The midnight zone begins half a mile beneath the ocean, and is an area so deep that no sunlight can reach it. Few humans have seen the animals who live there — until now.
A groundbreaking exhibit at the Monterey Bay Aquarium is bringing deep-sea animals from the midnight zone up to the surface and into public view for the first time.
“What’s really cool about this exhibit is that we are the only humans on Earth right now that are likely looking at some of these animals,” said Allen Protasio, exhibit guide at the Monterey Bay Aquarium.
The midnight zone is cold and dark, and can only be explored by remote operating vehicles (ROVs) controlled by pilots in submarines. The deep sea is rich with strange and often bioluminescent creatures, many of them delicate and unable to withstand the drastic transition to the low pressure, bright lights and high temperatures at the surface. Monterey Bay researchers have experimented for over a decade with ways to bring elusive deep-sea life safely up from the depths.
The exhibit takes visitors on a descending tour of the abyss, starting with a model of Monterey Bay’s underwater canyon. Some parts of the canyon are more than a mile deep, and the canyon comes remarkably close to shore. Visitors can meander through a darkened gallery of tanks displaying gelatinous creatures from the shallower end of the midnight zone, known as the midwater, which ranges from 650 feet to 3,300 feet deep.
The Japanese spider crab is the size of a small dog. (Tyson V. Rininger/Monterey Bay Aquarium)
In the midwater gallery, screens show dazzling ROV footage of shimmering bioluminescence. A goopy string adorned with stingers — a creature known as a siphonophore — floats suspended in its tank.
Tommy Knowles, a jellyfish expert and one of the scientists who developed the exhibit, described his favorite midwater creature — a crimson dome bedazzled with ridges of strobing rainbow lights.
“This is the bloody belly comb jelly, Lampocteis,” Knowles said. “It’s one of the most delicate jellies in the world. It’s like a sparkly bowl of Jell-O.”
Knowles and other scientists tinkered with the acidity, light and temperature to achieve conditions that were just right for each deep-sea animal on display.
“We should be completely astounded by the technological things that they’ve done,” said Samantha Muka, aquarium historian and professor at the Stevens Institute of Technology in Hoboken, New Jersey. “It probably couldn’t have been done even 10 or 15 years ago. It’s that cutting-edge.”
While the deep sea is known for its high pressures, the aquarium scientists found that some deep-sea creatures could survive the ascent if they were given time to acclimate to the lower pressure and higher temperatures, not unlike the delicacy required when human divers return from high-pressure depths.
Corals and sponges that grow on underwater mountains, or “seamounts” develop so slowly that damaged habitats could take centuries to recover. Drilling, mining, and fishing can put corals, sponges, and the animals they shelter at risk. (Tyson V. Rininger/Monterey Bay Aquarium)
“They’re the only people right now that know how you can push these animals, like the plasticity of their pressure needs at the moment,” said Muka. “They already know more about those deep-sea animals than we’ve ever known about them ever.”
While it took years of trial and error to figure out each deep-sea creature’s specific requirements, achieving low-enough oxygen levels proved to be a particular challenge. Many deep-sea creatures from an area known as the oxygen minimum zone need as little as 5% of the oxygen found at the ocean’s surface to survive. Some displays required developing new methods to strip oxygen out of seawater.
“We had to use equipment that I don’t think has ever been used in aquariums before,” Knowles said. “It was used in food production, for stripping gasses out of liquids.”
The exhibit is more than a technological marvel or a way to show off exotic animals. In addition to educating the public, it serves as a reconstructed ecological system that allows scientists to study deep-sea environments without the expense and difficulty of submarine voyages. This combination of public outreach and basic science is a hallmark of the Monterey Bay Aquarium.
“They’re basically setting up a long-term laboratory for those scientists to be able to study those organisms,” Muka said. “In some sense, it is the ultimate reason for the public aquarium to exist.”
Because it is so challenging to access and study, deep-sea biology is still in its infancy. Although scientists are only beginning to understand deep-sea environments, those environments are already under threat from human influence, such as deep-sea drilling, mining operations, climate change and microplastic pollution.
Deep-sea creatures feed on marine snow, tiny flecks of rotten flesh and other debris that drift down and eventually reach the sunless depths. But now, much of that snow is made up of tiny bits of microplastic.
To demonstrate how microplastic pollution affects deep-sea animals, the exhibit includes an interactive game that shows how hard it is for these animals to survive. Players take control of different deep-sea creatures and must avoid getting eaten or stung, all while chasing down and gobbling up bits of marine snow. If a player survives the game, the screen displays the percentage of plastic they consumed along with their marine snow meals — often more than half.
