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"content": "\u003cp>The challenge of shaping Carl Bean’s altogether remarkable life into a \u003ca href=\"https://www.kqed.org/arts/tag/documentaries\">documentary\u003c/a> is that there was \u003cem>just so much of it\u003c/em>. Instead of a climactic triumph or peak period that \u003cem>\u003ca href=\"https://www.frameline.org/films/frameline49/i-was-born-this-way\">I Was Born This Way\u003c/a>\u003c/em> could build up to and fade out from, the gay gospel-steeped singer-turned-minister was a force for decades. \u003c/p>\n\u003cp>[aside postID='arts_13976029']Hallelujah for Bean and the thousands of people he touched. But it made the job of crafting a dramatic narrative from Bean’s lifelong journey tougher for filmmakers Daniel Junge (\u003cem>Saving Face\u003c/em>) and Sam Pollard (\u003cem>Sammy Davis, Jr.: I’ve Gotta Be Me\u003c/em> and \u003cem>Max Roach: The Drum Also Waltzes\u003c/em>). Their solution was to maintain the musical beat all the way through, and to showcase Questlove, Billy Porter and Lady Gaga out of the gate to establish Dean’s bona fides for 2025 audiences.\u003c/p>\n\u003cp>\u003cem>I Was Born This Way\u003c/em>, which premiered earlier this month at the Tribeca Film Festival ahead of its West Coast premiere Thursday, June 19 in \u003ca href=\"https://www.frameline.org/\">Frameline49\u003c/a> (aka the San Francisco International LGBTQ+ Film Festival) takes its name from the openly gay anthem sung by Bean that galvanized discos in 1977. In fact, a film could have been made just recounting the saga of the song, which inspired Gaga’s 2011 hit “Born This Way” (although she didn’t publicly acknowledge the connection until a decade later).\u003c/p>\n\u003cfigure id=\"attachment_13977740\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000.jpg\" alt=\"black-and-white photo of young Black man with beard in crouch pose\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13977740\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A 1977 promotional photo of Carl Bean for the 12” disco single ‘I Was Born This Way.’ \u003ccite>(Courtesy of I Was Born This Way Production, LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://www.songlyrics.com/carl-bean/i-was-born-this-way-lyrics/\">lyrics\u003c/a> to “I Was Born This Way” were written by Bunny Jones, a (heterosexual) Harlem beautician and entrepreneur who enlisted Chris Spierer to compose the music and Valentino to sing the vocals. Stevie Wonder dropped by the studio to play the drums, and Jones’ small record company moved 15,000 copies in 1975 before selling the distribution rights to Motown.\u003c/p>\n\u003cp>Motown decided to re-record the song two years later with a more pronounced dance beat and a new singer. Carl Bean, who’d honed his chops as a boy at Baltimore’s Providence Baptist Church and a teenager in New York’s Christian Tabernacle Church choir before forming a group called Universal Love that released an album on ABC Records, got the gig. After the song hit and Motown was preparing to make Bean the next David Ruffin, he walked away from stardom to sing the gospel.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regally seated in a comfortable chair, Bean recounts his story with an engaging blend of self-confidence and defiance. The filmmakers use animated sequences to illustrate a childhood defined by singing, sexual abuse, a then-illegal abortion that resulted in a close relative’s death and the homophobia that Bean experienced in the Black community.\u003c/p>\n\u003cfigure id=\"attachment_13977741\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000.jpg\" alt=\"animation of Black man singing with lens flare behind\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13977741\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An animated scene of Archbishop Carl Bean singing his infamous disco anthem ‘I Was Born This Way.’ \u003ccite>(Courtesy of I Was Born This Way Production, LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bean’s drive and talent propelled him out of Baltimore and, eventually, to success in the music industry. But that wasn’t his calling, he realized, so he exited the business by way of a Greyhound bus to Los Angeles, paradoxical as that sounds. \u003c/p>\n\u003cp>With the onslaught of the AIDS epidemic, Dean visited and counseled people of color in hospitals. Noticing that clergy were exempt from the constraint of visiting hours, he became a minister and started the Minority AIDS Project. Bean went on to found the first LQBTQ+ ministry, Los Angeles’ \u003ca href=\"https://ufclosangeles.org/\">Unity Fellowship Church\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13977169']\u003cem>I Was Born This Way\u003c/em> fully honors Bean’s spirit and service, and his influence and impact on Los Angeles’ Black gay community. That’s the thing, though: The documentary plays like a biography of a historical figure. While it certainly speaks to the painful experiences of some individual viewers, it doesn’t nail the groove of the present moment. Namely, that uninhibited expressions of queer pride persist despite overt, state-endorsed erasure of LGBTQ+ lives and stories (like the \u003ca href=\"https://www.kqed.org/news/12043115/despicable-bay-area-leaders-slam-plan-to-rename-usns-harvey-milk\">Secretary of Defense’s proposal\u003c/a> to remove late Navy veteran and San Francisco Supervisor Harvey Milk’s name from a U.S. ship). \u003c/p>\n\u003cp>\u003cem>I Was Born This Way\u003c/em> does succeed in reminding us, through footage of concertgoers responding to Lady Gaga’s performance of “Born This Way,” all these years after Bunny Jones’ song dropped in clubs, that popular music still can be a cry of affirmation and self-worth. Much like singing in church, as Carl Bean proved to his eternal satisfaction.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://www.frameline.org/films/frameline49/i-was-born-this-way\">I Was Born This Way\u003c/a>’ screens Thursday, June 19, 2025 at 7 p.m. at KQED (2601 Mariposa St., San Francisco) as part of the Frameline film festival. Tickets are currently at rush.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The challenge of shaping Carl Bean’s altogether remarkable life into a \u003ca href=\"https://www.kqed.org/arts/tag/documentaries\">documentary\u003c/a> is that there was \u003cem>just so much of it\u003c/em>. Instead of a climactic triumph or peak period that \u003cem>\u003ca href=\"https://www.frameline.org/films/frameline49/i-was-born-this-way\">I Was Born This Way\u003c/a>\u003c/em> could build up to and fade out from, the gay gospel-steeped singer-turned-minister was a force for decades. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Hallelujah for Bean and the thousands of people he touched. But it made the job of crafting a dramatic narrative from Bean’s lifelong journey tougher for filmmakers Daniel Junge (\u003cem>Saving Face\u003c/em>) and Sam Pollard (\u003cem>Sammy Davis, Jr.: I’ve Gotta Be Me\u003c/em> and \u003cem>Max Roach: The Drum Also Waltzes\u003c/em>). Their solution was to maintain the musical beat all the way through, and to showcase Questlove, Billy Porter and Lady Gaga out of the gate to establish Dean’s bona fides for 2025 audiences.\u003c/p>\n\u003cp>\u003cem>I Was Born This Way\u003c/em>, which premiered earlier this month at the Tribeca Film Festival ahead of its West Coast premiere Thursday, June 19 in \u003ca href=\"https://www.frameline.org/\">Frameline49\u003c/a> (aka the San Francisco International LGBTQ+ Film Festival) takes its name from the openly gay anthem sung by Bean that galvanized discos in 1977. In fact, a film could have been made just recounting the saga of the song, which inspired Gaga’s 2011 hit “Born This Way” (although she didn’t publicly acknowledge the connection until a decade later).\u003c/p>\n\u003cfigure id=\"attachment_13977740\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000.jpg\" alt=\"black-and-white photo of young Black man with beard in crouch pose\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13977740\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-12-INCH-SINGLE-PHOTO-1977_2000-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A 1977 promotional photo of Carl Bean for the 12” disco single ‘I Was Born This Way.’ \u003ccite>(Courtesy of I Was Born This Way Production, LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://www.songlyrics.com/carl-bean/i-was-born-this-way-lyrics/\">lyrics\u003c/a> to “I Was Born This Way” were written by Bunny Jones, a (heterosexual) Harlem beautician and entrepreneur who enlisted Chris Spierer to compose the music and Valentino to sing the vocals. Stevie Wonder dropped by the studio to play the drums, and Jones’ small record company moved 15,000 copies in 1975 before selling the distribution rights to Motown.\u003c/p>\n\u003cp>Motown decided to re-record the song two years later with a more pronounced dance beat and a new singer. Carl Bean, who’d honed his chops as a boy at Baltimore’s Providence Baptist Church and a teenager in New York’s Christian Tabernacle Church choir before forming a group called Universal Love that released an album on ABC Records, got the gig. After the song hit and Motown was preparing to make Bean the next David Ruffin, he walked away from stardom to sing the gospel.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regally seated in a comfortable chair, Bean recounts his story with an engaging blend of self-confidence and defiance. The filmmakers use animated sequences to illustrate a childhood defined by singing, sexual abuse, a then-illegal abortion that resulted in a close relative’s death and the homophobia that Bean experienced in the Black community.\u003c/p>\n\u003cfigure id=\"attachment_13977741\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000.jpg\" alt=\"animation of Black man singing with lens flare behind\" width=\"2000\" height=\"1125\" class=\"size-full wp-image-13977741\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/CARL-BEAN-ANIMATION-SINGING-IWBTW_2000-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An animated scene of Archbishop Carl Bean singing his infamous disco anthem ‘I Was Born This Way.’ \u003ccite>(Courtesy of I Was Born This Way Production, LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bean’s drive and talent propelled him out of Baltimore and, eventually, to success in the music industry. But that wasn’t his calling, he realized, so he exited the business by way of a Greyhound bus to Los Angeles, paradoxical as that sounds. \u003c/p>\n\u003cp>With the onslaught of the AIDS epidemic, Dean visited and counseled people of color in hospitals. Noticing that clergy were exempt from the constraint of visiting hours, he became a minister and started the Minority AIDS Project. Bean went on to found the first LQBTQ+ ministry, Los Angeles’ \u003ca href=\"https://ufclosangeles.org/\">Unity Fellowship Church\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>I Was Born This Way\u003c/em> fully honors Bean’s spirit and service, and his influence and impact on Los Angeles’ Black gay community. That’s the thing, though: The documentary plays like a biography of a historical figure. While it certainly speaks to the painful experiences of some individual viewers, it doesn’t nail the groove of the present moment. Namely, that uninhibited expressions of queer pride persist despite overt, state-endorsed erasure of LGBTQ+ lives and stories (like the \u003ca href=\"https://www.kqed.org/news/12043115/despicable-bay-area-leaders-slam-plan-to-rename-usns-harvey-milk\">Secretary of Defense’s proposal\u003c/a> to remove late Navy veteran and San Francisco Supervisor Harvey Milk’s name from a U.S. ship). \u003c/p>\n\u003cp>\u003cem>I Was Born This Way\u003c/em> does succeed in reminding us, through footage of concertgoers responding to Lady Gaga’s performance of “Born This Way,” all these years after Bunny Jones’ song dropped in clubs, that popular music still can be a cry of affirmation and self-worth. Much like singing in church, as Carl Bean proved to his eternal satisfaction.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://www.frameline.org/films/frameline49/i-was-born-this-way\">I Was Born This Way\u003c/a>’ screens Thursday, June 19, 2025 at 7 p.m. at KQED (2601 Mariposa St., San Francisco) as part of the Frameline film festival. Tickets are currently at rush.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Sylvester, SF’s Disco Diva, Gets the HiFi Treatment at SFMOMA",
