The New 'Dynasty' Pulls Hair, But it Needs to Yank Wigs
How Social Media Feeds Became The New Soap Operas
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"content": "\u003cp>Whether you will enjoy a rebooted \u003cem>Dynasty \u003c/em>depends on just how much of a gold-dusted plate of cheese curds you're ready for it to be — and need it to be.\u003c/p>\n\u003cp>Back in 1981, ABC created the original \u003cem>Dynasty\u003c/em>, and it evolved into a huge hit, rotating around Blake Carrington (John Forsythe) and the two women in his life: his noble wife Krystle (Linda Evans) and his ex-wife Alexis (Joan Collins). Along with \u003cem>Dallas\u003c/em> and some others — and not a few miniseries, some based on books by Joan Collins' sister Jackie — \u003cem>Dynasty \u003c/em>was part of a boom in soapy prime-time material full of diamonds, sex and board meetings. In those days, the age cohort for soaps was ancient by the standards of what is now the CW: Forsythe was over 60 when \u003cem>Dynasty \u003c/em>premiered, Evans was nearly 40, and Collins was nearly 50.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KFVWb_OC7xE\u003c/p>\n\u003cp>The CW is not making a show like that, and you can take that to the bank.\u003c/p>\n\u003cp>Blake is still the patriarch, and in a clever casting decision that marches Generation X onward toward the grave (we're going, we're going), he is played by Grant Show, who was a young hottie on \u003cem>Melrose Place \u003c/em>during a differently shaped nighttime-soap boom in the 1990s. Blake's daughter, Fallon (Elizabeth Gillies), still feels overlooked in the family business, just as she did back in the 1980s, but Krystle's role in the story is now occupied by Cristal Flores (Nathalie Kelley), a 30ish woman working at his company to whom Blake is engaged.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you're wondering how long it takes for Fallon and Cristal to pull each other's hair, the answer is \"less than 30 minutes of screen time.\"\u003c/p>\n\u003cp>There are other updates: It's not that big a deal that Steven Carrington is gay now, and the Colbys, who act as foils to the Carringtons, are now a black family headed by Jeff (Sam Adegoke), a tech guru. In the pilot, Fallon is messing around with the chauffeur, Steven is dillydallying with someone he meets who will \u003cem>obviously \u003c/em>turn out to be related to someone he knows, Blake and Cristal are getting busy on Blake's desk, and — as mentioned — Cristal and Fallon are pulling each other's hair.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=xjp5b6pvdvw\u003c/p>\n\u003cp>The CW makes a very particular kind of soap — for its young(er) audience. If a lot of the new \u003cem>Dynasty \u003c/em>feels like the old \u003cem>Gossip Girl\u003c/em>, that makes some sense, because \u003cem>Gossip Girl \u003c/em>creators Josh Schwartz and Stephanie Savage created it, along with Sallie Patrick, who worked on ABC's \u003cem>Revenge\u003c/em>. So this doesn't quite feel like the broad, luscious \u003cem>Dynasty \u003c/em>of the past; it feels a little more like it's supposed to be cool. What it could use, to be frank, is a little more of the \u003cem>Revenge \u003c/em>DNA. Much of the time, that was a show that was joyfully wackadoo in a way that \u003cem>Dynasty\u003c/em>, despite that obligatory hair-pulling scene, isn't quite yet. It could be — Gillies, in particular, has the corny verve to pull off something a little broader. But Kelley still seems a bit overmatched by the idea of Cristal really throwing down with Fallon, and it always takes a while for anyone to care about the boardroom shenanigans that are already underway by the end of the pilot.\u003c/p>\n\u003cp>When it comes to escapism, you could do worse than a trashy grown-up soap that will eventually \u003cem>have \u003c/em>to introduce Alexis (the original show didn't until the second season), who will make things even more trashy in a harmless, drape-the-world-in-diamonds kind of way. Like a lot of shows about the very rich, \u003cem>Dynasty \u003c/em>is less a salute to their excesses and more an imagining of their misery and emptiness.\u003c/p>\n\u003cp>But what every nighttime soap needs is something that we learned from something that happened on \u003cem>Melrose Place. \u003c/em>It must contain at least the potential for a character (like Marcia Cross' Kimberly on \u003cem>Melrose\u003c/em>) to return from apparent death, make it through an entire episode seeming relatively normal, and then, in the bathroom, yank a wig off to reveal that she's bald and she has a huge scar and she probably isn't OK at all — OH NOOOOO! Seriously: That is the nighttime soap business. It's not supposed to be moving; it's supposed to be \u003cem>big\u003c/em>. And while it is fun, to really land, \u003cem>Dynasty \u003c/em>needs to be a little bigger. A little broader. A little more off the wall. We must believe you will yank some wigs off some scalps when people come back from the dead.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Come to think of it, it needs Alexis.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+New+%27Dynasty%27+Pulls+Hair%2C+But+It+Needs+To+Yank+Wigs&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you're wondering how long it takes for Fallon and Cristal to pull each other's hair, the answer is \"less than 30 minutes of screen time.\"\u003c/p>\n\u003cp>There are other updates: It's not that big a deal that Steven Carrington is gay now, and the Colbys, who act as foils to the Carringtons, are now a black family headed by Jeff (Sam Adegoke), a tech guru. In the pilot, Fallon is messing around with the chauffeur, Steven is dillydallying with someone he meets who will \u003cem>obviously \u003c/em>turn out to be related to someone he knows, Blake and Cristal are getting busy on Blake's desk, and — as mentioned — Cristal and Fallon are pulling each other's hair.