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Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife, his daughter, and a 1964 Volvo in his hometown of Santa Rosa, CA.","avatar":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g","twitter":"gmeline","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["administrator"]},{"site":"artschool","roles":["editor"]},{"site":"news","roles":["author"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"liveblog","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Gabe Meline | KQED","description":"Senior Editor, KQED Arts & Culture","ogImgSrc":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/gmeline"},"broos":{"type":"authors","id":"3250","meta":{"index":"authors_1591205172","id":"3250","found":true},"name":"Brandon Roos","firstName":"Brandon","lastName":"Roos","slug":"broos","email":"roos.b@sbcglobal.net","display_author_email":false,"staff_mastheads":[],"title":null,"bio":null,"avatar":"https://secure.gravatar.com/avatar/d3dd0b201284955bebf9395b371d1ad4?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]}],"headData":{"title":"Brandon Roos | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/d3dd0b201284955bebf9395b371d1ad4?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d3dd0b201284955bebf9395b371d1ad4?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/broos"},"cescoda":{"type":"authors","id":"11206","meta":{"index":"authors_1591205172","id":"11206","found":true},"name":"Carla Escoda","firstName":"Carla","lastName":"Escoda","slug":"cescoda","email":"ballettothepeople@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Carla can most often be found in theatres, airports and on airplanes, writing about dance and the arts for various websites whenever she can find wi-fi. Her blog Ballet to the People<\u003ca href=\"http://ballettothepeople.com/\" target=\"_blank\" rel=\"noreferrer\">http://\u003cwbr />ballettothepeople.com\u003c/a>> has become a street corner where dance-lovers enjoy loitering and plotting the revolution which will renew the populist roots of ballet.\r\n\u003cspan class=\"im\">\r\nIn her previous lives, Carla worked in scientific research, then in project finance in Asia. Prior to that, she trained as a ballet and modern dancer, and performed with the Yaledancers while getting her undergraduate degrees in Engineering and Applied Science and French Literature, and her graduate degree in Engineering.\u003c/span>","avatar":"https://secure.gravatar.com/avatar/3a012eb3749d4353e3e28aab414dd815?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]}],"headData":{"title":"Carla Escoda | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/3a012eb3749d4353e3e28aab414dd815?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/3a012eb3749d4353e3e28aab414dd815?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cescoda"},"jhesig":{"type":"authors","id":"11333","meta":{"index":"authors_1591205172","id":"11333","found":true},"name":"Janelle Hessig","firstName":"Janelle","lastName":"Hessig","slug":"jhesig","email":"jhessig@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":null,"avatar":"https://secure.gravatar.com/avatar/27dd6e3cd88f82541593bd6d8f2aec4a?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["editor"]},{"site":"about","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"trulyca","roles":["administrator"]},{"site":"food","roles":["editor"]},{"site":"filmschoolshorts","roles":["editor"]}],"headData":{"title":"Janelle Hessig | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/27dd6e3cd88f82541593bd6d8f2aec4a?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/27dd6e3cd88f82541593bd6d8f2aec4a?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/jhesig"},"lblanco":{"type":"authors","id":"11357","meta":{"index":"authors_1591205172","id":"11357","found":true},"name":"Lina Blanco","firstName":"Lina","lastName":"Blanco","slug":"lblanco","email":"lblanco@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Lina was a Senior Engagement Platforms Manager for KQED News, producing engagement strategies on social media at \u003ca href=\"https://twitter.com/KQEDnews\">@KQEDNews, \u003c/a>via \u003ca href=\"https://www.kqed.org/about/newsletters/\">KQED's daily newsletter\u003c/a> as well as texting campaigns with KQED readers and listeners. She also co-produces for KQED's bilingual news hub \u003ca href=\"https://www.instagram.com/kqedenespanol/\">KQED en Español\u003c/a>.\r\n\r\nLina previously worked for \u003ca href=\"https://kqed.org/arts\">KQED Arts\u003c/a> — supporting audience engagement efforts on the weekly \u003ca href=\"https://www.kqed.org/podcasts/rightnowish\">\u003cem>Rightnowish\u003c/em> \u003c/a>podcast, Webby-winning video series \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a>, and daily Arts & Culture reporting. She won a \u003ca href=\"https://www.kqed.org/pressroom/10884/murrow\">National 2019 Edward R. Murrow Award for Excellence in Social Media\u003c/a> for KQED's series \u003cem>The Hustle\u003c/em>.\r\n\r\nBefore KQED, Lina worked as a graphic designer and digital storytelling facilitator at the \u003ca href=\"https://www.nativehealth.org/\">Native American Health Center\u003c/a>.\r\n\r\nShe's mom to a senior Chihuahua (plus one black cat) and lives in West Sonoma County on a small farmstead.","avatar":"https://secure.gravatar.com/avatar/77ec326d67223c38a436b87bcfd2a2e8?s=600&d=blank&r=g","twitter":"LinaBlanco","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["subscriber"]},{"site":"news","roles":["subscriber"]},{"site":"pop","roles":["administrator"]},{"site":"about","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"checkplease","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"perspectives","roles":["editor"]}],"headData":{"title":"Lina Blanco | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/77ec326d67223c38a436b87bcfd2a2e8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/77ec326d67223c38a436b87bcfd2a2e8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/lblanco"},"nvoynovskaya":{"type":"authors","id":"11387","meta":{"index":"authors_1591205172","id":"11387","found":true},"name":"Nastia Voynovskaya","firstName":"Nastia","lastName":"Voynovskaya","slug":"nvoynovskaya","email":"nvoynovskaya@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Associate Editor","bio":"Nastia Voynovskaya is a Russian-born journalist raised in the Bay Area and Tampa, Florida. She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13834326":{"type":"posts","id":"arts_13834326","meta":{"index":"posts_1591205157","site":"arts","id":"13834326","score":null,"sort":[1528416915000]},"guestAuthors":[],"slug":"nine-new-murals-to-see-in-oakland-this-summer","title":"Nine New Murals To See in Oakland This Summer","publishDate":1528416915,"format":"image","headTitle":"Nine New Murals To See in Oakland This Summer | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>After last month’s \u003ca href=\"http://bamfestival.boomity.com/home\" target=\"_blank\" rel=\"noopener\">Oakland Mural Festival\u003c/a>, Oakland’s already-rich street art scene gained nine more stunning surfaces coated with public art. KQED Arts takes you on a tour to find out more about the artists and inspirations behind the murals.\u003c/p>\n\u003cfigure id=\"attachment_13834332\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13834332 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-7-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Turfin” mural featuring the likeness of turf dancer No Noiz aka Noh Justice by Lower Bottoms Collective as part of Oakland Mural Festival 2018. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Turfin”\u003c/h2>\n\u003cp>\u003cb>Martin Luther King Jr Way and Embarcadero West\u003cbr>\n\u003ca href=\"http://www.creativeshields.com/\" target=\"_blank\" rel=\"noopener\">Creative Shields\u003c/a> a.k.a. Lower Bottoms Collective\u003c/b>\u003c/p>\n\u003cp>High above the train tracks on MLK and Embarcadero West, a turf dancer moves across a glowing Oakland skyline. Rocks quake under the weight of his steps and as he slides his way over massive concrete slabs and takes his first step right out of the frame.\u003c/p>\n\u003cp>“The mission of this was to represent authentic Oakland culture. We saw that possibility through turf dancing and showing that movement on the canvas,” explains James Shields, founder of Creative Shields and creator of the \u003ci>Hip Hop Coloring Book\u003c/i>. But why this mural, and why now?\u003c/p>\n\u003cp>“I feel like we have been losing the true authenticity in Oakland by having so many people come in and take over our equity out here—our space,” says Timothy B., an artist born and raised in Oakland.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The muse behind the mural is turf dancer Noh Justice (a.k.a. Nonoiz). When talking about his dance style, Noh Justice sums it up simply with what he calls “a hood ballet.” With turf dance, the creative process starts with anything around him: “Mainly our stories and our lives and things we don’t like to talk about.” It’s not the first mural he’s found himself starring in; he routinely (and proudly) points out another three Oakland walls to his kids.\u003c/p>\n\u003cp>The rocks floating around the dancer capture the force of his moves. “It shows he’s making an impact,” says Timothy, referencing the Hindu god Shiva, who destroys and recreates the world around him. “To me, he’s dancing for change. He’s making an impact and destroying his surroundings to create change for a new way of being.”\u003c/p>\n\u003cp>\u003cem>Follow their work on Instagram: \u003ca href=\"https://www.instagram.com/creativeshields/\" target=\"_blank\" rel=\"noopener\">@creativeshields\u003c/a>, \u003ca href=\"https://www.instagram.com/timothyb_art/\">@timothyb_art\u003c/a>, \u003ca href=\"https://www.instagram.com/chuckinglights/\" target=\"_blank\" rel=\"noopener\">@chuckinglights\u003c/a> and \u003ca href=\"https://www.instagram.com/berj.j.berj/\">@berj.j.berj\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834333\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834333\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-4-800x464.jpg\" alt=\"\" width=\"800\" height=\"464\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-800x464.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-768x445.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-1020x591.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-960x556.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-240x139.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-375x217.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-520x301.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artists Jack and Alise Eastgate review their completed work ‘Warmer Waters’ on the final day of Oakland Mural Festival 2018. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Warmer Waters’\u003c/h2>\n\u003cp>\u003cb>Martin Luther King Jr Way and 2nd\u003cbr>\n\u003ca href=\"http://www.aliseeastgate.com\" target=\"_blank\" rel=\"noopener\">Alise\u003c/a> and\u003ca href=\"http://www.jackeastgate.com\"> Jack\u003c/a> Eastgate\u003c/b>\u003c/p>\n\u003cp>Just blocks from the Jack London Inner Harbor, a little girl valiantly rides a whale moving westward. In \u003ci>Warmer Waters\u003c/i> (also known fondly as “Whale Rider”), artists Alise and Jack Eastgate play with movement across time and space. The whale reflects the presence of ancestors, while the little girl, adorned with symbols native to Fiji, stands between the present and future.\u003c/p>\n\u003cp>And their work is timely. Just days before completion, news broke of a beached whale found in the Jack London estuary. The industrialization of the oceans and the waning rights of people to freely move across borders inspire the Oakland-based muralists.\u003c/p>\n\u003cp>“A lot of things felt right about this wall,” says Alise. Located at 679 2nd Street, the two noted the serendipity of the address. 679 is the area code for Fiji, Jack’s birthplace, while the blooming magnolia tree just overhead brings a sense of nostalgia to Louisiana-born Alise.\u003c/p>\n\u003cp>\u003cem>Follow Alise & Jack Eastgate’s work on Instagram at \u003ca href=\"https://www.instagram.com/eastrandstudios/\">@eastrandstudios\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834334\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834334\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-6-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Know Your Ancestors’ by Mike “Bam” Tyau and Jesus Rodriguez overlooks Martin Luther King Way and 2nd Street near the Port of Oakland. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Know Your Ancestors’\u003c/h2>\n\u003cp>\u003cb>Martin Luther King Jr Way and Embarcadero West\u003cbr>\n\u003ca href=\"http://miketyau.com\" target=\"_blank\" rel=\"noopener\">Mike “Bam” Tyau\u003c/a> and \u003ca href=\"https://www.josedejesusrodriguez.com\" target=\"_blank\" rel=\"noopener\">Jesus Rodriguez\u003c/a>\u003c/b>\u003c/p>\n\u003cp>In their latest collaboration, Mike “Bam” Tyau and Jesus Rodriguez pay vibrant homage to their roots. “Besides the Olmec and Chinese motifs as ancestral guardian totems, we painted these to remind people to go to their pillars of support during these trying times,” Mike wrote in an Instagram post at the end of the seven-day-long Oakland Mural Festival.\u003c/p>\n\u003cp>Foliage and mountains encompass two figures, references to the artists’ ancestral homelands. For Tyau, the leaves of the plants ground the composition with symbols pointing back to Mother Earth.\u003c/p>\n\u003cp>\u003cem>Follow Mike “Bam” Tyau and Jesus Rodriguez on Instagram at \u003ca href=\"https://www.instagram.com/miketyau/\" target=\"_blank\" rel=\"noopener\">@miketyau\u003c/a> and \u003ca href=\"https://www.instagram.com/ease_us/\" target=\"_blank\" rel=\"noopener\">@ease_us\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834338\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13834338 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-10-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">New work ‘Embassy of the Refugee’ by Caleb Duarte coming soon to Broadway and 2nd Street. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Embassy Of The Refugee’\u003c/h2>\n\u003cp>\u003cb>2nd and Broadway\u003cbr>\n\u003ca href=\"http://www.calebduarte.org/\" target=\"_blank\" rel=\"noopener\">Caleb Duarte\u003c/a> and Youth from Embassy of the Refugee Project\u003c/b>\u003c/p>\n\u003cp>“Our ability to create myth in order to understand certain realities; is what we do,” Duarte wrote on Instagram, under the image of his latest work. “Those of us with no political or economic power, exiles or displaced working people, turn to the creation of the ‘embassy of the refugee’… as a form of exercising a magical realism in order to thrive.”\u003c/p>\n\u003cp>Straddling a busy street that connects some of Oakland’s homeless encampments with million-dollar condos, Duarte’s silhouette of a figure pushing a shopping cart posits a powerful statement on the pursuit of finding “home.”\u003c/p>\n\u003cp>\u003cem>Follow Caleb Duarte on Instagram at \u003ca href=\"https://www.instagram.com/caleb_arte_/\" target=\"_blank\" rel=\"noopener\">@caleb_arte_\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834339\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834339\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-5-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Trust Your Struggle collective unveiled their newest collaboration ‘Oakland Dreams’ as part of Oakland Mural Festival 2018. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Oakland Dreams’\u003c/h2>\n\u003cp>\u003cb>4th and Webster\u003cbr>\n\u003ca href=\"http://trustyourstruggle.com\" target=\"_blank\" rel=\"noopener\">Trust Your Struggle Collective\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Two hands rise, palms open, up a wall. For the artists of Trust Your Struggle Collective, they simultaneously signify the power to hold on to, and reach for, your dreams.\u003c/p>\n\u003cp>Perhaps the most visually striking element of the collective’s mural are the two large words spanning the sun-soaked wall: “Oakland Dreams.” The second word pays homage to one of the founding members of the TDK (Those Damn Kids) aerosol collective, Mike “Dream” Francisco, who lost his life to gun violence in a senseless street robbery in 2000.\u003c/p>\n\u003cp>Images of flora and fauna run subtly throughout the mural. A lotus—a symbol often associated with transcendence—blooms from the sidewalk while a yellow hummingbird emerges from a red triangle glistening in the sun. Some interpretations of the hummingbird link back to the Aztec god Huitzilopochtli, a deity associated with the resurrection of a fallen warrior.\u003c/p>\n\u003cp>\u003cem>Follow Trust Your Struggle Collective on Instagram at \u003ca href=\"https://www.instagram.com/trustyourstrugglecollective/\" target=\"_blank\" rel=\"noopener\">@TrustYourStruggleCollective\u003c/a>, \u003ca href=\"https://www.instagram.com/erinyoshi/\" target=\"_blank\" rel=\"noopener\">@erinyoshi\u003c/a>, \u003ca href=\"https://www.instagram.com/nisha.k.sethi/\" target=\"_blank\" rel=\"noopener\">@Nisha.k.Sethi\u003c/a> and \u003ca href=\"https://www.instagram.com/misterbouncer/\" target=\"_blank\" rel=\"noopener\">@misterbouncer\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834340\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13834340 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This mural of a giant rooster and the symbol ‘Han’ by Dave Young Kim and Erik T Burke is imbued with the symbolism of resistance. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Han’\u003c/h2>\n\u003cp>\u003cb>3rd and Webster\u003cbr>\n\u003ca href=\"https://www.daveyoungkim.com/\" target=\"_blank\" rel=\"noopener\">Dave Young Kim\u003c/a> and \u003ca href=\"http://eriktburke.com\" target=\"_blank\" rel=\"noopener\">Erik Burke\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Even though this mural revolves around just three core elements—a way-larger-than-life rooster, a Chinese character and a “rising sun”—Dave Young Kim and Erik Burke’s newest work is anything but simple.\u003c/p>\n\u003cp>“The rooster traditionally symbolizes tenaciousness, never giving up,” Kim shared in an Instagram post. And in the composition, the rooster reigns supreme in spite of the Chinese symbol “恨,” pronounced “han” in Korean, that towers over its head.\u003c/p>\n\u003cp>To Kim, the symbol represents a feeling that being downtrodden could be both a burden and a source of empowerment. “It could crush you, or you could rise up and fight til the end,” he says.\u003c/p>\n\u003cp>Fittingly, the mural also gives a nod to Jack London, the prolific author who spent most of his childhood frequenting the waterfront district that now bears his name. Instead of a sun, a circular frame depicts a lone figure in a snowy landscape, facing a radiant fire for warmth. It’s painted after a photograph Burke fixated on for a long time, inspired by a scene in London’s short story “To Build A Fire.”\u003c/p>\n\u003cp>Reflecting on \u003ci>Han\u003c/i>, Kim says he found his “mural soulmate” when working with Burke. They had plenty of time to bond in the two-and-a-half days of long working hours.\u003c/p>\n\u003cp>\u003cem>Follow Dave Young Kim and Erik Burke on Instagram at \u003ca href=\"https://www.instagram.com/daveyoungkim/\" target=\"_blank\" rel=\"noopener\">@daveyoungkim\u003c/a> and \u003ca href=\"https://www.instagram.com/ou35/\" target=\"_blank\" rel=\"noopener\">@ou35\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834341\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834341\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-3-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A collaborative work between Los Pobres Artistas muralist collective and students of Oakland International High School present two words ‘Earth’ and ‘Sanctuary.’ \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Sanctuary Earth’\u003c/h2>\n\u003cp>\u003cb>4th and Webster\u003cbr>\n\u003ca href=\"http://lospobresartistas.com\" target=\"_blank\" rel=\"noopener\">Los Pobres Artists\u003c/a> and students from Oakland International High School\u003c/b>\u003c/p>\n\u003cp>Seven students and members of Los Pobres Artistas focused their creative energies on distilling images from the global refugee crisis. Sprawled across the right and the left sides of the mural are two words in all caps “EARTH” and “SANCTUARY.” At the center, giant hands support a raft filled with female refugees. In the foreground, schools of orange fish rise and fall as if to guide the raft safely to shore.\u003c/p>\n\u003cp>According to Los Pobres co-founder Thomas Jones, the mural stands for the idea that Earth can be a sanctuary for everybody.\u003c/p>\n\u003cp>\u003cem>Follow their work on Instagram \u003ca href=\"https://www.instagram.com/lospobresartistas/\" target=\"_blank\" rel=\"noopener\">@lospobresartistsas\u003c/a>, \u003ca href=\"https://www.instagram.com/hooperarts/\" target=\"_blank\" rel=\"noopener\">@hooperart\u003c/a>, \u003ca href=\"https://www.instagram.com/kilimunoz/\" target=\"_blank\" rel=\"noopener\">@kilimunoz\u003c/a>, \u003ca href=\"https://www.instagram.com/frederickoalvarado/\" target=\"_blank\" rel=\"noopener\">@frederickoalvarado\u003c/a> and \u003ca href=\"https://www.instagram.com/thomasjones_m/\" target=\"_blank\" rel=\"noopener\">@thomasjones_m\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834342\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834342\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-15-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The unnamed work by Susan Green and Art Forces spans the back wall of SeaWolf Public House. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Unnamed\u003c/h2>\n\u003cp>\u003cb>4th and Webster\u003cbr>\n\u003ca href=\"http://susangreene.org/art-forces/\" target=\"_blank\" rel=\"noopener\">Susan Greene and Art Forces\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Spanning the rear wall of Seawolf Public House, catch a golden-hued scene in which Cheemah, the “Mother of the Spirit-Fire” descends onto the Port of Oakland atop a giant eagle. Locals might instantly recognize the figure from a bronze statue placed in Jack London Square. Originally sculpted by Osprey Orielle Lake, the mythic being stands for “cultural diversity, world unity and care for the earth.”\u003c/p>\n\u003cp>And while the moment might look idyllic, a somewhat menacing clue stands out in the foreground. Two ships, halfway to shore, allude to the terrible reality of a colonized past.\u003c/p>\n\u003cp>\u003cem>Follow them on Instagram at \u003ca href=\"https://www.instagram.com/artforces/\" target=\"_blank\" rel=\"noopener\">@artforces\u003c/a>, \u003ca href=\"https://www.instagram.com/_attril/\" target=\"_blank\" rel=\"noopener\">@_attril\u003c/a>, \u003ca href=\"https://www.instagram.com/maxallbee/\" target=\"_blank\" rel=\"noopener\">@maxallbee\u003c/a>, \u003ca href=\"https://www.instagram.com/francolafresh/\" target=\"_blank\" rel=\"noopener\">@francolafresh\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834343\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834343\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-13-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A tribute to Oakland’s elders and youth in one sprawling work by David Burke and friends.\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Love Letter To Oakland’\u003c/h2>\n\u003cp>\u003cb>4th and Oak\u003cbr>\n\u003ca href=\"http://www.dburke.org/\">David Burke\u003c/a>\u003c/b>\u003c/p>\n\u003cp>In the photo-realistic \u003ci>A Love Letter to Oakland\u003c/i>, Burke and his collaborators bridge two generations. On the left, two Oakland artists, Tureeda Mikell and James Gayles, reach out across the downtown Oakland skyline toward two emerging local heroes — well-known muralist DJ Agana and youth activist Samuel Getachew. Between them, a glow lights their faces.\u003c/p>\n\u003cp>A satellite view of Oakland streets extends across the concrete canvas like roots—an enduring symbol of the city. In an interview with the \u003cem>East Bay Express\u003c/em>, Burke calls out the importance of the festival that allowed for his most recent collaboration: “[The mural] becomes part of their collective experience,” Burke said, “and must reflect the stories, the diversity, the values and the histories of that community.”\u003c/p>\n\u003cp>\u003cem>Follow David Burke and his collaborators on Instagram at \u003ca href=\"https://www.instagram.com/davidburke_studio/\" target=\"_blank\" rel=\"noopener\">@DavidBurke_Studio\u003c/a>, \u003ca href=\"https://www.instagram.com/joevicyeban/\" target=\"_blank\" rel=\"noopener\">@joevicyeban\u003c/a>, \u003ca href=\"https://www.instagram.com/dorias_brannon/\" target=\"_blank\" rel=\"noopener\">@dorias_brannon\u003c/a>, \u003ca href=\"https://www.instagram.com/blacksphinxofquartz/\" target=\"_blank\" rel=\"noopener\">@blacksphinxofquartz\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cb>To make seeing these beautiful works easier, here’s a map to all the locations:\u003c/b>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.google.com/maps/d/embed?mid=1RyJwtH-ua5rYKrDET0kKYSXgdfhyMUZ1\" width=\"640\" height=\"480\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n","blocks":[],"excerpt":"Thanks to the Oakland Mural Fest, the Town now has even more public art to purview.","status":"publish","parent":0,"modified":1705027676,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://www.google.com/maps/d/embed"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":49,"wordCount":1905},"headData":{"title":"Nine New Murals To See in Oakland This Summer | KQED","description":"Thanks to the Oakland Mural Fest, the Town now has even more public art to purview.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13834326/nine-new-murals-to-see-in-oakland-this-summer","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After last month’s \u003ca href=\"http://bamfestival.boomity.com/home\" target=\"_blank\" rel=\"noopener\">Oakland Mural Festival\u003c/a>, Oakland’s already-rich street art scene gained nine more stunning surfaces coated with public art. KQED Arts takes you on a tour to find out more about the artists and inspirations behind the murals.\u003c/p>\n\u003cfigure id=\"attachment_13834332\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13834332 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-7-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-7.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Turfin” mural featuring the likeness of turf dancer No Noiz aka Noh Justice by Lower Bottoms Collective as part of Oakland Mural Festival 2018. