Kendrick Lamar Brought Oakland Turf Dancers to the Super Bowl
Behind the Scenes of Kendrick Lamar’s ‘Squabble Up’ With Bay Area Turf Dancers
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"content": "\u003cp>It’s hard to think of a more American institution than the Super Bowl, especially this year. President Trump was in attendance, and as if to welcome him and his MAGA followers, who are crusading against diversity, equity and inclusion efforts, the NFL \u003ca href=\"https://www.npr.org/2025/02/08/nx-s1-5290233/nfl-super-bowl-end-racism-end-zone\">scrubbed the words “End Racism” from its endzone\u003c/a>. [aside postid='arts_13968608']\u003c/p>\n\u003cp>Amid this resurgence of cultural conservatism, Kendrick Lamar delivered a \u003ca href=\"https://www.youtube.com/watch?v=KDorKy-13ak\">defiant halftime performance\u003c/a> that refused to whitewash the nation’s violent past and present. “It’s a cultural divide, I’ma get it on the flo’ / Forty acres and a mule, this is bigger than the music / Yeah, they tried to rig the game, but you can’t fake influence,” he rapped during a \u003ca href=\"https://www.instagram.com/impact/p/DF5UTGIRzD_/\">symbolism-heavy show\u003c/a> that repeatedly called out systemic racism and the legacy of colonialism.\u003c/p>\n\u003cp>Throughout his 13 minutes on the Ceasars Superdome field in New Orleans, Lamar uplifted the Black creative ingenuity that springs from some of the U.S.’ most neglected inner cities and shapes mainstream American music, slang, fashion and culture — usually without proper credit or compensation. As part of that, he included a crew of turf dancers from Oakland and other parts of the Bay Area. [aside postid='arts_13932887']\u003c/p>\n\u003cp>“I think that was powerful. When you look at the history of it, Black people gave blood, sweat and tears to this country,” said Icecold 3000, one of the dancers in the halftime performance.\u003c/p>\n\u003cp>\u003ca href=\"https://youtu.be/KDorKy-13ak?si=55f-HT3OoNEHz6bz&t=93\">At the 1:34-minute mark\u003c/a> of the video, Icecold 3000 and Dmonte, who were also featured in \u003ca href=\"https://www.kqed.org/arts/13968608/kendrick-lamar-squabble-up-video-turf-dancers-bay-area-oakland\">Lamar’s “squabble up” music video\u003c/a>, appeared in a larger ensemble of Bay Area dancers that included Yung Phil, Kid A the Great, Levi Allen, Stuck Sanders, Live Free Skeeter, Dopeyfresh, Long Live Mosi, Omar Twinz and Brandon Butler.\u003c/p>\n\u003cp>“It’s important that people get to see turf dancers on a big stage like that,” Icecold continued, noting that dance is a cornerstone of hip-hop culture that often gets overlooked. “It’s people with a lot of dreams that they like to give up on. Seeing a style like this that’s not appreciated in the mainstream market — this is a ‘you can do anything’-type story.”\u003c/p>\n\u003cp>After the turfers went dumb, flashing their grills during “squabble up,” Samuel L. Jackson chimed in as a satirical version of Uncle Sam.\u003c/p>\n\u003cp>“No, no, no! Too loud, too reckless. Too \u003cem>ghetto\u003c/em>,” he chastised them on stage. “Mr. Lamar, do you really know how to play the game?”\u003c/p>\n\u003cp>\u003ca href=\"https://www.thedailybeast.com/maga-melts-down-over-kendrick-lamars-super-bowl-lix-halftime-performance/\">Conservative politicians and commentators had pretty much the same reaction\u003c/a> to Lamar’s halftime show in real life.\u003c/p>\n\u003cp>\u003ca href=\"https://youtu.be/KDorKy-13ak?si=c5NnFbfrC6rAu3ar&t=352\">Just before the six-minute mark\u003c/a>, the turf dancers returned once again, this time under a streetlamp reminiscent of America’s many blighted street corners. Despite hundreds of years of policy that have denied Black Americans opportunity and dignity, despite powerful people like Trump who downplay these wrongs, Lamar affirms: “I deserve it all.” [ad fullwidth]\u003c/p>\n\u003cp>For Icecold and the other dancers, collaborating with one of today’s most dominant rappers on one of the world’s biggest stages was a major milestone. But the true win for Icecold was making Oakland and the Bay proud.\u003c/p>\n\u003cp>“I think the main thing that had me ultimately juiced and happy was knowing that everybody at home was happy at the exact same time,” Icecold said proudly. “Like, the whole Bay Area was happy.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Amid this resurgence of cultural conservatism, Kendrick Lamar delivered a \u003ca href=\"https://www.youtube.com/watch?v=KDorKy-13ak\">defiant halftime performance\u003c/a> that refused to whitewash the nation’s violent past and present. “It’s a cultural divide, I’ma get it on the flo’ / Forty acres and a mule, this is bigger than the music / Yeah, they tried to rig the game, but you can’t fake influence,” he rapped during a \u003ca href=\"https://www.instagram.com/impact/p/DF5UTGIRzD_/\">symbolism-heavy show\u003c/a> that repeatedly called out systemic racism and the legacy of colonialism.