6 Reasons Why John Waters Loves Hosting Mosswood Meltdown
John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star
The B-52s, Big Freedia to Headline Mosswood Meltdown
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"content": "\u003cp>John Waters has been \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a>’s formidably filthy emcee for more than a decade — a legendary subversive whose gravitas fits the Oakland fest’s particular vibe. \u003c/p>\n\u003cp>“I like punks; they’re my people, I would feel the most comfortable in the punk world than any other minority world,” the filmmaker, author, comedian and all-around trash icon tells KQED. “I look forward to it every year.” \u003c/p>\n\u003cp>Waters — who keeps an apartment in San Francisco but calls the East Coast home — returns to the Mosswood stage once again \u003ca href=\"https://mosswoodmeltdown.com/\">July 19 and 20\u003c/a>. The 79-year-old will helm the festival stage, telling jokes and stories as he introduces headliners Devo, Osees, the Exploding Hearts and Bratmobile, as well as festival favorites and friends like \u003ca href=\"https://www.kqed.org/arts/13956541/shannon-shaw-the-clams-the-moon-is-in-the-wrong-place\">Shannon and the Clams\u003c/a>. \u003c/p>\n\u003cp>[aside postID='arts_13968062']“The audience at Mosswood Meltdown shares John’s sense of humor for the arcane,” says festival co-founder Marc Ribak, who notes that he and his wife Amy Carver watched Pink Flamingos on their first date. “John fully embraces the Mosswood Meltdown audience as well. And that’s exactly why he is the quintessential part of [the festival].” \u003c/p>\n\u003cp>The Clams singer/bassist Shannon Shaw is quick to affirm Waters’ punk cred. “Of course John is punk!!!!” she enthused via email. “He’s the lantern we all flutter to. He understands the fringes of society cuz he lives there! He has made it a place to be celebrated and have fun and come together.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Waters might be the oldest (but certainly not crustiest) punk on stage, but he feels right at home. The forever-delinquent and master of cult madness recounts the many reasons why he loves Mosswood Meltdown — from senior citizen gutter punks to seeing his friends starstruck. \u003c/p>\n\u003cfigure id=\"attachment_13915763\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg\" alt=\"A woman with a big blond '60s-inspired hairdo looks down at her guitar, behind a mic stand. She is wearing a bright pink blouse and matching lipstick\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915763\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Shaw performing solo at Mosswood Meltdown on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters loves to up the punx\u003c/h2>\n\u003cp>Besides the cash and an affinity for the Bay’s cooler summers, Waters has hosted Mosswood Meltdown (and, formerly, Burger Boogaloo) nearly a dozen times simply because he loves punks. \u003c/p>\n\u003cp>“They’re very opinionated; they love each other and kind of hate everybody else,” Waters says. “They used to stage dive, but they’re too heavy now.”\u003c/p>\n\u003cp>Punk humor aside, Mosswood Meltdown “really has a great attitude,” he says. Whether you’re a hardcore kid or an aging punk, Waters sees you. \u003c/p>\n\u003cp>“Punks their whole life have been told they look terrible, ‘Why would you act like that?’” Waters reflects. “So they love to be together and celebrate their behavior that they always loved doing … They all used to be juvenile delinquents, but now they’re celebrated as adult delinquents.” \u003c/p>\n\u003ch2>John Waters does it for the children\u003c/h2>\n\u003cp>While Mosswood Meltdown is known to traffic in legends, popular punk and punk-adjacent groups, and highly anticipated reunions, the fest also features up-and-comers. Waters is all for it — particularly as a recruiting tool. \u003c/p>\n\u003cp>“They say gay people recruit; we punks really recruit,” he says. “It’s like, ‘There’s one! Get that kid!’ because we need young ones so we can suck their blood out and get it to Iggy Pop so he can live forever.”