High-flying jay, by Lasse Kurkela, Finland, winner, age category: 15-17 years. Kurkela watched a Siberian jay fly to the top of a spruce tree to stash its food. Kurkela wanted to give a sense of scale in his photograph of the Siberian jay, tiny among the old-growth spruce-dominated forest. He used pieces of cheese to get the jays accustomed to his remotely controlled camera. (Photo: Lasse Kurkela/Wildlife Photographer of the Year)
NPR
Immerse Yourself in Nature with These 2021 Wildlife Photographer of the Year Images
NPR
Immerse Yourself in Nature with These 2021 Wildlife Photographer of the Year Images
The annual competition is organized by London’s Natural History Museum and is recognized as the world’s longest-running and most prestigious nature photography competition. In announcing the winners on Tuesday, the museum said it had received more than 50,000 submissions from 95 countries.
The entries in this year’s competition — the 57th edition — were judged anonymously by a panel of international experts for “originality, narrative, technical excellence and ethical practice.”
“The two Grand Title winners were selected from 19 category winners that celebrate the captivating beauty of our natural world with rich habitats, enthralling animal behaviour and extraordinary species,” the museum explained.
The newest Wildlife Photographer of the Year is French underwater photographer and biologist Laurent Ballesta, whose first-place image was actually years in the making.
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It’s called Creation, and it captures camouflage groupers exiting a milky cloud of eggs and sperm in a biosphere reserve in Fakarava, French Polynesia. The museum said that Ballesta and his team returned to the lagoon every year for five years, “diving day and night so as not to miss the annual spawning that only takes place around the full moon in July.
Creation, by Laurent Ballesta, France, winner, category: underwater. Ballesta peered into the depths as a trio of camouflage groupers exited its milky cloud of eggs and sperm. For five years Ballesta and his team returned to this lagoon, diving day and night to see the annual spawning of camouflage groupers. They were joined after dark by reef sharks that were hunting the fish.
Camouflage groupers as a species are endangered by overfishing, the museum noted, though these particular fish are protected within the reserve.
“This year’s Grand Title winner reveals a hidden underwater world, a fleeting moment of fascinating animal behaviour that very few have witnessed,” said Doug Gurr, the museum’s director, in a statement. “In what could be a pivotal year for the planet, with vital discussions taking place at COP15 and COP26, Laurent Ballesta’s Creation is a compelling reminder of what we stand to lose if we do not address humanity’s impact on our planet. The protection provided to this endangered species by the biosphere reserve highlights the positive difference we can make.”
The top award in the 17-and-under category (Young Wildlife Photographer of the Year) went to 10-year-old Vidyun R Hebbar of Bengaluru, India.
His image shows a tent spider upside down in a web, against the bright colors of a passing tuk-tuk in the background. The museum said Vidyun loves to photograph the “often-over looked creatures that live in the streets and parks near his home” and was first featured in the competition at age 8.
“The jury loved this photo from the beginning of the judging process,” said Natalie Cooper, a jury member and National History Museum researcher, in a statement. “It is a great reminder to look more closely at the small animals we live with every day, and to take your camera with you everywhere. You never know where that award winning image is going to come from.”
One hundred images from the competition — contextualized with insights from scientists and other experts — will be showcased in lightbox displays at a special Natural History Museum exhibit. It will open in London on Friday and will travel to venues in the U.K., Australia, Belgium, Canada, Denmark, Germany and the U.S. in the coming months.
And for any curious wildlife photographers reading this: The 2022 competition will accept entries starting Monday, with a close date of Dec. 9.
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Check out some of the stunning images from contest winners below.
