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"content": "\u003cp>If you’ve ever walked into 429 Haight St. — or 419 Haight, or 448 Haight — to browse for records, you’ve undoubtedly encountered Dick Vivian.\u003c/p>\n\u003cp>Since 1987, the vinyl bon vivant has owned and operated \u003ca href=\"https://www.instagram.com/rooky_ricardos_records/?hl=en\">Rooky Ricardo’s Records\u003c/a>, which received \u003ca href=\"https://www.sfweekly.com/archives/rooky-becomes-a-veteran/article_e1db29cd-ebd9-5c40-ba32-a18ba635626d.html\">official legacy status\u003c/a> from the city in 2017. Both the shop – which champions music from the ’50s, ’60s and ’70s with a special affinity for soul and girl group 45s – and Vivian himself have become San Francisco icons. Just ask \u003ci>GQ\u003c/i>, which \u003ca href=\"https://www.gq.com/story/rooky-ricardo-dick-vivian-san-francisco\">profiled Dick\u003c/a> in 2013.\u003c/p>\n\u003cp>“He wants you to experience love the way he does — unflinchingly, fiercely, naively,” the profile opined. “He first fell in love [with music] at the age of ten, while lying alone on his bed, and he has dedicated half of his life to recreating the feeling again and again.” \u003c/p>\n\u003cp>Rookys is one of the oldest record stores in San Francisco; it’s survived two displacements, multiple rent hikes, two tech booms, one financially devastating scam and a pandemic.\u003c/p>\n\u003cp>[aside postID='arts_11782160']And now, Vivian has continued to run the shop despite a Stage 3 pancreatic cancer diagnosis in March of this year. He’s been receiving treatment at UCSF, including weekly chemotherapy infusions, and gets assistance from several friends.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Musician and longtime Rooky’s employee Nick Waterhouse moved back to San Francisco from L.A. to help care for Vivian. Speaking from a hospital hallway, Waterhouse says his friend and mentor has several comorbidities in addition to the cancer diagnosis, and will soon undergo heart surgery.\u003c/p>\n\u003cp>“The reality is he’s going to need care; care that a friend can’t even provide,” Waterhouse says. “This is about quality of life. I think he made the quality of my life and a lot of other people’s lives so high that he deserves the dignity of simple care.”\u003c/p>\n\u003cfigure id=\"attachment_13979618\" class=\"wp-caption aligncenter\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse.jpg\" alt=\"\" width=\"1440\" height=\"1800\" class=\"size-full wp-image-13979618\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\">\u003cfigcaption class=\"wp-caption-text\">Dick Vivian with copies of a 45rpm single by Rooky Ricardo’s employee Nick Waterhouse. \u003ccite>(Rooky Ricardo's/Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Vivian has insurance, certain aspects and procedures of his medical care are not covered. Adds Waterhouse: “There is no retirement when you run a record shop that sells $5, $10, and $15 45s.” To fill in those gaps, a \u003ca href=\"https://www.gofundme.com/f/y8ev6\">GoFundMe\u003c/a> campaign has been established to help cover his costs.\u003c/p>\n\u003cp>At press time, the campaign has raised over $20,000 its $25,000 goal, with musicians, DJs and collectors nationwide stepping up. Both on the platform and on \u003ca href=\"https://www.instagram.com/p/DM89v--ymzz/\">social media\u003c/a>, fans and friends expressed their gratitude for the myriad ways Vivian and Rooky’s have impacted their lives. \u003c/p>\n\u003cp>“Dick Vivian and Rooky Ricardo’s Records have been monumentally, unspeakably important to me,” \u003ca href=\"https://www.facebook.com/benjamin.wright.39'\">wrote\u003c/a> Ben Wright, a Brooklyn-based DJ who once lived a block from the store. “Rookys was a place where I could go to forget about things for a while. It’s no exaggeration to say that Dick helped me get through one of the worst periods of my life. … Sometimes he even slipped me a couple free records to boot. What can I say, the man is a class act.”\u003c/p>\n\u003cp>Chris Veltri, who owns neighboring record store \u003ca href=\"https://www.sfweekly.com/music/groove-merchant-is-still-stoked-after-all-these-years/article_9452dd14-33b6-539b-a2c7-c5a823c6ab92.html\">Groove Merchant\u003c/a>, says Rooky Ricardo’s \u003ci>is\u003c/i> Dick Vivian. “His store is kind of a dying breed; it’s 100% him. You’re kind of walking into a different era, a space that’s unique into itself.” \u003c/p>\n\u003cp>Veltri has learned a lot from Vivian, including the importance of creating space and atmosphere. “A record store really is like a good bar or a coffee shop. It’s a meeting spot first, it’s where conversation happens,” he says. “People just need a space that can be mindless and just the physicality of flipping through the racks and just shooting the shit. And that’s what Dick’s spot has always been. He’s always sitting at his table, cleaning 45s, pricing 45s. You walk in and a relaxation sets in. You don’t get that in a lot of stores.”\u003c/p>\n\u003cfigure id=\"attachment_13979615\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13979615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mayor London Breed browses through albums during a visit to the record store Rooky Ricardo’s on lower Haight Street in San Francisco, Calif. on Friday, Dec. 7, 2018. \u003ccite>(Paul Chinn/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Musician and producer Tom Brenneck donated to Dick’s GoFundMe out of “pure love.” The L.A.-based artist started shopping at Rookys 20 years ago as a member of the Dap-Kings and the Budos Band, and later with Charles Bradley. “[Over the] last few years, I go there with my wife and kids just to hang, hardly to shop,” he says.\u003c/p>\n\u003cp>Waterhouse, Kurt Andre and \u003ca href=\"https://www.kqed.org/arts/13837743/how-sweater-funk-djs-revived-boogie-a-once-uncool-sound\">Sweaterfunk\u003c/a> DJ/\u003ca href=\"https://www.instagram.com/pressed916/\">Pressed 916\u003c/a> co-founder Jon Blunk plan to run the shop moving forward, bringing Dick in if he’s able.\u003c/p>\n\u003cp>“He just keeps saying, ‘All I want to do is just go to the shop, be in my apartment at night and read a paperback book and watch a movie,'” Waterhouse says. \u003c/p>\n\u003cp>[aside postID='arts_13931586']Born in Walnut Creek, Vivian became a regional celebrity for \u003ca href=\"https://www.youtube.com/watch?v=u9utUOdQvn4&t=48s\">dancing on KOFY TV\u003c/a>. (He \u003ca href=\"https://youtu.be/OE9VGUq12js?si=83LGSYOLpwAeEdCI&t=40\">still has moves\u003c/a>). His status grew as a host and waiter in the California fine dining scene, where Vivian’s hilarious and lovingly catty personality garnered attention. When he opened Rookys in 1987, the store became a “dreamy embodiment of whatever he thinks people should get out of listening to records,” Waterhouse says.