In the Mission, a Bad Bunny Look-Alike Contest Becomes a Celebration of Identity
Financial Crisis Forces SF’s Mission Cultural Center for Latino Arts to Close
Mission District Shooting Marks San Francisco’s First Killing of 2026
He’s Painted Thousands of San Francisco’s Iconic Victorian Homes. Meet Dr. Color
San Francisco Nail Artist Turns Manicures Into Wearable Art Rooted in Mexican Heritage
The SF Barber That Welcomes All Trans People Into His Shop
Trump Suspends Mexico Tariffs, but Anxiety Reigns at SF Mission District Shops
SF’s History With Sanctuary Laws Brings Renewed Challenges Under Trump
No Tornado in SF, But Crews Are Still Working to Clear Hundreds of Downed Trees
Sponsored
Player sponsored by
window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"news_12072571": {
"type": "attachments",
"id": "news_12072571",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12072571",
"found": true
},
"title": "260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED",
"publishDate": 1770396047,
"status": "inherit",
"parent": 0,
"modified": 1770396515,
"caption": "Bad Bunny look-alike contestants wait to enter the competition at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. The contest, organized by Mission Lotería as part of Super Bowl LX week festivities, drew dozens of contestants and hundreds of fans celebrating Bad Bunny ahead of his halftime show on Sunday.",
"credit": "Beth LaBerge/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-13-BL-KQED.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12071535": {
"type": "attachments",
"id": "news_12071535",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12071535",
"found": true
},
"title": "MissionCulturalCenterElTec4",
"publishDate": 1769713582,
"status": "inherit",
"parent": 12071507,
"modified": 1769713743,
"caption": "A family walks past the closed Mission Cultural Center for the Latino Arts in San Francisco on Jan. 28, 2026, after the organization ran out of operating funds and shut down indefinitely.",
"credit": "Pablo Unzueta for El Tecolote/CatchLight Local",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec4-160x106.jpg",
"width": 160,
"height": 106,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec4-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec4-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec4-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec4.jpg",
"width": 1500,
"height": 998
}
},
"fetchFailed": false,
"isLoading": false
},
"news_10466122": {
"type": "attachments",
"id": "news_10466122",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "10466122",
"found": true
},
"parent": 10465873,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-400x300.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 300
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-320x240.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 240
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized.jpg",
"width": 1920,
"height": 1438
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-1440x1079.jpg",
"width": 1440,
"mimeType": "image/jpeg",
"height": 1079
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-800x599.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 599
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-1180x884.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 884
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-768x575.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 575
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2015/03/SFPD-sized-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1427329545,
"modified": 1430412358,
"caption": "San Francisco police patrol car. ",
"description": "A complaint filed March 25 alleges a San Francisco Police Department officer violated city law through improperly participating in an FBI investigation.",
"title": "San Francisco Police",
"credit": "Alex Emslie/KQED",
"status": "inherit",
"fetchFailed": false,
"isLoading": false
},
"news_12058982": {
"type": "attachments",
"id": "news_12058982",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12058982",
"found": true
},
"title": "251002-DRCOLOR_00168_TV-KQED",
"publishDate": 1759868987,
"status": "inherit",
"parent": 0,
"modified": 1760040948,
"caption": "Bob Buckter poses for a portrait in his home in the Mission district in San Francisco on Oct. 2, 2025. Buckter, aka Dr. Color, has designed and painted more than 23,000 homes in San Francisco and other projects in the city and beyond.",
"credit": "Tâm Vũ/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00168_TV-KQED-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00168_TV-KQED-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00168_TV-KQED-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00168_TV-KQED-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00168_TV-KQED.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12055049": {
"type": "attachments",
"id": "news_12055049",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12055049",
"found": true
},
"title": "250904_K ONDA SEPTEMBER NAIL ARTIST-_GH-2-KQED",
"publishDate": 1757336009,
"status": "inherit",
"parent": 0,
"modified": 1758581875,
"caption": "Laysa Cazares, a Hayward native and nail artist, at Sparkle SF studio in San Francisco on Sept. 4, 2025. Known for three-dimensional, airbrushed and hand-painted designs, Cazares draws on fashion and her Mexican heritage to transform manicures into art.",
"credit": "Gustavo Hernandez/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12033647": {
"type": "attachments",
"id": "news_12033647",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12033647",
"found": true
},
"title": "20250326_SFBarber_GC-15_qed",
"publishDate": 1743203866,
"status": "inherit",
"parent": 12033501,
"modified": 1743203921,
"caption": "Santana 'Twinks' Vasquez cuts Angel Filimoehala’s hair at Steel and Strand barbershop in San Francisco on March 26, 2025. ",
"credit": "Gina Castro/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-15_qed.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12029901": {
"type": "attachments",
"id": "news_12029901",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12029901",
"found": true
},
"title": "20250305_TARIFFSIMPACT_GC-6-KQED",
"publishDate": 1741216483,
"status": "inherit",
"parent": 0,
"modified": 1741288968,
"caption": "An employee, who did not want to be named, hangs up bags for sale at Luz de Luna, a gift store on 24th Street in San Francisco, on March 5, 2025. Owner Denise Gonzales says about 70% of the products sold in her store are imported from Mexico.",
"credit": "Gina Castro/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-6-KQED.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12024430": {
"type": "attachments",
"id": "news_12024430",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12024430",
"found": true
},
"title": "250128-SFImmigration-08-BL",
"publishDate": 1738105102,
"status": "inherit",
"parent": 12024325,
"modified": 1742325555,
"caption": "A group of elected and public safety officials, labor leaders, and community members fill the steps in front of City Hall in San Francisco on Jan. 28, 2025, during a press conference to reaffirm San Francisco’s commitment to being a Sanctuary City.",
"credit": "Beth LaBerge/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/250128-SFImmigration-08-BL.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"news_12018591": {
"type": "attachments",
"id": "news_12018591",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "12018591",
"found": true
},
"title": "20241216_SFStormCleanup_GC-17",
"publishDate": 1734399275,
"status": "inherit",
"parent": 0,
"modified": 1734437888,
"caption": "Dianna Stammerjohn searches for an owl’s nest at the site of a fallen pine tree, caused by last weekend’s storm, by the Bison Paddock, in the Outter Richmond neighborhood of San Francisco’s Golden Gate Park on Dec. 16, 2024. Stammerjohn said the owls had been nesting there for years.",
"credit": "Gina Castro/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-1020x679.jpg",
"width": 1020,
"height": 679,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-1536x1023.jpg",
"width": 1536,
"height": 1023,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17-1920x1279.jpg",
"width": 1920,
"height": 1279,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-17.jpg",
"width": 2000,
"height": 1332
}
},
"fetchFailed": false,
"isLoading": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false
},
"authorsReducer": {
"byline_news_12071507": {
"type": "authors",
"id": "byline_news_12071507",
"meta": {
"override": true
},
"slug": "byline_news_12071507",
"name": "Beatriz Johnston Hernández, El Tecolote",
"isLoading": false
},
"mlagos": {
"type": "authors",
"id": "3239",
"meta": {
"index": "authors_1716337520",
"id": "3239",
"found": true
},
"name": "Marisa Lagos",
"firstName": "Marisa",
"lastName": "Lagos",
"slug": "mlagos",
"email": "mlagos@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "KQED Contributor",
"bio": "Marisa Lagos is a correspondent for KQED’s California Politics and Government Desk and co-hosts the award-winning show and podcast, Political Breakdown. At KQED, Lagos also conducts reporting, analysis and investigations into state, local and national politics for radio, TV, online and onstage. In 2022, she and co-host, Scott Shafer, moderated the only gubernatorial debate in California. In 2020, the \u003ci>Washington Post\u003c/i> named her one of the top political journalists in California; she was nominated for a Peabody and won several other awards for her work investigating the 2017 California wildfires. She has worked at the \u003ci>San Francisco Chronicle\u003c/i>, \u003ci>San Francisco Examiner\u003c/i> and \u003ci>Los Angeles Times\u003c/i>. A UC Santa Barbara graduate, she lives in San Francisco with her two sons and husband.",
"avatar": "https://secure.gravatar.com/avatar/a261a0d3696fc066871ef96b85b5e7d2?s=600&d=blank&r=g",
"twitter": "@mlagos",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"author"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Marisa Lagos | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/a261a0d3696fc066871ef96b85b5e7d2?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/a261a0d3696fc066871ef96b85b5e7d2?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mlagos"
},
"ecruzguevarra": {
"type": "authors",
"id": "8654",
"meta": {
"index": "authors_1716337520",
"id": "8654",
"found": true
},
"name": "Ericka Cruz Guevarra",
"firstName": "Ericka",
"lastName": "Cruz Guevarra",
"slug": "ecruzguevarra",
"email": "ecruzguevarra@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Producer, The Bay Podcast",
"bio": "Ericka Cruz Guevarra is host of \u003ca href=\"https://www.kqed.org/podcasts/thebay\">\u003cem>The Bay\u003c/em>\u003c/a> podcast at KQED. Before host, she was the show’s producer. Her work in that capacity includes a three-part reported series on policing in Vallejo, which won a 2020 excellence in journalism award from the Society of Professional Journalists. Ericka has worked as a breaking news reporter at Oregon Public Broadcasting, helped produce the Code Switch podcast, and was KQED’s inaugural Raul Ramirez Diversity Fund intern. She’s also an alumna of NPR’s Next Generation Radio program. Send her an email if you have strong feelings about whether Fairfield and Suisun City are the Bay. Ericka is represented by SAG-AFTRA.",
"avatar": "https://secure.gravatar.com/avatar/25e5ab8d3d53fad2dcc7bb2b5c506b1a?s=600&d=blank&r=g",
"twitter": "NotoriousECG",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"editor",
"manage_categories"
]
},
{
"site": "futureofyou",
"roles": [
"subscriber"
]
},
{
"site": "stateofhealth",
"roles": [
"subscriber"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Ericka Cruz Guevarra | KQED",
"description": "Producer, The Bay Podcast",
"ogImgSrc": "https://secure.gravatar.com/avatar/25e5ab8d3d53fad2dcc7bb2b5c506b1a?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/25e5ab8d3d53fad2dcc7bb2b5c506b1a?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ecruzguevarra"
},
"btorres": {
"type": "authors",
"id": "11666",
"meta": {
"index": "authors_1716337520",
"id": "11666",
"found": true
},
"name": "Blanca Torres",
"firstName": "Blanca",
"lastName": "Torres",
"slug": "btorres",
"email": "btorres@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Producer, Forum",
"bio": "Blanca Torres brings sharp news judgement and keen sense of lively conversation to her work as producer for Forum. She loves producing shows that leave listeners feeling like they heard distinctive voices, learned something new and gained a fresh perspective.\r\n\r\nShe joined KQED in January of 2020 after 16 years of working as a newspaper reporter most recently at the \u003cem>San Francisco Business Times,\u003c/em> where she wrote about real estate and economic development. Before that, she covered a variety of beats including crime, education, retail, workplace, the economy, consumer issues, and small business for the \u003cem>Contra Costa Times, Baltimore Sun\u003c/em> and\u003cem> The Seattle Times\u003c/em>. In addition to reporting, she worked as an editorial writer and columnist for the \u003cem>Seattle Times\u003c/em>. From 2017 to 2020, Blanca won a total of ten awards from the National Association of Real Estate Editors and won first place for land use reporting from the California News Publishers Association two years in a row. She is also a member and former board member for the National Association of Hispanic Journalists.\r\n\r\nA native of the Pacific Northwest, Blanca earned her bachelor's degree from Vanderbilt University in Nashville and a master's in fine arts in creative writing at Mills College. She lives in the East Bay with her family.",
"avatar": "https://secure.gravatar.com/avatar/f2322ff46076d337f7ba731ee6068cb1?s=600&d=blank&r=g",
"twitter": "@blancawrites",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Blanca Torres | KQED",
"description": "Producer, Forum",
"ogImgSrc": "https://secure.gravatar.com/avatar/f2322ff46076d337f7ba731ee6068cb1?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/f2322ff46076d337f7ba731ee6068cb1?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/btorres"
},
"ccabreralomeli": {
"type": "authors",
"id": "11708",
"meta": {
"index": "authors_1716337520",
"id": "11708",
"found": true
},
"name": "Carlos Cabrera-Lomelí",
"firstName": "Carlos",
"lastName": "Cabrera-Lomelí",
"slug": "ccabreralomeli",
"email": "ccabreralomeli@KQED.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Community Reporter",
"bio": "Carlos Cabrera-Lomelí is a community reporter with KQED's digital engagement team. He also reports and co-produces for KQED's bilingual news hub KQED en Español. He grew up in San Francisco's Mission District and has previously worked with Univision, 48 Hills and REFORMA in Mexico City.",
"avatar": "https://secure.gravatar.com/avatar/e95ff80bb2eaf18a8f2af4dcf7ffb54b?s=600&d=mm&r=g",
"twitter": "@LomeliCabrera",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "about",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "perspectives",
"roles": [
"editor"
]
},
{
"site": "elections",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Carlos Cabrera-Lomelí | KQED",
"description": "Community Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/e95ff80bb2eaf18a8f2af4dcf7ffb54b?s=600&d=mm&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/e95ff80bb2eaf18a8f2af4dcf7ffb54b?s=600&d=mm&r=g"
},
"isLoading": false,
"link": "/author/ccabreralomeli"
},
"agonzalez": {
"type": "authors",
"id": "11724",
"meta": {
"index": "authors_1716337520",
"id": "11724",
"found": true
},
"name": "Alexander Gonzalez",
"firstName": "Alexander",
"lastName": "Gonzalez",
"slug": "agonzalez",
"email": "AlexanderGonzalez@KQED.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/63d43593dd7ebcafcd638e851a9bce5a?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Alexander Gonzalez | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/63d43593dd7ebcafcd638e851a9bce5a?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/63d43593dd7ebcafcd638e851a9bce5a?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/agonzalez"
},
"jessicakariisa": {
"type": "authors",
"id": "11831",
"meta": {
"index": "authors_1716337520",
"id": "11831",
"found": true
},
"name": "Jessica Kariisa",
"firstName": "Jessica",
"lastName": "Kariisa",
"slug": "jessicakariisa",
"email": "jkariisa@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "Producer, The Bay",
"bio": "Jessica Kariisa is the producer of The Bay. She first joined KQED as an intern for The California Report Magazine, after which she became an on-call producer. She reported a Bay Curious episode on the use of rap lyrics in criminal trials which won a Society of Professional Journalists award in 2023 for Excellence in Features Journalism and the 2023 Signal Award for Best Conversation Starter. She’s worked on podcasts for Snap Judgment and American Public Media. Before embarking on her audio career, she was a music journalist.\r\n\r\nJessica Kariisa is represented by SAG-AFTRA.",
"avatar": "https://secure.gravatar.com/avatar/4afd355fd24f5515aeab77fd6c72b671?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
},
{
"site": "news",
"roles": [
"editor",
"manage_categories"
]
}
],
"headData": {
"title": "Jessica Kariisa | KQED",
"description": "Producer, The Bay",
"ogImgSrc": "https://secure.gravatar.com/avatar/4afd355fd24f5515aeab77fd6c72b671?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/4afd355fd24f5515aeab77fd6c72b671?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jessicakariisa"
},
"sjohnson": {
"type": "authors",
"id": "11840",
"meta": {
"index": "authors_1716337520",
"id": "11840",
"found": true
},
"name": "Sydney Johnson",
"firstName": "Sydney",
"lastName": "Johnson",
"slug": "sjohnson",
"email": "sjohnson@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "KQED Reporter",
"bio": "Sydney Johnson is a general assignment reporter at KQED. She previously reported on public health and city government at the San Francisco Examiner, and before that, she covered statewide education policy for EdSource. Her reporting has won multiple local, state and national awards. Sydney is a graduate of the University of California, Berkeley and lives in San Francisco.",
"avatar": "https://secure.gravatar.com/avatar/97855f2719b72ad6190b7c535fe642c8?s=600&d=blank&r=g",
"twitter": "sydneyfjohnson",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Sydney Johnson | KQED",
"description": "KQED Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/97855f2719b72ad6190b7c535fe642c8?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/97855f2719b72ad6190b7c535fe642c8?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/sjohnson"
},
"mbolanos": {
"type": "authors",
"id": "11895",
"meta": {
"index": "authors_1716337520",
"id": "11895",
"found": true
},
"name": "Madi Bolaños",
"firstName": "Madi",
"lastName": "Bolaños",
"slug": "mbolanos",
"email": "mbolanos@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/e6df5601c1f2d951e46a3fb42764330f?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Madi Bolaños | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/e6df5601c1f2d951e46a3fb42764330f?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/e6df5601c1f2d951e46a3fb42764330f?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mbolanos"
},
"kdebenedetti": {
"type": "authors",
"id": "11913",
"meta": {
"index": "authors_1716337520",
"id": "11913",
"found": true
},
"name": "Katie DeBenedetti",
"firstName": "Katie",
"lastName": "DeBenedetti",
"slug": "kdebenedetti",
"email": "kdebenedetti@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news",
"science"
],
"title": "KQED Contributor",
"bio": "Katie DeBenedetti is a digital reporter covering daily news for the Express Desk. Prior to joining KQED as a culture reporting intern in January 2024, she covered education and city government for the Napa Valley Register.",
"avatar": "https://secure.gravatar.com/avatar/6e31073cb8f7e4214ab03f42771d0f45?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Katie DeBenedetti | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/6e31073cb8f7e4214ab03f42771d0f45?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6e31073cb8f7e4214ab03f42771d0f45?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kdebenedetti"
},
"mvelasquez": {
"type": "authors",
"id": "11939",
"meta": {
"index": "authors_1716337520",
"id": "11939",
"found": true
},
"name": "Mel Velasquez",
"firstName": "Mel",
"lastName": "Velasquez",
"slug": "mvelasquez",
"email": "mvelasquez@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/409094312d56fab09fef4251e949ffa6?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": "www.linkedin.com/in/melanievelasquezz",
"sites": [
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Mel Velasquez | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/409094312d56fab09fef4251e949ffa6?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/409094312d56fab09fef4251e949ffa6?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mvelasquez"
}
},
"breakingNewsReducer": {},
"pagesReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"news_12072527": {
"type": "posts",
"id": "news_12072527",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12072527",
"score": null,
"sort": [
1770401319000
]
},
"guestAuthors": [],
"slug": "in-the-mission-a-bad-bunny-look-alike-contest-becomes-a-celebration-of-identity",
"title": "In the Mission, a Bad Bunny Look-Alike Contest Becomes a Celebration of Identity",
"publishDate": 1770401319,
"format": "standard",
"headTitle": "In the Mission, a Bad Bunny Look-Alike Contest Becomes a Celebration of Identity | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/13986335/bad-bunny-super-bowl-halftime-show-conference-san-francisco\">Bad Bunny\u003c/a> fans and impersonators spilled out onto the sidewalk at Tacolicious in the San Francisco Mission District on Thursday night, in hopes of finding the Bay Area’s best Bad Bunny double. After all, the global superstar was once someone’s local grocery bagger.\u003c/p>\n\u003cp>The look-alike contest came just days before Bad Bunny is set to \u003ca href=\"https://www.kqed.org/arts/13986310/super-bowl-bad-bunny-celimar-rivera-cosme-lspr-puerto-rican-sign-language\">headline the Super Bowl halftime show\u003c/a>, one of the most-watched musical performances of the year.\u003c/p>\n\u003cp>Thirty-four contestants paraded through the restaurant, each offering their best Bad Bunny strut as the audience cheered.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The crowd ultimately crowned Abdul Arroyave, a Colombian man who’s been paying tribute to Bad Bunny through his impersonations for years, as the winner. Arroyave, a professional singer, wore a Puerto Rican \u003cem>pava\u003c/em> straw hat, crisp white pants and a red button-down shirt.\u003c/p>\n\u003cp>“I feel amazing now,” Arroyave said after winning $600 — a prize that was boosted by a $500 donation from fintech company Ramp. “Me siento super cabrón.”\u003c/p>\n\u003cfigure id=\"attachment_12072573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12072573 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Abdul Ramirez Arroyave, known as Abdul Bunny, a professional impersonator, competes in a Bad Bunny look-alike contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bad Bunny’s rise from a working-class upbringing to global superstardom has made him more than a chart-topping artist. For many fans, he represents possibility, authenticity and cultural pride.\u003c/p>\n\u003cp>“With everything happening in our country right now, he’s just been inspiring,” said contestant Benjamin Butrago, who is Puerto Rican. “He’s a good idol, a good person to have to look up to.”\u003c/p>\n\u003cp>As Super Bowl week brings large NFL-affiliated events to the Bay Area, the look-alike contest, organized by Mission Lotería and the Bay Area Mexican restaurant chain Tacolicious, tried a more neighborhood-scale approach.\u003c/p>\n\u003cfigure id=\"attachment_12072583\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072583\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED.jpg\" alt=\"\" width=\"2500\" height=\"1674\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-2000x1339.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-1536x1029.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-2048x1371.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors walk through the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Organizers promoted the contest with flyers posted around San Francisco and on social media, promising a cash prize, a Tacolicious gift card and, perhaps most importantly, bragging rights.\u003c/p>\n\u003cp>“It’s not that often that we get a global superstar that happens to be Latino that’s hosting the Super Bowl halftime show in our own area, so I felt like it was only appropriate,” said Mission Loteria founder Luis Angel Quiroz. Still, he said he was surprised by the turnout.\u003c/p>\n\u003cp>The event drew hundreds of fans, so packed that organizers expanded the party out onto the sidewalk, where a DJ played Bad Bunny’s most popular hits and the crowd danced along.\u003c/p>\n\u003cfigure id=\"attachment_12072582\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072582\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED.jpg\" alt=\"\" width=\"2500\" height=\"838\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-2000x670.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-1536x515.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-2048x686.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Josie Dominguez-Chand waits to enter a Bad Bunny look-alike contest organized by Mission Lotería at Tacolicious in San Francisco on Thursday, Feb. 5, 2026, ahead of Bad Bunny’s halftime show on Sunday; Right: Bad Bunny look-alike contestants wait to enter the competition at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It also unfolded against a more political backdrop. In recent days, Bad Bunny has drawn renewed attention for speaking out at the Grammys against Immigration and Customs Enforcement, using his platform to criticize the federal crackdown and express solidarity with immigrant communities. In \u003ca href=\"https://www.kqed.org/arts/13986280/bad-bunny-bay-area-imoact-sol-food-mural-pinatas-super-bowl-mission-district\">a neighborhood like the Mission\u003c/a>, that stance has only deepened his resonance.\u003c/p>\n\u003cp>“They can’t take our joy away,” Quiroz said. “This is an example of a community coming together, being unafraid, and our joy is our resistance.”\u003c/p>\n\u003cp>So what makes a good Bad Bunny?\u003c/p>\n\u003cp>“It’s about having aura, personality and being able to embody the male and female gaze,” said contestant James Mavo, who wore Bad Bunny’s signature curly hair and tinted glasses.\u003c/p>\n\u003cfigure id=\"attachment_12072580\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072580\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Abdul Ramirez Arroyave, known as Abdul Bunny, a professional impersonator, competes in a Bad Bunny look-alike contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072578\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072578\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors walk through the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072579\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors walk through the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of fans line up for a Bad Bunny look-alike contest organized by Mission Lotería at Tacolicious in San Francisco on Thursday, Feb. 5, 2026, ahead of his halftime show on Sunday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072581\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors interact with the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "In San Francisco’s Mission District, hundreds gathered for a Bad Bunny look-alike contest to celebrate the global superstar just days before his Super Bowl halftime show. ",
"status": "publish",
"parent": 0,
"modified": 1770404460,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 793
},
"headData": {
"title": "In the Mission, a Bad Bunny Look-Alike Contest Becomes a Celebration of Identity | KQED",
"description": "In San Francisco’s Mission District, hundreds gathered for a Bad Bunny look-alike contest to celebrate the global superstar just days before his Super Bowl halftime show. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "In the Mission, a Bad Bunny Look-Alike Contest Becomes a Celebration of Identity",
"datePublished": "2026-02-06T10:08:39-08:00",
"dateModified": "2026-02-06T11:01:00-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 29992,
"slug": "arts",
"name": "Arts"
},
"sticky": false,
