Mosswood Lineup Announced: Iggy Pop, Bikini Kill, Dead Milkmen, Otoboke Beaver, More
Pavement to Play Mosswood Meltdown 2026 in Oakland
The 25 Best Concerts That Got Me Through 2025
6 Reasons Why John Waters Loves Hosting Mosswood Meltdown
Mosswood Meltdown Returns with Devo, Kreayshawn and More in 2025
John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star
The B-52s, Big Freedia to Headline Mosswood Meltdown
Sponsored
Player sponsored by
window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13985445": {
"type": "attachments",
"id": "arts_13985445",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13985445",
"found": true
},
"title": "MosswoodMeltdown2026",
"publishDate": 1768461844,
"status": "inherit",
"parent": 13985442,
"modified": 1768461994,
"caption": "(L–R) Kathleen Hanna performing with Bikini Kill in 2024 in London; Iggy Pop performing in 2025 in Madrid. ",
"credit": "Lorne Thomson/Redferns; Ricardo Rubio/Europa Press via Getty Images",
"altTag": "A woman in a green sequined top and hair done up sings into a microphone, looking to the left, while in a separate image, a man with no shirt raises his arms while facing right",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-2000x1333.jpg",
"width": 2000,
"height": 1333,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-2000x1333.jpg",
"width": 2000,
"height": 1333,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"2048x2048": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-2048x1365.jpg",
"width": 2048,
"height": 1365,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-2000x1333.jpg",
"width": 2000,
"height": 1333,
"mimeType": "image/jpeg"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/MosswoodMeltdown2026-scaled.jpg",
"width": 2560,
"height": 1707
}
},
"fetchFailed": false,
"isLoading": false
},
"arts_13985126": {
"type": "attachments",
"id": "arts_13985126",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13985126",
"found": true
},
"title": "Pavement-by-Pooneh-Ghana",
"publishDate": 1767719397,
"status": "inherit",
"parent": 13985125,
"modified": 1767719518,
"caption": "Pavement, founded in Stockton, will perform in Oakland's Mosswood Park in July. ",
"credit": "Pooneh Ghana",
"altTag": "Six people in casual wear stand in a line in a concrete and asphalt structure at night",
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/Pavement-by-Pooneh-Ghana.jpg",
"width": 2000,
"height": 1333
}
},
"fetchFailed": false,
"isLoading": false
},
"arts_13984474": {
"type": "attachments",
"id": "arts_13984474",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13984474",
"found": true
},
"title": "25Shows.2025",
"publishDate": 1764838165,
"status": "inherit",
"parent": 13984468,
"modified": 1765179405,
"caption": "Clockwise from top left: Beyoncé, La Gente SF, the Rob Clearfield Quartet, Noelle and the Deserters, Buffalo Nichols, and the Subhumans. ",
"credit": "Gabe Meline/KQED",
"altTag": null,
"description": null,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/25Shows.2025-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/25Shows.2025-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/25Shows.2025-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/25Shows.2025-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"npr-cds-wide": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/25Shows.2025-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/25Shows.2025.jpg",
"width": 1536,
"height": 864
}
},
"fetchFailed": false,
"isLoading": false
},
"arts_13860397": {
"type": "attachments",
"id": "arts_13860397",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13860397",
"found": true
},
"title": "John-Waters-by-Tiger-Lily-1",
"publishDate": 1561661019,
"status": "inherit",
"parent": 13860384,
"modified": 1752687134,
"caption": "John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015. ",
"credit": "Tiger Lily",
"altTag": "John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015.",
"description": "John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015. ",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"complete_open_graph": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1200x675.jpg",
"width": 1200,
"height": 675,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1920x1080.jpg",
"width": 1920,
"height": 1080,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg",
"width": 1920,
"height": 1080
}
},
"fetchFailed": false,
"isLoading": false
},
"arts_13968064": {
"type": "attachments",
"id": "arts_13968064",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13968064",
"found": true
},
"title": "2024 Ohana Music Festival",
"publishDate": 1731605810,
"status": "inherit",
"parent": 13968062,
"modified": 1747777736,
"caption": "Gerald Casale, Josh Hager, Mark Mothersbaugh and Bob Mothersbaugh of Devo perform live on stage during Ohana Festival at Doheny State Beach on Sept. 27, 2024 in Dana Point, California. ",
"credit": "Jim Bennett/WireImage",
"altTag": "a band of four men in yellow jumpsuits on stage against pink screen",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"2048x2048": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-2048x1365.jpg",
"width": 2048,
"height": 1365,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/GettyImages-2175203603-scaled.jpg",
"width": 2560,
"height": 1707
}
},
"fetchFailed": false,
"isLoading": false
},
"arts_13953097": {
"type": "attachments",
"id": "arts_13953097",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13953097",
"found": true
},
"parent": 13953095,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza.jpg",
"width": 1820,
"height": 1024
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/JohnWaters.AubreyPlaza-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1709066836,
"modified": 1709066940,
"caption": "(L–R) John Waters at Mosswood Meltdown in 2022; Aubrey Plaza at a 2022 'White Lotus' premiere in Los Angeles. Plaza is reported to star in Waters' upcoming film, 'Liarmouth.' ",
"description": null,
"title": "JohnWaters.AubreyPlaza",
"credit": "Estefany Gonzalez for KQED / Christopher Polk/Variety via Getty Images",
"status": "inherit",
"altTag": null,
"fetchFailed": false,
"isLoading": false
},
"arts_13951339": {
"type": "attachments",
"id": "arts_13951339",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13951339",
"found": true
},
"parent": 13951325,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-scaled.jpg",
"width": 2560,
"height": 1440
},
"2048x2048": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-2048x1152.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1152
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.16x9-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1706809808,
"modified": 1706809897,
"caption": "Cindy Wilson, Fred Schneider and Kate Pierson of The B-52s at The Punk Rock Museum in Las Vegas in 2023. The band will headline this year's Mosswood Meltdown festival in Oakland.",
"description": null,
"title": "B52s.16x9",
"credit": "Ethan Miller/Getty Images",
"status": "inherit",
"altTag": null,
"fetchFailed": false,
"isLoading": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false
},
"authorsReducer": {
"byline_arts_13978802": {
"type": "authors",
"id": "byline_arts_13978802",
"meta": {
"override": true
},
"slug": "byline_arts_13978802",
"name": "Jessica Lipsky",
"isLoading": false
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife, his daughter, and a 1964 Volvo in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "gmeline",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter and editor at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She holds a BA in comparative literature from UC Berkeley.",
"avatar": "https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
}
},
"breakingNewsReducer": {},
"pagesReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13985442": {
"type": "posts",
"id": "arts_13985442",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13985442",
"score": null,
"sort": [
1768496368000
]
},
"guestAuthors": [],
"slug": "mosswood-iggy-pop-bikini-kill-dead-milkmen-otoboke-beaver-lineup-oakland-2026",
"title": "Mosswood Lineup Announced: Iggy Pop, Bikini Kill, Dead Milkmen, Otoboke Beaver, More",
"publishDate": 1768496368,
"format": "standard",
"headTitle": "Mosswood Lineup Announced: Iggy Pop, Bikini Kill, Dead Milkmen, Otoboke Beaver, More | KQED",
"labelTerm": {},
"content": "\u003cp>The lineup for this year’s \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a> festival in Oakland is here. Iggy Pop and Bikini Kill are headliners, along with a stacked schedule of openers that includes Otoboke Beaver, the Dead Milkmen, Corin Tucker and Carrie Brownstein of Sleater-Kinney with Fred Armisen, Scowl, Frightwig, the Dirtbombs and more.\u003c/p>\n\u003cp>Add the already announced \u003ca href=\"https://www.kqed.org/arts/13985125/pavement-mosswood-meltdown-2026\">festival “pre-party” with Pavement\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13978802/mosswood-meltdown-2025-john-waters-devo-bratmobile\">annual host John Waters\u003c/a>, and it’s safe to say: this is the biggest and most impressive Mosswood lineup yet.\u003c/p>\n\u003cp>Both Iggy Pop and Bikini Kill are returning to the annual trash-rock soirée in Mosswood Park. Perpetually shirtless \u003ca href=\"https://www.kqed.org/arts/13569504/burger-boogaloo-breakdown-lots-of-sun-and-hubbub-at-mosswood-park\">Iggy Pop played the park\u003c/a> in 2017, while \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">Bikini Kill last appeared\u003c/a> in 2022. (Onstage, singer Kathleen Hanna, who also led a set by Le Tigre the following year, expressed special gratitude for the festival’s deliberate inclusivity.)\u003c/p>\n\u003cfigure id=\"attachment_13915728\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915728\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill headline Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Otoboke Beaver, four women from Kyoto, are \u003ca href=\"https://youtu.be/GBBpLwGy6mY?si=khFfCdLoJ5rs4S07\">one of the most exciting live bands on the planet\u003c/a>, and the Dead Milkmen, four men from Pennsylvania, are one of the funniest \u003ca href=\"https://www.tiktok.com/@buhrigit/video/7591536803849489694\">Camaro-driving\u003c/a> bands to ever sing about \u003ca href=\"https://youtu.be/fEp0aKCsrig?si=Z2BMtG8hov8XQ2BD\">what the queers are doing to the soil\u003c/a>. Meanwhile, under the name “The Return of Jackie & Judy,” Carrie Brownstein and Corin Tucker team up with drummer and funnyman Fred Armisen for \u003ca href=\"https://www.youtube.com/shorts/2mQEdAI7cdc\">a set of Ramones covers\u003c/a>. And Scowl? The Dirtbombs? \u003ca href=\"https://www.kqed.org/arts/13935330/frightwig-40th-anniversary-album-san-francisco-punk-rock-riot-grrrl\">Frightwig\u003c/a>? It’s nuts.\u003c/p>\n\u003cp>If there’s anything missing this year, it’s the festival’s welcome tradition of undersung ’80s rap hitmakers; in recent years, that’s meant sets by L’Trimm, Egyptian Lover and J.J. Fad. \u003ca href=\"https://www.youtube.com/watch?v=2m-jzUyUQg4\">Maybe next year we can have Oaktown’s 3.5.7\u003c/a>. In the meantime, though, this is a damn fine lineup. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>General admission tickets, on sale now, are $129 for Saturday and $89 for Sunday; a weekend pass is $179. VIP tickets for the fancypants cost more, and the tickets to Pavement on Friday night are sold separately.\u003c/p>\n\u003cp>[aside postID='arts_13978802']For tickets and more information, see the \u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown site\u003c/a>, and peep the full lineup and poster by the great \u003ca href=\"https://www.instagram.com/janelleblarg/\">Janelle Blarg\u003c/a> below. \u003c/p>\n\u003cp>\u003cstrong>Friday, July 17 (“Pre-party”) \u003c/strong>\u003cbr>\nPavement\u003cbr>\nWednesday\u003cbr>\nVivian Girls \u003c/p>\n\u003cp>\u003cstrong>Saturday, July 18 \u003c/strong>\u003cbr>\nIggy Pop\u003cbr>\nOtoboke Beaver\u003cbr>\nScowl\u003cbr>\nThe Spits\u003cbr>\nThe Dirtbombs\u003cbr>\nThe Fadeaways\u003cbr>\nPrimitive Ring \u003c/p>\n\u003cp>\u003cstrong>Sunday, July 19\u003c/strong>\u003cbr>\nBikini Kill\u003cbr>\nThe Return of Jackie and Judy\u003cbr>\nThe Dead Milkmen\u003cbr>\nFrankie and the Witch Fingers\u003cbr>\nFrightwig\u003cbr>\nLas Nubes \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce.jpg\" alt=\"\" width=\"1579\" height=\"2000\" class=\"aligncenter size-full wp-image-13985443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce.jpg 1579w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce-768x973.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce-1213x1536.jpg 1213w\" sizes=\"auto, (max-width: 1579px) 100vw, 1579px\">\u003c/p>\n\n",
"blocks": [],
"excerpt": "Along with a Pavement ‘pre-party,’ this year's Mosswood Meltdown is the biggest and most impressive yet.",
"status": "publish",
"parent": 0,
"modified": 1768496972,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 421
},
"headData": {
"title": "Mosswood Lineup: Iggy Pop, Bikini Kill, Dead Milkmen, Otoboke Beaver, More | KQED",
"description": "Along with a Pavement ‘pre-party,’ this year's Mosswood Meltdown is the biggest and most impressive yet.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialTitle": "Mosswood Lineup: Iggy Pop, Bikini Kill, Dead Milkmen, Otoboke Beaver, More %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mosswood Lineup Announced: Iggy Pop, Bikini Kill, Dead Milkmen, Otoboke Beaver, More",
"datePublished": "2026-01-15T08:59:28-08:00",
"dateModified": "2026-01-15T09:09:32-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"source": "The Do List",
"sourceUrl": "https://www.kqed.org/thedolist",
"sticky": false,
