Look Out! Chris Eckert’s Machines Are Watching You
A Ballet About Homelessness Wants You to See People, Not Look Away
For Two Immigrant Artists, American Dream is Uncertain
Veteran Nude Art Model Bob Webb Strikes a Pose [NSFW]
How Blues Artist Kid Andersen Makes the Greasy Stuff
Korean-Born Artist Raises Immigrant Voices Through Performance
Bay Area Circus Stars Shine in Cirque du Soleil's 'Luzia'
'Boolander' Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride
Meet Brian Goggin, Gatekeeper of Your Impossible Dreams
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She is the creator of KQED Arts’ three-time Webby Award-winning YouTube series \u003cem>If Cities Could Dance\u003c/em>, featuring dancers across the country representing their cities’ signature moves, and the director of \u003cem>When the Waters Get Deep\u003c/em>, a documentary about Oakland-based artists SOL Development and their work toward healing their communities’ trauma from gun violence.","avatar":"https://secure.gravatar.com/avatar/1a2b57e8a13abdcfc3d4966d9c0e1512?s=600&d=blank&r=g","twitter":"kellyfilmmaker","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["subscriber"]}],"headData":{"title":"Kelly Whalen | KQED","description":"Senior Video Producer","ogImgSrc":"https://secure.gravatar.com/avatar/1a2b57e8a13abdcfc3d4966d9c0e1512?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/1a2b57e8a13abdcfc3d4966d9c0e1512?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kwhalen"},"cescobar":{"type":"authors","id":"11241","meta":{"index":"authors_1591205172","id":"11241","found":true},"name":"Claudia Escobar","firstName":"Claudia","lastName":"Escobar","slug":"cescobar","email":"cescobar@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Tropical latin visual story teller extraordinaire! bread maker apprentice.","avatar":"https://secure.gravatar.com/avatar/88fd5f70de3d9e639900002806a7a708?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]},{"site":"news","roles":["author"]}],"headData":{"title":"Claudia Escobar | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/88fd5f70de3d9e639900002806a7a708?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/88fd5f70de3d9e639900002806a7a708?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cescobar"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13839766":{"type":"posts","id":"arts_13839766","meta":{"index":"posts_1591205157","site":"arts","id":"13839766","score":null,"sort":[1535493634000]},"guestAuthors":[],"slug":"look-out-chris-eckerts-machines-are-watching-you","title":"Look Out! Chris Eckert’s Machines Are Watching You","publishDate":1535493634,"format":"video","headTitle":"Look Out! Chris Eckert’s Machines Are Watching You | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Ever feel like you’re being watched? You probably are. Surveillance cameras are a fact of everyday life, so omnipresent we often forget about the implications of being recorded—and just who is observing us.\u003c/p>\n\u003cp>“I don’t know that we fully appreciate the level that we’re observed,” says artist Chris Eckert. To make the mechanisms of surveillance more visible (apologies,) \u003ca href=\"http://chriseckert.com\" target=\"_blank\" rel=\"noopener\">Eckert\u003c/a> created \u003cem>BLINK\u003c/em>, an installation of 20 uncannily realistic motorized eyeballs at the \u003ca href=\"https://www.sjica.org/archive/chris-eckert-privacy-not-included/\" target=\"_blank\" rel=\"noopener\">San Jose Institute of Contemporary Art\u003c/a>.\u003c/p>\n\u003cp>Eckert makes what he calls “little art machines,” mechanical works of art that challenge people to reflect more critically on technology’s place in our culture. Eckert trained as a mechanical engineer and worked for many years in Silicon Valley before he began to see the factory automation he designed and built as a potential art form. At the ICA, the row of eyes scanned the crowds, tracking visitors as they moved through the space; \u003cem>BLINK\u003c/em>’s interactivity was both fun and a bit creepy.\u003c/p>\n\u003cp>But while most systems of surveillance conceal their locations and the destinations of their recorded data, Eckert’s art machines contain a surprising reveal, one that makes complacent interaction all but impossible.\u003c/p>\n\u003cp>Find out what’s around the corner in \u003cem>BLINK\u003c/em>. — \u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/12740605/chris-eckerts-mixed-messages-transforms-news-into-morse-code\" target=\"_blank\" rel=\"noopener\">\u003cem>More about Chris Eckert and his work on KQED\u003c/em>\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"A mechanical engineer-turned-artist challenges us to reflect more critically on technology.","status":"publish","parent":0,"modified":1705027318,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":236},"headData":{"title":"Look Out! Chris Eckert’s Machines Are Watching You | KQED","description":"A mechanical engineer-turned-artist challenges us to reflect more critically on technology.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Look Out! Chris Eckert’s Machines Are Watching You","datePublished":"2018-08-28T22:00:34.000Z","dateModified":"2024-01-12T02:41:58.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://youtu.be/bXczTJrRxB0","sticky":false,"nprByline":"Melanie Ruiz","path":"/arts/13839766/look-out-chris-eckerts-machines-are-watching-you","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ever feel like you’re being watched? You probably are. Surveillance cameras are a fact of everyday life, so omnipresent we often forget about the implications of being recorded—and just who is observing us.\u003c/p>\n\u003cp>“I don’t know that we fully appreciate the level that we’re observed,” says artist Chris Eckert. To make the mechanisms of surveillance more visible (apologies,) \u003ca href=\"http://chriseckert.com\" target=\"_blank\" rel=\"noopener\">Eckert\u003c/a> created \u003cem>BLINK\u003c/em>, an installation of 20 uncannily realistic motorized eyeballs at the \u003ca href=\"https://www.sjica.org/archive/chris-eckert-privacy-not-included/\" target=\"_blank\" rel=\"noopener\">San Jose Institute of Contemporary Art\u003c/a>.