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Turfin”\u003c/h2>\n\u003cp>\u003cb>Martin Luther King Jr Way and Embarcadero West\u003cbr>\n\u003ca href=\"http://www.creativeshields.com/\" target=\"_blank\" rel=\"noopener\">Creative Shields\u003c/a> a.k.a. Lower Bottoms Collective\u003c/b>\u003c/p>\n\u003cp>High above the train tracks on MLK and Embarcadero West, a turf dancer moves across a glowing Oakland skyline. Rocks quake under the weight of his steps and as he slides his way over massive concrete slabs and takes his first step right out of the frame.\u003c/p>\n\u003cp>“The mission of this was to represent authentic Oakland culture. We saw that possibility through turf dancing and showing that movement on the canvas,” explains James Shields, founder of Creative Shields and creator of the \u003ci>Hip Hop Coloring Book\u003c/i>. But why this mural, and why now?\u003c/p>\n\u003cp>“I feel like we have been losing the true authenticity in Oakland by having so many people come in and take over our equity out here—our space,” says Timothy B., an artist born and raised in Oakland.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The muse behind the mural is turf dancer Noh Justice (a.k.a. Nonoiz). When talking about his dance style, Noh Justice sums it up simply with what he calls “a hood ballet.” With turf dance, the creative process starts with anything around him: “Mainly our stories and our lives and things we don’t like to talk about.” It’s not the first mural he’s found himself starring in; he routinely (and proudly) points out another three Oakland walls to his kids.\u003c/p>\n\u003cp>The rocks floating around the dancer capture the force of his moves. “It shows he’s making an impact,” says Timothy, referencing the Hindu god Shiva, who destroys and recreates the world around him. “To me, he’s dancing for change. He’s making an impact and destroying his surroundings to create change for a new way of being.”\u003c/p>\n\u003cp>\u003cem>Follow their work on Instagram: \u003ca href=\"https://www.instagram.com/creativeshields/\" target=\"_blank\" rel=\"noopener\">@creativeshields\u003c/a>, \u003ca href=\"https://www.instagram.com/timothyb_art/\">@timothyb_art\u003c/a>, \u003ca href=\"https://www.instagram.com/chuckinglights/\" target=\"_blank\" rel=\"noopener\">@chuckinglights\u003c/a> and \u003ca href=\"https://www.instagram.com/berj.j.berj/\">@berj.j.berj\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834333\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834333\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-4-800x464.jpg\" alt=\"\" width=\"800\" height=\"464\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-800x464.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-768x445.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-1020x591.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-960x556.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-240x139.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-375x217.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4-520x301.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-4.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artists Jack and Alise Eastgate review their completed work ‘Warmer Waters’ on the final day of Oakland Mural Festival 2018. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Warmer Waters’\u003c/h2>\n\u003cp>\u003cb>Martin Luther King Jr Way and 2nd\u003cbr>\n\u003ca href=\"http://www.aliseeastgate.com\" target=\"_blank\" rel=\"noopener\">Alise\u003c/a> and\u003ca href=\"http://www.jackeastgate.com\"> Jack\u003c/a> Eastgate\u003c/b>\u003c/p>\n\u003cp>Just blocks from the Jack London Inner Harbor, a little girl valiantly rides a whale moving westward. In \u003ci>Warmer Waters\u003c/i> (also known fondly as “Whale Rider”), artists Alise and Jack Eastgate play with movement across time and space. The whale reflects the presence of ancestors, while the little girl, adorned with symbols native to Fiji, stands between the present and future.\u003c/p>\n\u003cp>And their work is timely. Just days before completion, news broke of a beached whale found in the Jack London estuary. The industrialization of the oceans and the waning rights of people to freely move across borders inspire the Oakland-based muralists.\u003c/p>\n\u003cp>“A lot of things felt right about this wall,” says Alise. Located at 679 2nd Street, the two noted the serendipity of the address. 679 is the area code for Fiji, Jack’s birthplace, while the blooming magnolia tree just overhead brings a sense of nostalgia to Louisiana-born Alise.\u003c/p>\n\u003cp>\u003cem>Follow Alise & Jack Eastgate’s work on Instagram at \u003ca href=\"https://www.instagram.com/eastrandstudios/\">@eastrandstudios\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834334\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834334\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-6-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-6.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Know Your Ancestors’ by Mike “Bam” Tyau and Jesus Rodriguez overlooks Martin Luther King Way and 2nd Street near the Port of Oakland. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Know Your Ancestors’\u003c/h2>\n\u003cp>\u003cb>Martin Luther King Jr Way and Embarcadero West\u003cbr>\n\u003ca href=\"http://miketyau.com\" target=\"_blank\" rel=\"noopener\">Mike “Bam” Tyau\u003c/a> and \u003ca href=\"https://www.josedejesusrodriguez.com\" target=\"_blank\" rel=\"noopener\">Jesus Rodriguez\u003c/a>\u003c/b>\u003c/p>\n\u003cp>In their latest collaboration, Mike “Bam” Tyau and Jesus Rodriguez pay vibrant homage to their roots. “Besides the Olmec and Chinese motifs as ancestral guardian totems, we painted these to remind people to go to their pillars of support during these trying times,” Mike wrote in an Instagram post at the end of the seven-day-long Oakland Mural Festival.\u003c/p>\n\u003cp>Foliage and mountains encompass two figures, references to the artists’ ancestral homelands. For Tyau, the leaves of the plants ground the composition with symbols pointing back to Mother Earth.\u003c/p>\n\u003cp>\u003cem>Follow Mike “Bam” Tyau and Jesus Rodriguez on Instagram at \u003ca href=\"https://www.instagram.com/miketyau/\" target=\"_blank\" rel=\"noopener\">@miketyau\u003c/a> and \u003ca href=\"https://www.instagram.com/ease_us/\" target=\"_blank\" rel=\"noopener\">@ease_us\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834338\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13834338 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-10-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-10.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">New work ‘Embassy of the Refugee’ by Caleb Duarte coming soon to Broadway and 2nd Street. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Embassy Of The Refugee’\u003c/h2>\n\u003cp>\u003cb>2nd and Broadway\u003cbr>\n\u003ca href=\"http://www.calebduarte.org/\" target=\"_blank\" rel=\"noopener\">Caleb Duarte\u003c/a> and Youth from Embassy of the Refugee Project\u003c/b>\u003c/p>\n\u003cp>“Our ability to create myth in order to understand certain realities; is what we do,” Duarte wrote on Instagram, under the image of his latest work. “Those of us with no political or economic power, exiles or displaced working people, turn to the creation of the ‘embassy of the refugee’… as a form of exercising a magical realism in order to thrive.”\u003c/p>\n\u003cp>Straddling a busy street that connects some of Oakland’s homeless encampments with million-dollar condos, Duarte’s silhouette of a figure pushing a shopping cart posits a powerful statement on the pursuit of finding “home.”\u003c/p>\n\u003cp>\u003cem>Follow Caleb Duarte on Instagram at \u003ca href=\"https://www.instagram.com/caleb_arte_/\" target=\"_blank\" rel=\"noopener\">@caleb_arte_\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834339\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834339\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-5-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-5.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Trust Your Struggle collective unveiled their newest collaboration ‘Oakland Dreams’ as part of Oakland Mural Festival 2018. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Oakland Dreams’\u003c/h2>\n\u003cp>\u003cb>4th and Webster\u003cbr>\n\u003ca href=\"http://trustyourstruggle.com\" target=\"_blank\" rel=\"noopener\">Trust Your Struggle Collective\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Two hands rise, palms open, up a wall. For the artists of Trust Your Struggle Collective, they simultaneously signify the power to hold on to, and reach for, your dreams.\u003c/p>\n\u003cp>Perhaps the most visually striking element of the collective’s mural are the two large words spanning the sun-soaked wall: “Oakland Dreams.” The second word pays homage to one of the founding members of the TDK (Those Damn Kids) aerosol collective, Mike “Dream” Francisco, who lost his life to gun violence in a senseless street robbery in 2000.\u003c/p>\n\u003cp>Images of flora and fauna run subtly throughout the mural. A lotus—a symbol often associated with transcendence—blooms from the sidewalk while a yellow hummingbird emerges from a red triangle glistening in the sun. Some interpretations of the hummingbird link back to the Aztec god Huitzilopochtli, a deity associated with the resurrection of a fallen warrior.\u003c/p>\n\u003cp>\u003cem>Follow Trust Your Struggle Collective on Instagram at \u003ca href=\"https://www.instagram.com/trustyourstrugglecollective/\" target=\"_blank\" rel=\"noopener\">@TrustYourStruggleCollective\u003c/a>, \u003ca href=\"https://www.instagram.com/erinyoshi/\" target=\"_blank\" rel=\"noopener\">@erinyoshi\u003c/a>, \u003ca href=\"https://www.instagram.com/nisha.k.sethi/\" target=\"_blank\" rel=\"noopener\">@Nisha.k.Sethi\u003c/a> and \u003ca href=\"https://www.instagram.com/misterbouncer/\" target=\"_blank\" rel=\"noopener\">@misterbouncer\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834340\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13834340 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-2.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This mural of a giant rooster and the symbol ‘Han’ by Dave Young Kim and Erik T Burke is imbued with the symbolism of resistance. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Han’\u003c/h2>\n\u003cp>\u003cb>3rd and Webster\u003cbr>\n\u003ca href=\"https://www.daveyoungkim.com/\" target=\"_blank\" rel=\"noopener\">Dave Young Kim\u003c/a> and \u003ca href=\"http://eriktburke.com\" target=\"_blank\" rel=\"noopener\">Erik Burke\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Even though this mural revolves around just three core elements—a way-larger-than-life rooster, a Chinese character and a “rising sun”—Dave Young Kim and Erik Burke’s newest work is anything but simple.\u003c/p>\n\u003cp>“The rooster traditionally symbolizes tenaciousness, never giving up,” Kim shared in an Instagram post. And in the composition, the rooster reigns supreme in spite of the Chinese symbol “恨,” pronounced “han” in Korean, that towers over its head.\u003c/p>\n\u003cp>To Kim, the symbol represents a feeling that being downtrodden could be both a burden and a source of empowerment. “It could crush you, or you could rise up and fight til the end,” he says.\u003c/p>\n\u003cp>Fittingly, the mural also gives a nod to Jack London, the prolific author who spent most of his childhood frequenting the waterfront district that now bears his name. Instead of a sun, a circular frame depicts a lone figure in a snowy landscape, facing a radiant fire for warmth. It’s painted after a photograph Burke fixated on for a long time, inspired by a scene in London’s short story “To Build A Fire.”\u003c/p>\n\u003cp>Reflecting on \u003ci>Han\u003c/i>, Kim says he found his “mural soulmate” when working with Burke. They had plenty of time to bond in the two-and-a-half days of long working hours.\u003c/p>\n\u003cp>\u003cem>Follow Dave Young Kim and Erik Burke on Instagram at \u003ca href=\"https://www.instagram.com/daveyoungkim/\" target=\"_blank\" rel=\"noopener\">@daveyoungkim\u003c/a> and \u003ca href=\"https://www.instagram.com/ou35/\" target=\"_blank\" rel=\"noopener\">@ou35\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834341\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834341\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-3-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-3.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A collaborative work between Los Pobres Artistas muralist collective and students of Oakland International High School present two words ‘Earth’ and ‘Sanctuary.’ \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Sanctuary Earth’\u003c/h2>\n\u003cp>\u003cb>4th and Webster\u003cbr>\n\u003ca href=\"http://lospobresartistas.com\" target=\"_blank\" rel=\"noopener\">Los Pobres Artists\u003c/a> and students from Oakland International High School\u003c/b>\u003c/p>\n\u003cp>Seven students and members of Los Pobres Artistas focused their creative energies on distilling images from the global refugee crisis. Sprawled across the right and the left sides of the mural are two words in all caps “EARTH” and “SANCTUARY.” At the center, giant hands support a raft filled with female refugees. In the foreground, schools of orange fish rise and fall as if to guide the raft safely to shore.\u003c/p>\n\u003cp>According to Los Pobres co-founder Thomas Jones, the mural stands for the idea that Earth can be a sanctuary for everybody.\u003c/p>\n\u003cp>\u003cem>Follow their work on Instagram \u003ca href=\"https://www.instagram.com/lospobresartistas/\" target=\"_blank\" rel=\"noopener\">@lospobresartistsas\u003c/a>, \u003ca href=\"https://www.instagram.com/hooperarts/\" target=\"_blank\" rel=\"noopener\">@hooperart\u003c/a>, \u003ca href=\"https://www.instagram.com/kilimunoz/\" target=\"_blank\" rel=\"noopener\">@kilimunoz\u003c/a>, \u003ca href=\"https://www.instagram.com/frederickoalvarado/\" target=\"_blank\" rel=\"noopener\">@frederickoalvarado\u003c/a> and \u003ca href=\"https://www.instagram.com/thomasjones_m/\" target=\"_blank\" rel=\"noopener\">@thomasjones_m\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834342\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834342\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-15-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-15.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The unnamed work by Susan Green and Art Forces spans the back wall of SeaWolf Public House. \u003ccite>(Lina Blanco / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Unnamed\u003c/h2>\n\u003cp>\u003cb>4th and Webster\u003cbr>\n\u003ca href=\"http://susangreene.org/art-forces/\" target=\"_blank\" rel=\"noopener\">Susan Greene and Art Forces\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Spanning the rear wall of Seawolf Public House, catch a golden-hued scene in which Cheemah, the “Mother of the Spirit-Fire” descends onto the Port of Oakland atop a giant eagle. Locals might instantly recognize the figure from a bronze statue placed in Jack London Square. Originally sculpted by Osprey Orielle Lake, the mythic being stands for “cultural diversity, world unity and care for the earth.”\u003c/p>\n\u003cp>And while the moment might look idyllic, a somewhat menacing clue stands out in the foreground. Two ships, halfway to shore, allude to the terrible reality of a colonized past.\u003c/p>\n\u003cp>\u003cem>Follow them on Instagram at \u003ca href=\"https://www.instagram.com/artforces/\" target=\"_blank\" rel=\"noopener\">@artforces\u003c/a>, \u003ca href=\"https://www.instagram.com/_attril/\" target=\"_blank\" rel=\"noopener\">@_attril\u003c/a>, \u003ca href=\"https://www.instagram.com/maxallbee/\" target=\"_blank\" rel=\"noopener\">@maxallbee\u003c/a>, \u003ca href=\"https://www.instagram.com/francolafresh/\" target=\"_blank\" rel=\"noopener\">@francolafresh\u003c/a>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13834343\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13834343\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/OakMural-13-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/OakMural-13.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A tribute to Oakland’s elders and youth in one sprawling work by David Burke and friends.\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Love Letter To Oakland’\u003c/h2>\n\u003cp>\u003cb>4th and Oak\u003cbr>\n\u003ca href=\"http://www.dburke.org/\">David Burke\u003c/a>\u003c/b>\u003c/p>\n\u003cp>In the photo-realistic \u003ci>A Love Letter to Oakland\u003c/i>, Burke and his collaborators bridge two generations. On the left, two Oakland artists, Tureeda Mikell and James Gayles, reach out across the downtown Oakland skyline toward two emerging local heroes — well-known muralist DJ Agana and youth activist Samuel Getachew. Between them, a glow lights their faces.\u003c/p>\n\u003cp>A satellite view of Oakland streets extends across the concrete canvas like roots—an enduring symbol of the city. In an interview with the \u003cem>East Bay Express\u003c/em>, Burke calls out the importance of the festival that allowed for his most recent collaboration: “[The mural] becomes part of their collective experience,” Burke said, “and must reflect the stories, the diversity, the values and the histories of that community.”\u003c/p>\n\u003cp>\u003cem>Follow David Burke and his collaborators on Instagram at \u003ca href=\"https://www.instagram.com/davidburke_studio/\" target=\"_blank\" rel=\"noopener\">@DavidBurke_Studio\u003c/a>, \u003ca href=\"https://www.instagram.com/joevicyeban/\" target=\"_blank\" rel=\"noopener\">@joevicyeban\u003c/a>, \u003ca href=\"https://www.instagram.com/dorias_brannon/\" target=\"_blank\" rel=\"noopener\">@dorias_brannon\u003c/a>, \u003ca href=\"https://www.instagram.com/blacksphinxofquartz/\" target=\"_blank\" rel=\"noopener\">@blacksphinxofquartz\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cb>To make seeing these beautiful works easier, here’s a map to all the locations:\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.google.com/maps/d/embed?mid=1RyJwtH-ua5rYKrDET0kKYSXgdfhyMUZ1\" width=\"640\" height=\"480\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13834326/nine-new-murals-to-see-in-oakland-this-summer","authors":["11357"],"series":["arts_4821"],"categories":["arts_70"],"tags":["arts_1118","arts_903","arts_1737","arts_1694","arts_596","arts_1143","arts_2628"],"featImg":"arts_13834337","label":"arts_4821"},"arts_13834039":{"type":"posts","id":"arts_13834039","meta":{"index":"posts_1591205157","site":"arts","id":"13834039","score":null,"sort":[1527879655000]},"guestAuthors":[],"slug":"summer-in-the-north-bay-outdoor-music-free-festivals-and-picturesque-events","title":"Summer in the North Bay: Outdoor Music, Free Festivals, and Picturesque Events","publishDate":1527879655,"format":"standard","headTitle":"Summer in the North Bay: Outdoor Music, Free Festivals, and Picturesque Events | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cbr>\nIf there’s one thing the North Bay is good at, it’s free outdoor festivals. A full seven of the below ten suggestions fit that bill, so if you’re packing for a day trip, a lawn chair, blanket and sunscreen will probably come with you. Luckily, the recent fires haven’t put a damper on summertime in Sonoma County, so click through for more details and enjoy a weekend north of the bridge. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13834051\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-800x572.jpg\" alt=\"Crowd during show at Lagunitas Brewery \" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834051\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Crowd during show at Lagunitas Brewery \u003ccite>(Courtesy of Lagunitas Brewery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Live at Lagunitas\u003c/h2>\n\u003cp>June 12 – Oct. 2\u003cbr>\nLagunitas Brewing Co., Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music-amphitheater\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nSeeing a band who’d normally play the Fillmore in a small, 300-capacity outdoor amphitheater is tempting enough for most music fans. But when the tickets are free? That changes it to “pretty much all music fans,” which is why you’ll want to be quick on the mouse-click if you’re hoping to check out a show at the venerable Petaluma brewery. Tickets are offered three weeks in advance of each show in the season, and this year includes tUnE-yArDs, M. Ward, James McMurtry, Fantastic Negrito and more. The sound is always great and the vibe — well, let’s just say the Lagunitas crew doesn’t limit their mood enhancers to beer.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834054\" class=\"wp-caption alignleft\" style=\"max-width: 354px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard.jpg\" alt=\"KRSH DJ Bill Bowker talks with attendees at a Krush Backyard Concert.\" width=\"354\" height=\"253\" class=\"size-medium wp-image-13834054\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard.jpg 354w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard-240x172.jpg 240w\" sizes=\"(max-width: 354px) 100vw, 354px\">\u003cfigcaption class=\"wp-caption-text\">KRSH DJ Bill Bowker talks with attendees at a Krush Backyard Concert. \u003ccite>(Courtesy of Krush)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Krush Backyard Concerts\u003c/h2>\n\u003cp>May 31 – Sept. 6\u003cbr>\nKRSH Studios, Santa Rosa\u003cbr>\n\u003ca href=\"http://www.krsh.com/2018/04/26/backyard-concerts-2018/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThey just do things differently in Sonoma County. Whereas in San Francisco, radio stations host huge showcases at the Shoreline Amphitheater or the Oracle Arena, Santa Rosa’s popular station The Krush (95.9-FM) host its favorite acts playing in the studio backyard — which is to say, the grassy area behind a cluster of old-time railroad train cars, from which the DJs broadcast. Blankets, babies and beer are are welcome, and this year’s free series includes a blues night with Wee Willie Walker, a reggae night with Sol Horizon, a rockabilly night with Jinx Jones and more. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834061\" class=\"wp-caption alignleft\" style=\"max-width: 672px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza.jpg\" alt=\"Roy Rogers and his band kick off the 2018 season for Tuesdays in the Plaza.\" width=\"672\" height=\"480\" class=\"size-medium wp-image-13834061\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza.jpg 672w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-520x371.jpg 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003cfigcaption class=\"wp-caption-text\">Roy Rogers and his band kick off the 2018 season for Tuesdays in the Plaza. \u003ccite>(Courtesy of Tuesdays in the Plaza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tuesdays in the Plaza\u003c/h2>\n\u003cp>May 29 – Aug. 28\u003cbr>\nHealdsburg Plaza, Healdsburg\u003cbr>\n\u003ca href=\"https://www.ci.healdsburg.ca.us/335/Summer-Concert-Series\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nI’ll never forget the time Chuck Prophet played on the Healdsburg Plaza and, scanning the crowd full of fine summer dresses and Louboutin heels, referred to the scene as “Beverly Hills-burg.” Indeed, regulars to this free outdoor series set up their tables with wine and cheese, and begin mingling hours before the music begins — so you’ll want to get there early. It pays off in killer music, which this year includes Con Brio, Royal Jelly Jive, Charlie Musselwhite, John Santos and more, all free. And, with wine flowing, people do sometimes jump in the fountain and dance in the water.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834048\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-800x572.jpg\" alt=\"Alec Mapa is the 2018 Grand Marshal for a newly relocated Sonoma County Pride parade.\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834048\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alec Mapa is the 2018 Grand Marshal for a newly relocated Sonoma County Pride parade. \u003ccite>(Courtesy of Sonoma County Pride )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonoma County Pride Festival\u003c/h2>\n\u003cp>June 2\u003cbr>\nCourthouse Square and surrounding venues, Santa Rosa\u003cbr>\n\u003ca href=\"https://www.sonomacountypride.org/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nSonoma County’s Pride celebration makes its official move back to Santa Rosa this year, leaving some residents of Guerneville feeling betrayed. After all, it was Guerneville — historically the most gay-friendly city in Sonoma County — who stepped up to host the parade and festivities when a home was needed 10 years ago. But this year’s new location stands to host a larger crowd, who will be treated to grand marshal Alec Mapa, music from Wrabel and Jason Maek & Zaena, a fashion show, a drag afterparty, DJs, a film series, a kid’s zone and more, all within a one-block radius. There’s no way to make up for Guerneville’s inherently wild verve, it’s true, but a bigger celebration will have to suffice. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834055\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-800x522.jpg\" alt=\"Now in its fifth year, 'Broadway Under the Stars' benefits Jack London State Park.\" width=\"800\" height=\"522\" class=\"size-medium wp-image-13834055\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-768x501.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-240x157.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-520x339.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Now in its fifth year, ‘Broadway Under the Stars’ benefits Jack London State Park. \u003ccite>(Courtesy of 'Broadway Under the Stars' )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Broadway Under the Stars\u003c/h2>\n\u003cp>June 15 – Sept. 9\u003cbr>\nJack London State Park, Glen Ellen\u003cbr>\n\u003ca href=\"https://transcendencetheatre.org/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe idea here is simple: take a bunch of Broadway professionals from New York, bring them to the Bay Area for the off-season in the summer, throw together revues of best-loved songs from musical theatre, and present them amidst the stone ruins of a former winery in Jack London State Park. The scenery here is picturesque, the performers bring obvious quality, and the productions are consistently entertaining and not afraid to poke fun at the usual stuffy seriousness of the theatre. The topper? Over the past five years, the company has donated over a quarter million dollars to the state park to help keep it running. This one’s a favorite.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834059\" class=\"wp-caption alignleft\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest.jpg\" alt=\"Even a babies get into the action at the Railroad Square Musical Festival.