"nprStoryId": "kqed-12072527",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12072527/in-the-mission-a-bad-bunny-look-alike-contest-becomes-a-celebration-of-identity",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13986335/bad-bunny-super-bowl-halftime-show-conference-san-francisco\">Bad Bunny\u003c/a> fans and impersonators spilled out onto the sidewalk at Tacolicious in the San Francisco Mission District on Thursday night, in hopes of finding the Bay Area’s best Bad Bunny double. After all, the global superstar was once someone’s local grocery bagger.\u003c/p>\n\u003cp>The look-alike contest came just days before Bad Bunny is set to \u003ca href=\"https://www.kqed.org/arts/13986310/super-bowl-bad-bunny-celimar-rivera-cosme-lspr-puerto-rican-sign-language\">headline the Super Bowl halftime show\u003c/a>, one of the most-watched musical performances of the year.\u003c/p>\n\u003cp>Thirty-four contestants paraded through the restaurant, each offering their best Bad Bunny strut as the audience cheered.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The crowd ultimately crowned Abdul Arroyave, a Colombian man who’s been paying tribute to Bad Bunny through his impersonations for years, as the winner. Arroyave, a professional singer, wore a Puerto Rican \u003cem>pava\u003c/em> straw hat, crisp white pants and a red button-down shirt.\u003c/p>\n\u003cp>“I feel amazing now,” Arroyave said after winning $600 — a prize that was boosted by a $500 donation from fintech company Ramp. “Me siento super cabrón.”\u003c/p>\n\u003cfigure id=\"attachment_12072573\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12072573 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-18-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Abdul Ramirez Arroyave, known as Abdul Bunny, a professional impersonator, competes in a Bad Bunny look-alike contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bad Bunny’s rise from a working-class upbringing to global superstardom has made him more than a chart-topping artist. For many fans, he represents possibility, authenticity and cultural pride.\u003c/p>\n\u003cp>“With everything happening in our country right now, he’s just been inspiring,” said contestant Benjamin Butrago, who is Puerto Rican. “He’s a good idol, a good person to have to look up to.”\u003c/p>\n\u003cp>As Super Bowl week brings large NFL-affiliated events to the Bay Area, the look-alike contest, organized by Mission Lotería and the Bay Area Mexican restaurant chain Tacolicious, tried a more neighborhood-scale approach.\u003c/p>\n\u003cfigure id=\"attachment_12072583\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072583\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED.jpg\" alt=\"\" width=\"2500\" height=\"1674\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-2000x1339.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-1536x1029.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-QUAD-BL-KQED-2048x1371.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors walk through the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Organizers promoted the contest with flyers posted around San Francisco and on social media, promising a cash prize, a Tacolicious gift card and, perhaps most importantly, bragging rights.\u003c/p>\n\u003cp>“It’s not that often that we get a global superstar that happens to be Latino that’s hosting the Super Bowl halftime show in our own area, so I felt like it was only appropriate,” said Mission Loteria founder Luis Angel Quiroz. Still, he said he was surprised by the turnout.\u003c/p>\n\u003cp>The event drew hundreds of fans, so packed that organizers expanded the party out onto the sidewalk, where a DJ played Bad Bunny’s most popular hits and the crowd danced along.\u003c/p>\n\u003cfigure id=\"attachment_12072582\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072582\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED.jpg\" alt=\"\" width=\"2500\" height=\"838\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-2000x670.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-1536x515.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-DIP1-BL-KQED-2048x686.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Josie Dominguez-Chand waits to enter a Bad Bunny look-alike contest organized by Mission Lotería at Tacolicious in San Francisco on Thursday, Feb. 5, 2026, ahead of Bad Bunny’s halftime show on Sunday; Right: Bad Bunny look-alike contestants wait to enter the competition at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It also unfolded against a more political backdrop. In recent days, Bad Bunny has drawn renewed attention for speaking out at the Grammys against Immigration and Customs Enforcement, using his platform to criticize the federal crackdown and express solidarity with immigrant communities. In \u003ca href=\"https://www.kqed.org/arts/13986280/bad-bunny-bay-area-imoact-sol-food-mural-pinatas-super-bowl-mission-district\">a neighborhood like the Mission\u003c/a>, that stance has only deepened his resonance.\u003c/p>\n\u003cp>“They can’t take our joy away,” Quiroz said. “This is an example of a community coming together, being unafraid, and our joy is our resistance.”\u003c/p>\n\u003cp>So what makes a good Bad Bunny?\u003c/p>\n\u003cp>“It’s about having aura, personality and being able to embody the male and female gaze,” said contestant James Mavo, who wore Bad Bunny’s signature curly hair and tinted glasses.\u003c/p>\n\u003cfigure id=\"attachment_12072580\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072580\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-37-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Abdul Ramirez Arroyave, known as Abdul Bunny, a professional impersonator, competes in a Bad Bunny look-alike contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072578\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072578\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-26-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors walk through the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072579\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-27-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors walk through the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BADBUNNYLOOKALIKECONTEST-05-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of fans line up for a Bad Bunny look-alike contest organized by Mission Lotería at Tacolicious in San Francisco on Thursday, Feb. 5, 2026, ahead of his halftime show on Sunday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12072581\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12072581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/02/260205-BadBunnyLookalikeContest-39-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny look-alike competitors interact with the crowd during a contest at Tacolicious in San Francisco on Thursday, Feb. 5, 2026. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12072527/in-the-mission-a-bad-bunny-look-alike-contest-becomes-a-celebration-of-identity",
"authors": [
"11895"
],
"categories": [
"news_29992",
"news_223",
"news_28250",
"news_8"
],
"tags": [
"news_19133",
"news_32662",
"news_36445",
"news_27626",
"news_18142",
"news_25409",
"news_5270",
"news_1425",
"news_38",
"news_783"
],
"featImg": "news_12072571",
"label": "news"
},
"news_12071507": {
"type": "posts",
"id": "news_12071507",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12071507",
"score": null,
"sort": [
1769716845000
]
},
"guestAuthors": [],
"slug": "financial-crisis-forces-sfs-mission-cultural-center-for-latino-arts-to-close",
"title": "Financial Crisis Forces SF’s Mission Cultural Center for Latino Arts to Close",
"publishDate": 1769716845,
"format": "standard",
"headTitle": "Financial Crisis Forces SF’s Mission Cultural Center for Latino Arts to Close | KQED",
"labelTerm": {
"term": 28184,
"site": "news"
},
"content": "\u003cp>The beloved Mission Cultural Center for the Latino Arts, a \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> nonprofit that has pulsed with Latino dance, theater, historic graphic arts and music for nearly five decades, collapsed under mounting financial distress.\u003c/p>\n\u003cp>Nearly all staff resigned or were fired in December. MCCLA ran out of operating funds Jan. 20, and its doors shuttered indefinitely Jan. 26, leaving the empty building in the hands of the San Francisco Arts Commission (SFAC), which represents the City, the building’s owner.\u003c/p>\n\u003cp>The closure followed months of financial strain, staff layoffs and reduced programming. MCCLA had previously planned to \u003ca href=\"https://missionlocal.org/2025/01/mission-cultural-center-for-latino-arts-slashes-staff-and-programs/\">reopen\u003c/a> in late January with limited hours, but the organization ran out of money before those plans could be realized.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Ideally, MCCLA would have continued,” said a staff member with the San Francisco Arts Commission. “But we received records stating it had no staff and was insolvent, which violates the lease.”\u003c/p>\n\u003cp>He spoke on Tuesday while inside the otherwise empty 37,000-square-foot building, explaining why the City stepped in to secure the building during the extended closure.\u003c/p>\n\u003cp>The building is expected to remain closed for at least two years. MCCLA had planned to relocate this June in preparation for the City retrofitting the building beginning in early 2027.\u003c/p>\n\u003cfigure id=\"attachment_12071531\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Julián Díaz, 65, a 40-year Mission District resident, looks inside the closed Mission Cultural Center for the Latino Arts in San Francisco on Jan. 28, 2026. “It’s sad,” Díaz said. “I’ve always walked by the building and saw what it did for the kids.” \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, distraught Mission community leaders planned to meet next Monday to consider possible paths forward.\u003c/p>\n\u003cp>“This moment of transition is a wake-up call that we can’t sit on our laurels and just enjoy what other generations have worked for,” said Francisco Herrera, a day laborer leader whose nonprofit, Nuevo Sol, took shape in meetings held at the Mission Cultural Center.\u003c/p>\n\u003cp>“We have to work as hard, if not harder, than they did in the ’60s and ’70s to win and sustain institutions like the Mission Cultural Center for Latino Arts, Instituto Familiar de la Raza and so many Mission organizations that exist.”\u003c/p>\n\u003cp>“We’ll be OK,” said MCCLA board president and Mission businessman Bob Sánchez, even after interim Executive Director Dereck Jentzsch resigned Sunday after two weeks in the part-time role.\u003c/p>\n\u003cp>“There’s a lot of agitation in the community right now,” Sánchez admitted. “But our community has a lot of strengths. We’ll organize, and we’ll work together. We have great leadership in the community that we can tap from to form a new board.”[aside postID=arts_13985413 hero='https://ww2.kqed.org/app/uploads/sites/2/2023/03/CCA_COVER-1020x574.jpg']With no staff and no operating funds, MCCLA outlined several drastic options in an email sent to the Arts Commission and obtained by \u003cem>El Tecolote\u003c/em>.\u003c/p>\n\u003cp>Dated Jan. 14, the \u003ca href=\"https://eltecolote.org/content/wp-content/uploads/2026/01/FW_-Extreme-Scenario-Planning-from-MCCLA-Jan-14-2026_Redacted.pdf\">email\u003c/a>, titled “Extreme Scenario Planning from MCCLA,” lays out what its authors describe as “grim” facts in an attempt to persuade the City to advance grant funds so the center could remain open until June.\u003c/p>\n\u003cp>Signed by MCCLA’s interim, part-time executive director, Jentzsch, and Sánchez, the email describes a cash-flow crisis so severe that, without immediate funding, the organization warned it would collapse within days.\u003c/p>\n\u003cp>“MCCLA is burning $50k/mo ($12k/week) more than revenue and has no revenue,” wrote Jentzsch and Sánchez, adding that $300k would “keep the Center from folding before June 30, 2026.”\u003c/p>\n\u003cp>Even with the unlikely disbursement of all outstanding SFAC grants, the email warned, “MCCLA will not be able to easily resume programmatic activities or restart utilization of the space by the public for any purposes.”\u003c/p>\n\u003cp>To make matters worse, the authors wrote, “the current situation prevents MCCLA from generating revenue.”\u003c/p>\n\u003cp>“If SFAC can commit to eventually release even a portion of the outstanding grant amounts,” they added, “we can extend lines of credit OR begin to ask other potential donors in good faith for their support. Without new funding, MCCLA will be insolvent January 20th.”\u003c/p>\n\u003cfigure id=\"attachment_12071518\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">The Mission Cultural Center for the Latino Arts stands closed in San Francisco on Jan. 28, 2026, days after the organization ran out of operating funds and shuttered its doors indefinitely. \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Without the requested funds, Sánchez and Jentzsch outlined four possible options: declaring bankruptcy; merging with other arts nonprofits such as SoMa Arts or Galería de la Raza; creating an interim oversight structure and fiscal sponsorship by a “mission-aligned organization or even SFAC itself”; or a complete “retool” of MCCLA.\u003c/p>\n\u003cp>At its height, MCCLA served approximately 20,000 students a year. Its historic legacy includes more than 10,000 prints documenting Mission District events over five decades, Day of the Dead celebrations, Carnaval and exhibitions honoring women artists.\u003c/p>\n\u003cp>In September, then-Executive Director Martina Ayala reported that flood damage in the building had forced her to lay off staff.\u003c/p>\n\u003cp>However, the City disputes that characterization. “The City covered a majority of flood repair costs,” said Coma Te, SFAC communications director. “To suggest the laying off of staff is related to the flood damage seems inaccurate.”\u003c/p>\n\u003cp>With the City’s planned 2027 retrofit approaching, Ayala said she needed to raise $4 million for the center’s relocation by this summer. She resigned on Dec. 15.\u003c/p>\n\u003cp>Te clarified that “SFAC granted MCCLA $490k in relocation funding to help MCCLA prepare for the move.” This amount was on top of their annual operating grant, which this past year was $682k,” he said.[aside postID=arts_13985512 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260113-CounterPulse-07-BL_qed.jpg']“It was the responsibility of the organization to plan for and fundraise for any additional amount of funds the organization estimated they needed ($2-4m) to temporarily relocate for the duration of the planned retrofit work,” he said.\u003c/p>\n\u003cp>Since its founding in 1977, MCCLA has paid $1 a year in rent as part of an agreement between Latino activists and the City to reactivate a space that once housed a furniture store. In return, the organization was responsible for daily operations and building maintenance.\u003c/p>\n\u003cp>Over time, the arts and education hub became home to La Raza Graphics and later Mission Graphics, which produced posters and flyers by major artists including Calixto Robles, Ester Hernández, Juana Alicia and Herbert Sigüenza.\u003c/p>\n\u003cp>The posters documented history, announcing festivals, marches and concerts throughout the Mission District and San Francisco.\u003c/p>\n\u003cp>On Sunday, a small group of volunteers rushed to the center’s poster archives to pack and safeguard as much of the historic, and potentially revenue-generating, artwork as possible. The mood was somber, frantic and quietly purposeful.\u003c/p>\n\u003cp>“I just saw an ’80s immigration poster that could be so current,” said Eva Martínez, MCCLA’s volunteer lead archivist, underscoring the works’ enduring relevance. Martínez is also a volunteer archivist with Acción Latina, the nonprofit publisher of El Tecolote.\u003c/p>\n\u003cp>“We don’t know what’s going to happen,” Martínez said. “So we don’t want to take a chance of not being able to get documents, computers or organizational files.”\u003c/p>\n\u003cp>As he boxed posters, local historian Chris Carlsson reflected on the artwork in front of him.\u003c/p>\n\u003cp>“These are an essential part of this neighborhood,” said Carlsson, author of Hidden San Francisco, adding that the works represent “a huge legacy of the social struggles that define our place in the world.”\u003c/p>\n\u003cp>The archival collections will be temporarily rehoused in board president Sánchez’s warehouse in Hayward and at La Raza Community Resource Center, as organizers continue searching for additional local storage options.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "After months of financial strain, staff departures and scaled-back programming, the nearly 50-year-old nonprofit exhausted its operating funds, shuttering its Mission District building and leaving its future uncertain.",
"status": "publish",
"parent": 0,
"modified": 1769718204,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 34,
"wordCount": 1391
},
"headData": {
"title": "Financial Crisis Forces SF’s Mission Cultural Center for Latino Arts to Close | KQED",
"description": "After months of financial strain, staff departures and scaled-back programming, the nearly 50-year-old nonprofit exhausted its operating funds, shuttering its Mission District building and leaving its future uncertain.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Financial Crisis Forces SF’s Mission Cultural Center for Latino Arts to Close",
"datePublished": "2026-01-29T12:00:45-08:00",
"dateModified": "2026-01-29T12:23:24-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 28250,
"slug": "local",
"name": "Local"
},
"sticky": false,
"nprByline": "Beatriz Johnston Hernández, El Tecolote",
"nprStoryId": "kqed-12071507",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/news/12071507/financial-crisis-forces-sfs-mission-cultural-center-for-latino-arts-to-close",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The beloved Mission Cultural Center for the Latino Arts, a \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> nonprofit that has pulsed with Latino dance, theater, historic graphic arts and music for nearly five decades, collapsed under mounting financial distress.\u003c/p>\n\u003cp>Nearly all staff resigned or were fired in December. MCCLA ran out of operating funds Jan. 20, and its doors shuttered indefinitely Jan. 26, leaving the empty building in the hands of the San Francisco Arts Commission (SFAC), which represents the City, the building’s owner.\u003c/p>\n\u003cp>The closure followed months of financial strain, staff layoffs and reduced programming. MCCLA had previously planned to \u003ca href=\"https://missionlocal.org/2025/01/mission-cultural-center-for-latino-arts-slashes-staff-and-programs/\">reopen\u003c/a> in late January with limited hours, but the organization ran out of money before those plans could be realized.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Ideally, MCCLA would have continued,” said a staff member with the San Francisco Arts Commission. “But we received records stating it had no staff and was insolvent, which violates the lease.”\u003c/p>\n\u003cp>He spoke on Tuesday while inside the otherwise empty 37,000-square-foot building, explaining why the City stepped in to secure the building during the extended closure.\u003c/p>\n\u003cp>The building is expected to remain closed for at least two years. MCCLA had planned to relocate this June in preparation for the City retrofitting the building beginning in early 2027.\u003c/p>\n\u003cfigure id=\"attachment_12071531\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Julián Díaz, 65, a 40-year Mission District resident, looks inside the closed Mission Cultural Center for the Latino Arts in San Francisco on Jan. 28, 2026. “It’s sad,” Díaz said. “I’ve always walked by the building and saw what it did for the kids.” \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, distraught Mission community leaders planned to meet next Monday to consider possible paths forward.\u003c/p>\n\u003cp>“This moment of transition is a wake-up call that we can’t sit on our laurels and just enjoy what other generations have worked for,” said Francisco Herrera, a day laborer leader whose nonprofit, Nuevo Sol, took shape in meetings held at the Mission Cultural Center.\u003c/p>\n\u003cp>“We have to work as hard, if not harder, than they did in the ’60s and ’70s to win and sustain institutions like the Mission Cultural Center for Latino Arts, Instituto Familiar de la Raza and so many Mission organizations that exist.”\u003c/p>\n\u003cp>“We’ll be OK,” said MCCLA board president and Mission businessman Bob Sánchez, even after interim Executive Director Dereck Jentzsch resigned Sunday after two weeks in the part-time role.\u003c/p>\n\u003cp>“There’s a lot of agitation in the community right now,” Sánchez admitted. “But our community has a lot of strengths. We’ll organize, and we’ll work together. We have great leadership in the community that we can tap from to form a new board.”\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13985413",
"hero": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/CCA_COVER-1020x574.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>With no staff and no operating funds, MCCLA outlined several drastic options in an email sent to the Arts Commission and obtained by \u003cem>El Tecolote\u003c/em>.\u003c/p>\n\u003cp>Dated Jan. 14, the \u003ca href=\"https://eltecolote.org/content/wp-content/uploads/2026/01/FW_-Extreme-Scenario-Planning-from-MCCLA-Jan-14-2026_Redacted.pdf\">email\u003c/a>, titled “Extreme Scenario Planning from MCCLA,” lays out what its authors describe as “grim” facts in an attempt to persuade the City to advance grant funds so the center could remain open until June.\u003c/p>\n\u003cp>Signed by MCCLA’s interim, part-time executive director, Jentzsch, and Sánchez, the email describes a cash-flow crisis so severe that, without immediate funding, the organization warned it would collapse within days.\u003c/p>\n\u003cp>“MCCLA is burning $50k/mo ($12k/week) more than revenue and has no revenue,” wrote Jentzsch and Sánchez, adding that $300k would “keep the Center from folding before June 30, 2026.”\u003c/p>\n\u003cp>Even with the unlikely disbursement of all outstanding SFAC grants, the email warned, “MCCLA will not be able to easily resume programmatic activities or restart utilization of the space by the public for any purposes.”\u003c/p>\n\u003cp>To make matters worse, the authors wrote, “the current situation prevents MCCLA from generating revenue.”\u003c/p>\n\u003cp>“If SFAC can commit to eventually release even a portion of the outstanding grant amounts,” they added, “we can extend lines of credit OR begin to ask other potential donors in good faith for their support. Without new funding, MCCLA will be insolvent January 20th.”\u003c/p>\n\u003cfigure id=\"attachment_12071518\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">The Mission Cultural Center for the Latino Arts stands closed in San Francisco on Jan. 28, 2026, days after the organization ran out of operating funds and shuttered its doors indefinitely. \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Without the requested funds, Sánchez and Jentzsch outlined four possible options: declaring bankruptcy; merging with other arts nonprofits such as SoMa Arts or Galería de la Raza; creating an interim oversight structure and fiscal sponsorship by a “mission-aligned organization or even SFAC itself”; or a complete “retool” of MCCLA.\u003c/p>\n\u003cp>At its height, MCCLA served approximately 20,000 students a year. Its historic legacy includes more than 10,000 prints documenting Mission District events over five decades, Day of the Dead celebrations, Carnaval and exhibitions honoring women artists.\u003c/p>\n\u003cp>In September, then-Executive Director Martina Ayala reported that flood damage in the building had forced her to lay off staff.\u003c/p>\n\u003cp>However, the City disputes that characterization. “The City covered a majority of flood repair costs,” said Coma Te, SFAC communications director. “To suggest the laying off of staff is related to the flood damage seems inaccurate.”\u003c/p>\n\u003cp>With the City’s planned 2027 retrofit approaching, Ayala said she needed to raise $4 million for the center’s relocation by this summer. She resigned on Dec. 15.\u003c/p>\n\u003cp>Te clarified that “SFAC granted MCCLA $490k in relocation funding to help MCCLA prepare for the move.” This amount was on top of their annual operating grant, which this past year was $682k,” he said.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13985512",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260113-CounterPulse-07-BL_qed.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“It was the responsibility of the organization to plan for and fundraise for any additional amount of funds the organization estimated they needed ($2-4m) to temporarily relocate for the duration of the planned retrofit work,” he said.\u003c/p>\n\u003cp>Since its founding in 1977, MCCLA has paid $1 a year in rent as part of an agreement between Latino activists and the City to reactivate a space that once housed a furniture store. In return, the organization was responsible for daily operations and building maintenance.\u003c/p>\n\u003cp>Over time, the arts and education hub became home to La Raza Graphics and later Mission Graphics, which produced posters and flyers by major artists including Calixto Robles, Ester Hernández, Juana Alicia and Herbert Sigüenza.\u003c/p>\n\u003cp>The posters documented history, announcing festivals, marches and concerts throughout the Mission District and San Francisco.\u003c/p>\n\u003cp>On Sunday, a small group of volunteers rushed to the center’s poster archives to pack and safeguard as much of the historic, and potentially revenue-generating, artwork as possible. The mood was somber, frantic and quietly purposeful.\u003c/p>\n\u003cp>“I just saw an ’80s immigration poster that could be so current,” said Eva Martínez, MCCLA’s volunteer lead archivist, underscoring the works’ enduring relevance. Martínez is also a volunteer archivist with Acción Latina, the nonprofit publisher of El Tecolote.\u003c/p>\n\u003cp>“We don’t know what’s going to happen,” Martínez said. “So we don’t want to take a chance of not being able to get documents, computers or organizational files.”\u003c/p>\n\u003cp>As he boxed posters, local historian Chris Carlsson reflected on the artwork in front of him.\u003c/p>\n\u003cp>“These are an essential part of this neighborhood,” said Carlsson, author of Hidden San Francisco, adding that the works represent “a huge legacy of the social struggles that define our place in the world.”\u003c/p>\n\u003cp>The archival collections will be temporarily rehoused in board president Sánchez’s warehouse in Hayward and at La Raza Community Resource Center, as organizers continue searching for additional local storage options.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12071507/financial-crisis-forces-sfs-mission-cultural-center-for-latino-arts-to-close",
"authors": [
"byline_news_12071507"
],
"categories": [
"news_29992",
"news_223",
"news_28250",
"news_8"
],
"tags": [
"news_19133",
"news_32662",
"news_31420",
"news_5270",
"news_3424",
"news_38"
],
"affiliates": [
"news_28184"
],
"featImg": "news_12071535",
"label": "news_28184"
},
"news_12070146": {
"type": "posts",
"id": "news_12070146",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12070146",
"score": null,
"sort": [
1768586455000
]
},
"guestAuthors": [],
"slug": "mission-district-shooting-marks-san-franciscos-first-killing-of-2026",
"title": "Mission District Shooting Marks San Francisco’s First Killing of 2026",
"publishDate": 1768586455,
"format": "standard",
"headTitle": "Mission District Shooting Marks San Francisco’s First Killing of 2026 | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>One person was fatally shot in San Francisco’s \u003ca href=\"https://www.kqed.org/news/tag/mission-district\">Mission District\u003c/a> on Thursday night, marking the city’s first homicide of 2026.\u003c/p>\n\u003cp>The San Francisco Police Department said officers responded to the area of 16th Street and San Bruno Avenue around 9:40 p.m. and found a victim suffering from an apparent gunshot wound.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Officers rendered aid, including CPR, and paramedics were called to the scene, but “despite the lifesaving efforts of first responders, the victim was declared deceased on scene,” the department said in a statement.\u003c/p>\n\u003cp>The fatal shooting is the first in the city this year, and comes weeks after police officials announced that San Francisco’s homicide rate \u003ca href=\"https://www.sanfranciscopolice.org/news/san-francisco-has-lowest-homicide-rate-70-years-declines\">hit a 70-year low\u003c/a> in 2025.\u003c/p>\n\u003cp>Last year, the city recorded 28 homicides, a 20% year-over-year reduction. SFPD said its homicide detail was leading an investigation into the incident. Additional information about the identities of the victim or any suspects was not available on Friday morning.\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "One person was fatally shot Thursday night near 16th Street and San Bruno Avenue. The killing comes after police said San Francisco’s homicide rate hit a 70-year low in 2025.",
"status": "publish",
"parent": 0,
"modified": 1768588737,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 168
},
"headData": {
"title": "Mission District Shooting Marks San Francisco’s First Killing of 2026 | KQED",
"description": "One person was fatally shot Thursday night near 16th Street and San Bruno Avenue. The killing comes after police said San Francisco’s homicide rate hit a 70-year low in 2025.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Mission District Shooting Marks San Francisco’s First Killing of 2026",