"nprStoryId": "kqed-13985442",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13985442/mosswood-iggy-pop-bikini-kill-dead-milkmen-otoboke-beaver-lineup-oakland-2026",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The lineup for this year’s \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a> festival in Oakland is here. Iggy Pop and Bikini Kill are headliners, along with a stacked schedule of openers that includes Otoboke Beaver, the Dead Milkmen, Corin Tucker and Carrie Brownstein of Sleater-Kinney with Fred Armisen, Scowl, Frightwig, the Dirtbombs and more.\u003c/p>\n\u003cp>Add the already announced \u003ca href=\"https://www.kqed.org/arts/13985125/pavement-mosswood-meltdown-2026\">festival “pre-party” with Pavement\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13978802/mosswood-meltdown-2025-john-waters-devo-bratmobile\">annual host John Waters\u003c/a>, and it’s safe to say: this is the biggest and most impressive Mosswood lineup yet.\u003c/p>\n\u003cp>Both Iggy Pop and Bikini Kill are returning to the annual trash-rock soirée in Mosswood Park. Perpetually shirtless \u003ca href=\"https://www.kqed.org/arts/13569504/burger-boogaloo-breakdown-lots-of-sun-and-hubbub-at-mosswood-park\">Iggy Pop played the park\u003c/a> in 2017, while \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">Bikini Kill last appeared\u003c/a> in 2022. (Onstage, singer Kathleen Hanna, who also led a set by Le Tigre the following year, expressed special gratitude for the festival’s deliberate inclusivity.)\u003c/p>\n\u003cfigure id=\"attachment_13915728\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915728\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Bikini-Kill-headline-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-001-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill headline Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Otoboke Beaver, four women from Kyoto, are \u003ca href=\"https://youtu.be/GBBpLwGy6mY?si=khFfCdLoJ5rs4S07\">one of the most exciting live bands on the planet\u003c/a>, and the Dead Milkmen, four men from Pennsylvania, are one of the funniest \u003ca href=\"https://www.tiktok.com/@buhrigit/video/7591536803849489694\">Camaro-driving\u003c/a> bands to ever sing about \u003ca href=\"https://youtu.be/fEp0aKCsrig?si=Z2BMtG8hov8XQ2BD\">what the queers are doing to the soil\u003c/a>. Meanwhile, under the name “The Return of Jackie & Judy,” Carrie Brownstein and Corin Tucker team up with drummer and funnyman Fred Armisen for \u003ca href=\"https://www.youtube.com/shorts/2mQEdAI7cdc\">a set of Ramones covers\u003c/a>. And Scowl? The Dirtbombs? \u003ca href=\"https://www.kqed.org/arts/13935330/frightwig-40th-anniversary-album-san-francisco-punk-rock-riot-grrrl\">Frightwig\u003c/a>? It’s nuts.\u003c/p>\n\u003cp>If there’s anything missing this year, it’s the festival’s welcome tradition of undersung ’80s rap hitmakers; in recent years, that’s meant sets by L’Trimm, Egyptian Lover and J.J. Fad. \u003ca href=\"https://www.youtube.com/watch?v=2m-jzUyUQg4\">Maybe next year we can have Oaktown’s 3.5.7\u003c/a>. In the meantime, though, this is a damn fine lineup. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>General admission tickets, on sale now, are $129 for Saturday and $89 for Sunday; a weekend pass is $179. VIP tickets for the fancypants cost more, and the tickets to Pavement on Friday night are sold separately.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13978802",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>For tickets and more information, see the \u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown site\u003c/a>, and peep the full lineup and poster by the great \u003ca href=\"https://www.instagram.com/janelleblarg/\">Janelle Blarg\u003c/a> below. \u003c/p>\n\u003cp>\u003cstrong>Friday, July 17 (“Pre-party”) \u003c/strong>\u003cbr>\nPavement\u003cbr>\nWednesday\u003cbr>\nVivian Girls \u003c/p>\n\u003cp>\u003cstrong>Saturday, July 18 \u003c/strong>\u003cbr>\nIggy Pop\u003cbr>\nOtoboke Beaver\u003cbr>\nScowl\u003cbr>\nThe Spits\u003cbr>\nThe Dirtbombs\u003cbr>\nThe Fadeaways\u003cbr>\nPrimitive Ring \u003c/p>\n\u003cp>\u003cstrong>Sunday, July 19\u003c/strong>\u003cbr>\nBikini Kill\u003cbr>\nThe Return of Jackie and Judy\u003cbr>\nThe Dead Milkmen\u003cbr>\nFrankie and the Witch Fingers\u003cbr>\nFrightwig\u003cbr>\nLas Nubes \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce.jpg\" alt=\"\" width=\"1579\" height=\"2000\" class=\"aligncenter size-full wp-image-13985443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce.jpg 1579w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce-768x973.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/1.15.26-Mosswood-Meltdown-Lineup-Announce-1213x1536.jpg 1213w\" sizes=\"auto, (max-width: 1579px) 100vw, 1579px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13985442/mosswood-iggy-pop-bikini-kill-dead-milkmen-otoboke-beaver-lineup-oakland-2026",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69",
"arts_235",
"arts_22313"
],
"tags": [
"arts_10278",
"arts_3541",
"arts_21910",
"arts_1143",
"arts_913",
"arts_8246"
],
"featImg": "arts_13985445",
"label": "source_arts_13985442"
},
"arts_13985125": {
"type": "posts",
"id": "arts_13985125",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13985125",
"score": null,
"sort": [
1767722347000
]
},
"guestAuthors": [],
"slug": "pavement-mosswood-meltdown-2026",
"title": "Pavement to Play Mosswood Meltdown 2026 in Oakland",
"publishDate": 1767722347,
"format": "standard",
"headTitle": "Pavement to Play Mosswood Meltdown 2026 in Oakland | KQED",
"labelTerm": {},
"content": "\u003cp>If you’ve been \u003ca href=\"https://www.nme.com/news/music/pavements-harness-your-hopes-goes-viral-on-tiktok-again-3616479\">harnessing your hopes\u003c/a> for Pavement to return to the Bay Area, today’s your lucky day: the band has been announced as the kickoff headliners for this year’s \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a> festival in Oakland.\u003c/p>\n\u003cp>In what’s being called a “pre-party” for the long-running independent festival, Pavement will play in Mosswood Park on Friday, July 17, with openers Vivian Girls, Wednesday and more, hosted by film legend \u003ca href=\"https://www.kqed.org/arts/13978802/mosswood-meltdown-2025-john-waters-devo-bratmobile\">John Waters\u003c/a>. The festival will commence on Saturday and Sunday as usual; that full lineup will be announced in coming weeks.\u003c/p>\n\u003cp>[aside postID='arts_13978802']The Mosswood date marks the first Bay Area show in four years for Pavement. Founded in Stockton but now spread all over the country, the indie-rock stalwarts staunchly, if obtusely, reflected their Northern California roots in ragged-but-right aesthetics and songs like “Two States” and “Unfair.” (In 2022, during the band’s three-night run at the Masonic Auditorium in San Francisco, singer Stephen Malkmus changed the lyrics during “Fillmore Jive” to take a jovial swipe at Mill Valley.)\u003c/p>\n\u003cp>In 2024, the band released a surreal pseudo-documentary, \u003cem>Pavements\u003c/em>, that \u003ca href=\"https://www.reddit.com/r/pavement/comments/1kmkhic/saw_the_movie_and_am_so_confused/\">confused even their biggest fans\u003c/a>. Concurrently, \u003ca href=\"https://stereogum.com/2105993/pavement-harness-your-hopes-spotify/columns/sounding-board\">Pavement themselves have been perplexed at their obscure B-sides’ virality\u003c/a> on Spotify and TikTok.\u003c/p>\n\u003cp>In addition to expanding the festival to three days, the booking also represents a slight expansion of Mosswood’s garage-punk roots, planted when the festival was known as Burger Boogaloo; previous headliners over the years include Iggy Pop, Kim Gordon, X, the Mummies and Bikini Kill. But if the crowd climbing trees and craning their necks to \u003ca href=\"https://www.kqed.org/arts/13984468/best-concerts-2025-bay-area-live-music\">watch Devo through the fence\u003c/a> last year is any indication, no one’s really being too picky about genre. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tickets for the Friday Pavement show are \u003ca href=\"https://mosswoodmeltdown.com/\">on sale now\u003c/a>. Separate from regular Saturday–Sunday festival tickets, they cost $99 for general admission and $165 for VIP. \u003c/p>\n\n",
"blocks": [],
"excerpt": "The indie-rock icons, founded in Stockton, return to the Bay Area for a Friday night festival ‘pre-party.’",
"status": "publish",
"parent": 0,
"modified": 1767726487,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 333
},
"headData": {
"title": "Pavement to Play Mosswood Meltdown 2026 in Oakland | KQED",
"description": "The indie-rock icons, founded in Stockton, return to the Bay Area for a Friday night festival ‘pre-party.’",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Pavement to Play Mosswood Meltdown 2026 in Oakland",
"datePublished": "2026-01-06T09:59:07-08:00",
"dateModified": "2026-01-06T11:08:07-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"source": "The Do List",
"sourceUrl": "https://www.kqed.org/thedolist",
"sticky": false,
"nprStoryId": "kqed-13985125",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13985125/pavement-mosswood-meltdown-2026",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’ve been \u003ca href=\"https://www.nme.com/news/music/pavements-harness-your-hopes-goes-viral-on-tiktok-again-3616479\">harnessing your hopes\u003c/a> for Pavement to return to the Bay Area, today’s your lucky day: the band has been announced as the kickoff headliners for this year’s \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a> festival in Oakland.\u003c/p>\n\u003cp>In what’s being called a “pre-party” for the long-running independent festival, Pavement will play in Mosswood Park on Friday, July 17, with openers Vivian Girls, Wednesday and more, hosted by film legend \u003ca href=\"https://www.kqed.org/arts/13978802/mosswood-meltdown-2025-john-waters-devo-bratmobile\">John Waters\u003c/a>. The festival will commence on Saturday and Sunday as usual; that full lineup will be announced in coming weeks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13978802",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The Mosswood date marks the first Bay Area show in four years for Pavement. Founded in Stockton but now spread all over the country, the indie-rock stalwarts staunchly, if obtusely, reflected their Northern California roots in ragged-but-right aesthetics and songs like “Two States” and “Unfair.” (In 2022, during the band’s three-night run at the Masonic Auditorium in San Francisco, singer Stephen Malkmus changed the lyrics during “Fillmore Jive” to take a jovial swipe at Mill Valley.)\u003c/p>\n\u003cp>In 2024, the band released a surreal pseudo-documentary, \u003cem>Pavements\u003c/em>, that \u003ca href=\"https://www.reddit.com/r/pavement/comments/1kmkhic/saw_the_movie_and_am_so_confused/\">confused even their biggest fans\u003c/a>. Concurrently, \u003ca href=\"https://stereogum.com/2105993/pavement-harness-your-hopes-spotify/columns/sounding-board\">Pavement themselves have been perplexed at their obscure B-sides’ virality\u003c/a> on Spotify and TikTok.\u003c/p>\n\u003cp>In addition to expanding the festival to three days, the booking also represents a slight expansion of Mosswood’s garage-punk roots, planted when the festival was known as Burger Boogaloo; previous headliners over the years include Iggy Pop, Kim Gordon, X, the Mummies and Bikini Kill. But if the crowd climbing trees and craning their necks to \u003ca href=\"https://www.kqed.org/arts/13984468/best-concerts-2025-bay-area-live-music\">watch Devo through the fence\u003c/a> last year is any indication, no one’s really being too picky about genre. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tickets for the Friday Pavement show are \u003ca href=\"https://mosswoodmeltdown.com/\">on sale now\u003c/a>. Separate from regular Saturday–Sunday festival tickets, they cost $99 for general admission and $165 for VIP. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13985125/pavement-mosswood-meltdown-2026",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69",
"arts_22313"
],
"tags": [
"arts_10278",
"arts_22068",
"arts_21788",
"arts_21910",
"arts_1143",
"arts_585",
"arts_700"
],
"featImg": "arts_13985126",
"label": "source_arts_13985125"
},
"arts_13984468": {
"type": "posts",
"id": "arts_13984468",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13984468",
"score": null,
"sort": [
1764856822000
]
},
"guestAuthors": [],
"slug": "best-concerts-2025-bay-area-live-music",
"title": "The 25 Best Concerts That Got Me Through 2025",
"publishDate": 1764856822,
"format": "standard",