\" width=\"720\" height=\"480\" class=\"size-medium wp-image-13834059\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-520x347.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Even a babies get into the action at the Railroad Square Musical Festival. \u003ccite>(Courtesy of Railroad Square Musical Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Railroad Square Music Festival\u003c/h2>\n\u003cp>June 10\u003cbr>\nRailroad Square, Santa Rosa\u003cbr>\n\u003ca href=\"http://www.railroadsquaremusicfestival.com/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nOver the years, Railroad Square has played host to Alfred Hitchcock (parts of \u003cem>Shadow of a Doubt\u003c/em> were filmed there), Steve Martin (\u003cem>Cheaper by the Dozen\u003c/em>), Thomas Edison and Henry Ford (visiting by train) and, recently, several outdoor festivals of the steampunk / Burning Man variety. This one’s all over the map, including jazz (Eki Shola), punk (Gender Trash), African (Onye & the Messengers), reggae (Sol Horizon) and country (Frankie Boots). More than 20 acts total fill multiple stages, it’s free, and this year, attendees even have a fresh new transportation option in the form of the SMART Train, which disembarks just steps from the main stage. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834045\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-800x572.jpg\" alt=\"\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834045\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Traveling Spectacular’ stage at the Rivertown Revival. \u003ccite>(Courtesy of Traveling Spectacular)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rivertown Revival\u003c/h2>\n\u003cp>July 14\u003cbr>\nSteamer Landing Park, Petaluma\u003cbr>\n\u003ca href=\"http://www.rivertownrevival.com/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe boat races along the Petaluma Slough are just the tip of the daylong fun at this colorful, old-timey free festival. Part steampunk, part country, the day’s activities include live music from local folk and bluegrass bands, plenty of food and drink, public sculpture along the long, winding entrance, the “Traveling Spectacular” stage (pictured) and, if you’re feeling frisky, a hilltop gazebo for impromptu wedding ceremonies. Make sure to get your Instagram photo ops in the giant blue chair or along the old Ghirardelli barn, and yes, root for your favorite decorated boat as it floats in the water below. Take it from us: there’s much shade here, so a parasol or large hat are recommended. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834044\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-800x572.jpg\" alt=\"This year marks your last chance to see Shakespeare in the Cannery.\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This year marks your last chance to see Shakespeare in the Cannery. \u003ccite>(Courtesy of Shakespeare in the Cannery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Shakespeare in the Cannery\u003c/h2>\n\u003cp>July 13 – Aug. 5\u003cbr>\nHistoric Cannery, Santa Rosa\u003cbr>\n\u003ca href=\"https://www.shakespeareinthecannery.com/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nOutdoor Shakespeare is a summer tradition all over the world, but Santa Rosa’s version comes with a twist: it’s presented inside the skeleton of the old CalPack Plant No. 5, a large brick warehouse just across from the brand-new SMART Train station. Once a fruit-packing plant that attracted hundreds of Italian immigrants to the west end of the city, the building has of late housed works by the world’s most famous playwright, presented by the nearby Arlene Francis Center. For its fifth and final year, the offerings move up to the modern day with \u003cem>Shakespeare in Love\u003c/em>. Bring your own blanket or lawn chair, some fromage and vino, and bid farewell to the theater in this one-of-a-kind setting.\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834046\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-800x572.jpg\" alt=\"The Howell Mountain Boys perform at Napa's Porchfest.\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834046\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Howell Mountain Boys perform at Napa’s Porchfest. \u003ccite>(Mitchell Glotzer Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Porchfest\u003c/h2>\n\u003cp>July 29\u003cbr>\nThroughout Downtown Napa\u003cbr>\n\u003ca href=\"https://napaporchfest.org/attend-napa-porchfest\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe idea is so perfect, it’s surprising no one thought of it sooner. At Porchfest, bands don’t go on tour… the fans do. On bikes, that is. Or skateboards, wagons, Big Wheels, by feet — however one chooses to hop from front porch to front porch, upon which local bands perform at houses all over town. Performers are not confirmed at press time, but it historically includes Napa musicians of mostly acoustic styles, like folk, jazz and country. Napa’s old Victorians provide picturesque backdrops, there’s an element of voyeurism in staring into people’s yards, and you can come and go as you please depending on the band. A fun, free way to see the town.\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13834060\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz.jpg\" alt=\"Zakir Hussain, Charles Lloyd and Eric Harland at the Healdsburg Jazz Festival.\" width=\"300\" height=\"220\" class=\"size-medium wp-image-13834060\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz-240x176.jpg 240w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Zakir Hussain, Charles Lloyd and Eric Harland at the Healdsburg Jazz Festival. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Healdsburg Jazz Festival\u003c/h2>\n\u003cp>June 1–10\u003cbr>\nVarious venues in Healdsburg and Santa Rosa\u003cbr>\n\u003ca href=\"http://www.healdsburgjazzfestival.org/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe Healdsburg Jazz Festival was founded when the small town was better known for farming equipment and dive bars than boutiques and wineries. But now, marking its 20th anniversary, the festival has retained its homegrown feel while still pulling in jazz’s biggest names. This year’s lineup includes concerts by Ravi Coltrane, Charles Lloyd, Dave Holland, Bill Frisell, George Cables, Fred Hersch, and many others. Returning to his hometown is local-boy-makes-good guitar phenomenon Julian Lage, and there’s even a special tribute to festival favorite Geri Allen, who died this past year. Venues include hotel lobbies, schools, old movie theaters and wineries.\n\u003c/p>\u003c/div>\n\n","blocks":[],"excerpt":"If there's one thing the North Bay is good at, it's free outdoor festivals.","status":"publish","parent":0,"modified":1705027716,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1569},"headData":{"title":"Summer in the North Bay: Outdoor Music, Free Festivals, and Picturesque Events | KQED","description":"If there's one thing the North Bay is good at, it's free outdoor festivals.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13834039/summer-in-the-north-bay-outdoor-music-free-festivals-and-picturesque-events","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cbr>\nIf there’s one thing the North Bay is good at, it’s free outdoor festivals. A full seven of the below ten suggestions fit that bill, so if you’re packing for a day trip, a lawn chair, blanket and sunscreen will probably come with you. Luckily, the recent fires haven’t put a damper on summertime in Sonoma County, so click through for more details and enjoy a weekend north of the bridge. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13834051\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-800x572.jpg\" alt=\"Crowd during show at Lagunitas Brewery \" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834051\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Lagunitas-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Crowd during show at Lagunitas Brewery \u003ccite>(Courtesy of Lagunitas Brewery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Live at Lagunitas\u003c/h2>\n\u003cp>June 12 – Oct. 2\u003cbr>\nLagunitas Brewing Co., Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music-amphitheater\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nSeeing a band who’d normally play the Fillmore in a small, 300-capacity outdoor amphitheater is tempting enough for most music fans. But when the tickets are free? That changes it to “pretty much all music fans,” which is why you’ll want to be quick on the mouse-click if you’re hoping to check out a show at the venerable Petaluma brewery. Tickets are offered three weeks in advance of each show in the season, and this year includes tUnE-yArDs, M. Ward, James McMurtry, Fantastic Negrito and more. The sound is always great and the vibe — well, let’s just say the Lagunitas crew doesn’t limit their mood enhancers to beer.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834054\" class=\"wp-caption alignleft\" style=\"max-width: 354px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard.jpg\" alt=\"KRSH DJ Bill Bowker talks with attendees at a Krush Backyard Concert.\" width=\"354\" height=\"253\" class=\"size-medium wp-image-13834054\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard.jpg 354w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.KRSHBackyard-240x172.jpg 240w\" sizes=\"(max-width: 354px) 100vw, 354px\">\u003cfigcaption class=\"wp-caption-text\">KRSH DJ Bill Bowker talks with attendees at a Krush Backyard Concert. \u003ccite>(Courtesy of Krush)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Krush Backyard Concerts\u003c/h2>\n\u003cp>May 31 – Sept. 6\u003cbr>\nKRSH Studios, Santa Rosa\u003cbr>\n\u003ca href=\"http://www.krsh.com/2018/04/26/backyard-concerts-2018/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThey just do things differently in Sonoma County. Whereas in San Francisco, radio stations host huge showcases at the Shoreline Amphitheater or the Oracle Arena, Santa Rosa’s popular station The Krush (95.9-FM) host its favorite acts playing in the studio backyard — which is to say, the grassy area behind a cluster of old-time railroad train cars, from which the DJs broadcast. Blankets, babies and beer are are welcome, and this year’s free series includes a blues night with Wee Willie Walker, a reggae night with Sol Horizon, a rockabilly night with Jinx Jones and more. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834061\" class=\"wp-caption alignleft\" style=\"max-width: 672px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza.jpg\" alt=\"Roy Rogers and his band kick off the 2018 season for Tuesdays in the Plaza.\" width=\"672\" height=\"480\" class=\"size-medium wp-image-13834061\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza.jpg 672w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.TuesdaysinthePlaza-520x371.jpg 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003cfigcaption class=\"wp-caption-text\">Roy Rogers and his band kick off the 2018 season for Tuesdays in the Plaza. \u003ccite>(Courtesy of Tuesdays in the Plaza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Tuesdays in the Plaza\u003c/h2>\n\u003cp>May 29 – Aug. 28\u003cbr>\nHealdsburg Plaza, Healdsburg\u003cbr>\n\u003ca href=\"https://www.ci.healdsburg.ca.us/335/Summer-Concert-Series\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nI’ll never forget the time Chuck Prophet played on the Healdsburg Plaza and, scanning the crowd full of fine summer dresses and Louboutin heels, referred to the scene as “Beverly Hills-burg.” Indeed, regulars to this free outdoor series set up their tables with wine and cheese, and begin mingling hours before the music begins — so you’ll want to get there early. It pays off in killer music, which this year includes Con Brio, Royal Jelly Jive, Charlie Musselwhite, John Santos and more, all free. And, with wine flowing, people do sometimes jump in the fountain and dance in the water.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834048\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-800x572.jpg\" alt=\"Alec Mapa is the 2018 Grand Marshal for a newly relocated Sonoma County Pride parade.\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834048\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.SonomaCountyPride.AlecM_-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alec Mapa is the 2018 Grand Marshal for a newly relocated Sonoma County Pride parade. \u003ccite>(Courtesy of Sonoma County Pride )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonoma County Pride Festival\u003c/h2>\n\u003cp>June 2\u003cbr>\nCourthouse Square and surrounding venues, Santa Rosa\u003cbr>\n\u003ca href=\"https://www.sonomacountypride.org/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nSonoma County’s Pride celebration makes its official move back to Santa Rosa this year, leaving some residents of Guerneville feeling betrayed. After all, it was Guerneville — historically the most gay-friendly city in Sonoma County — who stepped up to host the parade and festivities when a home was needed 10 years ago. But this year’s new location stands to host a larger crowd, who will be treated to grand marshal Alec Mapa, music from Wrabel and Jason Maek & Zaena, a fashion show, a drag afterparty, DJs, a film series, a kid’s zone and more, all within a one-block radius. There’s no way to make up for Guerneville’s inherently wild verve, it’s true, but a bigger celebration will have to suffice. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834055\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-800x522.jpg\" alt=\"Now in its fifth year, 'Broadway Under the Stars' benefits Jack London State Park.\" width=\"800\" height=\"522\" class=\"size-medium wp-image-13834055\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-768x501.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-240x157.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.BroadwayUndertheStars-520x339.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Now in its fifth year, ‘Broadway Under the Stars’ benefits Jack London State Park. \u003ccite>(Courtesy of 'Broadway Under the Stars' )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Broadway Under the Stars\u003c/h2>\n\u003cp>June 15 – Sept. 9\u003cbr>\nJack London State Park, Glen Ellen\u003cbr>\n\u003ca href=\"https://transcendencetheatre.org/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe idea here is simple: take a bunch of Broadway professionals from New York, bring them to the Bay Area for the off-season in the summer, throw together revues of best-loved songs from musical theatre, and present them amidst the stone ruins of a former winery in Jack London State Park. The scenery here is picturesque, the performers bring obvious quality, and the productions are consistently entertaining and not afraid to poke fun at the usual stuffy seriousness of the theatre. The topper? Over the past five years, the company has donated over a quarter million dollars to the state park to help keep it running. This one’s a favorite.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834059\" class=\"wp-caption alignleft\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest.jpg\" alt=\"Even a babies get into the action at the Railroad Square Musical Festival.\" width=\"720\" height=\"480\" class=\"size-medium wp-image-13834059\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RailroadSquareMusicFest-520x347.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Even a babies get into the action at the Railroad Square Musical Festival. \u003ccite>(Courtesy of Railroad Square Musical Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Railroad Square Music Festival\u003c/h2>\n\u003cp>June 10\u003cbr>\nRailroad Square, Santa Rosa\u003cbr>\n\u003ca href=\"http://www.railroadsquaremusicfestival.com/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nOver the years, Railroad Square has played host to Alfred Hitchcock (parts of \u003cem>Shadow of a Doubt\u003c/em> were filmed there), Steve Martin (\u003cem>Cheaper by the Dozen\u003c/em>), Thomas Edison and Henry Ford (visiting by train) and, recently, several outdoor festivals of the steampunk / Burning Man variety. This one’s all over the map, including jazz (Eki Shola), punk (Gender Trash), African (Onye & the Messengers), reggae (Sol Horizon) and country (Frankie Boots). More than 20 acts total fill multiple stages, it’s free, and this year, attendees even have a fresh new transportation option in the form of the SMART Train, which disembarks just steps from the main stage. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834045\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-800x572.jpg\" alt=\"\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834045\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.RivertownRevival-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Traveling Spectacular’ stage at the Rivertown Revival. \u003ccite>(Courtesy of Traveling Spectacular)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Rivertown Revival\u003c/h2>\n\u003cp>July 14\u003cbr>\nSteamer Landing Park, Petaluma\u003cbr>\n\u003ca href=\"http://www.rivertownrevival.com/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe boat races along the Petaluma Slough are just the tip of the daylong fun at this colorful, old-timey free festival. Part steampunk, part country, the day’s activities include live music from local folk and bluegrass bands, plenty of food and drink, public sculpture along the long, winding entrance, the “Traveling Spectacular” stage (pictured) and, if you’re feeling frisky, a hilltop gazebo for impromptu wedding ceremonies. Make sure to get your Instagram photo ops in the giant blue chair or along the old Ghirardelli barn, and yes, root for your favorite decorated boat as it floats in the water below. Take it from us: there’s much shade here, so a parasol or large hat are recommended. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834044\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-800x572.jpg\" alt=\"This year marks your last chance to see Shakespeare in the Cannery.\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Shakespeare-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This year marks your last chance to see Shakespeare in the Cannery. \u003ccite>(Courtesy of Shakespeare in the Cannery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Shakespeare in the Cannery\u003c/h2>\n\u003cp>July 13 – Aug. 5\u003cbr>\nHistoric Cannery, Santa Rosa\u003cbr>\n\u003ca href=\"https://www.shakespeareinthecannery.com/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nOutdoor Shakespeare is a summer tradition all over the world, but Santa Rosa’s version comes with a twist: it’s presented inside the skeleton of the old CalPack Plant No. 5, a large brick warehouse just across from the brand-new SMART Train station. Once a fruit-packing plant that attracted hundreds of Italian immigrants to the west end of the city, the building has of late housed works by the world’s most famous playwright, presented by the nearby Arlene Francis Center. For its fifth and final year, the offerings move up to the modern day with \u003cem>Shakespeare in Love\u003c/em>. Bring your own blanket or lawn chair, some fromage and vino, and bid farewell to the theater in this one-of-a-kind setting.\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13834046\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-800x572.jpg\" alt=\"The Howell Mountain Boys perform at Napa's Porchfest.\" width=\"800\" height=\"572\" class=\"size-medium wp-image-13834046\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.Porchfest-520x372.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Howell Mountain Boys perform at Napa’s Porchfest. \u003ccite>(Mitchell Glotzer Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Porchfest\u003c/h2>\n\u003cp>July 29\u003cbr>\nThroughout Downtown Napa\u003cbr>\n\u003ca href=\"https://napaporchfest.org/attend-napa-porchfest\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe idea is so perfect, it’s surprising no one thought of it sooner. At Porchfest, bands don’t go on tour… the fans do. On bikes, that is. Or skateboards, wagons, Big Wheels, by feet — however one chooses to hop from front porch to front porch, upon which local bands perform at houses all over town. Performers are not confirmed at press time, but it historically includes Napa musicians of mostly acoustic styles, like folk, jazz and country. Napa’s old Victorians provide picturesque backdrops, there’s an element of voyeurism in staring into people’s yards, and you can come and go as you please depending on the band. A fun, free way to see the town.\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13834060\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz.jpg\" alt=\"Zakir Hussain, Charles Lloyd and Eric Harland at the Healdsburg Jazz Festival.\" width=\"300\" height=\"220\" class=\"size-medium wp-image-13834060\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HSG.HealdsburgJazz-240x176.jpg 240w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Zakir Hussain, Charles Lloyd and Eric Harland at the Healdsburg Jazz Festival. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Healdsburg Jazz Festival\u003c/h2>\n\u003cp>June 1–10\u003cbr>\nVarious venues in Healdsburg and Santa Rosa\u003cbr>\n\u003ca href=\"http://www.healdsburgjazzfestival.org/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003cbr>\nThe Healdsburg Jazz Festival was founded when the small town was better known for farming equipment and dive bars than boutiques and wineries. But now, marking its 20th anniversary, the festival has retained its homegrown feel while still pulling in jazz’s biggest names. This year’s lineup includes concerts by Ravi Coltrane, Charles Lloyd, Dave Holland, Bill Frisell, George Cables, Fred Hersch, and many others. Returning to his hometown is local-boy-makes-good guitar phenomenon Julian Lage, and there’s even a special tribute to festival favorite Geri Allen, who died this past year. Venues include hotel lobbies, schools, old movie theaters and wineries.\n\u003c/p>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13834039/summer-in-the-north-bay-outdoor-music-free-festivals-and-picturesque-events","authors":["185"],"series":["arts_4821"],"categories":["arts_1","arts_69","arts_967"],"tags":["arts_1118","arts_1006","arts_1420","arts_596","arts_12987","arts_4824"],"featImg":"arts_13834114","label":"arts_4821"},"arts_13833757":{"type":"posts","id":"arts_13833757","meta":{"index":"posts_1591205157","site":"arts","id":"13833757","score":null,"sort":[1527717652000]},"guestAuthors":[],"slug":"eight-activities-to-fill-your-east-bay-summer-calendar","title":"Eight Activities to Fill Your East Bay Summer Calendar","publishDate":1527717652,"format":"image","headTitle":"Eight Activities to Fill Your East Bay Summer Calendar | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>Oakland knows how to throw a proper function. The spirit of community resilience courses through Oaklanders’ blood, and getting together to have fun—as we saw with the recent “\u003ca href=\"https://www.kqed.org/arts/13832886/were-still-here-bbqn-while-black-draws-out-oaklanders-in-force\" target=\"_blank\" rel=\"noopener\">BBQ’n While Black\u003c/a>” protest—is a vital part of the Town’s activism. Plus, what’s more life affirming than getting together with friends and family for a day of relaxation in the sun?\u003c/p>\n\u003cp>Under-the-radar get-togethers—instead of corporate-feeling festivals—are what makes the East Bay stand out amid the Bay Area’s many cultural offerings. Below, you’ll find street fairs, parties, outdoor adventures, car shows and concerts to fill your summer calendar.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833830\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833830\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-800x553.jpg\" alt=\"A dancer at Berkeley's Juneteenth festival. \" width=\"800\" height=\"553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-768x530.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-1200x829.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-1180x815.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-960x663.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-240x166.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-375x259.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-520x359.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth.jpg 1875w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A dancer at Berkeley’s Juneteenth festival. \u003ccite>(Berkeley Juneteenth Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Berkeley Juneteenth\u003c/h2>\n\u003cp>\u003cem>June 17.\u003cbr>\nAlcatraz-Adeline corridor, South Berkeley.\u003cbr>\n\u003ca href=\"http://www.berkeleyjuneteenth.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Juneteenth celebrates the anniversary of the abolition of slavery—a holiday \u003cem>all\u003c/em> Americans should honor, though it’s mostly popular in the African-American community. Berkeley boasts one of the Bay Area’s most popular Juneteenth celebrations. The streets surrounding Ashby BART (which has a great flea market on weekends, by the way) get closed off for a day of music, vendors, food and more in a joyous, inter-generational celebration of black culture and resilience.\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833825\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833825\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/steph-800x533-800x533.jpg\" alt=\"Stephen Curry brings the NBA Championship trophy to the people during the Warriors parade in Oakland on June 15, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stephen Curry brings the NBA Championship trophy to the people during the Warriors parade in Oakland on June 15, 2017. \u003ccite>(Adam Grossberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Warriors Parade\u003c/h2>\n\u003cp>\u003cem>Downtown Oakland.\u003cbr>\nTBD.\u003c/em>\u003c/p>\n\u003cp>OK, we know this isn’t set in stone. But have you seen the \u003ca href=\"https://twitter.com/Athlete_Vidz/status/1001463947789299713\" target=\"_blank\" rel=\"noopener\">meme\u003c/a> that recasts the Warriors and Cavs players as the characters of \u003cem>Full House\u003c/em>? With the Warriors facing off against the Cavs for the fourth year in a row, this playoffs season \u003cem>has\u003c/em> felt like the return of a favorite show again. We’ve been so spoiled with Warriors victories the past few years that the parade has basically become an annual tradition. I won’t say too much more to avoid jinxing my hometown team, but if they do win again, definitely make sure to come to downtown Oakland for the \u003cem>unofficial\u003c/em> party immediately following the winning game. (Pro tip: wear sneakers and BYOB.) For a more family friendly affair, stay tuned for the officially sanctioned parade, and come early to secure your spot.