How Dungeness Crab Brings Bay Area Communities Together
Listening Closer to the New KQED Forum Theme Songs
What Music is Getting You Through 2020?
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"content": "\u003cp>After several delays, Dungeness crab season is finally upon us. That’s a big deal in the Bay Area: Whether the crabs are caught on a boat or off a pier, served in cioppino or over garlic noodles, a shared love for the ingredient has long brought together folks from all different cultural backgrounds.\u003c/p>\n\u003cp>“It always is just a ritual of togetherness, of hoping that you get more than what you got,” journalist, emcee, author and activist Rocky Rivera said of her own crab fishing experiences in a \u003ca href=\"https://www.kqed.org/forum/2010101892038/its-dungeness-crab-season-and-time-to-rhapsodize-about-our-iconic-crustacean\">recent episode of All You Can Eat\u003c/a>, KQED Forum’s biweekly exploration of Bay Area food cultures. “[You’re] having a good time and spending that time together with your family, with your friends, and of course, feasting afterward. That’s a memory that everybody associated with the Bay Area.”\u003c/p>\n\u003cp>Rivera wrote about how integral Dungeness crab was to her San Francisco childhood in a \u003ca href=\"https://www.kqed.org/arts/13923127/dungeness-crab-fishing-filipino-american-treasure-island-san-francisco\">recent essay\u003c/a> for KQED, describing late nights spent fishing and cooking with friends and family in the Filipino American community. The biggest response to the article, she said, is that people from all over shared their own personal stories about Dungeness crab — the kinds of stories that formed the basis of the Forum episode.\u003c/p>\n\u003cfigure id=\"attachment_13923170\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923170\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"Rocky Rivera watches from a camping chair while her cousin-in-law prepares a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rocky Rivera watches while her cousin-in-law, Alyssa Tiglao (foreground), prepares a crab net during a fishing trip on Pacifica Municipal Pier. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One caller, Maury from Berkeley, said that the show gave her a sense of nostalgia for her 90s childhood, when she would travel to San Francisco from Modesto to catch crabs. “I remember — whether it be with a bunch of homies or family — we would make an adventure out to Frisco, off of the Fort Mason Pier, and just throw a few nets and play dominoes or play cards and just picnic as we waited to catch crabs,” she said. “It is such a vibe to be able to go out there, put on our favorite Bay rap music as we were journeying out there from Modesto, and then coming back, excited about eating the crabs.”\u003c/p>\n\u003cp>Other callers described Cambodian-style stir fry dishes, steamed crab paired with latkes and even a seasonal crab burrito. Indeed, it seems like everyone in the Bay Area has a Dungeness crab story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Part of the reason why Dungeness crab lends itself to so many different regional cuisines is because of the characteristics of the ingredient itself. “It’s a very luxurious crab,” said KQED food editor Luke Tsai, pointing out that it’s both sweeter and meatier than most other crabs. Charlie Chang, owner of \u003ca href=\"http://www.ppqcrab.com/\">PPQ Dungeness Island\u003c/a>, agreed: “The sweetness of the crab — I mean, you just can’t beat that.” Chang had come on the show to talk about his own restaurant’s contribution to the Bay Area Dungeness crab scene: Vietnamese-style butter-roasted crabs and peppercorn crabs, served with garlic noodles.\u003c/p>\n\u003cp>[aside postID='arts_13923127,arts_13900855,arts_13909648']Edward Wooley of \u003ca href=\"https://www.instagram.com/chefsmelly/?hl=en\">Chef Smelly’s\u003c/a> in Oakland, on the other hand, said he ate so much crab as a child that he no longer enjoys the taste. ““My mother went to an all-you-can-eat crab fest,” the chef recalled. “I just ate so much crab when I got home that I was done with crab.” That hasn’t prevented Wooley’s Oakland restaurant from becoming one of the most well known crab restaurants in the East Bay. The most popular dishes? Wooley’s garlic-butter crab with Creole lemon pepper sauce and his crab gumbo.