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What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3334,3333,3332\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>[aside label=\"Check out the interview with director, Cate Celso\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\"]\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n","disqusIdentifier":"3323 https://ww2.kqed.org/trulyca/?p=3323","disqusUrl":"https://ww2.kqed.org/trulyca/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":474,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1610391248,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about","title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","datePublished":"2021-01-08T05:00:42-08:00","dateModified":"2021-01-11T10:54:08-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=v6dw9TsezUQ","path":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3334,3333,3332","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Check out the interview with director, Cate Celso link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>,","Daily","Summary,","Matthew","Toffolo\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_31","trulyca_34","trulyca_32"],"tags":["trulyca_944","trulyca_947","trulyca_943","trulyca_946","trulyca_945"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3325","label":"trulyca_771"},"trulyca_2977":{"type":"posts","id":"trulyca_2977","meta":{"index":"posts_1716263798","site":"trulyca","id":"2977","score":null,"sort":[1555353322000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1555353322,"format":"video","disqusTitle":"Sawdust and Sand: Douglas Miller's Laguna Beach","title":"Sawdust and Sand: Douglas Miller's Laguna Beach","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">In 1970, freshly home from the Vietnam War, 23-year-old Douglas Miller drifted into Laguna Beach, CA. In the 48 years since then, he has painted 15,000 canvases and taken 350,000 photographs of his adopted hometown. While local residents often considered his camera with curiosity and even suspicion, this documentary shows his enormous body of work to present a profound portrait of a Californian town and its people. \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">Sawdust and Sand\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\"> is an irreverent look at the world through an eccentric artist's eye, as the landscape of his hometown turns from free-spirited art colony to exclusive wealthy enclave.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW85635845 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2980\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2980\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg\" alt=\"\" width=\"800\" height=\"484\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-160x97.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-768x465.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1020x617.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1200x726.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Douglas Miller \u003ccite>(Jason Blalock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">As a filmmaker, I \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">am driven to capture \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">cultural and artistic phenomena on the brink of extinction, and Laguna’s art community is one of those phenomena.\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> Growing up in Laguna, I took for granted the freedom with which people of any means could operate. With rising property values comes wealth-based exclusivity, and artists simply can’t affo\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">rd to live in Laguna anymore. T\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">he very fabric of the town has changed profoundly. Not only is Doug the last of a generation of artists, but he captured that generation faithfully, every day, with his camera. The opportunity to share his art is an honor. \u003c/span>\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2979\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2979\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg\" alt=\"\" width=\"800\" height=\"736\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-160x147.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-768x707.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1020x938.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1200x1104.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot.jpg 1263w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sawdust & Sand Director - Jason Blalock\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jason Blalock \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">primarily \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">works as a cinematographer on a variety of non-fi\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">ction projects, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">for \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">outlets including \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Al Jazeera, CNN, Discovery, HBO, Netflix, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Time, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Vice\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> News\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">. Recent \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">feature