"headTitle": "The 25 Best Concerts That Got Me Through 2025 | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cem>This week, we’re looking back on the best art, music, food, movies and more from the year. \u003ca href=\"https://www.kqed.org/arts/tag/best-of-2025\">See our entire Best of 2025 guide here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>If it wasn’t the \u003ca href=\"https://www.kqed.org/news/12065196/3-out-of-4-california-families-with-young-kids-cant-afford-at-least-one-basic-need\">rising cost of living\u003c/a>, or the deaths of \u003ca href=\"https://www.kqed.org/arts/13970397/david-lynch-visionary-filmmaker-behind-twin-peaks-and-mulholland-drive-dies-at-78\">David Lynch\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13982372/dangelo-dies-at-51-soul-r-and-b-music-dead-oakland\">D’Angelo\u003c/a>, it was the \u003ca href=\"https://www.kqed.org/news/tag/donald-trump\">authoritarian regime\u003c/a>. This year brought daily reasons to bury oneself in music, this miraculous thing that’s been \u003ca href=\"https://www.kqed.org/arts/13978141/deerhoof-quits-spotify-daniel-ek-700-million-military-ai-investment\">sapped of its monetary value by parasitic streaming services in order to fund AI warfare\u003c/a> but which still provides transcendence and joy, especially in a live setting.\u003c/p>\n\u003cp>I went to 38 shows in 2025, and \u003ca href=\"https://www.kqed.org/author/gmeline\">only reviewed some of them\u003c/a> for KQED. (After 30 years of writing about music, it’s a form of self-care to \u003ca href=\"https://www.kqed.org/arts/13969081/best-live-music-bay-area-2024\">go to a show as a fan\u003c/a>, and not for work.) So here — reviewed in just one sentence each, complete with bad photos from my phone — are 25 concerts that got me through the year. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM.jpg\" alt=\"\" width=\"1114\" height=\"1114\" class=\"aligncenter size-full wp-image-13984442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM.jpg 1114w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1114px) 100vw, 1114px\">\u003c/p>\n\u003cp>\u003cb>Noelle & the Deserters\u003c/b>\u003cbr>\n\u003ci>Feb. 18, Brick and Mortar Music Hall, San Francisco \u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The best country song about a city will forever be Waylon Jennings’ “\u003ca href=\"https://youtu.be/fJIFt9AsjqE?si=4Qwmvv7mlf3DT1iY\">Luckenbach, Texas\u003c/a>,” but when Noelle started singing “Taos,” her ode to the New Mexico town, I had to rearrange a mental list of runners-up. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM.jpg\" alt=\"\" width=\"1010\" height=\"1010\" class=\"aligncenter size-full wp-image-13984441\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM.jpg 1010w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1010px) 100vw, 1010px\">\u003c/p>\n\u003cp>\u003cb>Gillian Welch & David Rawlings\u003c/b>\u003cbr>\n\u003ci>March 12, The Masonic, San Francisco\u003c/i> \u003c/p>\n\u003cp>Every Gillian Welch fan has their favorite songs, and while she and cosmic-folk guitarist extraordinaire David Rawlings didn’t play mine (“\u003ca href=\"https://youtu.be/MljrD0-DzqQ?si=rHSSMdb-ImhVvxES\">Wrecking Ball\u003c/a>,” a beautiful autobiography of life in 1980s Santa Cruz), their set at the Masonic still felt like a big, warm embrace.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM.jpg\" alt=\"\" width=\"1178\" height=\"1178\" class=\"aligncenter size-full wp-image-13984440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1178px) 100vw, 1178px\">\u003c/p>\n\u003cp>\u003cb>Subhumans\u003c/b>\u003cbr>\n\u003ci>April 18, 924 Gilman, Berkeley\u003c/i>\u003c/p>\n\u003cp>Somehow Greg Ginn is getting a ton of press for taking a half-baked “Black Flag” on the road with a bunch of new, young replacements, while the actually newsworthy punk-band lineup story is that the Subhumans have been playing with \u003ci>the same members since 1983!\u003c/i>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM.jpg\" alt=\"\" width=\"956\" height=\"956\" class=\"aligncenter size-full wp-image-13984444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM.jpg 956w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 956px) 100vw, 956px\">\u003c/p>\n\u003cp>\u003cb>A Flock of Seagulls\u003c/b>\u003cbr>\n\u003ci>June 11, Courthouse Square, Santa Rosa\u003c/i>\u003c/p>\n\u003cp>To answer your only two questions: no, he does not still have that haircut, and yes, they played “I Ran” (twice).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp.jpg\" alt=\"\" width=\"1294\" height=\"1294\" class=\"aligncenter size-full wp-image-13984469\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp.jpg 1294w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp-768x768.jpg 768w\" sizes=\"auto, (max-width: 1294px) 100vw, 1294px\">\u003c/p>\n\u003cp>\u003cb>Pulp\u003c/b>\u003cbr>\n\u003ci>June 14, O2 Arena, London\u003c/i>\u003c/p>\n\u003cp>I was content to ignore the Oasis reunion this year and instead celebrate the true victors of 1990s Britpop, and on their home turf no less, a much splashier experience than \u003ca href=\"https://www.kqed.org/arts/13969081/best-live-music-bay-area-2024\">seeing them in downtown San Francisco last year for nine bucks\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM.jpg\" alt=\"\" width=\"1582\" height=\"1350\" class=\"aligncenter size-full wp-image-13984460\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM.jpg 1582w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM-768x655.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM-1536x1311.jpg 1536w\" sizes=\"auto, (max-width: 1582px) 100vw, 1582px\">\u003c/p>\n\u003cp>\u003cb>Rob Clearfield Quartet \u003c/b>\u003cbr>\n\u003ci>June 17, Le Duc les Lombards, Paris\u003c/i>\u003c/p>\n\u003cp>Jazz pianist Bud Powell famously left New York for Paris in 1959, at the height of jazz’s commercial heights; 60 years later, jazz pianist Rob Clearfield similarly left Chicago during its jazz renaissance for Paris, where at this small-club show the audience was very attentive and reverent. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM.jpg\" alt=\"\" width=\"1178\" height=\"1178\" class=\"aligncenter size-full wp-image-13984465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1178px) 100vw, 1178px\">\u003c/p>\n\u003cp>\u003cb>Beyoncé\u003c/b>\u003cbr>\n\u003ci>June 19, Stad de France, Paris\u003c/i>\u003c/p>\n\u003cp>In what’s been the worst year in my lifetime for feeling optimistic about America, I underwent a rare and sustained swell of hope while witnessing Beyoncé’s ambitious tour about our beautiful, injured country in the middle of a rapt European crowd.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984447\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Ice-T\u003c/b>\u003cbr>\n\u003ci>June 27, Great American Music Hall, San Francisco \u003c/i>\u003c/p>\n\u003cp>Types of Guys You See at an Ice-T show in 2025: guy in the balcony sucking down blunt after blunt nonstop; guy holding up a chess board throughout the entire show; guy wearing a Prince medallion who goes to Paisley Park twice a year; Rappin’ 4-Tay, in better health, thankfully; Santa Claus-looking guy, trying to pick fights; Jello Biafra, on stage, curtsying for the crowd; guy in full-on pimp wardrobe, long coat, matching hat, jewels and a cane; guy on stage with a cane who was not a pimp but just old; guy walking up O’Farrell Street drunkenly reciting “6 In the Mornin’” until interrupted by the sight of the Mitchell Brothers Theatre, which inspired a speech about Nina Hartley; guy wearing an authentic vanity license plate around his neck reading “ICE T SF”; and the guy standing front row center, whom Ice-T eventually just pulled up on stage to be his hype man for the last six songs. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM.jpg\" alt=\"\" width=\"1182\" height=\"1182\" class=\"aligncenter size-full wp-image-13984456\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM.jpg 1182w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1182px) 100vw, 1182px\">\u003c/p>\n\u003cp>\u003cb>Robert Earl Keen\u003c/b>\u003cbr>\n\u003ci>July 16, Hopmonk Tavern, Novato\u003c/i> \u003c/p>\n\u003cp>This one time in Corpus Christi at age 19 I walked a few blocks down to the bay, drank a Shiner Bock, stared at the water — one of those moments when time slows down a little — and wouldn’t you know it, years later in the backyard of a home for the blind I saw Robert Earl Keen play “\u003ca href=\"https://youtu.be/hAvONDXOgxc?si=tAP0HK4etyUsCvb0\">Corpus Christi Bay\u003c/a>,” a perfect song, and my life has not been the same since. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Mix Master Mike, Qbert and D-Styles \u003c/b>\u003cbr>\n\u003ci>July 19, SF Hip-Hop Festival, San Francisco\u003c/i>\u003c/p>\n\u003cp>I can’t shake the feeling that the geniuses who make up the \u003ca href=\"https://www.kqed.org/arts/13952208/invisibl-skratch-piklz-filipino-djs-daly-city-san-francisco-turntablism-history\">Invisibl Skratch Piklz\u003c/a>, individually and collectively, will go down in history as visionaries who were ahead of their time, space and galaxy. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984459\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Devo\u003c/b>\u003cbr>\n\u003ci>July 19, from outside the fence, Oakland \u003c/i>\u003c/p>\n\u003cp>Once a year, one should \u003ca href=\"https://bohemian.com/listening-to-huey-lewis-outside-the-fence-at-the-sonoma-county-fair-isnt-all-that-bad/\">listen to a show from outside a fence\u003c/a>, in the back alley or through the side door, like that “\u003ca href=\"https://mashable.com/article/in-the-bathroom-at-a-party-edits\">in the bathroom at a party\u003c/a>” TikTok trend from 2020.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM.jpg\" alt=\"\" width=\"1174\" height=\"918\" class=\"aligncenter size-full wp-image-13984467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM.jpg 1174w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM-768x601.jpg 768w\" sizes=\"auto, (max-width: 1174px) 100vw, 1174px\">\u003c/p>\n\u003cp>\u003cb>Kreayshawn\u003c/b>\u003cbr>\n\u003ci>July 20, Mosswood Park, Oakland\u003c/i>\u003c/p>\n\u003cp>It’s a good thing that, by and large, everyone in the Bay gives love to Kreayshawn, who weathered a rotten deal in both the media and the record industry only to emerge at Mosswood Meltdown after a 10-year hiatus stronger and tighter and funnier than ever.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM.jpg\" alt=\"\" width=\"1178\" height=\"1224\" class=\"aligncenter size-full wp-image-13984461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM-768x798.jpg 768w\" sizes=\"auto, (max-width: 1178px) 100vw, 1178px\">\u003c/p>\n\u003cp>\u003cb>La Gente SF\u003c/b>\u003cbr>\n\u003ci>July 27, Juilliard Park, Santa Rosa \u003c/i>\u003c/p>\n\u003cp>It’s hard to beat free music in the park, especially when you get Rafa Sarria Bustamante freestyling in Spanish about the Mission District over a live-band version of “I Got 5 On It.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>False Flag\u003c/b>\u003cbr>\n\u003ci>July 30, Castro Theater, San Francisco \u003c/i>\u003c/p>\n\u003cp>The punks took over the sidewalk in front of the Castro Theater, and confused and enchanted random passers-by while a crowd of 50 or so smoked weed, drank beer and started small pits under the marquee of the beloved ex-movie palace.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Nine Inch Nails\u003c/b>\u003cbr>\n\u003ci>Aug. 6, Oakland Arena, Oakland\u003c/i> \u003c/p>\n\u003cp>When I am elected president, I will sign an anti-oversaturation bill limiting Trent Reznor and Atticus Ross to one motion picture score per year (with more time for Nine Inch Nails tours as a welcome byproduct).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>The Jets\u003c/b>\u003cbr>\n\u003ci>Aug. 15, Golden 1 Center, Sacramento \u003c/i>\u003c/p>\n\u003cp>Each every-decade-or-so wave of the ’80s revival has unfairly passed up the Jets, who performed “\u003ca href=\"https://youtu.be/8a2GfvPF0_8?si=0RIYJFzbOvR9NFSu\">Crush On You\u003c/a>,” “\u003ca href=\"https://youtu.be/Dr1pZHPExlE?si=l3D2DKyQ-yAGQutJ\">You Got It All\u003c/a>,” “\u003ca href=\"https://youtu.be/UhrqvTUZQLo?si=pombtxW5WRUNPMEJ\">Cross My Broken Heart\u003c/a>” and “\u003ca href=\"https://youtu.be/K8LLF-46FN8?si=rNMQqNLBbVZUXYg5\">Make It Real\u003c/a>” as if no time has passed whatsoever in a nostalgia revue alongside performances by Lisa Lisa, Exposé, the Mary Jane Girls, J.J. Fad, Tag Team and one guy from Color Me Badd.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Con Funk Shun\u003c/b>\u003cbr>\n\u003ci>Sept. 6, Mare Island, Vallejo\u003c/i>\u003c/p>\n\u003cp>Felton Pilate, the \u003ca href=\"https://www.kqed.org/arts/13927349/bay-area-hip-hop-1980s\">secret bridge between Bay Area funk and Bay Area rap\u003c/a>, led his tight-as-hell, five-decades-strong band in a jubilant hometown set after receiving an honorary street renaming.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547.jpg\" alt=\"\" width=\"1920\" height=\"2560\" class=\"aligncenter size-full wp-image-13984462\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Louisiana Symphony Orchestra\u003c/b>\u003cbr>\n\u003ci>Sept. 11, New Marigny Theatre, New Orleans\u003c/i>\u003c/p>\n\u003cp>Performing on the floor of a small church to five rows of folding chairs (Davies Symphony Hall, how we take thee for granted), this skilled and adventurous ensemble tackled two world premieres, a Florence Price piece, a tango and a Britten suite with gusto.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Kermit Ruffins\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ci>Sept. 12, The Blue Nile, New Orleans \u003c/i>\u003c/p>\n\u003cp>“On the Sunny Side of the Street,” “Lovely Day,” “If I Only Had a Brain,” “What a Wonderful Word” — the hometown trumpet legend’s setlist was simply tremendous, complete with an oddly moving “Someday My Prince Will Come” that morphed into “The Star-Spangled Banner.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863.jpg\" alt=\"\" width=\"2378\" height=\"2378\" class=\"aligncenter size-full wp-image-13984455\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863.jpg 2378w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-2000x2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 2378px) 100vw, 2378px\">\u003c/p>\n\u003cp>\u003cb>Buffalo Nichols\u003c/b>\u003cbr>\n\u003ci>Sept. 14, House of Blues, New Orleans \u003c/i>\u003c/p>\n\u003cp>I’d lost my mind the day before, \u003ca href=\"https://www.kqed.org/arts/13983190/juke-joint-sinners-filming-location-louisiana\">wandering through tall jungleland looking for the juke joint from \u003ci>Sinners\u003c/i>\u003c/a>; Nichols singing “How to Love” helped me find it again.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984463\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>The New Trust\u003c/b>\u003cbr>\n\u003ci>Sept. 26, Henhouse Brewing Co., Santa Rosa\u003c/i> \u003c/p>\n\u003cp>Here’s to local bands that stay together for over 20 years and \u003ca href=\"https://thenewtrust.bandcamp.com/\">keep turning out exuberant songs\u003c/a>. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Lucinda Williams\u003c/b>\u003cbr>\n\u003ci>Oct. 5, Golden Gate Park, San Francisco \u003c/i>\u003c/p>\n\u003cp>The edges of Lucinda’s voice are increasingly chiseled with a sawblade, and yet she still readily conjures an immediate peaceful bliss with \u003ca href=\"https://youtu.be/9MVRXBftMxM?si=XZLT1yrXL9FOUSF-\">just the first three notes\u003c/a> of a song.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Andre Nickatina\u003c/b>\u003cbr>\n\u003ci>Oct. 16, Great American Music Hall, San Francisco \u003c/i>\u003c/p>\n\u003cp>Smokin’, drinkin’, dancin’ — Nickatina’s fanbase is among the most unpretentious in the Bay, and the opener was a blues-playing former pimp from East Palo Alto with an out-of-tune acoustic guitar who sang songs about how we should all love one another.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image0.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"aligncenter size-full wp-image-13984466\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image0.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image0-160x160.jpg 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cb>Dijon\u003c/b>\u003cbr>\n\u003ci>Nov. 6, Fox Theater, Oakland \u003c/i>\u003c/p>\n\u003cp>I love Dijon’s album \u003ci>Baby\u003c/i>, and was warmed to see that he assembled a nine-piece band to recreate its strange brokenness, with a semicircle-and-sitting-down stage setup reminiscent of Miles Davis’ 1970s shows. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image2.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"aligncenter size-full wp-image-13984446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image2.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image2-160x160.jpg 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cb>Too Short\u003c/b>\u003cbr>\n\u003ci>Nov. 9, History of the Bay, San Francisco\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>After an epic hour-and-a-half-hour panel discussion between Short, Spice 1, Rappin’ 4-Tay, CMG, B-Legit, D-Shot, Mistah FAB, Lord Rab, Dregs One and Davey D about the early years of Bay Area rap, DJ Cutso dropped “\u003ca href=\"https://youtu.be/OrUfz0AhQP0?si=pQDR3H7vnRii6x5Y\">Dope Fiend Beat\u003c/a>” for a perfect coda: Short delivering the nearly 40-year-old song and a stage full of peers-slash-fans, rapping along. \u003c/p>\n\n",