\u003c/p>\n\u003cp>“When you come in as a customer, he … immediately personalizes you. He’s not chilly or distant. He brings you in closer by joking with you. He has a genuine curiosity about what you’re interested in,” Waterhouse continues. “I think Dick does that to every person, regardless of their background, and has for three and a half decades. And so people fall in love with him.”\u003c/p>\n\u003cp>The outpouring of support surprised even Dick.\u003c/p>\n\u003cp>“I know I know a lot of people, but this is beyond my wildest dreams,” Vivian tells KQED. “As I’m sitting here waiting to know what’s going to happen, it’s really made a huge difference in my attitude. So I’m still laughing and being hilarious. Thank you, everybody.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.gofundme.com/f/y8ev6\">A GoFundMe for Dick Vivian can be found here\u003c/a>\u003c/em>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’ve ever walked into 429 Haight St. — or 419 Haight, or 448 Haight — to browse for records, you’ve undoubtedly encountered Dick Vivian.\u003c/p>\n\u003cp>Since 1987, the vinyl bon vivant has owned and operated \u003ca href=\"https://www.instagram.com/rooky_ricardos_records/?hl=en\">Rooky Ricardo’s Records\u003c/a>, which received \u003ca href=\"https://www.sfweekly.com/archives/rooky-becomes-a-veteran/article_e1db29cd-ebd9-5c40-ba32-a18ba635626d.html\">official legacy status\u003c/a> from the city in 2017. Both the shop – which champions music from the ’50s, ’60s and ’70s with a special affinity for soul and girl group 45s – and Vivian himself have become San Francisco icons. Just ask \u003ci>GQ\u003c/i>, which \u003ca href=\"https://www.gq.com/story/rooky-ricardo-dick-vivian-san-francisco\">profiled Dick\u003c/a> in 2013.\u003c/p>\n\u003cp>“He wants you to experience love the way he does — unflinchingly, fiercely, naively,” the profile opined. “He first fell in love [with music] at the age of ten, while lying alone on his bed, and he has dedicated half of his life to recreating the feeling again and again.” \u003c/p>\n\u003cp>Rookys is one of the oldest record stores in San Francisco; it’s survived two displacements, multiple rent hikes, two tech booms, one financially devastating scam and a pandemic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And now, Vivian has continued to run the shop despite a Stage 3 pancreatic cancer diagnosis in March of this year. He’s been receiving treatment at UCSF, including weekly chemotherapy infusions, and gets assistance from several friends.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Musician and longtime Rooky’s employee Nick Waterhouse moved back to San Francisco from L.A. to help care for Vivian. Speaking from a hospital hallway, Waterhouse says his friend and mentor has several comorbidities in addition to the cancer diagnosis, and will soon undergo heart surgery.\u003c/p>\n\u003cp>“The reality is he’s going to need care; care that a friend can’t even provide,” Waterhouse says. “This is about quality of life. I think he made the quality of my life and a lot of other people’s lives so high that he deserves the dignity of simple care.”\u003c/p>\n\u003cfigure id=\"attachment_13979618\" class=\"wp-caption aligncenter\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse.jpg\" alt=\"\" width=\"1440\" height=\"1800\" class=\"size-full wp-image-13979618\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/RookyRIcardos.NickWaterhouse-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\">\u003cfigcaption class=\"wp-caption-text\">Dick Vivian with copies of a 45rpm single by Rooky Ricardo’s employee Nick Waterhouse. \u003ccite>(Rooky Ricardo's/Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Vivian has insurance, certain aspects and procedures of his medical care are not covered. Adds Waterhouse: “There is no retirement when you run a record shop that sells $5, $10, and $15 45s.” To fill in those gaps, a \u003ca href=\"https://www.gofundme.com/f/y8ev6\">GoFundMe\u003c/a> campaign has been established to help cover his costs.\u003c/p>\n\u003cp>At press time, the campaign has raised over $20,000 its $25,000 goal, with musicians, DJs and collectors nationwide stepping up. Both on the platform and on \u003ca href=\"https://www.instagram.com/p/DM89v--ymzz/\">social media\u003c/a>, fans and friends expressed their gratitude for the myriad ways Vivian and Rooky’s have impacted their lives. \u003c/p>\n\u003cp>“Dick Vivian and Rooky Ricardo’s Records have been monumentally, unspeakably important to me,” \u003ca href=\"https://www.facebook.com/benjamin.wright.39'\">wrote\u003c/a> Ben Wright, a Brooklyn-based DJ who once lived a block from the store. “Rookys was a place where I could go to forget about things for a while. It’s no exaggeration to say that Dick helped me get through one of the worst periods of my life. … Sometimes he even slipped me a couple free records to boot. What can I say, the man is a class act.”\u003c/p>\n\u003cp>Chris Veltri, who owns neighboring record store \u003ca href=\"https://www.sfweekly.com/music/groove-merchant-is-still-stoked-after-all-these-years/article_9452dd14-33b6-539b-a2c7-c5a823c6ab92.html\">Groove Merchant\u003c/a>, says Rooky Ricardo’s \u003ci>is\u003c/i> Dick Vivian. “His store is kind of a dying breed; it’s 100% him. You’re kind of walking into a different era, a space that’s unique into itself.” \u003c/p>\n\u003cp>Veltri has learned a lot from Vivian, including the importance of creating space and atmosphere. “A record store really is like a good bar or a coffee shop. It’s a meeting spot first, it’s where conversation happens,” he says. “People just need a space that can be mindless and just the physicality of flipping through the racks and just shooting the shit. And that’s what Dick’s spot has always been. He’s always sitting at his table, cleaning 45s, pricing 45s. You walk in and a relaxation sets in. You don’t get that in a lot of stores.”\u003c/p>\n\u003cfigure id=\"attachment_13979615\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744.jpg\" alt=\"\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13979615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/08/GettyImages-1408775744-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mayor London Breed browses through albums during a visit to the record store Rooky Ricardo’s on lower Haight Street in San Francisco, Calif. on Friday, Dec. 7, 2018. \u003ccite>(Paul Chinn/San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Musician and producer Tom Brenneck donated to Dick’s GoFundMe out of “pure love.” The L.A.-based artist started shopping at Rookys 20 years ago as a member of the Dap-Kings and the Budos Band, and later with Charles Bradley. “[Over the] last few years, I go there with my wife and kids just to hang, hardly to shop,” he says.\u003c/p>\n\u003cp>Waterhouse, Kurt Andre and \u003ca href=\"https://www.kqed.org/arts/13837743/how-sweater-funk-djs-revived-boogie-a-once-uncool-sound\">Sweaterfunk\u003c/a> DJ/\u003ca href=\"https://www.instagram.com/pressed916/\">Pressed 916\u003c/a> co-founder Jon Blunk plan to run the shop moving forward, bringing Dick in if he’s able.