\u003c/p>\n\u003cp>Despite Dungeness crab’s iconic status in the Bay Area food scene, the West Coast crab industry has faced its share of challenges in recent years. Climate change, dangerous weather conditions and competition from big business all impact the haul brought in by local fishermen. “We’ve seen the season just get postponed later and later each year,” Tsai added, noting that the commercial crab season didn’t start until Dec. 31 this past year — more than six weeks later than usual. He explained that these delays are usually caused by toxic domoic acid levels driven by climate change and warmer water, as well as difficult negotiations between fishermen and penny-pinching seafood distributors.\u003c/p>\n\u003cp>One local fisherman, Matt Juanes, called in to explain that the delays have been especially hard on his business. Here in the Bay Area, he said, it’s traditional to celebrate Thanksgiving and Christmas with Dungeness crab. But for the past few years the crab season has only just barely arrived in time for New Year’s.\u003c/p>\n\u003cfigure id=\"attachment_13924815\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924815\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman.jpg\" alt=\"A crab fisherman in a trucker hat smiles as he holds up a live Dungeness crab from the deck of his fishing boat.\" width=\"1920\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-1536x1056.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">For crab fisherman Matt Juanes, the Dungeness crab season delays of the past few years have been hard on his business. \u003ccite>(Azul Dahlstrom-Eckman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Oh, it’s definitely very difficult for all of us,” Juanes said. “But we’re just trying to work together with nature and do the best we can.”\u003c/p>\n\u003cp>For Rivera, this year’s delay was especially frustrating. “Having a birthday in between Thanksgiving and Christmas, there usually was a guarantee that I would have crab there as my birthday cake,” she said. This was one of the first years that didn’t happen.\u003c/p>\n\u003cp>Rivera’s KQED essay series, \u003ca href=\"https://www.kqed.org/arts/tag/frisco-foodies\">Frisco Foodies\u003c/a>, uses nostalgic food memories as a way to explore all of the ways the Bay Area is changing — all of the traditions that are in danger of being lost.\u003c/p>\n\u003cp>“Like many San Francisco families, especially immigrant families, we’ve incorporated traditions like cioppino and Dungeness and all types of seafood dishes into our celebrations,” Rivera said. “And to not have that for Christmas is really just an indicator of things changing deeply across the Bay Area.”\u003c/p>\n\u003cfigure id=\"attachment_13900955\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13900955\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-scaled.jpg\" alt=\"Overhead view of a plate of garlic noodles and roast crab.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">One of Chef Smelly’s legendary seafood plates, piled high with garlic noodles, shrimp and, of course, Dungeness crab. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\">\u003c/p>\n\n",
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"excerpt": "A recent Forum episode celebrated the iconic West Coast crustacean — and explored local crab traditions that are being lost.",
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"title": "KQED Forum: How Dungeness Crab Brings Bay Area Communities Together | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After several delays, Dungeness crab season is finally upon us. That’s a big deal in the Bay Area: Whether the crabs are caught on a boat or off a pier, served in cioppino or over garlic noodles, a shared love for the ingredient has long brought together folks from all different cultural backgrounds.\u003c/p>\n\u003cp>“It always is just a ritual of togetherness, of hoping that you get more than what you got,” journalist, emcee, author and activist Rocky Rivera said of her own crab fishing experiences in a \u003ca href=\"https://www.kqed.org/forum/2010101892038/its-dungeness-crab-season-and-time-to-rhapsodize-about-our-iconic-crustacean\">recent episode of All You Can Eat\u003c/a>, KQED Forum’s biweekly exploration of Bay Area food cultures. “[You’re] having a good time and spending that time together with your family, with your friends, and of course, feasting afterward. That’s a memory that everybody associated with the Bay Area.”