\u003c/p>\n\u003cp>Eckert makes what he calls “little art machines,” mechanical works of art that challenge people to reflect more critically on technology’s place in our culture. Eckert trained as a mechanical engineer and worked for many years in Silicon Valley before he began to see the factory automation he designed and built as a potential art form. At the ICA, the row of eyes scanned the crowds, tracking visitors as they moved through the space; \u003cem>BLINK\u003c/em>’s interactivity was both fun and a bit creepy.\u003c/p>\n\u003cp>But while most systems of surveillance conceal their locations and the destinations of their recorded data, Eckert’s art machines contain a surprising reveal, one that makes complacent interaction all but impossible.\u003c/p>\n\u003cp>Find out what’s around the corner in \u003cem>BLINK\u003c/em>. — \u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/12740605/chris-eckerts-mixed-messages-transforms-news-into-morse-code\" target=\"_blank\" rel=\"noopener\">\u003cem>More about Chris Eckert and his work on KQED\u003c/em>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13839766/look-out-chris-eckerts-machines-are-watching-you","authors":["byline_arts_13839766"],"categories":["arts_70"],"tags":["arts_3137","arts_1118","arts_3649","arts_4205","arts_596","arts_4204","arts_1007"],"featImg":"arts_13839860","label":"arts"},"arts_13815934":{"type":"posts","id":"arts_13815934","meta":{"index":"posts_1591205157","site":"arts","id":"13815934","score":null,"sort":[1511910027000]},"guestAuthors":[],"slug":"a-ballet-about-homelessness-wants-you-to-see-people-not-look-away","title":"A Ballet About Homelessness Wants You to See People, Not Look Away","publishDate":1511910027,"format":"video","headTitle":"A Ballet About Homelessness Wants You to See People, Not Look Away | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Can a ballet make an audience more empathetic? San Francisco-based choreographer Marika Brussel hopes her new piece, \u003cem>From Shadows\u003c/em>, will do just that.\u003c/p>\n\u003cp>Brussel’s ballet tells the story of a family ripped apart by addiction — and of a young girl searching for her father in the faces of those who live on the streets. For Brussel the dance carries both local significance — she regularly passes homeless encampments on her way to and from the ODC dance studios — and personal weight. She, too, loved someone who lost several years of their life to homelessness.\u003c/p>\n\u003cp>“It’s much easier just to close down, and to not look at other people’s pain,” Brussel says. “I don’t want to \u003cem>not\u003c/em> have those feelings, so I made this dance.”\u003c/p>\n\u003cp>Watch dancers transform the pain of invisibility and neglect into a beautiful dance in \u003cem>From Shadows\u003c/em>. \u003cem>— Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"SF Choreographer Marika Brussel tells the story of a young girl searching for her father in the faces of those who live on the streets.","status":"publish","parent":0,"modified":1705029029,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":164},"headData":{"title":"A Ballet About Homelessness Wants You to See People, Not Look Away | KQED","description":"SF Choreographer Marika Brussel tells the story of a young girl searching for her father in the faces of those who live on the streets.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Ballet About Homelessness Wants You to See People, Not Look Away","datePublished":"2017-11-28T23:00:27.000Z","dateModified":"2024-01-12T03:10:29.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://vimeo.com/244752238","sticky":false,"nprByline":"Peter Ruocco","path":"/arts/13815934/a-ballet-about-homelessness-wants-you-to-see-people-not-look-away","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Can a ballet make an audience more empathetic? San Francisco-based choreographer Marika Brussel hopes her new piece, \u003cem>From Shadows\u003c/em>, will do just that.\u003c/p>\n\u003cp>Brussel’s ballet tells the story of a family ripped apart by addiction — and of a young girl searching for her father in the faces of those who live on the streets. For Brussel the dance carries both local significance — she regularly passes homeless encampments on her way to and from the ODC dance studios — and personal weight. She, too, loved someone who lost several years of their life to homelessness.\u003c/p>\n\u003cp>“It’s much easier just to close down, and to not look at other people’s pain,” Brussel says. “I don’t want to \u003cem>not\u003c/em> have those feelings, so I made this dance.”\u003c/p>\n\u003cp>Watch dancers transform the pain of invisibility and neglect into a beautiful dance in \u003cem>From Shadows\u003c/em>. \u003cem>— Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13815934/a-ballet-about-homelessness-wants-you-to-see-people-not-look-away","authors":["byline_arts_13815934"],"categories":["arts_966"],"tags":["arts_3245","arts_3137","arts_1118","arts_1355","arts_596","arts_1007"],"featImg":"arts_13815959","label":"arts"},"arts_13809643":{"type":"posts","id":"arts_13809643","meta":{"index":"posts_1591205157","site":"arts","id":"13809643","score":null,"sort":[1506465352000]},"guestAuthors":[],"slug":"for-two-immigrant-artists-american-dream-is-uncertain","title":"For Two Immigrant Artists, American Dream is Uncertain","publishDate":1506465352,"format":"video","headTitle":"For Two Immigrant Artists, American Dream is Uncertain | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>What would our local arts communities look like without DACA? Just ask Johan, a standup comedian, and Lauren, an actress and musician, whose emerging careers are a direct result of the freedom and stability afforded by the program.\u003c/p>\n\u003cp>Implemented in 2012, Deferred Action for Childhood Arrivals (DACA) granted individuals who entered the United States as minors temporary protection from deportation — along with work permit eligibility.\u003c/p>\n\u003cp>Johan was born in Peru and grew up in San Francisco’s Fillmore District, not even knowing he was undocumented until he was a teenager. Simple freedoms his friends enjoyed in high school were unavailable to him — like getting a driver’s license and making plans for college.\u003c/p>\n\u003cp>In Los Angeles, Lauren, whose family came from Korea when she was a child, remembers the helplessness of being stuck between the only country she’s known and the impossibility of living a full life here. “Why was I in this country, if I can’t fulfill my dreams?” she says.