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The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> [/pullquote]Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" ids=\"3210,3211,3216,3217,3218,3219,3220,3221,3222\" orderby=\"rand\"]\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside label=\"More from the Verasphere\" link1=\"\u003ca href=\"https://veraspherefilm.com/the-filmmakers\" target=\"_blank\" rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"]\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","disqusIdentifier":"3207 https://ww2.kqed.org/trulyca/?p=3207","disqusUrl":"https://ww2.kqed.org/trulyca/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1085,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":59},"modified":1641834644,"excerpt":"Love, death and costumes. Meet two SF creatives who during the height of the HIV/AIDS crisis created an alter ego who kept them alive and become a community staple. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Love, art, creation and death, two S.F. artists at the height of the AIDS epidemic created a one Mrs. Vera. Her creators, David Faulk and Michael Johnstone created her in order to cope with their own diagnosis but now, many years later, she's become much more than that, watch the full documentary here.","title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion. - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","datePublished":"2020-07-27T10:00:53-07:00","dateModified":"2022-01-10T09:10:44-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","status":"publish","excludeFromSiteSearch":"Include","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","ids":"3210,3211,3216,3217,3218,3219,3220,3221,3222","orderby":"rand","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from the Verasphere link1=\"\u003ca rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"","href":"https://veraspherefilm.com/the-filmmakers","target":"_blank"},"numeric":["link1=\"\u003ca","rel=\"noopener","noreferrer\">","https://veraspherefilm.com/the-filmmakers\u003c/a>\"","link2=\"\u003ca","href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_38","trulyca_21","trulyca_32"],"tags":["trulyca_67","trulyca_891","trulyca_894","trulyca_68","trulyca_69","trulyca_893","trulyca_895","trulyca_890","trulyca_848","trulyca_892","trulyca_889"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3211","label":"trulyca_771"},"trulyca_3157":{"type":"posts","id":"trulyca_3157","meta":{"index":"posts_1716263798","site":"trulyca","id":"3157","score":null,"sort":[1592571645000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1592571645,"format":"video","disqusTitle":"Better Known As Peaches Christ","title":"Better Known As Peaches Christ","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n","disqusIdentifier":"3157 https://ww2.kqed.org/trulyca/?p=3157","disqusUrl":"https://ww2.kqed.org/trulyca/better-known-as-peaches-christ/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":550,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1592534175,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Drag icon Peaches Christ offers a rare, intimate glimpse into her process of transformation, and describesthe path from stifled teen to brazen cult hero.","title":"Better Known As Peaches Christ - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Better Known As Peaches Christ","datePublished":"2020-06-19T06:00:45-07:00","dateModified":"2020-06-18T19:36:15-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"better-known-as-peaches-christ","status":"publish","videoEmbed":"https://youtu.be/LLSQUyXWlkE","path":"/trulyca/3157/better-known-as-peaches-christ","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3157/better-known-as-peaches-christ","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_877","trulyca_872","trulyca_870","trulyca_869","trulyca_874","trulyca_119","trulyca_69","trulyca_873","trulyca_871","trulyca_867","trulyca_868","trulyca_875","trulyca_876","trulyca_82"],"collections":["trulyca_81"],"featImg":"trulyca_3158","label":"trulyca_771"},"trulyca_3024":{"type":"posts","id":"trulyca_3024","meta":{"index":"posts_1716263798","site":"trulyca","id":"3024","score":null,"sort":[1555363717000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1555363717,"format":"video","disqusTitle":"Verasphere: A Love Story In Costume","title":"Verasphere: A Love Story In Costume","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","content":"\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n","disqusIdentifier":"3024 https://ww2.kqed.org/trulyca/?p=3024","disqusUrl":"https://ww2.kqed.org/trulyca/verasphere-a-love-story-in-costume/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":307,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":20},"modified":1561396100,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Verasphere: A Love Story In Costume follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic and discover an unlikely joy through the creation of Mrs. Vera, a collaborative art project.","title":"Verasphere: A Love Story In Costume | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Verasphere: A Love Story In Costume","datePublished":"2019-04-15T14:28:37-07:00","dateModified":"2019-06-24T10:08:20-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"verasphere-a-love-story-in-costume","status":"publish","videoEmbed":"https://youtu.be/fpy_yCo2U7s","path":"/trulyca/3024/verasphere-a-love-story-in-costume","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3024/verasphere-a-love-story-in-costume","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_83","trulyca_78","trulyca_849","trulyca_69","trulyca_814","trulyca_848","trulyca_572"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3072","label":"trulyca_771"},"trulyca_2970":{"type":"posts","id":"trulyca_2970","meta":{"index":"posts_1716263798","site":"trulyca","id":"2970","score":null,"sort":[1555352519000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1555352519,"format":"standard","disqusTitle":"Ruminations","title":"Ruminations","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n","disqusIdentifier":"2970 https://ww2.kqed.org/trulyca/?p=2970","disqusUrl":"https://ww2.kqed.org/trulyca/ruminations/","stats":{"hasVideo":false,"hasChartOrMap":true,"hasAudio":false,"hasPolis":false,"wordCount":268,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":["https://player.pbs.org/viralplayer/3028059268/"],"paragraphCount":8},"modified":1560797034,"excerpt":"Ruminations follows the life of Rumi Missabu, iconic perform for the group The Cocketttes.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Following along with iconic drag performer Rumi Missabu","title":"Ruminations | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ruminations","datePublished":"2019-04-15T11:21:59-07:00","dateModified":"2019-06-17T11:43:54-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"ruminations","status":"publish","templateType":"standard","featuredImageType":"standard","path":"/trulyca/2970/ruminations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2970/ruminations","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_20","trulyca_38","trulyca_21","trulyca_31","trulyca_32","trulyca_29"],"tags":["trulyca_70","trulyca_250","trulyca_90","trulyca_498","trulyca_120","trulyca_119","trulyca_835","trulyca_834","trulyca_837","trulyca_814","trulyca_836","trulyca_99"],"collections":["trulyca_81"],"featImg":"trulyca_2973","label":"trulyca_771"},"trulyca_2271":{"type":"posts","id":"trulyca_2271","meta":{"index":"posts_1716263798","site":"trulyca","id":"2271","score":null,"sort":[1531498456000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1531498456,"format":"video","disqusTitle":"She","title":"She","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem>She\u003c/em> follows Tanesh Nutall, a 50-year old black transgender woman from Rahway, New Jersey. In February 2016, Tanesh was confronted by a city employee for using a women's restroom in Downtown San Francisco. Throughout the film, Nutall seeks justice and makes amends with family members who were not accepting of her gender identity. Not only does \u003cem>She\u003c/em> discuss queer people in urban spaces, but also one's ability to accept themselves despite the odds against them.\u003c/p>\n\u003cp>\u003cstrong>Anthonia Onyejekwe | Director\u003c/strong>\u003c/p>\n\u003cp>Anthonia Onyejekwe is a Nigerian-American from East Oakland, California. Currently, Anthonia is a producer for the Days with Zahrah show on ABC-7 and founder of REEL OAKLAND, a youth film program based in Oakland, CA. She completed her undergraduate degree in Media & Cultural Studies at the University of California, Riverside and obtained her Master's degree in Cinema from San Francisco State University. Aside from production, Anthonia enjoys traveling, good food, company and encouraging people to reach their greatest potential.\u003c/p>\n\u003cp>Produced by Brandon Buensuceso\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"2271 https://ww2.kqed.org/trulyca/?p=2271","disqusUrl":"https://ww2.kqed.org/trulyca/she/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":171,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":6},"modified":1536355060,"excerpt":"Following a confrontation in a women's public restroom, Tanesh Nutall, a 50-year old black transgender woman from Rahway, New Jersey prepares for litigation and returns home for a family reunion to revisit her past. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Following a confrontation in a women's public restroom, Tanesh Nutall, a 50-year old black transgender woman from Rahway, New Jersey prepares for litigation and returns home for a family reunion to revisit her past. ","title":"She | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"She","datePublished":"2018-07-13T09:14:16-07:00","dateModified":"2018-09-07T14:17:40-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"she","status":"publish","videoEmbed":"https://youtu.be/0EiKyV-T1yY","path":"/trulyca/2271/she","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>She\u003c/em> follows Tanesh Nutall, a 50-year old black transgender woman from Rahway, New Jersey. In February 2016, Tanesh was confronted by a city employee for using a women's restroom in Downtown San Francisco. Throughout the film, Nutall seeks justice and makes amends with family members who were not accepting of her gender identity. Not only does \u003cem>She\u003c/em> discuss queer people in urban spaces, but also one's ability to accept themselves despite the odds against them.\u003c/p>\n\u003cp>\u003cstrong>Anthonia Onyejekwe | Director\u003c/strong>\u003c/p>\n\u003cp>Anthonia Onyejekwe is a Nigerian-American from East Oakland, California. Currently, Anthonia is a producer for the Days with Zahrah show on ABC-7 and founder of REEL OAKLAND, a youth film program based in Oakland, CA. She completed her undergraduate degree in Media & Cultural Studies at the University of California, Riverside and obtained her Master's degree in Cinema from San Francisco State University. Aside from production, Anthonia enjoys traveling, good food, company and encouraging people to reach their greatest potential.\u003c/p>\n\u003cp>Produced by Brandon Buensuceso\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2271/she","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_25","trulyca_503"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_38"],"tags":["trulyca_128","trulyca_90","trulyca_498","trulyca_83","trulyca_765","trulyca_127","trulyca_775"],"collections":["trulyca_81"],"featImg":"trulyca_2346","label":"trulyca_771"},"trulyca_2005":{"type":"posts","id":"trulyca_2005","meta":{"index":"posts_1716263798","site":"trulyca","id":"2005","score":null,"sort":[1498856782000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1498856782,"format":"video","disqusTitle":"Desert Migration","title":"Desert Migration","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/31zgRPeonw8\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Desert Migration\u003c/em> focuses on gay men living long-term with HIV who have sought out an oasis in Southern California's Palm Springs, where both their homosexuality and health condition is not just tolerated, but understood. They represent a huge number of people who migrated to this desert community burdened with memories of watching their friends die, all believing that a similar fate would befall them.\u003c/p>\n\u003cp>Over the course of a single on-screen day, we observe a group of men as they work, eat, sleep, love, recuperate and grieve. By sharing their stories, \u003cem>Desert Migration\u003c/em> reflects on subjects that relate to all of us — HIV positive or negative, young or old. How do we approach our own aging and the notion of mortality? What gives us the will to create, to achieve, and even to live at all, as our bodies and minds deteriorate?\u003c/p>\n\u003cp>Visually stunning and emotionally captivating, \u003cem>Desert Migration\u003c/em> points the camera on no fewer than eight men, focusing on their own survival, acceptance, struggle and mortality. \u003cem>Desert Migration\u003c/em> tells the story of a community overwhelmed with acceptance and heartbreak and dissects the complexities of partnership.\u003c/p>\n\u003cp>Filmmakers:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Daniel F. Cardone - Director\u003c/p>\n\u003cp>Marc Smolowitz- Producer\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","disqusIdentifier":"2005 https://ww2.kqed.org/trulyca/?p=2005","disqusUrl":"https://ww2.kqed.org/trulyca/desert-migration/","stats":{"hasVideo":true,"hasChartOrMap":true,"hasAudio":false,"hasPolis":false,"wordCount":203,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":["https://www.youtube.com/embed/31zgRPeonw8"],"paragraphCount":9},"modified":1531590310,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"The devastation of the AIDS epidemic has created a significant migration of gay men living long-term with HIV to an oasis in Palm Springs. ","title":"Desert Migration","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Desert Migration","datePublished":"2017-06-30T14:06:22-07:00","dateModified":"2018-07-14T10:45:10-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"desert-migration","status":"publish","originalAirdate":"June, 30th, 2017","path":"/trulyca/2005/desert-migration","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/31zgRPeonw8\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Desert Migration\u003c/em> focuses on gay men living long-term with HIV who have sought out an oasis in Southern California's Palm Springs, where both their homosexuality and health condition is not just tolerated, but understood. They represent a huge number of people who migrated to this desert community burdened with memories of watching their friends die, all believing that a similar fate would befall them.