Daniel Van Kirk on stage (Courtesy: Daniel Van Kirk)
Plenty of stars appear on comedian Doug Benson’s podcast Doug Loves Movies — Jon Hamm, Patton Oswalt and Sarah Silverman are just a few of the dozens of famous guests Benson has hosted.
But the clear fan favorite? “Mark Wahlberg.” Already a regular on the show by the time he made his first appearance in New York, the recording of that particular episode turned to white noise due to the volume of the crowd’s roaring after he hit the stage and let out his catchphrase: “Do you wanna do some lines?”
Of course, when I say “Mark Wahlberg,” I don’t mean the real Wahlberg. I mean Daniel Van Kirk, a comedic actor who does an impression of Wahlberg that is somehow accurate and completely ridiculous at the same time. Van Kirk doesn’t look like Wahlberg, nor does he really try to; his costume consists of a bad wig. But he has the voice down pat, and that’s all he needs to get his version of Wahlberg — an absurdly cocky version of Wahlberg — across.
Van Kirk is a great example of the rising comedic talent coming out of the podcast world. Like James Adomian and Paul F. Tompkins, Van Kirk has an ability to imitate celebrities and turn them into unforgettable characters; beyond Wahlberg, which he started doing on the Sklarbro Country podcast, he also appears on shows as Steven Seagal and Steven Avery, the subject of the Netflix docu-series Making A Murderer. And those skills have led to Van Kirk’s being in demand by other podcasts and even TV shows: his Wahlberg impression has been used for shorts on Fox’s Animation Domination High-Def, and eventually led to Van Kirk’s own series for the Nerdist Network, called DVK.
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I spoke with Van Kirk before his many SF Sketchfest appearances last month. We discussed how he found his talent, where it’s gotten him, and the impact of podcasts on comedy. He even let me ask “Mark Wahlberg” a few questions as well, and you can hear the audio of that at the end of this Q&A.
How did you get into comedy?
As a kid, I used to listen to comedy albums, memorize the bits and redo them for my uncle. I also would watch Saturday Night Live, then go to Sunday school the next morning and do all the characters, or at least all the ones I was allowed to do. By the time I finished high school I knew I wanted to be an actor, so I went to college and majored in theater. Years after college, I realized that comedy felt more natural for me, so I started doing that and moved out to L.A. not long after.
I put in the time and effort to get into the Upright Citizens Brigade theater (UCB) and that really kicked it into gear for me. That’s how I met the Sklar Brothers and began doing podcasts with them. If you are interested in comedy, that’s where it’s easy to cut your teeth and be inundated with knowledge from the best comedians in the country.
It all has gone on from there, and I’ve just been tricking people into letting me perform on stage ever since.
Did you find you had a talent for impressions early on?
Daniel Van Kirk as “Mark Wahlberg”
My impressions of anyone famous were basically me doing an impression of Dana Carvey’s impression. But I think it did teach me a lot about figuring another person’s characteristics and exploiting them until it’s not funny any more.
I also grew up doing a lot of my teachers and football coaches. Once, as part of a prep rally, they had me pretend to be the athletic director and head football coach of my school. I spoke to the entire student body as “Coach Crandall” for 10 minutes. I’m sure those jokes still hold up.
What’s funny is that looking back, it seems like every impression I’ve ever done I came into by accident. With each person, if there’s something odd that I notice them doing or saying and it worms its way into my head, I’ll just start doing it.
I always defer to the great impressionists who can look at somebody and go, “I’m going to do an impression of them,” and are able to break one down. I’m sad to report that I’m just not that good. But if somebody worms their way into my head and I find that I can talk like them, that’s when I’ll lock in and start to blow out the character.
How did you discover your Mark Wahlberg impression?
