How Scientists are Fighting to Save California Forests with Reforestation, a short film.
Last Days At Paradise High
Fighting Fire With Fire, a short film.
The Nostalgia Museum, a short film on San Francisco's Musée Mécanique
One Voice: The Story of the Oakland Interfaith Gospel Choir
Verasphere: A Love Story In Costume
49 Mile Scenic Drive
After The Fire, how communities grieve and rebuild.
In The Land of My Ancestors
Sponsored
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"content": "\u003cp>Reforestation is a short film made by Jenn Cain and Mallory Pickett.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=iLxFLi5IO0Q\">Watch the film Reforestation\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Reforestation\u003c/strong>\u003c/p>\n\u003cp>Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. 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We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>[pullquote size=”medium” align=”right”]\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America’s youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it’s gone.\u003c/p>\n\u003cp>[gallery columns=\"2\" ids=\"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460\"]\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, “After the Fire,” winner of the Tribeca Film Institute’s “If/Then” Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, “After the Fire,” winner of the Tribeca Film Institute’s “If/Then” Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. 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Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 1954, an artist named Rex May painted a seagull on a street sign and created a San Francisco icon. Its legacy becomes endangered, however, when a mysterious forgery threatens to take its place. Weaving together archival footage, Rex May's illustrious screen prints, and modern design critique, \u003cem>49 Mile Scenic Drive\u003c/em> takes the viewer on a whirlwind journey through the streets of San Francisco and begs the question: does one street sign really matter? With as many twists and turns as Lombard Street, this short documentary delivers history with humor. It exhibits cinema's power to create change, no matter how small. And it might just tug a heartstring or two.\u003c/p>\n\u003cfigure id=\"attachment_3018\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3018\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/49MD_MAIN_image01-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">49 Mile Scenic Drive - 1954 (left) 1990's (right)\u003c/figcaption>\u003c/figure>\n\u003ch5>\u003cstrong>Director Bios:\u003c/strong>\u003c/h5>\n\u003cp>\u003cstrong>Bradley Smith\u003c/strong> is an artist and filmmaker living in San Francisco. He co-directed and produced the documentary short film \u003cem>49 Mile Scenic Drive. \u003c/em>The film premiered at the 2018 San Francisco International Film Festival and won a Golden Gate Award for Best Bay Area Short Film. It went on to play at multiple festivals including AFI Fest, Warsaw Film Festival, and Tacoma Film Festival. He was a Fellow at Yerba Buena Center for the Arts in 2017-2018 and co-created and performed \"Movement-Based Thing,\" an exploratory exercise protocol designed to address the fitness of both the individual and the community. His most recent solo show was a large scale participatory video and light installation commissioned by Fort Mason Center for Arts and Culture to close out their month-long series \"Fortnights: Magic in 2017.\" He is currently working on an experimental documentary about Jason Jones, a man who learned to code inside San Quentin Prison while serving a 14-year sentence. Previous film collaborations have screened at Locarno, AFI Fest, BAM Cinemafest, Maryland Film Festival, BAFICI, lndielisboa, Torino Film Festival, San Francisco lndiefest and more.\u003c/p>\n\u003cfigure id=\"attachment_3020\" class=\"wp-caption alignnone\" style=\"max-width: 225px\">\u003cimg class=\" wp-image-3020\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/BradleySmith.png\" alt=\"\" width=\"225\" height=\"312\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/BradleySmith.png 518w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/BradleySmith-160x222.png 160w\" sizes=\"(max-width: 225px) 100vw, 225px\">\u003cfigcaption class=\"wp-caption-text\">49 Mile Scenic Drive Director - Bradley Smith\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tyler McPherron\u003c/strong> is a Bay Area-based cinematographer who sometimes finds himself in the director's chair. His work has been featured by \u003cem>Short of the Week, The Disposable Film Festival, Newness, National Geographic, The Atlantic\u003c/em> and \u003cem>Dazed\u003c/em>. His list of cinematography credits includes \u003cem>ESPN Films' 30 for 30 : Hit it Hard\u003c/em>, which premiered at SXSW Film Festival. Three of his videos have been selected for a Vimeo Staff Pick, and\u003cem> Can You Read My Lips?\u003c/em> was picked as their \"Best of the Month.\" He has been fortunate to work with some of his favorite musicians including Future Islands, FKA Twigs, Moses Sumney, Sylvan Esso and Toro y Moi. His list of client work includes Google, Method, PBS, Kraft, Intel, Levis, Nest, Pandora, and Yours Truly.