\u003c/p>\n\u003cp>“He just keeps saying, ‘All I want to do is just go to the shop, be in my apartment at night and read a paperback book and watch a movie,'” Waterhouse says. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Born in Walnut Creek, Vivian became a regional celebrity for \u003ca href=\"https://www.youtube.com/watch?v=u9utUOdQvn4&t=48s\">dancing on KOFY TV\u003c/a>. (He \u003ca href=\"https://youtu.be/OE9VGUq12js?si=83LGSYOLpwAeEdCI&t=40\">still has moves\u003c/a>). His status grew as a host and waiter in the California fine dining scene, where Vivian’s hilarious and lovingly catty personality garnered attention. When he opened Rookys in 1987, the store became a “dreamy embodiment of whatever he thinks people should get out of listening to records,” Waterhouse says.\u003c/p>\n\u003cp>“When you come in as a customer, he … immediately personalizes you. He’s not chilly or distant. He brings you in closer by joking with you. He has a genuine curiosity about what you’re interested in,” Waterhouse continues. “I think Dick does that to every person, regardless of their background, and has for three and a half decades. And so people fall in love with him.”\u003c/p>\n\u003cp>The outpouring of support surprised even Dick.\u003c/p>\n\u003cp>“I know I know a lot of people, but this is beyond my wildest dreams,” Vivian tells KQED. “As I’m sitting here waiting to know what’s going to happen, it’s really made a huge difference in my attitude. So I’m still laughing and being hilarious. Thank you, everybody.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.gofundme.com/f/y8ev6\">A GoFundMe for Dick Vivian can be found here\u003c/a>\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The \u003ca href=\"https://www.kqed.org/arts/13970520/fireaid-where-to-stream-how-to-watch-get-tickets\">FireAid benefi\u003c/a>t was fueled by some of music’s best performers to raise money for Los Angeles-area wildfire relief efforts.\u003c/p>\n\u003cp>The event at the Kia Forum and the Intuit Dome in Inglewood, California, on Thursday night featured a long list of stars including \u003ca href=\"https://www.kqed.org/arts/tag/billie-eilish\">Billie Eilish\u003c/a>, Rod Stewart, \u003ca href=\"https://www.kqed.org/arts/10903693/straight-outta-compton-is-officially-a-commercial-for-dr-dre\">Dr. Dre\u003c/a> and \u003ca href=\"https://www.kqed.org/pop/tag/joni-mitchell\">Joni Mitchell\u003c/a> during a pair of concerts that mixed stories of heartbreak, music and surprises galore.\u003c/p>\n\u003cp>[aside postid='arts_13970520']They started right out of the gate, with Eilish joining \u003ca href=\"https://www.kqed.org/arts/tag/green-day\">Green Day\u003c/a> for the first song of the night, leading to a cute moment greeting the band’s frontman, Billie Joe Armstrong.\u003c/p>\n\u003cp>Another Billy, comedian Billy Crystal, quickly followed them and reminded everyone of why they were there and watching: to raise money to help rebuild the devastated Pacific Palisades and Altadena neighborhoods and other impacted areas.\u003c/p>\n\u003cp>The show ended with a big surprise: \u003ca href=\"https://www.kqed.org/arts/tag/lady-gaga\">Lady Gaga\u003c/a> performing an upbeat new song she said she wrote with her fiancé specifically for FireAid.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/allurequinn/status/1885249951875420516\u003c/p>\n\u003cp>Here are some of FireAid’s outstanding moments:\u003c/p>\n\u003ch2>Billy Crystal says ‘We’ll laugh again’\u003c/h2>\n\u003cp>Crystal appeared as the first host, in the same clothes he was wearing when he fled his family home, which was lost in the Palisades Fire. Then, with his trademark humor and heart, he recalled another national spasm of pain.\u003c/p>\n\u003cp>Crystal reminded the crowd that 23 years before, he attended the Concert for New York City in the wake of 9/11 and had seen grieving attendees holding up signs with pictures of their loved ones, asking if anyone had seen them.\u003c/p>\n\u003cp>“And tonight, here I am, talking to all of you in pain,” he said. “But I’m also one of the hurting thousands asking, ‘Have you seen my school?’ ‘Have you seen my church?’ ‘Have you seen my house?’ ‘Have you seen my town?’ ‘Have you seen the 29 people who lost their lives?’”\u003c/p>\n\u003cp>[aside postid='news_12021150'] “On that night in 2001, we were mourning the loss of hundreds of firefighters and police officers and first responders,” Crystal said. “Tonight, we are here together to thank them and all those who run towards danger while we run to shelter and safety.”\u003c/p>\n\u003cp>Crystal said he returned to the wreckage of his home and began to wail: “I had not cried like that since I was 15 and I was told that my father had just died.” His daughters soon found a rock with the word “Laughter” engraved in it.\u003c/p>\n\u003cp>He recalled how his uncle at his father’s funeral service made everyone laugh by telling stories and doing magic tricks. “It changed my life. I knew at that moment — even in your worst pain, folks — it’s OK and it’s important to laugh,” he said.\u003c/p>\n\u003cp>“We’ll laugh again,” he said. “Let’s show the world who we are: We’re Los Angeles, one city, one heart. L.A. Strong!”\u003c/p>\n\u003ch2>Eilish’s early surprise\u003c/h2>\n\u003cp>FireAid kicked off with a surprise guest appearance from Grammy winner Eilish.\u003c/p>\n\u003cp>The superstar singer strutted onstage while Green Day performed “Last Night on Earth,” which includes the lyrics, “If I lose everything in the fire/I’m sending all my love to you.” She stood next to Armstrong as the band’s frontman played his guitar.\u003c/p>\n\u003cp>https://twitter.com/BillieEilishBR/status/1885165544350826720\u003c/p>\n\u003cp>After Eilish finished, she blew kisses to the crowd, who who rose to their feet and threw their lit-up wrists toward the sky. She and the band performed as a series of photos showed devastated homeowners watching their houses burn to the ground.\u003c/p>\n\u003ch2>Dr. Dre gives Cali love\u003c/h2>\n\u003cp>Dr. Dre took the energy to another level, dashing onto the stage to join Anderson .Paak and Sheila E.\u003c/p>\n\u003cp>As Anderson .Paak introduced him, the crowd erupted with many rising to their feet, some jumping in excitement, as the super producer launched into a couple West Coast hip-hop classics: his 1999 hit “Still D.R.E.” and Tupac Shakur’s 1995 jam “California Love,” which he produced.\u003c/p>\n\u003cp>[aside postid='news_12024420'] “I’m all about love for me tonight,” Dr. Dre said alongside Sheila E. standing behind her drums and Anderson.Paak, who wore a black jersey with “Koreatown” across his chest.\u003c/p>\n\u003cp>Dr. Dre talked about being in the music game for 40 years before showing his appreciation for the first responders. “I appreciate all the first responders and all the firemen who put their lives on the line,” he told the crowd.