It was after I watched the movie The Happening. There’s a ridiculous scene where Mark Wahlberg and Zooey Deschanel are walking across a field, and Wahlberg tells a story that he’s completely made up. He just says, “The other day, I went to the store, and I pretended I was sick because the girl behind the counter was cute. And I talked to her. And she talked to me. And I bought cough medicine… and I wasn’t even sick.”
And then Deschanel asks him, “Is that true?” and Wahlberg goes, “No.”
I just thought that was the most ridiculous… Why even write that scene?! What was the point of that? And then as I said before, it just wormed it’s way into my head and I found myself going, “The other day…” And I could put anything I wanted to after that and it didn’t even have to make sense.
Are you worried at all from getting any backlash from Wahlberg?
I always say this: I’m trying to do a full character. So if I ever met Mark Wahlberg I’d say, “First, I hope you realize I’m a huge fan of yours. More importantly, I hope you realize I’m just doing a character with the same name and that sounds like you. Nothing else is true.”
In my world of Wahlberg, [Mark’s brother] Donnie needs help. In the real world, Donnie is doing great. He was in one of the most prolific boy bands of the last 25 years, he’s on a hit show, he’s in lots of movies — he’s doing great. But in my world, he lives above the garage, sleeps on a futon and needs help.
With impressions, you have to have the confidence to do the voice, but in some ways it’s more important to have a take — an angle on what this person is about. And it doesn’t have to be real. I’m doing an impression of Wahlberg but I’m not an impersonator; impersonators are in Las Vegas, and you want them to sing like Liza Minelli and that’s it. If I did a Liza Minelli impersonation it would sound like her but that’s where it would end.
Listen to an excerpt of our interview with Daniel Van Kirk’s “Mark Wahlberg” character below:
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"content": "\u003cp>Plenty of stars appear on comedian Doug Benson’s podcast \u003cem>Doug Loves Movies\u003c/em> — Jon Hamm, Patton Oswalt and Sarah Silverman are just a few of the dozens of famous guests Benson has hosted.\u003c/p>\n\u003cp>But the clear fan favorite? “Mark Wahlberg.” Already a regular on the show by the time he made his first appearance in New York, the recording of that particular episode turned to white noise due to the volume of the crowd’s roaring after he hit the stage and let out his catchphrase: “Do you wanna do some lines?” \u003c/p>\n\u003cp>[contextly_sidebar id=”Th1RCKuKAsw1oOG47c1f5Hz9Hc83fUsG”]\u003c/p>\n\u003cp>Of course, when I say “Mark Wahlberg,” I don’t mean the real Wahlberg. I mean Daniel Van Kirk, a comedic actor who does an impression of Wahlberg that is somehow accurate and completely ridiculous at the same time. Van Kirk doesn’t look like Wahlberg, nor does he really try to; his costume consists of a bad wig. But he has the voice down pat, and that’s all he needs to get his version of Wahlberg — an absurdly cocky version of Wahlberg — across.\u003c/p>\n\u003cp>Van Kirk is a great example of the rising comedic talent coming out of the podcast world. Like James Adomian and Paul F. Tompkins, Van Kirk has an ability to imitate celebrities and turn them into unforgettable characters; beyond Wahlberg, which he started doing \u003ca href=\"http://www.earwolf.com/show/sklarbro-country/\" target=\"_blank\" rel=\"noopener\">on the Sklarbro Country podcast\u003c/a>, he also appears on shows as Steven Seagal and Steven Avery, the subject of the Netflix docu-series \u003cem>Making A Murderer\u003c/em>. And those skills have led to Van Kirk’s being in demand by other podcasts and even TV shows: his Wahlberg impression has been used for shorts on Fox’s Animation Domination High-Def, and eventually led to Van Kirk’s own series for the Nerdist Network, called \u003cem>DVK\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3PevwGVQ0XA\u003c/p>\n\u003cp>I spoke with Van Kirk before his many SF Sketchfest appearances last month. We discussed how he found his talent, where it’s gotten him, and the impact of podcasts on comedy. He even let me ask “Mark Wahlberg” a few questions as well, and you can hear the audio of that at the end of this Q&A.