documentary \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">cinematography \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">credits include \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Nobody Speak: Trials of the Free Press\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Happening\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">: A Clean Energy Revolution\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">On The Sly: In Search of the Family Stone\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Marathon: The Patriots Day Bombing\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">The Mask You Live In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">,\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> and \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">XY: The Chelsea Manning Story\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, as well as films currently in po\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">st-production directed by award-\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">winning directors David France, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Alex \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Gibney\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Brian \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Knappenberger\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jennifer Siebel Newsom, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Jeff \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Orlowski\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> He is a regular contributor to the HBO series Vice News Tonight.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> His 2017 documentary short \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> the Wake of Ghost Ship\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> premiered at the San Francisco International Film Festival. He grew up in Laguna Beach, and now lives in Oakland, CA\u003c/span>\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Producer & Cinematographer: Jason Blalock\u003c/p>\n\u003cp>Editors: Summers Henderson and Jen Bradwell\u003c/p>\n\u003cp>Field Producer: Abby Martin\u003c/p>\n\u003cp>Music: Stephin Merrit\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Photography: Douglas Miller\u003c/p>\n\n","disqusIdentifier":"2977 https://ww2.kqed.org/trulyca/?p=2977","disqusUrl":"https://ww2.kqed.org/trulyca/sawdust-sand-douglas-millers-laguna-beach/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":436,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":13},"modified":1556922065,"excerpt":" Over 48 years Laguna Beach resident Douglas Miller has painted 15,000 canvases and taken 350,000 photographs of his adopted hometown and community. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"For 40 years, Douglas Miller has been photographing the little known corners of his town, creating a record of the changing face of Laguna Beach. ","title":"Sawdust and Sand: Douglas Miller's Laguna Beach | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Sawdust and Sand: Douglas Miller's Laguna Beach","datePublished":"2019-04-15T11:35:22-07:00","dateModified":"2019-05-03T15:21:05-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"sawdust-sand-douglas-millers-laguna-beach","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=8TBNejCL4x0","path":"/trulyca/2977/sawdust-sand-douglas-millers-laguna-beach","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">In 1970, freshly home from the Vietnam War, 23-year-old Douglas Miller drifted into Laguna Beach, CA. In the 48 years since then, he has painted 15,000 canvases and taken 350,000 photographs of his adopted hometown. While local residents often considered his camera with curiosity and even suspicion, this documentary shows his enormous body of work to present a profound portrait of a Californian town and its people. \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">Sawdust and Sand\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\"> is an irreverent look at the world through an eccentric artist's eye, as the landscape of his hometown turns from free-spirited art colony to exclusive wealthy enclave.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW85635845 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2980\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2980\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg\" alt=\"\" width=\"800\" height=\"484\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-160x97.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-768x465.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1020x617.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1200x726.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Douglas Miller \u003ccite>(Jason Blalock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">As a filmmaker, I \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">am driven to capture \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">cultural and artistic phenomena on the brink of extinction, and Laguna’s art community is one of those phenomena.