A Year-Long Celebration of James Baldwin’s Centennial Comes to Oakland
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"slug": "a-year-long-celebration-of-james-baldwins-centennial-comes-to-oakland",
"title": "A Year-Long Celebration of James Baldwin’s Centennial Comes to Oakland",
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"headTitle": "A Year-Long Celebration of James Baldwin’s Centennial Comes to Oakland | KQED",
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"content": "\u003cfigure id=\"attachment_13953478\" class=\"wp-caption aligncenter\" style=\"max-width: 2011px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-scaled.jpg\" alt=\"A colorful mixed medium image of James Baldwin, in collage form.\" width=\"2011\" height=\"2560\" class=\"size-full wp-image-13953478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-scaled.jpg 2011w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-800x1018.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1020x1298.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-160x204.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-768x977.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1207x1536.jpg 1207w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1609x2048.jpg 1609w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1920x2444.jpg 1920w\" sizes=\"(max-width: 2011px) 100vw, 2011px\">\u003cfigcaption class=\"wp-caption-text\">James Baldwin in collage form, part of ‘Frontline Prophet: James Baldwin,’ on display now through April 27 at Joyce Gordon Gallery in Oakland. \u003ccite>(Sabrina Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>More than a half-century ago, the famed poet and author \u003ca href=\"https://www.kqed.org/arts/tag/james-baldwin\">James Baldwin\u003c/a> addressed major issues of the era: racism, sexism and classism. In 2024, as we still reckon with the same problems, a movement is underway to celebrate what would have been Baldwin’s 100th birthday this coming August. In doing so, artists are revisiting his astute observations, and showing how his work continues to resonate.\u003c/p>\n\u003cp>As a part of this celebration, a traveling exhibition of works by Detroit-based artist Sabrina Nelson, titled \u003ca href=\"https://www.instagram.com/p/C3orV3-Oluk/?img_index=1\" target=\"_blank\" rel=\"noopener\">\u003cem>Frontline Prophet: James Baldwin\u003c/em>\u003c/a>, is on display now through April 27 at Joyce Gordon Gallery in Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13953483\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-scaled.jpg\" alt=\"An image of James Baldwin's radiant smile and some of his words of wisdom.\" width=\"1760\" height=\"2560\" class=\"size-full wp-image-13953483\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-scaled.jpg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-800x1164.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1020x1484.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-160x233.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-768x1117.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1056x1536.jpg 1056w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1408x2048.jpg 1408w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1920x2793.jpg 1920w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">James Baldwin’s smile: poetry in human form. \u003ccite>(Sabrina Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Co-curated by \u003ca href=\"https://www.instagram.com/blublakwomyn/\" target=\"_blank\" rel=\"noopener\">Ashara Ekundayo\u003c/a> and \u003ca href=\"https://omomisha.com/\" target=\"_blank\" rel=\"noopener\">Omo Misha\u003c/a>, the exhibition centers a series of illustrations by Nelson, charting her personal journey in understanding brother Baldwin. The sketchbooks are displayed alongside paintings, poetic works on scrolls, projected videos, and more; the centerpiece is one golden sketchbook with Nelson’s first drawing of Baldwin.\u003c/p>\n\u003cp>The series began eight years ago, when Nelson was invited to Paris with poet \u003ca href=\"https://www.instagram.com/jessicacaremoor/?hl=en\" target=\"_blank\" rel=\"noopener\">jessica Care moore\u003c/a> to paint live images of James Baldwin during a plenary session at the James Baldwin Conference at the American University of Paris in 2016.\u003c/p>\n\u003cp>To plan for the trip, Nelson immersed herself in Baldwin’s work, speeches and written pieces, starting with his 1963 book \u003cem>The Fire Next Time\u003c/em>. With a comfortable amount of knowledge ahead of the conference, she realized once she arrived that she was surrounded by actual \u003cem>Baldwinites\u003c/em> — devout followers of the late poet’s work.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Unfazed, she sat in on the first presentation, and opened her sketchbook with Baldwin on her mind.