"datePublished": "2026-01-16T10:00:55-08:00",
"dateModified": "2026-01-16T10:38:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 28250,
"slug": "local",
"name": "Local"
},
"sticky": false,
"nprStoryId": "kqed-12070146",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12070146/mission-district-shooting-marks-san-franciscos-first-killing-of-2026",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One person was fatally shot in San Francisco’s \u003ca href=\"https://www.kqed.org/news/tag/mission-district\">Mission District\u003c/a> on Thursday night, marking the city’s first homicide of 2026.\u003c/p>\n\u003cp>The San Francisco Police Department said officers responded to the area of 16th Street and San Bruno Avenue around 9:40 p.m. and found a victim suffering from an apparent gunshot wound.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Officers rendered aid, including CPR, and paramedics were called to the scene, but “despite the lifesaving efforts of first responders, the victim was declared deceased on scene,” the department said in a statement.\u003c/p>\n\u003cp>The fatal shooting is the first in the city this year, and comes weeks after police officials announced that San Francisco’s homicide rate \u003ca href=\"https://www.sanfranciscopolice.org/news/san-francisco-has-lowest-homicide-rate-70-years-declines\">hit a 70-year low\u003c/a> in 2025.\u003c/p>\n\u003cp>Last year, the city recorded 28 homicides, a 20% year-over-year reduction. SFPD said its homicide detail was leading an investigation into the incident. Additional information about the identities of the victim or any suspects was not available on Friday morning.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12070146/mission-district-shooting-marks-san-franciscos-first-killing-of-2026",
"authors": [
"11913"
],
"categories": [
"news_31795",
"news_28250",
"news_8"
],
"tags": [
"news_17626",
"news_1393",
"news_5270",
"news_17996",
"news_38"
],
"featImg": "news_10466122",
"label": "news"
},
"news_12059299": {
"type": "posts",
"id": "news_12059299",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12059299",
"score": null,
"sort": [
1764791431000
]
},
"guestAuthors": [],
"slug": "hes-painted-thousands-of-san-franciscos-iconic-victorian-homes-meet-dr-color",
"title": "He’s Painted Thousands of San Francisco’s Iconic Victorian Homes. Meet Dr. Color",
"publishDate": 1764791431,
"format": "standard",
"headTitle": "He’s Painted Thousands of San Francisco’s Iconic Victorian Homes. Meet Dr. Color | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>A hot pink nail salon. A yellow taqueria. A periwinkle Edwardian with red trim.\u003c/p>\n\u003cp>Block after block along \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a>’s bustling 24th Street, architectural gems mimic the vibrant papel picado strung up in windowfronts across the historic \u003ca href=\"https://www.kqed.org/news/tag/mission-district\">Mission District\u003c/a> corridor.\u003c/p>\n\u003cp>Less eye-catching, however, are the small signs affixed to the sides of these buildings, an understated acknowledgment of the man who painted thousands of technicolor buildings and helped shape the city’s iconic skyline in the process: Bob Buckter, better known as Dr. Color.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Francisco is widely known for its colorful architectural landscape, particularly the rainbow of Victorians dotting its hillsides. Much of it can be attributed to Buckter, who has painted and consulted on color design for tens of thousands of Victorian homes, churches, commercial buildings and more for nearly 60 years.\u003c/p>\n\u003cp>“There’s another job with my sign on it,” Buckter said on a recent fall afternoon, gesturing to the left as he drove down 24th Street in his royal blue pickup truck, a license plate that reads “DRCOLOR” on the back bumper.\u003c/p>\n\u003cp>“The guy wanted the wildest pink I could come up with, and there it is,” Buckter said.\u003c/p>\n\u003cfigure id=\"attachment_12059298\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059298\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A building painted by Bob Buckter, also known as Dr. Color, is seen at 1102 Treat Ave., in San Francisco’s Mission District on Oct. 8, 2025. Buckter has designed and painted more than 23,000 homes, along with other projects in San Francisco and beyond. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 78-year-old’s work uses different colors to highlight the ornate details of a building’s facade, generating the polychromatic architectural backdrop that draws so many people to the City by the Bay.\u003c/p>\n\u003cp>“San Francisco is the leader of the identity of Victorian architecture across the West Coast. I would probably venture to say even across the nation,” said Clark Thenhaus, associate professor of architecture at California College of the Arts in San Francisco.\u003c/p>\n\u003cp>Victorian-style architecture in the United States was first popularized on the East Coast, where these homes were constructed with natural materials like stone and brick, giving them more neutral earth-tone colors, like softer grays and browns.[aside postID=news_12057037 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED.jpg']As the style moved toward the West Coast, timber became the primary building material for Victorians. Wood exterior made a better canvas for paint, and soon the multicolored facades could be found across California, from Santa Cruz to Nevada City in the Sierra foothills and Eureka along the coast in Humboldt County.\u003c/p>\n\u003cp>“What you find is actually a whole new way of thinking about color, because now it’s not derivative of a specific material. It’s actually applied to something,” Thenhaus said. “That’s when you start to see the Victorians kind of change their clothing from this earthen material to something that’s much more vibrant and bright.”\u003c/p>\n\u003cp>Buckter started painting houses in the 1970s after graduating from San Francisco State University with a degree in social sciences and a minor in business, cultivating his passion at the cusp of the city’s psychedelic era. After doing a couple of paint jobs for a friend, he placed an ad in a local newspaper offering house painting services to earn some extra cash while pursuing a career in real estate.\u003c/p>\n\u003cp>He never completed any formal art or color theory training, but after he landed his first home painting gig, clients kept coming. After retiring from painting homes himself in his thirties, color consulting became his full-time work.\u003c/p>\n\u003cfigure id=\"attachment_12058967\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058967\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV.jpg\" alt=\"\" width=\"2500\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-2000x672.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-1536x516.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-2048x688.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">A home Bob Buckler painted is located in the Dolores Heights neighborhood in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I just learned everything the hard way,” Buckter said. “I made sure people would be happy, even when I was trying new things, and I learned a lot doing that.”\u003c/p>\n\u003cp>Maria Diaz Bobillo, who lives in a yellow accessory dwelling unit that Buckter designed across from Dolores Park, chose the unit specifically for its sunny hues.\u003c/p>\n\u003cp>“A friend sent me the Craigslist ad, and she was like, ‘It speaks to you, it has your colors,” she said. “It has this deep yellow, and I had friends who used to call me Yellow Maria because my whole wardrobe was yellow. It was meant to be, you know? And it’s very beautiful.”\u003c/p>\n\u003cp>In front of her cottage stands another one of Buckter’s jewels, a three-story Victorian that features 11 colors in total. A yellow and gold face with blue, green and purple trimmings, plus a stained glass feature next to the front staircase.\u003c/p>\n\u003cfigure id=\"attachment_12059318\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059318\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A molding design adorned with gold leaf, a decorative style specialized by Bob Buckter, stands in the Dolores Heights neighborhood on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is a big part of my life, this building,” Buckter said, using a green laser pointer to identify elements of the design.\u003c/p>\n\u003cp>Dr. Color himself lived in the building before moving to his current residence, a periwinkle Edwardian with gold leaf finish on Vermont Street. And he remembers every detail that went into both homes.\u003c/p>\n\u003cp>“I rigged this whole thing with my own scaffolding, you know, a plank that goes all the way across with hooks and ropes, and I did all the work up there myself,” he said, pointing to a hand-stenciled ribbon feature lining the top of his yellow building at Dolores Park.\u003c/p>\n\u003cp>Buckter rattled off memories of living there, like hot tub ragers on the roof overlooking the city’s skyline. “Lots of parties, and before all those buildings were built, this had a view of the Bay Bridge,” he said, pointing to Salesforce Tower in the distance. “Now you can’t see it, but what am I going to do? Just enjoy it, I guess.”\u003c/p>\n\u003cfigure id=\"attachment_12058968\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058968\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV.jpg\" alt=\"\" width=\"2500\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-2000x672.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-1536x516.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-2048x688.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Bob Buckler’s home is located in the Mission District in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For many years, Buckter, a second-generation San Franciscan who was born in the Mission District and grew up in the Sunset District, worked right alongside the painting crew on scaffolds, highlighting all the nooks and crannies with multiple colors that make it impossible not to stop and stare.\u003c/p>\n\u003cp>They never had a major accident, but they did take a few chances.\u003c/p>\n\u003cp>“One day, one of the guys that put the hooks up on the building for the plants said, ‘Hey, there’s a bunch of marijuana on this roof drying out. Send me up a brown paper bag.’ So I sent that up, we smoked it and this stuff was out of this world,” he laughed. “In retrospect, it might’ve been mixed with some bad stuff, but the good thing is everyone is still alive and healthy. So we had a lot of fun.”\u003c/p>\n\u003cp>Several artists and other “colorists” began experimenting with home exterior colors in the 1960s, inspiring one another’s work. Buckter himself did the color for two of the best-known Victorians on Steiner Street overlooking Alamo Square Park, called the “Painted Ladies,” but those have since been repainted. His work is mentioned throughout the 1978 book, \u003cem>Painted Ladies – San Francisco’s Resplendent Victorians\u003c/em>, which coined the term.\u003c/p>\n\u003cfigure id=\"attachment_12058963\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12058963 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bob Buckter’s color swatches for a new project sit on his desk in his home in the Mission District in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, Buckter primarily provides color consulting services where he’ll advise clients on palettes and types of paint for homes and businesses across the country.\u003c/p>\n\u003cp>He recently released his own book, which he said is his first and last, on all of the signature work he’s done in the city and beyond.\u003c/p>\n\u003cp>“I’m still doing commercial and industrial work; however, my labor of love and what I really enjoy best is historic homes,” Buckter said.\u003c/p>\n\u003cp>Victorians are more than just a pretty sidewalk attraction, though, Thenhaus said. They represent eras of history, social movements and changes across the city at large.\u003c/p>\n\u003cp>In the 1960s and ’70s, “most of the Victorians were more like a commune back in the day. These were like sex, drug and rock ‘n’ roll places. There were a lot of people living there, and they were inexpensive at that time,” Thenhaus said.\u003c/p>\n\u003cfigure id=\"attachment_12059296\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059296\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A building Bob Buckter painted is located in the Mission District at 3033 24th Street in San Francisco on Oct. 8, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former homes of groups like the Cockettes, an avant-garde theater and drag group, or the Grateful Dead, still draw crowds of tourists to this day. The groovy ethos of those eras inspired their colors, but they were also a visual tool of the counter-cultural and civil rights movements of their time.\u003c/p>\n\u003cp>Brightly colored Victorians in the Castro, for example, signaled safe spaces for thousands of gay men who moved to San Francisco during World War II, after being discharged and denied G.I. benefits from the U.S. military due to their sexuality.\u003c/p>\n\u003cp>These homes also serve as a marker of some of the city’s darker histories, like the numerous Victorian homes that were placed on trucks and physically moved out of the historically African American Fillmore District and into other neighborhoods like Pacific Heights around the 1970s, displacing thousands of Black residents.\u003c/p>\n\u003cp>Today, efforts to preserve the city’s Victorian image in some ways belie the history that made them so culturally significant.\u003c/p>\n\u003cp>“They’re often now the most expensive real estate in the city, and often they are single-family homes or carved up into apartments,” Thenhaus said. “In a way, it is just preserving an image of them, but not necessarily with the kind of counter-cultural revolution that came with what led to them being so brightly painted and ornate.”\u003c/p>\n\u003cfigure id=\"attachment_12058966\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058966\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A home Bob Buckler painted is located in the Dolores Heights neighborhood in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the city faces a pressing housing crisis, pouring money, time and effort into preserving Victorians strikes some as out of line with residents’ more utilitarian need for shelter.\u003c/p>\n\u003cp>“You have this real conflict of what is the priority from a city planning standpoint: the imageability of the city and its popular appeal for tourism to see these houses juxtaposed by the growing need for more housing, probably better housing, and ways of thinking about the kind of equitable structure of the housing market,” Thenhaus said.\u003c/p>\n\u003cp>Nevertheless, Victorians have stood tall throughout the city’s many boom and bust cycles. Clients still come to Dr. Color with their own ideas and preferences, and he steers people toward combinations he thinks will bring out the best of the building’s architecture, drawing on elements of the surrounding area and environment.\u003c/p>\n\u003cp>Color fads also come and go. One trend you won’t see Buckter getting enthusiastic over is monochrome, such as the all-black or all-white Victorians some homeowners are going with these days.\u003c/p>\n\u003cfigure id=\"attachment_12059320\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059320\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A building Bob Buckter painted is located in the Mission District at 3033 24th St., in San Francisco, on Oct. 8, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“In my opinion, that is an ignorant approach to decorating your facade, because the owners are ignoring the architecture. They aren’t paying attention to what the building has. I do,” he said.\u003c/p>\n\u003cp>Thenhaus said the single-color approach is part of a wider trend in fashion, a sort of “clean girl” aesthetic that’s crept into architecture and design. But it also harkens back to some of the city’s earliest Victorian homes, like the Queen Annes erected in San Francisco after the Gold Rush, which were often painted all white to cover up their wooden exterior.\u003c/p>\n\u003cp>“We’ve seen it where a lot of fashion went to a kind of monochrome. I don’t know that I read it at this point anyway as being a political statement or reaction or anything like that,” the architecture professor said. “My take on it is it’s actually a way of differentiating from the plethora of colors out there, like, here’s an all-black, here’s an all-white.”\u003c/p>\n\u003cp>Buckter has had more freedom to be creative in San Francisco than he would in many other places. City officials say they rarely step in to regulate a building’s color. Some exceptions include if a building is a designated landmark or located in certain areas like the Jackson Square Historic District, downtown’s conservation district or the Northeast Waterfront Historic District.\u003c/p>\n\u003cfigure id=\"attachment_12058964\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058964\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bob Buckter poses for a portrait at his home in the Mission District in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Buckter is well known around town. When this reporter contacted the Planning Department for information on color regulations, the response was immediate.\u003c/p>\n\u003cp>“You wouldn’t be talking about Bob Buckter by any chance, would you? Only asking because his name is the one that came to mind,” Daniel Sider, chief of staff for San Francisco Planning, wrote in an email to KQED. “I’m familiar with him because — to be totally honest — my HOA hired him when we repainted my building.”\u003c/p>\n\u003cp>Sider’s building went with a sky blue face with white, beige and navy blue details — Dr. Color’s personal favorites.\u003c/p>\n\u003cp>“I like blue,” Buckter said. “My truck is blue and I’ve got a couple old Mercedes-Benz collector cars that are also blue and gray.”\u003c/p>\n\u003cp>But most anything goes for Dr. Color, if it’s what the client wants. His approach and inspiration, he said, “is to have people happy about what I’m doing, something they personally like, and that will appeal to the widest range of people so they can look up and see something that is in very good taste.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Bob Buckter has contributed to the city’s colorful architectural backdrop for decades, and continues to draw people to the City by the Bay.",
"status": "publish",
"parent": 0,
"modified": 1764791416,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 49,
"wordCount": 2453
},
"headData": {
"title": "He’s Painted Thousands of San Francisco’s Iconic Victorian Homes. Meet Dr. Color | KQED",
"description": "Bob Buckter has contributed to the city’s colorful architectural backdrop for decades, and continues to draw people to the City by the Bay.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "He’s Painted Thousands of San Francisco’s Iconic Victorian Homes. Meet Dr. Color",
"datePublished": "2025-12-03T11:50:31-08:00",
"dateModified": "2025-12-03T11:50:16-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 29992,
"slug": "arts",
"name": "Arts"
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/ab4b7e37-1928-4489-959d-b3a8011e6c89/audio.mp3",
"sticky": false,
"nprStoryId": "kqed-12059299",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12059299/hes-painted-thousands-of-san-franciscos-iconic-victorian-homes-meet-dr-color",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A hot pink nail salon. A yellow taqueria. A periwinkle Edwardian with red trim.\u003c/p>\n\u003cp>Block after block along \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a>’s bustling 24th Street, architectural gems mimic the vibrant papel picado strung up in windowfronts across the historic \u003ca href=\"https://www.kqed.org/news/tag/mission-district\">Mission District\u003c/a> corridor.\u003c/p>\n\u003cp>Less eye-catching, however, are the small signs affixed to the sides of these buildings, an understated acknowledgment of the man who painted thousands of technicolor buildings and helped shape the city’s iconic skyline in the process: Bob Buckter, better known as Dr. Color.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco is widely known for its colorful architectural landscape, particularly the rainbow of Victorians dotting its hillsides. Much of it can be attributed to Buckter, who has painted and consulted on color design for tens of thousands of Victorian homes, churches, commercial buildings and more for nearly 60 years.\u003c/p>\n\u003cp>“There’s another job with my sign on it,” Buckter said on a recent fall afternoon, gesturing to the left as he drove down 24th Street in his royal blue pickup truck, a license plate that reads “DRCOLOR” on the back bumper.\u003c/p>\n\u003cp>“The guy wanted the wildest pink I could come up with, and there it is,” Buckter said.\u003c/p>\n\u003cfigure id=\"attachment_12059298\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059298\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01283_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A building painted by Bob Buckter, also known as Dr. Color, is seen at 1102 Treat Ave., in San Francisco’s Mission District on Oct. 8, 2025. Buckter has designed and painted more than 23,000 homes, along with other projects in San Francisco and beyond. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 78-year-old’s work uses different colors to highlight the ornate details of a building’s facade, generating the polychromatic architectural backdrop that draws so many people to the City by the Bay.\u003c/p>\n\u003cp>“San Francisco is the leader of the identity of Victorian architecture across the West Coast. I would probably venture to say even across the nation,” said Clark Thenhaus, associate professor of architecture at California College of the Arts in San Francisco.\u003c/p>\n\u003cp>Victorian-style architecture in the United States was first popularized on the East Coast, where these homes were constructed with natural materials like stone and brick, giving them more neutral earth-tone colors, like softer grays and browns.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_12057037",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-2-KQED.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>As the style moved toward the West Coast, timber became the primary building material for Victorians. Wood exterior made a better canvas for paint, and soon the multicolored facades could be found across California, from Santa Cruz to Nevada City in the Sierra foothills and Eureka along the coast in Humboldt County.\u003c/p>\n\u003cp>“What you find is actually a whole new way of thinking about color, because now it’s not derivative of a specific material. It’s actually applied to something,” Thenhaus said. “That’s when you start to see the Victorians kind of change their clothing from this earthen material to something that’s much more vibrant and bright.”\u003c/p>\n\u003cp>Buckter started painting houses in the 1970s after graduating from San Francisco State University with a degree in social sciences and a minor in business, cultivating his passion at the cusp of the city’s psychedelic era. After doing a couple of paint jobs for a friend, he placed an ad in a local newspaper offering house painting services to earn some extra cash while pursuing a career in real estate.\u003c/p>\n\u003cp>He never completed any formal art or color theory training, but after he landed his first home painting gig, clients kept coming. After retiring from painting homes himself in his thirties, color consulting became his full-time work.\u003c/p>\n\u003cfigure id=\"attachment_12058967\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058967\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV.jpg\" alt=\"\" width=\"2500\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-2000x672.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-1536x516.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-01_TV-2048x688.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">A home Bob Buckler painted is located in the Dolores Heights neighborhood in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I just learned everything the hard way,” Buckter said. “I made sure people would be happy, even when I was trying new things, and I learned a lot doing that.”\u003c/p>\n\u003cp>Maria Diaz Bobillo, who lives in a yellow accessory dwelling unit that Buckter designed across from Dolores Park, chose the unit specifically for its sunny hues.\u003c/p>\n\u003cp>“A friend sent me the Craigslist ad, and she was like, ‘It speaks to you, it has your colors,” she said. “It has this deep yellow, and I had friends who used to call me Yellow Maria because my whole wardrobe was yellow. It was meant to be, you know? And it’s very beautiful.”\u003c/p>\n\u003cp>In front of her cottage stands another one of Buckter’s jewels, a three-story Victorian that features 11 colors in total. A yellow and gold face with blue, green and purple trimmings, plus a stained glass feature next to the front staircase.\u003c/p>\n\u003cfigure id=\"attachment_12059318\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059318\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_00466_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A molding design adorned with gold leaf, a decorative style specialized by Bob Buckter, stands in the Dolores Heights neighborhood on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is a big part of my life, this building,” Buckter said, using a green laser pointer to identify elements of the design.\u003c/p>\n\u003cp>Dr. Color himself lived in the building before moving to his current residence, a periwinkle Edwardian with gold leaf finish on Vermont Street. And he remembers every detail that went into both homes.\u003c/p>\n\u003cp>“I rigged this whole thing with my own scaffolding, you know, a plank that goes all the way across with hooks and ropes, and I did all the work up there myself,” he said, pointing to a hand-stenciled ribbon feature lining the top of his yellow building at Dolores Park.\u003c/p>\n\u003cp>Buckter rattled off memories of living there, like hot tub ragers on the roof overlooking the city’s skyline. “Lots of parties, and before all those buildings were built, this had a view of the Bay Bridge,” he said, pointing to Salesforce Tower in the distance. “Now you can’t see it, but what am I going to do? Just enjoy it, I guess.”\u003c/p>\n\u003cfigure id=\"attachment_12058968\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058968\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV.jpg\" alt=\"\" width=\"2500\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-2000x672.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-1536x516.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-drcolor_DIPTYCH-02_TV-2048x688.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Bob Buckler’s home is located in the Mission District in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For many years, Buckter, a second-generation San Franciscan who was born in the Mission District and grew up in the Sunset District, worked right alongside the painting crew on scaffolds, highlighting all the nooks and crannies with multiple colors that make it impossible not to stop and stare.\u003c/p>\n\u003cp>They never had a major accident, but they did take a few chances.\u003c/p>\n\u003cp>“One day, one of the guys that put the hooks up on the building for the plants said, ‘Hey, there’s a bunch of marijuana on this roof drying out. Send me up a brown paper bag.’ So I sent that up, we smoked it and this stuff was out of this world,” he laughed. “In retrospect, it might’ve been mixed with some bad stuff, but the good thing is everyone is still alive and healthy. So we had a lot of fun.”\u003c/p>\n\u003cp>Several artists and other “colorists” began experimenting with home exterior colors in the 1960s, inspiring one another’s work. Buckter himself did the color for two of the best-known Victorians on Steiner Street overlooking Alamo Square Park, called the “Painted Ladies,” but those have since been repainted. His work is mentioned throughout the 1978 book, \u003cem>Painted Ladies – San Francisco’s Resplendent Victorians\u003c/em>, which coined the term.\u003c/p>\n\u003cfigure id=\"attachment_12058963\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12058963 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00228_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bob Buckter’s color swatches for a new project sit on his desk in his home in the Mission District in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, Buckter primarily provides color consulting services where he’ll advise clients on palettes and types of paint for homes and businesses across the country.\u003c/p>\n\u003cp>He recently released his own book, which he said is his first and last, on all of the signature work he’s done in the city and beyond.