\u003cbr>\nMosswood is an all-ages festival where you’re as likely to glimpse a 60-something punk in the pit as you are a Gen Xer who saw Crimpshrine at Gilman back when. Audiencegoers include young skinheads, tough tweens in baby Docs and even a few normies with good taste. \u003c/p>\n\u003cfigure id=\"attachment_13915751\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915751\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Maddie Barbee (left) and Grace Sykes at Mosswood Meltdown in Oakland on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to Waters, it’s particularly important for young people to carry on the torch. “Eventually all the punk groups are going to be like the Drifters now, where none of them are the original people,” he says. “Maybe one year we’ll have all cover punks.” \u003c/p>\n\u003cp>When asked what punk icon he would want to cover in a fictitious band, Waters doesn’t miss a beat: GG Allin. \u003c/p>\n\u003ch2>Mosswood brings up good memories\u003c/h2>\n\u003cp>Waters has his favored Bay haunts: the vintage pulp paperback purveyors \u003ca href=\"https://www.kayobooks.com/\">Kayo Books\u003c/a>; Oakland’s Thee Stork Club, which he \u003ca href=\"https://brokeassstuart.com/2022/06/03/john-waters-to-help-open-thee-stork-club-in-oakland/\">helped re-open\u003c/a> and where he held a 2024 \u003ca href=\"https://www.cbsnews.com/sanfrancisco/news/oakland-club-hosts-birthday-celebration-for-famed-director-john-waters/\">birthday celebration\u003c/a>/storytelling performance; and the Great American Music Hall, host to his annual “A John Waters Christmas” show. But being at Mosswood reminds him of one of one of his old-time locales — the long-shuttered \u003ca href=\"https://www.kqed.org/arts/13938024/old-san-francisco-punk-venues-deaf-club-farm-sound-music-tool-die\">Deaf Club\u003c/a> on Valencia. \u003c/p>\n\u003cp>“That was the first punk place in San Francisco I hung out,” Waters says of the deaf community center where bands like The Offs, the Avengers and the Dead Kennedys played for 18 legendary months. “It was the best punk club ever.”\u003c/p>\n\u003cp>[aside postID='arts_13956541']The scene sounds too strange to be real, more fit of one of the off-kilter universes in Waters’ own films. Maybe there’s a Deaf Club in the world of \u003cem>Cry Baby\u003c/em> or \u003cem>A Dirty Shame\u003c/em>. “It didn’t last long because the neighbors \u003ci>really\u003c/i> hated it,” Waters recalls. “It was too good to last forever.” \u003c/p>\n\u003ch2>He gets to hang with his friends\u003c/h2>\n\u003cp>After all his years at Mosswood, Waters has developed deep friendships in the scene. He’s gotten to know festival founders Marc and Amy, and is friends with Shannon Shaw “in real life.” He counts artist and Hunx and His Punx frontman Seth Bogart as a friend; the two will be selling collaborative merch at this year’s Mosswood for the first time. \u003c/p>\n\u003cp>“I’ve gotten to know people,” Waters says of his longstanding friendships. “Oakland is a little bit like Baltimore in some ways, but I feel at home there.” \u003c/p>\n\u003cfigure id=\"attachment_13915778\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Linda Lindas perform at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters actually watches the bands\u003c/h2>\n\u003cp>In proper (or rather, common) punk fashion, there’s no fancy backstage area at the festival where Waters can sequester himself. And he wouldn’t want to anyway. When he’s not prepping for his host duties, he’s watching performers. \u003c/p>\n\u003cp>He reels off a list of favorites: Amyl and the Sniffers, the Damned, “of course Iggy, who was in \u003cem>Cry Baby\u003c/em>,” crowd-pleasers like Devo and the Jesus and Mary Chain. “The Linda Lindas, when they were, like, \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">punk rock children\u003c/a> — that was great,” Waters says. Even after over a decade as host, Waters says he remains amazed at the freshness and confidence of the groups that play Mosswood.\u003c/p>\n\u003cp>Beyond the receptive audience showing up for their favorite acts, the performers themselves show up for their friends and heroes. Backstage can be something of a love-in. \u003c/p>\n\u003cp>“Famous people in the punk rock world are just as interested to meet other famous punk rock groups. They’re starstruck too, and I like to see that,” Waters says. “No one acts like a superstar, but they all act like they’re impressed with each other.” \u003c/p>\n\u003cp>Though he won’t name names from the Mosswood roster (Waters may have put the filthiest people alive on screen, but he knows how to keep their secrets), this particular scene shows up for each other, he says — with the earnestness of Tracy Turnblad.