\u003c/p>\n\u003cfigure id=\"attachment_3021\" class=\"wp-caption alignnone\" style=\"max-width: 240px\">\u003cimg class=\" wp-image-3021\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/TylerMcPherron.png\" alt=\"\" width=\"240\" height=\"242\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/TylerMcPherron.png 544w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/TylerMcPherron-160x161.png 160w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003cfigcaption class=\"wp-caption-text\">49 Mile Scenic Drive Director - Tyler McPherron\u003c/figcaption>\u003c/figure>\n\u003ch5>\u003cstrong>Credits:\u003c/strong>\u003c/h5>\n\u003cp>Director: Bradley Smith, Tyler McPherron\u003c/p>\n\u003cp>Writer, Narrator, and Illustrator: Alexander Barrett\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Producer: Bradley Smith, Jeremy Summer, Little Moving Pictures\u003c/p>\n\u003cp>Director of Photography: Tyler McPherron\u003c/p>\n\u003cp>Editor: Gregory Gheorgiu, Matthew O'Donnell, Tyler McPherron, Bradley Smith\u003c/p>\n\u003cp>Music Composer: Jordan Lehning\u003c/p>\n\u003cp>Music: Hagen Quartett\u003c/p>\n\u003cp>Colorist: Sean Wells\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Sound Mixing: Joel Raabe\u003c/p>\n\n",
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And it might just tug a heartstring or two.\u003c/p>\n\u003cfigure id=\"attachment_3018\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3018\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/49MD_MAIN_image01-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/49MD_MAIN_image01-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">49 Mile Scenic Drive - 1954 (left) 1990's (right)\u003c/figcaption>\u003c/figure>\n\u003ch5>\u003cstrong>Director Bios:\u003c/strong>\u003c/h5>\n\u003cp>\u003cstrong>Bradley Smith\u003c/strong> is an artist and filmmaker living in San Francisco. He co-directed and produced the documentary short film \u003cem>49 Mile Scenic Drive. \u003c/em>The film premiered at the 2018 San Francisco International Film Festival and won a Golden Gate Award for Best Bay Area Short Film. It went on to play at multiple festivals including AFI Fest, Warsaw Film Festival, and Tacoma Film Festival. He was a Fellow at Yerba Buena Center for the Arts in 2017-2018 and co-created and performed \"Movement-Based Thing,\" an exploratory exercise protocol designed to address the fitness of both the individual and the community. His most recent solo show was a large scale participatory video and light installation commissioned by Fort Mason Center for Arts and Culture to close out their month-long series \"Fortnights: Magic in 2017.\" He is currently working on an experimental documentary about Jason Jones, a man who learned to code inside San Quentin Prison while serving a 14-year sentence. Previous film collaborations have screened at Locarno, AFI Fest, BAM Cinemafest, Maryland Film Festival, BAFICI, lndielisboa, Torino Film Festival, San Francisco lndiefest and more.\u003c/p>\n\u003cfigure id=\"attachment_3020\" class=\"wp-caption alignnone\" style=\"max-width: 225px\">\u003cimg class=\" wp-image-3020\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/BradleySmith.png\" alt=\"\" width=\"225\" height=\"312\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/BradleySmith.png 518w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/BradleySmith-160x222.png 160w\" sizes=\"(max-width: 225px) 100vw, 225px\">\u003cfigcaption class=\"wp-caption-text\">49 Mile Scenic Drive Director - Bradley Smith\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tyler McPherron\u003c/strong> is a Bay Area-based cinematographer who sometimes finds himself in the director's chair. His work has been featured by \u003cem>Short of the Week, The Disposable Film Festival, Newness, National Geographic, The Atlantic\u003c/em> and \u003cem>Dazed\u003c/em>. His list of cinematography credits includes \u003cem>ESPN Films' 30 for 30 : Hit it Hard\u003c/em>, which premiered at SXSW Film Festival. Three of his videos have been selected for a Vimeo Staff Pick, and\u003cem> Can You Read My Lips?\u003c/em> was picked as their \"Best of the Month.\" He has been fortunate to work with some of his favorite musicians including Future Islands, FKA Twigs, Moses Sumney, Sylvan Esso and Toro y Moi. His list of client work includes Google, Method, PBS, Kraft, Intel, Levis, Nest, Pandora, and Yours Truly.\u003c/p>\n\u003cfigure id=\"attachment_3021\" class=\"wp-caption alignnone\" style=\"max-width: 240px\">\u003cimg class=\" wp-image-3021\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/TylerMcPherron.png\" alt=\"\" width=\"240\" height=\"242\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/TylerMcPherron.png 544w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/TylerMcPherron-160x161.png 160w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003cfigcaption class=\"wp-caption-text\">49 Mile Scenic Drive Director - Tyler McPherron\u003c/figcaption>\u003c/figure>\n\u003ch5>\u003cstrong>Credits:\u003c/strong>\u003c/h5>\n\u003cp>Director: Bradley Smith, Tyler McPherron\u003c/p>\n\u003cp>Writer, Narrator, and Illustrator: Alexander Barrett\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cspan class=\"TextRun SCXW160980094 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\">In October of 2017, the most destructive fire in U.S. history devastated the Sonoma Valley. When the flames are finally extinguished, Sonoma residents\u003c/span>\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\"> return home to take stock. Among them is a sculptor whose entire way of life changed in an instant after the blaze destroyed his home and studio. Another man\u003c/span>\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\"> struggles to help his ailing father whose health is compromised by lingering smoke from the fire. Tourism halts after the disaster, causing a Latina restaurant worker and mother-of-two to lose her only source of income.