\u003c/p>\n\u003cp>Over the course of a single on-screen day, we observe a group of men as they work, eat, sleep, love, recuperate and grieve. By sharing their stories, \u003cem>Desert Migration\u003c/em> reflects on subjects that relate to all of us — HIV positive or negative, young or old. How do we approach our own aging and the notion of mortality? What gives us the will to create, to achieve, and even to live at all, as our bodies and minds deteriorate?\u003c/p>\n\u003cp>Visually stunning and emotionally captivating, \u003cem>Desert Migration\u003c/em> points the camera on no fewer than eight men, focusing on their own survival, acceptance, struggle and mortality. \u003cem>Desert Migration\u003c/em> tells the story of a community overwhelmed with acceptance and heartbreak and dissects the complexities of partnership.\u003c/p>\n\u003cp>Filmmakers:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Daniel F. Cardone - Director\u003c/p>\n\u003cp>Marc Smolowitz- Producer\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2005/desert-migration","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_38","trulyca_21"],"tags":["trulyca_67","trulyca_70","trulyca_90","trulyca_66","trulyca_68","trulyca_69","trulyca_162","trulyca_505","trulyca_761","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2008","label":"trulyca_771"},"trulyca_43":{"type":"posts","id":"trulyca_43","meta":{"index":"posts_1716263798","site":"trulyca","id":"43","score":null,"sort":[1469120400000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1469120400,"format":"video","disqusTitle":"Screaming Queens","title":"Screaming Queens","headTitle":"Season 1 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>Screaming Queens\u003c/strong> by filmmakers Victor Silverman and Susan Stryker. (Running Time: 56:11)\u003c/em>\u003c/p>\n\u003cp>\u003cem>Writer, spoken word artist, biologist, and gender activist, Julia Serrano interviews Victor Silverman and Susan Stryker about their first film, Screaming Queens. (Running Time: 23:47)\u003c/em>\u003cbr>\nhttp://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2015/06/interview-103.mp3\u003c/p>\n\u003cp>It's a hot August night in San Francisco in 1966. Compton's Cafeteria, in the seedy Tenderloin district, is hopping with its usual assortment of transgender people, young street hustlers, and down-and-out regulars. The management, annoyed by the noisy crowd at one table, calls the police. When a surly cop, accustomed to manhandling Compton's clientele, attempts to arrest one of the queens, she throws her coffee in his face. Mayhem erupts -- windows break, furniture flies through the air. Police reinforcements arrive, and the fighting spills into the street. For the first time, the drag queens band together to fight back, getting the better of the cops, whom they kick and stomp with their high-heeled shoes and beat with their heavy purses. For everyone at Compton's that night, one thing was certain -- things would never be the same again.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to the Compton's Cafeteria riot. Mixing recent interviews with archival footage, printed documents, impressionistic reenactments and period music, the program depicts a marginalized community few people know, one that exists in the midst of a city famous for its cosmopolitan glamour. With extraordinary candor and from differing points of view, the subjects recount the difficulties they encountered in the Tenderloin, as well as the sense of community they created there in the mid-1960s. Felicia Elizondo tells of prostituting herself in order to survive. Aleshia Brevard, a drag entertainer, describes how her talent spared her from street prostitution. Perhaps most surprising is Sgt. Elliot Blackstone, who helps explain the conflict between the San Francisco Police Department and the city's transgender community and how the SFPD's policies changed to reflect greater acceptance in the years following the 1966 riot.\u003c/p>\n\u003cp>The documentary goes on to show the connection between transgender activism and the larger social upheavals affecting the United States in the 1960s: the civil rights and sexual liberation movements, the youth counterculture, urban renewal, and Great Society antipoverty programs. \"Glide Memorial Methodist Church first reached out to the transgender community in these years,\" the Rev. Ed Hansen explains, \"because of new thinking about the church's role in society.\" Amanda St. Jaymes and Tamara Ching, both transsexual activists and former prostitutes, recount the ferment in the Tenderloin in the 1960s as well as the growing sense of dignity among transgender people. But in the summer of 1966, many others, including most San Francisco police officers, did not share these new ideas. By bringing these social and political tensions to light, \u003cb>Screaming Queens\u003c/b> offers viewers a fuller understanding of the events and conditions that led up to the riot.