“As those plastics break down smaller and smaller, they get into the food chain,” said Protasio. “And these deep-sea critters may not be able to distinguish between what’s marine snow and what’s microplastic.”
At the deep end of the exhibit, visitors reach the muddy plains of the sea floor, studded with microhabitats. In one seafloor tank, spiny Japanese spider crabs the size of small dogs crawl over a model of a sperm whale skeleton settled into the mud. Cartilaginous ghost sharks lurk, and elephant fish probe for food with their long snouts.
While every other animal in the exhibit lives behind glass, giant deep-sea isopods with 14 legs huddle in a touch tank. They look like roly-polys from your garden, except they’re ghostly pale and as big as bread loaves. Isopods can thrive in a vast range of depths and environments, from just 550 feet below the surface to as deep as 7,000 feet. They can switch between crawling along the muddy plains of the seafloor to swimming with muscular flaps called pleopods.
Because the deep sea is so different from what we’re used to, it can seem far away, and has often been compared to another planet. The creatures who call it home, with their many limbs and glowing, gelatinous bodies, might strike some visitors as otherworldly.
“In one sense they’re so foreign to us, they’re very alien. But in another sense, they are earthlings,” said Knowles. “I feel like the alien, coming in with my submarine with bright lights. They’re probably wondering, ‘What is that?!’”
The Monterey Bay Aquarium has successfully brought a glimpse of the midnight zone into the light. The exhibit provides scientists with new tools to keep learning about the earthlings who call it home, and reminds us just how close we are to our deep, dark neighbors.
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"title": "From Giant Isopods to Glowing Jellies, This New Monterey Bay Aquarium Exhibit Features Deep-Sea Creatures Never Seen Before",
"headTitle": "From Giant Isopods to Glowing Jellies, This New Monterey Bay Aquarium Exhibit Features Deep-Sea Creatures Never Seen Before | KQED",
"content": "\u003cp>The midnight zone begins half a mile beneath the ocean, and is an area so deep that no sunlight can reach it. Few humans have seen the animals who live there — until now.\u003c/p>\n\u003cp>A groundbreaking exhibit at the Monterey Bay Aquarium is bringing deep-sea animals from the midnight zone up to the surface and into public view for the first time.\u003c/p>\n\u003cp>“What’s really cool about this exhibit is that we are the only humans on Earth right now that are likely looking at some of these animals,” said Allen Protasio, exhibit guide at the Monterey Bay Aquarium.\u003c/p>\n\u003cp>[pullquote size='small' citation='Samantha Muka, aquarium historian and professor, Stevens Institute of Technology']‘We should be completely astounded by the technological things that they’ve done. It probably couldn’t have been done even 10 or 15 years ago. It’s that cutting-edge.’[/pullquote]The midnight zone is cold and dark, and can only be explored by remote operating vehicles (ROVs) controlled by pilots in submarines. The deep sea is rich with strange and often bioluminescent creatures, many of them delicate and unable to withstand the drastic transition to the low pressure, bright lights and high temperatures at the surface. Monterey Bay researchers have experimented for over a decade with ways to bring elusive deep-sea life safely up from the depths.\u003c/p>\n\u003cp>The exhibit takes visitors on a descending tour of the abyss, starting with a model of Monterey Bay’s underwater canyon. Some parts of the canyon are more than a mile deep, and the canyon comes remarkably close to shore. Visitors can meander through a darkened gallery of tanks displaying gelatinous creatures from the shallower end of the midnight zone, known as the midwater, which ranges from 650 feet to 3,300 feet deep.\u003c/p>\n\u003cfigure id=\"attachment_1979270\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1979270\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-800x533.jpg\" alt=\"A rust-colored crab with an oval body and white markings on its shell and legs rises up on four legs, two legs extended out above and in front of its body like an orchestra conductor. The crab is on a sandy floor inside an aquarium, with models of whale bones on the ground and looming in the background.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Japanese spider crab is the size of a small dog. \u003ccite>(Tyson V. Rininger/Monterey Bay Aquarium)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the midwater gallery, screens show dazzling ROV footage of shimmering bioluminescence. A goopy string adorned with stingers — a creature known as a siphonophore — floats suspended in its tank.\u003c/p>\n\u003cp>Tommy Knowles, a jellyfish expert and one of the scientists who developed the exhibit, described his favorite midwater creature — a crimson dome bedazzled with ridges of strobing rainbow lights.\u003c/p>\n\u003cp>“This is the bloody belly comb jelly, Lampocteis,” Knowles said. “It’s one of the most delicate jellies in the world. It’s like a sparkly bowl of Jell-O.”\u003c/p>\n\u003cp>Knowles and other scientists tinkered with the acidity, light and temperature to achieve conditions that were just right for each deep-sea animal on display.