\u003c/p>\n\u003cp>Rivera wrote about how integral Dungeness crab was to her San Francisco childhood in a \u003ca href=\"https://www.kqed.org/arts/13923127/dungeness-crab-fishing-filipino-american-treasure-island-san-francisco\">recent essay\u003c/a> for KQED, describing late nights spent fishing and cooking with friends and family in the Filipino American community. The biggest response to the article, she said, is that people from all over shared their own personal stories about Dungeness crab — the kinds of stories that formed the basis of the Forum episode.\u003c/p>\n\u003cfigure id=\"attachment_13923170\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923170\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg\" alt=\"Rocky Rivera watches from a camping chair while her cousin-in-law prepares a crab net.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/RS61775_009_KQEDArts_RockyRiveraCrabbing_12192022-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rocky Rivera watches while her cousin-in-law, Alyssa Tiglao (foreground), prepares a crab net during a fishing trip on Pacifica Municipal Pier. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One caller, Maury from Berkeley, said that the show gave her a sense of nostalgia for her 90s childhood, when she would travel to San Francisco from Modesto to catch crabs. “I remember — whether it be with a bunch of homies or family — we would make an adventure out to Frisco, off of the Fort Mason Pier, and just throw a few nets and play dominoes or play cards and just picnic as we waited to catch crabs,” she said. “It is such a vibe to be able to go out there, put on our favorite Bay rap music as we were journeying out there from Modesto, and then coming back, excited about eating the crabs.”\u003c/p>\n\u003cp>Other callers described Cambodian-style stir fry dishes, steamed crab paired with latkes and even a seasonal crab burrito. Indeed, it seems like everyone in the Bay Area has a Dungeness crab story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Part of the reason why Dungeness crab lends itself to so many different regional cuisines is because of the characteristics of the ingredient itself. “It’s a very luxurious crab,” said KQED food editor Luke Tsai, pointing out that it’s both sweeter and meatier than most other crabs. Charlie Chang, owner of \u003ca href=\"http://www.ppqcrab.com/\">PPQ Dungeness Island\u003c/a>, agreed: “The sweetness of the crab — I mean, you just can’t beat that.” Chang had come on the show to talk about his own restaurant’s contribution to the Bay Area Dungeness crab scene: Vietnamese-style butter-roasted crabs and peppercorn crabs, served with garlic noodles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Edward Wooley of \u003ca href=\"https://www.instagram.com/chefsmelly/?hl=en\">Chef Smelly’s\u003c/a> in Oakland, on the other hand, said he ate so much crab as a child that he no longer enjoys the taste. ““My mother went to an all-you-can-eat crab fest,” the chef recalled. “I just ate so much crab when I got home that I was done with crab.” That hasn’t prevented Wooley’s Oakland restaurant from becoming one of the most well known crab restaurants in the East Bay. The most popular dishes? Wooley’s garlic-butter crab with Creole lemon pepper sauce and his crab gumbo.\u003c/p>\n\u003cp>Despite Dungeness crab’s iconic status in the Bay Area food scene, the West Coast crab industry has faced its share of challenges in recent years. Climate change, dangerous weather conditions and competition from big business all impact the haul brought in by local fishermen. “We’ve seen the season just get postponed later and later each year,” Tsai added, noting that the commercial crab season didn’t start until Dec. 31 this past year — more than six weeks later than usual. He explained that these delays are usually caused by toxic domoic acid levels driven by climate change and warmer water, as well as difficult negotiations between fishermen and penny-pinching seafood distributors.\u003c/p>\n\u003cp>One local fisherman, Matt Juanes, called in to explain that the delays have been especially hard on his business. Here in the Bay Area, he said, it’s traditional to celebrate Thanksgiving and Christmas with Dungeness crab. But for the past few years the crab season has only just barely arrived in time for New Year’s.