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Further, \u003cb>Screaming Queens\u003c/b> explores the reverberations, both large and small, of the rise of transgender activism, a story in which the riot at Compton's Cafeteria plays a pivotal role. Sgt. Blackstone tells of singing \"We Shall Overcome\" with Tenderloin activists who successfully fought for new social services for their community. Suzie Cooke recounts her job as a transsexual counselor in one of the new agencies founded after the riot. Ching connects the Tenderloin transsexuals' new activism to the rising Gay liberation movement. And St. Jaymes explains that although the queens from Compton's were \"wild as the wind,\" they were \"determined to make something of themselves, and be something other than prostitutes.\"\u003c/p>\n\u003cp>The film ends on a high note. It shows how in just two short years transgender activism helped transform San Francisco culture in subtle and profound ways and presents reflective comments from the Compton's Cafeteria subjects who bravely ushered in a controversial revolution that continues today.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> sets out to foster a better understanding of the experiences of transgender people and to inform a broad audience of their often-difficult lives and unheralded accomplishments. Along the way, the program also illuminates the interplay of urban politics, community mobilization and social services in creating the modern inner city.\u003c/p>\n\u003cp>This important documentary tells a forgotten San Francisco story of dramatic social change from the compelling perspective of firsthand participants. The film's story focuses on the experiences of the rioters themselves, the police and the social-activist clergy members. It also follows historian Susan Stryker's rediscovery of the 1966 disturbance at Compton's Cafeteria. At that time, transgender people faced serious employment discrimination, police harassment and other difficulties. The program's subjects describe the challenging circumstances and the misconduct of officials that drove them to take militant action in the streets. \u003cb>Screaming Queens\u003c/b> then examines the significant changes -- in police practices, social services and self-image -- that came out of the conflict. In her story within the story, Stryker reveals how the Compton's Cafeteria riot, although not as large as New York's Stonewall conflict, was a dramatic turning point in a decades-long process of transgender community formation and political mobilization in San Francisco, a process that involved dramatic changes in medical practices, urban politics, neighborhood geography and public consciousness.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Screaming Queens: The Riot at Compton's Cafeteria\u003c/b> is produced in association with The Independent Television Service (ITVS) and KQED Public Television.\u003c/p>\n\n","disqusIdentifier":"43 http://kqed2.wsmtechs.net/trulyca/screaming-queens/","disqusUrl":"https://ww2.kqed.org/trulyca/screaming-queens/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":936,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":12},"modified":1537998921,"excerpt":"\u003cstrong> Screaming Queens\u003c/strong> introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to San Francisco's Compton's Cafeteria riot of 1966.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":" Screaming Queens introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to San Francisco's Compton's Cafeteria riot of 1966.","title":"Screaming Queens | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Screaming Queens","datePublished":"2016-07-21T10:00:00-07:00","dateModified":"2018-09-26T14:55:21-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"screaming-queens","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=G-WASW9dRBU","originalAirdate":"June 19, 2005","path":"/trulyca/43/screaming-queens","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>Screaming Queens\u003c/strong> by filmmakers Victor Silverman and Susan Stryker. (Running Time: 56:11)\u003c/em>\u003c/p>\n\u003cp>\u003cem>Writer, spoken word artist, biologist, and gender activist, Julia Serrano interviews Victor Silverman and Susan Stryker about their first film, Screaming Queens. (Running Time: 23:47)\u003c/em>\u003cbr>\nhttp://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2015/06/interview-103.mp3\u003c/p>\n\u003cp>It's a hot August night in San Francisco in 1966. Compton's Cafeteria, in the seedy Tenderloin district, is hopping with its usual assortment of transgender people, young street hustlers, and down-and-out regulars. The management, annoyed by the noisy crowd at one table, calls the police. When a surly cop, accustomed to manhandling Compton's clientele, attempts to arrest one of the queens, she throws her coffee in his face. Mayhem erupts -- windows break, furniture flies through the air. Police reinforcements arrive, and the fighting spills into the street. For the first time, the drag queens band together to fight back, getting the better of the cops, whom they kick and stomp with their high-heeled shoes and beat with their heavy purses. For everyone at Compton's that night, one thing was certain -- things would never be the same again.