Where the giant newts breed, by João Rodrigues, Portugal, winner, behaviour: amphibians and reptiles category. Rodrigues was surprised by a pair of courting sharp-ribbed salamanders in this flooded forest. It was Rodrigues’ first chance in five years to dive into this lake, as it emerges only in winters of exceptionally heavy rainfall, when underground rivers overflow.Elephant in the room, by Adam Oswell, Australia, winner, category: photojournalism. Oswell draws attention to zoo visitors watching a young elephant perform underwater.Head to head, by Stefano Unterthiner, Italy, winner, behaviour: mammals category. Unterthiner watched two Svalbard reindeer battle for control of a harem. Unterthiner followed these reindeer during the rutting season. Watching the fight, he felt immersed in “the smell, the noise, the fatigue and the pain.” The reindeer clashed antlers until the dominant male (left) chased its rival away.Bedazzled, by Alex Mustard, U.K., winner, category: natural artistry. Mustard found a ghost pipefish hiding among the arms of a feather star. Mustard had always wanted to capture such an image of a juvenile ghost pipefish but usually found only darker adults on matching feather stars.Reflection, by Majed Ali, Kuwait, winner, category: animal portraits. Ali glimpsed the moment a mountain gorilla closed its eyes in the rain. Ali trekked for four hours to meet Kibande, an almost-40-year-old mountain gorilla. “The more we climbed, the hotter and more humid it got,” Ali recalls. As cooling rain began to fall, Kibande remained in the open, seeming to enjoy the shower.Face-off, from the “Cichlids of Planet Tanganyika” portfolio by Angel Fitor, Spain, winner, Portfolio Award. Fitor provides an intimate look at cichlid fishes in Africa’s Lake Tanganyika. Two male cichlid fish fight jaw to jaw over a snail shell. Inside the half-buried shell is a female ready to lay eggs. For three weeks, Fitor monitored the lake bed looking for such disputes.Nursery meltdown, by Jennifer Hayes, U.S., winner, Oceans – The Bigger Picture category. Hayes recorded harp seals, seal pups and the blood of birth against melting sea ice. Following a storm, it took hours of searching by helicopter to find this fractured sea ice used as a birthing platform by harp seals. “It was a pulse of life that took your breath away,” says Hayes.Cool time, from “Land time for sea bears” portfolio, by Martin Gregus, Canada/Slovakia, winner, Rising Star Portfolio Award. Gregus shows polar bears in a different light as they come ashore in summer. On a hot summer’s day, two female polar bears took to the shallow intertidal waters to cool off and play. Gregus used a drone to capture this moment.The intimate touch, by Shane Kalyn, Canada, winner, behaviour: birds category. Kalyn watched a raven courtship display. It was midwinter, the start of the ravens’ breeding season. Kalyn lay on the frozen ground and used the muted light to capture the ravens’ iridescent plumage against the contrasting snow to reveal this intimate moment when their thick black bills came together.Road to ruin, by Javier Lafuente, Spain, winner, category: Wetlands – The Bigger Picture. Lafuente shows the stark, straight line of a road slicing through the curves of a wetland landscape. By maneuvering his drone and inclining the camera, Lafuente dealt with the challenges of sunlight reflected by the water and ever-changing light conditions.
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"title": "Immerse Yourself in Nature with These 2021 Wildlife Photographer of the Year Images",
"headTitle": "Immerse Yourself in Nature with These 2021 Wildlife Photographer of the Year Images | KQED",
"content": "\u003cp>The winning images of the 2021 \u003ca href=\"https://www.nhm.ac.uk/wpy/\">Wildlife Photographer of the Year\u003c/a> competition are here, and they’re enthralling.\u003c/p>\n\u003cp>The annual competition is organized by London’s Natural History Museum and is recognized as the world’s longest-running and most prestigious nature photography competition. In \u003ca href=\"https://www.nhm.ac.uk/press-office/Wildlife-Photographer-of-the-Year/first-wildlife-photographer-of-the-year-2020-images-revealed11.html\">announcing the winners\u003c/a> on Tuesday, the museum said it had received more than 50,000 submissions from 95 countries.\u003c/p>\n\u003cp>The entries in this year’s competition — the 57th edition — were judged anonymously by a \u003ca href=\"https://www.nhm.ac.uk/press-office/Wildlife-Photographer-of-the-Year/wildlife-photographer-of-the-year-announces-international-jury-a.html\">panel of international experts\u003c/a> for “originality, narrative, technical excellence and ethical practice.”\u003c/p>\n\u003cp>“The two Grand Title winners were selected from 19 category winners that celebrate the captivating beauty of our natural world with rich habitats, enthralling animal behaviour and extraordinary species,” the museum explained.\u003c/p>\n\u003cp>The newest Wildlife Photographer of the Year is French underwater photographer and biologist Laurent Ballesta, whose first-place image was actually years in the making.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s called Creation, and it captures camouflage groupers exiting a milky cloud of eggs and sperm in a biosphere reserve in Fakarava, French Polynesia. The museum said that Ballesta and his team returned to the lagoon every year for five years, “diving day and night so as not to miss the annual spawning that only takes place around the full moon in July.\u003c/p>\n\u003cfigure id=\"attachment_1977151\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977151\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/npr.brightspotcdn.jpg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn.jpg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-1536x1023.jpg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Creation, by Laurent Ballesta, France, winner, category: underwater. Ballesta peered into the depths as a trio of camouflage groupers exited its milky cloud of eggs and sperm. For five years Ballesta and his team returned to this lagoon, diving day and night to see the annual spawning of camouflage groupers. They were joined after dark by reef sharks that were hunting the fish.