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xjp5b6pvdvw'\n title='//www.youtube.com/embed/xjp5b6pvdvw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The CW makes a very particular kind of soap — for its young(er) audience. If a lot of the new \u003cem>Dynasty \u003c/em>feels like the old \u003cem>Gossip Girl\u003c/em>, that makes some sense, because \u003cem>Gossip Girl \u003c/em>creators Josh Schwartz and Stephanie Savage created it, along with Sallie Patrick, who worked on ABC's \u003cem>Revenge\u003c/em>. So this doesn't quite feel like the broad, luscious \u003cem>Dynasty \u003c/em>of the past; it feels a little more like it's supposed to be cool. What it could use, to be frank, is a little more of the \u003cem>Revenge \u003c/em>DNA. Much of the time, that was a show that was joyfully wackadoo in a way that \u003cem>Dynasty\u003c/em>, despite that obligatory hair-pulling scene, isn't quite yet. It could be — Gillies, in particular, has the corny verve to pull off something a little broader. But Kelley still seems a bit overmatched by the idea of Cristal really throwing down with Fallon, and it always takes a while for anyone to care about the boardroom shenanigans that are already underway by the end of the pilot.\u003c/p>\n\u003cp>When it comes to escapism, you could do worse than a trashy grown-up soap that will eventually \u003cem>have \u003c/em>to introduce Alexis (the original show didn't until the second season), who will make things even more trashy in a harmless, drape-the-world-in-diamonds kind of way. Like a lot of shows about the very rich, \u003cem>Dynasty \u003c/em>is less a salute to their excesses and more an imagining of their misery and emptiness.\u003c/p>\n\u003cp>But what every nighttime soap needs is something that we learned from something that happened on \u003cem>Melrose Place. \u003c/em>It must contain at least the potential for a character (like Marcia Cross' Kimberly on \u003cem>Melrose\u003c/em>) to return from apparent death, make it through an entire episode seeming relatively normal, and then, in the bathroom, yank a wig off to reveal that she's bald and she has a huge scar and she probably isn't OK at all — OH NOOOOO! Seriously: That is the nighttime soap business. It's not supposed to be moving; it's supposed to be \u003cem>big\u003c/em>. And while it is fun, to really land, \u003cem>Dynasty \u003c/em>needs to be a little bigger. A little broader. A little more off the wall. We must believe you will yank some wigs off some scalps when people come back from the dead.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Come to think of it, it needs Alexis.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+New+%27Dynasty%27+Pulls+Hair%2C+But+It+Needs+To+Yank+Wigs&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_12571\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/06/25/how-social-media-feeds-became-the-new-soap-operas/social-media/\" rel=\"attachment wp-att-12571\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/06/social-media.jpg\" alt=\"Photo: Thinkstock\" width=\"640\" height=\"360\" class=\"size-full wp-image-12571\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/06/social-media.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/06/social-media-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Thinkstock\u003c/figcaption>\u003c/figure>\n\u003cp>The first \"soap opera\" I followed regularly was the original \u003cem>Beverly Hills 90210\u003c/em>, back when I was way too young to be exposed to the exploits of Dylan, Brenda, Kelly, Brandon and all the other kids in their zip code. This was the first truly episodic television experience I remember, hanging on until the following week to see if Brenda was going to go off the deep end or if anyone would ever figure out Andrea was too old to still be in high school. It established a certain kind of viewing mindset for me; I wanted an inside look at these character's problems and I needed it in regular doses.\u003c/p>\n\u003cp>The next cliffhanging, edge-of-your-seat voyeurism into people's sordid existences I remember following was the O.J. Simpson trial. Not even Donna Martin's graduation could compete with the human grotesqueries of one of the most covered trials in history. And they were all \u003cem>real\u003c/em>; suddenly, the stakes were so much higher. Aaron Spelling got pushed to the side and we've been TMZ-ing ourselves on celebrity scandals ever since. It's been argued that the Simpson trial in the '90s led to reality TV in the early 2000s, and it's not a huge leap to imagine that these two are somehow related.\u003c/p>\n\u003cp>Now, with all television (even reality) on the wane and binge watching changing our episodic relationship to programming, where are we to get our daily doses of other people's lives? Look no further than your status feed.\u003c/p>\n\u003cp>This phenomenon occurred to me recently while browsing Twitter: I looked at the celebrity accounts I follow and realized there was more than one deceased person on the list (Elizabeth Taylor, Maya Angelou, and a couple others too embarrassing to name). I had followed them\u003cem> to death\u003c/em>. Then I thought about the living celebrities I followed. Lindsay Lohan, Amanda Bynes, Brett Easton Ellis, and an assortment of even more embarrassing figures have all \u003ca href=\"http://www.nbcnews.com/id/38036833/ns/technology_and_science-tech_and_gadgets/t/top-twitter-meltdowns-tirades-tantrums/\">lived out their dramas publicly on the platform\u003c/a> and we've been there for our 140 character fixes every time.