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"content": "\u003cp>Since 1978, \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\">Sylvester’\u003c/a>s megahit “You Make Me Feel (Mighty Real)” has been the soundtrack to those epic dance floor moments that feel spiritually healing. It’s the kind of song that makes the world’s worries melt away — fitting for a San Francisco disco star who became an icon of queer, Black freedom while conquering the Billboard charts.\u003c/p>\n\u003cp>Even at a time when queer identity was heavily stigmatized, Sylvester never switched up his glittery, androgynous style despite industry pressure. It paid off: Sylvester counted David Bowie among his fans. And in 1979, he sold out San Francisco’s War Memorial Opera House, where then-Mayor Dianne Feinstein presented him the key to the city during his performance with a 26-piece orchestra.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Never-before-heard audio from that night appears on Sylvester’s posthumous new album, \u003ca href=\"https://craftrecordings.com/products/live-at-the-war-memorial-opera-house-3lp\">\u003cem>Live From the Opera House\u003c/em>\u003c/a>, which arrives Sept. 6 on Craft Recordings. While parts of the performance have been included in previous releases, \u003cem>Live from the Opera House\u003c/em> will be the first time fans can hear all two hours of the concert in full.\u003c/p>\n\u003cp>https://youtu.be/gD6cPE2BHic?si=F3FquMIG36AswOMH\u003c/p>\n\u003cp>Before the album comes out on streaming and vinyl, fans will have a chance to hear it on a top-of-the-line sound system at the San Francisco Museum of Modern Art. On Aug. 4, Sylvester’s \u003cem>Live at the Opera House\u003c/em> will play inside of Devon Turnbull’s \u003cem>HiFi Pursuit Listening Room Dream No. 2\u003c/em>, an immersive audio installation where listeners are invited to sit on the floor in a darkened room among an array of custom-built speakers. The piece is part of \u003cem>\u003ca href=\"https://www.kqed.org/arts/13956979/art-of-noise-sfmoma-music-fillmore-stereo-review\">Art of Noise\u003c/a>\u003c/em>, SFMOMA’s exhibition that surveys a 100 years of music culture and design. [aside postid='arts_13960094']\u003c/p>\n\u003cp>There’s been a renewed appreciation of Sylvester’s legacy lately thanks to PBS’ new documentary \u003cem>Disco: The Soundtrack of a Revolution\u003c/em>. Last month at KQED, drag performers and queer DJs discussed how Sylvester gave them the courage to live authentically. You can \u003ca href=\"https://www.kqed.org/arts/13960094/watch-discos-mighty-real-bay-area-roots-live-at-kqed\">watch the conversation in full here\u003c/a>.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Sylvester’s ‘Live at the Opera House’ gets its world premiere inside of Devon Turnbull’s ‘HiFi Pursuit Listening Room Dream No. 2’ at the \u003ca href=\"http://sfmoma.org\">San Francisco Museum of Modern Art\u003c/a> on Aug. 4, 10 a.m.–5 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Since 1978, \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\">Sylvester’\u003c/a>s megahit “You Make Me Feel (Mighty Real)” has been the soundtrack to those epic dance floor moments that feel spiritually healing. It’s the kind of song that makes the world’s worries melt away — fitting for a San Francisco disco star who became an icon of queer, Black freedom while conquering the Billboard charts.\u003c/p>\n\u003cp>Even at a time when queer identity was heavily stigmatized, Sylvester never switched up his glittery, androgynous style despite industry pressure. It paid off: Sylvester counted David Bowie among his fans. And in 1979, he sold out San Francisco’s War Memorial Opera House, where then-Mayor Dianne Feinstein presented him the key to the city during his performance with a 26-piece orchestra.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Never-before-heard audio from that night appears on Sylvester’s posthumous new album, \u003ca href=\"https://craftrecordings.com/products/live-at-the-war-memorial-opera-house-3lp\">\u003cem>Live From the Opera House\u003c/em>\u003c/a>, which arrives Sept. 6 on Craft Recordings. While parts of the performance have been included in previous releases, \u003cem>Live from the Opera House\u003c/em> will be the first time fans can hear all two hours of the concert in full.