\u003c/p>\n\u003cfigure id=\"attachment_13915744\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915744\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters introduces Pansy Division at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Mosswood crowd proves you’re never too old to be punk\u003c/h2>\n\u003cp>“These are the kind of rock stars that impress me,” Waters says. “They’ve somehow been able to survive, especially the older ones, and be angry and crazy and not look silly or pitiful. When you have an extreme style when you’re young, it’s really hard to figure out how to finesse that as you get older, but it does very well there.” \u003c/p>\n\u003cp>But, Waters warns, “You can also be cringy if you try to act young when you’re 90. Sometimes you \u003ci>are\u003c/i> too old to pogo dance.” Pausing, he quickly reevaluates his dance politics: “Actually, that would be alright. You sometimes are too old to do the funky chicken at a wedding, but you’re never too old to pogo.” \u003c/p>\n\u003cp>Waters envisions a senior slam dance at a retirement community. “Sometimes the bands that are playing here \u003ci>are\u003c/i> in retirement communities … or they could be,” he says. The pit at Waters’ Home for Elder Punks would be slow-moving, only for those over age 80 and with good insurance. He muses, “Their bones are brittle, so you better catch them when they stage dive!”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Mosswood Meltdown takes place July 19–20, 2025 at Mosswood Park (3612 Webster St., Oakland). \u003ca href=\"https://wl.eventim.us/event/Mosswood-Meltdown-2025/608893?afflky=MosswoodMeltdown\">Tickets are available here\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>John Waters has been \u003ca href=\"https://www.kqed.org/arts/tag/mosswood-meltdown\">Mosswood Meltdown\u003c/a>’s formidably filthy emcee for more than a decade — a legendary subversive whose gravitas fits the Oakland fest’s particular vibe. \u003c/p>\n\u003cp>“I like punks; they’re my people, I would feel the most comfortable in the punk world than any other minority world,” the filmmaker, author, comedian and all-around trash icon tells KQED. “I look forward to it every year.” \u003c/p>\n\u003cp>Waters — who keeps an apartment in San Francisco but calls the East Coast home — returns to the Mosswood stage once again \u003ca href=\"https://mosswoodmeltdown.com/\">July 19 and 20\u003c/a>. The 79-year-old will helm the festival stage, telling jokes and stories as he introduces headliners Devo, Osees, the Exploding Hearts and Bratmobile, as well as festival favorites and friends like \u003ca href=\"https://www.kqed.org/arts/13956541/shannon-shaw-the-clams-the-moon-is-in-the-wrong-place\">Shannon and the Clams\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“The audience at Mosswood Meltdown shares John’s sense of humor for the arcane,” says festival co-founder Marc Ribak, who notes that he and his wife Amy Carver watched Pink Flamingos on their first date. “John fully embraces the Mosswood Meltdown audience as well. And that’s exactly why he is the quintessential part of [the festival].” \u003c/p>\n\u003cp>The Clams singer/bassist Shannon Shaw is quick to affirm Waters’ punk cred. “Of course John is punk!!!!” she enthused via email. “He’s the lantern we all flutter to. He understands the fringes of society cuz he lives there! He has made it a place to be celebrated and have fun and come together.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Waters might be the oldest (but certainly not crustiest) punk on stage, but he feels right at home. The forever-delinquent and master of cult madness recounts the many reasons why he loves Mosswood Meltdown — from senior citizen gutter punks to seeing his friends starstruck. \u003c/p>\n\u003cfigure id=\"attachment_13915763\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg\" alt=\"A woman with a big blond '60s-inspired hairdo looks down at her guitar, behind a mic stand. She is wearing a bright pink blouse and matching lipstick\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915763\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Shannon-Shaw-performs-at-Mosswood-Meltdown-at-Mosswood-Park-in-Oakland-on-Saturday-July-2-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Shaw performing solo at Mosswood Meltdown on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters loves to up the punx\u003c/h2>\n\u003cp>Besides the cash and an affinity for the Bay’s cooler summers, Waters has hosted Mosswood Meltdown (and, formerly, Burger Boogaloo) nearly a dozen times simply because he loves punks. \u003c/p>\n\u003cp>“They’re very opinionated; they love each other and kind of hate everybody else,” Waters says. “They used to stage dive, but they’re too heavy now.”