\u003c/p>\n\u003cp>Throughout his 13 minutes on the Ceasars Superdome field in New Orleans, Lamar uplifted the Black creative ingenuity that springs from some of the U.S.’ most neglected inner cities and shapes mainstream American music, slang, fashion and culture — usually without proper credit or compensation. As part of that, he included a crew of turf dancers from Oakland and other parts of the Bay Area. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think that was powerful. When you look at the history of it, Black people gave blood, sweat and tears to this country,” said Icecold 3000, one of the dancers in the halftime performance.\u003c/p>\n\u003cp>\u003ca href=\"https://youtu.be/KDorKy-13ak?si=55f-HT3OoNEHz6bz&t=93\">At the 1:34-minute mark\u003c/a> of the video, Icecold 3000 and Dmonte, who were also featured in \u003ca href=\"https://www.kqed.org/arts/13968608/kendrick-lamar-squabble-up-video-turf-dancers-bay-area-oakland\">Lamar’s “squabble up” music video\u003c/a>, appeared in a larger ensemble of Bay Area dancers that included Yung Phil, Kid A the Great, Levi Allen, Stuck Sanders, Live Free Skeeter, Dopeyfresh, Long Live Mosi, Omar Twinz and Brandon Butler.\u003c/p>\n\u003cp>“It’s important that people get to see turf dancers on a big stage like that,” Icecold continued, noting that dance is a cornerstone of hip-hop culture that often gets overlooked. “It’s people with a lot of dreams that they like to give up on. Seeing a style like this that’s not appreciated in the mainstream market — this is a ‘you can do anything’-type story.”\u003c/p>\n\u003cp>After the turfers went dumb, flashing their grills during “squabble up,” Samuel L. Jackson chimed in as a satirical version of Uncle Sam.\u003c/p>\n\u003cp>“No, no, no! Too loud, too reckless. Too \u003cem>ghetto\u003c/em>,” he chastised them on stage. “Mr. Lamar, do you really know how to play the game?”\u003c/p>\n\u003cp>\u003ca href=\"https://www.thedailybeast.com/maga-melts-down-over-kendrick-lamars-super-bowl-lix-halftime-performance/\">Conservative politicians and commentators had pretty much the same reaction\u003c/a> to Lamar’s halftime show in real life.\u003c/p>\n\u003cp>\u003ca href=\"https://youtu.be/KDorKy-13ak?si=c5NnFbfrC6rAu3ar&t=352\">Just before the six-minute mark\u003c/a>, the turf dancers returned once again, this time under a streetlamp reminiscent of America’s many blighted street corners. Despite hundreds of years of policy that have denied Black Americans opportunity and dignity, despite powerful people like Trump who downplay these wrongs, Lamar affirms: “I deserve it all.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Icecold and the other dancers, collaborating with one of today’s most dominant rappers on one of the world’s biggest stages was a major milestone. But the true win for Icecold was making Oakland and the Bay proud.\u003c/p>\n\u003cp>“I think the main thing that had me ultimately juiced and happy was knowing that everybody at home was happy at the exact same time,” Icecold said proudly. “Like, the whole Bay Area was happy.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Behind the Scenes of Kendrick Lamar’s ‘Squabble Up’ With Bay Area Turf Dancers",
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"content": "\u003cp>After uniting the West Coast with “Not Like Us” earlier this year, Kendrick Lamar has arrived with another anthem, “squabble up.” The standout track from K.Dot’s surprise new album, \u003cem>GNX\u003c/em>, which hit streaming last Friday, is a funky flip of Debbie Deb’s freestyle classic, “When I Hear Music.” Its music video arrived Monday morning, and Lamar packed it with hip-hop culture (and history) references that lean heavily into his hometown of Compton, and also include an homage to the Bay Area.\u003c/p>\n\u003cp>https://youtu.be/fuV4yQWdn_4?si=-PoFOJhHqeb7Utga\u003c/p>\n\u003cp>In the video, Lamar posts up in an empty Victorian living room, rapping nonchalantly in a Dodgers-blue hoodie while scenes unfold around him, like \u003ca href=\"https://www.artnews.com/art-news/news/kendrick-lamar-henry-taylor-stage-sets-music-festival-lollapalooza-2023-1234675862/\">Henry Taylor paintings\u003c/a> brought to life. David Hammond’s red, green and black \u003ca href=\"https://www.moma.org/collection/works/222169\">\u003cem>African American Flag\u003c/em>\u003c/a> hangs on the wall. Dancers c-walk; girls pose in front of a mall-style airbrushed backdrop; and a lowrider hits the hydraulics. Lamar also slips in references to Black pop culture staples, including Isaac Hayes, \u003cem>Soul Train\u003c/em> and the 1993 film \u003cem>Menace II Society\u003c/em>, which features the \u003ca href=\"https://www.kqed.org/arts/13968340/saafir-dead-oakland-rapper-dies-at-54\">late Oakland rapper Saafir\u003c/a>.