\u003c/p>\n\u003cp>Before Dr. Dre’s surprise appearance, Anderson .Paak performed “Put Me Thru” and “Come Down” from his 2016 album \u003cem>Malibu\u003c/em>.\u003c/p>\n\u003ch2>Flea sets tone for Chili Peppers’ closing set\u003c/h2>\n\u003cp>Red Hot Chili Peppers guitarist Flea made his signature grand entrance — because, of course, he did — setting the tone for his band’s high-energy finale at the Forum.\u003c/p>\n\u003cp>Wearing nothing but a black Speedo, he flipped onto the stage with a handstand, instantly sending the crowd into a frenzy. Up until that moment, many had been seated, casually watching Lil Baby’s performance on the venue’s big screens. But Flea’s wild antics had them on their feet in no time.\u003c/p>\n\u003cp>Once they were up, many stayed up. The Chili Peppers kept the energy soaring, tearing through a set packed with their biggest hits such as “Californication” and “Give it Away.”\u003c/p>\n\u003cp>https://twitter.com/historyrock_/status/1885316361863229915\u003c/p>\n\u003cp>“LA is our home,” Flea said. “We … love you.”\u003c/p>\n\u003ch2>Nirvana’s reunion\u003c/h2>\n\u003cp>This is probably the closest thing to a Nirvana reunion we’ll ever see again. The three surviving members — Krist Novoselic, Dave Grohl and Pat Smear — took the stage for a powerful, nostalgia-fueled performance that left the crowd in awe.\u003c/p>\n\u003cp>A special lineup of St. Vincent, Kim Gordon and Joan Jett filled in for the late Kurt Cobain, the band’s frontman who died in 1994. The trio separately delivered renditions of Nirvana’s classics including “Breed,” “School” and “Territorial Pissings.”\u003c/p>\n\u003cp>Another poignant moment involved Grohl’s daughter, Violet, who stepped onto the stage to perform “All Apologies,” adding a personal touch to the night.\u003c/p>\n\u003cp>https://twitter.com/BSidesTV/status/1885219166027997199\u003c/p>\n\u003ch2>Dawes invites iconic friends\u003c/h2>\n\u003cp>The band Dawes performed three songs with some icons and an intimate knowledge of what the city has gone through. Brothers Taylor and Griffin Goldsmith both had substantial damage to their homes.\u003c/p>\n\u003cp>The band played their melancholy ode to the city, “Time Spent in Los Angeles,” with the lyrics, “Cause you got that special kind of sadness/You got that tragic set of charms/That only comes from time spent in Los Angeles.”\u003c/p>\n\u003cp>[aside postid='arts_13970214']They invited Stephen Stills to play a jammy version of Still’s “For What It’s Worth (Stop, Hey What’s That Sound).” Then Graham Nash, a longtime musical partner to Stills, was invited to the stage to sing “Teach Your Children” by Crosby, Stills, Nash & Young. At the end, Nash let the audience sing the final words.\u003c/p>\n\u003cp>“Whenever Los Angeles gets into trouble, the musicians are right there, and I’m proud to be one of them,” Nash said.\u003c/p>\n\u003ch2>A prayer for teachers\u003c/h2>\n\u003cp>Quinta Brunson, who plays a teacher on the television show \u003cem>Abbott Elementary\u003c/em>, introduced a real teacher and shined the spotlight on the impact the fires had on schools and education.\u003c/p>\n\u003cp>Glendale High School math teacher Aurora Barboza Flores said she lost the Altadena home she had been saving for over 21 years.\u003c/p>\n\u003cp>“So now I’ve lost more than my home. I’ve lost my community, too. I was so proud to be a homeowner, so proud to have a place to call my own in this city,” she said.\u003c/p>\n\u003cp>She managed to find one thing in the wreckage: A dish she kept her jewelry in, inscribed with the words “I think I’ll just be happy today.” The crowd in the Intuit Dome cheered.\u003c/p>\n\u003cp>“Sometimes, that’s all we can do. Even though it’s hard there are moments that get us through. Moments like tonight,” Flores said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“That’s right,” Brunson added. “Everybody, let’s thank Aurora and all the teachers out there right now.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://www.kqed.org/arts/13970520/fireaid-where-to-stream-how-to-watch-get-tickets\">FireAid benefi\u003c/a>t was fueled by some of music’s best performers to raise money for Los Angeles-area wildfire relief efforts.\u003c/p>\n\u003cp>The event at the Kia Forum and the Intuit Dome in Inglewood, California, on Thursday night featured a long list of stars including \u003ca href=\"https://www.kqed.org/arts/tag/billie-eilish\">Billie Eilish\u003c/a>, Rod Stewart, \u003ca href=\"https://www.kqed.org/arts/10903693/straight-outta-compton-is-officially-a-commercial-for-dr-dre\">Dr. Dre\u003c/a> and \u003ca href=\"https://www.kqed.org/pop/tag/joni-mitchell\">Joni Mitchell\u003c/a> during a pair of concerts that mixed stories of heartbreak, music and surprises galore.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>They started right out of the gate, with Eilish joining \u003ca href=\"https://www.kqed.org/arts/tag/green-day\">Green Day\u003c/a> for the first song of the night, leading to a cute moment greeting the band’s frontman, Billie Joe Armstrong.\u003c/p>\n\u003cp>Another Billy, comedian Billy Crystal, quickly followed them and reminded everyone of why they were there and watching: to raise money to help rebuild the devastated Pacific Palisades and Altadena neighborhoods and other impacted areas.\u003c/p>\n\u003cp>The show ended with a big surprise: \u003ca href=\"https://www.kqed.org/arts/tag/lady-gaga\">Lady Gaga\u003c/a> performing an upbeat new song she said she wrote with her fiancé specifically for FireAid.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Here are some of FireAid’s outstanding moments:\u003c/p>\n\u003ch2>Billy Crystal says ‘We’ll laugh again’\u003c/h2>\n\u003cp>Crystal appeared as the first host, in the same clothes he was wearing when he fled his family home, which was lost in the Palisades Fire. Then, with his trademark humor and heart, he recalled another national spasm of pain.\u003c/p>\n\u003cp>Crystal reminded the crowd that 23 years before, he attended the Concert for New York City in the wake of 9/11 and had seen grieving attendees holding up signs with pictures of their loved ones, asking if anyone had seen them.\u003c/p>\n\u003cp>“And tonight, here I am, talking to all of you in pain,” he said. “But I’m also one of the hurting thousands asking, ‘Have you seen my school?’ ‘Have you seen my church?’ ‘Have you seen my house?’ ‘Have you seen my town?’ ‘Have you seen the 29 people who lost their lives?’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> “On that night in 2001, we were mourning the loss of hundreds of firefighters and police officers and first responders,” Crystal said. “Tonight, we are here together to thank them and all those who run towards danger while we run to shelter and safety.”\u003c/p>\n\u003cp>Crystal said he returned to the wreckage of his home and began to wail: “I had not cried like that since I was 15 and I was told that my father had just died.” His daughters soon found a rock with the word “Laughter” engraved in it.