\u003c/p>\n\u003cp>“We should be completely astounded by the technological things that they’ve done,” said Samantha Muka, aquarium historian and professor at the Stevens Institute of Technology in Hoboken, New Jersey. “It probably couldn’t have been done even 10 or 15 years ago. It’s that cutting-edge.”\u003c/p>\n\u003cp>While the deep sea is known for its high pressures, the aquarium scientists found that some deep-sea creatures could survive the ascent if they were given time to acclimate to the lower pressure and higher temperatures, not unlike the delicacy required when human divers return from high-pressure depths.\u003c/p>\n\u003cfigure id=\"attachment_1979302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1979302\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-800x533.jpg\" alt=\"Inside a deep sea exhibit, black boulders looking like pieces of charcoal, pocked with lines and small holes line the ground. Growing on these boulders are tall, pale orange corals with trunks like a tree and branches like a curved fan. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2.jpg 1044w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Corals and sponges that grow on underwater mountains, or “seamounts” develop so slowly that damaged habitats could take centuries to recover. Drilling, mining, and fishing can put corals, sponges, and the animals they shelter at risk. \u003ccite>(Tyson V. Rininger/Monterey Bay Aquarium)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“They’re the only people right now that know how you can push these animals, like the plasticity of their pressure needs at the moment,” said Muka. “They already know more about those deep-sea animals than we’ve ever known about them ever.”\u003c/p>\n\u003cp>While it took years of trial and error to figure out each deep-sea creature’s specific requirements, achieving low-enough oxygen levels proved to be a particular challenge. Many deep-sea creatures from an area known as the oxygen minimum zone need as little as 5% of the oxygen found at the ocean’s surface to survive. Some displays required developing new methods to strip oxygen out of seawater.\u003c/p>\n\u003cp>“We had to use equipment that I don’t think has ever been used in aquariums before,” Knowles said. “It was used in food production, for stripping gasses out of liquids.”\u003c/p>\n\u003cp>The exhibit is more than a technological marvel or a way to show off exotic animals. In addition to educating the public, it serves as a reconstructed ecological system that allows scientists to study deep-sea environments without the expense and difficulty of submarine voyages. This combination of public outreach and basic science is a hallmark of the Monterey Bay Aquarium.\u003c/p>\n\u003cp>“They’re basically setting up a long-term laboratory for those scientists to be able to study those organisms,” Muka said. “In some sense, it is the ultimate reason for the public aquarium to exist.”\u003c/p>\n\u003cp>Because it is so challenging to access and study, deep-sea biology is still in its infancy. Although scientists are only beginning to understand deep-sea environments, those environments are already under threat from human influence, such as deep-sea drilling, mining operations, climate change and microplastic pollution.\u003c/p>\n\u003cp>Deep-sea creatures feed on marine snow, tiny flecks of rotten flesh and other debris that drift down and eventually reach the sunless depths. But now, much of that snow is made up of tiny bits of microplastic.\u003c/p>\n\u003cp>To demonstrate how microplastic pollution affects deep-sea animals, the exhibit includes an interactive game that shows how hard it is for these animals to survive. Players take control of different deep-sea creatures and must avoid getting eaten or stung, all while chasing down and gobbling up bits of marine snow. If a player survives the game, the screen displays the percentage of plastic they consumed along with their marine snow meals — often more than half.\u003c/p>\n\u003cp>“As those plastics break down smaller and smaller, they get into the food chain,” said Protasio. “And these deep-sea critters may not be able to distinguish between what’s marine snow and what’s microplastic.”\u003c/p>\n\u003cp>At the deep end of the exhibit, visitors reach the muddy plains of the sea floor, studded with microhabitats. In one seafloor tank, spiny Japanese spider crabs the size of small dogs crawl over a model of a sperm whale skeleton settled into the mud. Cartilaginous ghost sharks lurk, and elephant fish probe for food with their long snouts.\u003c/p>\n\u003cp>[pullquote size='small' citation='Tommy Knowles, jellyfish expert, Monterey Bay Aquarium']‘In one sense they’re so foreign to us, they’re very alien. But in another sense, they are earthlings.’[/pullquote]While every other animal in the exhibit lives behind glass, giant deep-sea isopods with 14 legs huddle in a touch tank. They look like roly-polys from your garden, except they’re ghostly pale and as big as bread loaves. Isopods can thrive in a vast range of depths and environments, from just 550 feet below the surface to as deep as 7,000 feet. They can switch between crawling along the muddy plains of the seafloor to swimming with muscular flaps called pleopods.