\u003c/p>\n\u003cp>Punk humor aside, Mosswood Meltdown “really has a great attitude,” he says. Whether you’re a hardcore kid or an aging punk, Waters sees you. \u003c/p>\n\u003cp>“Punks their whole life have been told they look terrible, ‘Why would you act like that?’” Waters reflects. “So they love to be together and celebrate their behavior that they always loved doing … They all used to be juvenile delinquents, but now they’re celebrated as adult delinquents.” \u003c/p>\n\u003ch2>John Waters does it for the children\u003c/h2>\n\u003cp>While Mosswood Meltdown is known to traffic in legends, popular punk and punk-adjacent groups, and highly anticipated reunions, the fest also features up-and-comers. Waters is all for it — particularly as a recruiting tool. \u003c/p>\n\u003cp>“They say gay people recruit; we punks really recruit,” he says. “It’s like, ‘There’s one! Get that kid!’ because we need young ones so we can suck their blood out and get it to Iggy Pop so he can live forever.”\u003cbr>\nMosswood is an all-ages festival where you’re as likely to glimpse a 60-something punk in the pit as you are a Gen Xer who saw Crimpshrine at Gilman back when. Audiencegoers include young skinheads, tough tweens in baby Docs and even a few normies with good taste. \u003c/p>\n\u003cfigure id=\"attachment_13915751\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915751\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/Maddie-Barbee-left-and-Grace-Sykes-at-Mosswood-Meltdown-in-Oakland-on-Saturday-July-2-2022.--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Maddie Barbee (left) and Grace Sykes at Mosswood Meltdown in Oakland on Saturday, July 2, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to Waters, it’s particularly important for young people to carry on the torch. “Eventually all the punk groups are going to be like the Drifters now, where none of them are the original people,” he says. “Maybe one year we’ll have all cover punks.” \u003c/p>\n\u003cp>When asked what punk icon he would want to cover in a fictitious band, Waters doesn’t miss a beat: GG Allin. \u003c/p>\n\u003ch2>Mosswood brings up good memories\u003c/h2>\n\u003cp>Waters has his favored Bay haunts: the vintage pulp paperback purveyors \u003ca href=\"https://www.kayobooks.com/\">Kayo Books\u003c/a>; Oakland’s Thee Stork Club, which he \u003ca href=\"https://brokeassstuart.com/2022/06/03/john-waters-to-help-open-thee-stork-club-in-oakland/\">helped re-open\u003c/a> and where he held a 2024 \u003ca href=\"https://www.cbsnews.com/sanfrancisco/news/oakland-club-hosts-birthday-celebration-for-famed-director-john-waters/\">birthday celebration\u003c/a>/storytelling performance; and the Great American Music Hall, host to his annual “A John Waters Christmas” show. But being at Mosswood reminds him of one of one of his old-time locales — the long-shuttered \u003ca href=\"https://www.kqed.org/arts/13938024/old-san-francisco-punk-venues-deaf-club-farm-sound-music-tool-die\">Deaf Club\u003c/a> on Valencia. \u003c/p>\n\u003cp>“That was the first punk place in San Francisco I hung out,” Waters says of the deaf community center where bands like The Offs, the Avengers and the Dead Kennedys played for 18 legendary months. “It was the best punk club ever.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The scene sounds too strange to be real, more fit of one of the off-kilter universes in Waters’ own films. Maybe there’s a Deaf Club in the world of \u003cem>Cry Baby\u003c/em> or \u003cem>A Dirty Shame\u003c/em>. “It didn’t last long because the neighbors \u003ci>really\u003c/i> hated it,” Waters recalls. “It was too good to last forever.” \u003c/p>\n\u003ch2>He gets to hang with his friends\u003c/h2>\n\u003cp>After all his years at Mosswood, Waters has developed deep friendships in the scene. He’s gotten to know festival founders Marc and Amy, and is friends with Shannon Shaw “in real life.” He counts artist and Hunx and His Punx frontman Seth Bogart as a friend; the two will be selling collaborative merch at this year’s Mosswood for the first time. \u003c/p>\n\u003cp>“I’ve gotten to know people,” Waters says of his longstanding friendships. “Oakland is a little bit like Baltimore in some ways, but I feel at home there.” \u003c/p>\n\u003cfigure id=\"attachment_13915778\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/The-Linda-Lindas-perform-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022-03--1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Linda