\u003c/p>\n\u003cp>Then DACA was announced in 2012, and their lives were filled with possibility.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Able to drive, work, receive loans and attend college, Johan and Lauren pursued their artistic goals, performing and gaining career momentum. But now that their immigration status is once again in question, they stand to lose it all. Watch above as Lauren reflects between performances and teaching music lessons, and Johan uses his place behind the mic to convey the enormous uncertainty that \u003ca href=\"https://ww2.kqed.org/news/2017/09/05/trump-ends-daca-calls-on-congress-to-act/\" target=\"_blank\" rel=\"noopener noreferrer\">they – and 800,000 others – face at this moment\u003c/a>. — \u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was supported by the journalism non-profit the \u003ca href=\"http://economichardship.org\" target=\"_blank\" rel=\"noopener\">Economic Hardship Reporting Project\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A standup comedian and an actress-musician reflect on the enormous uncertainty that they — and 800,000 others — face with DACA in jeopardy.","status":"publish","parent":0,"modified":1705029467,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":282},"headData":{"title":"For Two Immigrant Artists, American Dream is Uncertain | KQED","description":"A standup comedian and an actress-musician reflect on the enormous uncertainty that they — and 800,000 others — face with DACA in jeopardy.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"For Two Immigrant Artists, American Dream is Uncertain","datePublished":"2017-09-26T22:35:52.000Z","dateModified":"2024-01-12T03:17:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://youtu.be/CkQaV9pds4Q","sticky":false,"nprByline":"Armando Aparicio and Leighton Woodhouse","path":"/arts/13809643/for-two-immigrant-artists-american-dream-is-uncertain","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>What would our local arts communities look like without DACA? Just ask Johan, a standup comedian, and Lauren, an actress and musician, whose emerging careers are a direct result of the freedom and stability afforded by the program.\u003c/p>\n\u003cp>Implemented in 2012, Deferred Action for Childhood Arrivals (DACA) granted individuals who entered the United States as minors temporary protection from deportation — along with work permit eligibility.\u003c/p>\n\u003cp>Johan was born in Peru and grew up in San Francisco’s Fillmore District, not even knowing he was undocumented until he was a teenager. Simple freedoms his friends enjoyed in high school were unavailable to him — like getting a driver’s license and making plans for college.\u003c/p>\n\u003cp>In Los Angeles, Lauren, whose family came from Korea when she was a child, remembers the helplessness of being stuck between the only country she’s known and the impossibility of living a full life here. “Why was I in this country, if I can’t fulfill my dreams?” she says.\u003c/p>\n\u003cp>Then DACA was announced in 2012, and their lives were filled with possibility.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Able to drive, work, receive loans and attend college, Johan and Lauren pursued their artistic goals, performing and gaining career momentum. But now that their immigration status is once again in question, they stand to lose it all. Watch above as Lauren reflects between performances and teaching music lessons, and Johan uses his place behind the mic to convey the enormous uncertainty that \u003ca href=\"https://ww2.kqed.org/news/2017/09/05/trump-ends-daca-calls-on-congress-to-act/\" target=\"_blank\" rel=\"noopener noreferrer\">they – and 800,000 others – face at this moment\u003c/a>. — \u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was supported by the journalism non-profit the \u003ca href=\"http://economichardship.org\" target=\"_blank\" rel=\"noopener\">Economic Hardship Reporting Project\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13809643/for-two-immigrant-artists-american-dream-is-uncertain","authors":["byline_arts_13809643"],"categories":["arts_968","arts_835","arts_69"],"tags":["arts_3137","arts_2370","arts_1118","arts_1773","arts_596","arts_1007"],"featImg":"arts_13809673","label":"arts"},"arts_13631460":{"type":"posts","id":"arts_13631460","meta":{"index":"posts_1591205157","site":"arts","id":"13631460","score":null,"sort":[1499810444000]},"guestAuthors":[],"slug":"veteran-art-model-bob-webb-strikes-a-pose-nsfw","title":"Veteran Nude Art Model Bob Webb Strikes a Pose [NSFW]","publishDate":1499810444,"format":"video","headTitle":"Veteran Nude Art Model Bob Webb Strikes a Pose [NSFW] | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>Note: This video has male nudity. \u003c/em>\u003c/p>\n\u003cp>You might not think to look twice at Bob Webb on the street, but for nearly 50 years artists have been paying to look at him — naked.\u003c/p>\n\u003cp>Webb began modeling in his home state of Oklahoma in the late 1960s. Coming from a theater background, he’s always loved what he calls the “performative aspect” of nude modeling. Though he is acutely aware that as a society we are more comfortable with female nudity, he is hopeful that will change, and recalls with a chuckle the early years of his career when male models were required to wear G-strings.\u003c/p>\n\u003cp>Art schools and creative industry professionals, including Academy of Art University and Pixar Animation Studios, now routinely hire the 67-year-old to pose fully nude. Watch Webb in action at a recent City College of San Francisco session, and find out what’s kept him modeling for generations of artists in the Bay Area.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">Watch more from the Close-Up video collection: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/close-up?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n","blocks":[],"excerpt":"The 67-year-old has posed nude for art students and professionals for nearly 50 years.","status":"publish","parent":0,"modified":1705030089,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://huzzaz.com/proembed/close-up"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":182},"headData":{"title":"Veteran Nude Art Model Bob Webb Strikes a Pose [NSFW] | KQED","description":"The 67-year-old has posed nude for art students and professionals for nearly 50 years.