The painter/illustrator/toy designer known as Skinner is a one-man design studio that specializes in nightmares. After spending years with his head down, drawing the scary, disturbing visions that permeate his anxiety-ridden brain, the self-taught artist has developed an impeccable technique for creating twisted, menacing monsters that come alive to haunt you when you sleep.

It should be shocking to no one in today’s world of blockbuster horror movies, television shows and chart-topping metal albums that Skinner’s detail for the horrific has brought him success, both critically and financially. But what is surprising is that Skinner’s newest book, Forbidden Activities for Neglected Children, is a coloring book that both kids (ones that are not scared easily, of course) and adults can enjoy, despite the fact that it’s practically impossible to color.
Full of creatures that would give H.P. Lovecraft a case of the vapors and occasionally accompanied by hilarious statements/questions to lighten the mood — on one page, six ungodly monsters line up in two rows under the command “Choose A New Dad” — Forbidden Activities for Neglected Children is like a coffee table book for Millenials. The illustrations demonstrate that even when he’s limited to black and white, Skinner can produce images that burn into your retinas. Combined with its packaging and affordable price ($10), it’s a collection of art that any stoned college student can purchase and have pride in owning.
But a book that provides high quality art in an affordable package is just Skinner’s MO. Being blue collar is an important part of his identity; he and his sister grew up in the tiny Northern Californian town of Auburn, raised by a single mom on an office administrator’s salary. It’s these humble beginnings that developed both his aesthetics and his drive. Skinner didn’t have a babysitter and would spend hours drawing on long stretches of dot matrix printer paper while waiting for his mother to finish work at a gynecologist’s office. A fan of ’80s cartoons like He-Man, and movies like Conan the Barbarian and Beastmaster, Skinner says that what started as simple illustrations evolved into fully detailed battle scenes full of monsters and gore.

“When I was young, I’d draw draw draw for hours and hours to keep to myself, because I didn’t want to feel like I was in the way,” says Skinner. “I was always afraid that if I was needing something, it was like I was going to get in trouble and be punished or whatever. Artwork was my way of staying out of trouble. ‘I didn’t do anything wrong; I just sat here and drew Batman for 10 hours!'”