Lindas perform at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>John Waters actually watches the bands\u003c/h2>\n\u003cp>In proper (or rather, common) punk fashion, there’s no fancy backstage area at the festival where Waters can sequester himself. And he wouldn’t want to anyway. When he’s not prepping for his host duties, he’s watching performers. \u003c/p>\n\u003cp>He reels off a list of favorites: Amyl and the Sniffers, the Damned, “of course Iggy, who was in \u003cem>Cry Baby\u003c/em>,” crowd-pleasers like Devo and the Jesus and Mary Chain. “The Linda Lindas, when they were, like, \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">punk rock children\u003c/a> — that was great,” Waters says. Even after over a decade as host, Waters says he remains amazed at the freshness and confidence of the groups that play Mosswood.\u003c/p>\n\u003cp>Beyond the receptive audience showing up for their favorite acts, the performers themselves show up for their friends and heroes. Backstage can be something of a love-in. \u003c/p>\n\u003cp>“Famous people in the punk rock world are just as interested to meet other famous punk rock groups. They’re starstruck too, and I like to see that,” Waters says. “No one acts like a superstar, but they all act like they’re impressed with each other.” \u003c/p>\n\u003cp>Though he won’t name names from the Mosswood roster (Waters may have put the filthiest people alive on screen, but he knows how to keep their secrets), this particular scene shows up for each other, he says — with the earnestness of Tracy Turnblad.\u003c/p>\n\u003cfigure id=\"attachment_13915744\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13915744\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/07/John-Waters-introduces-Pansy-Division-at-Mosswood-Meltdown-in-Oakland-on-Sunday-July-3-2022.-002-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters introduces Pansy Division at Mosswood Meltdown in Oakland on Sunday, July 3, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Mosswood crowd proves you’re never too old to be punk\u003c/h2>\n\u003cp>“These are the kind of rock stars that impress me,” Waters says. “They’ve somehow been able to survive, especially the older ones, and be angry and crazy and not look silly or pitiful. When you have an extreme style when you’re young, it’s really hard to figure out how to finesse that as you get older, but it does very well there.” \u003c/p>\n\u003cp>But, Waters warns, “You can also be cringy if you try to act young when you’re 90. Sometimes you \u003ci>are\u003c/i> too old to pogo dance.” Pausing, he quickly reevaluates his dance politics: “Actually, that would be alright. You sometimes are too old to do the funky chicken at a wedding, but you’re never too old to pogo.” \u003c/p>\n\u003cp>Waters envisions a senior slam dance at a retirement community. “Sometimes the bands that are playing here \u003ci>are\u003c/i> in retirement communities … or they could be,” he says. The pit at Waters’ Home for Elder Punks would be slow-moving, only for those over age 80 and with good insurance. He muses, “Their bones are brittle, so you better catch them when they stage dive!”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Mosswood Meltdown takes place July 19–20, 2025 at Mosswood Park (3612 Webster St., Oakland). \u003ca href=\"https://wl.eventim.us/event/Mosswood-Meltdown-2025/608893?afflky=MosswoodMeltdown\">Tickets are available here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "John Waters Is Making His First Film in 20 Years; Aubrey Plaza to Star",
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"content": "\u003cp>San Francisco resident and \u003ca href=\"https://www.kpbs.org/news/arts-culture/2007/07/21/john-waters-the-sultan-of-sleaze-speaks\">sultan of sleaze\u003c/a> John Waters is \u003ca href=\"https://www.worldofreel.com/blog/2024/2/26/aubrey-plaza-set-to-star-in-john-waters-liarmouth\">reported\u003c/a> to soon begin production on his first feature film in 20 years — with Aubrey Plaza in the lead role.\u003c/p>\n\u003cp>\u003cem>Liarmouth\u003c/em>, based on Waters’ 2022 “feel-bad romance” novel of the same name, follows a duplicitous scammer, Marsha Sprinkle, who alienates her boyfriend and immediate family through awful, criminal behavior.