\u003c/p>\n\u003cp>“I’m still doing commercial and industrial work; however, my labor of love and what I really enjoy best is historic homes,” Buckter said.\u003c/p>\n\u003cp>Victorians are more than just a pretty sidewalk attraction, though, Thenhaus said. They represent eras of history, social movements and changes across the city at large.\u003c/p>\n\u003cp>In the 1960s and ’70s, “most of the Victorians were more like a commune back in the day. These were like sex, drug and rock ‘n’ roll places. There were a lot of people living there, and they were inexpensive at that time,” Thenhaus said.\u003c/p>\n\u003cfigure id=\"attachment_12059296\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059296\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01126_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A building Bob Buckter painted is located in the Mission District at 3033 24th Street in San Francisco on Oct. 8, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former homes of groups like the Cockettes, an avant-garde theater and drag group, or the Grateful Dead, still draw crowds of tourists to this day. The groovy ethos of those eras inspired their colors, but they were also a visual tool of the counter-cultural and civil rights movements of their time.\u003c/p>\n\u003cp>Brightly colored Victorians in the Castro, for example, signaled safe spaces for thousands of gay men who moved to San Francisco during World War II, after being discharged and denied G.I. benefits from the U.S. military due to their sexuality.\u003c/p>\n\u003cp>These homes also serve as a marker of some of the city’s darker histories, like the numerous Victorian homes that were placed on trucks and physically moved out of the historically African American Fillmore District and into other neighborhoods like Pacific Heights around the 1970s, displacing thousands of Black residents.\u003c/p>\n\u003cp>Today, efforts to preserve the city’s Victorian image in some ways belie the history that made them so culturally significant.\u003c/p>\n\u003cp>“They’re often now the most expensive real estate in the city, and often they are single-family homes or carved up into apartments,” Thenhaus said. “In a way, it is just preserving an image of them, but not necessarily with the kind of counter-cultural revolution that came with what led to them being so brightly painted and ornate.”\u003c/p>\n\u003cfigure id=\"attachment_12058966\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058966\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00383_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A home Bob Buckler painted is located in the Dolores Heights neighborhood in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the city faces a pressing housing crisis, pouring money, time and effort into preserving Victorians strikes some as out of line with residents’ more utilitarian need for shelter.\u003c/p>\n\u003cp>“You have this real conflict of what is the priority from a city planning standpoint: the imageability of the city and its popular appeal for tourism to see these houses juxtaposed by the growing need for more housing, probably better housing, and ways of thinking about the kind of equitable structure of the housing market,” Thenhaus said.\u003c/p>\n\u003cp>Nevertheless, Victorians have stood tall throughout the city’s many boom and bust cycles. Clients still come to Dr. Color with their own ideas and preferences, and he steers people toward combinations he thinks will bring out the best of the building’s architecture, drawing on elements of the surrounding area and environment.\u003c/p>\n\u003cp>Color fads also come and go. One trend you won’t see Buckter getting enthusiastic over is monochrome, such as the all-black or all-white Victorians some homeowners are going with these days.\u003c/p>\n\u003cfigure id=\"attachment_12059320\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12059320\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251008-drcolor_01180_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A building Bob Buckter painted is located in the Mission District at 3033 24th St., in San Francisco, on Oct. 8, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“In my opinion, that is an ignorant approach to decorating your facade, because the owners are ignoring the architecture. They aren’t paying attention to what the building has. I do,” he said.\u003c/p>\n\u003cp>Thenhaus said the single-color approach is part of a wider trend in fashion, a sort of “clean girl” aesthetic that’s crept into architecture and design. But it also harkens back to some of the city’s earliest Victorian homes, like the Queen Annes erected in San Francisco after the Gold Rush, which were often painted all white to cover up their wooden exterior.\u003c/p>\n\u003cp>“We’ve seen it where a lot of fashion went to a kind of monochrome. I don’t know that I read it at this point anyway as being a political statement or reaction or anything like that,” the architecture professor said. “My take on it is it’s actually a way of differentiating from the plethora of colors out there, like, here’s an all-black, here’s an all-white.”\u003c/p>\n\u003cp>Buckter has had more freedom to be creative in San Francisco than he would in many other places. City officials say they rarely step in to regulate a building’s color. Some exceptions include if a building is a designated landmark or located in certain areas like the Jackson Square Historic District, downtown’s conservation district or the Northeast Waterfront Historic District.\u003c/p>\n\u003cfigure id=\"attachment_12058964\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12058964\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/251002-DRCOLOR_00257_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bob Buckter poses for a portrait at his home in the Mission District in San Francisco on Oct. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Buckter is well known around town. When this reporter contacted the Planning Department for information on color regulations, the response was immediate.\u003c/p>\n\u003cp>“You wouldn’t be talking about Bob Buckter by any chance, would you? Only asking because his name is the one that came to mind,” Daniel Sider, chief of staff for San Francisco Planning, wrote in an email to KQED. “I’m familiar with him because — to be totally honest — my HOA hired him when we repainted my building.”\u003c/p>\n\u003cp>Sider’s building went with a sky blue face with white, beige and navy blue details — Dr. Color’s personal favorites.\u003c/p>\n\u003cp>“I like blue,” Buckter said. “My truck is blue and I’ve got a couple old Mercedes-Benz collector cars that are also blue and gray.”\u003c/p>\n\u003cp>But most anything goes for Dr. Color, if it’s what the client wants. His approach and inspiration, he said, “is to have people happy about what I’m doing, something they personally like, and that will appeal to the widest range of people so they can look up and see something that is in very good taste.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12059299/hes-painted-thousands-of-san-franciscos-iconic-victorian-homes-meet-dr-color",
"authors": [
"11840"
],
"categories": [
"news_29992",
"news_223",
"news_31795",
"news_6266",
"news_28250",
"news_8"
],
"tags": [
"news_17657",
"news_19133",
"news_32662",
"news_1386",
"news_27626",
"news_1775",
"news_5270",
"news_2672",
"news_38",
"news_6627"
],
"featImg": "news_12058982",
"label": "news"
},
"news_12057037": {
"type": "posts",
"id": "news_12057037",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12057037",
"score": null,
"sort": [
1758648616000
]
},
"guestAuthors": [],
"slug": "san-francisco-nail-artist-turns-manicures-into-wearable-art-rooted-in-mexican-heritage",
"title": "San Francisco Nail Artist Turns Manicures Into Wearable Art Rooted in Mexican Heritage",
"publishDate": 1758648616,
"format": "standard",
"headTitle": "San Francisco Nail Artist Turns Manicures Into Wearable Art Rooted in Mexican Heritage | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>\u003cem>Sign up for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters/k-onda\">\u003cem>Click here to subscribe.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>Against a sky blue backdrop, Laysa Cazares painted a series of \u003ca href=\"https://www.kqed.org/news/tag/california\">California\u003c/a> poppies. With a tiny brush, she used shades of orange to create petals just a few millimeters wide that looked like they were fluttering in a breeze.\u003c/p>\n\u003cp>A lifelong artist, Cazares’ favorite medium may seem unusual: fingernails.\u003c/p>\n\u003cp>“It’s a little canvas where you can put whatever you want, and it’s wearable art, which I think is really cool,” the 29-year-old said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Cazares, raised in Manteca and now based in San Francisco, is among a growing number of high-end nail artists elevating traditional manicures into works of art amid the booming multibillion-dollar beauty industry. She has built a following for her three-dimensional, airbrushed and hand-painted nail designs that incorporate fashion, her Mexican heritage and meticulous artistry.\u003c/p>\n\u003cp>On a recent morning, her right hand featured metallic charcoal gray adorned with polka dots, which she said are trending. Her left hand showed a light blue-hued design with three-dimensional spheres inspired by a bubble bath.\u003c/p>\n\u003cfigure id=\"attachment_12055054\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055054\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Laysa Cazares pulls gel from a container during a nail-sculpting class at Sparkle SF in San Francisco on Sept. 4, 2025. Cazares, a Hayward native, is known for her detailed, three-dimensional nail art. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cazares, who goes by the moniker \u003ca href=\"https://www.instagram.com/nailbruja/\">Nail Bruja\u003c/a> — “nail witch” in Spanglish — uses a variety of gels to layer on clients’ nails, create longer nails and sculpt 3D objects from scratch. She then applies paints and polishes to create intricate designs and effects like a cat-eye shimmer or reflective shine.\u003c/p>\n\u003cp>For one client, she created a tiny cat that looked like it was poking out from behind a nail. For another, she shaped long, pointy nails to resemble plant leaves dotted with 3D ladybugs and raindrops.\u003c/p>\n\u003cp>“It’s almost like clay, so you can just mold it and then you paint it and you can do whatever,” she said. “That wasn’t a thing 10 years ago until recently, so it’s really cool to be able to make whatever you want on your nail.”[aside postID=arts_13981143 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-1020x680.jpg']Her love affair with nails started early. She remembers waking up early — and sometimes being late — because she painted her nails in the morning to match her outfit. She credits her older sister for introducing her to painting, ceramics and other crafts.\u003c/p>\n\u003cp>After high school, Cazares decided against college but wanted a career in art. She didn’t see a clear path until her sister suggested she become a licensed nail technician, which she did in 2015.\u003c/p>\n\u003cp>Her parents were skeptical at first, questioning how she could earn a living wage doing manicures and pedicures. Nail technicians \u003ca href=\"https://www.bls.gov/ooh/personal-care-and-service/manicurists-and-pedicurists.htm\">made an average\u003c/a> of $16.66 per hour or about $34,660 a year in 2024, according to the U.S. Bureau of Labor Statistics. The industry has a \u003ca href=\"https://www.kqed.org/news/11275303/nail-salon-workers-allege-wage-theft-indicate-larger-exploitation\">history of labor exploitation\u003c/a>.\u003c/p>\n\u003cp>“I have immigrant parents, they’re from Mexico, and my mom, one of her favorite sayings, ‘I didn’t cross a country for you to not be successful,’” Cazeres said. That made her more determined to pursue nail art in a way that would be lucrative.\u003c/p>\n\u003cp>Six years ago, she immersed herself in nail art while working at a Fremont salon specializing in designs with long acrylic tips, which were popular at the time.\u003c/p>\n\u003cp>“I had a full clientele and it just clicked like, ‘Oh, I really could actually live off of this and have it be my career full time,” she said. “Sometimes I’m like, ‘Oh, maybe going to school would have been cool, too.’ But I love nails and I love art. So being a nail artist just works. I get to combine both.”\u003c/p>\n\u003cp>In 2022, she moved to Miami, which also has a robust nail industry. She returned to California last December and now works at Sparkle SF, a salon in San Francisco’s Mission District.\u003c/p>\n\u003cfigure id=\"attachment_12055050\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055050\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Polaroids of staff and visitors decorate a wall inside Sparkle SF in San Francisco on Sept. 4, 2025. The studio doubles as both a workplace and a creative hub for nail art. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“San Francisco is just such a fun, quirky, unique place where even the older generations are into nail art,” she said. “Younger people will do all the crazy stuff, and they’re not scared to get 3D. They’re not scared to like chrome or airbrush or anything. They’re down to try it all.”\u003c/p>\n\u003cp>Sparke SF is strictly for nail art and doesn’t offer pedicures, massages or facials, said owner Mia Rubie, who started the salon more than a decade ago and has watched nail art continuously evolve.\u003c/p>\n\u003cp>“Now, there’s so many possibilities with nail art,” thanks in part to social media, she said. Clients “are making it a very personalized experience, like something tailored to their own interests or something that they’re into or dedicating nails to somebody else or things like that. People are discovering that you can use it as a valid expression of art.”\u003c/p>\n\u003cp>“The history of nails is very multicultural,” said Jillian Hernandez, a professor of women’s studies at the University of Florida who leads the Full Set Project, a team of scholars researching the nail industry. The intricate nail designs innovated by Vietnamese nail techs caught on with Black and Latina women, who helped turn long, brightly decorated nails into bold fashion statements.\u003c/p>\n\u003cp>Her team plans to release a documentary, \u003ca href=\"https://historymiami.org/event/film-screening-panel-discussion-full-set-a-celebration-of-miami-nail-artistry/\">\u003cem>Nail Tech: Portrait of an Artist\u003c/em>\u003c/a>, in December, chronicling the career of Miami-based nail artist Kro Vargas.\u003c/p>\n\u003cfigure id=\"attachment_12055053\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055053\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An assortment of intricate nail designs displayed at Sparkle SF in San Francisco on Sept. 4, 2025. The salon is known for showcasing bold, colorful and three-dimensional nail artistry. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Over the last decade, particularly the last five years since COVID, there was increasing interest in self-care practices, but also famous women of color like Cardi B, for example, entered the mainstream and also entered spaces of fashion and brought their own aesthetics to these spaces,” Hernandez said.\u003c/p>\n\u003cp>The shift from seeing nails as simple grooming to fashionable art is slowly changing how workers in the industry are viewed, Hernandez said.\u003c/p>\n\u003cp>“It gets to this fundamental question of how do we value workers? We tend to undervalue care work because it’s associated with women and people of color,” she said. “All nail techs are artists, and they should be respected for their labor, whether they’re in the corner salon or whether they’re in these highly specialized studios doing nails for celebrities. That’s extremely important.”\u003c/p>\n\u003cp>The cost of nail art is also rising as designs require more expertise and time. At Sparkle, prices start around $60 for a basic manicure, but intricate designs can cost a few hundred dollars and take several hours. Cazares said her designs typically last about a month.\u003c/p>\n\u003cfigure id=\"attachment_12055052\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055052\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nail artist Laysa Cazares works at her station inside Sparkle SF in San Francisco on Sept. 4, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The most expensive set she has ever done took eight hours, covered both hands with Swarovski crystals and cost $1,400.\u003c/p>\n\u003cp>“Nails aren’t a necessity; they are a luxury,” Cazares said. “I love the feeling of feeling put together, and for a lot of people, this does that for them. For women who work corporate tech jobs, their jobs are so demanding; this is a form of self-expression.”\u003c/p>\n\u003cp>That resonates with San Mateo resident Cristina Medina, 30, who had her first manicure in middle school.\u003c/p>\n\u003cp>“My mom always had her nails done for as long as I can remember, so I think I got it from her, the habit of getting my nails done,” she said. “I’ve always correlated getting my nails done as a way of self-pampering, of taking care of myself. It helps me feel more put together.”\u003c/p>\n\u003cfigure id=\"attachment_12057050\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057050\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1.jpg\" alt=\"\" width=\"2000\" height=\"1129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1-1536x867.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Specialty designs by San Francisco nail artist Laysa Cazares. \u003ccite>(Courtesy of Laysa Cazares)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Medina has a standing appointment every three weeks. Her designs range from a simple French tip to more seasonal creations.\u003c/p>\n\u003cp>“I like to spice it up during the holidays,” she said. “For example, Halloween and Dia de los Muertos are coming up, so I might mess with orange, brown colors or even pumpkin. It really gives me that creative freedom and gives me a way to express myself throughout the year.”\u003c/p>\n\u003cp>Cazares is hosting an event this month called \u003ca href=\"http://www.nomicreativestudios.com\">Hexed by Nail Bruja & Friends\u003c/a> to showcase nail art the way an art gallery exhibits paintings. The Friday event will also feature vendors, tarot card readings and cocktails, and will run from 6–9 p.m. at a retro pinball arcade at 1767 Waller St. in San Francisco. Tickets are $30.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Clarification:\u003c/strong> An earlier version of this story said “Latina and Black women pioneered long, brightly decorated nails as fashion statements well before the mainstream embraced the look, she said, while many Vietnamese women have worked in salons.” To clarify, the professor emphasized that Black and Latina women helped popularize and bring visibility to nail art as a cultural fashion statement, while Vietnamese women, many of them immigrants, played a central role in the nail salon industry where the style was widely practiced.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "High-end nail art is booming in the Bay Area as Latina artists reshape the beauty industry with bold, hand-painted and sculpted designs.",
"status": "publish",
"parent": 0,
"modified": 1758734592,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 34,
"wordCount": 1654
},
"headData": {
"title": "San Francisco Nail Artist Turns Manicures Into Wearable Art Rooted in Mexican Heritage | KQED",
"description": "High-end nail art is booming in the Bay Area as Latina artists reshape the beauty industry with bold, hand-painted and sculpted designs.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "San Francisco Nail Artist Turns Manicures Into Wearable Art Rooted in Mexican Heritage",
"datePublished": "2025-09-23T10:30:16-07:00",
"dateModified": "2025-09-24T10:23:12-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"primaryCategory": {
"termId": 223,
"slug": "arts-and-culture",
"name": "Arts and Culture"
},
"sticky": false,
"nprStoryId": "kqed-12057037",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/news/12057037/san-francisco-nail-artist-turns-manicures-into-wearable-art-rooted-in-mexican-heritage",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Sign up for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters/k-onda\">\u003cem>Click here to subscribe.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>Against a sky blue backdrop, Laysa Cazares painted a series of \u003ca href=\"https://www.kqed.org/news/tag/california\">California\u003c/a> poppies. With a tiny brush, she used shades of orange to create petals just a few millimeters wide that looked like they were fluttering in a breeze.\u003c/p>\n\u003cp>A lifelong artist, Cazares’ favorite medium may seem unusual: fingernails.\u003c/p>\n\u003cp>“It’s a little canvas where you can put whatever you want, and it’s wearable art, which I think is really cool,” the 29-year-old said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Cazares, raised in Manteca and now based in San Francisco, is among a growing number of high-end nail artists elevating traditional manicures into works of art amid the booming multibillion-dollar beauty industry. She has built a following for her three-dimensional, airbrushed and hand-painted nail designs that incorporate fashion, her Mexican heritage and meticulous artistry.\u003c/p>\n\u003cp>On a recent morning, her right hand featured metallic charcoal gray adorned with polka dots, which she said are trending. Her left hand showed a light blue-hued design with three-dimensional spheres inspired by a bubble bath.\u003c/p>\n\u003cfigure id=\"attachment_12055054\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055054\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Laysa Cazares pulls gel from a container during a nail-sculpting class at Sparkle SF in San Francisco on Sept. 4, 2025. Cazares, a Hayward native, is known for her detailed, three-dimensional nail art. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cazares, who goes by the moniker \u003ca href=\"https://www.instagram.com/nailbruja/\">Nail Bruja\u003c/a> — “nail witch” in Spanglish — uses a variety of gels to layer on clients’ nails, create longer nails and sculpt 3D objects from scratch. She then applies paints and polishes to create intricate designs and effects like a cat-eye shimmer or reflective shine.\u003c/p>\n\u003cp>For one client, she created a tiny cat that looked like it was poking out from behind a nail. For another, she shaped long, pointy nails to resemble plant leaves dotted with 3D ladybugs and raindrops.\u003c/p>\n\u003cp>“It’s almost like clay, so you can just mold it and then you paint it and you can do whatever,” she said. “That wasn’t a thing 10 years ago until recently, so it’s really cool to be able to make whatever you want on your nail.”\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13981143",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-1020x680.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Her love affair with nails started early. She remembers waking up early — and sometimes being late — because she painted her nails in the morning to match her outfit. She credits her older sister for introducing her to painting, ceramics and other crafts.\u003c/p>\n\u003cp>After high school, Cazares decided against college but wanted a career in art. She didn’t see a clear path until her sister suggested she become a licensed nail technician, which she did in 2015.\u003c/p>\n\u003cp>Her parents were skeptical at first, questioning how she could earn a living wage doing manicures and pedicures. Nail technicians \u003ca href=\"https://www.bls.gov/ooh/personal-care-and-service/manicurists-and-pedicurists.htm\">made an average\u003c/a> of $16.66 per hour or about $34,660 a year in 2024, according to the U.S. Bureau of Labor Statistics. The industry has a \u003ca href=\"https://www.kqed.org/news/11275303/nail-salon-workers-allege-wage-theft-indicate-larger-exploitation\">history of labor exploitation\u003c/a>.\u003c/p>\n\u003cp>“I have immigrant parents, they’re from Mexico, and my mom, one of her favorite sayings, ‘I didn’t cross a country for you to not be successful,’” Cazeres said. That made her more determined to pursue nail art in a way that would be lucrative.\u003c/p>\n\u003cp>Six years ago, she immersed herself in nail art while working at a Fremont salon specializing in designs with long acrylic tips, which were popular at the time.\u003c/p>\n\u003cp>“I had a full clientele and it just clicked like, ‘Oh, I really could actually live off of this and have it be my career full time,” she said. “Sometimes I’m like, ‘Oh, maybe going to school would have been cool, too.’ But I love nails and I love art. So being a nail artist just works. I get to combine both.”\u003c/p>\n\u003cp>In 2022, she moved to Miami, which also has a robust nail industry. She returned to California last December and now works at Sparkle SF, a salon in San Francisco’s Mission District.\u003c/p>\n\u003cfigure id=\"attachment_12055050\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055050\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-5-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Polaroids of staff and visitors decorate a wall inside Sparkle SF in San Francisco on Sept. 4, 2025. The studio doubles as both a workplace and a creative hub for nail art. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“San Francisco is just such a fun, quirky, unique place where even the older generations are into nail art,” she said. “Younger people will do all the crazy stuff, and they’re not scared to get 3D. They’re not scared to like chrome or airbrush or anything. They’re down to try it all.”\u003c/p>\n\u003cp>Sparke SF is strictly for nail art and doesn’t offer pedicures, massages or facials, said owner Mia Rubie, who started the salon more than a decade ago and has watched nail art continuously evolve.\u003c/p>\n\u003cp>“Now, there’s so many possibilities with nail art,” thanks in part to social media, she said. Clients “are making it a very personalized experience, like something tailored to their own interests or something that they’re into or dedicating nails to somebody else or things like that. People are discovering that you can use it as a valid expression of art.”\u003c/p>\n\u003cp>“The history of nails is very multicultural,” said Jillian Hernandez, a professor of women’s studies at the University of Florida who leads the Full Set Project, a team of scholars researching the nail industry. The intricate nail designs innovated by Vietnamese nail techs caught on with Black and Latina women, who helped turn long, brightly decorated nails into bold fashion statements.\u003c/p>\n\u003cp>Her team plans to release a documentary, \u003ca href=\"https://historymiami.org/event/film-screening-panel-discussion-full-set-a-celebration-of-miami-nail-artistry/\">\u003cem>Nail Tech: Portrait of an Artist\u003c/em>\u003c/a>, in December, chronicling the career of Miami-based nail artist Kro Vargas.\u003c/p>\n\u003cfigure id=\"attachment_12055053\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055053\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-21-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An assortment of intricate nail designs displayed at Sparkle SF in San Francisco on Sept. 4, 2025. The salon is known for showcasing bold, colorful and three-dimensional nail artistry. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Over the last decade, particularly the last five years since COVID, there was increasing interest in self-care practices, but also famous women of color like Cardi B, for example, entered the mainstream and also entered spaces of fashion and brought their own aesthetics to these spaces,” Hernandez said.\u003c/p>\n\u003cp>The shift from seeing nails as simple grooming to fashionable art is slowly changing how workers in the industry are viewed, Hernandez said.\u003c/p>\n\u003cp>“It gets to this fundamental question of how do we value workers? We tend to undervalue care work because it’s associated with women and people of color,” she said. “All nail techs are artists, and they should be respected for their labor, whether they’re in the corner salon or whether they’re in these highly specialized studios doing nails for celebrities. That’s extremely important.”\u003c/p>\n\u003cp>The cost of nail art is also rising as designs require more expertise and time. At Sparkle, prices start around $60 for a basic manicure, but intricate designs can cost a few hundred dollars and take several hours. Cazares said her designs typically last about a month.\u003c/p>\n\u003cfigure id=\"attachment_12055052\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055052\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904_K-ONDA-SEPTEMBER-NAIL-ARTIST-_GH-19-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nail artist Laysa Cazares works at her station inside Sparkle SF in San Francisco on Sept. 4, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The most expensive set she has ever done took eight hours, covered both hands with Swarovski crystals and cost $1,400.\u003c/p>\n\u003cp>“Nails aren’t a necessity; they are a luxury,” Cazares said. “I love the feeling of feeling put together, and for a lot of people, this does that for them. For women who work corporate tech jobs, their jobs are so demanding; this is a form of self-expression.”\u003c/p>\n\u003cp>That resonates with San Mateo resident Cristina Medina, 30, who had her first manicure in middle school.\u003c/p>\n\u003cp>“My mom always had her nails done for as long as I can remember, so I think I got it from her, the habit of getting my nails done,” she said. “I’ve always correlated getting my nails done as a way of self-pampering, of taking care of myself. It helps me feel more put together.”\u003c/p>\n\u003cfigure id=\"attachment_12057050\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057050\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1.jpg\" alt=\"\" width=\"2000\" height=\"1129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250919-K-ONDA-NAIL-ARTIST-DIPTYCH-1-1536x867.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Specialty designs by San Francisco nail artist Laysa Cazares. \u003ccite>(Courtesy of Laysa Cazares)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Medina has a standing appointment every three weeks. Her designs range from a simple French tip to more seasonal creations.\u003c/p>\n\u003cp>“I like to spice it up during the holidays,” she said. “For example, Halloween and Dia de los Muertos are coming up, so I might mess with orange, brown colors or even pumpkin. It really gives me that creative freedom and gives me a way to express myself throughout the year.”\u003c/p>\n\u003cp>Cazares is hosting an event this month called \u003ca href=\"http://www.nomicreativestudios.com\">Hexed by Nail Bruja & Friends\u003c/a> to showcase nail art the way an art gallery exhibits paintings. The Friday event will also feature vendors, tarot card readings and cocktails, and will run from 6–9 p.m. at a retro pinball arcade at 1767 Waller St. in San Francisco. Tickets are $30.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Clarification:\u003c/strong> An earlier version of this story said “Latina and Black women pioneered long, brightly decorated nails as fashion statements well before the mainstream embraced the look, she said, while many Vietnamese women have worked in salons.” To clarify, the professor emphasized that Black and Latina women helped popularize and bring visibility to nail art as a cultural fashion statement, while Vietnamese women, many of them immigrants, played a central role in the nail salon industry where the style was widely practiced.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12057037/san-francisco-nail-artist-turns-manicures-into-wearable-art-rooted-in-mexican-heritage",