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gD6cPE2BHic'\n title='//www.youtube.com/embed/gD6cPE2BHic'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before the album comes out on streaming and vinyl, fans will have a chance to hear it on a top-of-the-line sound system at the San Francisco Museum of Modern Art. On Aug. 4, Sylvester’s \u003cem>Live at the Opera House\u003c/em> will play inside of Devon Turnbull’s \u003cem>HiFi Pursuit Listening Room Dream No. 2\u003c/em>, an immersive audio installation where listeners are invited to sit on the floor in a darkened room among an array of custom-built speakers. The piece is part of \u003cem>\u003ca href=\"https://www.kqed.org/arts/13956979/art-of-noise-sfmoma-music-fillmore-stereo-review\">Art of Noise\u003c/a>\u003c/em>, SFMOMA’s exhibition that surveys a 100 years of music culture and design. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s been a renewed appreciation of Sylvester’s legacy lately thanks to PBS’ new documentary \u003cem>Disco: The Soundtrack of a Revolution\u003c/em>. Last month at KQED, drag performers and queer DJs discussed how Sylvester gave them the courage to live authentically. You can \u003ca href=\"https://www.kqed.org/arts/13960094/watch-discos-mighty-real-bay-area-roots-live-at-kqed\">watch the conversation in full here\u003c/a>.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Sylvester’s ‘Live at the Opera House’ gets its world premiere inside of Devon Turnbull’s ‘HiFi Pursuit Listening Room Dream No. 2’ at the \u003ca href=\"http://sfmoma.org\">San Francisco Museum of Modern Art\u003c/a> on Aug. 4, 10 a.m.–5 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Dark Entries, the record label and Tenderloin shop that specializes in out-of-print and unreleased archival material, especially underground ’80s music, has reached a milestone 15 years. \u003c/p>\n\u003cp>Josh Cheon says he didn’t launch the label in 2009 thinking this far into the future. “But I think I always was a little overambitious,” he says. “I had a list of projects that I wanted to work on.”\u003c/p>\n\u003cp>Over the years, Dark Entries has put out more than 100 albums, including \u003ca href=\"https://www.darkentriesrecords.com/store/music/cd/patrick-cowley-mechanical-fantasy-box/\">unreleased electronic dance music\u003c/a> and \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/patrick-cowley-afternooners-2xlp/\">gay porn soundtracks\u003c/a> from Patrick Cowley; and \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/sylvester-private-recordings-august-1970/\">private jazz, blues and gospel recordings\u003c/a> by disco star Sylvester. Now, to celebrate that unexpected but entirely welcome longevity, he’s organized two anniversary parties in San Francisco — one a concert at the \u003ca href=\"https://wl.seetickets.us/event/topographies-brontez-purnell/608898?afflky=GreatAmericanMusicHall\">Great American Music Hall on July 13\u003c/a> and another at the \u003ca href=\"https://www.tixr.com/groups/midwaysf/events/dark-entries-anniversary-party-107882?utm_source=themidway&utm_medium=venuewebsite\">Midway on July 20\u003c/a>.\u003c/p>\n\u003cp>The lineups for both nights are pulled together from musicians Cheon has worked with on Dark Entries releases, but each has a distinct flavor. \u003c/p>\n\u003cp>The Great American show, headlined by \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/topographies-interior-spring/\">Topographies\u003c/a>, will be more post-punk and ’80s leaning, with sets from \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/brontez-purnell-no-jack-swing/\">Brontez Purnell\u003c/a>, \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/loveshadow-ii-lp/\">Loveshadow\u003c/a> and Topazu. Topographies, formed in 2018 by Justin Oronos, Jeremie Ruest and Gray Tolhurst, put out their sophomore album earlier this year with Dark Entries, channeling cold wave forebears with impeccably moody, synthy shoegaze.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Purnell may be best known for his punk and garage rock (or his books, \u003ci>Since I Laid My Burden Down\u003c/i> and \u003ci>100 Boyfriends\u003c/i>), but on July 13 he’ll be performing electronic music he’s never played live before. “That’s definitely a good reason to come out,” Cheon chuckles, “because you might never see this again!”\u003c/p>\n\u003cp>Cheon describes Loveshadow, a Bay Area pop duo, as having “soulful Kate Bush kind of vibes,” and hints that there might be a secret guest joining them on vocals.