\u003c/p>\n\u003cfigure id=\"attachment_13924815\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924815\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman.jpg\" alt=\"A crab fisherman in a trucker hat smiles as he holds up a live Dungeness crab from the deck of his fishing boat.\" width=\"1920\" height=\"1320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/matt-juanes-crab-fisherman_azul-dahlstrom-eckman-1536x1056.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">For crab fisherman Matt Juanes, the Dungeness crab season delays of the past few years have been hard on his business. \u003ccite>(Azul Dahlstrom-Eckman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Oh, it’s definitely very difficult for all of us,” Juanes said. “But we’re just trying to work together with nature and do the best we can.”\u003c/p>\n\u003cp>For Rivera, this year’s delay was especially frustrating. “Having a birthday in between Thanksgiving and Christmas, there usually was a guarantee that I would have crab there as my birthday cake,” she said. This was one of the first years that didn’t happen.\u003c/p>\n\u003cp>Rivera’s KQED essay series, \u003ca href=\"https://www.kqed.org/arts/tag/frisco-foodies\">Frisco Foodies\u003c/a>, uses nostalgic food memories as a way to explore all of the ways the Bay Area is changing — all of the traditions that are in danger of being lost.\u003c/p>\n\u003cp>“Like many San Francisco families, especially immigrant families, we’ve incorporated traditions like cioppino and Dungeness and all types of seafood dishes into our celebrations,” Rivera said. “And to not have that for Christmas is really just an indicator of things changing deeply across the Bay Area.”\u003c/p>\n\u003cfigure id=\"attachment_13900955\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13900955\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-scaled.jpg\" alt=\"Overhead view of a plate of garlic noodles and roast crab.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/016_Oakland_ChefSmellys_08072021-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">One of Chef Smelly’s legendary seafood plates, piled high with garlic noodles, shrimp and, of course, Dungeness crab. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Listening Closer to the New KQED Forum Theme Songs",
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"content": "\u003cp>This week on Pass The Aux, we’re doing something a little different. While we typically \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" rel=\"noopener noreferrer\" target=\"_blank\">review new songs from local artists\u003c/a> that are available on streaming, Bandcamp or your local record store, this week’s entry is on your radio waves.\u003c/p>\n\u003cp>Since 1997, listeners of \u003ca href=\"https://www.kqed.org/forum\" rel=\"noopener noreferrer\" target=\"_blank\">KQED Forum\u003c/a> have heard the same theme music: “\u003ca href=\"https://www.youtube.com/watch?v=hsxW4ucKQD4\" rel=\"noopener noreferrer\" target=\"_blank\">Peter Pan\u003c/a>,” by Mike Marshall and Darol Anger, a galloping, noodly mandolin composition that fits into the bluegrass-fusion “newgrass” genre, which hit its peak cultural impact in the ’80s and ’90s. (Before 1997, \u003ca href=\"https://youtu.be/3EOGOTYb-r0\" rel=\"noopener noreferrer\" target=\"_blank\">it was Bach\u003c/a>.) I will be honest: when I first started at KQED, in 2014, I thought to myself, “This sounds embarrassingly dated.” Then, like everybody else, I got used to it, and let inertia do its thing in my listening brain. \u003c/p>\n\u003cp>So while Forum’s two new theme songs might take some getting used to, I can’t help but welcome the change. There’s one for the 9am hour and one for the 10am hour, both created by \u003ca href=\"https://www.npr.org/people/705934700/ramtin-arablouei\" rel=\"noopener noreferrer\" target=\"_blank\">Ramtin Arablouei\u003c/a>, a composer and the co-host and co-producer of NPR’s \u003cem>Throughline\u003c/em>. They are undeniably more modern, and to my ears, a better fit.\u003c/p>\n\u003cp>You can listen to KQED Forum’s Alexis Madrigal discuss the new theme songs, and the world’s \u003ca href=\"https://www.youtube.com/watch?v=7H3JuQUQTLQ\" rel=\"noopener noreferrer\" target=\"_blank\">best theme songs\u003c/a> in general, on \u003ca href=\"https://www.kqed.org/forum/2010101889172/forum-debuts-its-new-theme-song\" rel=\"noopener noreferrer\" target=\"_blank\">Forum’s Monday, May 16 episode\u003c/a>. Let’s debut them in full here, and take a closer listen.