"authors": [
"11666"
],
"categories": [
"news_29992",
"news_223",
"news_31795",
"news_34551",
"news_28250",
"news_8"
],
"tags": [
"news_19133",
"news_27626",
"news_18816",
"news_19904",
"news_25409",
"news_5624",
"news_5270",
"news_2457",
"news_17996",
"news_38"
],
"featImg": "news_12055049",
"label": "news"
},
"news_12033501": {
"type": "posts",
"id": "news_12033501",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12033501",
"score": null,
"sort": [
1743429607000
]
},
"guestAuthors": [],
"slug": "the-sf-barber-that-welcomes-all-trans-people-into-his-shop",
"title": "The SF Barber That Welcomes All Trans People Into His Shop",
"publishDate": 1743429607,
"format": "standard",
"headTitle": "The SF Barber That Welcomes All Trans People Into His Shop | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>“Oh my God — look at this cut!”\u003c/p>\n\u003cp>As soon as he opened his eyes and saw his reflection in the barbershop mirror in front of him, Angel Filimoehala couldn’t help declaring his happiness with the finished result.\u003c/p>\n\u003cp>Turning his head to see his new haircut from different angles, Filimoehala’s grin only kept growing. “I look good,” he said. “I \u003cem>feel\u003c/em> good!”\u003c/p>\n\u003cp>Standing behind him in the Steel & Strand Barbershop in San Francisco’s Mission District was Santana Vasquez — a barber known professionally as Twinkie or Twinks 415 who’s been cutting Filimoehala’s hair for several years.\u003c/p>\n\u003cp>“I feel like a haircut affirms exactly how I want to look,” Filimoehala said. “As a queer person, it is kind of intimidating stepping into spaces like a barbershop. But with Santana, I know I’m good.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#A\">Jump to: Tips for finding gender-affirming haircuts and grooming\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Finishing Filimoehala’s hair with a spray of coconut oil, Vasquez gently brushed the remaining hair from his shoulders. “A lot of my clients, I feel like they’re my family, to be honest,” Vasquez said. “They sit in my chair, and we talk about what’s going on with them in their day-to-day. I’m not going to stay quiet through the whole haircut.”\u003c/p>\n\u003cp>For Vasquez, his barber chair is a safe space for queer people — especially for transgender men like him, who’ve felt anxious or uncomfortable getting their haircut at other barbershops. Earlier in March, he published \u003ca href=\"https://www.instagram.com/twinks415/\">a flyer on his Instagram page\u003c/a> offering free haircuts all month long to trans men. Within a week, the post had already been shared hundreds of times, with dozens of people commenting messages of support.\u003c/p>\n\u003cfigure id=\"attachment_12033467\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033467\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana ‘Twinks’ Vasquez cuts Angel Filimoehala’s hair at Steel and Strand barbershop in San Francisco on March 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I wanted to open this up for younger trans men that are facing homelessness, that are in the shelter, that don’t have the resources to be able to afford a haircut in San Francisco because prices are super high,” he said, adding that since he published the flyer, people from all over the country — and even abroad — have reached out.\u003c/p>\n\u003cp>“I honestly did not expect the flyer to reach so many people,” he admitted.\u003c/p>\n\u003ch2>\u003cstrong>‘Kind of like community work’\u003c/strong>\u003c/h2>\n\u003cp>For Vasquez, who grew up in the Mission District, it wasn’t always easy to find a place he felt good getting a haircut himself. Beauty salons often weren’t the best option for finding the styles he wanted. Meanwhile, barber shops were usually spaces taken up by \u003ca href=\"https://www.nytimes.com/1994/08/14/nyregion/art-a-meditation-on-masculinity-wrapped-up-in-a-barbershop.html\">cisgender Latino men\u003c/a>.\u003c/p>\n\u003cp>“Damn, you feel like Tupac — ‘all eyes on me,’” he laughed. “It’s scary to walk in such a male-dominated area … you feel that testosterone walking in and everybody’s looking at you, sizing you up.”\u003c/p>\n\u003cp>Also, “they might misgender you,” Vasquez said. “They probably don’t know what [wording] to use.”\u003c/p>\n\u003cp>As a teen, Vasquez would occasionally cut family members’ hair, but it was after he lost a close friend in 2017 that he decided to formally train as a barber. He wanted to become what he never saw growing up: a trans barber of color serving other trans people of color.\u003c/p>\n\u003cfigure id=\"attachment_12033469\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033469\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33.jpg\" alt=\"A transgender client at a barber shop gets a beard trim, closeup.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana ‘Twinks’ Vasquez cuts Angel Filimoehala’s beard at Steel and Strand barbershop in San Francisco on March 26, 2025. Twinks has been offering free haircuts for the month of March to honor trans visibility. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is your appearance — this is what will make you feel comfortable in your body,” he said. “This haircut can be a haircut for a job interview that you’re trying to get … It can be what helps you get out of the shelter if you’re experiencing homelessness.”\u003c/p>\n\u003cp>Growing up, Vasquez was heavily involved in youth intervention programs like \u003ca href=\"https://mncsf.org/mission-girls-2/\">Mission Girls\u003c/a> and \u003ca href=\"https://mncsf.org/precita-valley-community-center-and-family-resource-center/\">Precita Valley Community Center\u003c/a>. “Doing a lot of community work and coming from the juvenile system helped me shift and form how I am now,” he explained. “I feel like cutting hair is still kind of like community work.”\u003c/p>\n\u003ch2>\u003cstrong>‘Find each other and stick together’\u003c/strong>\u003c/h2>\n\u003cp>By offering free haircuts, Vasquez has met dozens of transgender men living all over the Bay Area and other parts of California. They’ve shared their personal situations and asked to hear about his own experience transitioning. From his barber chair, he’s been able to form a network of support, where he connects transgender men seeking friends and community with each other.\u003c/p>\n\u003cp>Filimoehala is one of these men. “For a really long time, especially with my own transition, I felt really alone,” he said. As someone of mixed Pacific Islander and Latino descent, he said he’s always found it rare to meet another trans person who shared his background and traditions. But he’s met several people through Vasquez, which prompted him to form the \u003ca href=\"https://www.instagram.com/pasifikatransmen_network/\">Pasifika Trans Men Network\u003c/a>, a group for trans masc and trans men in the Pacific Islander community.\u003c/p>\n\u003cp>“There’s a big need for us to find each other and stick together because we don’t really know what the next steps are in terms of what the federal government\u003ca href=\"https://www.kqed.org/news/12029428/how-californians-can-start-changing-names-and-gender-markers-on-government-ids\"> is going to do\u003c/a>,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12033470\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033470\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35.jpg\" alt=\"A transgender client at a barber shop gets ready for a haircut with a barber preparing for work.\" width=\"1600\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Angel Filimoehala checks out his new haircut at Steel and Strand barbershop in San Francisco on March 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the past few months, President Donald \u003ca href=\"https://www.pbs.org/newshour/politics/6-ways-trumps-executive-orders-are-targeting-transgender-people\">Trump’s administration has targeted \u003c/a>the needs and rights of transgender and nonbinary people nationwide. On his first day back in the White House, Trump signed an\u003ca href=\"https://www.whitehouse.gov/presidential-actions/2025/01/defending-women-from-gender-ideology-extremism-and-restoring-biological-truth-to-the-federal-government/\"> executive order\u003c/a> that declares the federal government will only “recognize two sexes, male and female,” and has threatened to cut funding for universities and hospitals that provide gender affirming care to trans minors. The Department of Education has also launched investigations into universities that allow transgender athletes to compete with the team that matches their gender identity — including\u003ca href=\"https://www.kqed.org/news/12025974/federal-officials-investigate-san-jose-state-under-trumps-order-trans-athletes\"> San José State University\u003c/a> in the Bay Area.\u003c/p>\n\u003cp>“They’re trying really hard\u003ca href=\"https://www.kqed.org/news/12032067/here-are-all-the-ways-people-are-disappearing-from-government-websites\"> to erase us\u003c/a>,” Filimoehala said. “To me, that’s crazy because I feel there’s more problems in our country than us being trans.”\u003c/p>\n\u003cp>Meanwhile, Vasquez is still getting messages from folks looking for a free haircut. While he also has to make time for paying customers, he’s now looking at ways he can further extend his services for free in the future. “Money can’t buy community. Money can’t buy real connections with your people,” he said.\u003c/p>\n\u003cp>“This is about getting to know other black and brown trans men and building community in my chair.”\u003c/p>\n\u003cfigure id=\"attachment_12033466\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033466\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana ‘Twinks’ Vasquez poses for a photo at Steel and Strand barbershop in San Francisco on March 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"A\">\u003c/a>Tips from Vasquez on finding gender-affirming haircuts and grooming\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>Do some research…\u003c/strong>\u003c/p>\n\u003cp>Before going to a barbershop, Vasquez recommended you spend some time on social media looking for the haircut style you want to go for. It’s helpful to know different terms like a fade or taper haircut, he said, but also …\u003c/p>\n\u003cp>\u003cstrong>Don’t be afraid to lean on your barber, too\u003c/strong>\u003c/p>\n\u003cp>“If you go to a barber and are upfront about what you want, but you don’t know how to describe it … your barber will understand and probably think: ‘Let me give them grace, because at least they’re coming in and they’re trying,’” Vasquez said.\u003c/p>\n\u003cp>\u003cstrong>Be upfront about what you want to keep (or lose)\u003c/strong>\u003c/p>\n\u003cp>“When you’re first growing out your beard, it comes out like peach fuzz,” said Vasquez. “Tell your barber or hairdresser, ‘Hey, I’m trying to keep this on the side. Please don’t cut it off.’”\u003c/p>\n\u003cp>“Be upfront because, as barbers, we don’t know if you’re letting it grow out because it’s been a long time since you got a haircut,” he said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "On Trans Day of Visibility, we visit Santana ‘Twinks’ Vasquez at Steel & Strand Barbershop in San Francisco, a safe space for queer and transgender people, and where trans men can get a free haircut.",
"status": "publish",
"parent": 0,
"modified": 1743454575,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 31,
"wordCount": 1442
},
"headData": {
"title": "The SF Barber That Welcomes All Trans People Into His Shop | KQED",
"description": "On Trans Day of Visibility, we visit Santana ‘Twinks’ Vasquez at Steel & Strand Barbershop in San Francisco, a safe space for queer and transgender people, and where trans men can get a free haircut.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "The SF Barber That Welcomes All Trans People Into His Shop",
"datePublished": "2025-03-31T07:00:07-07:00",
"dateModified": "2025-03-31T13:56:15-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"sticky": false,
"nprStoryId": "kqed-12033501",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12033501/the-sf-barber-that-welcomes-all-trans-people-into-his-shop",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Oh my God — look at this cut!”\u003c/p>\n\u003cp>As soon as he opened his eyes and saw his reflection in the barbershop mirror in front of him, Angel Filimoehala couldn’t help declaring his happiness with the finished result.\u003c/p>\n\u003cp>Turning his head to see his new haircut from different angles, Filimoehala’s grin only kept growing. “I look good,” he said. “I \u003cem>feel\u003c/em> good!”\u003c/p>\n\u003cp>Standing behind him in the Steel & Strand Barbershop in San Francisco’s Mission District was Santana Vasquez — a barber known professionally as Twinkie or Twinks 415 who’s been cutting Filimoehala’s hair for several years.\u003c/p>\n\u003cp>“I feel like a haircut affirms exactly how I want to look,” Filimoehala said. “As a queer person, it is kind of intimidating stepping into spaces like a barbershop. But with Santana, I know I’m good.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#A\">Jump to: Tips for finding gender-affirming haircuts and grooming\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Finishing Filimoehala’s hair with a spray of coconut oil, Vasquez gently brushed the remaining hair from his shoulders. “A lot of my clients, I feel like they’re my family, to be honest,” Vasquez said. “They sit in my chair, and we talk about what’s going on with them in their day-to-day. I’m not going to stay quiet through the whole haircut.”\u003c/p>\n\u003cp>For Vasquez, his barber chair is a safe space for queer people — especially for transgender men like him, who’ve felt anxious or uncomfortable getting their haircut at other barbershops. Earlier in March, he published \u003ca href=\"https://www.instagram.com/twinks415/\">a flyer on his Instagram page\u003c/a> offering free haircuts all month long to trans men. Within a week, the post had already been shared hundreds of times, with dozens of people commenting messages of support.\u003c/p>\n\u003cfigure id=\"attachment_12033467\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033467\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-12-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana ‘Twinks’ Vasquez cuts Angel Filimoehala’s hair at Steel and Strand barbershop in San Francisco on March 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I wanted to open this up for younger trans men that are facing homelessness, that are in the shelter, that don’t have the resources to be able to afford a haircut in San Francisco because prices are super high,” he said, adding that since he published the flyer, people from all over the country — and even abroad — have reached out.\u003c/p>\n\u003cp>“I honestly did not expect the flyer to reach so many people,” he admitted.\u003c/p>\n\u003ch2>\u003cstrong>‘Kind of like community work’\u003c/strong>\u003c/h2>\n\u003cp>For Vasquez, who grew up in the Mission District, it wasn’t always easy to find a place he felt good getting a haircut himself. Beauty salons often weren’t the best option for finding the styles he wanted. Meanwhile, barber shops were usually spaces taken up by \u003ca href=\"https://www.nytimes.com/1994/08/14/nyregion/art-a-meditation-on-masculinity-wrapped-up-in-a-barbershop.html\">cisgender Latino men\u003c/a>.\u003c/p>\n\u003cp>“Damn, you feel like Tupac — ‘all eyes on me,’” he laughed. “It’s scary to walk in such a male-dominated area … you feel that testosterone walking in and everybody’s looking at you, sizing you up.”\u003c/p>\n\u003cp>Also, “they might misgender you,” Vasquez said. “They probably don’t know what [wording] to use.”\u003c/p>\n\u003cp>As a teen, Vasquez would occasionally cut family members’ hair, but it was after he lost a close friend in 2017 that he decided to formally train as a barber. He wanted to become what he never saw growing up: a trans barber of color serving other trans people of color.\u003c/p>\n\u003cfigure id=\"attachment_12033469\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033469\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33.jpg\" alt=\"A transgender client at a barber shop gets a beard trim, closeup.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-33-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana ‘Twinks’ Vasquez cuts Angel Filimoehala’s beard at Steel and Strand barbershop in San Francisco on March 26, 2025. Twinks has been offering free haircuts for the month of March to honor trans visibility. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is your appearance — this is what will make you feel comfortable in your body,” he said. “This haircut can be a haircut for a job interview that you’re trying to get … It can be what helps you get out of the shelter if you’re experiencing homelessness.”\u003c/p>\n\u003cp>Growing up, Vasquez was heavily involved in youth intervention programs like \u003ca href=\"https://mncsf.org/mission-girls-2/\">Mission Girls\u003c/a> and \u003ca href=\"https://mncsf.org/precita-valley-community-center-and-family-resource-center/\">Precita Valley Community Center\u003c/a>. “Doing a lot of community work and coming from the juvenile system helped me shift and form how I am now,” he explained. “I feel like cutting hair is still kind of like community work.”\u003c/p>\n\u003ch2>\u003cstrong>‘Find each other and stick together’\u003c/strong>\u003c/h2>\n\u003cp>By offering free haircuts, Vasquez has met dozens of transgender men living all over the Bay Area and other parts of California. They’ve shared their personal situations and asked to hear about his own experience transitioning. From his barber chair, he’s been able to form a network of support, where he connects transgender men seeking friends and community with each other.\u003c/p>\n\u003cp>Filimoehala is one of these men. “For a really long time, especially with my own transition, I felt really alone,” he said. As someone of mixed Pacific Islander and Latino descent, he said he’s always found it rare to meet another trans person who shared his background and traditions. But he’s met several people through Vasquez, which prompted him to form the \u003ca href=\"https://www.instagram.com/pasifikatransmen_network/\">Pasifika Trans Men Network\u003c/a>, a group for trans masc and trans men in the Pacific Islander community.\u003c/p>\n\u003cp>“There’s a big need for us to find each other and stick together because we don’t really know what the next steps are in terms of what the federal government\u003ca href=\"https://www.kqed.org/news/12029428/how-californians-can-start-changing-names-and-gender-markers-on-government-ids\"> is going to do\u003c/a>,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12033470\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033470\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35.jpg\" alt=\"A transgender client at a barber shop gets ready for a haircut with a barber preparing for work.\" width=\"1600\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-35-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Angel Filimoehala checks out his new haircut at Steel and Strand barbershop in San Francisco on March 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the past few months, President Donald \u003ca href=\"https://www.pbs.org/newshour/politics/6-ways-trumps-executive-orders-are-targeting-transgender-people\">Trump’s administration has targeted \u003c/a>the needs and rights of transgender and nonbinary people nationwide. On his first day back in the White House, Trump signed an\u003ca href=\"https://www.whitehouse.gov/presidential-actions/2025/01/defending-women-from-gender-ideology-extremism-and-restoring-biological-truth-to-the-federal-government/\"> executive order\u003c/a> that declares the federal government will only “recognize two sexes, male and female,” and has threatened to cut funding for universities and hospitals that provide gender affirming care to trans minors. The Department of Education has also launched investigations into universities that allow transgender athletes to compete with the team that matches their gender identity — including\u003ca href=\"https://www.kqed.org/news/12025974/federal-officials-investigate-san-jose-state-under-trumps-order-trans-athletes\"> San José State University\u003c/a> in the Bay Area.\u003c/p>\n\u003cp>“They’re trying really hard\u003ca href=\"https://www.kqed.org/news/12032067/here-are-all-the-ways-people-are-disappearing-from-government-websites\"> to erase us\u003c/a>,” Filimoehala said. “To me, that’s crazy because I feel there’s more problems in our country than us being trans.”\u003c/p>\n\u003cp>Meanwhile, Vasquez is still getting messages from folks looking for a free haircut. While he also has to make time for paying customers, he’s now looking at ways he can further extend his services for free in the future. “Money can’t buy community. Money can’t buy real connections with your people,” he said.\u003c/p>\n\u003cp>“This is about getting to know other black and brown trans men and building community in my chair.”\u003c/p>\n\u003cfigure id=\"attachment_12033466\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12033466\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250326_SFBarber_GC-7-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana ‘Twinks’ Vasquez poses for a photo at Steel and Strand barbershop in San Francisco on March 26, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"A\">\u003c/a>Tips from Vasquez on finding gender-affirming haircuts and grooming\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>Do some research…\u003c/strong>\u003c/p>\n\u003cp>Before going to a barbershop, Vasquez recommended you spend some time on social media looking for the haircut style you want to go for. It’s helpful to know different terms like a fade or taper haircut, he said, but also …\u003c/p>\n\u003cp>\u003cstrong>Don’t be afraid to lean on your barber, too\u003c/strong>\u003c/p>\n\u003cp>“If you go to a barber and are upfront about what you want, but you don’t know how to describe it … your barber will understand and probably think: ‘Let me give them grace, because at least they’re coming in and they’re trying,’” Vasquez said.\u003c/p>\n\u003cp>\u003cstrong>Be upfront about what you want to keep (or lose)\u003c/strong>\u003c/p>\n\u003cp>“When you’re first growing out your beard, it comes out like peach fuzz,” said Vasquez. “Tell your barber or hairdresser, ‘Hey, I’m trying to keep this on the side. Please don’t cut it off.’”\u003c/p>\n\u003cp>“Be upfront because, as barbers, we don’t know if you’re letting it grow out because it’s been a long time since you got a haircut,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12033501/the-sf-barber-that-welcomes-all-trans-people-into-his-shop",
"authors": [
"11708"
],
"categories": [
"news_34168",
"news_8"
],
"tags": [
"news_32707",
"news_27626",
"news_20004",
"news_5270",
"news_2672",
"news_34993",
"news_2486"
],
"featImg": "news_12033647",
"label": "news"
},
"news_12029791": {
"type": "posts",
"id": "news_12029791",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12029791",
"score": null,
"sort": [
1741288525000
]
},
"guestAuthors": [],
"slug": "sfs-mission-district-uncertainty-around-trumps-tariffs-shop-owners-edge",
"title": "Trump Suspends Mexico Tariffs, but Anxiety Reigns at SF Mission District Shops",
"publishDate": 1741288525,
"format": "standard",