\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> Growing up in Laguna, I took for granted the freedom with which people of any means could operate. With rising property values comes wealth-based exclusivity, and artists simply can’t affo\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">rd to live in Laguna anymore. T\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">he very fabric of the town has changed profoundly. Not only is Doug the last of a generation of artists, but he captured that generation faithfully, every day, with his camera. The opportunity to share his art is an honor. \u003c/span>\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2979\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2979\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg\" alt=\"\" width=\"800\" height=\"736\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-160x147.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-768x707.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1020x938.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1200x1104.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot.jpg 1263w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sawdust & Sand Director - Jason Blalock\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jason Blalock \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">primarily \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">works as a cinematographer on a variety of non-fi\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">ction projects, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">for \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">outlets including \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Al Jazeera, CNN, Discovery, HBO, Netflix, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Time, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Vice\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> News\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">. Recent \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">feature documentary \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">cinematography \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">credits include \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Nobody Speak: Trials of the Free Press\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Happening\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">: A Clean Energy Revolution\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">On The Sly: In Search of the Family Stone\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Marathon: The Patriots Day Bombing\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">The Mask You Live In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">,\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> and \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">XY: The Chelsea Manning Story\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, as well as films currently in po\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">st-production directed by award-\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">winning directors David France, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Alex \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Gibney\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Brian \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Knappenberger\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jennifer Siebel Newsom, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Jeff \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Orlowski\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> He is a regular contributor to the HBO series Vice News Tonight.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> His 2017 documentary short \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> the Wake of Ghost Ship\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> premiered at the San Francisco International Film Festival. He grew up in Laguna Beach, and now lives in Oakland, CA\u003c/span>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Producer & Cinematographer: Jason Blalock\u003c/p>\n\u003cp>Editors: Summers Henderson and Jen Bradwell\u003c/p>\n\u003cp>Field Producer: Abby Martin\u003c/p>\n\u003cp>Music: Stephin Merrit\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Photography: Douglas Miller\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2977/sawdust-sand-douglas-millers-laguna-beach","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_20","trulyca_21","trulyca_31","trulyca_29"],"tags":["trulyca_498","trulyca_839","trulyca_844","trulyca_840","trulyca_838","trulyca_843","trulyca_271","trulyca_842"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2980","label":"trulyca_771"},"trulyca_2970":{"type":"posts","id":"trulyca_2970","meta":{"index":"posts_1716263798","site":"trulyca","id":"2970","score":null,"sort":[1555352519000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1555352519,"format":"standard","disqusTitle":"Ruminations","title":"Ruminations","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n","disqusIdentifier":"2970 https://ww2.kqed.org/trulyca/?p=2970","disqusUrl":"https://ww2.kqed.org/trulyca/ruminations/","stats":{"hasVideo":false,"hasChartOrMap":true,"hasAudio":false,"hasPolis":false,"wordCount":268,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":["https://player.pbs.org/viralplayer/3028059268/"],"paragraphCount":8},"modified":1560797034,"excerpt":"Ruminations follows the life of Rumi Missabu, iconic perform for the group The Cocketttes.