\u003c/p>\n\u003cp>He recalled how his uncle at his father’s funeral service made everyone laugh by telling stories and doing magic tricks. “It changed my life. I knew at that moment — even in your worst pain, folks — it’s OK and it’s important to laugh,” he said.\u003c/p>\n\u003cp>“We’ll laugh again,” he said. “Let’s show the world who we are: We’re Los Angeles, one city, one heart. L.A. Strong!”\u003c/p>\n\u003ch2>Eilish’s early surprise\u003c/h2>\n\u003cp>FireAid kicked off with a surprise guest appearance from Grammy winner Eilish.\u003c/p>\n\u003cp>The superstar singer strutted onstage while Green Day performed “Last Night on Earth,” which includes the lyrics, “If I lose everything in the fire/I’m sending all my love to you.” She stood next to Armstrong as the band’s frontman played his guitar.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>After Eilish finished, she blew kisses to the crowd, who who rose to their feet and threw their lit-up wrists toward the sky. She and the band performed as a series of photos showed devastated homeowners watching their houses burn to the ground.\u003c/p>\n\u003ch2>Dr. Dre gives Cali love\u003c/h2>\n\u003cp>Dr. Dre took the energy to another level, dashing onto the stage to join Anderson .Paak and Sheila E.\u003c/p>\n\u003cp>As Anderson .Paak introduced him, the crowd erupted with many rising to their feet, some jumping in excitement, as the super producer launched into a couple West Coast hip-hop classics: his 1999 hit “Still D.R.E.” and Tupac Shakur’s 1995 jam “California Love,” which he produced.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> “I’m all about love for me tonight,” Dr. Dre said alongside Sheila E. standing behind her drums and Anderson.Paak, who wore a black jersey with “Koreatown” across his chest.\u003c/p>\n\u003cp>Dr. Dre talked about being in the music game for 40 years before showing his appreciation for the first responders. “I appreciate all the first responders and all the firemen who put their lives on the line,” he told the crowd.\u003c/p>\n\u003cp>Before Dr. Dre’s surprise appearance, Anderson .Paak performed “Put Me Thru” and “Come Down” from his 2016 album \u003cem>Malibu\u003c/em>.\u003c/p>\n\u003ch2>Flea sets tone for Chili Peppers’ closing set\u003c/h2>\n\u003cp>Red Hot Chili Peppers guitarist Flea made his signature grand entrance — because, of course, he did — setting the tone for his band’s high-energy finale at the Forum.\u003c/p>\n\u003cp>Wearing nothing but a black Speedo, he flipped onto the stage with a handstand, instantly sending the crowd into a frenzy. Up until that moment, many had been seated, casually watching Lil Baby’s performance on the venue’s big screens. But Flea’s wild antics had them on their feet in no time.\u003c/p>\n\u003cp>Once they were up, many stayed up. The Chili Peppers kept the energy soaring, tearing through a set packed with their biggest hits such as “Californication” and “Give it Away.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“LA is our home,” Flea said. “We … love you.”\u003c/p>\n\u003ch2>Nirvana’s reunion\u003c/h2>\n\u003cp>This is probably the closest thing to a Nirvana reunion we’ll ever see again. The three surviving members — Krist Novoselic, Dave Grohl and Pat Smear — took the stage for a powerful, nostalgia-fueled performance that left the crowd in awe.\u003c/p>\n\u003cp>A special lineup of St. Vincent, Kim Gordon and Joan Jett filled in for the late Kurt Cobain, the band’s frontman who died in 1994. The trio separately delivered renditions of Nirvana’s classics including “Breed,” “School” and “Territorial Pissings.”\u003c/p>\n\u003cp>Another poignant moment involved Grohl’s daughter, Violet, who stepped onto the stage to perform “All Apologies,” adding a personal touch to the night.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003ch2>Dawes invites iconic friends\u003c/h2>\n\u003cp>The band Dawes performed three songs with some icons and an intimate knowledge of what the city has gone through. Brothers Taylor and Griffin Goldsmith both had substantial damage to their homes.\u003c/p>\n\u003cp>The band played their melancholy ode to the city, “Time Spent in Los Angeles,” with the lyrics, “Cause you got that special kind of sadness/You got that tragic set of charms/That only comes from time spent in Los Angeles.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>They invited Stephen Stills to play a jammy version of Still’s “For What It’s Worth (Stop, Hey What’s That Sound).” Then Graham Nash, a longtime musical partner to Stills, was invited to the stage to sing “Teach Your Children” by Crosby, Stills, Nash & Young. At the end, Nash let the audience sing the final words.\u003c/p>\n\u003cp>“Whenever Los Angeles gets into trouble, the musicians are right there, and I’m proud to be one of them,” Nash said.\u003c/p>\n\u003ch2>A prayer for teachers\u003c/h2>\n\u003cp>Quinta Brunson, who plays a teacher on the television show \u003cem>Abbott Elementary\u003c/em>, introduced a real teacher and shined the spotlight on the impact the fires had on schools and education.\u003c/p>\n\u003cp>Glendale High School math teacher Aurora Barboza Flores said she lost the Altadena home she had been saving for over 21 years.\u003c/p>\n\u003cp>“So now I’ve lost more than my home. I’ve lost my community, too. I was so proud to be a homeowner, so proud to have a place to call my own in this city,” she said.\u003c/p>\n\u003cp>She managed to find one thing in the wreckage: A dish she kept her jewelry in, inscribed with the words “I think I’ll just be happy today.” The crowd in the Intuit Dome cheered.\u003c/p>\n\u003cp>“Sometimes, that’s all we can do. Even though it’s hard there are moments that get us through. Moments like tonight,” Flores said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Two \u003ca href=\"https://www.kqed.org/news/12022708/reflections-on-deadly-los-angeles-fires\">major fires in and around Los Angeles\u003c/a> are burning for a third week, destroying more than 14,000 structures and \u003ca href=\"https://www.kqed.org/news/12023214/amid-wildfire-trauma-la-county-dispatches-mental-health-workers-to-evacuees\">displacing tens of thousands\u003c/a>.\u003c/p>\n\u003cp>In the midst of the devastation, relief efforts continue across communities and industries — with musicians rallying to several causes, notably the \u003ca href=\"https://fireaidla.org/\">FireAid benefit concert\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/billie-eilish\">Billie Eilish\u003c/a>, Jelly Roll, \u003ca href=\"https://www.kqed.org/news/tag/peso-pluma\">Peso Pluma\u003c/a>, \u003ca href=\"https://www.kqed.org/pop/tag/joni-mitchell\">Joni Mitchell,\u003c/a> Sting, \u003ca href=\"https://www.kqed.org/arts/tag/anderson-paak\">Anderson .Paak\u003c/a> — and quintessentially Californian acts like the recently reunited \u003ca href=\"https://www.kqed.org/pop/tag/no-doubt\">No Doubt\u003c/a> and the \u003ca href=\"https://www.kqed.org/pop/tag/red-hot-chili-peppers\">Red Hot Chili Peppers\u003c/a> — are just a few of the 28 artists getting together to raise money for the one-night only benefit concert planned for Jan. 30th in two Los Angeles sports venues.