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to the Compton's Cafeteria riot. Mixing recent interviews with archival footage, printed documents, impressionistic reenactments and period music, the program depicts a marginalized community few people know, one that exists in the midst of a city famous for its cosmopolitan glamour. With extraordinary candor and from differing points of view, the subjects recount the difficulties they encountered in the Tenderloin, as well as the sense of community they created there in the mid-1960s. Felicia Elizondo tells of prostituting herself in order to survive. Aleshia Brevard, a drag entertainer, describes how her talent spared her from street prostitution. Perhaps most surprising is Sgt. Elliot Blackstone, who helps explain the conflict between the San Francisco Police Department and the city's transgender community and how the SFPD's policies changed to reflect greater acceptance in the years following the 1966 riot.\u003c/p>\n\u003cp>The documentary goes on to show the connection between transgender activism and the larger social upheavals affecting the United States in the 1960s: the civil rights and sexual liberation movements, the youth counterculture, urban renewal, and Great Society antipoverty programs. \"Glide Memorial Methodist Church first reached out to the transgender community in these years,\" the Rev. Ed Hansen explains, \"because of new thinking about the church's role in society.\" Amanda St. Jaymes and Tamara Ching, both transsexual activists and former prostitutes, recount the ferment in the Tenderloin in the 1960s as well as the growing sense of dignity among transgender people. But in the summer of 1966, many others, including most San Francisco police officers, did not share these new ideas. By bringing these social and political tensions to light, \u003cb>Screaming Queens\u003c/b> offers viewers a fuller understanding of the events and conditions that led up to the riot.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Further, \u003cb>Screaming Queens\u003c/b> explores the reverberations, both large and small, of the rise of transgender activism, a story in which the riot at Compton's Cafeteria plays a pivotal role. Sgt. Blackstone tells of singing \"We Shall Overcome\" with Tenderloin activists who successfully fought for new social services for their community. Suzie Cooke recounts her job as a transsexual counselor in one of the new agencies founded after the riot. Ching connects the Tenderloin transsexuals' new activism to the rising Gay liberation movement. And St. Jaymes explains that although the queens from Compton's were \"wild as the wind,\" they were \"determined to make something of themselves, and be something other than prostitutes.\"\u003c/p>\n\u003cp>The film ends on a high note. It shows how in just two short years transgender activism helped transform San Francisco culture in subtle and profound ways and presents reflective comments from the Compton's Cafeteria subjects who bravely ushered in a controversial revolution that continues today.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> sets out to foster a better understanding of the experiences of transgender people and to inform a broad audience of their often-difficult lives and unheralded accomplishments. Along the way, the program also illuminates the interplay of urban politics, community mobilization and social services in creating the modern inner city.\u003c/p>\n\u003cp>This important documentary tells a forgotten San Francisco story of dramatic social change from the compelling perspective of firsthand participants. The film's story focuses on the experiences of the rioters themselves, the police and the social-activist clergy members. It also follows historian Susan Stryker's rediscovery of the 1966 disturbance at Compton's Cafeteria. At that time, transgender people faced serious employment discrimination, police harassment and other difficulties. The program's subjects describe the challenging circumstances and the misconduct of officials that drove them to take militant action in the streets. \u003cb>Screaming Queens\u003c/b> then examines the significant changes -- in police practices, social services and self-image -- that came out of the conflict. In her story within the story, Stryker reveals how the Compton's Cafeteria riot, although not as large as New York's Stonewall conflict, was a dramatic turning point in a decades-long process of transgender community formation and political mobilization in San Francisco, a process that involved dramatic changes in medical practices, urban politics, neighborhood geography and public consciousness.