\u003c/figcaption>\u003c/figure>\n\u003cp>Camouflage groupers as a species are endangered by overfishing, the museum noted, though these particular fish are protected within the reserve.\u003c/p>\n\u003cp>“This year’s Grand Title winner reveals a hidden underwater world, a fleeting moment of fascinating animal behaviour that very few have witnessed,” said Doug Gurr, the museum’s director, in a statement. “In what could be a pivotal year for the planet, with vital discussions taking place at COP15 and COP26, Laurent Ballesta’s Creation is a compelling reminder of what we stand to lose if we do not address humanity’s impact on our planet. The protection provided to this endangered species by the biosphere reserve highlights the positive difference we can make.”\u003c/p>\n\u003cp>The top award in the 17-and-under category (Young Wildlife Photographer of the Year) went to 10-year-old Vidyun R Hebbar of Bengaluru, India.\u003c/p>\n\u003cp>His image shows a tent spider upside down in a web, against the bright colors of a passing tuk-tuk in the background. The museum said Vidyun loves to photograph the “often-over looked creatures that live in the streets and parks near his home” and was first featured in the competition at age 8.\u003c/p>\n\u003cp>“The jury loved this photo from the beginning of the judging process,” said Natalie Cooper, a jury member and National History Museum researcher, in a statement. “It is a great reminder to look more closely at the small animals we live with every day, and to take your camera with you everywhere. You never know where that award winning image is going to come from.”\u003c/p>\n\u003cp>One hundred images from the competition — contextualized with insights from scientists and other experts — will be showcased in lightbox displays at a \u003ca href=\"https://www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.html\">special Natural History Museum exhibit\u003c/a>. It will open in London on Friday and will travel to venues in the U.K., Australia, Belgium, Canada, Denmark, Germany and the U.S. in the coming months.\u003c/p>\n\u003cp>And for any curious wildlife photographers reading this: The 2022 competition will accept entries starting Monday, with a close date of Dec. 9.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Check out some of the stunning images from contest winners below.\u003c/p>\n\u003cfigure id=\"attachment_1977157\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977157\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Frog.jpeg\" alt=\"\" width=\"1760\" height=\"1306\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-800x594.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-1020x757.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-160x119.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-768x570.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-1536x1140.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Where the giant newts breed, by João Rodrigues, Portugal, winner, behaviour: amphibians and reptiles category. Rodrigues was surprised by a pair of courting sharp-ribbed salamanders in this flooded forest. It was Rodrigues’ first chance in five years to dive into this lake, as it emerges only in winters of exceptionally heavy rainfall, when underground rivers overflow.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977155\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977155\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Elephant.jpeg\" alt=\"\" width=\"1760\" height=\"1174\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-800x534.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-1536x1025.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Elephant in the room, by Adam Oswell, Australia, winner, category: photojournalism. Oswell draws attention to zoo visitors watching a young elephant perform underwater.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977153\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977153\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Buck.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Head to head, by Stefano Unterthiner, Italy, winner, behaviour: mammals category. Unterthiner watched two Svalbard reindeer battle for control of a harem. Unterthiner followed these reindeer during the rutting season. Watching the fight, he felt immersed in “the smell, the noise, the fatigue and the pain.” The reindeer clashed antlers until the dominant male (left) chased its rival away.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977152\" class=\"wp-caption aligncenter\" style=\"max-width: 1704px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977152\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Bedazzled-scaled.jpeg\" alt=\"\" width=\"1704\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-scaled.jpeg 1704w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-800x1202.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-1020x1532.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-768x1154.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-1022x1536.jpeg 1022w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-1363x2048.jpeg 1363w\" sizes=\"(max-width: 1704px) 100vw, 1704px\">\u003cfigcaption class=\"wp-caption-text\">Bedazzled, by Alex Mustard, U.K., winner, category: natural artistry. Mustard found a ghost pipefish hiding among the arms of a feather star. Mustard had always wanted to capture such an image of a juvenile ghost pipefish but usually found only darker adults on matching feather stars.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977158\" class=\"wp-caption aligncenter\" style=\"max-width: 1704px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977158\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Gorilla-scaled.jpeg\" alt=\"\" width=\"1704\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-scaled.jpeg 1704w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-800x1202.