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833828\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/fam-bam-800x400.jpg\" alt=\"The Fam Bam party comes to Oakland's Lake Merritt every July 4. \" width=\"800\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-240x120.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-375x188.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-520x260.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Fam Bam party comes to Oakland’s Lake Merritt every July 4. \u003ccite>(Fam Bam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fam Bam 4th of July Party\u003c/h2>\n\u003cp>\u003cem>July 4.\u003cbr>\nLake Merritt Ampitheater, Oakland.\u003cbr>\n\u003ca href=\"http://www.oakfambam.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>If you’re not in a backyard with friends, family and a grill on the 4th of July, the best way to spend it as at the Fam Bam day party in Oakland. Food. Art. DJs. Lake. Sun. Fun. What more do you need? This community gathering attracts a diverse crowd and is family friendly, too. Just note: this is an anti-imperialist party led by Afrocentric Oakland, so expect expressions of community pride and resilience over patriotic flag waving.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_11494276\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11494276\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Reach_posterimage-800x450.jpg\" alt=\"Nina Wu dancing outdoors\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nina Wu dancing outdoors in Joaquin Miller Park. \u003ccite>(Kelly Whalen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Outdoor Adventures\u003c/h2>\n\u003cp>It’s no secret that the Bay Area abounds with beautiful hikes and nature spots, so I’m going to give you a quick-and-dirty rundown of the best spots in the East Bay. For those who don’t have a car: bus or rideshare to Oakland’s Dimond Park; behind its playground, there are trails leading to Joaquin Miller Park and Redwood Regional Park, two gorgeous oases that make it easy to forget you’re still in urban Oakland. If you’re looking for an waterfront adventure without taking a long road trip, Lake Anza is a lowkey place to tan and swim in Berkeley’s Tilden Park, which also has gorgeous trails and even a petting zoo. Further inland is the breathtaking Mt. Diablo, with sweeping vistas, hiking and rock climbing. And Lake Del Valle in Livermore is a hidden East Bay gem; they have pedal boats, kayaks and motorboats for rent, plus two swimming beaches, hiking camping and more.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13807491\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13807491\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/DSC_0332-800x535.jpg\" alt=\"Lil B performs at Hiero Day 2017.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-1180x790.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-960x643.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-520x348.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at Hiero Day 2017. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Hiero Day\u003c/h2>\n\u003cp>\u003cem>Sept. 3.\u003cbr>\nLocation TBA, Oakland.\u003cbr>\n\u003ca href=\"https://www.hieroday.com\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>The lineup for this annual hip-hop fest is typically only announced a week ahead, but the $19.93 presale tickets sell out long before that because Hiero Day has a proven track record of being a good time. Conscious hip-hop pioneers Hieroglyphics founded the fest and headline each year, and they curate a balanced lineup of up-and-coming acts and established OGs. In 2017, Texas rapper Bun B and Oakland songstress Goapele performed alongside the East Bay’s Lil B and Rayana Jay, rising L.A. rappers G Perico and Duckwrth and more.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833827\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833827\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Solano Stroll brings family-friendly rides and attractions to Albany. \u003ccite>(Solano Stroll)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Solano Stroll\u003c/h2>\n\u003cp>\u003cem> Sept. 9.\u003cbr>\nSolano Avenue, Albany.\u003cbr>\n\u003ca href=\"https://www.solanoavenueassn.org/events/solano-avenue-stroll/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Albany’s Solano Avenue gets packed with vendors, art, performers and activities every September (when the Bay Area actually gets some sun) for Solano Stroll, a free, family friendly festival in the sleepy town of Albany. Solano Avenue is Albany’s busiest strip and has tons of international food and cute shops. Most of the restaurants set up booths at the Stroll, so it’s a good chance to sample new foods without committing to a sit-down meal. The fair even has face painting, balloons and rides for kids (including a mean potato sack slide that I hear is a thrill even for adults).\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833832\" class=\"wp-caption alignleft\" style=\"max-width: 723px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13833832\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/billetproof.jpg\" alt=\"A car at Billetproof 2016.\" width=\"723\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof.jpg 723w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-240x177.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-375x276.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-520x383.jpg 520w\" sizes=\"(max-width: 723px) 100vw, 723px\">\u003cfigcaption class=\"wp-caption-text\">A car at Billetproof 2016. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Billetproof\u003c/h2>\n\u003cp>\u003cem>Sept. 15.\u003cbr>\nContra Costa County Fairgrounds, Antioch.\u003cbr>\n\u003ca href=\"https://billetproof.com/index.php/antioch-ca-2018/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Dust off your bowling shirt and break out your curlers for that pin-up girl hairdo because Billetproof, the East Bay’s premier rockabilly-themed car show, returns to Antioch in September. Car culture is huge in Contra Costa County, and Billetproof is when local artists show off the vintage Oldsmobiles, Chevys and Cadillacs they’ve been perfecting all year. Expect custom cars of every design, color and theme—it’s a visual feast that feels part amusement park and part museum, and you’ll likely find yourself unable to resist the urge to Instagram \u003cem>everything\u003c/em>.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_11836978\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11836978\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-800x441.jpg\" alt=\"Fantastic Negrito performing at First Fridays Oakland\" width=\"800\" height=\"441\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-800x441.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-400x220.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-768x423.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-1180x650.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-960x529.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2.jpg 1825w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fantastic Negrito performing at First Fridays Oakland\u003c/figcaption>\u003c/figure>\n\u003ch2>First Fridays and Third Thursdays\u003c/h2>\n\u003cp>\u003cem>Downtown Oakland.\u003cbr>\nMore information \u003ca href=\"https://www.oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> and \u003ca href=\"http://oaklandcentral.com/lathamsquare-2018/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Oakland likes to celebrate whenever just because, and the well known art walk and street party, First Fridays, is especially lit in the summertime, when the sun is out longer and everyone seems to be in a relaxed, happy mood. All the galleries are open late; impromptu dance parties erupt on the street; and there’s plenty of food and local vendors. At one First Friday, I even saw a guy swallowing swords. Third Thursdays is a new street party in Oakland more centered on music than visual art; each month, artists like rapper Gina Madrid and hip-hop-chamber music group Ensemble Mik Nawooj perform in Latham Square.\u003c/p>\n\n","blocks":[],"excerpt":"We picked the best street fairs, car shows and outdoor concerts in for your summer calendar in Oakland and beyond.","status":"publish","parent":0,"modified":1705027747,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":34,"wordCount":1182},"headData":{"title":"Eight Activities to Fill Your East Bay Summer Calendar | KQED","description":"We picked the best street fairs, car shows and outdoor concerts in for your summer calendar in Oakland and beyond.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13833757/eight-activities-to-fill-your-east-bay-summer-calendar","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland knows how to throw a proper function. The spirit of community resilience courses through Oaklanders’ blood, and getting together to have fun—as we saw with the recent “\u003ca href=\"https://www.kqed.org/arts/13832886/were-still-here-bbqn-while-black-draws-out-oaklanders-in-force\" target=\"_blank\" rel=\"noopener\">BBQ’n While Black\u003c/a>” protest—is a vital part of the Town’s activism. Plus, what’s more life affirming than getting together with friends and family for a day of relaxation in the sun?\u003c/p>\n\u003cp>Under-the-radar get-togethers—instead of corporate-feeling festivals—are what makes the East Bay stand out amid the Bay Area’s many cultural offerings. Below, you’ll find street fairs, parties, outdoor adventures, car shows and concerts to fill your summer calendar.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833830\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833830\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-800x553.jpg\" alt=\"A dancer at Berkeley's Juneteenth festival. \" width=\"800\" height=\"553\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-768x530.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-1200x829.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-1180x815.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-960x663.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-240x166.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-375x259.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth-520x359.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/berkeley-juneteenth.jpg 1875w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A dancer at Berkeley’s Juneteenth festival. \u003ccite>(Berkeley Juneteenth Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Berkeley Juneteenth\u003c/h2>\n\u003cp>\u003cem>June 17.\u003cbr>\nAlcatraz-Adeline corridor, South Berkeley.\u003cbr>\n\u003ca href=\"http://www.berkeleyjuneteenth.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Juneteenth celebrates the anniversary of the abolition of slavery—a holiday \u003cem>all\u003c/em> Americans should honor, though it’s mostly popular in the African-American community. Berkeley boasts one of the Bay Area’s most popular Juneteenth celebrations. The streets surrounding Ashby BART (which has a great flea market on weekends, by the way) get closed off for a day of music, vendors, food and more in a joyous, inter-generational celebration of black culture and resilience.\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833825\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833825\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/steph-800x533-800x533.jpg\" alt=\"Stephen Curry brings the NBA Championship trophy to the people during the Warriors parade in Oakland on June 15, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/steph-800x533-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stephen Curry brings the NBA Championship trophy to the people during the Warriors parade in Oakland on June 15, 2017. \u003ccite>(Adam Grossberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Warriors Parade\u003c/h2>\n\u003cp>\u003cem>Downtown Oakland.\u003cbr>\nTBD.\u003c/em>\u003c/p>\n\u003cp>OK, we know this isn’t set in stone. But have you seen the \u003ca href=\"https://twitter.com/Athlete_Vidz/status/1001463947789299713\" target=\"_blank\" rel=\"noopener\">meme\u003c/a> that recasts the Warriors and Cavs players as the characters of \u003cem>Full House\u003c/em>? With the Warriors facing off against the Cavs for the fourth year in a row, this playoffs season \u003cem>has\u003c/em> felt like the return of a favorite show again. We’ve been so spoiled with Warriors victories the past few years that the parade has basically become an annual tradition. I won’t say too much more to avoid jinxing my hometown team, but if they do win again, definitely make sure to come to downtown Oakland for the \u003cem>unofficial\u003c/em> party immediately following the winning game. (Pro tip: wear sneakers and BYOB.) For a more family friendly affair, stay tuned for the officially sanctioned parade, and come early to secure your spot.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833828\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/fam-bam-800x400.jpg\" alt=\"The Fam Bam party comes to Oakland's Lake Merritt every July 4. \" width=\"800\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-240x120.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-375x188.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/fam-bam-520x260.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Fam Bam party comes to Oakland’s Lake Merritt every July 4. \u003ccite>(Fam Bam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Fam Bam 4th of July Party\u003c/h2>\n\u003cp>\u003cem>July 4.\u003cbr>\nLake Merritt Ampitheater, Oakland.\u003cbr>\n\u003ca href=\"http://www.oakfambam.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>If you’re not in a backyard with friends, family and a grill on the 4th of July, the best way to spend it as at the Fam Bam day party in Oakland. Food. Art. DJs. Lake. Sun. Fun. What more do you need? This community gathering attracts a diverse crowd and is family friendly, too. Just note: this is an anti-imperialist party led by Afrocentric Oakland, so expect expressions of community pride and resilience over patriotic flag waving.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_11494276\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11494276\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Reach_posterimage-800x450.jpg\" alt=\"Nina Wu dancing outdoors\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Reach_posterimage.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nina Wu dancing outdoors in Joaquin Miller Park. \u003ccite>(Kelly Whalen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Outdoor Adventures\u003c/h2>\n\u003cp>It’s no secret that the Bay Area abounds with beautiful hikes and nature spots, so I’m going to give you a quick-and-dirty rundown of the best spots in the East Bay. For those who don’t have a car: bus or rideshare to Oakland’s Dimond Park; behind its playground, there are trails leading to Joaquin Miller Park and Redwood Regional Park, two gorgeous oases that make it easy to forget you’re still in urban Oakland. If you’re looking for an waterfront adventure without taking a long road trip, Lake Anza is a lowkey place to tan and swim in Berkeley’s Tilden Park, which also has gorgeous trails and even a petting zoo. Further inland is the breathtaking Mt. Diablo, with sweeping vistas, hiking and rock climbing. And Lake Del Valle in Livermore is a hidden East Bay gem; they have pedal boats, kayaks and motorboats for rent, plus two swimming beaches, hiking camping and more.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13807491\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13807491\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/DSC_0332-800x535.jpg\" alt=\"Lil B performs at Hiero Day 2017.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-1180x790.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-960x643.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/DSC_0332-520x348.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at Hiero Day 2017. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Hiero Day\u003c/h2>\n\u003cp>\u003cem>Sept. 3.\u003cbr>\nLocation TBA, Oakland.\u003cbr>\n\u003ca href=\"https://www.hieroday.com\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>The lineup for this annual hip-hop fest is typically only announced a week ahead, but the $19.93 presale tickets sell out long before that because Hiero Day has a proven track record of being a good time. Conscious hip-hop pioneers Hieroglyphics founded the fest and headline each year, and they curate a balanced lineup of up-and-coming acts and established OGs. In 2017, Texas rapper Bun B and Oakland songstress Goapele performed alongside the East Bay’s Lil B and Rayana Jay, rising L.A. rappers G Perico and Duckwrth and more.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833827\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833827\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SolanoStroll2015-19.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Solano Stroll brings family-friendly rides and attractions to Albany. \u003ccite>(Solano Stroll)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Solano Stroll\u003c/h2>\n\u003cp>\u003cem> Sept. 9.\u003cbr>\nSolano Avenue, Albany.\u003cbr>\n\u003ca href=\"https://www.solanoavenueassn.org/events/solano-avenue-stroll/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Albany’s Solano Avenue gets packed with vendors, art, performers and activities every September (when the Bay Area actually gets some sun) for Solano Stroll, a free, family friendly festival in the sleepy town of Albany. Solano Avenue is Albany’s busiest strip and has tons of international food and cute shops. Most of the restaurants set up booths at the Stroll, so it’s a good chance to sample new foods without committing to a sit-down meal. The fair even has face painting, balloons and rides for kids (including a mean potato sack slide that I hear is a thrill even for adults).\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13833832\" class=\"wp-caption alignleft\" style=\"max-width: 723px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13833832\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/billetproof.jpg\" alt=\"A car at Billetproof 2016.\" width=\"723\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof.jpg 723w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-240x177.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-375x276.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/billetproof-520x383.jpg 520w\" sizes=\"(max-width: 723px) 100vw, 723px\">\u003cfigcaption class=\"wp-caption-text\">A car at Billetproof 2016. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Billetproof\u003c/h2>\n\u003cp>\u003cem>Sept. 15.\u003cbr>\nContra Costa County Fairgrounds, Antioch.\u003cbr>\n\u003ca href=\"https://billetproof.com/index.php/antioch-ca-2018/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Dust off your bowling shirt and break out your curlers for that pin-up girl hairdo because Billetproof, the East Bay’s premier rockabilly-themed car show, returns to Antioch in September. Car culture is huge in Contra Costa County, and Billetproof is when local artists show off the vintage Oldsmobiles, Chevys and Cadillacs they’ve been perfecting all year. Expect custom cars of every design, color and theme—it’s a visual feast that feels part amusement park and part museum, and you’ll likely find yourself unable to resist the urge to Instagram \u003cem>everything\u003c/em>.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_11836978\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11836978\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-800x441.jpg\" alt=\"Fantastic Negrito performing at First Fridays Oakland\" width=\"800\" height=\"441\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-800x441.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-400x220.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-768x423.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-1180x650.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2-960x529.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/fantasticnegrito_poster2.jpg 1825w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fantastic Negrito performing at First Fridays Oakland\u003c/figcaption>\u003c/figure>\n\u003ch2>First Fridays and Third Thursdays\u003c/h2>\n\u003cp>\u003cem>Downtown Oakland.\u003cbr>\nMore information \u003ca href=\"https://www.oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> and \u003ca href=\"http://oaklandcentral.com/lathamsquare-2018/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oakland likes to celebrate whenever just because, and the well known art walk and street party, First Fridays, is especially lit in the summertime, when the sun is out longer and everyone seems to be in a relaxed, happy mood. All the galleries are open late; impromptu dance parties erupt on the street; and there’s plenty of food and local vendors. At one First Friday, I even saw a guy swallowing swords. Third Thursdays is a new street party in Oakland more centered on music than visual art; each month, artists like rapper Gina Madrid and hip-hop-chamber music group Ensemble Mik Nawooj perform in Latham Square.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13833757/eight-activities-to-fill-your-east-bay-summer-calendar","authors":["11387"],"series":["arts_4821"],"categories":["arts_1","arts_835"],"tags":["arts_1118","arts_1006","arts_596","arts_4824"],"featImg":"arts_13807500","label":"arts_4821"},"arts_13833567":{"type":"posts","id":"arts_13833567","meta":{"index":"posts_1591205157","site":"arts","id":"13833567","score":null,"sort":[1527692440000]},"guestAuthors":[],"slug":"10-picks-for-bay-area-summer-dance-steeped-in-tradition-and-change","title":"10 Picks for Bay Area Summer Dance, Steeped in Tradition and Change","publishDate":1527692440,"format":"standard","headTitle":"10 Picks for Bay Area Summer Dance, Steeped in Tradition and Change | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Considering the tsunami of \u003ca href=\"https://www.kqed.org/arts/13831659/san-francisco-ballet-unleashes-a-dozen-new-works-at-unbound-and-pop-wins\" target=\"_blank\" rel=\"noopener\">new dance\u003c/a> that engulfed San Francisco Ballet in May, you can’t blame us for thinking change is in the air. And yet we’re also grateful that some longstanding San Francisco traditions remain unwavering. This summer sees the return of beloved dance festivals with a bunch of new artists thrown into the mix, and a handful of world premieres from choreographers famous for the unexpected.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833585\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833585\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-800x714.jpg\" alt=\"\" width=\"800\" height=\"714\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-800x714.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-160x143.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-768x686.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-960x857.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-240x214.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-375x335.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-520x464.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Embodiment Project’s Amber Julian, left, and Terrence Paschal in Nicole Klaymoon’s ‘Music of the Actualized Child.’ (Photo courtesy of the artists)\u003c/figcaption>\u003c/figure>\n\u003ch3>Nicole Klaymoon | Embodiment Project in ‘Music of the Actualized Child’\u003c/h3>\n\u003ch5>June 7–9\u003cbr>\nODC Theater\u003cbr>\n\u003ca href=\"http://odc.dance/Embodiment\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Individual tales of childhood trauma narrated by the distinctive dancers of Embodiment Project are interwoven with the voices of racial equity activists and alchemized through music and dance into this soaring piece of documentary theater. Inspired by Shakti Butler’s new film \u003cem>Healing Justice\u003c/em>, about the systematic funneling of children of color into the prison system, \u003cem>Music of the Actualized Child \u003c/em>makes its world premiere after previewing last fall at YBCA. \u003ca href=\"https://www.kqed.org/arts/13767219/women-to-watch-nicole-klaymoon\" target=\"_blank\" rel=\"noopener\">Nicole Klaymoon\u003c/a> heads the multiracial, multidisciplinary cast.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833574\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833574\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alice Sheppard and Laurel Lawson for the 2018 Fresh Meat Festival. (Photo: Jay)\u003c/figcaption>\u003c/figure>\n\u003ch3>Fresh Meat Festival\u003c/h3>\n\u003ch5>June 14–16\u003cbr>\nZ Space\u003cbr>\n\u003ca href=\"http://freshmeatproductions.org/fresh-meat-festival-2018/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>While other parts of the country tie themselves in knots over \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/02/22/516664633/trump-administration-rescinds-obama-rule-on-transgender-students-bathroom-use\" target=\"_blank\" rel=\"noopener\">how to police their bathrooms\u003c/a>, San Francisco gleefully spotlights trans, queer, and gender-nonconforming artists in the 17th installment of the Fresh Meat Festival, curated by \u003ca href=\"https://www.kqed.org/arts/13829022/sean-dorsey-on-the-reinvention-of-masculinity-in-boys-in-trouble\" target=\"_blank\" rel=\"noopener\">Sean Dorsey\u003c/a>. Newcomers this year include legendary singer-songwriter Blackberri, comedian Charlotte Tate, and the queer disabled dance duo of Alice Sheppard and Laurel Lawson. Plus, a sneak preview of \u003cem>The Red\u003c/em>\u003cem> \u003c/em>\u003cem>Shades\u003c/em>—a rock opera about a teenage trans girl who escapes small-town life in the ’60s and joins a gang of trans superheroes in the Tenderloin.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833589\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833589\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-800x447.jpg\" alt=\"\" width=\"800\" height=\"447\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-800x447.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-768x429.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-1020x570.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-1200x670.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-1180x659.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-960x536.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-240x134.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-375x209.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-520x290.