\u003c/p>\n\u003cp>\u003cb>How did you get into comedy?\u003c/b>\u003c/p>\n\u003cp>As a kid, I used to listen to comedy albums, memorize the bits and redo them for my uncle. I also would watch \u003cem>Saturday Night Live,\u003c/em> then go to Sunday school the next morning and do all the characters, or at least all the ones I was allowed to do. By the time I finished high school I knew I wanted to be an actor, so I went to college and majored in theater. Years after college, I realized that comedy felt more natural for me, so I started doing that and moved out to L.A. not long after.\u003c/p>\n\u003cp>I put in the time and effort to get into the \u003ca href=\"https://ucbtheater.com/\" target=\"_blank\" rel=\"noopener\">Upright Citizens Brigade theater\u003c/a> (UCB) and that really kicked it into gear for me. That’s how I met the Sklar Brothers and began doing podcasts with them. If you are interested in comedy, that’s where it’s easy to cut your teeth and be inundated with knowledge from the best comedians in the country.\u003c/p>\n\u003cp>It all has gone on from there, and I’ve just been tricking people into letting me perform on stage ever since.\u003c/p>\n\u003cp>\u003cb>Did you find you had a talent for impressions early on?\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_11296820\" class=\"wp-caption alignright\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11296820\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2.jpg\" alt='Daniel Van Kirk as \"Mark Wahlberg\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Van Kirk as “Mark Wahlberg”\u003c/figcaption>\u003c/figure>\n\u003cp>My impressions of anyone famous were basically me doing an impression of Dana Carvey’s impression. But I think it did teach me a lot about figuring another person’s characteristics and exploiting them until it’s not funny any more.\u003c/p>\n\u003cp>I also grew up doing a lot of my teachers and football coaches. Once, as part of a prep rally, they had me pretend to be the athletic director and head football coach of my school. I spoke to the entire student body as “Coach Crandall” for 10 minutes. I’m sure those jokes still hold up.\u003c/p>\n\u003cp>What’s funny is that looking back, it seems like every impression I’ve ever done I came into by accident. With each person, if there’s something odd that I notice them doing or saying and it worms its way into my head, I’ll just start doing it.\u003c/p>\n\u003cp>I always defer to the great impressionists who can look at somebody and go, “I’m going to do an impression of them,” and are able to break one down. I’m sad to report that I’m just not that good. But if somebody worms their way into my head and I find that I can talk like them, that’s when I’ll lock in and start to blow out the character.\u003c/p>\n\u003cp>\u003cb>How did you discover your Mark Wahlberg impression?\u003c/b>\u003c/p>\n\u003cp>It was after I watched the movie \u003ci>The Happening.\u003c/i> There’s a ridiculous scene where Mark Wahlberg and Zooey Deschanel are walking across a field, and Wahlberg tells a story that he’s completely made up. He just says, “The other day, I went to the store, and I pretended I was sick because the girl behind the counter was cute. And I talked to her. And she talked to me. And I bought cough medicine… and I wasn’t even sick.”\u003c/p>\n\u003cp>And then Deschanel asks him, “Is that true?” and Wahlberg goes, “No.”\u003c/p>\n\u003cp>I just thought that was the most ridiculous… Why even write that scene?! What was the point of that? And then as I said before, it just wormed it’s way into my head and I found myself going, “The other day…” And I could put anything I wanted to after that and it didn’t even have to make sense.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qh21rFN-UwA\u003c/p>\n\u003cp>\u003cb>Are you worried at all from getting any backlash from Wahlberg?\u003c/b>\u003c/p>\n\u003cp>I always say this: I’m trying to do a full character. So if I ever met Mark Wahlberg I’d say, “First, I hope you realize I’m a huge fan of yours. More importantly, I hope you realize I’m just doing a character with the same name and that sounds like you. Nothing else is true.”