\u003c/span>\u003c/span>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW160980094 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\"> \u003cem>After The Fire\u003c/em> is a testament to the quiet strength of these individuals as they pick up the pieces and seek to understand the ways their community has been changed overnight by natural disaster.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW160980094 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_3009\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3009\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/ATF_still03-800x450.png\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-800x450.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-768x432.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-1020x574.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-1200x675.png 1200w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sonoma - Northern California wildfires 2017\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>Director's Statement: \u003c/strong>\u003c/h3>\n\u003cblockquote>\u003cp>On a windy Sunday night in October 2017, hundreds of wildfires sprang up across northern California, plunging dozens of towns and cities into a chaos that the governor would later describe as “the greatest tragedy that California has ever faced.”\u003c/p>\u003c/blockquote>\n\u003cp>For the last seven years, I’ve called one of those towns, Sonoma, home. I was away when the fires broke out, but what I saw on the news - aerial shots of burning forests, the charred remains of a structure, the occasional human interest interview - felt impersonal and, if anything, too clean and tidy. After driving through the night, I arrived at a Sonoma engulfed in smoke and ash. I met up with some friends and filmed for 10 days as the fires raged. When the flames were finally extinguished, the national media moved on, but the story of Sonoma’s recovery was only beginning.\u003c/p>\n\u003cp>Over the next three months, we followed our three subjects as they struggled to confront lives that had been changed overnight, bearing witness to the tangled and unpredictable path of emotional trauma.\u003c/p>\n\u003cp>We made this film because we wanted to create an honest record of one town’s experience during a disaster and to chronicle the quiet, unexpected effects that such trauma can have on individuals and a community. We feel this subject is more important than ever before; as climate change makes wildfires like these increasingly common, recent fires have erupted throughout Europe, Australia, and once again in California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We hope this film can provide a deeper look at the nuance and complexity of an event like this, as well as the incredible resiliency it demands of its victims. We have a lot to learn from them.\u003c/p>\n\u003ch3>\u003cstrong>Filmmaker Bios:\u003c/strong>\u003c/h3>\n\u003cp>\u003cspan class=\"TextRun SCXW52069560 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\">\u003cstrong>Derek Knowles\u003c/strong> \u003c/span>\u003c/span>\u003cem>\u003cspan class=\"TextRun SCXW52069560 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\">(director, cinematographer)\u003c/span>\u003c/span>\u003c/em>\u003cspan class=\"TextRun SCXW52069560 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\"> is a California-based documentary filmmaker, cinematographer, and producer. He has worked for outlets including National Geographic, Netflix, and CNN, and with Academy Award-nominated filmmakers Richard Robbins and Bill \u003c/span>\u003cspan class=\"SpellingError SCXW52069560 BCX0\">Guttentag\u003c/span>\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\">. He graduated from Stanford University in 2011 and recently completed a six-month fellowship as an Artist-in-Residence at \u003c/span>\u003cspan class=\"SpellingError SCXW52069560 BCX0\">the camp\u003c/span>\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\"> in southern France.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW52069560 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_3010\" class=\"wp-caption alignnone\" style=\"max-width: 343px\">\u003cimg class=\" wp-image-3010\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Derek-headshot_v01-800x1068.png\" alt=\"\" width=\"343\" height=\"492\">\u003cfigcaption class=\"wp-caption-text\">After The Fire Director - Derek Knowles\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan class=\"TextRun Highlight SCXW126970228 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW126970228 BCX0\">\u003cstrong>Spencer Seibert\u003c/strong> \u003c/span>\u003c/span>\u003cem>\u003cspan class=\"TextRun Highlight SCXW126970228 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW126970228 BCX0\">(director, editor)\u003c/span>\u003c/span>\u003c/em>\u003cspan class=\"TextRun Highlight SCXW126970228 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW126970228 BCX0\"> is an award-winning editor, director, and motion designer. Since graduating from Chapman University in 2009 with a BFA in film production, he has partnered with nationally recognized brands, non-profits, and musical artists to create documentaries, music videos, and marketing pieces. While his work has played at festivals around the world, he is proud to call Chicago home.