"headTitle": "Trump Suspends Mexico Tariffs, but Anxiety Reigns at SF Mission District Shops | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>\u003cem>Updated 12:36 p.m. Thursday\u003c/em>\u003c/p>\n\u003cp>Brightly colored Catrina and Lupita dolls, a mariachi band of skeleton figurines, and clay and wood calaveras and corazóns crowd the shelves at Luz de Luna on 24th Street in \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>The Mission District gift shop’s ceiling-length window displays are bursting with goodies for holidays, birthdays and special occasions — items that owner Denise Gonzales said many locals cherish but might not be able to afford if costs increase under \u003ca href=\"https://www.kqed.org/forum/2010101909121/trump-addresses-congress-after-imposing-sweeping-tariffs-halting-ukrainian-aid\">President Trump’s newly announced federal tariffs\u003c/a>. More than two-thirds of the store’s inventory is handmade and imported from Mexico, according to Gonzales.\u003c/p>\n\u003cp>“The items that we sell are not a necessity, they are not like bread and butter,” Gonzales told KQED. “This is a luxury or something that we buy once in a while, so if the prices are going to go up, people won’t be able to afford us anymore, [and] that makes me nervous.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As Trump announced a new 25% tariff on imports from Mexico on Monday, she worried that she would have to raise prices on the woven falsa blankets, fabrics from San Miguel, little girls’ dresses and traditional blouses, and Día de los Muertos artwork that customers rely on her shop for. Then on Thursday, Trump reversed course and suspended the tariffs. Most goods imported from Mexico, including those Gonzales carries, will get \u003ca href=\"https://apnews.com/live/trump-presidency-updates-3-6-2025\">a month-long exemption\u003c/a> — compounding the uncertainty for many businesses.\u003c/p>\n\u003cp>Whether customers will be able to weather higher prices if Trump does instate a tariff in April is a question Gonzales has been asking herself a lot.\u003c/p>\n\u003cfigure id=\"attachment_12030084\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12030084 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dolls for sale at Luz de Luna, a gift store on 24th Street in San Francisco, on March 5, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I have clients that work in restaurants, and they have to [wear] a Mexican shirt,” Gonzales said. “They used to pay $40, are they going to pay $60? Can they afford that?”\u003c/p>\n\u003cp>Tariffs are \u003ca href=\"https://www.pbs.org/newshour/economy/5-things-to-know-about-tariffs-and-how-they-work\">paid by the importer\u003c/a> bringing the goods into the U.S., not the country of origin, despite Trump’s assertions otherwise. Those higher costs are typically passed on to the consumer.\u003c/p>\n\u003cp>Gonzales is still navigating how, and when, she should adjust prices. Since she hadn’t placed any orders since the tariff was announced earlier this week, she didn’t want to raise costs preemptively or risk losing sales.\u003c/p>\n\u003cp>“I want items to keep selling,” she said. “I don’t want to just wait and add 25% because I haven’t paid that.”\u003c/p>\n\u003cp>But she knows that in the coming weeks, she’ll have to do so if the tariffs take effect since continuing to stock the store with authentic items is a priority that will cost her more.\u003c/p>\n\u003cfigure id=\"attachment_12029904\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12029904 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Denise Gonzales, owner of Luz de Luna, a gift store on 24th Street, poses for a photo at the entrance of the store in San Francisco on March 5, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everything is handcrafted and made in Mexico and is work by the people. They live out of that money that they create,” she told KQED. “Too many times I see things on the internet, I see things much cheaper in other shops, but they are made somewhere else. They are not authentic, they are just copies.”\u003c/p>\n\u003cp>Karla Dubon Castillo, who owns Tienda de Unica down the street, said many of her customers come to get canned goods, vitamins and supplements from Mexico.\u003c/p>\n\u003cp>“When you buy these things, it feels [like] you’re connected to home, to your family, to what you left behind,” she told KQED in Spanish. Tienda de Unica, which translates to Unique Store, carries items from Mexico, Honduras and Guatemala. “It’s what allows you to live and feel like you are not so far away from home.”\u003c/p>\n\u003cp>She’s also worried about raising prices. Castillo said that since Trump took office, her store has already been quieter. She believes some community members are staying home, worried about increased \u003ca href=\"https://www.kqed.org/news/12029195/border-patrol-slashed-tires-dragged-people-from-cars-bakersfield-raids-aclu-says\">immigration enforcement\u003c/a>.\u003c/p>\n\u003cp>“We don’t sell as we used to sell. It’s slower, and the sales are very low, and that worries us because we have to pay bills,” she told KQED.\u003c/p>\n\u003cfigure id=\"attachment_12029903\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12029903 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Products for sale at Luz de Luna, a gift store on 24th Street in San Francisco, on March 5, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After a month-long delay following widespread pushback from Democrats and economic leaders, Trump \u003ca href=\"https://www.whitehouse.gov/fact-sheets/2025/03/fact-sheet-president-donald-j-trump-proceeds-with-tariffs-on-imports-from-canada-and-mexico/\">levied new 25% tariffs\u003c/a> on goods imported from Mexico and Canada under the International Emergency Economic Powers Act on Monday, saying that the flow of fentanyl and other drugs from the countries “is a national emergency and public health crisis.” The administration also imposed a 20% tariff on goods imported from China and a 10% tariff on Canadian energy products.\u003c/p>\n\u003cp>Days later, he signed executive orders on Thursday to give both Canada and Mexico a temporary exemption for goods that are traded under the U.S.-Mexico-Canada Agreement, which he signed during his first term to replace the North American Free Trade Agreement and covers most imports. The pause will last until April 2; Canada and Mexico can avoid the tariffs longer if they show they have made more progress curbing fentanyl trafficking, a senior administration official told reporters on a conference call ahead of the signing, speaking on condition of anonymity.\u003c/p>\n\u003cp>The back-and-forth about where tariffs stand has been confusing for business owners like Arturo Felix, who manages Casa Lucas Market in the Mission.\u003c/p>\n\u003cfigure id=\"attachment_12029905\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12029905\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fruit for sale at Casa Lucas Market on 24th Street in San Francisco on March 5, 2025. President Trump recently implemented a 25% additional tariff on products imported from Mexico. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Today, I did talk to a couple of shippers, and they did start quoting me higher prices,” he said. “I didn’t even think about that, but right now I’m going back to it — I talked to these guys early in the morning — and they all did quote me like a few more dollars. It probably did hit. But this is like brand new stuff, so it’s all green, and it’s not ready to use yet.”\u003c/p>\n\u003cp>Gov. Gavin Newsom called the tariffs “taxes on American families” that would drive up costs on everyday items like groceries, which Felix said is a daunting thought for customers already seeing sky-high prices.\u003c/p>\n\u003cp>[aside postID=news_12029157 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/IMG_1518-1020x765.jpeg']\u003c/p>\n\u003cp>“Tomatoes recently got up to like $3 a pound’ it was so crazy, and demand did go down,” said Felix, whose father has owned the popular Mexican grocery store for more than 40 years. “When it does get too expensive, people will buy less.”\u003c/p>\n\u003cp>Customers streaming through the market on 24th and Florida streets Wednesday afternoon were buying avocados, mangoes, limes and oranges that Felix sources from Mexico for most of the year. A lot of tomatoes also come into California from British Columbia and Vancouver, he said.\u003c/p>\n\u003cp>Felix said sometimes Casa Lucas can absorb price hikes from shippers — as it did when tomato prices rose — but eventually, it becomes unsustainable not to raise the store’s prices.\u003c/p>\n\u003cp>He’s remaining hopeful that the tariffs won’t have a huge impact on essentials like food.\u003c/p>\n\u003cp>“I would think that that would probably affect more high-priced items,” he said. “Food items are cheaper than like a car.\u003c/p>\n\u003cp>“I hope that everything gets settled, because food does get imported a lot from Mexico. You’d be surprised how much stuff comes from there and Canada, too,” Felix said. “Hopefully, everything gets settled up, and we can just work together.”\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/ccabreralomeli\">\u003cem>Carlos Cabrera-Lomelí\u003c/em>\u003c/a>\u003cem> contributed to this report.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Amid a back-and-forth over tariffs on imports from Mexico and Canada, many San Francisco small businesses that sell handmade goods, clothes, food and other items are rattled.",
"status": "publish",
"parent": 0,
"modified": 1743709944,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 31,
"wordCount": 1358
},
"headData": {
"title": "Trump Suspends Mexico Tariffs, but Anxiety Reigns at SF Mission District Shops | KQED",
"description": "Amid a back-and-forth over tariffs on imports from Mexico and Canada, many San Francisco small businesses that sell handmade goods, clothes, food and other items are rattled.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Trump Suspends Mexico Tariffs, but Anxiety Reigns at SF Mission District Shops",
"datePublished": "2025-03-06T11:15:25-08:00",
"dateModified": "2025-04-03T12:52:24-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/cde1514b-71c5-4cbe-a59e-b29d0108dd20/audio.mp3",
"sticky": false,
"nprStoryId": "kqed-12029791",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12029791/sfs-mission-district-uncertainty-around-trumps-tariffs-shop-owners-edge",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated 12:36 p.m. Thursday\u003c/em>\u003c/p>\n\u003cp>Brightly colored Catrina and Lupita dolls, a mariachi band of skeleton figurines, and clay and wood calaveras and corazóns crowd the shelves at Luz de Luna on 24th Street in \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>The Mission District gift shop’s ceiling-length window displays are bursting with goodies for holidays, birthdays and special occasions — items that owner Denise Gonzales said many locals cherish but might not be able to afford if costs increase under \u003ca href=\"https://www.kqed.org/forum/2010101909121/trump-addresses-congress-after-imposing-sweeping-tariffs-halting-ukrainian-aid\">President Trump’s newly announced federal tariffs\u003c/a>. More than two-thirds of the store’s inventory is handmade and imported from Mexico, according to Gonzales.\u003c/p>\n\u003cp>“The items that we sell are not a necessity, they are not like bread and butter,” Gonzales told KQED. “This is a luxury or something that we buy once in a while, so if the prices are going to go up, people won’t be able to afford us anymore, [and] that makes me nervous.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As Trump announced a new 25% tariff on imports from Mexico on Monday, she worried that she would have to raise prices on the woven falsa blankets, fabrics from San Miguel, little girls’ dresses and traditional blouses, and Día de los Muertos artwork that customers rely on her shop for. Then on Thursday, Trump reversed course and suspended the tariffs. Most goods imported from Mexico, including those Gonzales carries, will get \u003ca href=\"https://apnews.com/live/trump-presidency-updates-3-6-2025\">a month-long exemption\u003c/a> — compounding the uncertainty for many businesses.\u003c/p>\n\u003cp>Whether customers will be able to weather higher prices if Trump does instate a tariff in April is a question Gonzales has been asking herself a lot.\u003c/p>\n\u003cfigure id=\"attachment_12030084\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12030084 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TariffsImpact_GC-10_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dolls for sale at Luz de Luna, a gift store on 24th Street in San Francisco, on March 5, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I have clients that work in restaurants, and they have to [wear] a Mexican shirt,” Gonzales said. “They used to pay $40, are they going to pay $60? Can they afford that?”\u003c/p>\n\u003cp>Tariffs are \u003ca href=\"https://www.pbs.org/newshour/economy/5-things-to-know-about-tariffs-and-how-they-work\">paid by the importer\u003c/a> bringing the goods into the U.S., not the country of origin, despite Trump’s assertions otherwise. Those higher costs are typically passed on to the consumer.\u003c/p>\n\u003cp>Gonzales is still navigating how, and when, she should adjust prices. Since she hadn’t placed any orders since the tariff was announced earlier this week, she didn’t want to raise costs preemptively or risk losing sales.\u003c/p>\n\u003cp>“I want items to keep selling,” she said. “I don’t want to just wait and add 25% because I haven’t paid that.”\u003c/p>\n\u003cp>But she knows that in the coming weeks, she’ll have to do so if the tariffs take effect since continuing to stock the store with authentic items is a priority that will cost her more.\u003c/p>\n\u003cfigure id=\"attachment_12029904\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12029904 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-15-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Denise Gonzales, owner of Luz de Luna, a gift store on 24th Street, poses for a photo at the entrance of the store in San Francisco on March 5, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everything is handcrafted and made in Mexico and is work by the people. They live out of that money that they create,” she told KQED. “Too many times I see things on the internet, I see things much cheaper in other shops, but they are made somewhere else. They are not authentic, they are just copies.”\u003c/p>\n\u003cp>Karla Dubon Castillo, who owns Tienda de Unica down the street, said many of her customers come to get canned goods, vitamins and supplements from Mexico.\u003c/p>\n\u003cp>“When you buy these things, it feels [like] you’re connected to home, to your family, to what you left behind,” she told KQED in Spanish. Tienda de Unica, which translates to Unique Store, carries items from Mexico, Honduras and Guatemala. “It’s what allows you to live and feel like you are not so far away from home.”\u003c/p>\n\u003cp>She’s also worried about raising prices. Castillo said that since Trump took office, her store has already been quieter. She believes some community members are staying home, worried about increased \u003ca href=\"https://www.kqed.org/news/12029195/border-patrol-slashed-tires-dragged-people-from-cars-bakersfield-raids-aclu-says\">immigration enforcement\u003c/a>.\u003c/p>\n\u003cp>“We don’t sell as we used to sell. It’s slower, and the sales are very low, and that worries us because we have to pay bills,” she told KQED.\u003c/p>\n\u003cfigure id=\"attachment_12029903\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12029903 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-14-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Products for sale at Luz de Luna, a gift store on 24th Street in San Francisco, on March 5, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After a month-long delay following widespread pushback from Democrats and economic leaders, Trump \u003ca href=\"https://www.whitehouse.gov/fact-sheets/2025/03/fact-sheet-president-donald-j-trump-proceeds-with-tariffs-on-imports-from-canada-and-mexico/\">levied new 25% tariffs\u003c/a> on goods imported from Mexico and Canada under the International Emergency Economic Powers Act on Monday, saying that the flow of fentanyl and other drugs from the countries “is a national emergency and public health crisis.” The administration also imposed a 20% tariff on goods imported from China and a 10% tariff on Canadian energy products.\u003c/p>\n\u003cp>Days later, he signed executive orders on Thursday to give both Canada and Mexico a temporary exemption for goods that are traded under the U.S.-Mexico-Canada Agreement, which he signed during his first term to replace the North American Free Trade Agreement and covers most imports. The pause will last until April 2; Canada and Mexico can avoid the tariffs longer if they show they have made more progress curbing fentanyl trafficking, a senior administration official told reporters on a conference call ahead of the signing, speaking on condition of anonymity.\u003c/p>\n\u003cp>The back-and-forth about where tariffs stand has been confusing for business owners like Arturo Felix, who manages Casa Lucas Market in the Mission.\u003c/p>\n\u003cfigure id=\"attachment_12029905\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12029905\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/20250305_TARIFFSIMPACT_GC-18-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fruit for sale at Casa Lucas Market on 24th Street in San Francisco on March 5, 2025. President Trump recently implemented a 25% additional tariff on products imported from Mexico. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Today, I did talk to a couple of shippers, and they did start quoting me higher prices,” he said. “I didn’t even think about that, but right now I’m going back to it — I talked to these guys early in the morning — and they all did quote me like a few more dollars. It probably did hit. But this is like brand new stuff, so it’s all green, and it’s not ready to use yet.”\u003c/p>\n\u003cp>Gov. Gavin Newsom called the tariffs “taxes on American families” that would drive up costs on everyday items like groceries, which Felix said is a daunting thought for customers already seeing sky-high prices.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_12029157",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/IMG_1518-1020x765.jpeg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Tomatoes recently got up to like $3 a pound’ it was so crazy, and demand did go down,” said Felix, whose father has owned the popular Mexican grocery store for more than 40 years. “When it does get too expensive, people will buy less.”\u003c/p>\n\u003cp>Customers streaming through the market on 24th and Florida streets Wednesday afternoon were buying avocados, mangoes, limes and oranges that Felix sources from Mexico for most of the year. A lot of tomatoes also come into California from British Columbia and Vancouver, he said.\u003c/p>\n\u003cp>Felix said sometimes Casa Lucas can absorb price hikes from shippers — as it did when tomato prices rose — but eventually, it becomes unsustainable not to raise the store’s prices.\u003c/p>\n\u003cp>He’s remaining hopeful that the tariffs won’t have a huge impact on essentials like food.\u003c/p>\n\u003cp>“I would think that that would probably affect more high-priced items,” he said. “Food items are cheaper than like a car.\u003c/p>\n\u003cp>“I hope that everything gets settled, because food does get imported a lot from Mexico. You’d be surprised how much stuff comes from there and Canada, too,” Felix said. “Hopefully, everything gets settled up, and we can just work together.”\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/ccabreralomeli\">\u003cem>Carlos Cabrera-Lomelí\u003c/em>\u003c/a>\u003cem> contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12029791/sfs-mission-district-uncertainty-around-trumps-tariffs-shop-owners-edge",
"authors": [
"11913"
],
"categories": [
"news_31795",
"news_8",
"news_13"
],
"tags": [
"news_1323",
"news_27626",
"news_34377",
"news_20202",
"news_18142",
"news_23121",
"news_5270",
"news_17968",
"news_38",
"news_27734",
"news_23908"
],
"featImg": "news_12029901",
"label": "news"
},
"news_12028154": {
"type": "posts",
"id": "news_12028154",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12028154",
"score": null,
"sort": [
1740394836000
]
},
"guestAuthors": [],
"slug": "sfs-history-with-sanctuary-laws-brings-renewed-challenges-under-trump",
"title": "SF’s History With Sanctuary Laws Brings Renewed Challenges Under Trump",
"publishDate": 1740394836,
"format": "audio",
"headTitle": "SF’s History With Sanctuary Laws Brings Renewed Challenges Under Trump | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">San Francisco’s sanctuary policies have been contested repeatedly since they were first enacted in the 1980s following an immigration raid at a Mission District dance club that left dozens of people detained for hours — some U.S. citizens. So what can the history of challenges against the city’s sanctuary policies tell us about President Donald Trump’s threats to it today?\u003c/span>\u003c/p>\n\u003cp>\u003cem>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1834114881&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:57] I wonder if you could take us back to the 1980s before San Francisco was a sanctuary city. What was going on in the U .S. and abroad at that time?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:01:07] So in the 1980s, there was a number of Central American countries, Nicaragua, El Salvador, Guatemala, Honduras, who were wrapped up in civil wars. A lot of people were fleeing to the United States and seeking refugee status. The Reagan administration, Ronald Reagan was in the White House at the time, refused to recognize these folks as asylum seekers.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:45] Was the city then at the time like openly collaborating with federal immigration agents like all the time?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:01:53] You know, it was normal for federal immigration officials to show up at the county jail, ask to just look through the records of who was there. From what I’ve talked to folks who were in the sheriff’s department and around during that time, it sounds like there was sort of this open door policy into the jails. And then there was a moment in 1989 that really sort of changed the entire dynamic here in San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:17] And that turning point moment was this immigration raid that happened at a dance club in the Mission known as Club Elegante. What was Club Elegante?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:02:28] So this was like a Latin dance club in the Mission. It was a super popular spot for folks to go on the weekends and blow off steam.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:02:36] You know, you get your paycheck on Friday and you want to go, you know, have a little fun or whatever.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:02:43] Tom Amiano was a longtime politician in San Francisco, and I spoke to him about what was going on in San Francisco in the 1980s, back in 2017.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:02:53] It was really a place where I think a lot of people were undocumented, you know, especially people maybe associated with the day laborers. And when it happened, you could hear the sirens and the activity, but one one really didn’t know what was it, you know, what was what was really happening.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:03:17] There was a joint raid between the federal government and local police in which they essentially came into this club on a busy weekend night and took, I think, most everyone there into custody.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:03:31] Our police, they went in there and they roughed up a lot of people. And I think they busted some people who were citizens. You know, it was obvious that this was a big snafu that should have never happened. And I think it was what ignited that sleeping giant.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:03:50] So it was a really huge moment in the city, and it was something that people were very much aware of. It made a lot of headlines and sparked a lot of anger.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:00] I mean, I can’t even imagine something like that happening today in San Francisco. That would just be insane. And I guess how did we go from this raid at Club Elegante to city leaders starting to to really talk seriously about the sanctuary policies and what was their rationale at the time?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:04:29] Some of them actually came out of law enforcement. Like the police themselves were saying, hey, if we’re being deputized to essentially do the job of the federal government, we are undermining our ability to build trust with these immigrant communities.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:04:46] There were demands made on the mayor. And what are you going to do? What is the solution?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:04:51] When this Club Elegante raid happened and there was such huge outcry and fear in the immigrant community, it really created a lot of political momentum and pressure on City Hall and on the police chief, Frank Jordan, to figure out a way to kind of thread this needle. Because it’s not just about someone who’s undocumented being scared to come to the police, although certainly it’s that. But if you are a citizen or a legal resident, but your neighbor is not, or your uncle or your spouse, like a crime happens to you, are you going to be willing to go to the police if you know that they might actually call federal immigration enforcement? And so by the end of that year, they had written and passed the sanctuary policy.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:42] What exactly do San Francisco’s first sanctuary policies look like? And I guess what was passed as a result of this raid?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:05:51] Yeah, the original sanctuary ordinance was really straightforward. It basically just said city employees may not use city funds or resources to help federal immigration enforcement. We won’t stand in the way because that would be illegal, but we’re not going to participate in immigration actions as a local police force.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:20] It’s sort of interesting to think of sanctuary policies being really a result of pushes by local law enforcement.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:06:28] But I do think when you have people in law enforcement, I mean, who are part of, let’s be real, that political system and they’re hearing the same thing and they’re seeing the impact on their ability to investigate and solve crimes, which is the main sort of core function of a local police department. You know, I think often there are disagreements around the nuance and details of these things. But I think that over the years, there has been a fair amount of support within police agencies for these sorts of things.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:07:20] I mean, for I guess as long as I’ve lived now, San Francisco has always been a sanctuary city, but has there always been support for this policy or these policies in San Francisco?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:07:33] Yeah, I mean, it’s interesting. I was not here in the 1990s, but that was an era where there was a lot of sort of backlash to immigration in California, right? This was an era when Prop 187 was passed statewide, which sought to take any public resources and benefits away from folks without legal status. But it really wasn’t until the 2000s that we saw some really high profile criminal cases that kind of brought the sanctuary policy back into the forefront in San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:08:12] The first one was a really tragic triple murder. A man and his two sons were driving in San Francisco in June of 2008, and they were shot by a man who turned out was a gang member and an undocumented immigrant, and it was a case of mistaken identity. This was the first real example in recent years that we saw the right really seize on these policies and really go after San Francisco. The widow of the man, Tony Bologna, who died, you know, went on Fox News and was on Laura Ingraham talking about this. They really made a connection between these sanctuary policies and this murder because the accused shooter, Edwin Ramos, had been convicted of two violent felonies when he was a juvenile. The federal government knew exactly who this person was, Edwin Ramos. He had applied for legal status, so he was in their system. They knew where he lived and what he was doing. And there’s evidence that shows that they had actively sort of chosen not to deport him because they were trying to build a bigger gang case against him and other folks. But because under the current policy at the time, there was like no mechanism to hand over youths to immigration officials, it really sort of focused attention on the sanctuary policy, and at the time, now Governor Gavin Newsom was the mayor here in San Francisco, and ended up in a lot of pressure to try to figure out kind of how to answer this political firestorm.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:06] Right. And he did respond to that pressure by actually making some changes to San Francisco sanctuary policy at the time.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:10:16] Yeah. And what we saw at the time was a sort of, I think maybe what some might argue, I don’t know, maybe even the governor was like maybe an overcorrection. He essentially kind of unilaterally, as the head official in the city, changed the policy so that any undocumented kid merely accused of a felony was handed over to immigration officials. And that in itself caused sort of a backlash. Within a year, the city turned over more than 100 young people to immigration and customs enforcement. And eventually, a year later, the board of supervisors came back to table and amended the city law to say, look, we’re not going to just turn people over who have been accused of felonies and are undocumented young people. So much of the attention, if you were here at the time, was focused on Newsom and Democrats and their policies. And very little attention was given to the mistakes that were, quite frankly, pretty obviously made by immigration officials. If you’re going to say, like, we could have, would have, should have, I don’t think you can only blame the city policies. I think you have to look at the actions of the feds as well.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:23] Right. Although that’s that’s what usually happens is that it’s the local measures that get all the attention. Right. And I feel like another big case that really put San Francisco’s sanctuary policies in the spotlight again was, and I remember this case very vividly, the 2015 fatal shooting of Kate Steinle, which I just remember being just like all over national news at the time.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:11:52] Yeah. And that, again, was a horribly tragic event. This is a young woman, 32 years old, walking along the San Francisco waterfront on Embarcadero Pier and she is shot. The case was very complicated. The accused killer, Juan Francisco Lopez Sanchez, had stolen the gun used in this case from a federal park ranger who had left it unsecured in his car. Lopez Sanchez maintained throughout the entire trial it was an accidental firing of the gun. But, you know, at the core of this, again, was these questions over why he was still in the U .S. He had been deported five times before this. The shooting occurred right after he got out of San Francisco County jail. And again, that’s what a lot of folks seized on, especially critics of the sanctuary policy. Why didn’t San Francisco hand over this known felon to immigration officials?\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:12:51] So, Marisa, I mean, it’s pretty clear San Francisco’s sanctuary status has been challenged repeatedly since the 1980s. And of course, we’re talking about this now because we’re in another one of those moments with President Donald Trump, you know, really challenging California sanctuary status and the sanctuary statuses of other municipalities and states. Tell me a little bit more about what that current fight looks like now\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:13:20] The first time Trump was president, his administration went after sanctuary cities threatening to withhold funding from them. They have essentially dusted off almost identical language and issued a series of executive orders and memos out of D .C. that seek to do exactly what they tried to do the first time, which is essentially say either drop these policies, help us with immigration enforcement, or we’re going to cut off federal funds. And so San Francisco and Santa Clara, along with some other jurisdictions around the nation, have sued. And I think, you know, we’re going to see this really play out in court. The city feels very strongly that they have the Constitution and the law on their side.\u003c/p>\n\u003cp>\u003cstrong>David Chiu \u003c/strong>[00:14:06] It’s not clear from the executive order what they mean by a sanctuary city.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:14:11] What David Chiu, the city attorney, says is that they are illegally asserting a right and commandeering local law enforcement for something that is not the city’s job.\u003c/p>\n\u003cp>\u003cstrong>David Chiu \u003c/strong>[00:14:23] One of the aspects of our lawsuit points out that you have to be clear when you lay out rules and it violates due process if you don’t have clarity. My hope is they would look at facts and the studies that show that building trust with communities help to reduce crime, to improve public safety. That is what this is about.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:14:46] This is not the first time San Francisco is facing a challenge of its sanctuary status and policies. But why do you think that looking back at this long history and even the origins of San Francisco sanctuary policy is so important?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:15:04] I think it’s important to sort of know where we came from and to understand that a lot of these debates have been going on for decades, that they’re not new to this moment. You know, we tend to see these pendulum swings around public opinion on issues like immigration and criminal justice. It’s important to understand that, you know, there’s a reason cities like this did this, not something that David Chiu really underscored that, you know, the role of San Francisco Police Department or the Sheriff’s Department is to keep this community safe. And to them, that includes everyone in the community.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Since they were first enacted in the late 1980s, San Francisco's sanctuary policies have been consistently challenged. ",