"blocks": [],
"excerpt": "Live music provided transcendence and joy this year, as shown by Gabe Meline's steady calendar of shows.",
"status": "publish",
"parent": 0,
"modified": 1765179409,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 80,
"wordCount": 1637
},
"headData": {
"title": "The 25 Best Concerts That Got Me Through 2025 | KQED",
"description": "Live music provided transcendence and joy this year, as shown by Gabe Meline's steady calendar of shows.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The 25 Best Concerts That Got Me Through 2025",
"datePublished": "2025-12-04T06:00:22-08:00",
"dateModified": "2025-12-07T23:36:49-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"source": "Best of 2025",
"sourceUrl": "https://www.kqed.org/arts/tag/best-of-2025",
"sticky": false,
"nprStoryId": "kqed-13984468",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13984468/best-concerts-2025-bay-area-live-music",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, we’re looking back on the best art, music, food, movies and more from the year. \u003ca href=\"https://www.kqed.org/arts/tag/best-of-2025\">See our entire Best of 2025 guide here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>If it wasn’t the \u003ca href=\"https://www.kqed.org/news/12065196/3-out-of-4-california-families-with-young-kids-cant-afford-at-least-one-basic-need\">rising cost of living\u003c/a>, or the deaths of \u003ca href=\"https://www.kqed.org/arts/13970397/david-lynch-visionary-filmmaker-behind-twin-peaks-and-mulholland-drive-dies-at-78\">David Lynch\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13982372/dangelo-dies-at-51-soul-r-and-b-music-dead-oakland\">D’Angelo\u003c/a>, it was the \u003ca href=\"https://www.kqed.org/news/tag/donald-trump\">authoritarian regime\u003c/a>. This year brought daily reasons to bury oneself in music, this miraculous thing that’s been \u003ca href=\"https://www.kqed.org/arts/13978141/deerhoof-quits-spotify-daniel-ek-700-million-military-ai-investment\">sapped of its monetary value by parasitic streaming services in order to fund AI warfare\u003c/a> but which still provides transcendence and joy, especially in a live setting.\u003c/p>\n\u003cp>I went to 38 shows in 2025, and \u003ca href=\"https://www.kqed.org/author/gmeline\">only reviewed some of them\u003c/a> for KQED. (After 30 years of writing about music, it’s a form of self-care to \u003ca href=\"https://www.kqed.org/arts/13969081/best-live-music-bay-area-2024\">go to a show as a fan\u003c/a>, and not for work.) So here — reviewed in just one sentence each, complete with bad photos from my phone — are 25 concerts that got me through the year. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM.jpg\" alt=\"\" width=\"1114\" height=\"1114\" class=\"aligncenter size-full wp-image-13984442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM.jpg 1114w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.31.48-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1114px) 100vw, 1114px\">\u003c/p>\n\u003cp>\u003cb>Noelle & the Deserters\u003c/b>\u003cbr>\n\u003ci>Feb. 18, Brick and Mortar Music Hall, San Francisco \u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The best country song about a city will forever be Waylon Jennings’ “\u003ca href=\"https://youtu.be/fJIFt9AsjqE?si=4Qwmvv7mlf3DT1iY\">Luckenbach, Texas\u003c/a>,” but when Noelle started singing “Taos,” her ode to the New Mexico town, I had to rearrange a mental list of runners-up. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM.jpg\" alt=\"\" width=\"1010\" height=\"1010\" class=\"aligncenter size-full wp-image-13984441\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM.jpg 1010w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.32.43-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1010px) 100vw, 1010px\">\u003c/p>\n\u003cp>\u003cb>Gillian Welch & David Rawlings\u003c/b>\u003cbr>\n\u003ci>March 12, The Masonic, San Francisco\u003c/i> \u003c/p>\n\u003cp>Every Gillian Welch fan has their favorite songs, and while she and cosmic-folk guitarist extraordinaire David Rawlings didn’t play mine (“\u003ca href=\"https://youtu.be/MljrD0-DzqQ?si=rHSSMdb-ImhVvxES\">Wrecking Ball\u003c/a>,” a beautiful autobiography of life in 1980s Santa Cruz), their set at the Masonic still felt like a big, warm embrace.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM.jpg\" alt=\"\" width=\"1178\" height=\"1178\" class=\"aligncenter size-full wp-image-13984440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.39.30-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1178px) 100vw, 1178px\">\u003c/p>\n\u003cp>\u003cb>Subhumans\u003c/b>\u003cbr>\n\u003ci>April 18, 924 Gilman, Berkeley\u003c/i>\u003c/p>\n\u003cp>Somehow Greg Ginn is getting a ton of press for taking a half-baked “Black Flag” on the road with a bunch of new, young replacements, while the actually newsworthy punk-band lineup story is that the Subhumans have been playing with \u003ci>the same members since 1983!\u003c/i>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM.jpg\" alt=\"\" width=\"956\" height=\"956\" class=\"aligncenter size-full wp-image-13984444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM.jpg 956w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.50.39-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 956px) 100vw, 956px\">\u003c/p>\n\u003cp>\u003cb>A Flock of Seagulls\u003c/b>\u003cbr>\n\u003ci>June 11, Courthouse Square, Santa Rosa\u003c/i>\u003c/p>\n\u003cp>To answer your only two questions: no, he does not still have that haircut, and yes, they played “I Ran” (twice).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp.jpg\" alt=\"\" width=\"1294\" height=\"1294\" class=\"aligncenter size-full wp-image-13984469\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp.jpg 1294w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/pulp-768x768.jpg 768w\" sizes=\"auto, (max-width: 1294px) 100vw, 1294px\">\u003c/p>\n\u003cp>\u003cb>Pulp\u003c/b>\u003cbr>\n\u003ci>June 14, O2 Arena, London\u003c/i>\u003c/p>\n\u003cp>I was content to ignore the Oasis reunion this year and instead celebrate the true victors of 1990s Britpop, and on their home turf no less, a much splashier experience than \u003ca href=\"https://www.kqed.org/arts/13969081/best-live-music-bay-area-2024\">seeing them in downtown San Francisco last year for nine bucks\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM.jpg\" alt=\"\" width=\"1582\" height=\"1350\" class=\"aligncenter size-full wp-image-13984460\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM.jpg 1582w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM-768x655.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.47.34-PM-1536x1311.jpg 1536w\" sizes=\"auto, (max-width: 1582px) 100vw, 1582px\">\u003c/p>\n\u003cp>\u003cb>Rob Clearfield Quartet \u003c/b>\u003cbr>\n\u003ci>June 17, Le Duc les Lombards, Paris\u003c/i>\u003c/p>\n\u003cp>Jazz pianist Bud Powell famously left New York for Paris in 1959, at the height of jazz’s commercial heights; 60 years later, jazz pianist Rob Clearfield similarly left Chicago during its jazz renaissance for Paris, where at this small-club show the audience was very attentive and reverent. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM.jpg\" alt=\"\" width=\"1178\" height=\"1178\" class=\"aligncenter size-full wp-image-13984465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.46.37-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1178px) 100vw, 1178px\">\u003c/p>\n\u003cp>\u003cb>Beyoncé\u003c/b>\u003cbr>\n\u003ci>June 19, Stad de France, Paris\u003c/i>\u003c/p>\n\u003cp>In what’s been the worst year in my lifetime for feeling optimistic about America, I underwent a rare and sustained swell of hope while witnessing Beyoncé’s ambitious tour about our beautiful, injured country in the middle of a rapt European crowd.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984447\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_5857-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Ice-T\u003c/b>\u003cbr>\n\u003ci>June 27, Great American Music Hall, San Francisco \u003c/i>\u003c/p>\n\u003cp>Types of Guys You See at an Ice-T show in 2025: guy in the balcony sucking down blunt after blunt nonstop; guy holding up a chess board throughout the entire show; guy wearing a Prince medallion who goes to Paisley Park twice a year; Rappin’ 4-Tay, in better health, thankfully; Santa Claus-looking guy, trying to pick fights; Jello Biafra, on stage, curtsying for the crowd; guy in full-on pimp wardrobe, long coat, matching hat, jewels and a cane; guy on stage with a cane who was not a pimp but just old; guy walking up O’Farrell Street drunkenly reciting “6 In the Mornin’” until interrupted by the sight of the Mitchell Brothers Theatre, which inspired a speech about Nina Hartley; guy wearing an authentic vanity license plate around his neck reading “ICE T SF”; and the guy standing front row center, whom Ice-T eventually just pulled up on stage to be his hype man for the last six songs. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM.jpg\" alt=\"\" width=\"1182\" height=\"1182\" class=\"aligncenter size-full wp-image-13984456\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM.jpg 1182w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.48.58-PM-768x768.jpg 768w\" sizes=\"auto, (max-width: 1182px) 100vw, 1182px\">\u003c/p>\n\u003cp>\u003cb>Robert Earl Keen\u003c/b>\u003cbr>\n\u003ci>July 16, Hopmonk Tavern, Novato\u003c/i> \u003c/p>\n\u003cp>This one time in Corpus Christi at age 19 I walked a few blocks down to the bay, drank a Shiner Bock, stared at the water — one of those moments when time slows down a little — and wouldn’t you know it, years later in the backyard of a home for the blind I saw Robert Earl Keen play “\u003ca href=\"https://youtu.be/hAvONDXOgxc?si=tAP0HK4etyUsCvb0\">Corpus Christi Bay\u003c/a>,” a perfect song, and my life has not been the same since. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6263-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Mix Master Mike, Qbert and D-Styles \u003c/b>\u003cbr>\n\u003ci>July 19, SF Hip-Hop Festival, San Francisco\u003c/i>\u003c/p>\n\u003cp>I can’t shake the feeling that the geniuses who make up the \u003ca href=\"https://www.kqed.org/arts/13952208/invisibl-skratch-piklz-filipino-djs-daly-city-san-francisco-turntablism-history\">Invisibl Skratch Piklz\u003c/a>, individually and collectively, will go down in history as visionaries who were ahead of their time, space and galaxy. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984459\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6282-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Devo\u003c/b>\u003cbr>\n\u003ci>July 19, from outside the fence, Oakland \u003c/i>\u003c/p>\n\u003cp>Once a year, one should \u003ca href=\"https://bohemian.com/listening-to-huey-lewis-outside-the-fence-at-the-sonoma-county-fair-isnt-all-that-bad/\">listen to a show from outside a fence\u003c/a>, in the back alley or through the side door, like that “\u003ca href=\"https://mashable.com/article/in-the-bathroom-at-a-party-edits\">in the bathroom at a party\u003c/a>” TikTok trend from 2020.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM.jpg\" alt=\"\" width=\"1174\" height=\"918\" class=\"aligncenter size-full wp-image-13984467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM.jpg 1174w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.54.57-PM-768x601.jpg 768w\" sizes=\"auto, (max-width: 1174px) 100vw, 1174px\">\u003c/p>\n\u003cp>\u003cb>Kreayshawn\u003c/b>\u003cbr>\n\u003ci>July 20, Mosswood Park, Oakland\u003c/i>\u003c/p>\n\u003cp>It’s a good thing that, by and large, everyone in the Bay gives love to Kreayshawn, who weathered a rotten deal in both the media and the record industry only to emerge at Mosswood Meltdown after a 10-year hiatus stronger and tighter and funnier than ever.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM.jpg\" alt=\"\" width=\"1178\" height=\"1224\" class=\"aligncenter size-full wp-image-13984461\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Screenshot-2025-12-03-at-9.55.58-PM-768x798.jpg 768w\" sizes=\"auto, (max-width: 1178px) 100vw, 1178px\">\u003c/p>\n\u003cp>\u003cb>La Gente SF\u003c/b>\u003cbr>\n\u003ci>July 27, Juilliard Park, Santa Rosa \u003c/i>\u003c/p>\n\u003cp>It’s hard to beat free music in the park, especially when you get Rafa Sarria Bustamante freestyling in Spanish about the Mission District over a live-band version of “I Got 5 On It.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6598-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>False Flag\u003c/b>\u003cbr>\n\u003ci>July 30, Castro Theater, San Francisco \u003c/i>\u003c/p>\n\u003cp>The punks took over the sidewalk in front of the Castro Theater, and confused and enchanted random passers-by while a crowd of 50 or so smoked weed, drank beer and started small pits under the marquee of the beloved ex-movie palace.