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers of Tim Rubel Human Shakes in Rubel and Elisabeth Kindler-Abali’s ‘ALIEN.’ (Photo: Victor Talledos)\u003c/figcaption>\u003c/figure>\n\u003ch3>Tim Rubel Human Shakes and Elisabeth Kindler-Abali | ALIEN\u003c/h3>\n\u003ch5>June 14–16\u003cbr>\nCounterPulse\u003cbr>\n\u003ca href=\"http://counterpulse.org/alien/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Spurred by increasing xenophobia in America and Germany, collaborators Tim Rubel (San Francisco) and Elisabeth Kindler-Abali (Berlin) researched stories of immigrants and refugees, many of whom come from Muslim communities. They also reflected on their own experiences, as well as those of their dancers, of being ‘othered.’ These observations inform a fantasy about members of a fictional human race who are forced to flee their homeland, and who become objects of fear and suspicion in a new land. Spoken text, song and video installations are woven into this choreographic statement that rejects the legitimizing of intolerance and examines the use of the word ‘alien’ as applied to a human being.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833580\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833580\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1.jpg 1800w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mariella Morales, Laure Fluerentin and Gabriella Brito of Alafia Dance Ensemble for CubaCaribe. (Photo: Andy Mogg)\u003c/figcaption>\u003c/figure>\n\u003ch3>CubaCaribe Festival\u003c/h3>\n\u003ch5>June 15–28\u003cbr>\nLaney College, Oakland\u003cbr>\nBrava Theater and Museum of the African Diaspora, San Francisco\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/cubacaribe-festival-2018-tickets-44501666683\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Two weekends of dance, music, film and spoken-word performance open with the world premiere of \u003cem>Calle\u003c/em>, which unites the Cuban contemporary Alayo Dance Company with Oakland street dancers famed for their turfing and breakdancing. Co-choreographers Ramón Ramos Alayo and Jamaica Itule—working with hip-hop dancers Zimmy, Phil of the Future, and The Intricate, as well as Cuban artists Denmis Savigne, Maikel Castellanos Perez, and guest choreographers Johnny Lopez, and José Francisco Barroso—seek to bridge the gap between concert dance and dance that happens in the street, or \u003cem>calle. \u003c/em>They note that hip-hop is both celebrated and devalued, as it is learned in the street rather than in a formal academy, and often dismissed as being ‘too urban’ or ‘too black’—much like Rumba, the national dance of Cuba, which originated among marginalized Afro-Cubans.\u003c/p>\n\u003cp>Other festival performers include Aguas Dance Company; The Cali Dance; El Wah Movement Dance Theater; Nicaragua Danza, Hijos de Maiz; Alafia Dance Ensemble; Dimensions Dance Theater; Yabás Dance Company; and playwright and performance artist Paul Flores.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833586\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833586\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">tinypistol’s Robyn Gerbaz and Alex Carrington in Maurya Kerr’s ‘kosmos.’ (Photo: Stephen Texeira)\u003c/figcaption>\u003c/figure>\n\u003ch3>Maurya Kerr | Tinypistol in \u003cem>kosmos\u003c/em>\u003c/h3>\n\u003ch5>June 21–23\u003cbr>\nODC Theater\u003cbr>\n\u003ca href=\"http://odc.dance/kosmos\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Though steeped in ballet as a performer, Maurya Kerr makes dances that take us to dark places where ballet rarely if ever penetrates. Her newest work belongs to no time or place—though we are told it springs from the realization that people of color have, as a rule, been written out of tales of wonderment. Kerr asks: How has this affected their ability to envision themselves “in connection to the vastness and mystery of the cosmos”? A score commissioned from Ben Juodvalkis and set design by Allen Willner are intended to convey this starlit vastness and “allow room for softness and hope.”\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833578\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13833578 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-800x672.jpg\" alt=\"\" width=\"800\" height=\"672\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-800x672.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-768x646.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1020x857.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1200x1009.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1920x1614.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1180x992.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-960x807.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-240x202.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-375x315.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-520x437.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">YueRu Ma and James Gilmer of Amy Seiwert’s Imagery in Seiwert’s world premiere for ‘SKETCH 8.’ (Photo credit: Patrick Stull)\u003c/figcaption>\u003c/figure>\n\u003ch3>Amy Seiwert’s Imagery in ‘SKETCH 8: Origin Stories’\u003c/h3>\n\u003ch5>June 28–30\u003cbr>\nODC Theater\u003cbr>\n\u003ca href=\"http://asimagery.org/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Female choreographers—a rarity in the ballet world—are a staple of the SKETCH series. This year, artistic director Amy Seiwert invited New York-based choreographers Jennifer Archibald and Gabrielle Lamb to make new work on her dancers alongside a world premiere of her own. Lamb explores the differences between European and indigenous beliefs about air, wind, breath, and atmosphere. Archibald takes as her starting point the belief in certain cultures that taking a picture can steal a person’s soul.\u003cstrong> \u003c/strong>Seiwert collaborates with violist-composer Christen Lien to revisit the Greek myth of Elpis, the spirit who remained trapped in Pandora’s box after all the other evils escaped into the world.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833581\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833581\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-800x496.jpg\" alt=\"\" width=\"800\" height=\"496\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-800x496.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-768x477.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1020x633.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1200x745.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1920x1191.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1180x732.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-960x596.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-240x149.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-375x233.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-520x323.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Parangal Dance Company. (Photo courtesy World Arts West)\u003c/figcaption>\u003c/figure>\n\u003ch3>San Francisco Ethnic Dance Festival\u003c/h3>\n\u003ch5>July 6–22\u003cbr>\nWar Memorial Opera House\u003cbr>\n\u003ca href=\"http://worldartswest.org/main/home.asp\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>All dance is ethnic, and in the current atmosphere of \u003ca href=\"https://www.theroot.com/trump-to-naval-academy-grads-our-ancestors-tamed-a-co-1826347353\" target=\"_blank\" rel=\"noopener\">xenophobia\u003c/a>, certain dance forms risk being wiped off the map. Yet a stout defense is provided by this mighty festival, now in its 40th year. Festival newcomers include Ananya Tirumala (South Indian Kuchipudi), Antara Asthaayi Dance (North Indian Kathak), Te Pura O Te Rahura’a (Tahitian ʽŌte’a and ʽAparima), and Ye Feng (Chinese contemporary).\u003c/p>\n\u003cp>With temperatures rising on the Korean peninsula, keep an eye out for the world premiere of Korean OngDance Company’s \u003cem>Salt Doll\u003c/em>. Inspired by the tale of a salt doll’s quest for identity which takes her into a heat that ultimately melts her, this modern-day interpretation fuses Chinese, Japanese and Korean elements. And as you sample the savage beauty of Parangal Dance Company’s \u003cem>Kiyaprawa a ko Arkat Lawanen (The Abduction of Princess Lawanen)\u003c/em>, from an ancient legend of the Meranaw people of Mindanao, contemplate the ongoing atrocities by the Philippine military on that island, perpetrated on the pretext of wiping out Muslim rebels.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833584\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833584\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-800x506.jpg\" alt=\"\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-800x506.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1020x645.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1200x759.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1920x1214.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1180x746.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-960x607.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-520x329.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marit Brook-Kothlow, James Graham, Damara Ganley in Joe Goode’s ‘Still Standing.’ (Photo: RJ Muna)\u003c/figcaption>\u003c/figure>\n\u003ch3>Joe Goode’s \u003cem>Still Standing\u003c/em>\u003c/h3>\n\u003ch5>July 12–Aug. 5\u003cbr>\nHaas-Lilienthal House, San Francisco\u003cbr>\n\u003ca href=\"http://joegoode.org/still-standing/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Roam the stately Haas-Lilienthal House along with dancers and musicians in Joe Goode’s latest piece of dance theatre, titled \u003cem>Still Standing\u003c/em>. Home to three generations of a prominent German-Jewish family, the house survived the 1906 earthquake and fire; today, restored to its Victorian-era splendor, it operates as a heritage museum. Paralleling the complex family history embedded in this singular piece of architecture, Goode embeds real and fictional stories drawn from the lives of his performers to comment on the resilience and the spirit of reinvention for which San Francisco is famous. One of his characters grapples with masculine and feminine influences over decades, redefining how they want to exist in the world. Another trio of dancers imagines the history of domestic life in the grand house, full of conflict and temptations. These tales are framed by an original score by Ben Juodvalkis and the music of Tassiana Willis, Lila Blue and Shawna Virago.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833582\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833582\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco International Deaf Dance Festival. (Photo: Matt Haber)\u003c/figcaption>\u003c/figure>\n\u003ch3>Urban Jazz Dance Company | Bay Area International Deaf Dance Festival\u003c/h3>\n\u003ch5>Aug. 10-12\u003cbr>\nDance Mission Theater\u003c/h5>\n\u003cp>This year’s lineup includes the Bay Area’s Visceral Roots, Ian Sanborn, South Africa’s Unmute Dance Company and Nigeria’s Magic Fingers Entertainment Productions. Festival founder Antoine Hunter also premieres a new work on pointe, set on his Urban Jazz Dance Company. The festival proper is bookended by a presentation of \u003cem>Muffled Ovarian\u003c/em> by DeVinci Deaf Loud Dance Theatre (Urban Jazz Dance Company) and other Deaf Theatre artists who share their #metoo and survivor stories on Jul. 28 at Oakland’s Flight Deck, and by Urban Jazz Dance Company’s \u003cem>Deaf In Prison\u003c/em> at CounterPulse on Nov. 8-11.\u003c/p>\n\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833588\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833588\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-520x780.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2.jpg 1365w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">dawsondancesf’s David Calhoun. (Photo: Devi Pride Photography)\u003c/figcaption>\u003c/figure>\n\u003ch3>Gregory Dawson | dawsondancesf in \u003cem>Mangaku\u003c/em>\u003c/h3>\n\u003ch5>Aug. 24–25\u003cbr>\nYBCA\u003cbr>\n\u003ca href=\"http://dawsondancesf.org\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Fast, sleek, darkly elegant and introspective describes what I’ve seen of Gregory Dawson’s work so far, in an edgy ballet technique reminiscent but not imitative of his mentor, Alonzo King. \u003cem>Mangaku\u003c/em>, a West African term for ‘coming of age,’ marks Dawson’s fifth collaboration with saxophonist-composer Richard Howell, whom KQED called the ‘\u003ca href=\"https://www.kqed.org/arts/11238443/richard-howell-saxophonist-educator-and-hidden-jedi-of-bay-area-jazz\" target=\"_blank\" rel=\"noopener\">hidden Jedi of Bay Area jazz\u003c/a>.’ The backbone of this latest work is Howell’s newly released album, \u003ca href=\"http://iyouwee.com/coming-of-age-mangaku/\" target=\"_blank\" rel=\"noopener\">\u003cem>Coming of Age – Mangaku\u003c/em>\u003c/a>. Both artists say they resonate with the message in the name: they both feel they’re coming of age right now. Howell will perform live with a quartet that includes his young percussionist son, Elé Salif Howell.\n\u003c/p>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"A mix of the old and new comprise our picks for the best Bay Area dance events for the summer. ","status":"publish","parent":0,"modified":1705027753,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":35,"wordCount":1703},"headData":{"title":"10 Picks for Bay Area Summer Dance, Steeped in Tradition and Change | KQED","description":"A mix of the old and new comprise our picks for the best Bay Area dance events for the summer. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13833567/10-picks-for-bay-area-summer-dance-steeped-in-tradition-and-change","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Considering the tsunami of \u003ca href=\"https://www.kqed.org/arts/13831659/san-francisco-ballet-unleashes-a-dozen-new-works-at-unbound-and-pop-wins\" target=\"_blank\" rel=\"noopener\">new dance\u003c/a> that engulfed San Francisco Ballet in May, you can’t blame us for thinking change is in the air. And yet we’re also grateful that some longstanding San Francisco traditions remain unwavering. This summer sees the return of beloved dance festivals with a bunch of new artists thrown into the mix, and a handful of world premieres from choreographers famous for the unexpected.\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833585\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833585\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-800x714.jpg\" alt=\"\" width=\"800\" height=\"714\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-800x714.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-160x143.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-768x686.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-960x857.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-240x214.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-375x335.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists-520x464.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Embodiment-Projects-Amber-Julian-left-and-Terrence-Paschal.-Photo-courtesy-of-the-artists.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Embodiment Project’s Amber Julian, left, and Terrence Paschal in Nicole Klaymoon’s ‘Music of the Actualized Child.’ (Photo courtesy of the artists)\u003c/figcaption>\u003c/figure>\n\u003ch3>Nicole Klaymoon | Embodiment Project in ‘Music of the Actualized Child’\u003c/h3>\n\u003ch5>June 7–9\u003cbr>\nODC Theater\u003cbr>\n\u003ca href=\"http://odc.dance/Embodiment\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Individual tales of childhood trauma narrated by the distinctive dancers of Embodiment Project are interwoven with the voices of racial equity activists and alchemized through music and dance into this soaring piece of documentary theater. Inspired by Shakti Butler’s new film \u003cem>Healing Justice\u003c/em>, about the systematic funneling of children of color into the prison system, \u003cem>Music of the Actualized Child \u003c/em>makes its world premiere after previewing last fall at YBCA. \u003ca href=\"https://www.kqed.org/arts/13767219/women-to-watch-nicole-klaymoon\" target=\"_blank\" rel=\"noopener\">Nicole Klaymoon\u003c/a> heads the multiracial, multidisciplinary cast.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833574\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833574\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/2018FreshMeatFestival_AliceSheppardAndLaurelLawson_1_Photoby_Jay.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alice Sheppard and Laurel Lawson for the 2018 Fresh Meat Festival. (Photo: Jay)\u003c/figcaption>\u003c/figure>\n\u003ch3>Fresh Meat Festival\u003c/h3>\n\u003ch5>June 14–16\u003cbr>\nZ Space\u003cbr>\n\u003ca href=\"http://freshmeatproductions.org/fresh-meat-festival-2018/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>While other parts of the country tie themselves in knots over \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/02/22/516664633/trump-administration-rescinds-obama-rule-on-transgender-students-bathroom-use\" target=\"_blank\" rel=\"noopener\">how to police their bathrooms\u003c/a>, San Francisco gleefully spotlights trans, queer, and gender-nonconforming artists in the 17th installment of the Fresh Meat Festival, curated by \u003ca href=\"https://www.kqed.org/arts/13829022/sean-dorsey-on-the-reinvention-of-masculinity-in-boys-in-trouble\" target=\"_blank\" rel=\"noopener\">Sean Dorsey\u003c/a>. Newcomers this year include legendary singer-songwriter Blackberri, comedian Charlotte Tate, and the queer disabled dance duo of Alice Sheppard and Laurel Lawson. Plus, a sneak preview of \u003cem>The Red\u003c/em>\u003cem> \u003c/em>\u003cem>Shades\u003c/em>—a rock opera about a teenage trans girl who escapes small-town life in the ’60s and joins a gang of trans superheroes in the Tenderloin.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833589\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833589\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-800x447.jpg\" alt=\"\" width=\"800\" height=\"447\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-800x447.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-768x429.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-1020x570.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-1200x670.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-1180x659.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-960x536.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-240x134.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-375x209.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos-520x290.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Tim-Rubel-Human-Shakes-with-Elisabeth-Kindler-Abali-photo-Victor-Talledos.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers of Tim Rubel Human Shakes in Rubel and Elisabeth Kindler-Abali’s ‘ALIEN.’ (Photo: Victor Talledos)\u003c/figcaption>\u003c/figure>\n\u003ch3>Tim Rubel Human Shakes and Elisabeth Kindler-Abali | ALIEN\u003c/h3>\n\u003ch5>June 14–16\u003cbr>\nCounterPulse\u003cbr>\n\u003ca href=\"http://counterpulse.org/alien/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Spurred by increasing xenophobia in America and Germany, collaborators Tim Rubel (San Francisco) and Elisabeth Kindler-Abali (Berlin) researched stories of immigrants and refugees, many of whom come from Muslim communities. They also reflected on their own experiences, as well as those of their dancers, of being ‘othered.’ These observations inform a fantasy about members of a fictional human race who are forced to flee their homeland, and who become objects of fear and suspicion in a new land. Spoken text, song and video installations are woven into this choreographic statement that rejects the legitimizing of intolerance and examines the use of the word ‘alien’ as applied to a human being.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833580\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833580\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/CubaCaribeFestival_AlafiaDanceEnsemble_AndyMogg-1.jpg 1800w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mariella Morales, Laure Fluerentin and Gabriella Brito of Alafia Dance Ensemble for CubaCaribe. (Photo: Andy Mogg)\u003c/figcaption>\u003c/figure>\n\u003ch3>CubaCaribe Festival\u003c/h3>\n\u003ch5>June 15–28\u003cbr>\nLaney College, Oakland\u003cbr>\nBrava Theater and Museum of the African Diaspora, San Francisco\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/cubacaribe-festival-2018-tickets-44501666683\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Two weekends of dance, music, film and spoken-word performance open with the world premiere of \u003cem>Calle\u003c/em>, which unites the Cuban contemporary Alayo Dance Company with Oakland street dancers famed for their turfing and breakdancing. Co-choreographers Ramón Ramos Alayo and Jamaica Itule—working with hip-hop dancers Zimmy, Phil of the Future, and The Intricate, as well as Cuban artists Denmis Savigne, Maikel Castellanos Perez, and guest choreographers Johnny Lopez, and José Francisco Barroso—seek to bridge the gap between concert dance and dance that happens in the street, or \u003cem>calle. \u003c/em>They note that hip-hop is both celebrated and devalued, as it is learned in the street rather than in a formal academy, and often dismissed as being ‘too urban’ or ‘too black’—much like Rumba, the national dance of Cuba, which originated among marginalized Afro-Cubans.\u003c/p>\n\u003cp>Other festival performers include Aguas Dance Company; The Cali Dance; El Wah Movement Dance Theater; Nicaragua Danza, Hijos de Maiz; Alafia Dance Ensemble; Dimensions Dance Theater; Yabás Dance Company; and playwright and performance artist Paul Flores.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833586\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833586\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tinypistols-Robyn-Gerbaz-and-Alex-Carrington.-Photo-by-Stephen-Texeira.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">tinypistol’s Robyn Gerbaz and Alex Carrington in Maurya Kerr’s ‘kosmos.’ (Photo: Stephen Texeira)\u003c/figcaption>\u003c/figure>\n\u003ch3>Maurya Kerr | Tinypistol in \u003cem>kosmos\u003c/em>\u003c/h3>\n\u003ch5>June 21–23\u003cbr>\nODC Theater\u003cbr>\n\u003ca href=\"http://odc.dance/kosmos\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Though steeped in ballet as a performer, Maurya Kerr makes dances that take us to dark places where ballet rarely if ever penetrates. Her newest work belongs to no time or place—though we are told it springs from the realization that people of color have, as a rule, been written out of tales of wonderment. Kerr asks: How has this affected their ability to envision themselves “in connection to the vastness and mystery of the cosmos”? A score commissioned from Ben Juodvalkis and set design by Allen Willner are intended to convey this starlit vastness and “allow room for softness and hope.”\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833578\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13833578 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-800x672.jpg\" alt=\"\" width=\"800\" height=\"672\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-800x672.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-768x646.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1020x857.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1200x1009.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1920x1614.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-1180x992.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-960x807.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-240x202.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-375x315.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done-520x437.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Amy-powder37875done.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">YueRu Ma and James Gilmer of Amy Seiwert’s Imagery in Seiwert’s world premiere for ‘SKETCH 8.’ (Photo credit: Patrick Stull)\u003c/figcaption>\u003c/figure>\n\u003ch3>Amy Seiwert’s Imagery in ‘SKETCH 8: Origin Stories’\u003c/h3>\n\u003ch5>June 28–30\u003cbr>\nODC Theater\u003cbr>\n\u003ca href=\"http://asimagery.org/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Female choreographers—a rarity in the ballet world—are a staple of the SKETCH series. This year, artistic director Amy Seiwert invited New York-based choreographers Jennifer Archibald and Gabrielle Lamb to make new work on her dancers alongside a world premiere of her own. Lamb explores the differences between European and indigenous beliefs about air, wind, breath, and atmosphere. Archibald takes as her starting point the belief in certain cultures that taking a picture can steal a person’s soul.\u003cstrong> \u003c/strong>Seiwert collaborates with violist-composer Christen Lien to revisit the Greek myth of Elpis, the spirit who remained trapped in Pandora’s box after all the other evils escaped into the world.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833581\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833581\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-800x496.jpg\" alt=\"\" width=\"800\" height=\"496\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-800x496.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-768x477.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1020x633.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1200x745.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1920x1191.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-1180x732.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-960x596.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-240x149.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-375x233.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5-520x323.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EDF18_Parangal.193.7x5.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Parangal Dance Company. (Photo courtesy World Arts West)\u003c/figcaption>\u003c/figure>\n\u003ch3>San Francisco Ethnic Dance Festival\u003c/h3>\n\u003ch5>July 6–22\u003cbr>\nWar Memorial Opera House\u003cbr>\n\u003ca href=\"http://worldartswest.org/main/home.asp\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>All dance is ethnic, and in the current atmosphere of \u003ca href=\"https://www.theroot.com/trump-to-naval-academy-grads-our-ancestors-tamed-a-co-1826347353\" target=\"_blank\" rel=\"noopener\">xenophobia\u003c/a>, certain dance forms risk being wiped off the map. Yet a stout defense is provided by this mighty festival, now in its 40th year. Festival newcomers include Ananya Tirumala (South Indian Kuchipudi), Antara Asthaayi Dance (North Indian Kathak), Te Pura O Te Rahura’a (Tahitian ʽŌte’a and ʽAparima), and Ye Feng (Chinese contemporary).