\u003c/p>\n\u003cp>Because the deep sea is so different from what we’re used to, it can seem far away, and has often been compared to another planet. The creatures who call it home, with their many limbs and glowing, gelatinous bodies, might strike some visitors as otherworldly.\u003c/p>\n\u003cp>“In one sense they’re so foreign to us, they’re very alien. But in another sense, they are earthlings,” said Knowles. “I feel like the alien, coming in with my submarine with bright lights. They’re probably wondering, ‘What is that?!’”\u003c/p>\n\u003cp>The Monterey Bay Aquarium has successfully brought a glimpse of the midnight zone into the light. The exhibit provides scientists with new tools to keep learning about the earthlings who call it home, and reminds us just how close we are to our deep, dark neighbors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The midnight zone begins half a mile beneath the ocean, and is an area so deep that no sunlight can reach it. Few humans have seen the animals who live there — until now.\u003c/p>\n\u003cp>A groundbreaking exhibit at the Monterey Bay Aquarium is bringing deep-sea animals from the midnight zone up to the surface and into public view for the first time.\u003c/p>\n\u003cp>“What’s really cool about this exhibit is that we are the only humans on Earth right now that are likely looking at some of these animals,” said Allen Protasio, exhibit guide at the Monterey Bay Aquarium.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The midnight zone is cold and dark, and can only be explored by remote operating vehicles (ROVs) controlled by pilots in submarines. The deep sea is rich with strange and often bioluminescent creatures, many of them delicate and unable to withstand the drastic transition to the low pressure, bright lights and high temperatures at the surface. Monterey Bay researchers have experimented for over a decade with ways to bring elusive deep-sea life safely up from the depths.\u003c/p>\n\u003cp>The exhibit takes visitors on a descending tour of the abyss, starting with a model of Monterey Bay’s underwater canyon. Some parts of the canyon are more than a mile deep, and the canyon comes remarkably close to shore. Visitors can meander through a darkened gallery of tanks displaying gelatinous creatures from the shallower end of the midnight zone, known as the midwater, which ranges from 650 feet to 3,300 feet deep.\u003c/p>\n\u003cfigure id=\"attachment_1979270\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1979270\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-800x533.jpg\" alt=\"A rust-colored crab with an oval body and white markings on its shell and legs rises up on four legs, two legs extended out above and in front of its body like an orchestra conductor. The crab is on a sandy floor inside an aquarium, with models of whale bones on the ground and looming in the background.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Whalefall_Japanese_crab_Tyson-V.-Rininger-resize-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Japanese spider crab is the size of a small dog. \u003ccite>(Tyson V. Rininger/Monterey Bay Aquarium)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the midwater gallery, screens show dazzling ROV footage of shimmering bioluminescence. A goopy string adorned with stingers — a creature known as a siphonophore — floats suspended in its tank.\u003c/p>\n\u003cp>Tommy Knowles, a jellyfish expert and one of the scientists who developed the exhibit, described his favorite midwater creature — a crimson dome bedazzled with ridges of strobing rainbow lights.\u003c/p>\n\u003cp>“This is the bloody belly comb jelly, Lampocteis,” Knowles said. “It’s one of the most delicate jellies in the world. It’s like a sparkly bowl of Jell-O.”\u003c/p>\n\u003cp>Knowles and other scientists tinkered with the acidity, light and temperature to achieve conditions that were just right for each deep-sea animal on display.\u003c/p>\n\u003cp>“We should be completely astounded by the technological things that they’ve done,” said Samantha Muka, aquarium historian and professor at the Stevens Institute of Technology in Hoboken, New Jersey. “It probably couldn’t have been done even 10 or 15 years ago. It’s that cutting-edge.”\u003c/p>\n\u003cp>While the deep sea is known for its high pressures, the aquarium scientists found that some deep-sea creatures could survive the ascent if they were given time to acclimate to the lower pressure and higher temperatures, not unlike the delicacy required when human divers return from high-pressure depths.\u003c/p>\n\u003cfigure id=\"attachment_1979302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1979302\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-800x533.jpg\" alt=\"Inside a deep sea exhibit, black boulders looking like pieces of charcoal, pocked with lines and small holes line the ground. Growing on these boulders are tall, pale orange corals with trunks like a tree and branches like a curved fan. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2022/05/Deep_sea_Tyson-V.