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1663667625&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>At the Midway, analog guru and underground Midwest rave hero \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/bill-converse-take-parts/\">Bill Converse\u003c/a> is playing his live set in San Francisco for the first time ever. “It’s going to be a pretty intense, fun dance party,” says Cheon, who caught Converse’s show in San Diego. This night, he says, will be “definitely more techno, house kind of vibes.” Also performing are \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/group-rhoda-passing-shades/\">Group Rhoda\u003c/a>, \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/dax-pierson-nerve-bumps-a-queer-divine-disappointment/\">Dax Pierson\u003c/a>, \u003ca href=\"https://www.instagram.com/carlossouffront/?hl=en\">Carlos Souffront\u003c/a> and \u003ca href=\"https://soundcloud.com/pre-optrans\">Pre Op Trans\u003c/a>. \u003c/p>\n\u003cp>With acts coming from as far away as Texas and Washington, Cheon is excited for it all to come together. “I’m glad they all said yes and that I was able to get them all to perform here,” he says. “Everyone’s kind of traveling to make this happen, which is really nice.” \u003c/p>\n\u003cp>The July 20 night also doubles as an unofficial afterparty for the \u003ca href=\"https://sfartbookfair.com/\">San Francisco Art Book Fair\u003c/a>, which runs July 18–21 at Minnesota Street Project. Dark Entries will have a table at the fair with a new publication presenting work by in-house designer \u003ca href=\"http://eloiseleigh.com/\">Eloise Leigh\u003c/a>, along with DIY typography and logos from bands featured on reissues.\u003c/p>\n\u003cp>Fifteen years in, can Cheon now envision a 30-year anniversary? “I don’t see me stopping this anytime soon,” he says. “And I have so much stuff I need to get out — there’s still a backlog of releases that are waiting in the queue. I literally just signed a contract today with an artist.”\u003c/p>\n\u003cp>As long as he’s having fun, he says, he’ll keep it going. Or, he adds: “As long as people keep buying records.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Dark Entries’ 15th anniversary parties are $18 presale, $25 at the door for both the July 13 \u003ca href=\"https://wl.seetickets.us/event/topographies-brontez-purnell/608898?afflky=GreatAmericanMusicHall\">Great American Music Hall\u003c/a> show and the July 20 \u003ca href=\"https://www.tixr.com/groups/midwaysf/events/dark-entries-anniversary-party-107882?utm_source=themidway&utm_medium=venuewebsite\">Midway\u003c/a> show.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Dark Entries, the record label and Tenderloin shop that specializes in out-of-print and unreleased archival material, especially underground ’80s music, has reached a milestone 15 years. \u003c/p>\n\u003cp>Josh Cheon says he didn’t launch the label in 2009 thinking this far into the future. “But I think I always was a little overambitious,” he says. “I had a list of projects that I wanted to work on.”\u003c/p>\n\u003cp>Over the years, Dark Entries has put out more than 100 albums, including \u003ca href=\"https://www.darkentriesrecords.com/store/music/cd/patrick-cowley-mechanical-fantasy-box/\">unreleased electronic dance music\u003c/a> and \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/patrick-cowley-afternooners-2xlp/\">gay porn soundtracks\u003c/a> from Patrick Cowley; and \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/sylvester-private-recordings-august-1970/\">private jazz, blues and gospel recordings\u003c/a> by disco star Sylvester. Now, to celebrate that unexpected but entirely welcome longevity, he’s organized two anniversary parties in San Francisco — one a concert at the \u003ca href=\"https://wl.seetickets.us/event/topographies-brontez-purnell/608898?afflky=GreatAmericanMusicHall\">Great American Music Hall on July 13\u003c/a> and another at the \u003ca href=\"https://www.tixr.com/groups/midwaysf/events/dark-entries-anniversary-party-107882?utm_source=themidway&utm_medium=venuewebsite\">Midway on July 20\u003c/a>.