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"title": "New Oklahoma City Documentary Calculates the Human Cost of Extremism",
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"content": "\u003cp>April 19, 2025 marks the 30th anniversary of the Oklahoma City bombing. Timothy McVeigh’s act of terror took the lives of 168 people, including 25 children, who were inside the Alfred P. Murrah Federal Building when McVeigh’s truck bomb detonated outside. A powerful new three-part National Geographic documentary series revisits the tragedy this week, seeking to connect the bombing starkly to the present day.\u003c/p>\n\u003cp>[aside postid='arts_13967651']Unfortunately for the makers of \u003cem>Oklahoma City Bombing: One Day in America\u003c/em>, the series trails behind another impactful documentary on the subject by almost a year. Max’s Katie Couric-produced film, \u003cem>An American Bombing: The Road to April 19th\u003c/em> featured many of the same interviewees who tell their stories once again in \u003cem>Oklahoma City Bombing\u003c/em>. These include former President Bill Clinton, District Fire Chief Mike Shannon and FBI agent Bob Ricks. The families of victims, including brothers Chase and Colton Smith who died at the building’s day care center, and interpreter Julie Welch who was working on the first floor, are also featured in both.\u003c/p>\n\u003cp>While some of the quotes offered during \u003cem>The Road to April 19th\u003c/em> are repeated almost word-for-word in \u003cem>Oklahoma City Bombing\u003c/em>, the new series differs enough to make a viewing worthwhile. \u003cem>The Road to April 19th\u003c/em> focused primarily on the social and economic circumstances that led not just to McVeigh’s actions, but to a move towards extremist ideologies in America’s heartland. \u003ci>Oklahoma City Bombing\u003c/i> takes a much more personal approach and does a far deeper dive into the minute-by-minute events of the day.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0WMymIthVzM\u003c/p>\n\u003cp>One of \u003cem>Oklahoma City Bombing\u003c/em>’s most valuable assets is Mike Shannon. The agony he experienced on April 19 as he made life-and-death decisions for his fire crew, as well as for victims still buried in the rubble, provide tension and an emotional wallop that \u003cem>The Road to April 19th\u003c/em> often lacked. One of the victims trapped in the debris, Amy Downs, also talks with visceral candor about the hours she spent waiting for death in the half-collapsed building. The experience inspired her to transform her life and pursue a path to honor the many coworkers she lost that day. Julie Welch’s father, Bud, also movingly describes how his daughter’s death transformed his life’s purpose.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The stories of survivors bring the horror of April 19 to vivid life in \u003cem>Oklahoma City Bombing\u003c/em>. An ATF agent named Luke Franey talks of being trapped on the ninth floor after his office was cut in half by the explosion. Fran Ferrari, a worker from \u003ci>The Journal Record\u003c/i> building across the street, recalls managing to modestly pull her skirt into place even as she was carried, drenched in her own blood, to first responders. One of them, an EMT scrambling to save the lives of small, terrified children, shares her struggle to hold tears back as she worked.\u003c/p>\n\u003cp>One of the most impactful elements of \u003cem>Oklahoma City Bombing\u003c/em> comes in the final episode with the arrival of Stephen Jones, the defense attorney who was assigned (somewhat reluctantly) to Timothy McVeigh’s case. The footage of Jones and McVeigh engaged in pre-trial meetings is chilling; McVeigh appears unperturbed shortly after committing mass murder. Jones says he was disturbed by McVeigh’s calm demeanor.\u003c/p>\n\u003cp>[aside postid='arts_13891175']It is these kinds of personal perspectives that make \u003cem>Oklahoma City Bombing: One Day in America\u003c/em> such a compelling watch. Footage of the subsequent memorial service and the final demolition of the Federal Building close out the story effectively. In the end, \u003cem>Oklahoma City Bombing\u003c/em> ends up being an excellent companion piece to \u003cem>An American Bombing: The Road to April 19th\u003c/em>. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>April 19, 2025 marks the 30th anniversary of the Oklahoma City bombing. Timothy McVeigh’s act of terror took the lives of 168 people, including 25 children, who were inside the Alfred P. Murrah Federal Building when McVeigh’s truck bomb detonated outside. A powerful new three-part National Geographic documentary series revisits the tragedy this week, seeking to connect the bombing starkly to the present day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Unfortunately for the makers of \u003cem>Oklahoma City Bombing: One Day in America\u003c/em>, the series trails behind another impactful documentary on the subject by almost a year. Max’s Katie Couric-produced film, \u003cem>An American Bombing: The Road to April 19th\u003c/em> featured many of the same interviewees who tell their stories once again in \u003cem>Oklahoma City Bombing\u003c/em>. These include former President Bill Clinton, District Fire Chief Mike Shannon and FBI agent Bob Ricks. The families of victims, including brothers Chase and Colton Smith who died at the building’s day care center, and interpreter Julie Welch who was working on the first floor, are also featured in both.\u003c/p>\n\u003cp>While some of the quotes offered during \u003cem>The Road to April 19th\u003c/em> are repeated almost word-for-word in \u003cem>Oklahoma City Bombing\u003c/em>, the new series differs enough to make a viewing worthwhile. \u003cem>The Road to April 19th\u003c/em> focused primarily on the social and economic circumstances that led not just to McVeigh’s actions, but to a move towards extremist ideologies in America’s heartland. \u003ci>Oklahoma City Bombing\u003c/i> takes a much more personal approach and does a far deeper dive into the minute-by-minute events of the day.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0WMymIthVzM'\n title='//www.youtube.com/embed/0WMymIthVzM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>One of \u003cem>Oklahoma City Bombing\u003c/em>’s most valuable assets is Mike Shannon. The agony he experienced on April 19 as he made life-and-death decisions for his fire crew, as well as for victims still buried in the rubble, provide tension and an emotional wallop that \u003cem>The Road to April 19th\u003c/em> often lacked. One of the victims trapped in the debris, Amy Downs, also talks with visceral candor about the hours she spent waiting for death in the half-collapsed building. The experience inspired her to transform her life and pursue a path to honor the many coworkers she lost that day. Julie Welch’s father, Bud, also movingly describes how his daughter’s death transformed his life’s purpose.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The stories of survivors bring the horror of April 19 to vivid life in \u003cem>Oklahoma City Bombing\u003c/em>. An ATF agent named Luke Franey talks of being trapped on the ninth floor after his office was cut in half by the explosion. Fran Ferrari, a worker from \u003ci>The Journal Record\u003c/i> building across the street, recalls managing to modestly pull her skirt into place even as she was carried, drenched in her own blood, to first responders. One of them, an EMT scrambling to save the lives of small, terrified children, shares her struggle to hold tears back as she worked.\u003c/p>\n\u003cp>One of the most impactful elements of \u003cem>Oklahoma City Bombing\u003c/em> comes in the final episode with the arrival of Stephen Jones, the defense attorney who was assigned (somewhat reluctantly) to Timothy McVeigh’s case. The footage of Jones and McVeigh engaged in pre-trial meetings is chilling; McVeigh appears unperturbed shortly after committing mass murder. Jones says he was disturbed by McVeigh’s calm demeanor.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It is these kinds of personal perspectives that make \u003cem>Oklahoma City Bombing: One Day in America\u003c/em> such a compelling watch. Footage of the subsequent memorial service and the final demolition of the Federal Building close out the story effectively. In the end, \u003cem>Oklahoma City Bombing\u003c/em> ends up being an excellent companion piece to \u003cem>An American Bombing: The Road to April 19th\u003c/em>. Where Max’s documentary was an effective warning about far right extremism and the dangers it still poses to the United States, National Geographic’s effort is a poignant reminder of the human toll of such ideologies.