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-1020x1532.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-768x1154.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-1022x1536.jpeg 1022w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-1363x2048.jpeg 1363w\" sizes=\"(max-width: 1704px) 100vw, 1704px\">\u003cfigcaption class=\"wp-caption-text\">Reflection, by Majed Ali, Kuwait, winner, category: animal portraits. Ali glimpsed the moment a mountain gorilla closed its eyes in the rain. Ali trekked for four hours to meet Kibande, an almost-40-year-old mountain gorilla. “The more we climbed, the hotter and more humid it got,” Ali recalls. As cooling rain began to fall, Kibande remained in the open, seeming to enjoy the shower.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977156\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977156\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Fish.jpeg\" alt=\"\" width=\"1760\" height=\"1174\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-800x534.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-1536x1025.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Face-off, from the “Cichlids of Planet Tanganyika” portfolio by Angel Fitor, Spain, winner, Portfolio Award. Fitor provides an intimate look at cichlid fishes in Africa’s Lake Tanganyika. Two male cichlid fish fight jaw to jaw over a snail shell. Inside the half-buried shell is a female ready to lay eggs. For three weeks, Fitor monitored the lake bed looking for such disputes.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977159\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977159\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Melt.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Nursery meltdown, by Jennifer Hayes, U.S., winner, Oceans – The Bigger Picture category. Hayes recorded harp seals, seal pups and the blood of birth against melting sea ice. Following a storm, it took hours of searching by helicopter to find this fractured sea ice used as a birthing platform by harp seals. “It was a pulse of life that took your breath away,” says Hayes.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977160\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977160\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Polar-.jpeg\" alt=\"\" width=\"1760\" height=\"952\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar-.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--800x433.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--1020x552.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--160x87.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--768x415.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--1536x831.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Cool time, from “Land time for sea bears” portfolio, by Martin Gregus, Canada/Slovakia, winner, Rising Star Portfolio Award. Gregus shows polar bears in a different light as they come ashore in summer. On a hot summer’s day, two female polar bears took to the shallow intertidal waters to cool off and play. Gregus used a drone to capture this moment.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977154\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977154\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Crow.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">The intimate touch, by Shane Kalyn, Canada, winner, behaviour: birds category. Kalyn watched a raven courtship display. It was midwinter, the start of the ravens’ breeding season. Kalyn lay on the frozen ground and used the muted light to capture the ravens’ iridescent plumage against the contrasting snow to reveal this intimate moment when their thick black bills came together.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977161\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977161\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Road.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Road to ruin, by Javier Lafuente, Spain, winner, category: Wetlands – The Bigger Picture. Lafuente shows the stark, straight line of a road slicing through the curves of a wetland landscape. By maneuvering his drone and inclining the camera, Lafuente dealt with the challenges of sunlight reflected by the water and ever-changing light conditions.\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2021 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Immerse+yourself+in+nature+with+these+2021+Wildlife+Photographer+of+the+Year+images&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The winning images of the 2021 \u003ca href=\"https://www.nhm.ac.uk/wpy/\">Wildlife Photographer of the Year\u003c/a> competition are here, and they’re enthralling.\u003c/p>\n\u003cp>The annual competition is organized by London’s Natural History Museum and is recognized as the world’s longest-running and most prestigious nature photography competition. In \u003ca href=\"https://www.nhm.ac.uk/press-office/Wildlife-Photographer-of-the-Year/first-wildlife-photographer-of-the-year-2020-images-revealed11.html\">announcing the winners\u003c/a> on Tuesday, the museum said it had received more than 50,000 submissions from 95 countries.\u003c/p>\n\u003cp>The entries in this year’s competition — the 57th edition — were judged anonymously by a \u003ca href=\"https://www.nhm.ac.uk/press-office/Wildlife-Photographer-of-the-Year/wildlife-photographer-of-the-year-announces-international-jury-a.html\">panel of international experts\u003c/a> for “originality, narrative, technical excellence and ethical practice.”\u003c/p>\n\u003cp>“The two Grand Title winners were selected from 19 category winners that celebrate the captivating beauty of our natural world with rich habitats, enthralling animal behaviour and extraordinary species,” the museum explained.\u003c/p>\n\u003cp>The newest Wildlife Photographer of the Year is French underwater photographer and biologist Laurent Ballesta, whose first-place image was actually years in the making.