\u003c/p>\n\u003cfigure id=\"attachment_13953856\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2207.jpg\" alt=\"Four women sit and pose for a photo at the Joyce Gordon Gallery in Oakland.\" width=\"640\" height=\"480\" class=\"size-full wp-image-13953856\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2207.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2207-160x120.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Jazz artist and educator Dr. Angela Wellman, art curator Ashara Ekundayo, gallery owner Joyce Gordon and interdisciplinary artist Sabrina Nelson at Joyce Gordon Gallery in Oakland. \u003ccite>(Courtesy Ashara Ekundayo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I started drawing his image, and I felt something touch me spiritually,” Nelson tells me during a video call, motioning to her forearms as she revisits the hair-raising sensation. “It was the first time I’d drawn his image.”\u003c/p>\n\u003cp>She looked around the room, checking for open windows or a sign of a breeze that might have caused goosebumps. And then, Nelson says, she addressed Baldwin’s spirit directly. “If you’re in this room, Mr. Baldwin, I don’t know you like that,” she says with a slight laugh, admitting that she was no Baldwinite.\u003c/p>\n\u003cp>Nelson, who’d studied the Yoruba faith, was clear with her request to Baldwin’s spirit: “If you’re here, and you’re trying to touch me in a spiritual way,” Nelson said, “teach me \u003cem>how to know you\u003c/em>.” \u003c/p>\n\u003cfigure id=\"attachment_13953857\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2219.jpg\" alt=\"Filmmaker Celia Peters stands in admiration of an image of James Baldwin on the wall at the Joyce Gordon Gallery.\" width=\"480\" height=\"640\" class=\"size-full wp-image-13953857\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2219.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2219-160x213.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker Celia Peters admires an image of James Baldwin at Joyce Gordon Gallery. \u003ccite>(Ashara Ekundayo )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nelson continued to draw Baldwin’s image throughout her trip, but stopped for a few months when she returned to the states. In October of that same year, however, she was tasked with drawing a superhero for the month-long artist exercise known as Inktober. Nelson chose Baldwin, and instead of drawing one image per day, or 31 total, as the challenge called for, she drew 91.\u003c/p>\n\u003cp>From this body of work, she started sharing the art with high schoolers who also participated in Inktober — and soon realized that schools weren’t teaching Baldwin to their students.\u003c/p>\n\u003cp>[aside postID='arts_13953326']“When you have a prophet like James Baldwin, who said things that are relevant to this moment that we now live in,” says Nelson, pointing to issues of book bans, low literacy rates and living conditions in our cities, “we need to bring back some of these prophets so we can pay attention to what they said… that’s the story of the sketchbooks.”\u003c/p>\n\u003cp>For six years, the sketchbooks sat in a drawer in Nelson’s studio. Then, in 2022, she was visited by Ashara Ekundayo, a longtime friend. Just like Nelson, Ekundayo was born in Detroit amidst the rebellions of the 1960s. They call themselves “riot babies.”\u003c/p>\n\u003cp>“What are these doing here?” asked Ekundayo of the sketchbooks. From that one question, a multi-city tour was birthed.\u003c/p>\n\u003cfigure id=\"attachment_13953858\" class=\"wp-caption aligncenter\" style=\"max-width: 1029px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4.jpg\" alt=\"A stoic yet colorful portrait of James Baldwin starring straight ahead.\" width=\"1029\" height=\"1489\" class=\"size-full wp-image-13953858\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4.jpg 1029w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-800x1158.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-1020x1476.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-160x232.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-768x1111.jpg 768w\" sizes=\"(max-width: 1029px) 100vw, 1029px\">\u003cfigcaption class=\"wp-caption-text\">James Baldwin in stoic form. \u003ccite>(Sabrina Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The traveling exhibition premiered on Aug. 2, 2023 — Baldwin’s 99th birthday — in Harlem, New York, where he was born. It was shown at New Orleans’ African-American Museum before coming to Oakland’s Joyce Gordon Gallery. It’ll spend the early summer months at the Blanc Gallery in Chicago before closing at Detroit’s Charles H. Wright Museum on August 2, 2024 — what would have been Baldwin’s 100th birthday.\u003c/p>\n\u003cp>[aside postID='arts_13952570']The exhibition is intentionally being shown in cities significant to Baldwin — where he lived or made speeches, says Ekundayo. “We began in Harlem where (Baldwin) was born, and are going to end in Detroit,” says Ekundayo, noting that it’s one of the last American cities in which Baldwin lived before he moved back to Paris, where he passed in 1987.