\u003c/p>\n\u003cp>Towards the end of the series’ final episode, Bill Clinton offers a sobering warning about the cost of homegrown extremist ideologies. “We need for people to recognize that our differences are good, healthy, even essential — but only if our common humanity matters more,” he says. “On April 19, Timothy McVeigh showed us what happens when our common humanity doesn’t matter anymore.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Oklahoma City Bombing: One Day in America’ premieres on National Geographic on April 2, 2025 at 6 p.m. The series begins streaming on Hulu and Disney+ the following day.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It is a rare feat for a documentary series to educate, shatter emotionally, uplift and terrify all at once, but \u003cem>Tsunami: Race Against Time\u003c/em> manages all of the above.\u003c/p>\n\u003cp>Several documentaries (and a 2012 drama, \u003cem>The Impossible\u003c/em>) have attempted to capture the devastation of the 2004 Indian Ocean tsunami that impacted 14 countries and killed more than 225,000 people. But only \u003cem>Race Against Time\u003c/em> has done so on a scale befitting the tragedy. Across four episodes, the ambitious National Geographic series conveys the events of Dec. 26, 2004 from every possible angle, using a wealth of archival footage, often playing more like a dramatic thriller than a documentary series.\u003c/p>\n\u003cp>[aside postid='arts_13965858']In each episode, survivors — tourists and locals alike — describe in gripping detail their experiences in Thailand, Indonesia and Sri Lanka. Heartwarming stories of reunions contrast with devastating recollections of lives lost. There are even love stories of unbreakable bonds, formed by surviving hell on Earth. (“When I found out he saved me,” a woman says at one point, “I knew he was the man I wanted to marry.”)\u003c/p>\n\u003cp>\u003cem>Race Against Time\u003c/em> also honors the children who were forced to fend for themselves in the worst possible circumstances. The filmmakers went to the trouble of tracking down the last survivor found in Banda Aceh, Indonesia — a small boy who had endured, scavenging and alone, for three weeks. When the archival footage of his rescue is juxtaposed with footage of the present day, it is a genuine relief to see him happy and healthy 20 years on.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4V_xX3UDHb8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Acting as an anchor of the piece is seismologist Barry Hirshorn, who was on duty at the Pacific Tsunami Warning Center in Hawaii on the day of the calamity. Hirshorn begins by describing the essential science behind the disaster, vividly and in terms everybody can understand.\u003c/p>\n\u003cp>“An earthquake that occurs under the ocean actually lifts the ocean bottom. Imagine a line of 1,000 kilometers of water being lifted vertically,” Hirshorn says. “When the gravity pulls it down, the wave separates and spreads out in two directions. As you get near a coast, you’re not going to see what we think of as ocean waves. I think of it as more like a steamroller.” In case anyone is left in doubt as to the sheer power he describes, Hirshorn explains that the energy released by the earthquake causing the tsunami was equivalent to 23,000 “Hiroshima-type atomic bombs.”\u003c/p>\n\u003cp>[aside postid='arts_13966836']Hirshorn also agonizingly details how he and his colleagues tried to warn countries in the path of the approaching tsunami. Their efforts were largely unsuccessful, because the endangered locations didn’t have warning systems in place at the time. Hearing Hirshorn relive the experience of knowing carnage was imminent, desperately trying to get thousands of humans out of harm’s way and being foiled by logistics raises the blood pressure again and again.\u003c/p>\n\u003cp>\u003cem>Race Against Time\u003c/em> doesn’t stop there. It also delineates the confusion in the media during the earliest coverage of the disaster. Sri Lanka was first thought to be the country most affected; in reality, Indonesia was hit the hardest (167,000 people died there). That took many hours to fully comprehend because the country’s communications networks had been wiped out. The issue was exacerbated by understaffed, holiday-period newsrooms.\u003c/p>\n\u003cp>\u003cem>Race Against Time\u003c/em> is an often challenging, and harrowing, viewing experience. But there’s just enough hope to get viewers through it. Many of the featured survivors tell of strangers — \u003cem>so many\u003c/em> fearless strangers — who, under pressure, transformed into indefatigable heroes who put their own lives at risk to save others.