\u003c/p>\n\u003cp>When the recent \u003ca href=\"http://bit.ly/1l1KLSr\">Ryan Chamberlain explosives story broke in San Francisco\u003c/a>, I, like many journalists in the city, followed his flight and bizarre postings via Twitter up until the day he was apprehended at Crissy Field. I was actually \u003ca href=\"http://www.sfgate.com/entertainment/article/Festa-della-Repubblica-party-complete-with-bomb-5526101.php?cmpid=twitter-mobile\">at a party\u003c/a> a few hundred yards away the night he was captured. Of course, the first place I reported it was Twitter so that the people following the soap operatic foibles of my existence could get their fix.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Is social media feed-stalking the serial for the millennial generation? Move the celebrities and local fugitives to the side; haven't we all followed the drama of a high school classmate's divorce, a distant cousin's pregnancy, the splendid Instagrams of a friend's vacation or any number of other happenings with the same intensity we once used to distract ourselves with soap operas?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In many ways, maybe our cyber voyeurism is bringing us back to our earliest and simplest selves. Instead of obsessing over fictional lives, we're magically transported to an earlier time in the history of man; we sit around the metaphorical campfire of our devices and tell stories of the other villagers or the people from the neighboring tribe, the tales carried not by the wind but by the currents of social media. Whether you want the scandals of an Anthony Weiner, the shenanigans of a James Franco, the meltdown of a Justin Bieber or just the minutia of an anonymous life, it's all there in your feed. Tune in regularly for status updates.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_12571\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/06/25/how-social-media-feeds-became-the-new-soap-operas/social-media/\" rel=\"attachment wp-att-12571\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/06/social-media.jpg\" alt=\"Photo: Thinkstock\" width=\"640\" height=\"360\" class=\"size-full wp-image-12571\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/06/social-media.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/06/social-media-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Thinkstock\u003c/figcaption>\u003c/figure>\n\u003cp>The first \"soap opera\" I followed regularly was the original \u003cem>Beverly Hills 90210\u003c/em>, back when I was way too young to be exposed to the exploits of Dylan, Brenda, Kelly, Brandon and all the other kids in their zip code. This was the first truly episodic television experience I remember, hanging on until the following week to see if Brenda was going to go off the deep end or if anyone would ever figure out Andrea was too old to still be in high school. It established a certain kind of viewing mindset for me; I wanted an inside look at these character's problems and I needed it in regular doses.\u003c/p>\n\u003cp>The next cliffhanging, edge-of-your-seat voyeurism into people's sordid existences I remember following was the O.J. Simpson trial. Not even Donna Martin's graduation could compete with the human grotesqueries of one of the most covered trials in history. And they were all \u003cem>real\u003c/em>; suddenly, the stakes were so much higher. Aaron Spelling got pushed to the side and we've been TMZ-ing ourselves on celebrity scandals ever since. It's been argued that the Simpson trial in the '90s led to reality TV in the early 2000s, and it's not a huge leap to imagine that these two are somehow related.\u003c/p>\n\u003cp>Now, with all television (even reality) on the wane and binge watching changing our episodic relationship to programming, where are we to get our daily doses of other people's lives? Look no further than your status feed.\u003c/p>\n\u003cp>This phenomenon occurred to me recently while browsing Twitter: I looked at the celebrity accounts I follow and realized there was more than one deceased person on the list (Elizabeth Taylor, Maya Angelou, and a couple others too embarrassing to name). I had followed them\u003cem> to death\u003c/em>. Then I thought about the living celebrities I followed. Lindsay Lohan, Amanda Bynes, Brett Easton Ellis, and an assortment of even more embarrassing figures have all \u003ca href=\"http://www.nbcnews.com/id/38036833/ns/technology_and_science-tech_and_gadgets/t/top-twitter-meltdowns-tirades-tantrums/\">lived out their dramas publicly on the platform\u003c/a> and we've been there for our 140 character fixes every time.\u003c/p>\n\u003cp>When the recent \u003ca href=\"http://bit.ly/1l1KLSr\">Ryan Chamberlain explosives story broke in San Francisco\u003c/a>, I, like many journalists in the city, followed his flight and bizarre postings via Twitter up until the day he was apprehended at Crissy Field. I was actually \u003ca href=\"http://www.sfgate.com/entertainment/article/Festa-della-Repubblica-party-complete-with-bomb-5526101.php?cmpid=twitter-mobile\">at a party\u003c/a> a few hundred yards away the night he was captured. Of course, the first place I reported it was Twitter so that the people following the soap operatic foibles of my existence could get their fix.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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},
"link": "/californiareport",
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},
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"title": "The California Report Magazine",
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"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
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},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
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