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6829-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Nine Inch Nails\u003c/b>\u003cbr>\n\u003ci>Aug. 6, Oakland Arena, Oakland\u003c/i> \u003c/p>\n\u003cp>When I am elected president, I will sign an anti-oversaturation bill limiting Trent Reznor and Atticus Ross to one motion picture score per year (with more time for Nine Inch Nails tours as a welcome byproduct).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_6977-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>The Jets\u003c/b>\u003cbr>\n\u003ci>Aug. 15, Golden 1 Center, Sacramento \u003c/i>\u003c/p>\n\u003cp>Each every-decade-or-so wave of the ’80s revival has unfairly passed up the Jets, who performed “\u003ca href=\"https://youtu.be/8a2GfvPF0_8?si=0RIYJFzbOvR9NFSu\">Crush On You\u003c/a>,” “\u003ca href=\"https://youtu.be/Dr1pZHPExlE?si=l3D2DKyQ-yAGQutJ\">You Got It All\u003c/a>,” “\u003ca href=\"https://youtu.be/UhrqvTUZQLo?si=pombtxW5WRUNPMEJ\">Cross My Broken Heart\u003c/a>” and “\u003ca href=\"https://youtu.be/K8LLF-46FN8?si=rNMQqNLBbVZUXYg5\">Make It Real\u003c/a>” as if no time has passed whatsoever in a nostalgia revue alongside performances by Lisa Lisa, Exposé, the Mary Jane Girls, J.J. Fad, Tag Team and one guy from Color Me Badd.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7375-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Con Funk Shun\u003c/b>\u003cbr>\n\u003ci>Sept. 6, Mare Island, Vallejo\u003c/i>\u003c/p>\n\u003cp>Felton Pilate, the \u003ca href=\"https://www.kqed.org/arts/13927349/bay-area-hip-hop-1980s\">secret bridge between Bay Area funk and Bay Area rap\u003c/a>, led his tight-as-hell, five-decades-strong band in a jubilant hometown set after receiving an honorary street renaming.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547.jpg\" alt=\"\" width=\"1920\" height=\"2560\" class=\"aligncenter size-full wp-image-13984462\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7547-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Louisiana Symphony Orchestra\u003c/b>\u003cbr>\n\u003ci>Sept. 11, New Marigny Theatre, New Orleans\u003c/i>\u003c/p>\n\u003cp>Performing on the floor of a small church to five rows of folding chairs (Davies Symphony Hall, how we take thee for granted), this skilled and adventurous ensemble tackled two world premieres, a Florence Price piece, a tango and a Britten suite with gusto.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"aligncenter size-full wp-image-13984453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7656-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Kermit Ruffins\u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003ci>Sept. 12, The Blue Nile, New Orleans \u003c/i>\u003c/p>\n\u003cp>“On the Sunny Side of the Street,” “Lovely Day,” “If I Only Had a Brain,” “What a Wonderful Word” — the hometown trumpet legend’s setlist was simply tremendous, complete with an oddly moving “Someday My Prince Will Come” that morphed into “The Star-Spangled Banner.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863.jpg\" alt=\"\" width=\"2378\" height=\"2378\" class=\"aligncenter size-full wp-image-13984455\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863.jpg 2378w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-2000x2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_7863-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 2378px) 100vw, 2378px\">\u003c/p>\n\u003cp>\u003cb>Buffalo Nichols\u003c/b>\u003cbr>\n\u003ci>Sept. 14, House of Blues, New Orleans \u003c/i>\u003c/p>\n\u003cp>I’d lost my mind the day before, \u003ca href=\"https://www.kqed.org/arts/13983190/juke-joint-sinners-filming-location-louisiana\">wandering through tall jungleland looking for the juke joint from \u003ci>Sinners\u003c/i>\u003c/a>; Nichols singing “How to Love” helped me find it again.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984463\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8147-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>The New Trust\u003c/b>\u003cbr>\n\u003ci>Sept. 26, Henhouse Brewing Co., Santa Rosa\u003c/i> \u003c/p>\n\u003cp>Here’s to local bands that stay together for over 20 years and \u003ca href=\"https://thenewtrust.bandcamp.com/\">keep turning out exuberant songs\u003c/a>. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8280-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Lucinda Williams\u003c/b>\u003cbr>\n\u003ci>Oct. 5, Golden Gate Park, San Francisco \u003c/i>\u003c/p>\n\u003cp>The edges of Lucinda’s voice are increasingly chiseled with a sawblade, and yet she still readily conjures an immediate peaceful bliss with \u003ca href=\"https://youtu.be/9MVRXBftMxM?si=XZLT1yrXL9FOUSF-\">just the first three notes\u003c/a> of a song.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633.jpg\" alt=\"\" width=\"1920\" height=\"1920\" class=\"aligncenter size-full wp-image-13984452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/IMG_8633-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cb>Andre Nickatina\u003c/b>\u003cbr>\n\u003ci>Oct. 16, Great American Music Hall, San Francisco \u003c/i>\u003c/p>\n\u003cp>Smokin’, drinkin’, dancin’ — Nickatina’s fanbase is among the most unpretentious in the Bay, and the opener was a blues-playing former pimp from East Palo Alto with an out-of-tune acoustic guitar who sang songs about how we should all love one another.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image0.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"aligncenter size-full wp-image-13984466\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image0.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image0-160x160.jpg 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cb>Dijon\u003c/b>\u003cbr>\n\u003ci>Nov. 6, Fox Theater, Oakland \u003c/i>\u003c/p>\n\u003cp>I love Dijon’s album \u003ci>Baby\u003c/i>, and was warmed to see that he assembled a nine-piece band to recreate its strange brokenness, with a semicircle-and-sitting-down stage setup reminiscent of Miles Davis’ 1970s shows. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image2.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"aligncenter size-full wp-image-13984446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image2.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/image2-160x160.jpg 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cb>Too Short\u003c/b>\u003cbr>\n\u003ci>Nov. 9, History of the Bay, San Francisco\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After an epic hour-and-a-half-hour panel discussion between Short, Spice 1, Rappin’ 4-Tay, CMG, B-Legit, D-Shot, Mistah FAB, Lord Rab, Dregs One and Davey D about the early years of Bay Area rap, DJ Cutso dropped “\u003ca href=\"https://youtu.be/OrUfz0AhQP0?si=pQDR3H7vnRii6x5Y\">Dope Fiend Beat\u003c/a>” for a perfect coda: Short delivering the nearly 40-year-old song and a stage full of peers-slash-fans, rapping along. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13984468/best-concerts-2025-bay-area-live-music",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_21795",
"arts_22600",
"arts_10278",
"arts_2187",
"arts_21910"
],
"featImg": "arts_13984474",
"label": "source_arts_13984468"
},
"arts_13978802": {
"type": "posts",
"id": "arts_13978802",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13978802",
"score": null,
"sort": [
1752688979000
]
},
"guestAuthors": [],
"slug": "mosswood-meltdown-2025-john-waters-devo-bratmobile",
"title": "6 Reasons Why John Waters Loves Hosting Mosswood Meltdown",
"publishDate": 1752688979,
"format": "standard",
"headTitle": "6 Reasons Why John Waters Loves Hosting Mosswood Meltdown | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>John Waters has been \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a>’s formidably filthy emcee for more than a decade — a legendary subversive whose gravitas fits the Oakland fest’s particular vibe. \u003c/p>\n\u003cp>“I like punks; they’re my people, I would feel the most comfortable in the punk world than any other minority world,” the filmmaker, author, comedian and all-around trash icon tells KQED. “I look forward to it every year.” \u003c/p>\n\u003cp>Waters — who keeps an apartment in San Francisco but calls the East Coast home — returns to the Mosswood stage once again \u003ca href=\"https://mosswoodmeltdown.com/\">July 19 and 20\u003c/a>. The 79-year-old will helm the festival stage, telling jokes and stories as he introduces headliners Devo, Osees, the Exploding Hearts and Bratmobile, as well as festival favorites and friends like \u003ca href=\"https://www.kqed.org/arts/13956541/shannon-shaw-the-clams-the-moon-is-in-the-wrong-place\">Shannon and the Clams\u003c/a>. \u003c/p>\n\u003cp>[aside postID='arts_13968062']“The audience at Mosswood Meltdown shares John’s sense of humor for the arcane,” says festival co-founder Marc Ribak, who notes that he and his wife Amy Carver watched Pink Flamingos on their first date. “John fully embraces the Mosswood Meltdown audience as well. And that’s exactly why he is the quintessential part of [the festival].” \u003c/p>\n\u003cp>The Clams singer/bassist Shannon Shaw is quick to affirm Waters’ punk cred. “Of course John is punk!!!!” she enthused via email. “He’s the lantern we all flutter to. He understands the fringes of society cuz he lives there! He has made it a place to be celebrated and have fun and come together.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Waters might be the oldest (but certainly not crustiest) punk on stage, but he feels right at home. The forever-delinquent and master of cult madness recounts the many reasons why he loves Mosswood Meltdown — from senior citizen gutter punks to seeing his friends starstruck. \u003c/p>\n\u003cfigure id=\"attachment_13915763\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg\" alt=\"A woman with a big blond '60s-inspired hairdo looks down at her guitar, behind a mic stand. She is wearing a bright pink blouse and matching lipstick\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915763\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Shaw performing solo at Mosswood Meltdown on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters loves to up the punx\u003c/h2>\n\u003cp>Besides the cash and an affinity for the Bay’s cooler summers, Waters has hosted Mosswood Meltdown (and, formerly, Burger Boogaloo) nearly a dozen times simply because he loves punks. \u003c/p>\n\u003cp>“They’re very opinionated; they love each other and kind of hate everybody else,” Waters says. “They used to stage dive, but they’re too heavy now.”\u003c/p>\n\u003cp>Punk humor aside, Mosswood Meltdown “really has a great attitude,” he says. Whether you’re a hardcore kid or an aging punk, Waters sees you. \u003c/p>\n\u003cp>“Punks their whole life have been told they look terrible, ‘Why would you act like that?’” Waters reflects. “So they love to be together and celebrate their behavior that they always loved doing … They all used to be juvenile delinquents, but now they’re celebrated as adult delinquents.” \u003c/p>\n\u003ch2>John Waters does it for the children\u003c/h2>\n\u003cp>While Mosswood Meltdown is known to traffic in legends, popular punk and punk-adjacent groups, and highly anticipated reunions, the fest also features up-and-comers. Waters is all for it — particularly as a recruiting tool. \u003c/p>\n\u003cp>“They say gay people recruit; we punks really recruit,” he says. “It’s like, ‘There’s one! Get that kid!’ because we need young ones so we can suck their blood out and get it to Iggy Pop so he can live forever.”\u003cbr>\nMosswood is an all-ages festival where you’re as likely to glimpse a 60-something punk in the pit as you are a Gen Xer who saw Crimpshrine at Gilman back when. Audiencegoers include young skinheads, tough tweens in baby Docs and even a few normies with good taste. \u003c/p>\n\u003cfigure id=\"attachment_13915751\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915751\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Maddie Barbee (left) and Grace Sykes at Mosswood Meltdown in Oakland on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to Waters, it’s particularly important for young people to carry on the torch. “Eventually all the punk groups are going to be like the Drifters now, where none of them are the original people,” he says. “Maybe one year we’ll have all cover punks.” \u003c/p>\n\u003cp>When asked what punk icon he would want to cover in a fictitious band, Waters doesn’t miss a beat: GG Allin. \u003c/p>\n\u003ch2>Mosswood brings up good memories\u003c/h2>\n\u003cp>Waters has his favored Bay haunts: the vintage pulp paperback purveyors \u003ca href=\"https://www.kayobooks.com/\">Kayo Books\u003c/a>; Oakland’s Thee Stork Club, which he \u003ca href=\"https://brokeassstuart.com/2022/06/03/john-waters-to-help-open-thee-stork-club-in-oakland/\">helped re-open\u003c/a> and where he held a 2024 \u003ca href=\"https://www.cbsnews.com/sanfrancisco/news/oakland-club-hosts-birthday-celebration-for-famed-director-john-waters/\">birthday celebration\u003c/a>/storytelling performance; and the Great American Music Hall, host to his annual “A John Waters Christmas” show. But being at Mosswood reminds him of one of one of his old-time locales — the long-shuttered \u003ca href=\"https://www.kqed.org/arts/13938024/old-san-francisco-punk-venues-deaf-club-farm-sound-music-tool-die\">Deaf Club\u003c/a> on Valencia. \u003c/p>\n\u003cp>“That was the first punk place in San Francisco I hung out,” Waters says of the deaf community center where bands like The Offs, the Avengers and the Dead Kennedys played for 18 legendary months. “It was the best punk club ever.”