\u003c/p>\n\u003cp>One young woman’s story of a family trip to an isolated island plays out like a horror movie — until one brave police lieutenant arrives on a Jet Ski. One Sri Lankan bus station security guard returns to violent waters again and again to rescue passengers. A vacationing British doctor springs into improvised action to help the multitude of injured people on an isolated Thai island — even though his girlfriend has been swept away in the disaster and he does not yet know her fate.\u003c/p>\n\u003cp>[aside postid='arts_13966737']All told, \u003cem>Race Against Time \u003c/em>is an extraordinarily thorough documentation of the deadliest tsunami in recorded human history. It is a story of nature’s power and humanity’s fragility — and of human endurance. It is a cautionary tale that seeks to educate viewers about recognizing when a tsunami is imminent.\u003c/p>\n\u003cp>Above all, \u003cem>Race Against Time \u003c/em> is a moving and fitting tribute to mark the 20th anniversary of an almost unfathomable tragedy.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Tsunami: Race Against Time’ premieres on Nat Geo on Nov. 24, 2024, and begins streaming the following day on Hulu and Disney+.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cp>One of Idris Elba’s grandfathers fought in World War II, but he doesn’t know what he endured. No pictures or stories survive. “That part of my family’s history has been erased somewhat,” says Elba.\u003c/p>\n\u003cp>That helped fuel the actor’s push to narrate and executive produce the four-part National Geographic docuseries \u003cem>Erased: WW2’s Heroes of Color\u003c/em>, which premieres days ahead of the 80th anniversary of D-Day, when the Allies landed on the coast of France, on June 6. Episodes will also later be available on Disney+ and Hulu.\u003c/p>\n\u003cp>[aside postid='arts_13957545']More than 8 million people of color served with the Allies, and the series digs deep to focus on how some fared at D-Day, Dunkirk, Pearl Harbor and the Battle of the Bulge.\u003c/p>\n\u003cp>It tells the story of the 320th Barrage Balloon Battalion, the only all-Black combat unit to fight on the D-Day beaches, and Force K6, a little-known Indian regiment of mule handlers from the British army trying to evacuate at Dunkirk.\u003c/p>\n\u003cp>The series uses archival footage, descendant interviews, soldier journals and actor portrayals — a mix that Elba says he found visceral and moving.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It really did actually impact me just in the narration booth, watching the imagery, looking at the faces, wondering about my own personal connect. Could my grandfather be one of the people in one of the pieces? That was what I thought about. So, it did definitely resonate with me.\u003c/p>\n\u003cp>The series also highlights stories like that of Doris Miller, a mess attendant aboard the USS West Virginia who after the Japanese attack at Pearl Harbor raced to an unattended anti-aircraft gun and fired at the planes until forced to abandon ship.\u003c/p>\n\u003cp>He had never been trained to use the gun because Black sailors serving in the segregated steward’s branch of the Navy were not given the gunnery training received by white sailors. Miller’s bravery earned him the Navy Cross.\u003c/p>\n\u003cp>[aside postid='arts_13929913']“It just feels like a privilege and an honor to be able to shed some light on their stories,” says director Shianne Brown, who helmed the D-Day episode.\u003c/p>\n\u003cp>Her episode highlighted Waverly Woodson, Jr., a medic who was wounded by shrapnel during the landing but nevertheless spent the next 30 hours treating the wounded and the dying on Omaha Beach. He would note: “There’s no such thing as a color barrier in action.”\u003c/p>\n\u003cp>Brown says that observation proved so powerful. “If your leg has just been blown off, you need a medic to help you. At that moment, you’re not going to say to Waverly, ‘No, I don’t want you to treat me.’”\u003c/p>\n\u003cp>Woodson is being posthumously awarded the Distinguished Service Cross. The announcement was made Monday by Sen. Chris Van Hollen of Maryland. Woodson died in 2005.\u003c/p>\n\u003cp>The series points out that many soldiers of color who fought the Nazis in Europe went home — the Indians back to British colonization and Black Americans to bitter racism — and began agitating for change because of what they’d witnessed and earned. Civil rights icon Medgar Evers, after all, was at D-Day.