\u003c/p>\n\u003cp>Plaza told \u003cem>Dazed\u003c/em> in 2022 that she was \u003ca href=\"https://www.dazeddigital.com/film-tv/article/57276/1/aubrey-plaza-emily-the-criminal-interview\">throwing herself at Waters’ feet to play Marsha\u003c/a>: “I emailed him immediately and said, ‘You better let me audition for you. I even look like the girl on the cover,’” she said. “I’ll do anything to get the part. And I mean \u003cem>anything\u003c/em>.”\u003c/p>\n\u003cp>[aside postID='arts_13951325']Filming for \u003cem>Liarmouth\u003c/em> will begin later this year in Waters’ hometown of Baltimore.\u003c/p>\n\u003cp>Waters, a \u003ca href=\"https://oaklandside.org/2022/10/07/thee-stork-club-new-bar-opening-oakland/\">spiritual godfather to Thee Stork Club\u003c/a> and annual \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">emcee at the Mosswood Meltdown music festival\u003c/a> in Oakland, had planned to begin filming in 2022 before the Hollywood strikes by actors and screenwriters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Known for films like \u003cem>Pink Flamingos\u003c/em>, \u003cem>Polyester\u003c/em> and \u003cem>Crybaby\u003c/em>, Waters last directed a film, the Tracey Ullman-starring \u003cem>A Dirty Shame\u003c/em>, in 2004.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco resident and \u003ca href=\"https://www.kpbs.org/news/arts-culture/2007/07/21/john-waters-the-sultan-of-sleaze-speaks\">sultan of sleaze\u003c/a> John Waters is \u003ca href=\"https://www.worldofreel.com/blog/2024/2/26/aubrey-plaza-set-to-star-in-john-waters-liarmouth\">reported\u003c/a> to soon begin production on his first feature film in 20 years — with Aubrey Plaza in the lead role.\u003c/p>\n\u003cp>\u003cem>Liarmouth\u003c/em>, based on Waters’ 2022 “feel-bad romance” novel of the same name, follows a duplicitous scammer, Marsha Sprinkle, who alienates her boyfriend and immediate family through awful, criminal behavior.\u003c/p>\n\u003cp>Plaza told \u003cem>Dazed\u003c/em> in 2022 that she was \u003ca href=\"https://www.dazeddigital.com/film-tv/article/57276/1/aubrey-plaza-emily-the-criminal-interview\">throwing herself at Waters’ feet to play Marsha\u003c/a>: “I emailed him immediately and said, ‘You better let me audition for you. I even look like the girl on the cover,’” she said. “I’ll do anything to get the part. And I mean \u003cem>anything\u003c/em>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Filming for \u003cem>Liarmouth\u003c/em> will begin later this year in Waters’ hometown of Baltimore.\u003c/p>\n\u003cp>Waters, a \u003ca href=\"https://oaklandside.org/2022/10/07/thee-stork-club-new-bar-opening-oakland/\">spiritual godfather to Thee Stork Club\u003c/a> and annual \u003ca href=\"https://www.kqed.org/arts/13915779/mosswood-meltdown-2022-bikini-kill-kim-gordon\">emcee at the Mosswood Meltdown music festival\u003c/a> in Oakland, had planned to begin filming in 2022 before the Hollywood strikes by actors and screenwriters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Known for films like \u003cem>Pink Flamingos\u003c/em>, \u003cem>Polyester\u003c/em> and \u003cem>Crybaby\u003c/em>, Waters last directed a film, the Tracey Ullman-starring \u003cem>A Dirty Shame\u003c/em>, in 2004.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The B-52s, Big Freedia to Headline Mosswood Meltdown",
"headTitle": "The B-52s, Big Freedia to Headline Mosswood Meltdown | KQED",
"content": "\u003cfigure id=\"attachment_13951338\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1860\" class=\"size-full wp-image-13951338\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1536x1116.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-2048x1488.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/B52s.main_-1920x1395.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Cindy Wilson, Fred Schneider and Kate Pierson of The B-52s at The Punk Rock Museum in Las Vegas in 2023. The band will headline this year’s Mosswood Meltdown festival in Oakland. \u003ccite>(Ethan Miller/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mosswood Meltdown returns to Mosswood Park on July 6 and 7, and the lineup is officially here. Topping the bill are The B-52s, the quirky, art-rock hitmakers best known for “Love Shack” and “Rock Lobster.” Big Freedia, queen of New Orleans bounce music and inspiration to \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a>, also headlines, along with Oakland queer punk band Hunx and His Punx.