\u003c/p>\n\u003cp>[aside postID='arts_13956541']The scene sounds too strange to be real, more fit of one of the off-kilter universes in Waters’ own films. Maybe there’s a Deaf Club in the world of \u003cem>Cry Baby\u003c/em> or \u003cem>A Dirty Shame\u003c/em>. “It didn’t last long because the neighbors \u003ci>really\u003c/i> hated it,” Waters recalls. “It was too good to last forever.” \u003c/p>\n\u003ch2>He gets to hang with his friends\u003c/h2>\n\u003cp>After all his years at Mosswood, Waters has developed deep friendships in the scene. He’s gotten to know festival founders Marc and Amy, and is friends with Shannon Shaw “in real life.” He counts artist and Hunx and His Punx frontman Seth Bogart as a friend; the two will be selling collaborative merch at this year’s Mosswood for the first time. \u003c/p>\n\u003cp>“I’ve gotten to know people,” Waters says of his longstanding friendships. “Oakland is a little bit like Baltimore in some ways, but I feel at home there.” \u003c/p>\n\u003cfigure id=\"attachment_13915778\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Linda Lindas perform at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters actually watches the bands\u003c/h2>\n\u003cp>In proper (or rather, common) punk fashion, there’s no fancy backstage area at the festival where Waters can sequester himself. And he wouldn’t want to anyway. When he’s not prepping for his host duties, he’s watching performers. \u003c/p>\n\u003cp>He reels off a list of favorites: Amyl and the Sniffers, the Damned, “of course Iggy, who was in \u003cem>Cry Baby\u003c/em>,” crowd-pleasers like Devo and the Jesus and Mary Chain. “The Linda Lindas, when they were, like, \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">punk rock children\u003c/a> — that was great,” Waters says. Even after over a decade as host, Waters says he remains amazed at the freshness and confidence of the groups that play Mosswood.\u003c/p>\n\u003cp>Beyond the receptive audience showing up for their favorite acts, the performers themselves show up for their friends and heroes. Backstage can be something of a love-in. \u003c/p>\n\u003cp>“Famous people in the punk rock world are just as interested to meet other famous punk rock groups. They’re starstruck too, and I like to see that,” Waters says. “No one acts like a superstar, but they all act like they’re impressed with each other.” \u003c/p>\n\u003cp>Though he won’t name names from the Mosswood roster (Waters may have put the filthiest people alive on screen, but he knows how to keep their secrets), this particular scene shows up for each other, he says — with the earnestness of Tracy Turnblad.\u003c/p>\n\u003cfigure id=\"attachment_13915744\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915744\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters introduces Pansy Division at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Mosswood crowd proves you’re never too old to be punk\u003c/h2>\n\u003cp>“These are the kind of rock stars that impress me,” Waters says. “They’ve somehow been able to survive, especially the older ones, and be angry and crazy and not look silly or pitiful. When you have an extreme style when you’re young, it’s really hard to figure out how to finesse that as you get older, but it does very well there.” \u003c/p>\n\u003cp>But, Waters warns, “You can also be cringy if you try to act young when you’re 90. Sometimes you \u003ci>are\u003c/i> too old to pogo dance.” Pausing, he quickly reevaluates his dance politics: “Actually, that would be alright. You sometimes are too old to do the funky chicken at a wedding, but you’re never too old to pogo.” \u003c/p>\n\u003cp>Waters envisions a senior slam dance at a retirement community. “Sometimes the bands that are playing here \u003ci>are\u003c/i> in retirement communities … or they could be,” he says. The pit at Waters’ Home for Elder Punks would be slow-moving, only for those over age 80 and with good insurance. He muses, “Their bones are brittle, so you better catch them when they stage dive!”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Mosswood Meltdown takes place July 19–20, 2025 at Mosswood Park (3612 Webster St., Oakland). \u003ca href=\"https://wl.eventim.us/event/Mosswood-Meltdown-2025/608893?afflky=MosswoodMeltdown\">Tickets are available here\u003c/a>.\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The king of filth emcees the festival once again, introducing Devo, Bratmobile, friends and punk favorites.",
"status": "publish",
"parent": 0,
"modified": 1752688979,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 30,
"wordCount": 1549
},
"headData": {
"title": "Why John Waters Loves Hosting Mosswood Meltdown | KQED",
"description": "The king of filth emcees the festival once again, introducing Devo, Bratmobile, friends and punk favorites.",
"ogTitle": "6 Reasons Why John Waters Loves Hosting Mosswood Meltdown",
"ogDescription": "",
"ogImgId": "",
"twTitle": "6 Reasons Why John Waters Loves Hosting Mosswood Meltdown",
"twDescription": "",
"twImgId": "",
"socialTitle": "Why John Waters Loves Hosting Mosswood Meltdown %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "6 Reasons Why John Waters Loves Hosting Mosswood Meltdown",
"datePublished": "2025-07-16T11:02:59-07:00",
"dateModified": "2025-07-16T11:02:59-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"sticky": false,
"nprByline": "Jessica Lipsky",
"nprStoryId": "kqed-13978802",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13978802/mosswood-meltdown-2025-john-waters-devo-bratmobile",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>John Waters has been \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a>’s formidably filthy emcee for more than a decade — a legendary subversive whose gravitas fits the Oakland fest’s particular vibe. \u003c/p>\n\u003cp>“I like punks; they’re my people, I would feel the most comfortable in the punk world than any other minority world,” the filmmaker, author, comedian and all-around trash icon tells KQED. “I look forward to it every year.” \u003c/p>\n\u003cp>Waters — who keeps an apartment in San Francisco but calls the East Coast home — returns to the Mosswood stage once again \u003ca href=\"https://mosswoodmeltdown.com/\">July 19 and 20\u003c/a>. The 79-year-old will helm the festival stage, telling jokes and stories as he introduces headliners Devo, Osees, the Exploding Hearts and Bratmobile, as well as festival favorites and friends like \u003ca href=\"https://www.kqed.org/arts/13956541/shannon-shaw-the-clams-the-moon-is-in-the-wrong-place\">Shannon and the Clams\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13968062",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“The audience at Mosswood Meltdown shares John’s sense of humor for the arcane,” says festival co-founder Marc Ribak, who notes that he and his wife Amy Carver watched Pink Flamingos on their first date. “John fully embraces the Mosswood Meltdown audience as well. And that’s exactly why he is the quintessential part of [the festival].” \u003c/p>\n\u003cp>The Clams singer/bassist Shannon Shaw is quick to affirm Waters’ punk cred. “Of course John is punk!!!!” she enthused via email. “He’s the lantern we all flutter to. He understands the fringes of society cuz he lives there! He has made it a place to be celebrated and have fun and come together.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Waters might be the oldest (but certainly not crustiest) punk on stage, but he feels right at home. The forever-delinquent and master of cult madness recounts the many reasons why he loves Mosswood Meltdown — from senior citizen gutter punks to seeing his friends starstruck. \u003c/p>\n\u003cfigure id=\"attachment_13915763\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg\" alt=\"A woman with a big blond '60s-inspired hairdo looks down at her guitar, behind a mic stand. She is wearing a bright pink blouse and matching lipstick\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915763\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Shaw performing solo at Mosswood Meltdown on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters loves to up the punx\u003c/h2>\n\u003cp>Besides the cash and an affinity for the Bay’s cooler summers, Waters has hosted Mosswood Meltdown (and, formerly, Burger Boogaloo) nearly a dozen times simply because he loves punks. \u003c/p>\n\u003cp>“They’re very opinionated; they love each other and kind of hate everybody else,” Waters says. “They used to stage dive, but they’re too heavy now.”\u003c/p>\n\u003cp>Punk humor aside, Mosswood Meltdown “really has a great attitude,” he says. Whether you’re a hardcore kid or an aging punk, Waters sees you. \u003c/p>\n\u003cp>“Punks their whole life have been told they look terrible, ‘Why would you act like that?’” Waters reflects. “So they love to be together and celebrate their behavior that they always loved doing … They all used to be juvenile delinquents, but now they’re celebrated as adult delinquents.” \u003c/p>\n\u003ch2>John Waters does it for the children\u003c/h2>\n\u003cp>While Mosswood Meltdown is known to traffic in legends, popular punk and punk-adjacent groups, and highly anticipated reunions, the fest also features up-and-comers. Waters is all for it — particularly as a recruiting tool. \u003c/p>\n\u003cp>“They say gay people recruit; we punks really recruit,” he says. “It’s like, ‘There’s one! Get that kid!’ because we need young ones so we can suck their blood out and get it to Iggy Pop so he can live forever.”\u003cbr>\nMosswood is an all-ages festival where you’re as likely to glimpse a 60-something punk in the pit as you are a Gen Xer who saw Crimpshrine at Gilman back when. Audiencegoers include young skinheads, tough tweens in baby Docs and even a few normies with good taste. \u003c/p>\n\u003cfigure id=\"attachment_13915751\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915751\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Maddie Barbee (left) and Grace Sykes at Mosswood Meltdown in Oakland on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to Waters, it’s particularly important for young people to carry on the torch. “Eventually all the punk groups are going to be like the Drifters now, where none of them are the original people,” he says. “Maybe one year we’ll have all cover punks.” \u003c/p>\n\u003cp>When asked what punk icon he would want to cover in a fictitious band, Waters doesn’t miss a beat: GG Allin. \u003c/p>\n\u003ch2>Mosswood brings up good memories\u003c/h2>\n\u003cp>Waters has his favored Bay haunts: the vintage pulp paperback purveyors \u003ca href=\"https://www.kayobooks.com/\">Kayo Books\u003c/a>; Oakland’s Thee Stork Club, which he \u003ca href=\"https://brokeassstuart.com/2022/06/03/john-waters-to-help-open-thee-stork-club-in-oakland/\">helped re-open\u003c/a> and where he held a 2024 \u003ca href=\"https://www.cbsnews.com/sanfrancisco/news/oakland-club-hosts-birthday-celebration-for-famed-director-john-waters/\">birthday celebration\u003c/a>/storytelling performance; and the Great American Music Hall, host to his annual “A John Waters Christmas” show. But being at Mosswood reminds him of one of one of his old-time locales — the long-shuttered \u003ca href=\"https://www.kqed.org/arts/13938024/old-san-francisco-punk-venues-deaf-club-farm-sound-music-tool-die\">Deaf Club\u003c/a> on Valencia. \u003c/p>\n\u003cp>“That was the first punk place in San Francisco I hung out,” Waters says of the deaf community center where bands like The Offs, the Avengers and the Dead Kennedys played for 18 legendary months. “It was the best punk club ever.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13956541",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The scene sounds too strange to be real, more fit of one of the off-kilter universes in Waters’ own films. Maybe there’s a Deaf Club in the world of \u003cem>Cry Baby\u003c/em> or \u003cem>A Dirty Shame\u003c/em>. “It didn’t last long because the neighbors \u003ci>really\u003c/i> hated it,” Waters recalls. “It was too good to last forever.” \u003c/p>\n\u003ch2>He gets to hang with his friends\u003c/h2>\n\u003cp>After all his years at Mosswood, Waters has developed deep friendships in the scene. He’s gotten to know festival founders Marc and Amy, and is friends with Shannon Shaw “in real life.” He counts artist and Hunx and His Punx frontman Seth Bogart as a friend; the two will be selling collaborative merch at this year’s Mosswood for the first time. \u003c/p>\n\u003cp>“I’ve gotten to know people,” Waters says of his longstanding friendships. “Oakland is a little bit like Baltimore in some ways, but I feel at home there.” \u003c/p>\n\u003cfigure id=\"attachment_13915778\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Linda Lindas perform at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters actually watches the bands\u003c/h2>\n\u003cp>In proper (or rather, common) punk fashion, there’s no fancy backstage area at the festival where Waters can sequester himself. And he wouldn’t want to anyway. When he’s not prepping for his host duties, he’s watching performers. \u003c/p>\n\u003cp>He reels off a list of favorites: Amyl and the Sniffers, the Damned, “of course Iggy, who was in \u003cem>Cry Baby\u003c/em>,” crowd-pleasers like Devo and the Jesus and Mary Chain. “The Linda Lindas, when they were, like, \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">punk rock children\u003c/a> — that was great,” Waters says. Even after over a decade as host, Waters says he remains amazed at the freshness and confidence of the groups that play Mosswood.\u003c/p>\n\u003cp>Beyond the receptive audience showing up for their favorite acts, the performers themselves show up for their friends and heroes. Backstage can be something of a love-in. \u003c/p>\n\u003cp>“Famous people in the punk rock world are just as interested to meet other famous punk rock groups. They’re starstruck too, and I like to see that,” Waters says. “No one acts like a superstar, but they all act like they’re impressed with each other.” \u003c/p>\n\u003cp>Though he won’t name names from the Mosswood roster (Waters may have put the filthiest people alive on screen, but he knows how to keep their secrets), this particular scene shows up for each other, he says — with the earnestness of Tracy Turnblad.\u003c/p>\n\u003cfigure id=\"attachment_13915744\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915744\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters introduces Pansy Division at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Mosswood crowd proves you’re never too old to be punk\u003c/h2>\n\u003cp>“These are the kind of rock stars that impress me,” Waters says. “They’ve somehow been able to survive, especially the older ones, and be angry and crazy and not look silly or pitiful. When you have an extreme style when you’re young, it’s really hard to figure out how to finesse that as you get older, but it does very well there.” \u003c/p>\n\u003cp>But, Waters warns, “You can also be cringy if you try to act young when you’re 90. Sometimes you \u003ci>are\u003c/i> too old to pogo dance.” Pausing, he quickly reevaluates his dance politics: “Actually, that would be alright. You sometimes are too old to do the funky chicken at a wedding, but you’re never too old to pogo.” \u003c/p>\n\u003cp>Waters envisions a senior slam dance at a retirement community. “Sometimes the bands that are playing here \u003ci>are\u003c/i> in retirement communities … or they could be,” he says. The pit at Waters’ Home for Elder Punks would be slow-moving, only for those over age 80 and with good insurance. He muses, “Their bones are brittle, so you better catch them when they stage dive!”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Mosswood Meltdown takes place July 19–20, 2025 at Mosswood Park (3612 Webster St., Oakland). \u003ca href=\"https://wl.eventim.us/event/Mosswood-Meltdown-2025/608893?afflky=MosswoodMeltdown\">Tickets are available here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13978802/mosswood-meltdown-2025-john-waters-devo-bratmobile",