\u003c/p>\n\u003cp>About 50 seconds in, we see Lamar crack open a book called \u003cem>How to Be More Like Kendrick for Dummies\u003c/em> as Bay Area turf dancers go stupid and ride scraper bikes around him. Local fans might recognize \u003ca href=\"https://www.instagram.com/dmonte_fashion/\">Dmonte\u003c/a>, \u003ca href=\"https://www.instagram.com/icecold3000/?hl=en\">Icecold 3000\u003c/a> and \u003ca href=\"https://www.instagram.com/aktivetf/\">Aktive\u003c/a> of Turf Feinz and \u003ca href=\"https://www.instagram.com/pti_allgold/?hl=en\">Kiing Velo\u003c/a> (a.k.a. All Gold Niinoo) of Best Alive Dance Crew.\u003c/p>\n\u003cp>“Thank you for phuckin wit east Oakland, west Oakland and Richmond,” Icecold wrote on Instagram.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Icecold 3000 tells KQED the opportunity came about when he least expected it. One day, while playing \u003cem>NBA 2K\u003c/em> with friends, he got an Instagram DM from the video’s director, Calmatic. “He said he needed me to come down to L.A. for something. But he couldn’t tell me what it was because he was on a contract,” Icecold says. [aside postid='arts_13932887,arts_13960019']\u003c/p>\n\u003cp>He and Aktive decided to take a chance and drive down. When they arrived on set, they started to notice it was buzzing with industry figures like L.A. rapper G Perico and dancer Storm DeBarge. Among the many L.A. faces, they ran into Velo and Dmonte, who they knew from the turfing scene in the Bay.\u003c/p>\n\u003cp>“Our chemistry was just so, so electric when we were shooting our takes,” Icecold recalls. “I think we shot like 20 takes almost, and they was asking, ‘Did you just meet each other today? How is the chemistry so high?’ So we had to tell them, we from the same area. We grew up around each other.”\u003c/p>\n\u003cp>As for the \u003ca href=\"https://www.kqed.org/arts/13937384/the-original-scraper-bike-team-cruises-on\">scraper bikes\u003c/a>, they weren’t imported from Oakland. The music video production team recreated their signature colorful wheels. “I think they did a good job with the design, down to the clothes they had us wear. They was really trying to capture the actual essence of the hyphy movement [of the 2000s],” Icecold says.\u003c/p>\n\u003cp>Surprisingly enough, Kendrick Lamar was actually not on set with Icecold and the dancers. He was added into the scene after the fact, in post-production.\u003c/p>\n\u003cp>“So it was basically just everybody else [there], like all the other rappers and artists and people connected to him,” says Icecold.\u003c/p>\n\u003cp>Lamar’s nod to an iconic Bay Area dance style is not the first time the hitmaker has referenced the region in his art. He shot his music video for “Alright,” from his pivotal album \u003cem>To Pimp a Butterfly\u003c/em>, on Treasure Island in 2015. More recently, he tapped Vallejo legend E-40 to host his Juneteenth stadium show in L.A. as he made his victory lap after his beef with Drake. “squabble up” is just his latest show of appreciation for the Bay’s contributions to West Coast hip-hop culture.\u003c/p>\n\u003cp>Icecold 3000, who noted his phone’s been blowing up all day, says he walked away from the experience with a deep sense of gratitude. Not just because Kendrick showed love to the Bay, but because the “squabble up” video reminds audiences that dance is a crucial part of hip-hop. He hopes more artists will include turfing in their videos and keep the art alive.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Just him showing love to the dance community first and foremost — I love and respect that,” Icecold says. “I think people forget how big the dancers is, and how important the dancers have always been\u003ci>.”\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After uniting the West Coast with “Not Like Us” earlier this year, Kendrick Lamar has arrived with another anthem, “squabble up.” The standout track from K.Dot’s surprise new album, \u003cem>GNX\u003c/em>, which hit streaming last Friday, is a funky flip of Debbie Deb’s freestyle classic, “When I Hear Music.” Its music video arrived Monday morning, and Lamar packed it with hip-hop culture (and history) references that lean heavily into his hometown of Compton, and also include an homage to the Bay Area.