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s called Creation, and it captures camouflage groupers exiting a milky cloud of eggs and sperm in a biosphere reserve in Fakarava, French Polynesia. The museum said that Ballesta and his team returned to the lagoon every year for five years, “diving day and night so as not to miss the annual spawning that only takes place around the full moon in July.\u003c/p>\n\u003cfigure id=\"attachment_1977151\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977151\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/npr.brightspotcdn.jpg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn.jpg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/npr.brightspotcdn-1536x1023.jpg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Creation, by Laurent Ballesta, France, winner, category: underwater. Ballesta peered into the depths as a trio of camouflage groupers exited its milky cloud of eggs and sperm. For five years Ballesta and his team returned to this lagoon, diving day and night to see the annual spawning of camouflage groupers. They were joined after dark by reef sharks that were hunting the fish.\u003c/figcaption>\u003c/figure>\n\u003cp>Camouflage groupers as a species are endangered by overfishing, the museum noted, though these particular fish are protected within the reserve.\u003c/p>\n\u003cp>“This year’s Grand Title winner reveals a hidden underwater world, a fleeting moment of fascinating animal behaviour that very few have witnessed,” said Doug Gurr, the museum’s director, in a statement. “In what could be a pivotal year for the planet, with vital discussions taking place at COP15 and COP26, Laurent Ballesta’s Creation is a compelling reminder of what we stand to lose if we do not address humanity’s impact on our planet. The protection provided to this endangered species by the biosphere reserve highlights the positive difference we can make.”\u003c/p>\n\u003cp>The top award in the 17-and-under category (Young Wildlife Photographer of the Year) went to 10-year-old Vidyun R Hebbar of Bengaluru, India.\u003c/p>\n\u003cp>His image shows a tent spider upside down in a web, against the bright colors of a passing tuk-tuk in the background. The museum said Vidyun loves to photograph the “often-over looked creatures that live in the streets and parks near his home” and was first featured in the competition at age 8.\u003c/p>\n\u003cp>“The jury loved this photo from the beginning of the judging process,” said Natalie Cooper, a jury member and National History Museum researcher, in a statement. “It is a great reminder to look more closely at the small animals we live with every day, and to take your camera with you everywhere. You never know where that award winning image is going to come from.”\u003c/p>\n\u003cp>One hundred images from the competition — contextualized with insights from scientists and other experts — will be showcased in lightbox displays at a \u003ca href=\"https://www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.html\">special Natural History Museum exhibit\u003c/a>. It will open in London on Friday and will travel to venues in the U.K., Australia, Belgium, Canada, Denmark, Germany and the U.S. in the coming months.\u003c/p>\n\u003cp>And for any curious wildlife photographers reading this: The 2022 competition will accept entries starting Monday, with a close date of Dec. 9.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Check out some of the stunning images from contest winners below.\u003c/p>\n\u003cfigure id=\"attachment_1977157\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977157\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Frog.jpeg\" alt=\"\" width=\"1760\" height=\"1306\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-800x594.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-1020x757.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-160x119.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-768x570.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Frog-1536x1140.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Where the giant newts breed, by João Rodrigues, Portugal, winner, behaviour: amphibians and reptiles category. Rodrigues was surprised by a pair of courting sharp-ribbed salamanders in this flooded forest. It was Rodrigues’ first chance in five years to dive into this lake, as it emerges only in winters of exceptionally heavy rainfall, when underground rivers overflow.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977155\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977155\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Elephant.jpeg\" alt=\"\" width=\"1760\" height=\"1174\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-800x534.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Elephant-1536x1025.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Elephant in the room, by Adam Oswell, Australia, winner, category: photojournalism. Oswell draws attention to zoo visitors watching a young elephant perform underwater.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977153\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977153\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Buck.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Buck-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Head to head, by Stefano Unterthiner, Italy, winner, behaviour: mammals category. Unterthiner watched two Svalbard reindeer battle for control of a harem. Unterthiner followed these reindeer during the rutting season. Watching the fight, he felt immersed in “the smell, the noise, the fatigue and the pain.” The reindeer clashed antlers until the dominant male (left) chased its rival away.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977152\" class=\"wp-caption aligncenter\" style=\"max-width: 1704px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977152\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Bedazzled-scaled.jpeg\" alt=\"\" width=\"1704\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-scaled.jpeg 1704w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-800x1202.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-1020x1532.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-768x1154.