"authors": [
"byline_arts_13978802"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_21911",
"arts_21910"
],
"featImg": "arts_13860397",
"label": "arts"
},
"arts_13968062": {
"type": "posts",
"id": "arts_13968062",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13968062",
"score": null,
"sort": [
1731607517000
]
},
"guestAuthors": [],
"slug": "mosswood-meltdown-oakland-lineup-2025",
"title": "Mosswood Meltdown Returns with Devo, Kreayshawn and More in 2025",
"publishDate": 1731607517,
"format": "standard",
"headTitle": "Mosswood Meltdown Returns with Devo, Kreayshawn and More in 2025 | KQED",
"labelTerm": {},
"content": "\u003cp>New wave icons Devo will headline \u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> when the festival returns to Oakland’s Mosswood Park July 19–20, 2025. The off-kilter hitmakers have enjoyed a strong 2024: Earlier this year, they released \u003ci>Art Devo\u003c/i>, a compilation of early, out-there tracks from 1973-1977, years before “Whip It” catapulted them into international fame. Hot off a \u003ca href=\"https://www.youtube.com/watch?v=VKvYRDhPt_0\">Tiny Desk concert\u003c/a> that showed the group in top form and playful as ever, Devo will make their Mosswood appearance between tour stops with My Chemical Romance.\u003c/p>\n\u003cp>Also announced on the Mosswood Meltdown lineup is “\u003ca href=\"https://youtu.be/6WJFjXtHcy4?si=RCxrzDm19FlOl0O9\">Gucci Gucci\u003c/a>” rapper Kreayshawn, who will perform live in her hometown for the first time in 10 years. Joining her are Osees, the ever-shifting indie rock band that got their start in San Francisco in the late ’90s and recently released the sci-fi punk album \u003ca href=\"https://ohsees.bandcamp.com/album/sorcs-80\">\u003ci>Sorcs 80\u003c/i>\u003c/a>.\u003c/p>\n\u003cp>Belgian punk band The Kids, who came onto the scene in the ’70s, and 2000s punk band The Exploding Hearts are also on the bill. Mosswood Meltdown will once again be hosted by filmmaker-provocateur John Waters. More acts will soon be announced, and \u003ca href=\"https://wl.seetickets.us/event/Mosswood-Meltdown-2025-Early-Bird-Tickets/608893?afflky=MosswoodMeltdown&utm_source=hive&utm_medium=email&utm_campaign=hive_email_id_318862_mosswood-meltdown-early-birds&h_sid=f92278aaac-863d2e3a2d3d345cc113439d&h_slt=eyJoYXNoIjoiZjgxYzk0YTlhZWE0NTMyIiwiaGl2ZV91c2VyX2lkIjoyMzY5MDQ4Nn0%3D'\">early bird tickets\u003c/a> are on sale starting at $119.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The beloved Oakland punk and alternative music festival announced its initial lineup for July 19–20, 2025.",
"status": "publish",
"parent": 0,
"modified": 1752688128,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 206
},
"headData": {
"title": "Mosswood Meltdown Returns with Devo, Kreayshawn and More in 2025 | KQED",
"description": "The beloved Oakland punk and alternative music festival announced its initial lineup for July 19–20, 2025.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mosswood Meltdown Returns with Devo, Kreayshawn and More in 2025",
"datePublished": "2024-11-14T10:05:17-08:00",
"dateModified": "2025-07-16T10:48:48-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"source": "The Do List",
"sourceUrl": "https://www.kqed.org/thedolist",
"sticky": false,
"nprStoryId": "kqed-13968062",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13968062/mosswood-meltdown-oakland-lineup-2025",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>New wave icons Devo will headline \u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> when the festival returns to Oakland’s Mosswood Park July 19–20, 2025. The off-kilter hitmakers have enjoyed a strong 2024: Earlier this year, they released \u003ci>Art Devo\u003c/i>, a compilation of early, out-there tracks from 1973-1977, years before “Whip It” catapulted them into international fame. Hot off a \u003ca href=\"https://www.youtube.com/watch?v=VKvYRDhPt_0\">Tiny Desk concert\u003c/a> that showed the group in top form and playful as ever, Devo will make their Mosswood appearance between tour stops with My Chemical Romance.\u003c/p>\n\u003cp>Also announced on the Mosswood Meltdown lineup is “\u003ca href=\"https://youtu.be/6WJFjXtHcy4?si=RCxrzDm19FlOl0O9\">Gucci Gucci\u003c/a>” rapper Kreayshawn, who will perform live in her hometown for the first time in 10 years. Joining her are Osees, the ever-shifting indie rock band that got their start in San Francisco in the late ’90s and recently released the sci-fi punk album \u003ca href=\"https://ohsees.bandcamp.com/album/sorcs-80\">\u003ci>Sorcs 80\u003c/i>\u003c/a>.\u003c/p>\n\u003cp>Belgian punk band The Kids, who came onto the scene in the ’70s, and 2000s punk band The Exploding Hearts are also on the bill. Mosswood Meltdown will once again be hosted by filmmaker-provocateur John Waters. More acts will soon be announced, and \u003ca href=\"https://wl.seetickets.us/event/Mosswood-Meltdown-2025-Early-Bird-Tickets/608893?afflky=MosswoodMeltdown&utm_source=hive&utm_medium=email&utm_campaign=hive_email_id_318862_mosswood-meltdown-early-birds&h_sid=f92278aaac-863d2e3a2d3d345cc113439d&h_slt=eyJoYXNoIjoiZjgxYzk0YTlhZWE0NTMyIiwiaGl2ZV91c2VyX2lkIjoyMzY5MDQ4Nn0%3D'\">early bird tickets\u003c/a> are on sale starting at $119.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13968062/mosswood-meltdown-oakland-lineup-2025",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69",
"arts_22313"
],
"tags": [
"arts_10278",
"arts_3541",
"arts_21910",
"arts_1143",
"arts_585"
],
"featImg": "arts_13968064",
"label": "source_arts_13968062"
},
"arts_13953095": {
"type": "posts",
"id": "arts_13953095",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13953095",
"score": null,
"sort": [
1709068438000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1709068438,
"format": "standard",
"title": "John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star",
"headTitle": "John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star | KQED",
"content": "\u003cp>San Francisco resident and \u003ca href=\"https://www.kpbs.org/news/arts-culture/2007/07/21/john-waters-the-sultan-of-sleaze-speaks\">sultan of sleaze\u003c/a> John Waters is \u003ca href=\"https://www.worldofreel.com/blog/2024/2/26/aubrey-plaza-set-to-star-in-john-waters-liarmouth\">reported\u003c/a> to soon begin production on his first feature film in 20 years — with Aubrey Plaza in the lead role.\u003c/p>\n\u003cp>\u003cem>Liarmouth\u003c/em>, based on Waters’ 2022 “feel-bad romance” novel of the same name, follows a duplicitous scammer, Marsha Sprinkle, who alienates her boyfriend and immediate family through awful, criminal behavior.\u003c/p>\n\u003cp>Plaza told \u003cem>Dazed\u003c/em> in 2022 that she was \u003ca href=\"https://www.dazeddigital.com/film-tv/article/57276/1/aubrey-plaza-emily-the-criminal-interview\">throwing herself at Waters’ feet to play Marsha\u003c/a>: “I emailed him immediately and said, ‘You better let me audition for you. I even look like the girl on the cover,’” she said. “I’ll do anything to get the part. And I mean \u003cem>anything\u003c/em>.”\u003c/p>\n\u003cp>[aside postID='arts_13951325']Filming for \u003cem>Liarmouth\u003c/em> will begin later this year in Waters’ hometown of Baltimore.\u003c/p>\n\u003cp>Waters, a \u003ca href=\"https://oaklandside.org/2022/10/07/thee-stork-club-new-bar-opening-oakland/\">spiritual godfather to Thee Stork Club\u003c/a> and annual \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">emcee at the Mosswood Meltdown music festival\u003c/a> in Oakland, had planned to begin filming in 2022 before the Hollywood strikes by actors and screenwriters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Known for films like \u003cem>Pink Flamingos\u003c/em>, \u003cem>Polyester\u003c/em> and \u003cem>Crybaby\u003c/em>, Waters last directed a film, the Tracey Ullman-starring \u003cem>A Dirty Shame\u003c/em>, in 2004.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 200,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1709068438,
"excerpt": "'Liarmouth,' a 'feel-bad-romance,' is about a duplicitous scammer who alienates her boyfriend and family.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "'Liarmouth,' a 'feel-bad-romance,' is about a duplicitous scammer who alienates her boyfriend and family.",
"title": "John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star",
"datePublished": "2024-02-27T13:13:58-08:00",
"dateModified": "2024-02-27T13:13:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "john-waters-aubrey-plaza-liarmouth",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"articleAge": "0",
"path": "/arts/13953095/john-waters-aubrey-plaza-liarmouth",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco resident and \u003ca href=\"https://www.kpbs.org/news/arts-culture/2007/07/21/john-waters-the-sultan-of-sleaze-speaks\">sultan of sleaze\u003c/a> John Waters is \u003ca href=\"https://www.worldofreel.com/blog/2024/2/26/aubrey-plaza-set-to-star-in-john-waters-liarmouth\">reported\u003c/a> to soon begin production on his first feature film in 20 years — with Aubrey Plaza in the lead role.\u003c/p>\n\u003cp>\u003cem>Liarmouth\u003c/em>, based on Waters’ 2022 “feel-bad romance” novel of the same name, follows a duplicitous scammer, Marsha Sprinkle, who alienates her boyfriend and immediate family through awful, criminal behavior.\u003c/p>\n\u003cp>Plaza told \u003cem>Dazed\u003c/em> in 2022 that she was \u003ca href=\"https://www.dazeddigital.com/film-tv/article/57276/1/aubrey-plaza-emily-the-criminal-interview\">throwing herself at Waters’ feet to play Marsha\u003c/a>: “I emailed him immediately and said, ‘You better let me audition for you. I even look like the girl on the cover,’” she said. “I’ll do anything to get the part. And I mean \u003cem>anything\u003c/em>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13951325",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Filming for \u003cem>Liarmouth\u003c/em> will begin later this year in Waters’ hometown of Baltimore.\u003c/p>\n\u003cp>Waters, a \u003ca href=\"https://oaklandside.org/2022/10/07/thee-stork-club-new-bar-opening-oakland/\">spiritual godfather to Thee Stork Club\u003c/a> and annual \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">emcee at the Mosswood Meltdown music festival\u003c/a> in Oakland, had planned to begin filming in 2022 before the Hollywood strikes by actors and screenwriters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Known for films like \u003cem>Pink Flamingos\u003c/em>, \u003cem>Polyester\u003c/em> and \u003cem>Crybaby\u003c/em>, Waters last directed a film, the Tracey Ullman-starring \u003cem>A Dirty Shame\u003c/em>, in 2004.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13953095/john-waters-aubrey-plaza-liarmouth",
"authors": [
"185"
],
"categories": [
"arts_1",
"arts_74",
"arts_235"
],
"tags": [
"arts_21911",
"arts_21910",
"arts_1143",
"arts_1146"
],
"featImg": "arts_13953097",
"label": "arts"
},
"arts_13951325": {
"type": "posts",
"id": "arts_13951325",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13951325",
"score": null,
"sort": [
1706810312000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1706810312,
"format": "aside",
"title": "The B-52s, Big Freedia to Headline Mosswood Meltdown",
"headTitle": "The B-52s, Big Freedia to Headline Mosswood Meltdown | KQED",
"content": "\u003cfigure id=\"attachment_13951338\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1860\" class=\"size-full wp-image-13951338\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1536x1116.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-2048x1488.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1920x1395.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Cindy Wilson, Fred Schneider and Kate Pierson of The B-52s at The Punk Rock Museum in Las Vegas in 2023. The band will headline this year’s Mosswood Meltdown festival in Oakland. \u003ccite>(Ethan Miller/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mosswood Meltdown returns to Mosswood Park on July 6 and 7, and the lineup is officially here. Topping the bill are The B-52s, the quirky, art-rock hitmakers best known for “Love Shack” and “Rock Lobster.” Big Freedia, queen of New Orleans bounce music and inspiration to \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a>, also headlines, along with Oakland queer punk band Hunx and His Punx.\u003c/p>\n\u003cp>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> is a hidden gem among the Bay Area’s music festival offerings. Held in a North Oakland park where neighbors shoot hoops on the weekends, it’s much more lowkey than, say, Outside Lands or Portola. Its annual lineups bring underground icons together with up-and-coming acts. Leaning queer and feminist, it’s one of the few events where countercultural babies, teens, parents and even elders \u003cspan style=\"font-weight: 400\">—\u003c/span> not least, annual host John Waters \u003cspan style=\"font-weight: 400\">— can jam out together. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13860397\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13860397\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg\" alt=\"John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has hosted the Mosswood Meltdown music festival (formerly known as Burger Boogaloo) in Oakland every year since 2015. \u003ccite>((Tiger Lily/Courtesy Burger Boogaloo))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>New at Mosswood this year is a drag contest hosted by San Francisco legend Peaches Christ. Electrofunk pioneer and turntable wizard Egyptian Lover is slated to perform, and ’90s indie-pop band Go Sailor will reunite at Mosswood for the first time in over a decade. Veteran Philly punks Pure Hell, former street musician and synth experimentalist The Space Lady, and Pansy Division, one of the first out gay rock bands, are also on the bill, along with many more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Mosswood Meltdown runs Saturday and Sunday, July 6 and 7, at Mosswood Park in Oakland. \u003ca href=\"https://mosswoodmeltdown.com/\">Full lineup and tickets here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 318,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1706810068,