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fuV4yQWdn_4'\n title='//www.youtube.com/embed/fuV4yQWdn_4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the video, Lamar posts up in an empty Victorian living room, rapping nonchalantly in a Dodgers-blue hoodie while scenes unfold around him, like \u003ca href=\"https://www.artnews.com/art-news/news/kendrick-lamar-henry-taylor-stage-sets-music-festival-lollapalooza-2023-1234675862/\">Henry Taylor paintings\u003c/a> brought to life. David Hammond’s red, green and black \u003ca href=\"https://www.moma.org/collection/works/222169\">\u003cem>African American Flag\u003c/em>\u003c/a> hangs on the wall. Dancers c-walk; girls pose in front of a mall-style airbrushed backdrop; and a lowrider hits the hydraulics. Lamar also slips in references to Black pop culture staples, including Isaac Hayes, \u003cem>Soul Train\u003c/em> and the 1993 film \u003cem>Menace II Society\u003c/em>, which features the \u003ca href=\"https://www.kqed.org/arts/13968340/saafir-dead-oakland-rapper-dies-at-54\">late Oakland rapper Saafir\u003c/a>.\u003c/p>\n\u003cp>About 50 seconds in, we see Lamar crack open a book called \u003cem>How to Be More Like Kendrick for Dummies\u003c/em> as Bay Area turf dancers go stupid and ride scraper bikes around him. Local fans might recognize \u003ca href=\"https://www.instagram.com/dmonte_fashion/\">Dmonte\u003c/a>, \u003ca href=\"https://www.instagram.com/icecold3000/?hl=en\">Icecold 3000\u003c/a> and \u003ca href=\"https://www.instagram.com/aktivetf/\">Aktive\u003c/a> of Turf Feinz and \u003ca href=\"https://www.instagram.com/pti_allgold/?hl=en\">Kiing Velo\u003c/a> (a.k.a. All Gold Niinoo) of Best Alive Dance Crew.\u003c/p>\n\u003cp>“Thank you for phuckin wit east Oakland, west Oakland and Richmond,” Icecold wrote on Instagram.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Icecold 3000 tells KQED the opportunity came about when he least expected it. One day, while playing \u003cem>NBA 2K\u003c/em> with friends, he got an Instagram DM from the video’s director, Calmatic. “He said he needed me to come down to L.A. for something. But he couldn’t tell me what it was because he was on a contract,” Icecold says. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He and Aktive decided to take a chance and drive down. When they arrived on set, they started to notice it was buzzing with industry figures like L.A. rapper G Perico and dancer Storm DeBarge. Among the many L.A. faces, they ran into Velo and Dmonte, who they knew from the turfing scene in the Bay.\u003c/p>\n\u003cp>“Our chemistry was just so, so electric when we were shooting our takes,” Icecold recalls. “I think we shot like 20 takes almost, and they was asking, ‘Did you just meet each other today? How is the chemistry so high?’ So we had to tell them, we from the same area. We grew up around each other.”\u003c/p>\n\u003cp>As for the \u003ca href=\"https://www.kqed.org/arts/13937384/the-original-scraper-bike-team-cruises-on\">scraper bikes\u003c/a>, they weren’t imported from Oakland. The music video production team recreated their signature colorful wheels. “I think they did a good job with the design, down to the clothes they had us wear. They was really trying to capture the actual essence of the hyphy movement [of the 2000s],” Icecold says.\u003c/p>\n\u003cp>Surprisingly enough, Kendrick Lamar was actually not on set with Icecold and the dancers. He was added into the scene after the fact, in post-production.\u003c/p>\n\u003cp>“So it was basically just everybody else [there], like all the other rappers and artists and people connected to him,” says Icecold.\u003c/p>\n\u003cp>Lamar’s nod to an iconic Bay Area dance style is not the first time the hitmaker has referenced the region in his art. He shot his music video for “Alright,” from his pivotal album \u003cem>To Pimp a Butterfly\u003c/em>, on Treasure Island in 2015. More recently, he tapped Vallejo legend E-40 to host his Juneteenth stadium show in L.A. as he made his victory lap after his beef with Drake. “squabble up” is just his latest show of appreciation for the Bay’s contributions to West Coast hip-hop culture.\u003c/p>\n\u003cp>Icecold 3000, who noted his phone’s been blowing up all day, says he walked away from the experience with a deep sense of gratitude. Not just because Kendrick showed love to the Bay, but because the “squabble up” video reminds audiences that dance is a crucial part of hip-hop. He hopes more artists will include turfing in their videos and keep the art alive.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Just him showing love to the dance community first and foremost — I love and respect that,” Icecold says. “I think people forget how big the dancers is, and how important the dancers have always been\u003ci>.”\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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},
"link": "https://www.cityarts.net",
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},
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
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"order": 9
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
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},
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
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