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Veteran Nude Art Model Bob Webb Strikes a Pose [NSFW]","datePublished":"2017-07-11T22:00:44.000Z","dateModified":"2024-01-12T03:28:09.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://vimeo.com/224988512","sticky":false,"nprByline":"Melanie Ruiz","path":"/arts/13631460/veteran-art-model-bob-webb-strikes-a-pose-nsfw","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Note: This video has male nudity. \u003c/em>\u003c/p>\n\u003cp>You might not think to look twice at Bob Webb on the street, but for nearly 50 years artists have been paying to look at him — naked.\u003c/p>\n\u003cp>Webb began modeling in his home state of Oklahoma in the late 1960s. Coming from a theater background, he’s always loved what he calls the “performative aspect” of nude modeling. Though he is acutely aware that as a society we are more comfortable with female nudity, he is hopeful that will change, and recalls with a chuckle the early years of his career when male models were required to wear G-strings.\u003c/p>\n\u003cp>Art schools and creative industry professionals, including Academy of Art University and Pixar Animation Studios, now routinely hire the 67-year-old to pose fully nude. Watch Webb in action at a recent City College of San Francisco session, and find out what’s kept him modeling for generations of artists in the Bay Area.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">Watch more from the Close-Up video collection: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/close-up?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13631460/veteran-art-model-bob-webb-strikes-a-pose-nsfw","authors":["byline_arts_13631460"],"categories":["arts_70"],"tags":["arts_3137","arts_1118","arts_596","arts_1007"],"featImg":"arts_13631467","label":"arts"},"arts_13201417":{"type":"posts","id":"arts_13201417","meta":{"index":"posts_1591205157","site":"arts","id":"13201417","score":null,"sort":[1494454836000]},"guestAuthors":[],"slug":"how-kid-andersen-makes-the-greasy-stuff","title":"How Blues Artist Kid Andersen Makes the Greasy Stuff","publishDate":1494454836,"format":"video","headTitle":"How Blues Artist Kid Andersen Makes the Greasy Stuff | KQED","labelTerm":{"term":1542,"site":"arts"},"content":"\u003cp>Most people associate traditional blues music with the South — the Southern part of the United States, that is, not the South Bay. Then again, most people haven’t met Christoffer “Kid” Andersen.\u003c/p>\n\u003cp>The Norwegian-born guitarist and producer is a San Jose institution, having produced more than 100 records at his Greaseland Studios. Andersen first picked up an electric guitar at age 11, and quickly fell in love with the sounds of T-Bone Walker, Howlin’ Wolf, and other masters.\u003c/p>\n\u003cp>At age 21, Andersen moved to California to be a working guitarist; a decade and a half later, records he’s played on and produced have been nominated for more Blues Music Awards than you can count on two hands. (At this year’s ceremony, on May 11, he’s \u003ca href=\"https://ww2.kqed.org/arts/2017/05/08/the-secret-sauce-behind-8-grammy-blues-nominees-is-a-big-norwegian/\" target=\"_blank\" rel=\"noopener noreferrer\">up for eight awards\u003c/a>, including Best Instrumentalist – Guitar for the fourth year in a row.)\u003c/p>\n\u003cp>KQED Arts visited Andersen’s studio, which houses roughly 70 guitars, to hear more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">Watch more from the Close-Up video collection \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/close-up?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n","blocks":[],"excerpt":"A visit to the home studio of San Jose blues producer Kid Andersen, where over 100 albums have been recorded in trademark no-frills style.","status":"publish","parent":0,"modified":1705030692,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://huzzaz.com/proembed/close-up"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":181},"headData":{"title":"How Blues Artist Kid Andersen Makes the Greasy Stuff | KQED","description":"A visit to the home studio of San Jose blues producer Kid Andersen, where over 100 albums have been recorded in trademark no-frills style.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Blues Artist Kid Andersen Makes the Greasy Stuff","datePublished":"2017-05-10T22:20:36.000Z","dateModified":"2024-01-12T03:38:12.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://www.youtube.com/watch?v=qbQrGuK8cbc","sticky":false,"WpOldSlug":"how-kid-anderson-makes-the-greasy-stuff","path":"/arts/13201417/how-kid-andersen-makes-the-greasy-stuff","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Most people associate traditional blues music with the South — the Southern part of the United States, that is, not the South Bay. Then again, most people haven’t met Christoffer “Kid” Andersen.\u003c/p>\n\u003cp>The Norwegian-born guitarist and producer is a San Jose institution, having produced more than 100 records at his Greaseland Studios. Andersen first picked up an electric guitar at age 11, and quickly fell in love with the sounds of T-Bone Walker, Howlin’ Wolf, and other masters.\u003c/p>\n\u003cp>At age 21, Andersen moved to California to be a working guitarist; a decade and a half later, records he’s played on and produced have been nominated for more Blues Music Awards than you can count on two hands. (At this year’s ceremony, on May 11, he’s \u003ca href=\"https://ww2.kqed.org/arts/2017/05/08/the-secret-sauce-behind-8-grammy-blues-nominees-is-a-big-norwegian/\" target=\"_blank\" rel=\"noopener noreferrer\">up for eight awards\u003c/a>, including Best Instrumentalist – Guitar for the fourth year in a row.)\u003c/p>\n\u003cp>KQED Arts visited Andersen’s studio, which houses roughly 70 guitars, to hear more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">Watch more from the Close-Up video collection \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/close-up?