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"content": "\u003cfigure id=\"attachment_538258\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538258 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Samantha Jimenez Garcia adjusts settings on her camera at Musee Mecanique. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>Musee Mecanique is bringing vintage arcade fun and wackiness to San Francisco! The space, located at Pier 45, has over 300 coin-operated machines and is free to enter. You can spot the owner, Dan Zelinsky, traveling around on roller skates, and find cool (creepy?) animatronics greeting you with laughter – or sometimes a cry!\u003c/p>\n\u003cfigure id=\"attachment_538261\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538261 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Enzo prepares the slate for the next scene. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>The humble origins of Musee Mecanique began when Dan’s father, the founder, started collecting coin operated machines when he was just 11 years old. Dan recollects that it all started when his father won a case of oil for a car at a bingo game; after selling the oil to his piano teacher for 50 cents, he bought his first penny-operated machine. His friends and family would pay a penny to play the machine, and once he earned his first 50 cents, he went out and bought another machine, adding more and more to his collection. The rest is history!\u003c/p>\n\u003cp>Our host, Caleb, is joined by plucky contestants Summer and Ryan on this whirlwind tour. And, of course, they’ll compete for the ultimate mediocre prize!\u003c/p>\n\u003cfigure id=\"attachment_538255\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538255 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(left to right) Caleb, Annelise, and Lauren discuss filming the tour scene at Musee Mecanique.\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>CREDITS\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">HOST – Caleb Monteiro | \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">DIRECTOR – Enzo Choi |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA A – Samantha Jimenez Garcia |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA B – Annelise Wunderlich |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">PRODUCERS – Annelise Wunderlich, Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">TALENT COACH – Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">EDITOR – Lauren Farrar\u003c/span>\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_538258\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538258 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00216-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Samantha Jimenez Garcia adjusts settings on her camera at Musee Mecanique. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>Musee Mecanique is bringing vintage arcade fun and wackiness to San Francisco! The space, located at Pier 45, has over 300 coin-operated machines and is free to enter. You can spot the owner, Dan Zelinsky, traveling around on roller skates, and find cool (creepy?) animatronics greeting you with laughter – or sometimes a cry!\u003c/p>\n\u003cfigure id=\"attachment_538261\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538261 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00245-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Enzo prepares the slate for the next scene. Credit: Cheyenne Bearfoot\u003c/figcaption>\u003c/figure>\n\u003cp>The humble origins of Musee Mecanique began when Dan’s father, the founder, started collecting coin operated machines when he was just 11 years old. Dan recollects that it all started when his father won a case of oil for a car at a bingo game; after selling the oil to his piano teacher for 50 cents, he bought his first penny-operated machine. His friends and family would pay a penny to play the machine, and once he earned his first 50 cents, he went out and bought another machine, adding more and more to his collection. The rest is history!\u003c/p>\n\u003cp>Our host, Caleb, is joined by plucky contestants Summer and Ryan on this whirlwind tour. And, of course, they’ll compete for the ultimate mediocre prize!\u003c/p>\n\u003cfigure id=\"attachment_538255\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-538255 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/38/2024/08/DSC00210-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(left to right) Caleb, Annelise, and Lauren discuss filming the tour scene at Musee Mecanique.\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>CREDITS\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">HOST – Caleb Monteiro | \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">DIRECTOR – Enzo Choi |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA A – Samantha Jimenez Garcia |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">CAMERA B – Annelise Wunderlich |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">PRODUCERS – Annelise Wunderlich, Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">TALENT COACH – Cheyenne Bearfoot |\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400;\">EDITOR – Lauren Farrar\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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