\u003c/p>\n\u003cp>Baldwin has several connections to the Bay Area. He hosted the 1964 documentary film \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=J9UG9nJ2E9U\">Take This Hammer\u003c/a>\u003c/em>, a study of Black San Francisco at the time, filmed by KQED. In the ’70s, Baldwin spoke at \u003ca href=\"https://avplayer.lib.berkeley.edu/Video-Public-MRC/(mrc)00018\" target=\"_blank\" rel=\"noopener\">UC Berkeley\u003c/a> and \u003ca href=\"https://californiarevealed.org/do/a2bf356f-9353-4977-a2e8-e90f80cd764b\" target=\"_blank\" rel=\"noopener\">Berkeley High School\u003c/a>. A decade prior, he spoke at Oakland’s \u003ca href=\"https://archive.org/details/copl_000050/copl_000050_t01_a_access.mp3\" target=\"_blank\" rel=\"noopener\">Castlemont High School\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=J9UG9nJ2E9U\u003c/p>\n\u003cp>It’s those touch points, specifically Baldwin’s visit to Castlemont, that makes this exhibition in Oakland important, says Ekundayo. Supported by the African American Library and Museum of Oakland and the Alameda County Behavioral Health Department, the Oakland stop also has a political education aspect to it, she adds.\u003c/p>\n\u003cp>In September of this year, in a bit of a full-circle moment, Nelson will show a totally new body of work as part of the James Baldwin Centennial Festival at the American University of Paris. It’ll be another chance for Nelson to reconnect with Baldwin’s spirit — that is, if he hasn’t been traveling with her this whole time.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Sabrina Nelson’s \u003ca href=\"https://www.instagram.com/p/C3orV3-Oluk/?img_index=1\" target=\"_blank\" rel=\"noopener\">\u003cem>Frontline Prophet: James Baldwin\u003c/em>\u003c/a> runs now through April 27 at Joyce Gordon Gallery in Oakland; \u003ca href=\"https://www.instagram.com/p/C3orV3-Oluk/?img_index=1\">details here\u003c/a>. A ‘Wine, Words & Baldwin’ event with Oakland Poet Laureate \u003ca href=\"https://www.instagram.com/wordslanger/?hl=en\">Ayodele Nzinga\u003c/a> and the Lower Bottom Playaz takes place March 30 at the BAM House in Oakland; \u003ca href=\"https://www.onthestage.tickets/show/the-lower-bottom-playaz/65e68812958d7713fe8238e5\">details here\u003c/a>. ‘Winter in America: The SpeakEasy – Bold, Black & Brilliant: The Baldwin Edition’ takes place April 3 at Joyce Gordon Gallery; \u003ca href=\"https://www.instagram.com/joycegordongallery/?hl=en\">details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13953478\" class=\"wp-caption aligncenter\" style=\"max-width: 2011px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-scaled.jpg\" alt=\"A colorful mixed medium image of James Baldwin, in collage form.\" width=\"2011\" height=\"2560\" class=\"size-full wp-image-13953478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-scaled.jpg 2011w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-800x1018.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1020x1298.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-160x204.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-768x977.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1207x1536.jpg 1207w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1609x2048.jpg 1609w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1-Sabrina-Collage-1920x2444.jpg 1920w\" sizes=\"(max-width: 2011px) 100vw, 2011px\">\u003cfigcaption class=\"wp-caption-text\">James Baldwin in collage form, part of ‘Frontline Prophet: James Baldwin,’ on display now through April 27 at Joyce Gordon Gallery in Oakland. \u003ccite>(Sabrina Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>More than a half-century ago, the famed poet and author \u003ca href=\"https://www.kqed.org/arts/tag/james-baldwin\">James Baldwin\u003c/a> addressed major issues of the era: racism, sexism and classism. In 2024, as we still reckon with the same problems, a movement is underway to celebrate what would have been Baldwin’s 100th birthday this coming August. In doing so, artists are revisiting his astute observations, and showing how his work continues to resonate.\u003c/p>\n\u003cp>As a part of this celebration, a traveling exhibition of works by Detroit-based artist Sabrina Nelson, titled \u003ca href=\"https://www.instagram.com/p/C3orV3-Oluk/?img_index=1\" target=\"_blank\" rel=\"noopener\">\u003cem>Frontline Prophet: James Baldwin\u003c/em>\u003c/a>, is on display now through April 27 at Joyce Gordon Gallery in Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13953483\" class=\"wp-caption aligncenter\" style=\"max-width: 1760px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-scaled.jpg\" alt=\"An image of James Baldwin's radiant smile and some of his words of wisdom.\" width=\"1760\" height=\"2560\" class=\"size-full wp-image-13953483\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-scaled.jpg 1760w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-800x1164.