\u003c/p>\n\u003cp>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> is a hidden gem among the Bay Area’s music festival offerings. Held in a North Oakland park where neighbors shoot hoops on the weekends, it’s much more lowkey than, say, Outside Lands or Portola. Its annual lineups bring underground icons together with up-and-coming acts. Leaning queer and feminist, it’s one of the few events where countercultural babies, teens, parents and even elders \u003cspan style=\"font-weight: 400\">—\u003c/span> not least, annual host John Waters \u003cspan style=\"font-weight: 400\">— can jam out together. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13860397\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13860397\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg\" alt=\"John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has hosted the Mosswood Meltdown music festival (formerly known as Burger Boogaloo) in Oakland every year since 2015. \u003ccite>((Tiger Lily/Courtesy Burger Boogaloo))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>New at Mosswood this year is a drag contest hosted by San Francisco legend Peaches Christ. Electrofunk pioneer and turntable wizard Egyptian Lover is slated to perform, and ’90s indie-pop band Go Sailor will reunite at Mosswood for the first time in over a decade. Veteran Philly punks Pure Hell, former street musician and synth experimentalist The Space Lady, and Pansy Division, one of the first out gay rock bands, are also on the bill, along with many more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Mosswood Meltdown runs Saturday and Sunday, July 6 and 7, at Mosswood Park in Oakland. \u003ca href=\"https://mosswoodmeltdown.com/\">Full lineup and tickets here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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The band will headline this year’s Mosswood Meltdown festival in Oakland. \u003ccite>(Ethan Miller/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mosswood Meltdown returns to Mosswood Park on July 6 and 7, and the lineup is officially here. Topping the bill are The B-52s, the quirky, art-rock hitmakers best known for “Love Shack” and “Rock Lobster.” Big Freedia, queen of New Orleans bounce music and inspiration to \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a>, also headlines, along with Oakland queer punk band Hunx and His Punx.\u003c/p>\n\u003cp>\u003ca href=\"https://mosswoodmeltdown.com/\">Mosswood Meltdown\u003c/a> is a hidden gem among the Bay Area’s music festival offerings. Held in a North Oakland park where neighbors shoot hoops on the weekends, it’s much more lowkey than, say, Outside Lands or Portola. Its annual lineups bring underground icons together with up-and-coming acts. Leaning queer and feminist, it’s one of the few events where countercultural babies, teens, parents and even elders \u003cspan style=\"font-weight: 400\">—\u003c/span> not least, annual host John Waters \u003cspan style=\"font-weight: 400\">— can jam out together. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13860397\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13860397\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg\" alt=\"John Waters has hosted the Burger Boogaloo music festival in Oakland every year since 2015.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/06/John-Waters-by-Tiger-Lily-1-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">John Waters has hosted the Mosswood Meltdown music festival (formerly known as Burger Boogaloo) in Oakland every year since 2015. \u003ccite>((Tiger Lily/Courtesy Burger Boogaloo))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>New at Mosswood this year is a drag contest hosted by San Francisco legend Peaches Christ. Electrofunk pioneer and turntable wizard Egyptian Lover is slated to perform, and ’90s indie-pop band Go Sailor will reunite at Mosswood for the first time in over a decade. Veteran Philly punks Pure Hell, former street musician and synth experimentalist The Space Lady, and Pansy Division, one of the first out gay rock bands, are also on the bill, along with many more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Mosswood Meltdown runs Saturday and Sunday, July 6 and 7, at Mosswood Park in Oakland. \u003ca href=\"https://mosswoodmeltdown.com/\">Full lineup and tickets here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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},
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"rss": "https://feeds.npr.org/510312/podcast.xml"
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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