\u003c/p>\n\u003cp>Maybe you’ve heard of FireAid. If you haven’t — well, that’s about to change. Here’s everything you need to know about the rapidly expanding benefit concert.\u003c/p>\n\u003ch2>What is FireAid?\u003c/h2>\n\u003cp>FireAid is a star-studded benefit concert organized for Los Angeles-area wildfire relief. It is being produced by Shelli, Irving, and the Azoff family with \u003ca href=\"https://www.kqed.org/arts/tag/live-nation\">Live Nation\u003c/a> and AEG Presents.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>FireAid proceeds will “be distributed under the advisement of the Annenberg Foundation, for short-term relief efforts and long-term initiatives to prevent future fire disasters,” according to a press release. “All proceeds from the FireAid benefit concert at Intuit Dome and Kia Forum will go directly to the event’s designated beneficiaries.”\u003c/p>\n\u003ch2>When and where will FireAid take place?\u003c/h2>\n\u003cp>FireAid will take over two Inglewood, California venues on Jan. 30th: the Kia Forum starting at 6:00pm PST and the Intuit Dome starting at 7:30pm PST.\u003c/p>\n\u003cfigure id=\"attachment_13962061\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962061\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed.jpg\" alt=\"A slender young woman with very long brown hair stands on stage with her arms outstretched, singing into a microphone.\" width=\"2000\" height=\"1282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-1020x654.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-1536x985.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-1920x1231.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Rodrigo performs during her GUTS World Tour at the Chase Center in San Francisco on Aug. 2, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Who is performing at FireAid?\u003c/h2>\n\u003cp>Billie Eilish, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting, Tate McRae and Earth, Wind & Fire will perform at the Intuit Dome.\u003c/p>\n\u003cp>Alanis Morissette, Anderson .Paak, Dawes, Graham Nash, Green Day, John Fogerty, Joni Mitchell, No Doubt, Pink, the Red Hot Chili Peppers, Stephen Stills, Stevie Nicks, the Black Crowes, Dave Matthews and John Mayer will perform at the Kia Forum.\u003c/p>\n\u003cp>Matthews and Mayer will perform live together for the first time.\u003c/p>\n\u003ch2>Can I stream FireAid?\u003c/h2>\n\u003cp>Yes. It will be broadcast and streamed live on Apple Music, Apple TV+, Max, iHeartRadio, KTLA+, Netflix/Tudum, Paramount+, Prime Video, the Amazon Music Channel on Twitch, SiriusXM, Spotify, SoundCloud, Veeps and YouTube. It will also be shown at select AMC Theatre locations in the U.S.\u003c/p>\n\u003ch2>Where can I get tickets to FireAid?\u003c/h2>\n\u003cp>Tickets will go on sale Wednesday at 12 p.m. PST via Ticketmaster. They start at $99. Both venues and \u003ca href=\"https://www.kqed.org/arts/tag/ticketmaster\">Ticketmaster\u003c/a> have waived the fees for the event to ensure all sales benefit FireAid relief efforts.\u003c/p>\n\u003ch2>Will ticketholders get to attend both concerts?\u003c/h2>\n\u003cp>No. However, Intuit Dome attendees will get to watch the Kia Forum performances on screens inside the venue before their event begins. Kia Forum attendees will get to do the same after their performances conclude.\u003c/p>\n\u003ch2>What are some of the other ways the music industry has responded to the fires?\u003c/h2>\n\u003cp>Since the wildfires started, celebrities and entertainment organizations have pledged millions to help those who have been displaced or lost their homes, including a $2.5 million contribution from \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a> to a newly launched LA Fire Relief Fund created by her charitable foundation, BeyGOOD. Recently, The Weeknd donated $1 million to the LAFD Foundation, GoFundMe’s Wildfire Relief Fund, and LA Regional Food Bank.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Recording Academy and MusiCares also launched the Los Angeles Fire Relief Effort with a $1 million donation. Thanks to additional contributions, they’ve already distributed $2 million in emergency aid.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two \u003ca href=\"https://www.kqed.org/news/12022708/reflections-on-deadly-los-angeles-fires\">major fires in and around Los Angeles\u003c/a> are burning for a third week, destroying more than 14,000 structures and \u003ca href=\"https://www.kqed.org/news/12023214/amid-wildfire-trauma-la-county-dispatches-mental-health-workers-to-evacuees\">displacing tens of thousands\u003c/a>.\u003c/p>\n\u003cp>In the midst of the devastation, relief efforts continue across communities and industries — with musicians rallying to several causes, notably the \u003ca href=\"https://fireaidla.org/\">FireAid benefit concert\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/billie-eilish\">Billie Eilish\u003c/a>, Jelly Roll, \u003ca href=\"https://www.kqed.org/news/tag/peso-pluma\">Peso Pluma\u003c/a>, \u003ca href=\"https://www.kqed.org/pop/tag/joni-mitchell\">Joni Mitchell,\u003c/a> Sting, \u003ca href=\"https://www.kqed.org/arts/tag/anderson-paak\">Anderson .Paak\u003c/a> — and quintessentially Californian acts like the recently reunited \u003ca href=\"https://www.kqed.org/pop/tag/no-doubt\">No Doubt\u003c/a> and the \u003ca href=\"https://www.kqed.org/pop/tag/red-hot-chili-peppers\">Red Hot Chili Peppers\u003c/a> — are just a few of the 28 artists getting together to raise money for the one-night only benefit concert planned for Jan. 30th in two Los Angeles sports venues.\u003c/p>\n\u003cp>Maybe you’ve heard of FireAid. If you haven’t — well, that’s about to change. Here’s everything you need to know about the rapidly expanding benefit concert.\u003c/p>\n\u003ch2>What is FireAid?\u003c/h2>\n\u003cp>FireAid is a star-studded benefit concert organized for Los Angeles-area wildfire relief. It is being produced by Shelli, Irving, and the Azoff family with \u003ca href=\"https://www.kqed.org/arts/tag/live-nation\">Live Nation\u003c/a> and AEG Presents.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>FireAid proceeds will “be distributed under the advisement of the Annenberg Foundation, for short-term relief efforts and long-term initiatives to prevent future fire disasters,” according to a press release. “All proceeds from the FireAid benefit concert at Intuit Dome and Kia Forum will go directly to the event’s designated beneficiaries.”\u003c/p>\n\u003ch2>When and where will FireAid take place?\u003c/h2>\n\u003cp>FireAid will take over two Inglewood, California venues on Jan. 30th: the Kia Forum starting at 6:00pm PST and the Intuit Dome starting at 7:30pm PST.