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13201417/how-kid-andersen-makes-the-greasy-stuff","authors":["3248"],"programs":["arts_1542"],"categories":["arts_69"],"tags":["arts_1808","arts_3137","arts_1118","arts_596","arts_1007"],"featImg":"arts_13201623","label":"arts_1542"},"arts_12929599":{"type":"posts","id":"arts_12929599","meta":{"index":"posts_1591205157","site":"arts","id":"12929599","score":null,"sort":[1490133609000]},"guestAuthors":[],"slug":"korean-born-artist-raises-immigrant-voices-through-performance","title":"Korean-Born Artist Raises Immigrant Voices Through Performance","publishDate":1490133609,"format":"video","headTitle":"Korean-Born Artist Raises Immigrant Voices Through Performance | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Since Korean-born performance artist Dohee Lee’s arrival to the Bay Area in 2002, she’s been a force on the traditional and contemporary performing arts scenes — from her work with the Korean Youth Cultural Center to collaborating with experimental dance pioneer Anna Halprin and performing with Kronos Quartet.\u003c/p>\n\u003cp>The 42-year-old native of South Korea’s Jeju Island has also been a vital connector for other struggling immigrant and refugee communities. “Even though we are all different people from different countries, coming here to build new home and community, and everything as a human being, is the same,” says Lee.\u003c/p>\n\u003cp>In Korea, Lee studied traditional dance and music rooted in ancient Shamanistic ritual. When Lee toured the Bay Area as a guest performer in 2000, she was captivated by the freedom and spirit of experimentation she felt here, and two years later decided to emigrate here. Today her work often incorporates improvised movement, electronic music and video projections, creating an amalgam of old and new. “I’m reaching for an unknown place, while respecting my history,” says Lee.\u003c/p>\n\u003cp>For \u003cem>Ara Ritual II: Time Weaves\u003c/em>, staged at Eastside Cultural Center in Oakland earlier this year, Lee partnered with the Bay Area Bhutanese Youth group and the immigrant and refugee artists collective CoRazOn. In a series of workshops Lee organized and led, participants explored through movement, drawing and singing how home connects to the physical body, land and ocean. “My experience working with Dohee has been very empowering and a deep healing process,” says Robin Gurung, a refugee from Bhutan. “It has helped me find my voice.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cdiv class=\"hzWrap-side\">\n\u003cdiv class=\"hzload\" style=\"width: 200px;padding: 10px;margin: auto;text-align: center;background-color: #fff\">\n\u003cp>\u003cimg decoding=\"async\" style=\"width: 75px\" src=\"//huzzaz.com/images/hzload.gif\" alt=\"loading videos\">\u003c/p>\n\u003cdiv>Loading Videos…\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The 42-year-old native of South Korea’s Jeju Island is a vital connector for struggling immigrant and refugee communities. ","status":"publish","parent":0,"modified":1705031170,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":295},"headData":{"title":"Korean-Born Artist Raises Immigrant Voices Through Performance | KQED","description":"The 42-year-old native of South Korea’s Jeju Island is a vital connector for struggling immigrant and refugee communities. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Korean-Born Artist Raises Immigrant Voices Through Performance","datePublished":"2017-03-21T22:00:09.000Z","dateModified":"2024-01-12T03:46:10.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://vimeo.com/209301885","sticky":false,"nprByline":"Benjamin Michel","path":"/arts/12929599/korean-born-artist-raises-immigrant-voices-through-performance","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Since Korean-born performance artist Dohee Lee’s arrival to the Bay Area in 2002, she’s been a force on the traditional and contemporary performing arts scenes — from her work with the Korean Youth Cultural Center to collaborating with experimental dance pioneer Anna Halprin and performing with Kronos Quartet.\u003c/p>\n\u003cp>The 42-year-old native of South Korea’s Jeju Island has also been a vital connector for other struggling immigrant and refugee communities. “Even though we are all different people from different countries, coming here to build new home and community, and everything as a human being, is the same,” says Lee.\u003c/p>\n\u003cp>In Korea, Lee studied traditional dance and music rooted in ancient Shamanistic ritual. When Lee toured the Bay Area as a guest performer in 2000, she was captivated by the freedom and spirit of experimentation she felt here, and two years later decided to emigrate here. Today her work often incorporates improvised movement, electronic music and video projections, creating an amalgam of old and new. “I’m reaching for an unknown place, while respecting my history,” says Lee.\u003c/p>\n\u003cp>For \u003cem>Ara Ritual II: Time Weaves\u003c/em>, staged at Eastside Cultural Center in Oakland earlier this year, Lee partnered with the Bay Area Bhutanese Youth group and the immigrant and refugee artists collective CoRazOn. In a series of workshops Lee organized and led, participants explored through movement, drawing and singing how home connects to the physical body, land and ocean. “My experience working with Dohee has been very empowering and a deep healing process,” says Robin Gurung, a refugee from Bhutan. “It has helped me find my voice.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cdiv class=\"hzWrap-side\">\n\u003cdiv class=\"hzload\" style=\"width: 200px;padding: 10px;margin: auto;text-align: center;background-color: #fff\">\n\u003cp>\u003cimg decoding=\"async\" style=\"width: 75px\" src=\"//huzzaz.com/images/hzload.gif\" alt=\"loading videos\">\u003c/p>\n\u003cdiv>Loading Videos…\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12929599/korean-born-artist-raises-immigrant-voices-through-performance","authors":["byline_arts_12929599"],"categories":["arts_966","arts_69","arts_1003"],"tags":["arts_3137","arts_1118","arts_596","arts_1143","arts_1007"],"featImg":"arts_12929600","label":"arts"},"arts_12817857":{"type":"posts","id":"arts_12817857","meta":{"index":"posts_1591205157","site":"arts","id":"12817857","score":null,"sort":[1488323750000]},"guestAuthors":[],"slug":"bay-area-circus-stars-shine-in-cirque-du-soleils-luzia","title":"Bay Area Circus Stars Shine in Cirque du Soleil's 'Luzia'","publishDate":1488323750,"format":"video","headTitle":"Bay Area Circus Stars Shine in Cirque du Soleil’s ‘Luzia’ | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Four Bay Area natives can currently be found under the big top performing as part of \u003ca href=\"https://www.cirquedusoleil.com\" target=\"_blank\" rel=\"noopener\">Cirque du Soleil\u003c/a>’s latest touring extravaganza, \u003cem>Luzia\u003c/em>.