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Following along with iconic drag performer Rumi Missabu","title":"Ruminations | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ruminations","datePublished":"2019-04-15T11:21:59-07:00","dateModified":"2019-06-17T11:43:54-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"ruminations","status":"publish","templateType":"standard","featuredImageType":"standard","path":"/trulyca/2970/ruminations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2970/ruminations","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_20","trulyca_38","trulyca_21","trulyca_31","trulyca_32","trulyca_29"],"tags":["trulyca_70","trulyca_250","trulyca_90","trulyca_498","trulyca_120","trulyca_119","trulyca_835","trulyca_834","trulyca_837","trulyca_814","trulyca_836","trulyca_99"],"collections":["trulyca_81"],"featImg":"trulyca_2973","label":"trulyca_771"},"trulyca_2030":{"type":"posts","id":"trulyca_2030","meta":{"index":"posts_1716263798","site":"trulyca","id":"2030","score":null,"sort":[1502916791000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1502916791,"format":"video","disqusTitle":"Con Moto: The Alexander String Quartet","title":"Con Moto: The Alexander String Quartet","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cimg class=\"alignnone size-full wp-image-2627\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/08/Conmoto.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>Following the San Francisco Alexander String Quartet performing throughout Poland, \u003cem>Con Moto: The Alexander String Quartet \u003c/em>offers a unique perspective into the world of chamber music and reveals the collective voice that emerges through the unique personalities of four world-class musicians.\u003c/p>\n\u003cp>Produced by. Soumyaa Behrens\u003c/p>\n\u003cp>Directed by. Robert Barbarino\u003c/p>\n\u003cp>Cinematography by. Hannah Anderson\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","disqusIdentifier":"2030 https://ww2.kqed.org/trulyca/?p=2030","disqusUrl":"https://ww2.kqed.org/trulyca/con-moto-the-alexander-string-quartet/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":60,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":7},"modified":1556225503,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Follow San Francisco's Alexander String Quartet on their tour through Poland.","title":"Con Moto: The Alexander String Quartet","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Con Moto: The Alexander String Quartet","datePublished":"2017-08-16T13:53:11-07:00","dateModified":"2019-04-25T13:51:43-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"con-moto-the-alexander-string-quartet","status":"publish","originalAirdate":"August, 18th, 2017","path":"/trulyca/2030/con-moto-the-alexander-string-quartet","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-full wp-image-2627\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/08/Conmoto.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/08/Conmoto-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>Following the San Francisco Alexander String Quartet performing throughout Poland, \u003cem>Con Moto: The Alexander String Quartet \u003c/em>offers a unique perspective into the world of chamber music and reveals the collective voice that emerges through the unique personalities of four world-class musicians.\u003c/p>\n\u003cp>Produced by. Soumyaa Behrens\u003c/p>\n\u003cp>Directed by. Robert Barbarino\u003c/p>\n\u003cp>Cinematography by. Hannah Anderson\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2030/con-moto-the-alexander-string-quartet","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_31"],"tags":["trulyca_140","trulyca_64","trulyca_90","trulyca_141","trulyca_144","trulyca_143","trulyca_60","trulyca_137","trulyca_138","trulyca_505","trulyca_139","trulyca_142","trulyca_82","trulyca_761","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2082","label":"trulyca_771"},"trulyca_1380":{"type":"posts","id":"trulyca_1380","meta":{"index":"posts_1716263798","site":"trulyca","id":"1380","score":null,"sort":[1459548028000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1459548028,"format":"video","disqusTitle":"Stand","title":"Stand","headTitle":"Season 11 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem class=\"video_caption\">Watch the \u003cstrong>Truly CA\u003c/strong> film: \u003cstrong>Stand\u003c/strong> by filmmaker Melanie D'Andrea. (Running Time: 21:05)\u003c/em>\u003c/p>\n\u003cp>A dance style from South Los Angeles, \"krump\" has taken street dance to a new level by adding percussive movements and providing a safe and cathartic way for at-risk youth to express their emotions. \u003cem>Stand\u003c/em> follows a krump group called Demolition Crew, which has become a nexus for its community, offering an alternative to gangs and a healthy outlet for aggression. Krucial the Liberator, one of the crew's leaders, says, \"Krump was created to let out those harsher emotions.\"\u003c/p>\n\u003cp>This film is part of the episode \u003cem>Truly CA Shorts: State of Discovery\u003c/em>, which includes these films:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/stand/\">Stand\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/last-stop-santa-rosa/\">Last Stop in Santa Rosa\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/full-time-ministry/\">Full-time Ministry\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/reborning/\">Reborning\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/slomo/\">SLOMO\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"1380 http://ww2.kqed.org/trulyca/?p=1380","disqusUrl":"https://ww2.kqed.org/trulyca/stand/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":129,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1537999610,"excerpt":"\u003cem>Stand\u003c/em> depicts South LA residents using krump dancing to take a stand and is part of the episode \u003cem>Truly CA Shorts: State of Discovery\u003c/em>, which features five short films exploring the California experience.