\u003c/p>\n\u003cp>With temperatures rising on the Korean peninsula, keep an eye out for the world premiere of Korean OngDance Company’s \u003cem>Salt Doll\u003c/em>. Inspired by the tale of a salt doll’s quest for identity which takes her into a heat that ultimately melts her, this modern-day interpretation fuses Chinese, Japanese and Korean elements. And as you sample the savage beauty of Parangal Dance Company’s \u003cem>Kiyaprawa a ko Arkat Lawanen (The Abduction of Princess Lawanen)\u003c/em>, from an ancient legend of the Meranaw people of Mindanao, contemplate the ongoing atrocities by the Philippine military on that island, perpetrated on the pretext of wiping out Muslim rebels.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833584\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833584\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-800x506.jpg\" alt=\"\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-800x506.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1020x645.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1200x759.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1920x1214.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-1180x746.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-960x607.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james-520x329.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/C_Joe_Goode_180117_1071-3inarms-james.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marit Brook-Kothlow, James Graham, Damara Ganley in Joe Goode’s ‘Still Standing.’ (Photo: RJ Muna)\u003c/figcaption>\u003c/figure>\n\u003ch3>Joe Goode’s \u003cem>Still Standing\u003c/em>\u003c/h3>\n\u003ch5>July 12–Aug. 5\u003cbr>\nHaas-Lilienthal House, San Francisco\u003cbr>\n\u003ca href=\"http://joegoode.org/still-standing/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Roam the stately Haas-Lilienthal House along with dancers and musicians in Joe Goode’s latest piece of dance theatre, titled \u003cem>Still Standing\u003c/em>. Home to three generations of a prominent German-Jewish family, the house survived the 1906 earthquake and fire; today, restored to its Victorian-era splendor, it operates as a heritage museum. Paralleling the complex family history embedded in this singular piece of architecture, Goode embeds real and fictional stories drawn from the lives of his performers to comment on the resilience and the spirit of reinvention for which San Francisco is famous. One of his characters grapples with masculine and feminine influences over decades, redefining how they want to exist in the world. Another trio of dancers imagines the history of domestic life in the grand house, full of conflict and temptations. These tales are framed by an original score by Ben Juodvalkis and the music of Tassiana Willis, Lila Blue and Shawna Virago.\n\u003c/p>\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833582\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833582\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/SF-Intl-Deaf-Dance-Festival-photo-by-Matt-Haber.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco International Deaf Dance Festival. (Photo: Matt Haber)\u003c/figcaption>\u003c/figure>\n\u003ch3>Urban Jazz Dance Company | Bay Area International Deaf Dance Festival\u003c/h3>\n\u003ch5>Aug. 10-12\u003cbr>\nDance Mission Theater\u003c/h5>\n\u003cp>This year’s lineup includes the Bay Area’s Visceral Roots, Ian Sanborn, South Africa’s Unmute Dance Company and Nigeria’s Magic Fingers Entertainment Productions. Festival founder Antoine Hunter also premieres a new work on pointe, set on his Urban Jazz Dance Company. The festival proper is bookended by a presentation of \u003cem>Muffled Ovarian\u003c/em> by DeVinci Deaf Loud Dance Theatre (Urban Jazz Dance Company) and other Deaf Theatre artists who share their #metoo and survivor stories on Jul. 28 at Oakland’s Flight Deck, and by Urban Jazz Dance Company’s \u003cem>Deaf In Prison\u003c/em> at CounterPulse on Nov. 8-11.\u003c/p>\n\u003c/div>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833588\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833588\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2-520x780.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dawsondancesfs-David-Calhoun.-Photo-by-Devi-Pride-Photography-2.jpg 1365w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">dawsondancesf’s David Calhoun. (Photo: Devi Pride Photography)\u003c/figcaption>\u003c/figure>\n\u003ch3>Gregory Dawson | dawsondancesf in \u003cem>Mangaku\u003c/em>\u003c/h3>\n\u003ch5>Aug. 24–25\u003cbr>\nYBCA\u003cbr>\n\u003ca href=\"http://dawsondancesf.org\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Fast, sleek, darkly elegant and introspective describes what I’ve seen of Gregory Dawson’s work so far, in an edgy ballet technique reminiscent but not imitative of his mentor, Alonzo King. \u003cem>Mangaku\u003c/em>, a West African term for ‘coming of age,’ marks Dawson’s fifth collaboration with saxophonist-composer Richard Howell, whom KQED called the ‘\u003ca href=\"https://www.kqed.org/arts/11238443/richard-howell-saxophonist-educator-and-hidden-jedi-of-bay-area-jazz\" target=\"_blank\" rel=\"noopener\">hidden Jedi of Bay Area jazz\u003c/a>.’ The backbone of this latest work is Howell’s newly released album, \u003ca href=\"http://iyouwee.com/coming-of-age-mangaku/\" target=\"_blank\" rel=\"noopener\">\u003cem>Coming of Age – Mangaku\u003c/em>\u003c/a>. Both artists say they resonate with the message in the name: they both feel they’re coming of age right now. Howell will perform live with a quartet that includes his young percussionist son, Elé Salif Howell.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13833567/10-picks-for-bay-area-summer-dance-steeped-in-tradition-and-change","authors":["11206"],"series":["arts_4821"],"categories":["arts_966"],"tags":["arts_879","arts_1118","arts_1006","arts_596","arts_4824"],"featImg":"arts_13833572","label":"arts_4821"},"arts_13833349":{"type":"posts","id":"arts_13833349","meta":{"index":"posts_1591205157","site":"arts","id":"13833349","score":null,"sort":[1527623056000]},"guestAuthors":[],"slug":"south-bay-summer-sights-and-sounds-in-san-jose-and-beyond","title":"South Bay Summer: Sights and Sounds in San Jose and Beyond","publishDate":1527623056,"format":"image","headTitle":"South Bay Summer: Sights and Sounds in San Jose and Beyond | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-13832925\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>That amorphous swath of the Bay Area known as Silicon Valley conjures images of Facebook’s headquarters more than it does live music and art, but that’s not to say the South Bay doesn’t have a vibrant cultural landscape of its own.\u003c/p>\n\u003cp>Summer is a time when the valley’s creative spirit shines brightest. Typically dormant streets and parks spring to life, showcasing acts both local and global, and celebrating old and new traditions. With long-standing institutions and under-the-radar events, the South Bay offers a lot to explore. Here are our eight must-do summer activities.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_12228688\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12228688\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014.jpg\" alt=\"\" width=\"640\" height=\"424\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-520x345.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Cellista art installation & performance at SubZERO Festival 2014. \u003ccite>(Cherri Lakey)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>11th Annual SubZERO Festival\u003c/h2>\n\u003cp>\u003cem>June 1-2\u003cbr>\nSoFA District, San Jose.\u003cbr>\n\u003ca href=\"http://www.subzerofestival.com/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>SubZERO’s tagline is “a DIY, artistically bent, hi/lo-techno mashup where street meets geek,” and the festival has emerged as one of the most authentic platforms for San Jose’s creative community. After more than a decade, its only constant is how eclectic and weird the weekend can be. This June, Human Art Collective is back with body painting; Haptic Synapses craft live analog techno on the street; and the Santa Clara County poet laureate Mighty Mike McGee shares his work between musical acts on the main stage, which features Lumerians and Death Cheetah.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833630\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833630\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Mumlers, led by vocalist Will Sprott (third from R), reunite on June 16. \u003ccite>(Andrew Paynter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Mumlers\u003c/h2>\n\u003cp>\u003cem>June 16\u003cbr>\nThe Ritz, San Jose\u003cbr>\n\u003ca href=\"http://theritzsanjose.com/shows/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>San Jose’s rich skateboarding community unites for a good cause next month, culminating in a rare reunion of South Bay indie rock favorites the Mumlers. This will be only their second performance over the past decade. Bandleader Will Sprott says the band has been busy with other projects—Sprott himself has been writing solo material and working with Oakland garage rock revivalists Shannon and the Clams—but he says the Mumlers are “getting back together to help raise cash for a friend.” The performance is a fundraiser in support of beloved local skater \u003ca href=\"https://www.youcaring.com/gerryjuan-1129508\" target=\"_blank\" rel=\"noopener\">Gerry Juan\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11952824\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11952824\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-800x467.jpg\" alt=\"\" width=\"800\" height=\"467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-800x467.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-400x234.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-768x449.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-960x561.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579.jpg 1017w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tony! Toni! Toné!\u003c/figcaption>\u003c/figure>\n\u003ch2>Music in the Park: Tony! Toni! Tone!\u003c/h2>\n\u003cp>\u003cem>June 22.\u003cbr>\nPlaza de Cesar Chavez, San Jose\u003cbr>\n\u003ca href=\"https://sjdowntown.com/music-in-the-park/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>Music in the Park may no longer be free, but the San Jose Downtown Association still presents live music at modest prices throughout the summer ($15 in advance for general admission; $35 for VIP). Legendary R&B trio Tony! Toni! Toné! from Oakland kicks off this year’s festival series at Plaza de Cesar Chavez on June 22. Don’t sleep on the stacked local undercard, which includes DJs Chale Brown and the CME, followed by neo-soul powerhouse No Water After Midnight—San Jose’s best kept musical secret.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833628\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833628\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-520x325.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Crosser” (2000) by Rafael Fajardo. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>NextNewGames\u003c/h2>\n\u003cp>\u003cem>June 22 – Sept. 16\u003cbr>\nSan Jose Institute of Contemporary Art\u003cbr>\n\u003ca href=\"https://www.sjica.org/upcoming-exhibitions/nextnewgames/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>In the next installment of the biannual “NextNew”\u003cem> \u003c/em>series, the San Jose Institute of Contemporary Art presents eight artists who create “a porous relationship between the imaginary land of the game space and that of the real world.” In “Liberty City,” creative duo COLL.EO bring game play in \u003cem>Grand Theft Auto \u003c/em>to a crawl, revealing a surprisingly active side to the extensive landscape by Rockstar Games designers. For a more hands-on experience, check out the work of Rafael Fajardo, whose two games provide contrasting glimpses into the experience of crossing the U.S.-Mexico border.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11872132\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11872132\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-800x500.jpg\" alt=\"The Chidori Band performs at the Obon festival in San Jose's Japantown on July 9, 2016.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-400x250.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-960x600.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Chidori Band performs at the Obon festival in San Jose’s Japantown on July 9, 2016. \u003ccite>(James Tensuan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Obon Festival\u003c/h2>\n\u003cp>\u003cem>July 14-15\u003cbr>\nSan Jose Buddhist Church Betsuin, San Jose\u003cbr>\n\u003ca href=\"http://www.jtown.org/events/2018/7/14/san-jose-obon-festival\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>The San Jose Obon Festival is the biggest weekend of the year for San Jose’s Japantown neighborhood. The fest coincides with the seasonal Buddhist tradition of honoring the spirits of ancestors. Yes, there are food and vendor booths, but the festival’s centerpiece is usually San Jose Taiko, who mix booming percussion with light and fluid choreography. They’ve been sharing the Japanese tradition of \u003cem>kumidaiko\u003c/em>, a drum performance style that’s been around since the ’50s, locally since 1973.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833631\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833631\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pete Escovedo performs with his Latin Jazz Orchestra at the E Spot in Studio City, 2015. \u003ccite>(Pete Escovedo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Pete Escovedo\u003c/h2>\n\u003cp>\u003cem>Aug. 22\u003cbr>\nTown Plaza, Los Gatos\u003cbr>\n\u003ca href=\"http://jazzontheplazz.com/2018-artists\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Born into a highly musical family, percussionist Pete Escovedo emerged as a Latin jazz heavyweight after his work in the ’70s with Santana and Azteca. He’s remained a South Bay crowd favorite ever since. (Did I mention he once owned a Latin jazz club in SJ’s SoFA District?) He’s been a staple of Music in the Park’s programming over the years, and this year, fans can catch him at the more intimate Los Gatos Town Plaza. Escovedo and his band close out the free Jazz on the Plazz summer series, a Wednesday weekly that kicks off June 13. Bring a blanket or folding chair and make sure you arrive early to see a living legend up close.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13833627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\n\u003ch2>Native Gardens\u003c/h2>\n\u003cp>\u003cem>Opens Aug. 22\u003cbr>\nCenter for Performing Arts, Mountain View\u003cbr>\n\u003ca href=\"https://www.theatreworks.org/201819-season/201819-season/native-gardens/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>TheatreWorks’ regional premiere, the latest play by Mexican-born, Washington, D.C.-based playwright Karen Zacarías, sees a territorial dispute devolve into a comedic examination of class, race and privilege. An upwardly mobile Latino couple—attorney Pablo and his pregnant wife, doctoral candidate Tania—move next door to established D.C. couple Frank and Virginia, who have cultivated a stellar English garden in their backyard. When their long-standing property line comes into question, civility goes out the window. The play runs through Sept. 16.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonido Clash Festival\u003c/h2>\n\u003cp>\u003cem>Sept. 2\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Best known for their “Selenabration” tribute parties, which paid homage to Selena in San Jose and Oakland this year, the \u003ca href=\"https://www.kqed.org/arts/13806897/forget-despacito-sonido-clash-brings-latin-sounds-youve-never-heard\">Sonido Clash\u003c/a> collective has a reputation for curating Latinx sounds that honor the past while exploring the future of cumbia, Latin alternative and beyond. Presale passes for their third annual Sonido Clash Festival recently went on sale, but they have yet to reveal the acts for this summer’s festivities. Last year featured teenage heartthrob Cuco, “cholo goth” duo Prayers and Ecuadorian-American vocalist Helado Negro. Expect a similarly eclectic curation this September at Mexican Heritage Plaza.\u003c/p>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Spending summer in the South Bay? We've rounded up the best festivals, concerts and art shows for your culture fix. ","status":"publish","parent":0,"modified":1705027761,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1138},"headData":{"title":"South Bay Summer: Sights and Sounds in San Jose and Beyond | KQED","description":"Spending summer in the South Bay? We've rounded up the best festivals, concerts and art shows for your culture fix. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13833349/south-bay-summer-sights-and-sounds-in-san-jose-and-beyond","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-13832925\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>That amorphous swath of the Bay Area known as Silicon Valley conjures images of Facebook’s headquarters more than it does live music and art, but that’s not to say the South Bay doesn’t have a vibrant cultural landscape of its own.\u003c/p>\n\u003cp>Summer is a time when the valley’s creative spirit shines brightest. Typically dormant streets and parks spring to life, showcasing acts both local and global, and celebrating old and new traditions. With long-standing institutions and under-the-radar events, the South Bay offers a lot to explore. Here are our eight must-do summer activities.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_12228688\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12228688\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014.jpg\" alt=\"\" width=\"640\" height=\"424\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Cellista_BirdCage_2014-520x345.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Cellista art installation & performance at SubZERO Festival 2014. \u003ccite>(Cherri Lakey)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>11th Annual SubZERO Festival\u003c/h2>\n\u003cp>\u003cem>June 1-2\u003cbr>\nSoFA District, San Jose.\u003cbr>\n\u003ca href=\"http://www.subzerofestival.com/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>SubZERO’s tagline is “a DIY, artistically bent, hi/lo-techno mashup where street meets geek,” and the festival has emerged as one of the most authentic platforms for San Jose’s creative community. After more than a decade, its only constant is how eclectic and weird the weekend can be. This June, Human Art Collective is back with body painting; Haptic Synapses craft live analog techno on the street; and the Santa Clara County poet laureate Mighty Mike McGee shares his work between musical acts on the main stage, which features Lumerians and Death Cheetah.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833630\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833630\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Mumlers-promo-1920x1200-cred-Andrew-Paynter-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Mumlers, led by vocalist Will Sprott (third from R), reunite on June 16. \u003ccite>(Andrew Paynter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Mumlers\u003c/h2>\n\u003cp>\u003cem>June 16\u003cbr>\nThe Ritz, San Jose\u003cbr>\n\u003ca href=\"http://theritzsanjose.com/shows/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>San Jose’s rich skateboarding community unites for a good cause next month, culminating in a rare reunion of South Bay indie rock favorites the Mumlers. This will be only their second performance over the past decade. Bandleader Will Sprott says the band has been busy with other projects—Sprott himself has been writing solo material and working with Oakland garage rock revivalists Shannon and the Clams—but he says the Mumlers are “getting back together to help raise cash for a friend.” The performance is a fundraiser in support of beloved local skater \u003ca href=\"https://www.youcaring.com/gerryjuan-1129508\" target=\"_blank\" rel=\"noopener\">Gerry Juan\u003c/a>.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11952824\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11952824\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-800x467.jpg\" alt=\"\" width=\"800\" height=\"467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-800x467.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-400x234.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-768x449.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579-960x561.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/upload-16691893189246341-e1471565326579.jpg 1017w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tony! Toni! Toné!\u003c/figcaption>\u003c/figure>\n\u003ch2>Music in the Park: Tony! Toni! Tone!\u003c/h2>\n\u003cp>\u003cem>June 22.\u003cbr>\nPlaza de Cesar Chavez, San Jose\u003cbr>\n\u003ca href=\"https://sjdowntown.com/music-in-the-park/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>Music in the Park may no longer be free, but the San Jose Downtown Association still presents live music at modest prices throughout the summer ($15 in advance for general admission; $35 for VIP). Legendary R&B trio Tony! Toni! Toné! from Oakland kicks off this year’s festival series at Plaza de Cesar Chavez on June 22. Don’t sleep on the stacked local undercard, which includes DJs Chale Brown and the CME, followed by neo-soul powerhouse No Water After Midnight—San Jose’s best kept musical secret.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833628\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833628\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist-520x325.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/RafaelFajardo-Crosser-and-La-Migra-1024x640-Courtesy-of-Artist.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Crosser” (2000) by Rafael Fajardo. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>NextNewGames\u003c/h2>\n\u003cp>\u003cem>June 22 – Sept. 16\u003cbr>\nSan Jose Institute of Contemporary Art\u003cbr>\n\u003ca href=\"https://www.sjica.org/upcoming-exhibitions/nextnewgames/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>In the next installment of the biannual “NextNew”\u003cem> \u003c/em>series, the San Jose Institute of Contemporary Art presents eight artists who create “a porous relationship between the imaginary land of the game space and that of the real world.” In “Liberty City,” creative duo COLL.EO bring game play in \u003cem>Grand Theft Auto \u003c/em>to a crawl, revealing a surprisingly active side to the extensive landscape by Rockstar Games designers. For a more hands-on experience, check out the work of Rafael Fajardo, whose two games provide contrasting glimpses into the experience of crossing the U.S.-Mexico border.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11872132\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11872132\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-800x500.jpg\" alt=\"The Chidori Band performs at the Obon festival in San Jose's Japantown on July 9, 2016.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-400x250.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/Chidori.MAIN_-960x600.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Chidori Band performs at the Obon festival in San Jose’s Japantown on July 9, 2016. \u003ccite>(James Tensuan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Obon Festival\u003c/h2>\n\u003cp>\u003cem>July 14-15\u003cbr>\nSan Jose Buddhist Church Betsuin, San Jose\u003cbr>\n\u003ca href=\"http://www.jtown.org/events/2018/7/14/san-jose-obon-festival\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>The San Jose Obon Festival is the biggest weekend of the year for San Jose’s Japantown neighborhood. The fest coincides with the seasonal Buddhist tradition of honoring the spirits of ancestors. Yes, there are food and vendor booths, but the festival’s centerpiece is usually San Jose Taiko, who mix booming percussion with light and fluid choreography. They’ve been sharing the Japanese tradition of \u003cem>kumidaiko\u003c/em>, a drum performance style that’s been around since the ’50s, locally since 1973.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833631\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833631\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Pete-Escovedo-at-E-Spot-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pete Escovedo performs with his Latin Jazz Orchestra at the E Spot in Studio City, 2015. \u003ccite>(Pete Escovedo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Pete Escovedo\u003c/h2>\n\u003cp>\u003cem>Aug. 22\u003cbr>\nTown Plaza, Los Gatos\u003cbr>\n\u003ca href=\"http://jazzontheplazz.com/2018-artists\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Born into a highly musical family, percussionist Pete Escovedo emerged as a Latin jazz heavyweight after his work in the ’70s with Santana and Azteca. He’s remained a South Bay crowd favorite ever since. (Did I mention he once owned a Latin jazz club in SJ’s SoFA District?) He’s been a staple of Music in the Park’s programming over the years, and this year, fans can catch him at the more intimate Los Gatos Town Plaza. Escovedo and his band close out the free Jazz on the Plazz summer series, a Wednesday weekly that kicks off June 13. Bring a blanket or folding chair and make sure you arrive early to see a living legend up close.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13833627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Native-Gardens-KQED-1920x1200-TheatreWorks-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\n\u003ch2>Native Gardens\u003c/h2>\n\u003cp>\u003cem>Opens Aug. 22\u003cbr>\nCenter for Performing Arts, Mountain View\u003cbr>\n\u003ca href=\"https://www.theatreworks.org/201819-season/201819-season/native-gardens/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a> \u003c/em>\u003c/p>\n\u003cp>TheatreWorks’ regional premiere, the latest play by Mexican-born, Washington, D.C.-based playwright Karen Zacarías, sees a territorial dispute devolve into a comedic examination of class, race and privilege. An upwardly mobile Latino couple—attorney Pablo and his pregnant wife, doctoral candidate Tania—move next door to established D.C. couple Frank and Virginia, who have cultivated a stellar English garden in their backyard. When their long-standing property line comes into question, civility goes out the window. The play runs through Sept. 16.