\u003c/p>\n\u003cp>https://youtu.be/3AYYl4LeyBQ\u003c/p>\n\u003ch2>The 9am Hour\u003c/h2>\n\u003cp>This one reminds me \u003cem>a lot\u003c/em> of The XX’s “\u003ca href=\"https://www.youtube.com/watch?v=qFq6nnw7xg0\" rel=\"noopener noreferrer\" target=\"_blank\">Intro\u003c/a>.” The use of a minor key here is a curious choice for a morning show, which generally wants to wake viewers up and energize them for the day ahead—not provide reflection, or sadness, emotional states both associated with minor keys.\u003c/p>\n\u003cp>But Arablouei employs a trick here: the melody is straight out of a C-major scale, probably the simplest, happiest scale in music. Beneath that melody, the relative minor (Am) alternates with its fourth (Dm) on a repeating pattern. The drums have less swing than “Intro,” and instead carry a marching-band drive. It all adds up to a mix of verve, reflection, and possibility.\u003c/p>\n\u003cp>You’ll notice that the reverb-drenched guitar dips out for a while; on the radio, that’s where I’ve heard the host announcing the show. After it comes back in, right near the end, the guitar skips the fourth note of its ascending pattern, which drove me crazy at first but now reminds me of the small flubs we make, both on live radio and in life, reminding us of our humanity. \u003c/p>\n\u003cp>https://youtu.be/Ahbx-ZQmQGI\u003c/p>\n\u003ch2>The 10am Hour\u003c/h2>\n\u003cp>This one threw me for a loop. Like the 9am theme, it opens with the cymbal crescendo so familiar to Forum listeners from the start of its \u003ca href=\"https://www.youtube.com/watch?v=hsxW4ucKQD4\" rel=\"noopener noreferrer\" target=\"_blank\">former theme song\u003c/a>, but soon shoots into space. The drums have that swing feel, and the string loop—heavily reminiscent, to me, of Dr. Octagon’s “\u003ca href=\"https://www.youtube.com/watch?v=eAxqed-PPi8\" rel=\"noopener noreferrer\" target=\"_blank\">Blue Flowers\u003c/a>”—contains an Eric Dolphy-esque “blue” note. Listen and you’ll hear it, a weird-sounding little grace note, the fifth note in the pattern.\u003c/p>\n\u003cp>Because this G# note occurs when the C-major composition has moved to a Dm chord, the effect here is a flat fifth, also known as a tritone, or “The Devil’s Interval.” The tritone was once shunned by the church before being embraced by composers like Wagner and, more recently, \u003ca href=\"https://www.youtube.com/watch?v=4rkd3H9gSI8\" rel=\"noopener noreferrer\" target=\"_blank\">metal bands like Neurosis\u003c/a>, from the Bay Area. \u003c/p>\n\u003cp>It may just be a tiny note, but the tritone holds a lot of power. It can convey tension, sometimes even terror. But \u003ca href=\"https://www.youtube.com/watch?v=KB59i99Wxc4\" rel=\"noopener noreferrer\" target=\"_blank\">people like Lizst used it elegantly\u003c/a>, and I think it works here. After all, state-wide issues, the subject of the 10am hour, are often larger and more thorny than local issues. In addition, a descending string counterpoint to the main ascending melody reflects what the best Forum episodes do: hosts Alexis Madrigal and Mina Kim take a ground-level problem, elevate it into intellectual analysis and public discussion, and then bring it back down to Earth with applications in the listener’s own life.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\" />\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week on Pass The Aux, we’re doing something a little different. While we typically \u003ca href=\"https://www.kqed.org/arts/tag/pass-the-aux\" rel=\"noopener noreferrer\" target=\"_blank\">review new songs from local artists\u003c/a> that are available on streaming, Bandcamp or your local record store, this week’s entry is on your radio waves.