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW126970228 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_3011\" class=\"wp-caption alignnone\" style=\"max-width: 340px\">\u003cimg class=\" wp-image-3011\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Spencer-headshot_v01-800x1068.png\" alt=\"\" width=\"340\" height=\"454\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-800x1068.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-160x214.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-768x1026.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-1020x1362.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-899x1200.png 899w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01.png 1872w\" sizes=\"(max-width: 340px) 100vw, 340px\">\u003cfigcaption class=\"wp-caption-text\">After The Fire Director - Spencer Seibert\u003c/figcaption>\u003c/figure>\n\u003ch3>Credits:\u003c/h3>\n\u003ch5>\u003cstrong>Featuring:\u003c/strong>\u003c/h5>\n\u003cp>Chris Berger\u003c/p>\n\u003cp>Gilham Erickson\u003c/p>\n\u003cp>Maribel Guido\u003c/p>\n\u003ch5>\u003cstrong>Crew:\u003c/strong>\u003c/h5>\n\u003cp>Director: Derek Knowles & Spencer Seibert\u003c/p>\n\u003cp>Producer: Paul D. Martinez\u003c/p>\n\u003cp>Editor: Spencer Seibert\u003c/p>\n\u003cp>Cinematographer: Derek Knowles\u003c/p>\n\u003cp>Music: Sibusile Xaba\u003c/p>\n\u003cp>Sound Designer: Ben Treimer\u003c/p>\n\u003cp>Story Consultant: Jeffrey Plunkett\u003c/p>\n\u003cp>Additional photography: Basil Glew-Galloway, Richard Neill\u003c/p>\n\u003cp>Color: Framestore\u003c/p>\n\u003cp>Colorist: Maria Carretero\u003c/p>\n\u003cp>Post-production sound: Optimus\u003c/p>\n\u003cp>Audio Assistant: Zach Scheitlin\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan class=\"TextRun SCXW160980094 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\">In October of 2017, the most destructive fire in U.S. history devastated the Sonoma Valley. When the flames are finally extinguished, Sonoma residents\u003c/span>\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\"> return home to take stock. Among them is a sculptor whose entire way of life changed in an instant after the blaze destroyed his home and studio. Another man\u003c/span>\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\"> struggles to help his ailing father whose health is compromised by lingering smoke from the fire. Tourism halts after the disaster, causing a Latina restaurant worker and mother-of-two to lose her only source of income.\u003c/span>\u003c/span>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW160980094 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW160980094 BCX0\"> \u003cem>After The Fire\u003c/em> is a testament to the quiet strength of these individuals as they pick up the pieces and seek to understand the ways their community has been changed overnight by natural disaster.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW160980094 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_3009\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3009\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/ATF_still03-800x450.png\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-800x450.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-768x432.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-1020x574.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03-1200x675.png 1200w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/ATF_still03.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sonoma - Northern California wildfires 2017\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>Director's Statement: \u003c/strong>\u003c/h3>\n\u003cblockquote>\u003cp>On a windy Sunday night in October 2017, hundreds of wildfires sprang up across northern California, plunging dozens of towns and cities into a chaos that the governor would later describe as “the greatest tragedy that California has ever faced.”\u003c/p>\u003c/blockquote>\n\u003cp>For the last seven years, I’ve called one of those towns, Sonoma, home. I was away when the fires broke out, but what I saw on the news - aerial shots of burning forests, the charred remains of a structure, the occasional human interest interview - felt impersonal and, if anything, too clean and tidy. After driving through the night, I arrived at a Sonoma engulfed in smoke and ash. I met up with some friends and filmed for 10 days as the fires raged. When the flames were finally extinguished, the national media moved on, but the story of Sonoma’s recovery was only beginning.\u003c/p>\n\u003cp>Over the next three months, we followed our three subjects as they struggled to confront lives that had been changed overnight, bearing witness to the tangled and unpredictable path of emotional trauma.