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Stand depicts South LA residents using krump dancing to take a stand and is part of the episode Truly CA Shorts: State of Discovery, which features five short films exploring the California experience.","title":"Stand | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Stand","datePublished":"2016-04-01T15:00:28-07:00","dateModified":"2018-09-26T15:06:50-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"stand","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=nRK10hJ8dxk","originalAirdate":"November 1, 2015","path":"/trulyca/1380/stand","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">Watch the \u003cstrong>Truly CA\u003c/strong> film: \u003cstrong>Stand\u003c/strong> by filmmaker Melanie D'Andrea. (Running Time: 21:05)\u003c/em>\u003c/p>\n\u003cp>A dance style from South Los Angeles, \"krump\" has taken street dance to a new level by adding percussive movements and providing a safe and cathartic way for at-risk youth to express their emotions. \u003cem>Stand\u003c/em> follows a krump group called Demolition Crew, which has become a nexus for its community, offering an alternative to gangs and a healthy outlet for aggression. Krucial the Liberator, one of the crew's leaders, says, \"Krump was created to let out those harsher emotions.\"\u003c/p>\n\u003cp>This film is part of the episode \u003cem>Truly CA Shorts: State of Discovery\u003c/em>, which includes these films:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/stand/\">Stand\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/last-stop-santa-rosa/\">Last Stop in Santa Rosa\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/full-time-ministry/\">Full-time Ministry\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/reborning/\">Reborning\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/trulyca/slomo/\">SLOMO\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/1380/stand","authors":["21"],"programs":["trulyca_771"],"series":["trulyca_27"],"categories":["trulyca_30","trulyca_21","trulyca_31","trulyca_46"],"tags":["trulyca_64","trulyca_90","trulyca_146","trulyca_185","trulyca_187","trulyca_60","trulyca_188","trulyca_184","trulyca_95","trulyca_182","trulyca_505","trulyca_761","trulyca_165","trulyca_189","trulyca_152","trulyca_183","trulyca_190","trulyca_186","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_1314","label":"trulyca_771"},"trulyca_98":{"type":"posts","id":"trulyca_98","meta":{"index":"posts_1716263798","site":"trulyca","id":"98","score":null,"sort":[1459530000000]},"parent":0,"labelTerm":{"site":"trulyca","term":12},"blocks":[],"publishDate":1459530000,"format":"video","disqusTitle":"Bob and the Monster","title":"Bob and the Monster","headTitle":"Season 10 | Truly CA | KQED Arts","content":"\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode.\u003c/em>\u003c/p>\n\u003cp>Sex, drugs and rock 'n' roll? Yes. But in the case of Bob Forrest, frontman of L.A. post-punk band Thelonious Monster, the story comes with the added twist of redemption and healing. Featuring testimony from Courtney Love, the Red Hot Chili Peppers and other key 90's musicians who reigned amid Doc Martens and baby doll dresses, Keirda Bahruth's \u003cstrong>Bob and the Monster\u003c/strong> chronicles the raucous life and times of the music icon. \u003cem>The Hollywood Reporter\u003c/em> wrote that in Bahruth's hands, the film uses \"drug addiction not as human-freakshow fodder but as the starting point for a provocative argument about treatment strategies.\"\u003c/p>\n\u003cp>Tracing Bob's extraordinary life, from a traumatic childhood event through decades of poverty, \u003cstrong>Bob and the Monster\u003c/strong> follows the typical rock 'n' roll story of a rise and drug-induced fall from fame. But life changes drastically and Bob's road to sobriety takes surprising turns that allow him to bounce back from the bottom and move in a direction no one could have expected.\u003c/p>\n\u003cp>Stunning \u003cstrong>Liquid TV\u003c/strong>-style claymation and never before seen archival performances paint a picture of a man picking up shattered pieces and becoming a committed addiction advocate. Celebrity radio personality Dr. Drew said of Bob Forrest, \"I've watched his development from being somebody who had a solid program of recovery who was just trying to be of assistance, to somebody who has a very sophisticated understanding of the complexities of neurobiological, psychiatric, and addiction elements in this disease.\"\u003c/p>\n\u003cp>See the transformation. Stay for the sex, drugs and rock 'n' roll.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"98 http://kqed2.wsmtechs.net/trulyca/bob-and-the-monster/","disqusUrl":"https://ww2.kqed.org/trulyca/bob-and-the-monster/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":274,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":7},"modified":1538000653,"excerpt":"In this story of a rise and fall from fame, rock musician Bob Forrest's life-threatening struggle with heroin addiction and his transformation into a drug counselors is profiled. \u003cstrong>Bob and the Monster\u003c/strong> features interviews with Courtney Love and the Red Hot Chili Peppers.