\u003c/p>\n\u003cfigure id=\"attachment_13962061\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962061\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed.jpg\" alt=\"A slender young woman with very long brown hair stands on stage with her arms outstretched, singing into a microphone.\" width=\"2000\" height=\"1282\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-800x513.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-1020x654.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-1536x985.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/20240802_OliviaRodrigo_GC-43_qed-1920x1231.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Rodrigo performs during her GUTS World Tour at the Chase Center in San Francisco on Aug. 2, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Who is performing at FireAid?\u003c/h2>\n\u003cp>Billie Eilish, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting, Tate McRae and Earth, Wind & Fire will perform at the Intuit Dome.\u003c/p>\n\u003cp>Alanis Morissette, Anderson .Paak, Dawes, Graham Nash, Green Day, John Fogerty, Joni Mitchell, No Doubt, Pink, the Red Hot Chili Peppers, Stephen Stills, Stevie Nicks, the Black Crowes, Dave Matthews and John Mayer will perform at the Kia Forum.\u003c/p>\n\u003cp>Matthews and Mayer will perform live together for the first time.\u003c/p>\n\u003ch2>Can I stream FireAid?\u003c/h2>\n\u003cp>Yes. It will be broadcast and streamed live on Apple Music, Apple TV+, Max, iHeartRadio, KTLA+, Netflix/Tudum, Paramount+, Prime Video, the Amazon Music Channel on Twitch, SiriusXM, Spotify, SoundCloud, Veeps and YouTube. It will also be shown at select AMC Theatre locations in the U.S.\u003c/p>\n\u003ch2>Where can I get tickets to FireAid?\u003c/h2>\n\u003cp>Tickets will go on sale Wednesday at 12 p.m. PST via Ticketmaster. They start at $99. Both venues and \u003ca href=\"https://www.kqed.org/arts/tag/ticketmaster\">Ticketmaster\u003c/a> have waived the fees for the event to ensure all sales benefit FireAid relief efforts.\u003c/p>\n\u003ch2>Will ticketholders get to attend both concerts?\u003c/h2>\n\u003cp>No. However, Intuit Dome attendees will get to watch the Kia Forum performances on screens inside the venue before their event begins. Kia Forum attendees will get to do the same after their performances conclude.\u003c/p>\n\u003ch2>What are some of the other ways the music industry has responded to the fires?\u003c/h2>\n\u003cp>Since the wildfires started, celebrities and entertainment organizations have pledged millions to help those who have been displaced or lost their homes, including a $2.5 million contribution from \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a> to a newly launched LA Fire Relief Fund created by her charitable foundation, BeyGOOD. Recently, The Weeknd donated $1 million to the LAFD Foundation, GoFundMe’s Wildfire Relief Fund, and LA Regional Food Bank.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Recording Academy and MusiCares also launched the Los Angeles Fire Relief Effort with a $1 million donation. Thanks to additional contributions, they’ve already distributed $2 million in emergency aid.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Shortkut is a pillar of Bay Area DJ culture. The founding member of Invisibl Skratch Piklz helped push turntablism forward as an art form, and has garnered countless accolades and performed on some of the world’s biggest stages.\u003c/p>\n\u003cp>On July 1, just after playing at the Hollywood Bowl with The Roots, Queen Latifah and Common, he suffered a stroke that caused paralysis, vision loss, speech difficulties and other complications, according to a \u003ca href=\"https://www.gofundme.com/f/support-dj-shortkuts-recovery-journey\">GoFundMe\u003c/a> that his family created. Shortkut’s former manager, Alex Aquino, told KQED that the DJ’s condition has greatly improved in the month since, and that he’s grateful for the outpouring of support from fans and the music community. [aside postid='arts_13952208']\u003c/p>\n\u003cp>“Every day he’s getting better,” Aquino said.\u003c/p>\n\u003cp>As of publication time, the GoFundMe has raised upwards of $122,000, more than doubling its $60,000 goal. At Victory Hall & Parlor in San Francisco on Aug. 4, there’ll be a \u003ca href=\"https://www.instagram.com/p/C95eAYCyO7g/?hl=en\">benefit block party\u003c/a> with sets from Shortkut’s day-one collaborators Mix Master Mike, Qbert and Apollo; the Golden State Warriors’ DJ D Sharp and the Giants’ Umami; and other prominent DJs like Mind Motion, Scotty Fox, DJ Amen and others.\u003c/p>\n\u003cp>“For decades he’s been doing so much community work and fundraisers, and it’s really cool now [that] so many people are rallying for him and rooting for him to get better,” Aquino continued. “I know he’s very humbled and very grateful and touched about how now he’s on the other side of the give-back. He’s overwhelmed with love.”\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The ‘Shortkut to a Speedy Recovery’ fundraiser takes place on Sunday, Aug. 4 at Victory Hall & Parlor (360 Ritch St., San Francisco), with brunch 11:30 a.m.–1 p.m. and a block party 1–6 p.m. \u003ca href=\"https://www.eventbrite.com/e/block-party-fundraiser-for-dj-shortkut-tickets-956804497007\">Details and tickets here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Shortkut is a pillar of Bay Area DJ culture. The founding member of Invisibl Skratch Piklz helped push turntablism forward as an art form, and has garnered countless accolades and performed on some of the world’s biggest stages.\u003c/p>\n\u003cp>On July 1, just after playing at the Hollywood Bowl with The Roots, Queen Latifah and Common, he suffered a stroke that caused paralysis, vision loss, speech difficulties and other complications, according to a \u003ca href=\"https://www.gofundme.com/f/support-dj-shortkuts-recovery-journey\">GoFundMe\u003c/a> that his family created. Shortkut’s former manager, Alex Aquino, told KQED that the DJ’s condition has greatly improved in the month since, and that he’s grateful for the outpouring of support from fans and the music community. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Every day he’s getting better,” Aquino said.\u003c/p>\n\u003cp>As of publication time, the GoFundMe has raised upwards of $122,000, more than doubling its $60,000 goal. At Victory Hall & Parlor in San Francisco on Aug. 4, there’ll be a \u003ca href=\"https://www.instagram.com/p/C95eAYCyO7g/?hl=en\">benefit block party\u003c/a> with sets from Shortkut’s day-one collaborators Mix Master Mike, Qbert and Apollo; the Golden State Warriors’ DJ D Sharp and the Giants’ Umami; and other prominent DJs like Mind Motion, Scotty Fox, DJ Amen and others.\u003c/p>\n\u003cp>“For decades he’s been doing so much community work and fundraisers, and it’s really cool now [that] so many people are rallying for him and rooting for him to get better,” Aquino continued. “I know he’s very humbled and very grateful and touched about how now he’s on the other side of the give-back. He’s overwhelmed with love.”\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The ‘Shortkut to a Speedy Recovery’ fundraiser takes place on Sunday, Aug. 4 at Victory Hall & Parlor (360 Ritch St., San Francisco), with brunch 11:30 a.m.–1 p.m. and a block party 1–6 p.m. \u003ca href=\"https://www.eventbrite.com/e/block-party-fundraiser-for-dj-shortkut-tickets-956804497007\">Details and tickets here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "An Oakland Potluck and Group Show for Humanitarian Efforts in Gaza",