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1020x1484.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-160x233.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-768x1117.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1056x1536.jpg 1056w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1408x2048.jpg 1408w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/10-Sabrina-1920x2793.jpg 1920w\" sizes=\"(max-width: 1760px) 100vw, 1760px\">\u003cfigcaption class=\"wp-caption-text\">James Baldwin’s smile: poetry in human form. \u003ccite>(Sabrina Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Co-curated by \u003ca href=\"https://www.instagram.com/blublakwomyn/\" target=\"_blank\" rel=\"noopener\">Ashara Ekundayo\u003c/a> and \u003ca href=\"https://omomisha.com/\" target=\"_blank\" rel=\"noopener\">Omo Misha\u003c/a>, the exhibition centers a series of illustrations by Nelson, charting her personal journey in understanding brother Baldwin. The sketchbooks are displayed alongside paintings, poetic works on scrolls, projected videos, and more; the centerpiece is one golden sketchbook with Nelson’s first drawing of Baldwin.\u003c/p>\n\u003cp>The series began eight years ago, when Nelson was invited to Paris with poet \u003ca href=\"https://www.instagram.com/jessicacaremoor/?hl=en\" target=\"_blank\" rel=\"noopener\">jessica Care moore\u003c/a> to paint live images of James Baldwin during a plenary session at the James Baldwin Conference at the American University of Paris in 2016.\u003c/p>\n\u003cp>To plan for the trip, Nelson immersed herself in Baldwin’s work, speeches and written pieces, starting with his 1963 book \u003cem>The Fire Next Time\u003c/em>. With a comfortable amount of knowledge ahead of the conference, she realized once she arrived that she was surrounded by actual \u003cem>Baldwinites\u003c/em> — devout followers of the late poet’s work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Unfazed, she sat in on the first presentation, and opened her sketchbook with Baldwin on her mind.\u003c/p>\n\u003cfigure id=\"attachment_13953856\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2207.jpg\" alt=\"Four women sit and pose for a photo at the Joyce Gordon Gallery in Oakland.\" width=\"640\" height=\"480\" class=\"size-full wp-image-13953856\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2207.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2207-160x120.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Jazz artist and educator Dr. Angela Wellman, art curator Ashara Ekundayo, gallery owner Joyce Gordon and interdisciplinary artist Sabrina Nelson at Joyce Gordon Gallery in Oakland. \u003ccite>(Courtesy Ashara Ekundayo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I started drawing his image, and I felt something touch me spiritually,” Nelson tells me during a video call, motioning to her forearms as she revisits the hair-raising sensation. “It was the first time I’d drawn his image.”\u003c/p>\n\u003cp>She looked around the room, checking for open windows or a sign of a breeze that might have caused goosebumps. And then, Nelson says, she addressed Baldwin’s spirit directly. “If you’re in this room, Mr. Baldwin, I don’t know you like that,” she says with a slight laugh, admitting that she was no Baldwinite.\u003c/p>\n\u003cp>Nelson, who’d studied the Yoruba faith, was clear with her request to Baldwin’s spirit: “If you’re here, and you’re trying to touch me in a spiritual way,” Nelson said, “teach me \u003cem>how to know you\u003c/em>.” \u003c/p>\n\u003cfigure id=\"attachment_13953857\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2219.jpg\" alt=\"Filmmaker Celia Peters stands in admiration of an image of James Baldwin on the wall at the Joyce Gordon Gallery.\" width=\"480\" height=\"640\" class=\"size-full wp-image-13953857\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2219.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/IMG_2219-160x213.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker Celia Peters admires an image of James Baldwin at Joyce Gordon Gallery. \u003ccite>(Ashara Ekundayo )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nelson continued to draw Baldwin’s image throughout her trip, but stopped for a few months when she returned to the states. In October of that same year, however, she was tasked with drawing a superhero for the month-long artist exercise known as Inktober. Nelson chose Baldwin, and instead of drawing one image per day, or 31 total, as the challenge called for, she drew 91.\u003c/p>\n\u003cp>From this body of work, she started sharing the art with high schoolers who also participated in Inktober — and soon realized that schools weren’t teaching Baldwin to their students.