-Rininger-resize2.jpg 1044w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Corals and sponges that grow on underwater mountains, or “seamounts” develop so slowly that damaged habitats could take centuries to recover. Drilling, mining, and fishing can put corals, sponges, and the animals they shelter at risk. \u003ccite>(Tyson V. Rininger/Monterey Bay Aquarium)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“They’re the only people right now that know how you can push these animals, like the plasticity of their pressure needs at the moment,” said Muka. “They already know more about those deep-sea animals than we’ve ever known about them ever.”\u003c/p>\n\u003cp>While it took years of trial and error to figure out each deep-sea creature’s specific requirements, achieving low-enough oxygen levels proved to be a particular challenge. Many deep-sea creatures from an area known as the oxygen minimum zone need as little as 5% of the oxygen found at the ocean’s surface to survive. Some displays required developing new methods to strip oxygen out of seawater.\u003c/p>\n\u003cp>“We had to use equipment that I don’t think has ever been used in aquariums before,” Knowles said. “It was used in food production, for stripping gasses out of liquids.”\u003c/p>\n\u003cp>The exhibit is more than a technological marvel or a way to show off exotic animals. In addition to educating the public, it serves as a reconstructed ecological system that allows scientists to study deep-sea environments without the expense and difficulty of submarine voyages. This combination of public outreach and basic science is a hallmark of the Monterey Bay Aquarium.\u003c/p>\n\u003cp>“They’re basically setting up a long-term laboratory for those scientists to be able to study those organisms,” Muka said. “In some sense, it is the ultimate reason for the public aquarium to exist.”\u003c/p>\n\u003cp>Because it is so challenging to access and study, deep-sea biology is still in its infancy. Although scientists are only beginning to understand deep-sea environments, those environments are already under threat from human influence, such as deep-sea drilling, mining operations, climate change and microplastic pollution.\u003c/p>\n\u003cp>Deep-sea creatures feed on marine snow, tiny flecks of rotten flesh and other debris that drift down and eventually reach the sunless depths. But now, much of that snow is made up of tiny bits of microplastic.\u003c/p>\n\u003cp>To demonstrate how microplastic pollution affects deep-sea animals, the exhibit includes an interactive game that shows how hard it is for these animals to survive. Players take control of different deep-sea creatures and must avoid getting eaten or stung, all while chasing down and gobbling up bits of marine snow. If a player survives the game, the screen displays the percentage of plastic they consumed along with their marine snow meals — often more than half.\u003c/p>\n\u003cp>“As those plastics break down smaller and smaller, they get into the food chain,” said Protasio. “And these deep-sea critters may not be able to distinguish between what’s marine snow and what’s microplastic.”\u003c/p>\n\u003cp>At the deep end of the exhibit, visitors reach the muddy plains of the sea floor, studded with microhabitats. In one seafloor tank, spiny Japanese spider crabs the size of small dogs crawl over a model of a sperm whale skeleton settled into the mud. Cartilaginous ghost sharks lurk, and elephant fish probe for food with their long snouts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While every other animal in the exhibit lives behind glass, giant deep-sea isopods with 14 legs huddle in a touch tank. They look like roly-polys from your garden, except they’re ghostly pale and as big as bread loaves. Isopods can thrive in a vast range of depths and environments, from just 550 feet below the surface to as deep as 7,000 feet. They can switch between crawling along the muddy plains of the seafloor to swimming with muscular flaps called pleopods.\u003c/p>\n\u003cp>Because the deep sea is so different from what we’re used to, it can seem far away, and has often been compared to another planet. The creatures who call it home, with their many limbs and glowing, gelatinous bodies, might strike some visitors as otherworldly.\u003c/p>\n\u003cp>“In one sense they’re so foreign to us, they’re very alien. But in another sense, they are earthlings,” said Knowles. “I feel like the alien, coming in with my submarine with bright lights. They’re probably wondering, ‘What is that?!’”\u003c/p>\n\u003cp>The Monterey Bay Aquarium has successfully brought a glimpse of the midnight zone into the light. The exhibit provides scientists with new tools to keep learning about the earthlings who call it home, and reminds us just how close we are to our deep, dark neighbors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"order": 10
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"meta": {
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"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
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"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
"link": "/podcasts/onourwatch",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"link": "/radio/program/on-the-media",
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},
"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
"id": "perspectives",
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"tagline": "KQED's series of daily listener commentaries since 1991",
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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