\u003c/p>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003chr>\n\u003cp> \u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonido Clash Festival\u003c/h2>\n\u003cp>\u003cem>Sept. 2\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/sonido-clash-music-fest/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Best known for their “Selenabration” tribute parties, which paid homage to Selena in San Jose and Oakland this year, the \u003ca href=\"https://www.kqed.org/arts/13806897/forget-despacito-sonido-clash-brings-latin-sounds-youve-never-heard\">Sonido Clash\u003c/a> collective has a reputation for curating Latinx sounds that honor the past while exploring the future of cumbia, Latin alternative and beyond. Presale passes for their third annual Sonido Clash Festival recently went on sale, but they have yet to reveal the acts for this summer’s festivities. Last year featured teenage heartthrob Cuco, “cholo goth” duo Prayers and Ecuadorian-American vocalist Helado Negro. Expect a similarly eclectic curation this September at Mexican Heritage Plaza.\u003c/p>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13833349/south-bay-summer-sights-and-sounds-in-san-jose-and-beyond","authors":["3250"],"series":["arts_4821"],"categories":["arts_1","arts_835","arts_235"],"tags":["arts_1118","arts_1006","arts_596","arts_3001","arts_2475","arts_4824"],"featImg":"arts_13833667","label":"arts_4821"},"arts_13832844":{"type":"posts","id":"arts_13832844","meta":{"index":"posts_1591205157","site":"arts","id":"13832844","score":null,"sort":[1527206428000]},"guestAuthors":[],"slug":"mixtape-local-artists-at-11-upcoming-bay-area-music-festivals","title":"Mixtape: Local Artists at 11 Upcoming Bay Area Music Festivals","publishDate":1527206428,"format":"audio","headTitle":"Mixtape: Local Artists at 11 Upcoming Bay Area Music Festivals | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>With the debut of the \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision Fest\u003c/a> in Oakland earlier this month and \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a> and \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> around the corner, \u003ca href=\"https://www.kqed.org/arts/13831900/summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area\" target=\"_blank\" rel=\"noopener\">music festival season\u003c/a> is officially underway in the Bay Area.\u003c/p>\n\u003cp>This mixtape features music from local artists performing at festivals around the region in the coming months. San Francisco’s \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> is certainly the biggest summer music festival in the area; its 2018 lineup is particularly notable for its overdue inclusion of \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">female headliners\u003c/a> (Janet Jackson!) and a ton of local performers. But the Bay Area has many other festivals to offer, and this mix reflects the variety of concert-going experiences available in Northern California.\u003c/p>\n\u003cp>Between now and the end of the summer, one can check out beloved legacy events \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> and Carnaval, exciting new fests like \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> and \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a> and the road trip-worthy \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> and \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about all eleven bands and their corresponding festivals.\u003c/p>\n\u003cp>\u003cstrong>Track List\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\" target=\"_blank\" rel=\"noopener\">Thao & The Get Down Stay Down\u003c/a>, “Astonished Man”\u003cbr>\n\u003cem>The beloved local indie rock band opens for M. Ward at the \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> on July 1.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thatblackkidthatraps/\" target=\"_blank\" rel=\"noopener\">Caleborate\u003c/a>, “Soul”\u003cbr>\n\u003cem>Berkeley’s Caleborate is one of many local artists at \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2018\u003c/a>, joining SOB x RBE, Shannon and the Clams, Monophonics and more Aug. 10–12.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.martyoreilly.com/\" target=\"_blank\" rel=\"noopener\">Marty O’Reilly & the Old Soul Orchestra\u003c/a>, “Off and On Again”\u003cbr>\n\u003cem>The Santa Cruz quartet plays on May 27 at \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">La Clandestina\u003c/a>, “Voy Para Arriba”\u003cbr>\n\u003cem>The Latin jazz ensemble performs at the 40th annual \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> on May 27 with LoCura, Bayonics, Bang Data and more.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://omgdrama.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Drama\u003c/a>, “Parking Meter”\u003cbr>\n\u003cem>The punk band plays \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a>, which runs from August 9–12 in San Francisco and Oakland.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.birdmanrecords.com/grisgris/index.html\" target=\"_blank\" rel=\"noopener\">Gris Gris\u003c/a>, “Year Zero”\u003cbr>\n\u003cem>On July 1, the Bay Area psych band joins The Damned, Le Shok and many more at Oakland’s \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://spellling.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Spelling\u003c/a>, “Blue (American Dream)”\u003cbr>\n\u003cem>Performing with Siri, AllBlack, Raxx Life Raj and more at \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> on June 16 at the Craneway Pavilion in Richmond.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sonnysmith.com/\" target=\"_blank\" rel=\"noopener\">Sonny Smith\u003c/a>, “Pictures of You”\u003cbr>\n\u003cem>The San Francisco musician heads to Sonoma Valley to join Wooden Shjips, Jonathan Richman and Steve Gunn at the \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> on June 9.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://soldevelopmentmusic.com/\" target=\"_blank\" rel=\"noopener\">Sol Development\u003c/a>, “Sunny Days (ft. Mark Knoxx)”\u003cbr>\n\u003cem>The hip-hop-jazz ensemble performs alongside Mino Yanci on Aug. 2 at the \u003ca href=\"https://ybgfestival.org/\" target=\"_blank\" rel=\"noopener\">Yerba Buena Gardens Festival\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://meernaa.com/\" target=\"_blank\" rel=\"noopener\">Meernaa\u003c/a>, “Good Luck”\u003cbr>\n\u003cem>Oakland’s Meernaa travels to Mendocino to perform at \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a> on June 15.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.trebuchetmusic.com/\" target=\"_blank\" rel=\"noopener\">Trebuchet\u003c/a>, “A Confession”\u003cbr>\n\u003cem>The Petaluma band joins Frankie Boots, Mickelson, Ismay and 20 other artists at Santa Rosa’s \u003ca href=\"http://www.railroadsquaremusicfestival.com/\" target=\"_blank\" rel=\"noopener\">Railroad Square Music Festival\u003c/a> on June 10.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Music festival season is officially underway in the Bay Area and now is your chance to learn more about local artists performing at festivals in the coming months.","status":"publish","parent":0,"modified":1705027772,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":488},"headData":{"title":"Mixtape: Local Artists at 11 Upcoming Bay Area Music Festivals | KQED","description":"Music festival season is officially underway in the Bay Area and now is your chance to learn more about local artists performing at festivals in the coming months.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"http://media.libsyn.com/media/thebaybridged/Festivals_Mixtape_2018.mp3","sticky":false,"path":"/arts/13832844/mixtape-local-artists-at-11-upcoming-bay-area-music-festivals","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the debut of the \u003ca href=\"https://www.kqed.org/arts/13832104/sza-brockhampton-kamaiyah-bring-blurry-vision-into-focus-in-oakland\" target=\"_blank\" rel=\"noopener\">Blurry Vision Fest\u003c/a> in Oakland earlier this month and \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a> and \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> around the corner, \u003ca href=\"https://www.kqed.org/arts/13831900/summertime-feeling-9-outdoor-concerts-and-festivals-in-the-bay-area\" target=\"_blank\" rel=\"noopener\">music festival season\u003c/a> is officially underway in the Bay Area.\u003c/p>\n\u003cp>This mixtape features music from local artists performing at festivals around the region in the coming months. San Francisco’s \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands\u003c/a> is certainly the biggest summer music festival in the area; its 2018 lineup is particularly notable for its overdue inclusion of \u003ca href=\"https://www.kqed.org/arts/13828348/janet-jackson-to-play-outside-lands-ending-10-year-run-of-no-female-headliners\" target=\"_blank\" rel=\"noopener\">female headliners\u003c/a> (Janet Jackson!) and a ton of local performers. But the Bay Area has many other festivals to offer, and this mix reflects the variety of concert-going experiences available in Northern California.\u003c/p>\n\u003cp>Between now and the end of the summer, one can check out beloved legacy events \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> and Carnaval, exciting new fests like \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> and \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a> and the road trip-worthy \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> and \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a>.\u003c/p>\n\u003cp>Listen to the mixtape to learn more about all eleven bands and their corresponding festivals.\u003c/p>\n\u003cp>\u003cstrong>Track List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.thaoandthegetdownstaydown.com/\" target=\"_blank\" rel=\"noopener\">Thao & The Get Down Stay Down\u003c/a>, “Astonished Man”\u003cbr>\n\u003cem>The beloved local indie rock band opens for M. Ward at the \u003ca href=\"https://www.sterngrove.org/\" target=\"_blank\" rel=\"noopener\">Stern Grove Festival\u003c/a> on July 1.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thatblackkidthatraps/\" target=\"_blank\" rel=\"noopener\">Caleborate\u003c/a>, “Soul”\u003cbr>\n\u003cem>Berkeley’s Caleborate is one of many local artists at \u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2018\u003c/a>, joining SOB x RBE, Shannon and the Clams, Monophonics and more Aug. 10–12.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.martyoreilly.com/\" target=\"_blank\" rel=\"noopener\">Marty O’Reilly & the Old Soul Orchestra\u003c/a>, “Off and On Again”\u003cbr>\n\u003cem>The Santa Cruz quartet plays on May 27 at \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">Bottlerock Napa Valley\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/LaClandestinabay/\" target=\"_blank\" rel=\"noopener\">La Clandestina\u003c/a>, “Voy Para Arriba”\u003cbr>\n\u003cem>The Latin jazz ensemble performs at the 40th annual \u003ca href=\"http://www.carnavalsanfrancisco.org/\" target=\"_blank\" rel=\"noopener\">Carnaval San Francisco\u003c/a> on May 27 with LoCura, Bayonics, Bang Data and more.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://omgdrama.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Drama\u003c/a>, “Parking Meter”\u003cbr>\n\u003cem>The punk band plays \u003ca href=\"http://www.theuniverseislit.com/\" target=\"_blank\" rel=\"noopener\">The Multivrs Is Illuminated\u003c/a>, which runs from August 9–12 in San Francisco and Oakland.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.birdmanrecords.com/grisgris/index.html\" target=\"_blank\" rel=\"noopener\">Gris Gris\u003c/a>, “Year Zero”\u003cbr>\n\u003cem>On July 1, the Bay Area psych band joins The Damned, Le Shok and many more at Oakland’s \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://spellling.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Spelling\u003c/a>, “Blue (American Dream)”\u003cbr>\n\u003cem>Performing with Siri, AllBlack, Raxx Life Raj and more at \u003ca href=\"https://www.feels6.tv/\" target=\"_blank\" rel=\"noopener\">Feels 6\u003c/a> on June 16 at the Craneway Pavilion in Richmond.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sonnysmith.com/\" target=\"_blank\" rel=\"noopener\">Sonny Smith\u003c/a>, “Pictures of You”\u003cbr>\n\u003cem>The San Francisco musician heads to Sonoma Valley to join Wooden Shjips, Jonathan Richman and Steve Gunn at the \u003ca href=\"https://sonoma.huichica.com/\" target=\"_blank\" rel=\"noopener\">Huichica Music Festival\u003c/a> on June 9.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://soldevelopmentmusic.com/\" target=\"_blank\" rel=\"noopener\">Sol Development\u003c/a>, “Sunny Days (ft. Mark Knoxx)”\u003cbr>\n\u003cem>The hip-hop-jazz ensemble performs alongside Mino Yanci on Aug. 2 at the \u003ca href=\"https://ybgfestival.org/\" target=\"_blank\" rel=\"noopener\">Yerba Buena Gardens Festival\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://meernaa.com/\" target=\"_blank\" rel=\"noopener\">Meernaa\u003c/a>, “Good Luck”\u003cbr>\n\u003cem>Oakland’s Meernaa travels to Mendocino to perform at \u003ca href=\"http://hickeyfest.com/\" target=\"_blank\" rel=\"noopener\">Hickey Fest\u003c/a> on June 15.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.trebuchetmusic.com/\" target=\"_blank\" rel=\"noopener\">Trebuchet\u003c/a>, “A Confession”\u003cbr>\n\u003cem>The Petaluma band joins Frankie Boots, Mickelson, Ismay and 20 other artists at Santa Rosa’s \u003ca href=\"http://www.railroadsquaremusicfestival.com/\" target=\"_blank\" rel=\"noopener\">Railroad Square Music Festival\u003c/a> on June 10.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13832844/mixtape-local-artists-at-11-upcoming-bay-area-music-festivals","authors":["178"],"series":["arts_4821"],"categories":["arts_69"],"tags":["arts_1006","arts_1694","arts_1739"],"featImg":"arts_13832845","label":"arts_4821"},"arts_13833152":{"type":"posts","id":"arts_13833152","meta":{"index":"posts_1591205157","site":"arts","id":"13833152","score":null,"sort":[1527112830000]},"guestAuthors":[],"slug":"our-5-favorite-places-to-swim-in-the-bay-area","title":"Our 5 Favorite Places to Swim in the Bay Area","publishDate":1527112830,"format":"image","headTitle":"Our 5 Favorite Places to Swim in the Bay Area | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Get ready, Bay Area—this summer is looking to be a scorcher. In 2018 already, heat records continue to \u003ca href=\"http://abc7news.com/weather/bay-area-roasts-records-to-start-scorching-summer-season/1946484/\" rel=\"noopener\" target=\"_blank\">be broken\u003c/a>. When the summer heatwave hits, if you aren’t in an air-conditioned building, it’s going to be brutal.\u003c/p>\n\u003cp>Thankfully the Bay Area is full of pools—or, as most city governments call them, “aquatic centers”—and swimming holes. Before you spend an hour or two dressing your kids in every type of flotation device available at Target, review this list of our favorite watery destinations.\u003cbr>\n\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833185\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/LAke-Anza-800x533.jpg\" alt=\"Beachgoers wade into the water at Lake Anza in the East Bay's Tilden Regional Park\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13833185\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beachgoers wade into the water at Lake Anza in the East Bay’s Tilden Regional Park \u003ccite>(Mark Andrew Boyer/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Lake Anza\u003c/h3>\n\u003ch4>\u003ca href=\"https://www.ebparks.org/about/stewardship/water/lake_anza_water_quality.htm\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>Tucked away among the trees and hills of Berkeley’s Tilden Park is Lake Anza, a man-made lake with beautiful wilderness views and a sandy beach. The lake itself might be cooler than an indoor pool, but on hot days, it’s fantastic. Even if you don’t want to swim, the hike around the lake is full of gorgeous scenery readymade to post on Instagram.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833200\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-800x600.jpg\" alt=\"The El Cerrito Swim Center after hours\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13833200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The El Cerrito Swim Center after hours \u003ccite>(Courtesy of the El Cerrito Swim Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>El Cerrito Swim Center\u003c/h3>\n\u003ch4>\u003ca href=\"https://www.el-cerrito.org/156/Swim-Center\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>The \u003ca href=\"https://www.sfgate.com/bayarea/article/Born-On-the-Bayou-Digging-the-El-Cerrito-roots-2850873.php\" rel=\"noopener\" target=\"_blank\">birthplace of Credence Clearwater Revival\u003c/a> hosts a small, kid-friendly water park called the El Cerrito Swim Center. This block-long facility contains both lap and recreational pools, a full-size splash park, and a large slide. It even has heated floors in the locker rooms. The center has two issues, the first being that it’s only open for recreational swim little more than seven hours a week. The second is that it’s not uncommon for the pool to reach capacity, leaving dozens standing outside the pool in their swim trunks, waiting several minutes for a spot to open.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833203\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-800x600.jpg\" alt=\"The Morgan Hill Aquatics Center and its huge water slides\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13833203\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Morgan Hill Aquatics Center and its huge water slides \u003ccite>(Courtesy of Morgan Hill Aqautics Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Morgan Hill Aquatics Center\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.morganhill.ca.gov/189/Aquatics\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>I have three words for you: giant water slides. Huge ones, just like at the expensive water parks! Morgan Hill did it right when it built its aquatics center. Don’t believe me? Take the \u003ca href=\"https://www.google.com/maps/@37.1237469,-121.6257442,0a,82.2y,141.09h,88.56t/data=!3m4!1e1!3m2!1sAF1QipN6falnCF7vkKPqqcOBp_BraARU24Wfzxi-uC7G!2e10?source=apiv3\" rel=\"noopener\" target=\"_blank\">online tour\u003c/a>. It’s open practically all day on the weekends for recreational swimming, with quite an expansive splash area. But it’s not without its downsides: it can take a half hour or more to get in, and outside food is prohibited. Also, there’s a limited amount of chairs—if you don’t grab one, you’re stuck sitting on hard, dry grass.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833204\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-800x600.jpg\" alt=\"The Marinwood Pool on a calm, sunny day\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13833204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Marinwood Pool on a calm, sunny day \u003ccite>(Courtesy of the Marinwood Community Services District)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Marinwood Pool\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.marinwood.org/pool/pool-schedule\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>Deep in Lucas Valley is this quaint, community-supported pool. There are two water slides, but beyond that there are no frills. Yet it’s such a pleasant place that it’s worth a drive from San Francisco. Like Tilden Park, if you don’t want to get wet, you can just enjoy the beautiful scenery. Best of all, it’s open for recreational swim \u003ca href=\"http://www.marinwood.org/sites/default/files/2018_marinwood_pool_schedule_-_june_blackwhite_0.pdf\" rel=\"noopener\" target=\"_blank\">every afternoon in June\u003c/a>.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833213\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-800x527.jpg\" alt=\"View of Johnson's Beach from the Russian River\" width=\"800\" height=\"527\" class=\"size-medium wp-image-13833213\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-800x527.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-768x506.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-240x158.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-375x247.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-520x342.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">View of Johnson’s Beach from the Russian River \u003ccite>(Courtesy of Johnson's Beach)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Johnson’s Beach\u003c/h3>\n\u003ch4>\u003ca href=\"http://johnsonsbeach.com/beach/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>Say you want to take a wine country trip with the family but don’t want to force the kids to spend all their time at wineries. If you happen to be by Guerneville, you and your family can head to Johnson’s Beach and play around in the Russian River. There you can partake in any kind of water activity — inner tubing, kayak, paddle boating — but you need to be \u003ca href=\"http://johnsonsbeach.com/beach/\" rel=\"noopener\" target=\"_blank\">aware of the rules\u003c/a>, like no outside alcohol or pets. This would be quite the year to go, as the beach turns 100 this summer.\n\u003c/p>\u003c/div>\n\u003cp>Looking for more suggestions? How about the \u003ca href=\"https://inside.mills.edu/campus_life/athletics_and_recreation/aquatics_pool_schedule.php\" rel=\"noopener\" target=\"_blank\">pool at Mills College\u003c/a> and \u003ca href=\"http://www2.oaklandnet.com/government/o/opr/s/aquatics/OAK029286\" rel=\"noopener\" target=\"_blank\">Lions Pool\u003c/a> in Oakland, or the \u003ca href=\"https://www.ymcasf.org/facility-schedule\" rel=\"noopener\" target=\"_blank\">Bayview-Hunter’s Point YMCA\u003c/a>, or \u003ca href=\"http://www.ci.rohnert-park.ca.us/cms/one.aspx?pageId=3360299\" rel=\"noopener\" target=\"_blank\">Honeybee Pool\u003c/a> in Rohnert Park? But for any of these destinations, remember to leave early in order to avoid traffic — it’s still the Bay Area, after all.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"All signs point to a sweltering hot summer this year—here are a few swimming holes and pools for when the heat becomes unbearable.","status":"publish","parent":0,"modified":1705027791,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":713},"headData":{"title":"Our 5 Favorite Places to Swim in the Bay Area | KQED","description":"All signs point to a sweltering hot summer this year—here are a few swimming holes and pools for when the heat becomes unbearable.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13833152/our-5-favorite-places-to-swim-in-the-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Get ready, Bay Area—this summer is looking to be a scorcher. In 2018 already, heat records continue to \u003ca href=\"http://abc7news.com/weather/bay-area-roasts-records-to-start-scorching-summer-season/1946484/\" rel=\"noopener\" target=\"_blank\">be broken\u003c/a>. When the summer heatwave hits, if you aren’t in an air-conditioned building, it’s going to be brutal.\u003c/p>\n\u003cp>Thankfully the Bay Area is full of pools—or, as most city governments call them, “aquatic centers”—and swimming holes. Before you spend an hour or two dressing your kids in every type of flotation device available at Target, review this list of our favorite watery destinations.\u003cbr>\n\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833185\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/LAke-Anza-800x533.jpg\" alt=\"Beachgoers wade into the water at Lake Anza in the East Bay's Tilden Regional Park\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13833185\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/LAke-Anza-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beachgoers wade into the water at Lake Anza in the East Bay’s Tilden Regional Park \u003ccite>(Mark Andrew Boyer/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Lake Anza\u003c/h3>\n\u003ch4>\u003ca href=\"https://www.ebparks.org/about/stewardship/water/lake_anza_water_quality.htm\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>Tucked away among the trees and hills of Berkeley’s Tilden Park is Lake Anza, a man-made lake with beautiful wilderness views and a sandy beach. The lake itself might be cooler than an indoor pool, but on hot days, it’s fantastic. Even if you don’t want to swim, the hike around the lake is full of gorgeous scenery readymade to post on Instagram.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833200\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-800x600.jpg\" alt=\"The El Cerrito Swim Center after hours\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13833200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/EC-Swim-Center.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The El Cerrito Swim Center after hours \u003ccite>(Courtesy of the El Cerrito Swim Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>El Cerrito Swim Center\u003c/h3>\n\u003ch4>\u003ca href=\"https://www.el-cerrito.org/156/Swim-Center\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>The \u003ca href=\"https://www.sfgate.com/bayarea/article/Born-On-the-Bayou-Digging-the-El-Cerrito-roots-2850873.php\" rel=\"noopener\" target=\"_blank\">birthplace of Credence Clearwater Revival\u003c/a> hosts a small, kid-friendly water park called the El Cerrito Swim Center. This block-long facility contains both lap and recreational pools, a full-size splash park, and a large slide. It even has heated floors in the locker rooms. The center has two issues, the first being that it’s only open for recreational swim little more than seven hours a week. The second is that it’s not uncommon for the pool to reach capacity, leaving dozens standing outside the pool in their swim trunks, waiting several minutes for a spot to open.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833203\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-800x600.jpg\" alt=\"The Morgan Hill Aquatics Center and its huge water slides\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13833203\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Morgan-Hill-pool.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Morgan Hill Aquatics Center and its huge water slides \u003ccite>(Courtesy of Morgan Hill Aqautics Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Morgan Hill Aquatics Center\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.morganhill.ca.gov/189/Aquatics\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>I have three words for you: giant water slides. Huge ones, just like at the expensive water parks! Morgan Hill did it right when it built its aquatics center. Don’t believe me? Take the \u003ca href=\"https://www.google.com/maps/@37.1237469,-121.6257442,0a,82.2y,141.09h,88.56t/data=!3m4!1e1!3m2!1sAF1QipN6falnCF7vkKPqqcOBp_BraARU24Wfzxi-uC7G!2e10?source=apiv3\" rel=\"noopener\" target=\"_blank\">online tour\u003c/a>. It’s open practically all day on the weekends for recreational swimming, with quite an expansive splash area. But it’s not without its downsides: it can take a half hour or more to get in, and outside food is prohibited. Also, there’s a limited amount of chairs—if you don’t grab one, you’re stuck sitting on hard, dry grass.