\u003c/p>\n\u003cp>Siblings Marta and Devin Henderson, as well as Maya Kesselman and Dominic Cruz, all trained at the \u003ca href=\"http://circuscenter.org/\" target=\"_blank\" rel=\"noopener\">Circus Center\u003c/a> in San Francisco.\u003c/p>\n\u003cp>“Not only did these students train with us, but they trained with each other at the same time here,” says Circus Center executive director Barry Kendall. “And they’ve made working together almost like a family.”\u003c/p>\n\u003cp>In the video above, watch the artists perform daring feats like hoop diving and pole climbing for their roles in \u003cem>Luzia\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Luzia’ continues its run in San Jose through Sunday, Mar. 19. Tickets and information \u003ca href=\"https://www.cirquedusoleil.com/usa/san-jose/luzia/buy-tickets?cid=ps:luz_us-ca-06_2016:luzia-sanfransanjo-2016:N10035.124997.GOOGLESEARCH!:71741869:tks:adv&adsrc=N10035.124997.GOOGLESEARCH!&adcnt=71741869&bu=tsd&utm_medium=paid-search&utm_source=N10035.124997.GOOGLESEARCH!&utm_content=71741869%7C%7Cticket-sales%7Cadviso%7C%7C%7C%7Ctsd&utm_campaign=luzia-sanfransanjo-2016%7Ctouringshowbt%7Cluzia%7CSANFRANCISCO-CA-US%7C2016%7C%7C\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Watch four Bay Area natives — Marta and Devin Henderson, Maya Kesselman and Dominc Cruz — perform daring feats and discuss their roles in Cirque du Soleil's current production.\r\n\r\n","status":"publish","parent":0,"modified":1705031397,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":132},"headData":{"title":"Bay Area Circus Stars Shine in Cirque du Soleil's 'Luzia' | KQED","description":"Watch four Bay Area natives — Marta and Devin Henderson, Maya Kesselman and Dominc Cruz — perform daring feats and discuss their roles in Cirque du Soleil's current production.\r\n\r\n","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bay Area Circus Stars Shine in Cirque du Soleil's 'Luzia'","datePublished":"2017-02-28T23:15:50.000Z","dateModified":"2024-01-12T03:49:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://www.youtube.com/watch?v=5twhg16nrUM&feature=youtu.be","sticky":false,"path":"/arts/12817857/bay-area-circus-stars-shine-in-cirque-du-soleils-luzia","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Four Bay Area natives can currently be found under the big top performing as part of \u003ca href=\"https://www.cirquedusoleil.com\" target=\"_blank\" rel=\"noopener\">Cirque du Soleil\u003c/a>’s latest touring extravaganza, \u003cem>Luzia\u003c/em>.\u003c/p>\n\u003cp>Siblings Marta and Devin Henderson, as well as Maya Kesselman and Dominic Cruz, all trained at the \u003ca href=\"http://circuscenter.org/\" target=\"_blank\" rel=\"noopener\">Circus Center\u003c/a> in San Francisco.\u003c/p>\n\u003cp>“Not only did these students train with us, but they trained with each other at the same time here,” says Circus Center executive director Barry Kendall. “And they’ve made working together almost like a family.”\u003c/p>\n\u003cp>In the video above, watch the artists perform daring feats like hoop diving and pole climbing for their roles in \u003cem>Luzia\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Luzia’ continues its run in San Jose through Sunday, Mar. 19. Tickets and information \u003ca href=\"https://www.cirquedusoleil.com/usa/san-jose/luzia/buy-tickets?cid=ps:luz_us-ca-06_2016:luzia-sanfransanjo-2016:N10035.124997.GOOGLESEARCH!:71741869:tks:adv&adsrc=N10035.124997.GOOGLESEARCH!&adcnt=71741869&bu=tsd&utm_medium=paid-search&utm_source=N10035.124997.GOOGLESEARCH!&utm_content=71741869%7C%7Cticket-sales%7Cadviso%7C%7C%7C%7Ctsd&utm_campaign=luzia-sanfransanjo-2016%7Ctouringshowbt%7Cluzia%7CSANFRANCISCO-CA-US%7C2016%7C%7C\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12817857/bay-area-circus-stars-shine-in-cirque-du-soleils-luzia","authors":["11241"],"categories":["arts_967"],"tags":["arts_1707","arts_3137","arts_1118","arts_596","arts_1007"],"featImg":"arts_12826435","label":"arts"},"arts_12764195":{"type":"posts","id":"arts_12764195","meta":{"index":"posts_1591205157","site":"arts","id":"12764195","score":null,"sort":[1487113207000]},"guestAuthors":[],"slug":"boolander-bamboo-bike-to-bring-eco-sense-and-eccentricity-to-climate-ride","title":"'Boolander' Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride","publishDate":1487113207,"format":"video","headTitle":"‘Boolander’ Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride | KQED","labelTerm":{"term":1259,"site":"arts"},"content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>When cyclists from around the country participate in the four-day \u003ca href=\"http://www.climateride.org/events/death-valley-ride\" target=\"_blank\" rel=\"noopener\">Climate Ride\u003c/a> in Death Valley next week to raise awareness of and support for environmental organizations, Paul Freedman is certain to turn heads riding atop his “Boolander.”\u003c/p>\n\u003cp>That’s the name the 39-year-old, San Francisco-based artist, bicycle maker and activist has given to the fantastical-looking, bamboo-framed tandem he custom-built to make a point about the environmental benefits of using sustainable materials and pedal power.\u003c/p>\n\u003cp>“To sit up high, riding on a goofy tall bike, I’m a reminder, not everyone has to ride in a car — things can be different,” Freedman says.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12767122\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-800x450.jpg\" alt=\"ARTS_CUSTOMEBIKES_BUG\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Unlike most tandem bikes where riders sit front and back, Freedman’s design allows for a rider on top and another below, like on a double-decker bus. The Boolander also has optional swing-out landers or roots that stabilize the rig when mounting, dismounting, starting, and stopping.\u003c/p>\n\u003cp>Freedman has never owned a car. The Massachusetts-native moved to the Bay Area in 2000 for a job in tech, but quickly fell into the Bay Area bike community. In 2003, Freedman founded \u003ca href=\"http://rockthebike.com/store/\" target=\"_blank\" rel=\"noopener\">Rock the Bike\u003c/a>, an Oakland-based non-profit that provides pedal-power bikes and generators for public events. Two of Rock the Bike’s generators were used at the main protest camp at Standing Rock last fall.