\u003c/p>\n\u003cp>Since 1997, listeners of \u003ca href=\"https://www.kqed.org/forum\" rel=\"noopener noreferrer\" target=\"_blank\">KQED Forum\u003c/a> have heard the same theme music: “\u003ca href=\"https://www.youtube.com/watch?v=hsxW4ucKQD4\" rel=\"noopener noreferrer\" target=\"_blank\">Peter Pan\u003c/a>,” by Mike Marshall and Darol Anger, a galloping, noodly mandolin composition that fits into the bluegrass-fusion “newgrass” genre, which hit its peak cultural impact in the ’80s and ’90s. (Before 1997, \u003ca href=\"https://youtu.be/3EOGOTYb-r0\" rel=\"noopener noreferrer\" target=\"_blank\">it was Bach\u003c/a>.) I will be honest: when I first started at KQED, in 2014, I thought to myself, “This sounds embarrassingly dated.” Then, like everybody else, I got used to it, and let inertia do its thing in my listening brain. \u003c/p>\n\u003cp>So while Forum’s two new theme songs might take some getting used to, I can’t help but welcome the change. There’s one for the 9am hour and one for the 10am hour, both created by \u003ca href=\"https://www.npr.org/people/705934700/ramtin-arablouei\" rel=\"noopener noreferrer\" target=\"_blank\">Ramtin Arablouei\u003c/a>, a composer and the co-host and co-producer of NPR’s \u003cem>Throughline\u003c/em>. They are undeniably more modern, and to my ears, a better fit.\u003c/p>\n\u003cp>You can listen to KQED Forum’s Alexis Madrigal discuss the new theme songs, and the world’s \u003ca href=\"https://www.youtube.com/watch?v=7H3JuQUQTLQ\" rel=\"noopener noreferrer\" target=\"_blank\">best theme songs\u003c/a> in general, on \u003ca href=\"https://www.kqed.org/forum/2010101889172/forum-debuts-its-new-theme-song\" rel=\"noopener noreferrer\" target=\"_blank\">Forum’s Monday, May 16 episode\u003c/a>. Let’s debut them in full here, and take a closer listen.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3AYYl4LeyBQ'\n title='//www.youtube.com/embed/3AYYl4LeyBQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>The 9am Hour\u003c/h2>\n\u003cp>This one reminds me \u003cem>a lot\u003c/em> of The XX’s “\u003ca href=\"https://www.youtube.com/watch?v=qFq6nnw7xg0\" rel=\"noopener noreferrer\" target=\"_blank\">Intro\u003c/a>.” The use of a minor key here is a curious choice for a morning show, which generally wants to wake viewers up and energize them for the day ahead—not provide reflection, or sadness, emotional states both associated with minor keys.\u003c/p>\n\u003cp>But Arablouei employs a trick here: the melody is straight out of a C-major scale, probably the simplest, happiest scale in music. Beneath that melody, the relative minor (Am) alternates with its fourth (Dm) on a repeating pattern. The drums have less swing than “Intro,” and instead carry a marching-band drive. It all adds up to a mix of verve, reflection, and possibility.\u003c/p>\n\u003cp>You’ll notice that the reverb-drenched guitar dips out for a while; on the radio, that’s where I’ve heard the host announcing the show. After it comes back in, right near the end, the guitar skips the fourth note of its ascending pattern, which drove me crazy at first but now reminds me of the small flubs we make, both on live radio and in life, reminding us of our humanity. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Ahbx-ZQmQGI'\n title='//www.youtube.com/embed/Ahbx-ZQmQGI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>The 10am Hour\u003c/h2>\n\u003cp>This one threw me for a loop. Like the 9am theme, it opens with the cymbal crescendo so familiar to Forum listeners from the start of its \u003ca href=\"https://www.youtube.com/watch?v=hsxW4ucKQD4\" rel=\"noopener noreferrer\" target=\"_blank\">former theme song\u003c/a>, but soon shoots into space. The drums have that swing feel, and the string loop—heavily reminiscent, to me, of Dr. Octagon’s “\u003ca href=\"https://www.youtube.com/watch?v=eAxqed-PPi8\" rel=\"noopener noreferrer\" target=\"_blank\">Blue Flowers\u003c/a>”—contains an Eric Dolphy-esque “blue” note. Listen and you’ll hear it, a weird-sounding little grace note, the fifth note in the pattern.\u003c/p>\n\u003cp>Because this G# note occurs when the C-major composition has moved to a Dm chord, the effect here is a flat fifth, also known as a tritone, or “The Devil’s Interval.” The tritone was once shunned by the church before being embraced by composers like Wagner and, more recently, \u003ca href=\"https://www.youtube.com/watch?v=4rkd3H9gSI8\" rel=\"noopener noreferrer\" target=\"_blank\">metal bands like Neurosis\u003c/a>, from the Bay Area. \u003c/p>\n\u003cp>It may just be a tiny note, but the tritone holds a lot of power. It can convey tension, sometimes even terror. But \u003ca href=\"https://www.youtube.com/watch?v=KB59i99Wxc4\" rel=\"noopener noreferrer\" target=\"_blank\">people like Lizst used it elegantly\u003c/a>, and I think it works here. After all, state-wide issues, the subject of the 10am hour, are often larger and more thorny than local issues. In addition, a descending string counterpoint to the main ascending melody reflects what the best Forum episodes do: hosts Alexis Madrigal and Mina Kim take a ground-level problem, elevate it into intellectual analysis and public discussion, and then bring it back down to Earth with applications in the listener’s own life.