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-1022x1536.jpeg 1022w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Bedazzled-1363x2048.jpeg 1363w\" sizes=\"(max-width: 1704px) 100vw, 1704px\">\u003cfigcaption class=\"wp-caption-text\">Bedazzled, by Alex Mustard, U.K., winner, category: natural artistry. Mustard found a ghost pipefish hiding among the arms of a feather star. Mustard had always wanted to capture such an image of a juvenile ghost pipefish but usually found only darker adults on matching feather stars.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977158\" class=\"wp-caption aligncenter\" style=\"max-width: 1704px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977158\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Gorilla-scaled.jpeg\" alt=\"\" width=\"1704\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-scaled.jpeg 1704w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-800x1202.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-1020x1532.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-768x1154.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-1022x1536.jpeg 1022w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Gorilla-1363x2048.jpeg 1363w\" sizes=\"(max-width: 1704px) 100vw, 1704px\">\u003cfigcaption class=\"wp-caption-text\">Reflection, by Majed Ali, Kuwait, winner, category: animal portraits. Ali glimpsed the moment a mountain gorilla closed its eyes in the rain. Ali trekked for four hours to meet Kibande, an almost-40-year-old mountain gorilla. “The more we climbed, the hotter and more humid it got,” Ali recalls. As cooling rain began to fall, Kibande remained in the open, seeming to enjoy the shower.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977156\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977156\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Fish.jpeg\" alt=\"\" width=\"1760\" height=\"1174\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-800x534.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Fish-1536x1025.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Face-off, from the “Cichlids of Planet Tanganyika” portfolio by Angel Fitor, Spain, winner, Portfolio Award. Fitor provides an intimate look at cichlid fishes in Africa’s Lake Tanganyika. Two male cichlid fish fight jaw to jaw over a snail shell. Inside the half-buried shell is a female ready to lay eggs. For three weeks, Fitor monitored the lake bed looking for such disputes.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977159\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977159\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Melt.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Melt-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Nursery meltdown, by Jennifer Hayes, U.S., winner, Oceans – The Bigger Picture category. Hayes recorded harp seals, seal pups and the blood of birth against melting sea ice. Following a storm, it took hours of searching by helicopter to find this fractured sea ice used as a birthing platform by harp seals. “It was a pulse of life that took your breath away,” says Hayes.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977160\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977160\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Polar-.jpeg\" alt=\"\" width=\"1760\" height=\"952\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar-.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--800x433.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--1020x552.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--160x87.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--768x415.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Polar--1536x831.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Cool time, from “Land time for sea bears” portfolio, by Martin Gregus, Canada/Slovakia, winner, Rising Star Portfolio Award. Gregus shows polar bears in a different light as they come ashore in summer. On a hot summer’s day, two female polar bears took to the shallow intertidal waters to cool off and play. Gregus used a drone to capture this moment.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977154\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977154\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Crow.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Crow-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">The intimate touch, by Shane Kalyn, Canada, winner, behaviour: birds category. Kalyn watched a raven courtship display. It was midwinter, the start of the ravens’ breeding season. Kalyn lay on the frozen ground and used the muted light to capture the ravens’ iridescent plumage against the contrasting snow to reveal this intimate moment when their thick black bills came together.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_1977161\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1977161\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2021/10/Road.jpeg\" alt=\"\" width=\"1760\" height=\"1172\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road.jpeg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2021/10/Road-1536x1023.jpeg 1536w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">Road to ruin, by Javier Lafuente, Spain, winner, category: Wetlands – The Bigger Picture. Lafuente shows the stark, straight line of a road slicing through the curves of a wetland landscape. By maneuvering his drone and inclining the camera, Lafuente dealt with the challenges of sunlight reflected by the water and ever-changing light conditions.\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2021 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Immerse+yourself+in+nature+with+these+2021+Wildlife+Photographer+of+the+Year+images&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
},
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
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"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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"order": 15
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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