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Freedman is also passionate about custom art bikes. His first creation, a tree-shaped bike named “El Arbor,” has become a fixture at many environment-themed events.\u003c/p>\n\u003cp>Facing the culture of climate denial coming from President Trump’s White House, Freedman hopes the Boolander will play a small role in helping to sustain and grow participation in the climate movement.\u003c/p>\n\u003cp>In December, he brought the Boolander to a “Stand Up for Science” rally organized by the grassroots climate change advocacy organization \u003ca href=\"https://350.org/\" target=\"_blank\" rel=\"noopener\">350.org\u003c/a>, where attendees lined up for a chance to go for a ride. “The important part of a rally are a lot of people showing up,” Freedman says. “But having things to do and see to make it fun can motivate people to go to the next one.”\u003c/p>\n\u003cp>The 200-mile Climate Ride, which begins on Saturday, Feb. 25, is going to be a test of the Boolander’s mettle: Freedman (who says he’ll be riding solo this time) will ascend from below sea level to more than 5,000-feet in elevation on the bike. And he plans to \u003ca href=\"http://TinyURL.com/hm4yehc\" target=\"_blank\" rel=\"noopener\">raise money\u003c/a> while he’s at it, splitting the donations he raises between Bike East Bay, 350.org, and the \u003ca href=\"http://www.climatedisobedience.org/\" target=\"_blank\" rel=\"noopener\">Climate Disobedience Center\u003c/a>.\u003c/p>\n\u003cp>\u003cem>— Video by Isara Krieger, Text by Kelly Whalen \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"San Francisco's Paul Freedman turns heads riding atop his sustainably-made, custom-built bamboo art bike.","status":"publish","parent":0,"modified":1705031551,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":476},"headData":{"title":"'Boolander' Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride | KQED","description":"San Francisco's Paul Freedman turns heads riding atop his sustainably-made, custom-built bamboo art bike.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"'Boolander' Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride","datePublished":"2017-02-14T23:00:07.000Z","dateModified":"2024-01-12T03:52:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://www.youtube.com/watch?v=BuS2I0ebzJA&feature=youtu.be","sticky":false,"nprByline":"Isara Krieger and Kelly Whalen","path":"/arts/12764195/boolander-bamboo-bike-to-bring-eco-sense-and-eccentricity-to-climate-ride","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>When cyclists from around the country participate in the four-day \u003ca href=\"http://www.climateride.org/events/death-valley-ride\" target=\"_blank\" rel=\"noopener\">Climate Ride\u003c/a> in Death Valley next week to raise awareness of and support for environmental organizations, Paul Freedman is certain to turn heads riding atop his “Boolander.”\u003c/p>\n\u003cp>That’s the name the 39-year-old, San Francisco-based artist, bicycle maker and activist has given to the fantastical-looking, bamboo-framed tandem he custom-built to make a point about the environmental benefits of using sustainable materials and pedal power.\u003c/p>\n\u003cp>“To sit up high, riding on a goofy tall bike, I’m a reminder, not everyone has to ride in a car — things can be different,” Freedman says.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12767122\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-800x450.jpg\" alt=\"ARTS_CUSTOMEBIKES_BUG\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_BUG-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Unlike most tandem bikes where riders sit front and back, Freedman’s design allows for a rider on top and another below, like on a double-decker bus. The Boolander also has optional swing-out landers or roots that stabilize the rig when mounting, dismounting, starting, and stopping.\u003c/p>\n\u003cp>Freedman has never owned a car. The Massachusetts-native moved to the Bay Area in 2000 for a job in tech, but quickly fell into the Bay Area bike community. In 2003, Freedman founded \u003ca href=\"http://rockthebike.com/store/\" target=\"_blank\" rel=\"noopener\">Rock the Bike\u003c/a>, an Oakland-based non-profit that provides pedal-power bikes and generators for public events. Two of Rock the Bike’s generators were used at the main protest camp at Standing Rock last fall.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Freedman is also passionate about custom art bikes. His first creation, a tree-shaped bike named “El Arbor,” has become a fixture at many environment-themed events.\u003c/p>\n\u003cp>Facing the culture of climate denial coming from President Trump’s White House, Freedman hopes the Boolander will play a small role in helping to sustain and grow participation in the climate movement.\u003c/p>\n\u003cp>In December, he brought the Boolander to a “Stand Up for Science” rally organized by the grassroots climate change advocacy organization \u003ca href=\"https://350.org/\" target=\"_blank\" rel=\"noopener\">350.org\u003c/a>, where attendees lined up for a chance to go for a ride. “The important part of a rally are a lot of people showing up,” Freedman says. “But having things to do and see to make it fun can motivate people to go to the next one.”\u003c/p>\n\u003cp>The 200-mile Climate Ride, which begins on Saturday, Feb. 25, is going to be a test of the Boolander’s mettle: Freedman (who says he’ll be riding solo this time) will ascend from below sea level to more than 5,000-feet in elevation on the bike. And he plans to \u003ca href=\"http://TinyURL.com/hm4yehc\" target=\"_blank\" rel=\"noopener\">raise money\u003c/a> while he’s at it, splitting the donations he raises between Bike East Bay, 350.org, and the \u003ca href=\"http://www.climatedisobedience.org/\" target=\"_blank\" rel=\"noopener\">Climate Disobedience Center\u003c/a>.