"excerpt": "The lineup is here for this year's punk and underground music festival at Oakland's Mosswood Park.",
"headData": {
"twImgId": "",
"twTitle": "",
"socialTitle": "Mosswood Lineup: B-52s, Big Freedia, Egyptian Lover, More %%page%% %%sep%% KQED",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The lineup is here for this year's punk and underground music festival at Oakland's Mosswood Park.",
"title": "Mosswood Lineup: B-52s, Big Freedia, Egyptian Lover, More | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The B-52s, Big Freedia to Headline Mosswood Meltdown",
"datePublished": "2024-02-01T09:58:32-08:00",
"dateModified": "2024-02-01T09:54:28-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mosswood-meltdown-lineup-b-52s-big-freedia",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"articleAge": "0",
"path": "/arts/13951325/mosswood-meltdown-lineup-b-52s-big-freedia",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13951338\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1860\" class=\"size-full wp-image-13951338\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1536x1116.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-2048x1488.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1920x1395.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Cindy Wilson, Fred Schneider and Kate Pierson of The B-52s at The Punk Rock Museum in Las Vegas in 2023. The band will headline this year’s Mosswood Meltdown festival in Oakland. \u003ccite>(Ethan Miller/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mosswood Meltdown returns to Mosswood Park on July 6 and 7, and the lineup is officially here. Topping the bill are The B-52s, the quirky, art-rock hitmakers best known for “Love Shack” and “Rock Lobster.” Big Freedia, queen of New Orleans bounce music and inspiration to \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a>, also headlines, along with Oakland queer punk band Hunx and His Punx.\u003c/p>\n\u003cp>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> is a hidden gem among the Bay Area’s music festival offerings. Held in a North Oakland park where neighbors shoot hoops on the weekends, it’s much more lowkey than, say, Outside Lands or Portola. Its annual lineups bring underground icons together with up-and-coming acts. Leaning queer and feminist, it’s one of the few events where countercultural babies, teens, parents and even elders \u003cspan style=\"font-weight: 400\">—\u003c/span> not least, annual host John Waters \u003cspan style=\"font-weight: 400\">— can jam out together. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13860397\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13860397\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg\" alt=\"John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has hosted the Mosswood Meltdown music festival (formerly known as Burger Boogaloo) in Oakland every year since 2015. \u003ccite>((Tiger Lily/Courtesy Burger Boogaloo))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>New at Mosswood this year is a drag contest hosted by San Francisco legend Peaches Christ. Electrofunk pioneer and turntable wizard Egyptian Lover is slated to perform, and ’90s indie-pop band Go Sailor will reunite at Mosswood for the first time in over a decade. Veteran Philly punks Pure Hell, former street musician and synth experimentalist The Space Lady, and Pansy Division, one of the first out gay rock bands, are also on the bill, along with many more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Mosswood Meltdown runs Saturday and Sunday, July 6 and 7, at Mosswood Park in Oakland. \u003ca href=\"https://mosswoodmeltdown.com/\">Full lineup and tickets here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13951325/mosswood-meltdown-lineup-b-52s-big-freedia",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10278",
"arts_21911",
"arts_3541",
"arts_21910",
"arts_1143"
],
"featImg": "arts_13951339",
"label": "arts"
}
},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "\"KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "\"KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9zZXJpZXMvamVycnlicm93bi9mZWVkL3BvZGNhc3Qv"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vc29sZG91dA"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM4MjU5Nzg2MzI3",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM0NTcwODQ2MjY2",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=mosswood-meltdown": {
"isFetching": false,
"latestQuery": {
"from": 0,
"postsToRender": 9
},
"tag": null,
"vitalsOnly": true,
"totalRequested": 7,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 7,
"relation": "eq"
},
"items": [
"arts_13985442",
"arts_13985125",
"arts_13984468",
"arts_13978802",
"arts_13968062",
"arts_13953095",
"arts_13951325"
]
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"pfsSessionReducer": {},
"subscriptionsReducer": {},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_21910": {
"type": "terms",
"id": "arts_21910",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21910",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mosswood Meltdown",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mosswood Meltdown Archives | KQED Arts",
"ogDescription": null,
"imageData": {
"ogImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"width": 1200,
"height": 630
},
"twImageSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
},
"twitterCard": "summary_large_image"
}
},
"ttid": 21922,
"slug": "mosswood-meltdown",
"isLoading": false,
"link": "/arts/tag/mosswood-meltdown"
},
"source_arts_13985442": {
"type": "terms",
"id": "source_arts_13985442",
"meta": {
"override": true
},
"name": "The Do List",
"link": "https://www.kqed.org/thedolist",
"isLoading": false
},
"source_arts_13985125": {
"type": "terms",
"id": "source_arts_13985125",
"meta": {
"override": true
},
"name": "The Do List",
"link": "https://www.kqed.org/thedolist",
"isLoading": false
},
"source_arts_13984468": {
"type": "terms",
"id": "source_arts_13984468",
"meta": {
"override": true
},
"name": "Best of 2025",
"link": "https://www.kqed.org/arts/tag/best-of-2025",
"isLoading": false
},
"source_arts_13968062": {
"type": "terms",
"id": "source_arts_13968062",
"meta": {
"override": true
},
"name": "The Do List",
"link": "https://www.kqed.org/thedolist",
"isLoading": false
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_22313": {
"type": "terms",
"id": "arts_22313",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22313",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "The Do List | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22325,
"isLoading": false,
"link": "/arts/category/the-do-list"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_3541": {
"type": "terms",
"id": "arts_3541",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3541",
"found": true
},
"relationships": {},
"featImg": null,
"name": "lineup announcement",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "lineup announcement Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3553,
"slug": "lineup-announcement",
"isLoading": false,
"link": "/arts/tag/lineup-announcement"
},
"arts_1143": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"link": "/arts/tag/oakland"
},
"arts_913": {
"type": "terms",
"id": "arts_913",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "913",
"found": true
},
"relationships": {},
"featImg": null,
"name": "punk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "punk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 931,
"slug": "punk",
"isLoading": false,
"link": "/arts/tag/punk"
},
"arts_8246": {
"type": "terms",
"id": "arts_8246",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8246",
"found": true
},
"relationships": {},
"featImg": null,
"name": "riot grrrl",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "riot grrrl Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8258,
"slug": "riot-grrrl",
"isLoading": false,
"link": "/arts/tag/riot-grrrl"
},
"arts_21866": {
"type": "terms",
"id": "arts_21866",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21866",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21878,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/arts/interest/arts-and-culture"
},
"arts_21879": {
"type": "terms",
"id": "arts_21879",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Entertainment",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Entertainment Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21891,
"slug": "entertainment",
"isLoading": false,
"link": "/arts/interest/entertainment"
},
"arts_21870": {
"type": "terms",
"id": "arts_21870",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21870",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Events",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Events Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21882,
"slug": "events",
"isLoading": false,
"link": "/arts/interest/events"
},
"arts_21860": {
"type": "terms",
"id": "arts_21860",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21860",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21872,
"slug": "oakland",
"isLoading": false,
"link": "/arts/interest/oakland"
},
"arts_22068": {
"type": "terms",
"id": "arts_22068",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22068",
"found": true
},
"relationships": {},
"featImg": null,
"name": "festivals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "festivals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 22080,
"slug": "festivals",
"isLoading": false,
"link": "/arts/tag/festivals"
},
"arts_21788": {
"type": "terms",
"id": "arts_21788",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21788",
"found": true
},
"relationships": {},
"featImg": null,
"name": "indie rock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "indie rock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21800,
"slug": "indie-rock",
"isLoading": false,
"link": "/arts/tag/indie-rock"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_700": {
"type": "terms",
"id": "arts_700",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "700",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ticket alert",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ticket alert Archives | KQED Arts",
"ogDescription": null
},
"ttid": 711,
"slug": "ticket-alert",
"isLoading": false,
"link": "/arts/tag/ticket-alert"
},
"arts_21795": {
"type": "terms",
"id": "arts_21795",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21795",
"found": true
},
"relationships": {},
"featImg": null,
"name": "924 gilman",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "924 gilman Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21807,
"slug": "924-gilman",
"isLoading": false,
"link": "/arts/tag/924-gilman"
},
"arts_22600": {
"type": "terms",
"id": "arts_22600",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22600",
"found": true
},
"relationships": {},
"name": "Best of 2025",
"slug": "best-of-2025",
"taxonomy": "tag",
"description": "The best movies, books, music, art, meals and more from the year.",
"featImg": null,
"headData": {
"title": "Best of 2025 | KQED Arts",
"description": "The best movies, books, music, art, meals and more from the year.",
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22612,
"isLoading": false,
"link": "/arts/tag/best-of-2025"
},
"arts_2187": {
"type": "terms",
"id": "arts_2187",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2187",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Great American Music Hall",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Great American Music Hall Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2199,
"slug": "great-american-music-hall",
"isLoading": false,
"link": "/arts/tag/great-american-music-hall"
},
"arts_21911": {
"type": "terms",
"id": "arts_21911",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21911",
"found": true
},
"relationships": {},
"featImg": null,
"name": "john waters",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "john waters Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21923,
"slug": "john-waters",
"isLoading": false,
"link": "/arts/tag/john-waters"
},
"arts_21871": {
"type": "terms",
"id": "arts_21871",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21871",
"found": true
},
"relationships": {},
"featImg": null,
"name": "East Bay",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "East Bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21883,
"slug": "east-bay",
"isLoading": false,
"link": "/arts/interest/east-bay"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_1146": {
"type": "terms",
"id": "arts_1146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1146",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 701,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/tag/san-francisco"
}
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"localStorageReducer": {},
"browserHistoryReducer": [],
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"location": {
"pathname": "/arts/tag/mosswood-meltdown",
"previousPathname": "/"
}
}
