco Bay Area alone is home to more than 60 community orchestras, like the \u003ca href=\"http://www.redwoodsymphony.org/\" target=\"_blank\" rel=\"noopener\">Redwood Symphony\u003c/a>, the \u003ca href=\"http://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener\">Peninsula Symphony\u003c/a>, and the \u003ca href=\"http://southbayphilharmonic.org/\" target=\"_blank\" rel=\"noopener\">South Bay Philharmonic\u003c/a> (originally the Hewlett-Packard Symphony Orchestra).\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>Is the Bay Area typical for density of community orchestras?It’s impossible to tell. There’s nobody keeping a running tally. Celeste Wroblewski of the\u003ca href=\"http://www.americanorchestras.org/\" target=\"_blank\" rel=\"noopener\"> League of American Orchestras\u003c/a> explains that definitions of community orchestras vary, making such a task nigh on impossible. What she can say is that of 1,224 orchestras in the US, 845 run on annual budgets of less than $300,000.\u003c/p>\n\u003cp>Zwiebach says he’s heard fabulous music from all sorts of ensembles, large and small, semi-professional, and nowhere near it. And how does he feel about the prevailing pejorative attitude about amateurs? “That’s something that we really have to get over,” Zwiebach says. “That’s something that is built into an industrial society where professionalization and specialization is everything.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Nova Vista Symphony performs Elmahmoudi, Grieg, Sarasate and Ravel\u003c/em>\u003cem> at the De Anza Visual and Performing Arts Center on April 23. More information \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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},
"radiolab": {
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"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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