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Screaming Queens: The Riot at Compton's Cafeteria\u003c/b> is produced in association with The Independent Television Service (ITVS) and KQED Public Television.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/43/screaming-queens","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_3"],"categories":["trulyca_38","trulyca_21"],"tags":["trulyca_123","trulyca_124","trulyca_128","trulyca_70","trulyca_90","trulyca_122","trulyca_120","trulyca_119","trulyca_69","trulyca_97","trulyca_505","trulyca_88","trulyca_82","trulyca_761","trulyca_126","trulyca_125","trulyca_121","trulyca_127","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2532","label":"trulyca_771"},"trulyca_90":{"type":"posts","id":"trulyca_90","meta":{"index":"posts_1716263798","site":"trulyca","id":"90","score":null,"sort":[1459544400000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1459544400,"format":"video","disqusTitle":"It Came from Kuchar","title":"It Came from Kuchar","headTitle":"Season 8 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>It Came from Kuchar\u003c/strong> by filmmaker Jennifer Kroot. (Running Time: 1:28:48)\u003c/em>\u003c/p>\n\u003cp>By the 1960s, twins George and Mike Kuchar were shaping the underground film scene alongside Andy Warhol and Kenneth Anger. The embodiment of artistic obsession, compulsion, and inspiration, the Kuchars began making no-budget epics in their Bronx neighborhood as kids. Known as the \"8mm Mozarts,\" the Kuchar brothers openly explored their strict Catholic upbringing and sexual anxiety with campy, irreverent theatrics. Their films have inspired many filmmakers, including John Waters, Atom Egoyan, Guy Maddin, Buck Henry, and Wayne Wang, all interviewed in the film.\u003c/p>\n\u003cp>Tired of the twins' gimmick, the Kuchar's work partnership split so they could explore their own distinct styles. George was outrageously funny, childlike, and prolific, while Mike was deeply consumed with the mysteries of the universe. Nonetheless, the twins shared many motifs: sexuality and obsession, the occult and UFOs, insecurity and loneliness, weather and nature, comics, and perhaps their strongest bond, humor. Like George and Mike, \u003cstrong>It Came from Kuchar\u003c/strong> is quirky, outrageous and invigorating -- a film about two brothers who loved to make movies and how their DIY passion has inspired others.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"90 http://kqed2.wsmtechs.net/trulyca/it-came-from-kuchar/","disqusUrl":"https://ww2.kqed.org/trulyca/it-came-from-kuchar/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":200,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1537999759,"excerpt":"By the 1960s, twins George and Mike Kuchar were shaping the underground film scene alongside Andy Warhol and Kenneth Anger. \u003cstrong>It Came from Kuchar\u003c/strong> interweaves the brother's lives, their admirers and a 'greatest hits' of Kuchar clips into a hilarious and moving tale.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"By the 1960s, twins George and Mike Kuchar were shaping the underground film scene alongside Andy Warhol and Kenneth Anger. It Came from Kuchar interweaves the brother's lives, their admirers and a 'greatest hits' of Kuchar clips into a hilarious and moving tale.","title":"It Came from Kuchar | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"It Came from Kuchar","datePublished":"2016-04-01T14:00:00-07:00","dateModified":"2018-09-26T15:09:19-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"it-came-from-kuchar","status":"publish","videoEmbed":"http://youtu.be/WwZoUX3CxXE","originalAirdate":"October 28, 2012","path":"/trulyca/90/it-came-from-kuchar","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>It Came from Kuchar\u003c/strong> by filmmaker Jennifer Kroot. (Running Time: 1:28:48)\u003c/em>\u003c/p>\n\u003cp>By the 1960s, twins George and Mike Kuchar were shaping the underground film scene alongside Andy Warhol and Kenneth Anger. The embodiment of artistic obsession, compulsion, and inspiration, the Kuchars began making no-budget epics in their Bronx neighborhood as kids. Known as the \"8mm Mozarts,\" the Kuchar brothers openly explored their strict Catholic upbringing and sexual anxiety with campy, irreverent theatrics. Their films have inspired many filmmakers, including John Waters, Atom Egoyan, Guy Maddin, Buck Henry, and Wayne Wang, all interviewed in the film.