\u003c/p>\n\u003cp>The lineups for both nights are pulled together from musicians Cheon has worked with on Dark Entries releases, but each has a distinct flavor. \u003c/p>\n\u003cp>The Great American show, headlined by \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/topographies-interior-spring/\">Topographies\u003c/a>, will be more post-punk and ’80s leaning, with sets from \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/brontez-purnell-no-jack-swing/\">Brontez Purnell\u003c/a>, \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/loveshadow-ii-lp/\">Loveshadow\u003c/a> and Topazu. Topographies, formed in 2018 by Justin Oronos, Jeremie Ruest and Gray Tolhurst, put out their sophomore album earlier this year with Dark Entries, channeling cold wave forebears with impeccably moody, synthy shoegaze.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Purnell may be best known for his punk and garage rock (or his books, \u003ci>Since I Laid My Burden Down\u003c/i> and \u003ci>100 Boyfriends\u003c/i>), but on July 13 he’ll be performing electronic music he’s never played live before. “That’s definitely a good reason to come out,” Cheon chuckles, “because you might never see this again!”\u003c/p>\n\u003cp>Cheon describes Loveshadow, a Bay Area pop duo, as having “soulful Kate Bush kind of vibes,” and hints that there might be a secret guest joining them on vocals.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1663667625&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>At the Midway, analog guru and underground Midwest rave hero \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/bill-converse-take-parts/\">Bill Converse\u003c/a> is playing his live set in San Francisco for the first time ever. “It’s going to be a pretty intense, fun dance party,” says Cheon, who caught Converse’s show in San Diego. This night, he says, will be “definitely more techno, house kind of vibes.” Also performing are \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/group-rhoda-passing-shades/\">Group Rhoda\u003c/a>, \u003ca href=\"https://www.darkentriesrecords.com/store/music/vinyl/lp/dax-pierson-nerve-bumps-a-queer-divine-disappointment/\">Dax Pierson\u003c/a>, \u003ca href=\"https://www.instagram.com/carlossouffront/?hl=en\">Carlos Souffront\u003c/a> and \u003ca href=\"https://soundcloud.com/pre-optrans\">Pre Op Trans\u003c/a>. \u003c/p>\n\u003cp>With acts coming from as far away as Texas and Washington, Cheon is excited for it all to come together. “I’m glad they all said yes and that I was able to get them all to perform here,” he says. “Everyone’s kind of traveling to make this happen, which is really nice.” \u003c/p>\n\u003cp>The July 20 night also doubles as an unofficial afterparty for the \u003ca href=\"https://sfartbookfair.com/\">San Francisco Art Book Fair\u003c/a>, which runs July 18–21 at Minnesota Street Project. Dark Entries will have a table at the fair with a new publication presenting work by in-house designer \u003ca href=\"http://eloiseleigh.com/\">Eloise Leigh\u003c/a>, along with DIY typography and logos from bands featured on reissues.\u003c/p>\n\u003cp>Fifteen years in, can Cheon now envision a 30-year anniversary? “I don’t see me stopping this anytime soon,” he says. “And I have so much stuff I need to get out — there’s still a backlog of releases that are waiting in the queue. I literally just signed a contract today with an artist.”\u003c/p>\n\u003cp>As long as he’s having fun, he says, he’ll keep it going. Or, he adds: “As long as people keep buying records.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Dark Entries’ 15th anniversary parties are $18 presale, $25 at the door for both the July 13 \u003ca href=\"https://wl.seetickets.us/event/topographies-brontez-purnell/608898?afflky=GreatAmericanMusicHall\">Great American Music Hall\u003c/a> show and the July 20 \u003ca href=\"https://www.tixr.com/groups/midwaysf/events/dark-entries-anniversary-party-107882?utm_source=themidway&utm_medium=venuewebsite\">Midway\u003c/a> show.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"officialWebsiteLink": "http://freakonomics.com/",
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"meta": {
"site": "radio",
"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"meta": {
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"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
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