\u003c/p>\n\u003cp>\u003cem>— Video by Isara Krieger, Text by Kelly Whalen \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12764195/boolander-bamboo-bike-to-bring-eco-sense-and-eccentricity-to-climate-ride","authors":["byline_arts_12764195"],"series":["arts_1259"],"categories":["arts_76","arts_235"],"tags":["arts_3137","arts_1118","arts_596","arts_905","arts_1007"],"featImg":"arts_12767124","label":"arts_1259"},"arts_12414388":{"type":"posts","id":"arts_12414388","meta":{"index":"posts_1591205157","site":"arts","id":"12414388","score":null,"sort":[1480460435000]},"guestAuthors":[],"slug":"meet-brian-goggin-gatekeeper-of-your-impossible-dreams","title":"Meet Brian Goggin, Gatekeeper of Your Impossible Dreams","publishDate":1480460435,"format":"video","headTitle":"Meet Brian Goggin, Gatekeeper of Your Impossible Dreams | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Brian Goggin sometimes seems like a gift from another planet — a sort of \u003ca href=\"https://en.wikipedia.org/wiki/Mork_%26_Mindy\" target=\"_blank\" rel=\"noopener\">Mork\u003c/a>, who refreshingly doesn’t quite see the world like the rest of us. He never learned to be cynical, nor practical. In his presence, one can feel a storm of ideas brewing. Like his slightly upturned mustache, mussed-up hair and exuberant eyes, his artwork creates unexpected surprises. [contextly_sidebar id=”tbWqBcp60X4Qwcl7w03RuMpf47Cz8qHv”]\u003c/p>\n\u003cp>His current work, \u003cem>Meghalaya\u003c/em>, springs from a magical lens defying what most would consider possible. Who else would have a vision of 13 glass and steel pianos, pulsing with light, suspended high over a street in earthquake-prone San Francisco — let alone actually execute it? Yet thousands have walked beneath those pianos and experienced Goggin’s \u003cem>\u003ca href=\"http://www.metaphorm.org/portfolio/carusos-dream/\" target=\"_blank\" rel=\"noopener\">Caruso’s Dream\u003c/a>\u003c/em> along Ninth Street, just south of Market. And many San Franciscans remember fondly his piece \u003cem>\u003ca href=\"http://www.metaphorm.org/portfolio/defenestration/\" target=\"_blank\" rel=\"noopener\">Defenestration\u003c/a>\u003c/em>, and the challenge of driving past without doing a double take of the furniture crawling on the outside of the building, as if escaping out the windows.\u003c/p>\n\u003cp>It’s no wonder that Goggin cites filmmaker Federico Fellini as one of his biggest influences. Goggin’s art openings are extravagant performance-art block parties that attempt to reveal his pieces’ many layers of meaning to the public. And another filmmaking parallel is apt: Werner Herzog has called the filming of Fitzcarraldo one of the most stressful periods in his life, and yet to Goggin, “Pulling that boat over the mountain looked like the most fun anyone could possibly have,” he says.\u003c/p>\n\u003cp>That same playful sense imbues all of Goggin’s work. I’ve rarely experienced someone who works so tirelessly, for so long, and with such fierce, yet lighthearted conviction. In the video above, he takes us all along for the ride.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Climb into the phantasmagorical world of the artist who's brought furniture, pianos and books to life across San Francisco.","status":"publish","parent":0,"modified":1705032365,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":308},"headData":{"title":"Meet Brian Goggin, Gatekeeper of Your Impossible Dreams | KQED","description":"Climb into the phantasmagorical world of the artist who's brought furniture, pianos and books to life across San Francisco.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Meet Brian Goggin, Gatekeeper of Your Impossible Dreams","datePublished":"2016-11-29T23:00:35.000Z","dateModified":"2024-01-12T04:06:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://www.youtube.com/watch?v=n9BbOJ634-s","sticky":false,"path":"/arts/12414388/meet-brian-goggin-gatekeeper-of-your-impossible-dreams","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Brian Goggin sometimes seems like a gift from another planet — a sort of \u003ca href=\"https://en.wikipedia.org/wiki/Mork_%26_Mindy\" target=\"_blank\" rel=\"noopener\">Mork\u003c/a>, who refreshingly doesn’t quite see the world like the rest of us. He never learned to be cynical, nor practical. In his presence, one can feel a storm of ideas brewing. Like his slightly upturned mustache, mussed-up hair and exuberant eyes, his artwork creates unexpected surprises. \u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>His current work, \u003cem>Meghalaya\u003c/em>, springs from a magical lens defying what most would consider possible. Who else would have a vision of 13 glass and steel pianos, pulsing with light, suspended high over a street in earthquake-prone San Francisco — let alone actually execute it? Yet thousands have walked beneath those pianos and experienced Goggin’s \u003cem>\u003ca href=\"http://www.metaphorm.org/portfolio/carusos-dream/\" target=\"_blank\" rel=\"noopener\">Caruso’s Dream\u003c/a>\u003c/em> along Ninth Street, just south of Market. And many San Franciscans remember fondly his piece \u003cem>\u003ca href=\"http://www.metaphorm.org/portfolio/defenestration/\" target=\"_blank\" rel=\"noopener\">Defenestration\u003c/a>\u003c/em>, and the challenge of driving past without doing a double take of the furniture crawling on the outside of the building, as if escaping out the windows.\u003c/p>\n\u003cp>It’s no wonder that Goggin cites filmmaker Federico Fellini as one of his biggest influences. Goggin’s art openings are extravagant performance-art block parties that attempt to reveal his pieces’ many layers of meaning to the public. And another filmmaking parallel is apt: Werner Herzog has called the filming of Fitzcarraldo one of the most stressful periods in his life, and yet to Goggin, “Pulling that boat over the mountain looked like the most fun anyone could possibly have,” he says.\u003c/p>\n\u003cp>That same playful sense imbues all of Goggin’s work. I’ve rarely experienced someone who works so tirelessly, for so long, and with such fierce, yet lighthearted conviction. In the video above, he takes us all along for the ride.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12414388/meet-brian-goggin-gatekeeper-of-your-impossible-dreams","authors":["90"],"categories":["arts_70"],"tags":["arts_3137","arts_1118","arts_596","arts_1007"],"featImg":"arts_12414392","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. 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