\u003c/p>\n\u003cp>We made this film because we wanted to create an honest record of one town’s experience during a disaster and to chronicle the quiet, unexpected effects that such trauma can have on individuals and a community. We feel this subject is more important than ever before; as climate change makes wildfires like these increasingly common, recent fires have erupted throughout Europe, Australia, and once again in California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We hope this film can provide a deeper look at the nuance and complexity of an event like this, as well as the incredible resiliency it demands of its victims. We have a lot to learn from them.\u003c/p>\n\u003ch3>\u003cstrong>Filmmaker Bios:\u003c/strong>\u003c/h3>\n\u003cp>\u003cspan class=\"TextRun SCXW52069560 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\">\u003cstrong>Derek Knowles\u003c/strong> \u003c/span>\u003c/span>\u003cem>\u003cspan class=\"TextRun SCXW52069560 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\">(director, cinematographer)\u003c/span>\u003c/span>\u003c/em>\u003cspan class=\"TextRun SCXW52069560 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\"> is a California-based documentary filmmaker, cinematographer, and producer. He has worked for outlets including National Geographic, Netflix, and CNN, and with Academy Award-nominated filmmakers Richard Robbins and Bill \u003c/span>\u003cspan class=\"SpellingError SCXW52069560 BCX0\">Guttentag\u003c/span>\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\">. He graduated from Stanford University in 2011 and recently completed a six-month fellowship as an Artist-in-Residence at \u003c/span>\u003cspan class=\"SpellingError SCXW52069560 BCX0\">the camp\u003c/span>\u003cspan class=\"NormalTextRun SCXW52069560 BCX0\"> in southern France.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW52069560 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_3010\" class=\"wp-caption alignnone\" style=\"max-width: 343px\">\u003cimg class=\" wp-image-3010\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Derek-headshot_v01-800x1068.png\" alt=\"\" width=\"343\" height=\"492\">\u003cfigcaption class=\"wp-caption-text\">After The Fire Director - Derek Knowles\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan class=\"TextRun Highlight SCXW126970228 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW126970228 BCX0\">\u003cstrong>Spencer Seibert\u003c/strong> \u003c/span>\u003c/span>\u003cem>\u003cspan class=\"TextRun Highlight SCXW126970228 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW126970228 BCX0\">(director, editor)\u003c/span>\u003c/span>\u003c/em>\u003cspan class=\"TextRun Highlight SCXW126970228 BCX0\" lang=\"EN\" xml:lang=\"EN\">\u003cspan class=\"NormalTextRun SCXW126970228 BCX0\"> is an award-winning editor, director, and motion designer. Since graduating from Chapman University in 2009 with a BFA in film production, he has partnered with nationally recognized brands, non-profits, and musical artists to create documentaries, music videos, and marketing pieces. While his work has played at festivals around the world, he is proud to call Chicago home.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW126970228 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_3011\" class=\"wp-caption alignnone\" style=\"max-width: 340px\">\u003cimg class=\" wp-image-3011\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Spencer-headshot_v01-800x1068.png\" alt=\"\" width=\"340\" height=\"454\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-800x1068.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-160x214.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-768x1026.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-1020x1362.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01-899x1200.png 899w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Spencer-headshot_v01.png 1872w\" sizes=\"(max-width: 340px) 100vw, 340px\">\u003cfigcaption class=\"wp-caption-text\">After The Fire Director - Spencer Seibert\u003c/figcaption>\u003c/figure>\n\u003ch3>Credits:\u003c/h3>\n\u003ch5>\u003cstrong>Featuring:\u003c/strong>\u003c/h5>\n\u003cp>Chris Berger\u003c/p>\n\u003cp>Gilham Erickson\u003c/p>\n\u003cp>Maribel Guido\u003c/p>\n\u003ch5>\u003cstrong>Crew:\u003c/strong>\u003c/h5>\n\u003cp>Director: Derek Knowles & Spencer Seibert\u003c/p>\n\u003cp>Producer: Paul D. Martinez\u003c/p>\n\u003cp>Editor: Spencer Seibert\u003c/p>\n\u003cp>Cinematographer: Derek Knowles\u003c/p>\n\u003cp>Music: Sibusile Xaba\u003c/p>\n\u003cp>Sound Designer: Ben Treimer\u003c/p>\n\u003cp>Story Consultant: Jeffrey Plunkett\u003c/p>\n\u003cp>Additional photography: Basil Glew-Galloway, Richard Neill\u003c/p>\n\u003cp>Color: Framestore\u003c/p>\n\u003cp>Colorist: Maria Carretero\u003c/p>\n\u003cp>Post-production sound: Optimus\u003c/p>\n\u003cp>Audio Assistant: Zach Scheitlin\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "In The Land of My Ancestors",
"title": "In The Land of My Ancestors",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
},
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
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"officialWebsiteLink": "/perspectives/",
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"order": 14
},
"link": "/perspectives",
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