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“When you have a prophet like James Baldwin, who said things that are relevant to this moment that we now live in,” says Nelson, pointing to issues of book bans, low literacy rates and living conditions in our cities, “we need to bring back some of these prophets so we can pay attention to what they said… that’s the story of the sketchbooks.”\u003c/p>\n\u003cp>For six years, the sketchbooks sat in a drawer in Nelson’s studio. Then, in 2022, she was visited by Ashara Ekundayo, a longtime friend. Just like Nelson, Ekundayo was born in Detroit amidst the rebellions of the 1960s. They call themselves “riot babies.”\u003c/p>\n\u003cp>“What are these doing here?” asked Ekundayo of the sketchbooks. From that one question, a multi-city tour was birthed.\u003c/p>\n\u003cfigure id=\"attachment_13953858\" class=\"wp-caption aligncenter\" style=\"max-width: 1029px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4.jpg\" alt=\"A stoic yet colorful portrait of James Baldwin starring straight ahead.\" width=\"1029\" height=\"1489\" class=\"size-full wp-image-13953858\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4.jpg 1029w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-800x1158.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-1020x1476.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-160x232.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/0-4-768x1111.jpg 768w\" sizes=\"(max-width: 1029px) 100vw, 1029px\">\u003cfigcaption class=\"wp-caption-text\">James Baldwin in stoic form. \u003ccite>(Sabrina Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The traveling exhibition premiered on Aug. 2, 2023 — Baldwin’s 99th birthday — in Harlem, New York, where he was born. It was shown at New Orleans’ African-American Museum before coming to Oakland’s Joyce Gordon Gallery. It’ll spend the early summer months at the Blanc Gallery in Chicago before closing at Detroit’s Charles H. Wright Museum on August 2, 2024 — what would have been Baldwin’s 100th birthday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The exhibition is intentionally being shown in cities significant to Baldwin — where he lived or made speeches, says Ekundayo. “We began in Harlem where (Baldwin) was born, and are going to end in Detroit,” says Ekundayo, noting that it’s one of the last American cities in which Baldwin lived before he moved back to Paris, where he passed in 1987.\u003c/p>\n\u003cp>Baldwin has several connections to the Bay Area. He hosted the 1964 documentary film \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=J9UG9nJ2E9U\">Take This Hammer\u003c/a>\u003c/em>, a study of Black San Francisco at the time, filmed by KQED. In the ’70s, Baldwin spoke at \u003ca href=\"https://avplayer.lib.berkeley.edu/Video-Public-MRC/(mrc)00018\" target=\"_blank\" rel=\"noopener\">UC Berkeley\u003c/a> and \u003ca href=\"https://californiarevealed.org/do/a2bf356f-9353-4977-a2e8-e90f80cd764b\" target=\"_blank\" rel=\"noopener\">Berkeley High School\u003c/a>. A decade prior, he spoke at Oakland’s \u003ca href=\"https://archive.org/details/copl_000050/copl_000050_t01_a_access.mp3\" target=\"_blank\" rel=\"noopener\">Castlemont High School\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J9UG9nJ2E9U'\n title='//www.youtube.com/embed/J9UG9nJ2E9U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s those touch points, specifically Baldwin’s visit to Castlemont, that makes this exhibition in Oakland important, says Ekundayo. Supported by the African American Library and Museum of Oakland and the Alameda County Behavioral Health Department, the Oakland stop also has a political education aspect to it, she adds.\u003c/p>\n\u003cp>In September of this year, in a bit of a full-circle moment, Nelson will show a totally new body of work as part of the James Baldwin Centennial Festival at the American University of Paris. It’ll be another chance for Nelson to reconnect with Baldwin’s spirit — that is, if he hasn’t been traveling with her this whole time.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Sabrina Nelson’s \u003ca href=\"https://www.instagram.com/p/C3orV3-Oluk/?img_index=1\" target=\"_blank\" rel=\"noopener\">\u003cem>Frontline Prophet: James Baldwin\u003c/em>\u003c/a> runs now through April 27 at Joyce Gordon Gallery in Oakland; \u003ca href=\"https://www.instagram.com/p/C3orV3-Oluk/?img_index=1\">details here\u003c/a>. A ‘Wine, Words & Baldwin’ event with Oakland Poet Laureate \u003ca href=\"https://www.instagram.com/wordslanger/?hl=en\">Ayodele Nzinga\u003c/a> and the Lower Bottom Playaz takes place March 30 at the BAM House in Oakland; \u003ca href=\"https://www.onthestage.tickets/show/the-lower-bottom-playaz/65e68812958d7713fe8238e5\">details here\u003c/a>. ‘Winter in America: The SpeakEasy – Bold, Black & Brilliant: The Baldwin Edition’ takes place April 3 at Joyce Gordon Gallery; \u003ca href=\"https://www.instagram.com/joycegordongallery/?hl=en\">details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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