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"content": "\u003cp>Artists and food industry figures, including chef Reem Assil, artist Jeffrey Cheung and local eatery Tacos Oscar, will come together this Saturday at Clay Clubhouse in Oakland’s Dimond District to raise money for Palestinian humanitarian efforts.\u003c/p>\n\u003cp>“We want to make sure Palestine is recognized for all the beauty and art it brings to the world, even as people are trying to erase it,” said co-organizer Sam Sundos.\u003c/p>\n\u003cp>[aside postID='arts_13928345']As the number of people killed in Gaza in the ongoing Israeli military offensive reaches over 35,0000, fundraiser organizers \u003ca href=\"https://www.kqed.org/arts/13928345/mishmish-vegan-palestinian-pop-up\">Michelle Nazzal\u003c/a>, an Oakland chef, and \u003ca href=\"https://www.instagram.com/sabri/?hl=en\">Sundos\u003c/a>, a Brooklyn artist, say they wanted to bring together other chefs and artists who’ve been vocal about it. To honor those folks, they’ve named the event “Aswat,” which means “voices” in Arabic.\u003c/p>\n\u003cp>“Seeing people really educating themselves about what’s happening in Palestine and speaking up — it really means a lot,” Nazzal said. “And we really wanted to keep the focus on Palestinians, who are trying to figure out how to leave or stay there and build a life.”\u003c/p>\n\u003cp>The fundraiser takes the form of a group show and a community potluck. All proceeds from art sales will go to \u003ca href=\"https://docs.google.com/document/u/0/d/19BVbPh9eNmzfqJGM2qeG2UhNLyPIHtLURZnZSA7vkR0/mobilebasic\">Gaza Mutual Aid Solidarity\u003c/a>, a volunteer mutual aid group which helps families in Gaza to meet basic needs, says Sundos. Nazzal and Sundos have framed the event as a “micro-fundraiser,” and hope to inspire others in the community to follow suit.\u003c/p>\n\u003cfigure id=\"attachment_13957901\" class=\"wp-caption aligncenter\" style=\"max-width: 481px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg\" alt=\"\" width=\"481\" height=\"622\" class=\"size-full wp-image-13957901\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg 481w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720-160x207.jpg 160w\" sizes=\"(max-width: 481px) 100vw, 481px\">\u003cfigcaption class=\"wp-caption-text\">San Sundos, one of the organizers of ‘Aswat.’ \u003ccite>(Farah Alimi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The mutual aid fund we’re contributing to is working directly with people in Gaza,” Nazzal said. “A micro-fundraiser means it’s more grassroots — it means the community coming together to raise whatever money they can.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In an effort to make supporting Palestine more accessible, the duo asked the artists to price their work between $100 and $300.\u003c/p>\n\u003cp>“I think it lowers the barrier of entry,” Sundos said. “We’re opening the doors for anyone who wants to come in.”\u003c/p>\n\u003cp>[aside postID='arts_13956017']Sundos, who’s traveling from New York to the Bay for the event, will lead a workshop on traditional Palestinian embroidery called tatreez for Saturday’s event, and is selling one of his embroidery pieces in the show. Nazzal, who runs the Palestinian food pop-up in Oakland Mishmish, will give a talk about food sovereignty and will make stuffed grape leaves, hummus and labna made from cashews for the potluck.\u003c/p>\n\u003cp>Nazzal and Sundos both have deep family history in the Palestinian region. Pro-Israeli forces expelled Sundos’ family from Palestine in 1948, alongside \u003ca href=\"https://www.pbs.org/newshour/world/palestinians-mark-the-nakba-the-original-catastrophe-of-mass-expulsion\">700,000 other Palestinians\u003c/a>, he says. Rallying their community around their shared culture and shedding light on the ongoing atrocities are the central themes of “Aswat.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The connections I’ve made through fundraising actions for families in Gaza have been super heartwarming, especially with artists and chefs who already have a hard time scraping by,” Sundos said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As the number of people killed in Gaza in the ongoing Israeli military offensive reaches over 35,0000, fundraiser organizers \u003ca href=\"https://www.kqed.org/arts/13928345/mishmish-vegan-palestinian-pop-up\">Michelle Nazzal\u003c/a>, an Oakland chef, and \u003ca href=\"https://www.instagram.com/sabri/?hl=en\">Sundos\u003c/a>, a Brooklyn artist, say they wanted to bring together other chefs and artists who’ve been vocal about it. To honor those folks, they’ve named the event “Aswat,” which means “voices” in Arabic.\u003c/p>\n\u003cp>“Seeing people really educating themselves about what’s happening in Palestine and speaking up — it really means a lot,” Nazzal said. “And we really wanted to keep the focus on Palestinians, who are trying to figure out how to leave or stay there and build a life.”\u003c/p>\n\u003cp>The fundraiser takes the form of a group show and a community potluck. All proceeds from art sales will go to \u003ca href=\"https://docs.google.com/document/u/0/d/19BVbPh9eNmzfqJGM2qeG2UhNLyPIHtLURZnZSA7vkR0/mobilebasic\">Gaza Mutual Aid Solidarity\u003c/a>, a volunteer mutual aid group which helps families in Gaza to meet basic needs, says Sundos. Nazzal and Sundos have framed the event as a “micro-fundraiser,” and hope to inspire others in the community to follow suit.\u003c/p>\n\u003cfigure id=\"attachment_13957901\" class=\"wp-caption aligncenter\" style=\"max-width: 481px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg\" alt=\"\" width=\"481\" height=\"622\" class=\"size-full wp-image-13957901\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg 481w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720-160x207.jpg 160w\" sizes=\"(max-width: 481px) 100vw, 481px\">\u003cfigcaption class=\"wp-caption-text\">San Sundos, one of the organizers of ‘Aswat.’ \u003ccite>(Farah Alimi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The mutual aid fund we’re contributing to is working directly with people in Gaza,” Nazzal said. “A micro-fundraiser means it’s more grassroots — it means the community coming together to raise whatever money they can.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"source": "Possible"
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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