\u003c/p>\n\u003cp>Tired of the twins' gimmick, the Kuchar's work partnership split so they could explore their own distinct styles. George was outrageously funny, childlike, and prolific, while Mike was deeply consumed with the mysteries of the universe. Nonetheless, the twins shared many motifs: sexuality and obsession, the occult and UFOs, insecurity and loneliness, weather and nature, comics, and perhaps their strongest bond, humor. Like George and Mike, \u003cstrong>It Came from Kuchar\u003c/strong> is quirky, outrageous and invigorating -- a film about two brothers who loved to make movies and how their DIY passion has inspired others.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/90/it-came-from-kuchar","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_10"],"categories":["trulyca_33","trulyca_40","trulyca_39","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_86","trulyca_64","trulyca_325","trulyca_498","trulyca_83","trulyca_318","trulyca_256","trulyca_323","trulyca_321","trulyca_319","trulyca_320","trulyca_101","trulyca_322","trulyca_505","trulyca_99","trulyca_324","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2525","label":"trulyca_771"},"trulyca_40":{"type":"posts","id":"trulyca_40","meta":{"index":"posts_1716263798","site":"trulyca","id":"40","score":null,"sort":[1459540800000]},"parent":0,"labelTerm":{"site":"trulyca","term":2},"blocks":[],"publishDate":1459540800,"format":"video","disqusTitle":"Heklina","title":"Heklina","headTitle":"Shorts | Truly CA | KQED Arts","content":"\u003cp>\u003cem>View \u003cstrong>Heklina\u003c/strong> by Brian Favorite. (Running Time: 15:51)\u003cbr>\n\u003cstrong>Please note: Due to strong language, this video is intended for mature audiences.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>This documentary profiles Heklina, who is the founder and hostess of Trannyshack, San Francisco's longest-running drag show. Performing since 1996, she appears in local theater (including parodies of the popular television shows: \u003cstrong>Sex in the City\u003c/strong>, \u003cstrong>Golden Girls\u003c/strong>, and \u003cstrong>Roseanne\u003c/strong>). In addition to Trannyshack, she also produces and hosts Daytime Realness and gay pride activities.\u003c/p>\n\u003cp>From her early days growing up in Iceland, a discharge from the Navy, overcoming drugs and alcohol, Heklina has emerged as one of the premiere performers in the alternative drag scene in San Francisco and beyond. \u003cstrong>Heklina\u003c/strong> takes you into the world of alternative drag through the perspective of one of its key players.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"40 http://kqed2.wsmtechs.net/trulyca/heklina/","disqusUrl":"https://ww2.kqed.org/trulyca/heklina/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":135,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1538000191,"excerpt":"View Brian Favorite's short film, \u003cb>Heklina\u003c/b>, which profiles the hostess of Trannyshack, San Francisco's longest running, current drag show.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"View Brian Favorite's short film, Heklina, which profiles the hostess of Trannyshack, San Francisco's longest running, current drag show.","title":"Heklina | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Heklina","datePublished":"2016-04-01T13:00:00-07:00","dateModified":"2018-09-26T15:16:31-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"heklina","status":"publish","videoEmbed":"https://youtu.be/61qbUimYg9g","path":"/trulyca/40/heklina","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>View \u003cstrong>Heklina\u003c/strong> by Brian Favorite. (Running Time: 15:51)\u003cbr>\n\u003cstrong>Please note: Due to strong language, this video is intended for mature audiences.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>This documentary profiles Heklina, who is the founder and hostess of Trannyshack, San Francisco's longest-running drag show. Performing since 1996, she appears in local theater (including parodies of the popular television shows: \u003cstrong>Sex in the City\u003c/strong>, \u003cstrong>Golden Girls\u003c/strong>, and \u003cstrong>Roseanne\u003c/strong>). In addition to Trannyshack, she also produces and hosts Daytime Realness and gay pride activities.\u003c/p>\n\u003cp>From her early days growing up in Iceland, a discharge from the Navy, overcoming drugs and alcohol, Heklina has emerged as one of the premiere performers in the alternative drag scene in San Francisco and beyond. \u003cstrong>Heklina\u003c/strong> takes you into the world of alternative drag through the perspective of one of its key players.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/40/heklina","authors":["8666"],"series":["trulyca_2"],"categories":["trulyca_33","trulyca_38","trulyca_21"],"tags":["trulyca_220","trulyca_327","trulyca_498","trulyca_329","trulyca_83","trulyca_120","trulyca_119","trulyca_326","trulyca_330","trulyca_331","trulyca_60","trulyca_505","trulyca_82","trulyca_165","trulyca_189","trulyca_328","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2536","label":"trulyca_2"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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