"status": "publish",
"parent": 0,
"modified": 1740701769,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 40,
"wordCount": 2529
},
"headData": {
"title": "SF’s History With Sanctuary Laws Brings Renewed Challenges Under Trump | KQED",
"description": "Since they were first enacted in the late 1980s, San Francisco's sanctuary policies have been consistently challenged. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "SF’s History With Sanctuary Laws Brings Renewed Challenges Under Trump",
"datePublished": "2025-02-24T03:00:36-08:00",
"dateModified": "2025-02-27T16:16:09-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"source": "The Bay",
"sourceUrl": "https://www.kqed.org/podcasts/thebay",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC1834114881.mp3?updated=1740176639",
"sticky": false,
"nprStoryId": "kqed-12028154",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12028154/sfs-history-with-sanctuary-laws-brings-renewed-challenges-under-trump",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">San Francisco’s sanctuary policies have been contested repeatedly since they were first enacted in the 1980s following an immigration raid at a Mission District dance club that left dozens of people detained for hours — some U.S. citizens. So what can the history of challenges against the city’s sanctuary policies tell us about President Donald Trump’s threats to it today?\u003c/span>\u003c/p>\n\u003cp>\u003cem>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1834114881&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:00:57] I wonder if you could take us back to the 1980s before San Francisco was a sanctuary city. What was going on in the U .S. and abroad at that time?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:01:07] So in the 1980s, there was a number of Central American countries, Nicaragua, El Salvador, Guatemala, Honduras, who were wrapped up in civil wars. A lot of people were fleeing to the United States and seeking refugee status. The Reagan administration, Ronald Reagan was in the White House at the time, refused to recognize these folks as asylum seekers.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:01:45] Was the city then at the time like openly collaborating with federal immigration agents like all the time?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:01:53] You know, it was normal for federal immigration officials to show up at the county jail, ask to just look through the records of who was there. From what I’ve talked to folks who were in the sheriff’s department and around during that time, it sounds like there was sort of this open door policy into the jails. And then there was a moment in 1989 that really sort of changed the entire dynamic here in San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:02:17] And that turning point moment was this immigration raid that happened at a dance club in the Mission known as Club Elegante. What was Club Elegante?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:02:28] So this was like a Latin dance club in the Mission. It was a super popular spot for folks to go on the weekends and blow off steam.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:02:36] You know, you get your paycheck on Friday and you want to go, you know, have a little fun or whatever.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:02:43] Tom Amiano was a longtime politician in San Francisco, and I spoke to him about what was going on in San Francisco in the 1980s, back in 2017.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:02:53] It was really a place where I think a lot of people were undocumented, you know, especially people maybe associated with the day laborers. And when it happened, you could hear the sirens and the activity, but one one really didn’t know what was it, you know, what was what was really happening.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:03:17] There was a joint raid between the federal government and local police in which they essentially came into this club on a busy weekend night and took, I think, most everyone there into custody.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:03:31] Our police, they went in there and they roughed up a lot of people. And I think they busted some people who were citizens. You know, it was obvious that this was a big snafu that should have never happened. And I think it was what ignited that sleeping giant.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:03:50] So it was a really huge moment in the city, and it was something that people were very much aware of. It made a lot of headlines and sparked a lot of anger.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:04:00] I mean, I can’t even imagine something like that happening today in San Francisco. That would just be insane. And I guess how did we go from this raid at Club Elegante to city leaders starting to to really talk seriously about the sanctuary policies and what was their rationale at the time?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:04:29] Some of them actually came out of law enforcement. Like the police themselves were saying, hey, if we’re being deputized to essentially do the job of the federal government, we are undermining our ability to build trust with these immigrant communities.\u003c/p>\n\u003cp>\u003cstrong>Tom Ammiano \u003c/strong>[00:04:46] There were demands made on the mayor. And what are you going to do? What is the solution?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:04:51] When this Club Elegante raid happened and there was such huge outcry and fear in the immigrant community, it really created a lot of political momentum and pressure on City Hall and on the police chief, Frank Jordan, to figure out a way to kind of thread this needle. Because it’s not just about someone who’s undocumented being scared to come to the police, although certainly it’s that. But if you are a citizen or a legal resident, but your neighbor is not, or your uncle or your spouse, like a crime happens to you, are you going to be willing to go to the police if you know that they might actually call federal immigration enforcement? And so by the end of that year, they had written and passed the sanctuary policy.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:05:42] What exactly do San Francisco’s first sanctuary policies look like? And I guess what was passed as a result of this raid?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:05:51] Yeah, the original sanctuary ordinance was really straightforward. It basically just said city employees may not use city funds or resources to help federal immigration enforcement. We won’t stand in the way because that would be illegal, but we’re not going to participate in immigration actions as a local police force.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:06:20] It’s sort of interesting to think of sanctuary policies being really a result of pushes by local law enforcement.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:06:28] But I do think when you have people in law enforcement, I mean, who are part of, let’s be real, that political system and they’re hearing the same thing and they’re seeing the impact on their ability to investigate and solve crimes, which is the main sort of core function of a local police department. You know, I think often there are disagreements around the nuance and details of these things. But I think that over the years, there has been a fair amount of support within police agencies for these sorts of things.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:07:20] I mean, for I guess as long as I’ve lived now, San Francisco has always been a sanctuary city, but has there always been support for this policy or these policies in San Francisco?\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:07:33] Yeah, I mean, it’s interesting. I was not here in the 1990s, but that was an era where there was a lot of sort of backlash to immigration in California, right? This was an era when Prop 187 was passed statewide, which sought to take any public resources and benefits away from folks without legal status. But it really wasn’t until the 2000s that we saw some really high profile criminal cases that kind of brought the sanctuary policy back into the forefront in San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:08:12] The first one was a really tragic triple murder. A man and his two sons were driving in San Francisco in June of 2008, and they were shot by a man who turned out was a gang member and an undocumented immigrant, and it was a case of mistaken identity. This was the first real example in recent years that we saw the right really seize on these policies and really go after San Francisco. The widow of the man, Tony Bologna, who died, you know, went on Fox News and was on Laura Ingraham talking about this. They really made a connection between these sanctuary policies and this murder because the accused shooter, Edwin Ramos, had been convicted of two violent felonies when he was a juvenile. The federal government knew exactly who this person was, Edwin Ramos. He had applied for legal status, so he was in their system. They knew where he lived and what he was doing. And there’s evidence that shows that they had actively sort of chosen not to deport him because they were trying to build a bigger gang case against him and other folks. But because under the current policy at the time, there was like no mechanism to hand over youths to immigration officials, it really sort of focused attention on the sanctuary policy, and at the time, now Governor Gavin Newsom was the mayor here in San Francisco, and ended up in a lot of pressure to try to figure out kind of how to answer this political firestorm.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:10:06] Right. And he did respond to that pressure by actually making some changes to San Francisco sanctuary policy at the time.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:10:16] Yeah. And what we saw at the time was a sort of, I think maybe what some might argue, I don’t know, maybe even the governor was like maybe an overcorrection. He essentially kind of unilaterally, as the head official in the city, changed the policy so that any undocumented kid merely accused of a felony was handed over to immigration officials. And that in itself caused sort of a backlash. Within a year, the city turned over more than 100 young people to immigration and customs enforcement. And eventually, a year later, the board of supervisors came back to table and amended the city law to say, look, we’re not going to just turn people over who have been accused of felonies and are undocumented young people. So much of the attention, if you were here at the time, was focused on Newsom and Democrats and their policies. And very little attention was given to the mistakes that were, quite frankly, pretty obviously made by immigration officials. If you’re going to say, like, we could have, would have, should have, I don’t think you can only blame the city policies. I think you have to look at the actions of the feds as well.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:11:23] Right. Although that’s that’s what usually happens is that it’s the local measures that get all the attention. Right. And I feel like another big case that really put San Francisco’s sanctuary policies in the spotlight again was, and I remember this case very vividly, the 2015 fatal shooting of Kate Steinle, which I just remember being just like all over national news at the time.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:11:52] Yeah. And that, again, was a horribly tragic event. This is a young woman, 32 years old, walking along the San Francisco waterfront on Embarcadero Pier and she is shot. The case was very complicated. The accused killer, Juan Francisco Lopez Sanchez, had stolen the gun used in this case from a federal park ranger who had left it unsecured in his car. Lopez Sanchez maintained throughout the entire trial it was an accidental firing of the gun. But, you know, at the core of this, again, was these questions over why he was still in the U .S. He had been deported five times before this. The shooting occurred right after he got out of San Francisco County jail. And again, that’s what a lot of folks seized on, especially critics of the sanctuary policy. Why didn’t San Francisco hand over this known felon to immigration officials?\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:12:51] So, Marisa, I mean, it’s pretty clear San Francisco’s sanctuary status has been challenged repeatedly since the 1980s. And of course, we’re talking about this now because we’re in another one of those moments with President Donald Trump, you know, really challenging California sanctuary status and the sanctuary statuses of other municipalities and states. Tell me a little bit more about what that current fight looks like now\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:13:20] The first time Trump was president, his administration went after sanctuary cities threatening to withhold funding from them. They have essentially dusted off almost identical language and issued a series of executive orders and memos out of D .C. that seek to do exactly what they tried to do the first time, which is essentially say either drop these policies, help us with immigration enforcement, or we’re going to cut off federal funds. And so San Francisco and Santa Clara, along with some other jurisdictions around the nation, have sued. And I think, you know, we’re going to see this really play out in court. The city feels very strongly that they have the Constitution and the law on their side.\u003c/p>\n\u003cp>\u003cstrong>David Chiu \u003c/strong>[00:14:06] It’s not clear from the executive order what they mean by a sanctuary city.\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:14:11] What David Chiu, the city attorney, says is that they are illegally asserting a right and commandeering local law enforcement for something that is not the city’s job.\u003c/p>\n\u003cp>\u003cstrong>David Chiu \u003c/strong>[00:14:23] One of the aspects of our lawsuit points out that you have to be clear when you lay out rules and it violates due process if you don’t have clarity. My hope is they would look at facts and the studies that show that building trust with communities help to reduce crime, to improve public safety. That is what this is about.\u003c/p>\n\u003cp>\u003cstrong>Ericka Cruz Guevarra \u003c/strong>[00:14:46] This is not the first time San Francisco is facing a challenge of its sanctuary status and policies. But why do you think that looking back at this long history and even the origins of San Francisco sanctuary policy is so important?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Marisa Lagos \u003c/strong>[00:15:04] I think it’s important to sort of know where we came from and to understand that a lot of these debates have been going on for decades, that they’re not new to this moment. You know, we tend to see these pendulum swings around public opinion on issues like immigration and criminal justice. It’s important to understand that, you know, there’s a reason cities like this did this, not something that David Chiu really underscored that, you know, the role of San Francisco Police Department or the Sheriff’s Department is to keep this community safe. And to them, that includes everyone in the community.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12028154/sfs-history-with-sanctuary-laws-brings-renewed-challenges-under-trump",
"authors": [
"8654",
"3239",
"11831",
"11724",
"11939"
],
"programs": [
"news_28779"
],
"categories": [
"news_31795",
"news_1169",
"news_33520",
"news_13"
],
"tags": [
"news_3631",
"news_1323",
"news_20202",
"news_33812",
"news_31420",
"news_5270",
"news_6627",
"news_20445",
"news_22719",
"news_22598"
],
"featImg": "news_12024430",
"label": "source_news_12028154"
},
"news_12018475": {
"type": "posts",
"id": "news_12018475",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "12018475",
"score": null,
"sort": [
1734449421000
]
},
"guestAuthors": [],
"slug": "no-tornado-sf-crews-still-working-clear-hundreds-downed-trees",
"title": "No Tornado in SF, But Crews Are Still Working to Clear Hundreds of Downed Trees",
"publishDate": 1734449421,
"format": "standard",
"headTitle": "No Tornado in SF, But Crews Are Still Working to Clear Hundreds of Downed Trees | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>San Franciscans woken up early Saturday by \u003ca href=\"https://www.kqed.org/news/12018356/the-tornado-warning-is-over-heres-why-it-was-issued\">a tornado warning\u003c/a> might have hoped it was just a bad dream, but even though a twister never touched down in the city, destructive winds and rain weren’t a passing nightmare.\u003c/p>\n\u003cp>Crews are still clearing downed trees and repairing damage after the storm, which produced gusts of up to 80 mph through Golden Gate Park and the Richmond District, according to the National Weather Service. The Department of Public Works is fielding more than 350 reports of fallen and damaged trees on city streets, and the Recreation and Parks Department estimates that up to 100 more were downed throughout its parks.\u003c/p>\n\u003cp>Golden Gate Park and the Mission District were hit particularly hard, according to department spokespeople.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“About 50 to 100 trees fell across the whole park system, and about half of those at least were in the west end of Golden Gate Park,” said Tamara Aparton, the parks department’s communications director. “It was a really violent storm in the west end, and it knocked down a lot of really big trees.”\u003c/p>\n\u003cp>There was some damage to the outer paddock of the park’s \u003ca href=\"https://www.kqed.org/news/11495697/whats-with-the-bison-in-golden-gate-park\">beloved bison pasture\u003c/a>, but Aparton said the inner paddock remained intact, and all of the bison were safe.\u003c/p>\n\u003cp>In the Richmond District, water seeped into the gym at George Washington High School after a rooftop skylight was damaged, according to San Francisco school district spokesperson Laura Dudnick. On Monday, she said the facilities team was working to repair and clean the space.\u003c/p>\n\u003cfigure id=\"attachment_12018590\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12018590\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A San Francisco Parks and Recreation worker wraps red caution tape around a tree stump by the bison paddock in Golden Gate Park in San Francisco on Dec. 16, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the other side of the city, crews have been clearing hard-hit streets and sidewalks in the Mission District. Fallen street trees broke windows, wrecked cars and landed on some buildings, and the Department of Public Works is also handling damaged fencing and pavement, spokesperson Rachel Gordon said.\u003c/p>\n\u003cp>Utility infrastructure was also damaged in the storm, which had 100,000 customers without power at its peak, according to PG&E. The company did not yet have a tally of the damage on Monday.\u003c/p>\n\u003cp>No injuries have been reported to either the public works or parks department.\u003c/p>\n\u003cp>[aside postID=news_12018025 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241205_Tsunami-Warning_DMB_0666-1020x679.jpg']\u003c/p>\n\u003cp>In addition to many downed trees in the Mission, an entire cluster near San Jose Avenue between Noe Valley and Bernal Heights came down at once, causing a road closure on Saturday.\u003c/p>\n\u003cp>“The big culprit really is wind and then saturated ground,” she said. “If the ground is really wet, there’s not a lot for the roots to grip onto, so they’re more vulnerable to damage, and [that’s] when large limbs come down.”\u003c/p>\n\u003cp>While the total number of downed trees in this storm wasn’t unusually high, city officials said their cleanup would take at least a few more days.\u003c/p>\n\u003cp>“We have no magic wand to make the fallen trees and the branches disappear,” Gordon told KQED. “There are real people who are going out to pick them up and move them away.”\u003c/p>\n\u003cp>She said crews had been out before dawn and late into the night clearing trees. When a full tree falls, it needs to be chopped into smaller pieces before it can be moved, while trees that are still partially standing have to be chipped away.\u003c/p>\n\u003cp>“We have gotten the major incidents cleared, but we still have asked for a little bit of patience,” Gordon said. “It might take several more days at least to get all of the green waste picked up and cleared away.”\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/shossaini\">\u003cem>Sara Hossaini\u003c/em>\u003c/a>\u003cem> contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "San Francisco parks and public works officials combined said they’re dealing with at least 450 downed and damaged trees, especially in Golden Gate Park and the Mission District.",
"status": "publish",
"parent": 0,
"modified": 1734460086,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 19,
"wordCount": 659
},
"headData": {
"title": "No Tornado in SF, But Crews Are Still Working to Clear Hundreds of Downed Trees | KQED",
"description": "San Francisco parks and public works officials combined said they’re dealing with at least 450 downed and damaged trees, especially in Golden Gate Park and the Mission District.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "No Tornado in SF, But Crews Are Still Working to Clear Hundreds of Downed Trees",
"datePublished": "2024-12-17T07:30:21-08:00",
"dateModified": "2024-12-17T10:28:06-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"sticky": false,
"nprStoryId": "kqed-12018475",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/news/12018475/no-tornado-sf-crews-still-working-clear-hundreds-downed-trees",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Franciscans woken up early Saturday by \u003ca href=\"https://www.kqed.org/news/12018356/the-tornado-warning-is-over-heres-why-it-was-issued\">a tornado warning\u003c/a> might have hoped it was just a bad dream, but even though a twister never touched down in the city, destructive winds and rain weren’t a passing nightmare.\u003c/p>\n\u003cp>Crews are still clearing downed trees and repairing damage after the storm, which produced gusts of up to 80 mph through Golden Gate Park and the Richmond District, according to the National Weather Service. The Department of Public Works is fielding more than 350 reports of fallen and damaged trees on city streets, and the Recreation and Parks Department estimates that up to 100 more were downed throughout its parks.\u003c/p>\n\u003cp>Golden Gate Park and the Mission District were hit particularly hard, according to department spokespeople.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“About 50 to 100 trees fell across the whole park system, and about half of those at least were in the west end of Golden Gate Park,” said Tamara Aparton, the parks department’s communications director. “It was a really violent storm in the west end, and it knocked down a lot of really big trees.”\u003c/p>\n\u003cp>There was some damage to the outer paddock of the park’s \u003ca href=\"https://www.kqed.org/news/11495697/whats-with-the-bison-in-golden-gate-park\">beloved bison pasture\u003c/a>, but Aparton said the inner paddock remained intact, and all of the bison were safe.\u003c/p>\n\u003cp>In the Richmond District, water seeped into the gym at George Washington High School after a rooftop skylight was damaged, according to San Francisco school district spokesperson Laura Dudnick. On Monday, she said the facilities team was working to repair and clean the space.\u003c/p>\n\u003cfigure id=\"attachment_12018590\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12018590\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216_SFStormCleanup_GC-9-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A San Francisco Parks and Recreation worker wraps red caution tape around a tree stump by the bison paddock in Golden Gate Park in San Francisco on Dec. 16, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the other side of the city, crews have been clearing hard-hit streets and sidewalks in the Mission District. Fallen street trees broke windows, wrecked cars and landed on some buildings, and the Department of Public Works is also handling damaged fencing and pavement, spokesperson Rachel Gordon said.\u003c/p>\n\u003cp>Utility infrastructure was also damaged in the storm, which had 100,000 customers without power at its peak, according to PG&E. The company did not yet have a tally of the damage on Monday.\u003c/p>\n\u003cp>No injuries have been reported to either the public works or parks department.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_12018025",
"hero": "https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241205_Tsunami-Warning_DMB_0666-1020x679.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to many downed trees in the Mission, an entire cluster near San Jose Avenue between Noe Valley and Bernal Heights came down at once, causing a road closure on Saturday.\u003c/p>\n\u003cp>“The big culprit really is wind and then saturated ground,” she said. “If the ground is really wet, there’s not a lot for the roots to grip onto, so they’re more vulnerable to damage, and [that’s] when large limbs come down.”\u003c/p>\n\u003cp>While the total number of downed trees in this storm wasn’t unusually high, city officials said their cleanup would take at least a few more days.\u003c/p>\n\u003cp>“We have no magic wand to make the fallen trees and the branches disappear,” Gordon told KQED. “There are real people who are going out to pick them up and move them away.”\u003c/p>\n\u003cp>She said crews had been out before dawn and late into the night clearing trees. When a full tree falls, it needs to be chopped into smaller pieces before it can be moved, while trees that are still partially standing have to be chipped away.\u003c/p>\n\u003cp>“We have gotten the major incidents cleared, but we still have asked for a little bit of patience,” Gordon said. “It might take several more days at least to get all of the green waste picked up and cleared away.”\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/shossaini\">\u003cem>Sara Hossaini\u003c/em>\u003c/a>\u003cem> contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/12018475/no-tornado-sf-crews-still-working-clear-hundreds-downed-trees",