\u003c/p>\n\u003cp>In my world of Wahlberg, [Mark’s brother] Donnie needs help. In the real world, Donnie is doing great. He was in one of the most prolific boy bands of the last 25 years, he’s on a hit show, he’s in lots of movies — he’s doing great. But in my world, he lives above the garage, sleeps on a futon and needs help.\u003c/p>\n\u003cp>With impressions, you have to have the confidence to do the voice, but in some ways it’s more important to have a take — an angle on what this person is about. And it doesn’t have to be real. I’m doing an impression of Wahlberg but I’m not an impersonator; impersonators are in Las Vegas, and you want them to sing like Liza Minelli and that’s it. If I did a Liza Minelli impersonation it would sound like her but that’s where it would end.\u003c/p>\n\u003cp>\u003ci>Listen to an excerpt of our interview with Daniel Van Kirk’s “Mark Wahlberg” character below:\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/245142017″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Plenty of stars appear on comedian Doug Benson’s podcast \u003cem>Doug Loves Movies\u003c/em> — Jon Hamm, Patton Oswalt and Sarah Silverman are just a few of the dozens of famous guests Benson has hosted.\u003c/p>\n\u003cp>But the clear fan favorite? “Mark Wahlberg.” Already a regular on the show by the time he made his first appearance in New York, the recording of that particular episode turned to white noise due to the volume of the crowd’s roaring after he hit the stage and let out his catchphrase: “Do you wanna do some lines?” \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Of course, when I say “Mark Wahlberg,” I don’t mean the real Wahlberg. I mean Daniel Van Kirk, a comedic actor who does an impression of Wahlberg that is somehow accurate and completely ridiculous at the same time. Van Kirk doesn’t look like Wahlberg, nor does he really try to; his costume consists of a bad wig. But he has the voice down pat, and that’s all he needs to get his version of Wahlberg — an absurdly cocky version of Wahlberg — across.\u003c/p>\n\u003cp>Van Kirk is a great example of the rising comedic talent coming out of the podcast world. Like James Adomian and Paul F. Tompkins, Van Kirk has an ability to imitate celebrities and turn them into unforgettable characters; beyond Wahlberg, which he started doing \u003ca href=\"http://www.earwolf.com/show/sklarbro-country/\" target=\"_blank\" rel=\"noopener\">on the Sklarbro Country podcast\u003c/a>, he also appears on shows as Steven Seagal and Steven Avery, the subject of the Netflix docu-series \u003cem>Making A Murderer\u003c/em>. And those skills have led to Van Kirk’s being in demand by other podcasts and even TV shows: his Wahlberg impression has been used for shorts on Fox’s Animation Domination High-Def, and eventually led to Van Kirk’s own series for the Nerdist Network, called \u003cem>DVK\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3PevwGVQ0XA'\n title='//www.youtube.com/embed/3PevwGVQ0XA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I spoke with Van Kirk before his many SF Sketchfest appearances last month. We discussed how he found his talent, where it’s gotten him, and the impact of podcasts on comedy. He even let me ask “Mark Wahlberg” a few questions as well, and you can hear the audio of that at the end of this Q&A.\u003c/p>\n\u003cp>\u003cb>How did you get into comedy?\u003c/b>\u003c/p>\n\u003cp>As a kid, I used to listen to comedy albums, memorize the bits and redo them for my uncle. I also would watch \u003cem>Saturday Night Live,\u003c/em> then go to Sunday school the next morning and do all the characters, or at least all the ones I was allowed to do. By the time I finished high school I knew I wanted to be an actor, so I went to college and majored in theater. Years after college, I realized that comedy felt more natural for me, so I started doing that and moved out to L.A. not long after.\u003c/p>\n\u003cp>I put in the time and effort to get into the \u003ca href=\"https://ucbtheater.com/\" target=\"_blank\" rel=\"noopener\">Upright Citizens Brigade theater\u003c/a> (UCB) and that really kicked it into gear for me. That’s how I met the Sklar Brothers and began doing podcasts with them. If you are interested in comedy, that’s where it’s easy to cut your teeth and be inundated with knowledge from the best comedians in the country.