\u003c/p>\n\u003cp>“A lot of these men and women never felt like they were human before going to Europe and then being treated like a normal human being by the white population,” says Brown. “I can’t even imagine how that would have felt for them. You’ve been fighting against Hitler and the Nazis and against fascism and hate, and you go home and you experience racial terror.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=InQMoBvzQeY\u003c/p>\n\u003cp>The filmmakers found very little footage of non-white soldiers in the archives and so were moved when they finally came across images of a Black unit marching in central England before D-Day or Black soldiers cheering the fall of the Nazis. “It was just very odd to see a Black man in Nazi Germany,” says Elba.\u003c/p>\n\u003cp>Elba urged the directors and editors to try to put the audience into the action, like the films \u003cem>Saving Private Ryan\u003c/em> or \u003cem>Dunkirk\u003c/em>. That meant filming recreations of bombings in villages in France, wading into the ocean with heavy gear and soldiers enduring beach strafing.\u003c/p>\n\u003cp>[aside postid='arts_13931436']“I was really encouraging of the filmmakers to really go for it,” he says. “Giving you a little glimpse of, from a fictional perspective, what it might have looked like and how heroic these soldiers were.”\u003c/p>\n\u003cp>At the same time, the filmmakers wanted to show how horrible and frightening combat can be, the randomness of casualties and the agonizing wait before deployment.\u003c/p>\n\u003cp>“We don’t want to glorify what’s going on, but we actually wanted to paint the heroism in a way that was relatable to the way we’ve seen films of this nature,” Elba says.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Erased: WW2’s Heroes of Color is streaming now on National Geographic, Hulu and Disney+.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“It just feels like a privilege and an honor to be able to shed some light on their stories,” says director Shianne Brown, who helmed the D-Day episode.\u003c/p>\n\u003cp>Her episode highlighted Waverly Woodson, Jr., a medic who was wounded by shrapnel during the landing but nevertheless spent the next 30 hours treating the wounded and the dying on Omaha Beach. He would note: “There’s no such thing as a color barrier in action.”\u003c/p>\n\u003cp>Brown says that observation proved so powerful. “If your leg has just been blown off, you need a medic to help you. At that moment, you’re not going to say to Waverly, ‘No, I don’t want you to treat me.’”\u003c/p>\n\u003cp>Woodson is being posthumously awarded the Distinguished Service Cross. The announcement was made Monday by Sen. Chris Van Hollen of Maryland. Woodson died in 2005.\u003c/p>\n\u003cp>The series points out that many soldiers of color who fought the Nazis in Europe went home — the Indians back to British colonization and Black Americans to bitter racism — and began agitating for change because of what they’d witnessed and earned. Civil rights icon Medgar Evers, after all, was at D-Day.\u003c/p>\n\u003cp>“A lot of these men and women never felt like they were human before going to Europe and then being treated like a normal human being by the white population,” says Brown. “I can’t even imagine how that would have felt for them. You’ve been fighting against Hitler and the Nazis and against fascism and hate, and you go home and you experience racial terror.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/InQMoBvzQeY'\n title='//www.youtube.com/embed/InQMoBvzQeY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The filmmakers found very little footage of non-white soldiers in the archives and so were moved when they finally came across images of a Black unit marching in central England before D-Day or Black soldiers cheering the fall of the Nazis. “It was just very odd to see a Black man in Nazi Germany,” says Elba.\u003c/p>\n\u003cp>Elba urged the directors and editors to try to put the audience into the action, like the films \u003cem>Saving Private Ryan\u003c/em> or \u003cem>Dunkirk\u003c/em>. That meant filming recreations of bombings in villages in France, wading into the ocean with heavy gear and soldiers enduring beach strafing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
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"title": "Selected Shorts",
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