"authors": [
"11913"
],
"categories": [
"news_31795",
"news_34165",
"news_8"
],
"tags": [
"news_20061",
"news_1386",
"news_18538",
"news_19204",
"news_255",
"news_3431",
"news_823",
"news_5270",
"news_30125",
"news_38",
"news_2595",
"news_3"
],
"featImg": "news_12018591",
"label": "news"
}
},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "\"KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "\"KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9zZXJpZXMvamVycnlicm93bi9mZWVkL3BvZGNhc3Qv"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vc29sZG91dA"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM4MjU5Nzg2MzI3",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM0NTcwODQ2MjY2",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/news?tag=mission-district": {
"isFetching": false,
"latestQuery": {
"from": 0,
"postsToRender": 9
},
"tag": null,
"vitalsOnly": true,
"totalRequested": 9,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 102,
"relation": "eq"
},
"items": [
"news_12072527",
"news_12071507",
"news_12070146",
"news_12059299",
"news_12057037",
"news_12033501",
"news_12029791",
"news_12028154",
"news_12018475"
]
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"pfsSessionReducer": {},
"subscriptionsReducer": {},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"news_5270": {
"type": "terms",
"id": "news_5270",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "5270",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mission District",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mission District Archives | KQED News",
"ogDescription": null,
"imageData": {
"ogImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"width": 1200,
"height": 630
},
"twImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
},
"twitterCard": "summary_large_image"
}
},
"ttid": 5292,
"slug": "mission-district",
"isLoading": false,
"link": "/news/tag/mission-district"
},
"source_news_12028154": {
"type": "terms",
"id": "source_news_12028154",
"meta": {
"override": true
},
"name": "The Bay",
"link": "https://www.kqed.org/podcasts/thebay",
"isLoading": false
},
"news_29992": {
"type": "terms",
"id": "news_29992",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "29992",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED News",
"ogDescription": null
},
"ttid": 30009,
"slug": "arts",
"isLoading": false,
"link": "/news/category/arts"
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"news_28250": {
"type": "terms",
"id": "news_28250",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "28250",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Local",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Local Archives | KQED News",
"ogDescription": null
},
"ttid": 28267,
"slug": "local",
"isLoading": false,
"link": "/news/category/local"
},
"news_8": {
"type": "terms",
"id": "news_8",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "8",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 8,
"slug": "news",
"isLoading": false,
"link": "/news/category/news"
},
"news_19133": {
"type": "terms",
"id": "news_19133",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19133",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED News",
"ogDescription": null
},
"ttid": 19150,
"slug": "arts",
"isLoading": false,
"link": "/news/tag/arts"
},
"news_32662": {
"type": "terms",
"id": "news_32662",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "32662",
"found": true
},
"relationships": {},
"featImg": null,
"name": "arts and culture",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "arts and culture Archives | KQED News",
"ogDescription": null
},
"ttid": 32679,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/tag/arts-and-culture"
},
"news_36445": {
"type": "terms",
"id": "news_36445",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "36445",
"found": true
},
"relationships": {},
"name": "Bad Bunny",
"slug": "bad-bunny",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Bad Bunny | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 36462,
"isLoading": false,
"link": "/news/tag/bad-bunny"
},
"news_27626": {
"type": "terms",
"id": "news_27626",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "27626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-news Archives | KQED News",
"ogDescription": null
},
"ttid": 27643,
"slug": "featured-news",
"isLoading": false,
"link": "/news/tag/featured-news"
},
"news_18142": {
"type": "terms",
"id": "news_18142",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18142",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Latinos",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Latinos Archives | KQED News",
"ogDescription": null
},
"ttid": 18176,
"slug": "latinos",
"isLoading": false,
"link": "/news/tag/latinos"
},
"news_25409": {
"type": "terms",
"id": "news_25409",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "25409",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Latinx",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Latinx Archives | KQED News",
"ogDescription": null
},
"ttid": 25426,
"slug": "latinx",
"isLoading": false,
"link": "/news/tag/latinx"
},
"news_1425": {
"type": "terms",
"id": "news_1425",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1425",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music Archives | KQED News",
"ogDescription": null
},
"ttid": 1437,
"slug": "music",
"isLoading": false,
"link": "/news/tag/music"
},
"news_38": {
"type": "terms",
"id": "news_38",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "38",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED News",
"ogDescription": null
},
"ttid": 58,
"slug": "san-francisco",
"isLoading": false,
"link": "/news/tag/san-francisco"
},
"news_783": {
"type": "terms",
"id": "news_783",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "783",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Super Bowl",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Super Bowl Archives | KQED News",
"ogDescription": null
},
"ttid": 792,
"slug": "super-bowl",
"isLoading": false,
"link": "/news/tag/super-bowl"
},
"news_33736": {
"type": "terms",
"id": "news_33736",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33736",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 33753,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/interest/arts-and-culture"
},
"news_33733": {
"type": "terms",
"id": "news_33733",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33733",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 33750,
"slug": "news",
"isLoading": false,
"link": "/news/interest/news"
},
"news_33729": {
"type": "terms",
"id": "news_33729",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33729",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED News",
"ogDescription": null
},
"ttid": 33746,
"slug": "san-francisco",
"isLoading": false,
"link": "/news/interest/san-francisco"
},
"news_31420": {
"type": "terms",
"id": "news_31420",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "31420",
"found": true
},
"relationships": {},
"featImg": null,
"name": "latino community",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "latino community Archives | KQED News",
"ogDescription": null
},
"ttid": 31437,
"slug": "latino-community",
"isLoading": false,
"link": "/news/tag/latino-community"
},
"news_3424": {
"type": "terms",
"id": "news_3424",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3424",
"found": true
},
"relationships": {},
"featImg": null,
"name": "nonprofits",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "nonprofits Archives | KQED News",
"ogDescription": null
},
"ttid": 3442,
"slug": "nonprofits",
"isLoading": false,
"link": "/news/tag/nonprofits"
},
"news_28184": {
"type": "terms",
"id": "news_28184",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "28184",
"found": true
},
"relationships": {},
"featImg": null,
"name": "El Tecolote",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "El Tecolote Archives | KQED Arts",
"ogDescription": null
},
"ttid": 28201,
"slug": "el-tecolote",
"isLoading": false,
"link": "/news/affiliate/el-tecolote"
},
"news_31795": {
"type": "terms",
"id": "news_31795",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "31795",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Archives | KQED News",
"ogDescription": null
},
"ttid": 31812,
"slug": "california",
"isLoading": false,
"link": "/news/category/california"
},
"news_17626": {
"type": "terms",
"id": "news_17626",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "crime",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "crime Archives | KQED News",
"ogDescription": null
},
"ttid": 17660,
"slug": "crime",
"isLoading": false,
"link": "/news/tag/crime"
},
"news_1393": {
"type": "terms",
"id": "news_1393",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1393",
"found": true
},
"relationships": {},
"featImg": null,
"name": "homicide",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "homicide Archives | KQED News",
"ogDescription": null
},
"ttid": 1405,
"slug": "homicide",
"isLoading": false,
"link": "/news/tag/homicide"
},
"news_17996": {
"type": "terms",
"id": "news_17996",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17996",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 18030,
"slug": "news",
"isLoading": false,
"link": "/news/tag/news"
},
"news_33745": {
"type": "terms",
"id": "news_33745",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33745",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Criminal Justice",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Criminal Justice Archives | KQED News",
"ogDescription": null
},
"ttid": 33762,
"slug": "criminal-justice",
"isLoading": false,
"link": "/news/interest/criminal-justice"
},
"news_6266": {
"type": "terms",
"id": "news_6266",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6266",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Housing",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Housing Archives | KQED News",
"ogDescription": null
},
"ttid": 6290,
"slug": "housing",
"isLoading": false,
"link": "/news/category/housing"
},
"news_17657": {
"type": "terms",
"id": "news_17657",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17657",
"found": true
},
"relationships": {},
"featImg": null,
"name": "architecture",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "architecture Archives | KQED News",
"ogDescription": null
},
"ttid": 17691,
"slug": "architecture",
"isLoading": false,
"link": "/news/tag/architecture"
},
"news_1386": {
"type": "terms",
"id": "news_1386",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1386",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Area",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Area Archives | KQED News",
"ogDescription": null
},
"ttid": 1398,
"slug": "bay-area",
"isLoading": false,
"link": "/news/tag/bay-area"
},
"news_1775": {
"type": "terms",
"id": "news_1775",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1775",
"found": true
},
"relationships": {},
"featImg": null,
"name": "housing",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "housing Archives | KQED News",
"ogDescription": null
},
"ttid": 1790,
"slug": "housing",
"isLoading": false,
"link": "/news/tag/housing"
},
"news_2672": {
"type": "terms",
"id": "news_2672",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2672",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Photography",
"description": "Witness the Bay Area through captivating images and compelling narratives. Explore the latest visually-driven storytelling by KQED and immerse yourself in the heart of our community.",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Witness the Bay Area through captivating images and compelling narratives. Explore the latest visually-driven storytelling by KQED and immerse yourself in the heart of our community.",
"title": "Photography Archives | KQED News",
"ogDescription": null
},
"ttid": 2689,
"slug": "photography",
"isLoading": false,
"link": "/news/tag/photography"
},
"news_6627": {
"type": "terms",
"id": "news_6627",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6627",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco history Archives | KQED News",
"ogDescription": null
},
"ttid": 6651,
"slug": "san-francisco-history",
"isLoading": false,
"link": "/news/tag/san-francisco-history"
},
"news_34551": {
"type": "terms",
"id": "news_34551",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34551",
"found": true
},
"relationships": {},
"name": "Labor",
"slug": "labor",
"taxonomy": "category",
"description": "We examine worker safety, workplace regulation, employment trends and union organizing.",
"featImg": null,
"headData": {
"title": "Labor | KQED News",
"description": "We examine worker safety, workplace regulation, employment trends and union organizing.",
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 34568,
"isLoading": false,
"link": "/news/category/labor"
},
"news_18816": {
"type": "terms",
"id": "news_18816",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18816",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Halloween",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Halloween Archives | KQED News",
"ogDescription": null
},
"ttid": 18833,
"slug": "halloween",
"isLoading": false,
"link": "/news/tag/halloween"
},
"news_19904": {
"type": "terms",
"id": "news_19904",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19904",
"found": true
},
"relationships": {},
"name": "Labor",
"slug": "labor",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Labor | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 19921,
"isLoading": false,
"link": "/news/tag/labor"
},
"news_5624": {
"type": "terms",
"id": "news_5624",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "5624",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Manteca",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Manteca Archives | KQED News",
"ogDescription": null
},
"ttid": 5648,
"slug": "manteca",
"isLoading": false,
"link": "/news/tag/manteca"
},
"news_2457": {
"type": "terms",
"id": "news_2457",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2457",
"found": true
},
"relationships": {},
"name": "nail polish",
"slug": "nail-polish",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "nail polish | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 2472,
"isLoading": false,
"link": "/news/tag/nail-polish"
},
"news_33740": {
"type": "terms",
"id": "news_33740",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33740",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Events",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Events Archives | KQED News",
"ogDescription": null
},
"ttid": 33757,
"slug": "events",
"isLoading": false,
"link": "/news/interest/events"
},
"news_34168": {
"type": "terms",
"id": "news_34168",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34168",
"found": true
},
"relationships": {},
"name": "Guides and Explainers",
"slug": "guides-and-explainers",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Guides and Explainers Archives | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 34185,
"isLoading": false,
"link": "/news/category/guides-and-explainers"
},
"news_32707": {
"type": "terms",
"id": "news_32707",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "32707",
"found": true
},
"relationships": {},
"featImg": null,
"name": "audience-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "audience-news Archives | KQED News",
"ogDescription": null
},
"ttid": 32724,
"slug": "audience-news",
"isLoading": false,
"link": "/news/tag/audience-news"
},
"news_20004": {
"type": "terms",
"id": "news_20004",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20004",
"found": true
},
"relationships": {},
"featImg": null,
"name": "LGBTQ",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "LGBTQ Archives | KQED News",
"ogDescription": null
},
"ttid": 20021,
"slug": "lgbtq",
"isLoading": false,
"link": "/news/tag/lgbtq"
},
"news_34993": {
"type": "terms",
"id": "news_34993",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34993",
"found": true
},
"relationships": {},
"name": "trans",
"slug": "trans",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "trans | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 35010,
"isLoading": false,
"link": "/news/tag/trans"
},
"news_2486": {
"type": "terms",
"id": "news_2486",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2486",
"found": true
},
"relationships": {},
"featImg": null,
"name": "transgender",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "transgender Archives | KQED News",
"ogDescription": null
},
"ttid": 2501,
"slug": "transgender",
"isLoading": false,
"link": "/news/tag/transgender"
},
"news_13": {
"type": "terms",
"id": "news_13",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "13",
"found": true
},
"relationships": {},
"name": "Politics",
"slug": "politics",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Politics | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 13,
"isLoading": false,
"link": "/news/category/politics"
},
"news_1323": {
"type": "terms",
"id": "news_1323",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1323",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Donald Trump",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Donald Trump Archives | KQED News",
"ogDescription": null
},
"ttid": 1335,
"slug": "donald-trump",
"isLoading": false,
"link": "/news/tag/donald-trump"
},
"news_34377": {
"type": "terms",
"id": "news_34377",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34377",
"found": true
},
"relationships": {},
"name": "featured-politics",
"slug": "featured-politics",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "featured-politics Archives | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 34394,
"isLoading": false,
"link": "/news/tag/featured-politics"
},
"news_20202": {
"type": "terms",
"id": "news_20202",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20202",
"found": true
},
"relationships": {},
"featImg": null,
"name": "immigration",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "immigration Archives | KQED News",
"ogDescription": null
},
"ttid": 20219,
"slug": "immigration",
"isLoading": false,
"link": "/news/tag/immigration"
},
"news_23121": {
"type": "terms",
"id": "news_23121",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "23121",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mexican Americans",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mexican Americans Archives | KQED News",
"ogDescription": null
},
"ttid": 23138,
"slug": "mexican-americans",
"isLoading": false,
"link": "/news/tag/mexican-americans"
},
"news_17968": {
"type": "terms",
"id": "news_17968",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17968",
"found": true
},
"relationships": {},
"name": "Politics",
"slug": "politics",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Politics | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 18002,
"isLoading": false,
"link": "/news/tag/politics"
},
"news_27734": {
"type": "terms",
"id": "news_27734",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "27734",
"found": true
},
"relationships": {},
"featImg": null,
"name": "small businesses",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "small businesses Archives | KQED News",
"ogDescription": null
},
"ttid": 27751,
"slug": "small-businesses",
"isLoading": false,
"link": "/news/tag/small-businesses"
},
"news_23908": {
"type": "terms",
"id": "news_23908",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "23908",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tariffs",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tariffs Archives | KQED News",
"ogDescription": null
},
"ttid": 23925,
"slug": "tariffs",
"isLoading": false,
"link": "/news/tag/tariffs"
},
"news_33748": {
"type": "terms",
"id": "news_33748",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33748",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Immigration",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Immigration Archives | KQED News",
"ogDescription": null
},
"ttid": 33765,
"slug": "immigration",
"isLoading": false,
"link": "/news/interest/immigration"
},
"news_33734": {
"type": "terms",
"id": "news_33734",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33734",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Local Politics",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Local Politics Archives | KQED News",
"ogDescription": null
},
"ttid": 33751,
"slug": "local-politics",
"isLoading": false,
"link": "/news/interest/local-politics"
},
"news_28779": {
"type": "terms",
"id": "news_28779",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "28779",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Bay",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The Bay is a daily news and culture program from KQED that covers the latest headlines, trends, and stories that matter to the Bay Area.",
"title": "The Bay Area Archives | KQED",
"ogDescription": null
},
"ttid": 28796,
"slug": "the-bay",
"isLoading": false,
"link": "/news/program/the-bay"
},
"news_1169": {
"type": "terms",
"id": "news_1169",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1169",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Immigration",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Immigration Archives | KQED News",
"ogDescription": null
},
"ttid": 1180,
"slug": "immigration",
"isLoading": false,
"link": "/news/category/immigration"
},
"news_33520": {
"type": "terms",
"id": "news_33520",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33520",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED News",
"ogDescription": null
},
"ttid": 33537,
"slug": "podcast",
"isLoading": false,
"link": "/news/category/podcast"
},
"news_3631": {
"type": "terms",
"id": "news_3631",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3631",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Area History",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Area History Archives | KQED News",
"ogDescription": null
},
"ttid": 3649,
"slug": "bay-area-history",
"isLoading": false,
"link": "/news/tag/bay-area-history"
},
"news_33812": {
"type": "terms",
"id": "news_33812",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33812",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Interests",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Interests Archives | KQED News",
"ogDescription": null
},
"ttid": 33829,
"slug": "interests",
"isLoading": false,
"link": "/news/tag/interests"
},
"news_20445": {
"type": "terms",
"id": "news_20445",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20445",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sanctuary Cities",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Sanctuary Cities Archives | KQED News",
"ogDescription": null
},
"ttid": 20462,
"slug": "sanctuary-cities",
"isLoading": false,
"link": "/news/tag/sanctuary-cities"
},
"news_22719": {
"type": "terms",
"id": "news_22719",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "22719",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sanctuary Policy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Sanctuary Policy Archives | KQED News",
"ogDescription": null
},
"ttid": 22736,
"slug": "sanctuary-policy",
"isLoading": false,
"link": "/news/tag/sanctuary-policy"
},
"news_22598": {
"type": "terms",
"id": "news_22598",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "22598",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Bay",
"description": "\u003cimg class=\"alignnone size-medium wp-image-11638190\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/02/TheBay_1200x6301.png\" alt=\"\" />\r\n\u003cbr/>\r\n\r\nEvery good story starts local. So that’s where we start. \u003ci>The Bay\u003c/i> is storytelling for daily news. KQED host Devin Katayama talks with reporters to help us make sense of what’s happening in the Bay Area. One story. One conversation. One idea.\r\n\r\n\u003cstrong>Subscribe to The Bay:\u003c/strong>\r\n\r\n\u003ca href=\"https://itunes.apple.com/us/podcast/the-bay/id1350043452?mt=2\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/Listen_on_Apple_Podcasts_sRGB_US-e1515635079510.png\" />\u003c/a>",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Every good story starts local. So that’s where we start. The Bay is storytelling for daily news. KQED host Devin Katayama talks with reporters to help us make sense of what’s happening in the Bay Area. One story. One conversation. One idea. Subscribe to The Bay:",
"title": "The Bay Archives | KQED News",
"ogDescription": null
},
"ttid": 22615,
"slug": "the-bay",
"isLoading": false,
"link": "/news/tag/the-bay"
},
"news_34165": {
"type": "terms",
"id": "news_34165",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "34165",
"found": true
},
"relationships": {},
"name": "Climate",
"slug": "climate",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Climate Archives | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 34182,
"isLoading": false,
"link": "/news/category/climate"
},
"news_20061": {
"type": "terms",
"id": "news_20061",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20061",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Atmospheric River",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Atmospheric River Archives | KQED News",
"ogDescription": null
},
"ttid": 20078,
"slug": "atmospheric-river",
"isLoading": false,
"link": "/news/tag/atmospheric-river"
},
"news_18538": {
"type": "terms",
"id": "news_18538",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18538",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Archives | KQED News",
"ogDescription": null
},
"ttid": 31,
"slug": "california",
"isLoading": false,
"link": "/news/tag/california"
},
"news_19204": {
"type": "terms",
"id": "news_19204",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19204",
"found": true
},
"relationships": {},
"featImg": null,
"name": "climate",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "climate Archives | KQED News",
"ogDescription": null
},
"ttid": 19221,
"slug": "climate",
"isLoading": false,
"link": "/news/tag/climate"
},
"news_255": {
"type": "terms",
"id": "news_255",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "255",
"found": true
},
"relationships": {},
"featImg": null,
"name": "climate change",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "climate change Archives | KQED News",
"ogDescription": null
},
"ttid": 263,
"slug": "climate-change",
"isLoading": false,
"link": "/news/tag/climate-change"
},
"news_3431": {
"type": "terms",
"id": "news_3431",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3431",
"found": true
},
"relationships": {},
"name": "Flooding",
"slug": "flooding",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Flooding | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 3449,
"isLoading": false,
"link": "/news/tag/flooding"
},
"news_823": {
"type": "terms",
"id": "news_823",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "823",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Golden Gate Park",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Golden Gate Park Archives | KQED News",
"ogDescription": null
},
"ttid": 833,
"slug": "golden-gate-park",
"isLoading": false,
"link": "/news/tag/golden-gate-park"
},
"news_30125": {
"type": "terms",
"id": "news_30125",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "30125",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rain storm",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rain storm Archives | KQED News",
"ogDescription": null
},
"ttid": 30142,
"slug": "rain-storm",
"isLoading": false,
"link": "/news/tag/rain-storm"
},
"news_2595": {
"type": "terms",
"id": "news_2595",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2595",
"found": true
},
"relationships": {},
"featImg": null,
"name": "trees",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "trees Archives | KQED News",
"ogDescription": null
},
"ttid": 2611,
"slug": "trees",
"isLoading": false,
"link": "/news/tag/trees"
},
"news_3": {
"type": "terms",
"id": "news_3",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3",
"found": true
},
"relationships": {},
"featImg": null,
"name": "weather",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "weather Archives | KQED News",
"ogDescription": null
},
"ttid": 3,
"slug": "weather",
"isLoading": false,
"link": "/news/tag/weather"
},
"news_33738": {
"type": "terms",
"id": "news_33738",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33738",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Archives | KQED News",
"ogDescription": null
},
"ttid": 33755,
"slug": "california",
"isLoading": false,
"link": "/news/interest/california"
},
"news_33750": {
"type": "terms",
"id": "news_33750",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33750",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Climate",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Climate Archives | KQED News",
"ogDescription": null
},
"ttid": 33767,
"slug": "climate",
"isLoading": false,
"link": "/news/interest/climate"
}
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"localStorageReducer": {},
"browserHistoryReducer": [],
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"location": {
"pathname": "/news/tag/mission-district",
"previousPathname": "/"
}
}