\u003c/p>\n\u003cp>It all has gone on from there, and I’ve just been tricking people into letting me perform on stage ever since.\u003c/p>\n\u003cp>\u003cb>Did you find you had a talent for impressions early on?\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_11296820\" class=\"wp-caption alignright\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11296820\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2.jpg\" alt='Daniel Van Kirk as \"Mark Wahlberg\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Daniel-Van-Kirk2-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Van Kirk as “Mark Wahlberg”\u003c/figcaption>\u003c/figure>\n\u003cp>My impressions of anyone famous were basically me doing an impression of Dana Carvey’s impression. But I think it did teach me a lot about figuring another person’s characteristics and exploiting them until it’s not funny any more.\u003c/p>\n\u003cp>I also grew up doing a lot of my teachers and football coaches. Once, as part of a prep rally, they had me pretend to be the athletic director and head football coach of my school. I spoke to the entire student body as “Coach Crandall” for 10 minutes. I’m sure those jokes still hold up.\u003c/p>\n\u003cp>What’s funny is that looking back, it seems like every impression I’ve ever done I came into by accident. With each person, if there’s something odd that I notice them doing or saying and it worms its way into my head, I’ll just start doing it.\u003c/p>\n\u003cp>I always defer to the great impressionists who can look at somebody and go, “I’m going to do an impression of them,” and are able to break one down. I’m sad to report that I’m just not that good. But if somebody worms their way into my head and I find that I can talk like them, that’s when I’ll lock in and start to blow out the character.\u003c/p>\n\u003cp>\u003cb>How did you discover your Mark Wahlberg impression?\u003c/b>\u003c/p>\n\u003cp>It was after I watched the movie \u003ci>The Happening.\u003c/i> There’s a ridiculous scene where Mark Wahlberg and Zooey Deschanel are walking across a field, and Wahlberg tells a story that he’s completely made up. He just says, “The other day, I went to the store, and I pretended I was sick because the girl behind the counter was cute. And I talked to her. And she talked to me. And I bought cough medicine… and I wasn’t even sick.”\u003c/p>\n\u003cp>And then Deschanel asks him, “Is that true?” and Wahlberg goes, “No.”\u003c/p>\n\u003cp>I just thought that was the most ridiculous… Why even write that scene?! What was the point of that? And then as I said before, it just wormed it’s way into my head and I found myself going, “The other day…” And I could put anything I wanted to after that and it didn’t even have to make sense.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qh21rFN-UwA'\n title='//www.youtube.com/embed/Qh21rFN-UwA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>Are you worried at all from getting any backlash from Wahlberg?\u003c/b>\u003c/p>\n\u003cp>I always say this: I’m trying to do a full character. So if I ever met Mark Wahlberg I’d say, “First, I hope you realize I’m a huge fan of yours. More importantly, I hope you realize I’m just doing a character with the same name and that sounds like you. Nothing else is true.”\u003c/p>\n\u003cp>In my world of Wahlberg, [Mark’s brother] Donnie needs help. In the real world, Donnie is doing great. He was in one of the most prolific boy bands of the last 25 years, he’s on a hit show, he’s in lots of movies — he’s doing great. But in my world, he lives above the garage, sleeps on a futon and needs help.\u003c/p>\n\u003cp>With impressions, you have to have the confidence to do the voice, but in some ways it’s more important to have a take — an angle on what this person is about. And it doesn’t have to be real. I’m doing an impression of Wahlberg but I’m not an impersonator; impersonators are in Las Vegas, and you want them to sing like Liza Minelli and that’s it. 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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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},
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"title": "The California Report Magazine",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
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