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\" />\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400;\">2020 has been \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">a year\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> so far. A pandemic with a growing number of lives lost. Record unemployment. Protests against systemic racism as police violence against Black people continues. A polarizing, high-stakes election. Wildfires. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The world is a lot to bear right now, and we’re all figuring out how to feel all the different feelings. One way we’re coping with the stress and uncertainty is with music. When \u003ca href=\"https://www.instagram.com/dnice/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">DJ D-Nice\u003c/a> hosted Club Quarantine in the early days of the pandemic, he showed that a little music and dancing in our homes can go a long way in lifting spirits when we’re adapting to a new normal. Hospitals have been using music to \u003c/span>\u003ca href=\"https://www.nytimes.com/2020/04/23/arts/music/coronavirus-hospital-songs.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400;\">celebrate patients recovering\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> from COVID-19. \u003c/span>\u003ca href=\"https://www.eastbaytimes.com/2020/08/20/pandemic-porch-concerts-bring-joyful-music-to-the-silent-streets-of-alameda/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400;\">Neighborhood musicians\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> are reviving the joy of live music experiences in small, socially-distant ways. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">And then there are our personal playlists. For me, the voices of \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=hS-Y8dYD-Bg\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400;\">Beautiful Chorus\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> have been saving my mornings—the time of day when my anxiety is most likely to take hold. Their positive mantras and harmonies are a balm for any feelings of fear and isolation, sometimes reminding me to smile or inducing a good, needed cry. And when I need to unwind, Juls and Sango’s “\u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=xroVhGdeuu4\">\u003cspan style=\"font-weight: 400;\">Ritmo Coco\u003c/span>\u003c/a>”\u003cspan style=\"font-weight: 400;\"> is there to get my body moving.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Now it’s your turn: what songs have been getting you through 2020? [aside postid='arts_13881399']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Is there a song or artist that’s helped you cope with anxiety or loss? A go-to track that helps motivate you for another day of Zoom meetings or Zoom “school”? A song that’s become your soundtrack for biking or running off some steam? Or that signals the start of your personal happy hour at home? \u003c/span>\u003cspan style=\"font-weight: 400;\">\u003ca href=\"https://artskqed.typeform.com/to/qrLrDkuO\" target=\"_blank\" rel=\"noopener noreferrer\">Share it with us!\u003c/a> You and your song pick could be featured on a Friday episode of \u003c/span>\u003ca href=\"https://www.kqed.org/forum/2010101879413/the-music-getting-you-through-2020\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400;\">KQED Forum\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> and on KQED’s “The Music Getting Us Through 2020” Spotify playlist (below.)\u003c/span>\u003c/p>\n\u003cdiv class=\"typeform-widget\" style=\"width: 100%; height: 500px;\" data-url=\"https://form.typeform.com/to/qrLrDkuO\">\u003c/div>\n\u003cp>\u003cscript> (function() { var qs,js,q,s,d=document, gi=d.getElementById, ce=d.createElement, gt=d.getElementsByTagName, id=\"typef_orm\", b=\"https://embed.typeform.com/\"; if(!gi.call(d,id)) { js=ce.call(d,\"script\"); js.id=id; js.src=b+\"embed.js\"; q=gt.call(d,\"script\")[0]; q.parentNode.insertBefore(js,q) } })() \u003c/script>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/2YLAONtgKAagophfKJnwOJ\" width=\"300\" height=\"380\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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