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"In this story of a rise and fall from fame, rock musician Bob Forrest's life-threatening struggle with heroin addiction and his transformation into a drug counselors is profiled. 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But in the case of Bob Forrest, frontman of L.A. post-punk band Thelonious Monster, the story comes with the added twist of redemption and healing. Featuring testimony from Courtney Love, the Red Hot Chili Peppers and other key 90's musicians who reigned amid Doc Martens and baby doll dresses, Keirda Bahruth's \u003cstrong>Bob and the Monster\u003c/strong> chronicles the raucous life and times of the music icon. \u003cem>The Hollywood Reporter\u003c/em> wrote that in Bahruth's hands, the film uses \"drug addiction not as human-freakshow fodder but as the starting point for a provocative argument about treatment strategies.\"\u003c/p>\n\u003cp>Tracing Bob's extraordinary life, from a traumatic childhood event through decades of poverty, \u003cstrong>Bob and the Monster\u003c/strong> follows the typical rock 'n' roll story of a rise and drug-induced fall from fame. 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As lead singer of The Insaints, Marian Anderson reigned as one of San Francisco's most provocative and controversial lead singers of the '90s. She was also working as a dominatrix at an underground S&M club and quickly became known for incorporating wild sex acts into her performances. Eventually arrested for lewd and lascivious acts, the ACLU came to her aid and the press had a field day.\u003c/p>\n\u003cp>Narrated by former Black Flag frontman Henry Rollins, \u003cstrong>Last Fast Ride: The Life, Love and Death of a Punk Goddess\u003c/strong> is Marian's tumultuous story. A victim of sexual abuse and a teenage runaway, she found herself self-medicating with drugs and cycling through psychiatric institutions. One of her bandmates described her as singer with a \"Siouxsie Sioux presence... [and] a Lydia Lunch edge about her.\" On stage, she had ferocity akin to her contemporaries Naked Aggression and Bikini Kill. 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As lead singer of The Insaints, Marian Anderson reigned as one of San Francisco's most provocative and controversial lead singers of the '90s. She was also working as a dominatrix at an underground S&M club and quickly became known for incorporating wild sex acts into her performances. Eventually arrested for lewd and lascivious acts, the ACLU came to her aid and the press had a field day.\u003c/p>\n\u003cp>Narrated by former Black Flag frontman Henry Rollins, \u003cstrong>Last Fast Ride: The Life, Love and Death of a Punk Goddess\u003c/strong> is Marian's tumultuous story. A victim of sexual abuse and a teenage runaway, she found herself self-medicating with drugs and cycling through psychiatric institutions. One of her bandmates described her as singer with a \"Siouxsie Sioux presence... [and] a Lydia Lunch edge about her.\" On stage, she had ferocity akin to her contemporaries Naked Aggression and Bikini Kill. 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Formed in 1979 in South Central Los Angeles, Fishbone landed a major label record deal soon after graduating high school. However, after this early success, the band struggled for acceptance in a racially stratified music industry, while their unabashedly hybrid style has kept them proudly out of fashion for over three decades.\u003c/p>\n\u003cp>Through frank interviews with the band, including eccentric co-founders Angelo Moore and Norwood Fisher, the film reveals the creative alchemy, the clash of egos, and the enduring friendships behind Fishbone's storied career. Narrated by Laurence Fishburne.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"87 http://kqed2.wsmtechs.net/trulyca/everyday-sunshine-the-story-of-fishbone/","disqusUrl":"https://ww2.kqed.org/trulyca/everyday-sunshine-the-story-of-fishbone/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":118,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1538001128,"excerpt":"Narrated by Laurence Fishburne, \u003cstrong>Everyday Sunshine: The Story of Fishbone\u003c/strong> reveals the creative alchemy, the clash of egos, and the enduring friendships behind Fishbone's storied career.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Narrated by Laurence Fishburne, Everyday Sunshine: The Story of Fishbone reveals the creative alchemy, the clash of egos, and the enduring friendships behind Fishbone's storied career.","title":"Everyday Sunshine: The Story of Fishbone | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Everyday Sunshine: The Story of Fishbone","datePublished":"2016-04-01T06:00:00-07:00","dateModified":"2018-09-26T15:32:08-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"everyday-sunshine-the-story-of-fishbone","status":"publish","videoEmbed":"https://youtu.be/06ICCOqA8lQ","originalAirdate":"February 19, 2012","path":"/trulyca/87/everyday-sunshine-the-story-of-fishbone","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Everyday Sunshine: The Story of Fishbone\u003c/strong> charts the turbulent history of the pioneering all-Black rock band Fishbone. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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