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833204\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-800x600.jpg\" alt=\"The Marinwood Pool on a calm, sunny day\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13833204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Marinwood-Pool-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Marinwood Pool on a calm, sunny day \u003ccite>(Courtesy of the Marinwood Community Services District)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Marinwood Pool\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.marinwood.org/pool/pool-schedule\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>Deep in Lucas Valley is this quaint, community-supported pool. There are two water slides, but beyond that there are no frills. Yet it’s such a pleasant place that it’s worth a drive from San Francisco. Like Tilden Park, if you don’t want to get wet, you can just enjoy the beautiful scenery. Best of all, it’s open for recreational swim \u003ca href=\"http://www.marinwood.org/sites/default/files/2018_marinwood_pool_schedule_-_june_blackwhite_0.pdf\" rel=\"noopener\" target=\"_blank\">every afternoon in June\u003c/a>.\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13833213\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-800x527.jpg\" alt=\"View of Johnson's Beach from the Russian River\" width=\"800\" height=\"527\" class=\"size-medium wp-image-13833213\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-800x527.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-768x506.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-240x158.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-375x247.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Johnsons-Beach2-520x342.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">View of Johnson’s Beach from the Russian River \u003ccite>(Courtesy of Johnson's Beach)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Johnson’s Beach\u003c/h3>\n\u003ch4>\u003ca href=\"http://johnsonsbeach.com/beach/\" rel=\"noopener\" target=\"_blank\">More Information\u003c/a>\u003c/h4>\n\u003cp>Say you want to take a wine country trip with the family but don’t want to force the kids to spend all their time at wineries. If you happen to be by Guerneville, you and your family can head to Johnson’s Beach and play around in the Russian River. There you can partake in any kind of water activity — inner tubing, kayak, paddle boating — but you need to be \u003ca href=\"http://johnsonsbeach.com/beach/\" rel=\"noopener\" target=\"_blank\">aware of the rules\u003c/a>, like no outside alcohol or pets. This would be quite the year to go, as the beach turns 100 this summer.\n\u003c/p>\u003c/div>\n\u003cp>Looking for more suggestions? How about the \u003ca href=\"https://inside.mills.edu/campus_life/athletics_and_recreation/aquatics_pool_schedule.php\" rel=\"noopener\" target=\"_blank\">pool at Mills College\u003c/a> and \u003ca href=\"http://www2.oaklandnet.com/government/o/opr/s/aquatics/OAK029286\" rel=\"noopener\" target=\"_blank\">Lions Pool\u003c/a> in Oakland, or the \u003ca href=\"https://www.ymcasf.org/facility-schedule\" rel=\"noopener\" target=\"_blank\">Bayview-Hunter’s Point YMCA\u003c/a>, or \u003ca href=\"http://www.ci.rohnert-park.ca.us/cms/one.aspx?pageId=3360299\" rel=\"noopener\" target=\"_blank\">Honeybee Pool\u003c/a> in Rohnert Park? But for any of these destinations, remember to leave early in order to avoid traffic — it’s still the Bay Area, after all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13833152/our-5-favorite-places-to-swim-in-the-bay-area","authors":["93"],"series":["arts_4821"],"categories":["arts_835"],"tags":["arts_1331","arts_1118","arts_1006","arts_596","arts_4506"],"featImg":"arts_13859454","label":"arts_4821"},"arts_13832785":{"type":"posts","id":"arts_13832785","meta":{"index":"posts_1591205157","site":"arts","id":"13832785","score":null,"sort":[1527102041000]},"guestAuthors":[],"slug":"summertime-snaps-where-to-find-instagrammable-public-art","title":"The 7 Most Instagrammable Public Art Spots in the Bay Area","publishDate":1527102041,"format":"image","headTitle":"The 7 Most Instagrammable Public Art Spots in the Bay Area | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>In the Bay Area, art is all around you; it’s simply a matter of knowing where to look. While galleries and museums rightfully boast about their \u003ca href=\"https://www.kqed.org/arts/13857445/andy-warhol-sfmoma-see-what-we-did-there\" target=\"_blank\" rel=\"noopener\">summer shows\u003c/a>, you don’t necessarily have to step foot in a gallery in order to see (and shoot) some impressive art.\u003c/p>\n\u003cp>From the iconic masterworks to hidden gems, here’s your guide to snapping the best public art in the Bay Area.\u003c/p>\n\u003chr>\n\u003ch3>Calle 24 Latino Cultural District\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.sfmuralarts.com/neighborhood/mission/2.html\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h4>\n\u003cp>https://www.instagram.com/p/BY3zCMuDZ9r/\u003c/p>\n\u003cp>We’d be remiss if we didn’t start in the heart of San Francisco’s longstanding \u003cem>muralista\u003c/em> community for our public art round-up. The Mission District murals—particularly along 24th Street and the Latino Cultural District—serve as San Francisco’s cultural archivists. As recent threats attempt to censor, destroy and literally \u003ca href=\"https://missionlocal.org/2017/06/missions-culture-not-for-sale-but-it-can-be-painted-over/\" target=\"_blank\" rel=\"noopener\">whitewash\u003c/a> some of the Mission’s iconic murals, exciting new movements within the community resist with paintbrushes, spray cans and creativity. Keep your eyes peeled for the work of \u003ca href=\"http://www.sfmuralarts.com/artist/precita-eyes/17.html\" target=\"_blank\" rel=\"noopener\">Precita Eyes Muralists\u003c/a>, \u003ca href=\"http://www.sfmuralarts.com/artist/mel-waters/388.html\" target=\"_blank\" rel=\"noopener\">Mel Waters\u003c/a>, \u003ca href=\"http://www.sfmuralarts.com/artist/laura-campos/8.html\" target=\"_blank\" rel=\"noopener\">Laura Campos\u003c/a>, \u003ca href=\"http://www.sfmuralarts.com/artist/eli-lippert/415.html\" target=\"_blank\" rel=\"noopener\">Eli Lippert\u003c/a> and \u003ca href=\"http://www.sfmuralarts.com/artist/marina-perez-wong/95.html\" target=\"_blank\" rel=\"noopener\">Marina Perez-Wong\u003c/a>.\u003c/p>\n\u003cp>Photo of “Once Upon A Time in The Mission” by \u003ca href=\"https://www.instagram.com/precitaeyes/\" target=\"_blank\" rel=\"noopener\">Precita Eyes, \u003c/a>\u003ca href=\"https://www.instagram.com/_attril/\" target=\"_blank\" rel=\"noopener\">@_attril\u003c/a>,\u003ca href=\"https://www.instagram.com/fouronefever/\" target=\"_blank\" rel=\"noopener\"> @fouronefever\u003c/a>, \u003ca href=\"https://www.instagram.com/cheph415/\" target=\"_blank\" rel=\"noopener\">@cheph415\u003c/a>, \u003ca href=\"https://www.instagram.com/dref415/\" target=\"_blank\" rel=\"noopener\">@dref415\u003c/a>, and \u003ca href=\"https://www.instagram.com/frederickoalvarado/\" target=\"_blank\" rel=\"noopener\">@frederickoalvarado. \u003c/a>\u003c/p>\n\u003chr>\n\u003ch3>San Jose’s Japantown Art Walk\u003c/h3>\n\u003ch3>\u003ca href=\"http://www.codeforsanjose.com/heartofthevalley\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h3>\n\u003cp>https://www.instagram.com/p/BqxugAhHGmU/\u003c/p>\n\u003cp>Spend any time in San Jose’s Japantown, and you’ll find yourself transported to a world of massive murals painted by the\u003ca href=\"https://www.kqed.org/arts/12899918/brightening-san-joses-japantown-one-mural-at-a-time\" target=\"_blank\" rel=\"noopener\"> Empire Seven\u003c/a> muralist crew. Founded in 2008 by Juan Carlos Araujo and Jennifer Ahn, Empire Seven and its gallery Empire Seven Studios take art into public places, creating new murals inspired by the city’s past, present and future. For them, community revitalization and beautification happens from the ground up, working with shop owners block-by-block throughout the neighborhood. Though their work is beloved by the public, street artists and muralists are no strangers to having their work defaced. Recently, Bay Area artist Jose Meza Velazquez \u003ca href=\"https://www.kqed.org/arts/13845793/walkabout-san-joses-chicano-murals\" target=\"_blank\" rel=\"noopener\">filed a lawsuit\u003c/a> against a real estate developer who painted over his iconic \u003cem>Mural de la Raza.\u003c/em> Now is a critical time to document San Jose’s murals and support the next generation of mural-makers.\u003c/p>\n\u003cp>You can follow a map of the Japantown murals with \u003ca href=\"https://www.codeforsanjose.com/heartofthevalley/\" target=\"_blank\" rel=\"noopener\">this interactive map\u003c/a> made possible by\u003ca href=\"https://www.yanyinchoy.com/\" target=\"_blank\" rel=\"noopener\"> Yan-Yin Choy\u003c/a> of \u003ca href=\"https://www.codeforsanjose.com/\" target=\"_blank\" rel=\"noopener\">Code for San Jose\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch3>SoMa Street Art\u003c/h3>\n\u003cp>https://www.instagram.com/p/BbfsUhTBoMZ/\u003c/p>\n\u003cp>Ground zero for much of the city’s tech chaos, SoMa maintains its creative energy with new work from both local and international artists. Keep your eyes peeled for jaw-dropping blooms by\u003ca href=\"https://www.instagram.com/jetmar1/\" target=\"_blank\" rel=\"noopener\"> Jet Martinez\u003c/a>, vivid sheroes by \u003ca href=\"https://www.instagram.com/dj_agana/\" target=\"_blank\" rel=\"noopener\">Agana\u003c/a>, monochromatic musings of \u003ca href=\"https://www.instagram.com/zioziegler/\" target=\"_blank\" rel=\"noopener\">Zio Ziegler\u003c/a>, and portraits of resistance by \u003ca href=\"https://www.instagram.com/jessicasabogal/\" target=\"_blank\" rel=\"noopener\">Jess Sabogal\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch3>‘Free To See’ at San Francisco Museum of Modern Art\u003c/h3>\n\u003ch4>\u003ca href=\"https://www.sfmoma.org/visit/free-to-see/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h4>\n\u003cp>https://www.instagram.com/p/Bx3FnWOIh3A/\u003c/p>\n\u003cp>The secret’s out. From coral red bathrooms to five floors of rotating exhibitions, SFMOMA has solidified its reputation as an Instagrammer’s paradise. But while many patrons breeze by the first two floors in a rush up to the \u003ca href=\"https://www.kqed.org/arts/13832153/choose-your-own-adventure-the-summer-art-show-edition\" target=\"_blank\" rel=\"noopener\">hottest new shows\u003c/a>, they miss an art-filled playground for a photographer with a keen eye. High above the grand staircase at the museum’s third street entrance, you can stand face-to-face with the \u003ca href=\"http://sfist.com/2017/08/24/video_sfmoma_installs_largest_paint.php\" target=\"_blank\" rel=\"noopener\">first-largest painting\u003c/a> ever installed since the museum re-opened: an 80-foot-long, 20-foot-high, \u003ca href=\"https://www.sfmoma.org/exhibition/julie-mehretu-HOWL-eon-I-II\" target=\"_blank\" rel=\"noopener\">two-panel mural\u003c/a> by Julie Mehretu. Then meet a thousand—1,206 to be exact—San Franciscans and hear their stories in JR’s interactive video mural \u003cem>The Chronicles of San Francisco.\u003c/em> And on your way out, don’t overlook the vibrant \u003cem>Play Sculpture\u003c/em> by Isamu Noguchi.\u003c/p>\n\u003chr>\n\u003ch3>Diego Rivera’s Hidden San Francisco Murals\u003c/h3>\n\u003cp>https://www.instagram.com/p/ti30yuwa0J/\u003c/p>\n\u003cp>There’s no need to jet-set off to an international destination to get a slice of art history because San Francisco houses three hidden murals painted by the iconic Mexican muralist Diego Rivera. Tucked away in the Diego Rivera Theatre lobby at City College of San Francisco stands the massive \u003cem>Pan American Unity Mural\u003c/em> — the largest mural Rivera ever created. By 2020, \u003ca href=\"https://www.sfchronicle.com/entertainment/article/Diego-Rivera-mural-masterpiece-to-be-exhibited-in-12443281.php\" target=\"_blank\" rel=\"noopener\">SFMOMA\u003c/a> will move the 10-panel work into a free streetside gallery as the centerpiece of an exhibition dedicated to the legendary artist. The sheer scale and history of all three works are bound to satiate any art-hungry photographer.\u003c/p>\n\u003cp>\u003cem>Visit Rivera’s ‘The Making of a Fresco Showing the Building of a City’ at the \u003ca href=\"http://sfai.edu/about-sfai/diego-rivera-mural\" target=\"_blank\" rel=\"noopener\">San Francisco Art Institute\u003c/a> and ‘Allegory of California’ at \u003ca href=\"https://cityclubsf.com/\">City Club of San Francisco\u003c/a>.\u003c/em>\u003c/p>\n\u003chr>\n\u003ch3>Murals of Oakland: Downtown and Jack London District\u003c/h3>\n\u003ch4>\u003ca href=\"http://bamfest.org/oakland-mural-festival-map\">More Information\u003c/a>\u003c/h4>\n\u003cp>https://www.instagram.com/p/Bi52uVQH198/\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13824746/young-oakland-superheroes-fight-for-their-mural\">Oakland heroes\u003c/a> and \u003ca href=\"https://localwiki.org/oakland/Girl_Mobb_Super_Wall\" target=\"_blank\" rel=\"noopener\">heroines\u003c/a> emerge from under overpasses and brighten concrete corners of The Town. Themes of representation, resistance and beauty can be found spanning across sidewalks all over Oakland, providing momentary respite from the realities of its \u003ca href=\"http://www.governing.com/gov-data/oakland-gentrification-maps-demographic-data.html\" target=\"_blank\" rel=\"noopener\">ongoing gentrification\u003c/a>. Spend an afternoon perusing the (arguably) \u003ca href=\"https://localwiki.org/oakland/Murals\">largest list of Oakland’s street art\u003c/a> maintained by Oakland Wiki, or take a walking tour of some of Oakland’s newest murals by featuring the work of \u003ca href=\"http://lospobresartistas.com/\" target=\"_blank\" rel=\"noopener\">Los Pobres Artistas\u003c/a>, \u003ca href=\"http://www.trustyourstruggle.com/a/\" target=\"_blank\" rel=\"noopener\">Trust Your Struggle\u003c/a>, \u003ca href=\"http://www.creativeshields.com/\" target=\"_blank\" rel=\"noopener\">Creative Shields\u003c/a> Creators Gone Create and \u003ca href=\"http://bamfest.org/home#fundraiser\" target=\"_blank\" rel=\"noopener\">others\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch3>di Rosa’s Sculpture Garden\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.dirosaart.org/outdoor-sculpture-tour/\">More Information\u003c/a>\u003c/h4>\n\u003cp>https://www.instagram.com/p/BZZUbJuneyA/\u003c/p>\n\u003cp>With over dozens of objects along a long trail on the rolling hills of wine country, \u003ca href=\"http://www.dirosaart.org/outdoor-sculpture-tour/\" target=\"_blank\" rel=\"noopener\">di Rosa’s Outdoor Sculpture Tour \u003c/a>surprises the eager photographer at every turn. Mark di Suvero’s \u003ca href=\"https://www.sculpture.org/documents/parksdir/p&g/dirosa/dirosa6.shtml\" target=\"_blank\" rel=\"noopener\">\u003cem>For Veroniva\u003c/em>\u003c/a> rises like a rubescent monument, while Gordon Huether’s aluminum \u003ca href=\"https://www.gordonhuether.com/aluminum-yucca\" target=\"_blank\" rel=\"noopener\">\u003cem>Yucca\u003c/em>\u003c/a> cuts through the soil like an offering to supernatural beings. And full disclosure, the di Rosa Outdoor Sculpture Tour isn’t quite “free, public art,” but supporting an arts organization that \u003ca href=\"https://www.kqed.org/arts/13815773/the-di-rosa-embraces-community-after-a-brush-with-disaster\" target=\"_blank\" rel=\"noopener\">served as a refuge\u003c/a> for the community after the North Bay fires should be considered $18 well spent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"From the iconic masterworks to hidden gems, here’s your guide to snapping the best public art of the Bay Area this summer.","status":"publish","parent":0,"modified":1705027792,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":1018},"headData":{"title":"The 7 Most Instagrammable Public Art Spots in the Bay Area | KQED","description":"From the iconic masterworks to hidden gems, here’s your guide to snapping the best public art of the Bay Area this summer.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13832785/summertime-snaps-where-to-find-instagrammable-public-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the Bay Area, art is all around you; it’s simply a matter of knowing where to look. While galleries and museums rightfully boast about their \u003ca href=\"https://www.kqed.org/arts/13857445/andy-warhol-sfmoma-see-what-we-did-there\" target=\"_blank\" rel=\"noopener\">summer shows\u003c/a>, you don’t necessarily have to step foot in a gallery in order to see (and shoot) some impressive art.\u003c/p>\n\u003cp>From the iconic masterworks to hidden gems, here’s your guide to snapping the best public art in the Bay Area.\u003c/p>\n\u003chr>\n\u003ch3>Calle 24 Latino Cultural District\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.sfmuralarts.com/neighborhood/mission/2.html\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h4>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BY3zCMuDZ9r"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’d be remiss if we didn’t start in the heart of San Francisco’s longstanding \u003cem>muralista\u003c/em> community for our public art round-up. The Mission District murals—particularly along 24th Street and the Latino Cultural District—serve as San Francisco’s cultural archivists. As recent threats attempt to censor, destroy and literally \u003ca href=\"https://missionlocal.org/2017/06/missions-culture-not-for-sale-but-it-can-be-painted-over/\" target=\"_blank\" rel=\"noopener\">whitewash\u003c/a> some of the Mission’s iconic murals, exciting new movements within the community resist with paintbrushes, spray cans and creativity. Keep your eyes peeled for the work of \u003ca href=\"http://www.sfmuralarts.com/artist/precita-eyes/17.html\" target=\"_blank\" rel=\"noopener\">Precita Eyes Muralists\u003c/a>, \u003ca href=\"http://www.sfmuralarts.com/artist/mel-waters/388.html\" target=\"_blank\" rel=\"noopener\">Mel Waters\u003c/a>, \u003ca href=\"http://www.sfmuralarts.com/artist/laura-campos/8.html\" target=\"_blank\" rel=\"noopener\">Laura Campos\u003c/a>, \u003ca href=\"http://www.sfmuralarts.com/artist/eli-lippert/415.html\" target=\"_blank\" rel=\"noopener\">Eli Lippert\u003c/a> and \u003ca href=\"http://www.sfmuralarts.com/artist/marina-perez-wong/95.html\" target=\"_blank\" rel=\"noopener\">Marina Perez-Wong\u003c/a>.\u003c/p>\n\u003cp>Photo of “Once Upon A Time in The Mission” by \u003ca href=\"https://www.instagram.com/precitaeyes/\" target=\"_blank\" rel=\"noopener\">Precita Eyes, \u003c/a>\u003ca href=\"https://www.instagram.com/_attril/\" target=\"_blank\" rel=\"noopener\">@_attril\u003c/a>,\u003ca href=\"https://www.instagram.com/fouronefever/\" target=\"_blank\" rel=\"noopener\"> @fouronefever\u003c/a>, \u003ca href=\"https://www.instagram.com/cheph415/\" target=\"_blank\" rel=\"noopener\">@cheph415\u003c/a>, \u003ca href=\"https://www.instagram.com/dref415/\" target=\"_blank\" rel=\"noopener\">@dref415\u003c/a>, and \u003ca href=\"https://www.instagram.com/frederickoalvarado/\" target=\"_blank\" rel=\"noopener\">@frederickoalvarado. \u003c/a>\u003c/p>\n\u003chr>\n\u003ch3>San Jose’s Japantown Art Walk\u003c/h3>\n\u003ch3>\u003ca href=\"http://www.codeforsanjose.com/heartofthevalley\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h3>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BqxugAhHGmU"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Spend any time in San Jose’s Japantown, and you’ll find yourself transported to a world of massive murals painted by the\u003ca href=\"https://www.kqed.org/arts/12899918/brightening-san-joses-japantown-one-mural-at-a-time\" target=\"_blank\" rel=\"noopener\"> Empire Seven\u003c/a> muralist crew. Founded in 2008 by Juan Carlos Araujo and Jennifer Ahn, Empire Seven and its gallery Empire Seven Studios take art into public places, creating new murals inspired by the city’s past, present and future. For them, community revitalization and beautification happens from the ground up, working with shop owners block-by-block throughout the neighborhood. Though their work is beloved by the public, street artists and muralists are no strangers to having their work defaced. Recently, Bay Area artist Jose Meza Velazquez \u003ca href=\"https://www.kqed.org/arts/13845793/walkabout-san-joses-chicano-murals\" target=\"_blank\" rel=\"noopener\">filed a lawsuit\u003c/a> against a real estate developer who painted over his iconic \u003cem>Mural de la Raza.\u003c/em> Now is a critical time to document San Jose’s murals and support the next generation of mural-makers.\u003c/p>\n\u003cp>You can follow a map of the Japantown murals with \u003ca href=\"https://www.codeforsanjose.com/heartofthevalley/\" target=\"_blank\" rel=\"noopener\">this interactive map\u003c/a> made possible by\u003ca href=\"https://www.yanyinchoy.com/\" target=\"_blank\" rel=\"noopener\"> Yan-Yin Choy\u003c/a> of \u003ca href=\"https://www.codeforsanjose.com/\" target=\"_blank\" rel=\"noopener\">Code for San Jose\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch3>SoMa Street Art\u003c/h3>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BbfsUhTBoMZ"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ground zero for much of the city’s tech chaos, SoMa maintains its creative energy with new work from both local and international artists. Keep your eyes peeled for jaw-dropping blooms by\u003ca href=\"https://www.instagram.com/jetmar1/\" target=\"_blank\" rel=\"noopener\"> Jet Martinez\u003c/a>, vivid sheroes by \u003ca href=\"https://www.instagram.com/dj_agana/\" target=\"_blank\" rel=\"noopener\">Agana\u003c/a>, monochromatic musings of \u003ca href=\"https://www.instagram.com/zioziegler/\" target=\"_blank\" rel=\"noopener\">Zio Ziegler\u003c/a>, and portraits of resistance by \u003ca href=\"https://www.instagram.com/jessicasabogal/\" target=\"_blank\" rel=\"noopener\">Jess Sabogal\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch3>‘Free To See’ at San Francisco Museum of Modern Art\u003c/h3>\n\u003ch4>\u003ca href=\"https://www.sfmoma.org/visit/free-to-see/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h4>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"Bx3FnWOIh3A"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The secret’s out. From coral red bathrooms to five floors of rotating exhibitions, SFMOMA has solidified its reputation as an Instagrammer’s paradise. But while many patrons breeze by the first two floors in a rush up to the \u003ca href=\"https://www.kqed.org/arts/13832153/choose-your-own-adventure-the-summer-art-show-edition\" target=\"_blank\" rel=\"noopener\">hottest new shows\u003c/a>, they miss an art-filled playground for a photographer with a keen eye. High above the grand staircase at the museum’s third street entrance, you can stand face-to-face with the \u003ca href=\"http://sfist.com/2017/08/24/video_sfmoma_installs_largest_paint.php\" target=\"_blank\" rel=\"noopener\">first-largest painting\u003c/a> ever installed since the museum re-opened: an 80-foot-long, 20-foot-high, \u003ca href=\"https://www.sfmoma.org/exhibition/julie-mehretu-HOWL-eon-I-II\" target=\"_blank\" rel=\"noopener\">two-panel mural\u003c/a> by Julie Mehretu. Then meet a thousand—1,206 to be exact—San Franciscans and hear their stories in JR’s interactive video mural \u003cem>The Chronicles of San Francisco.\u003c/em> And on your way out, don’t overlook the vibrant \u003cem>Play Sculpture\u003c/em> by Isamu Noguchi.\u003c/p>\n\u003chr>\n\u003ch3>Diego Rivera’s Hidden San Francisco Murals\u003c/h3>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"ti30yuwa0J"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s no need to jet-set off to an international destination to get a slice of art history because San Francisco houses three hidden murals painted by the iconic Mexican muralist Diego Rivera. Tucked away in the Diego Rivera Theatre lobby at City College of San Francisco stands the massive \u003cem>Pan American Unity Mural\u003c/em> — the largest mural Rivera ever created. By 2020, \u003ca href=\"https://www.sfchronicle.com/entertainment/article/Diego-Rivera-mural-masterpiece-to-be-exhibited-in-12443281.php\" target=\"_blank\" rel=\"noopener\">SFMOMA\u003c/a> will move the 10-panel work into a free streetside gallery as the centerpiece of an exhibition dedicated to the legendary artist. The sheer scale and history of all three works are bound to satiate any art-hungry photographer.\u003c/p>\n\u003cp>\u003cem>Visit Rivera’s ‘The Making of a Fresco Showing the Building of a City’ at the \u003ca href=\"http://sfai.edu/about-sfai/diego-rivera-mural\" target=\"_blank\" rel=\"noopener\">San Francisco Art Institute\u003c/a> and ‘Allegory of California’ at \u003ca href=\"https://cityclubsf.com/\">City Club of San Francisco\u003c/a>.\u003c/em>\u003c/p>\n\u003chr>\n\u003ch3>Murals of Oakland: Downtown and Jack London District\u003c/h3>\n\u003ch4>\u003ca href=\"http://bamfest.org/oakland-mural-festival-map\">More Information\u003c/a>\u003c/h4>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"Bi52uVQH198"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13824746/young-oakland-superheroes-fight-for-their-mural\">Oakland heroes\u003c/a> and \u003ca href=\"https://localwiki.org/oakland/Girl_Mobb_Super_Wall\" target=\"_blank\" rel=\"noopener\">heroines\u003c/a> emerge from under overpasses and brighten concrete corners of The Town. Themes of representation, resistance and beauty can be found spanning across sidewalks all over Oakland, providing momentary respite from the realities of its \u003ca href=\"http://www.governing.com/gov-data/oakland-gentrification-maps-demographic-data.html\" target=\"_blank\" rel=\"noopener\">ongoing gentrification\u003c/a>. Spend an afternoon perusing the (arguably) \u003ca href=\"https://localwiki.org/oakland/Murals\">largest list of Oakland’s street art\u003c/a> maintained by Oakland Wiki, or take a walking tour of some of Oakland’s newest murals by featuring the work of \u003ca href=\"http://lospobresartistas.com/\" target=\"_blank\" rel=\"noopener\">Los Pobres Artistas\u003c/a>, \u003ca href=\"http://www.trustyourstruggle.com/a/\" target=\"_blank\" rel=\"noopener\">Trust Your Struggle\u003c/a>, \u003ca href=\"http://www.creativeshields.com/\" target=\"_blank\" rel=\"noopener\">Creative Shields\u003c/a> Creators Gone Create and \u003ca href=\"http://bamfest.org/home#fundraiser\" target=\"_blank\" rel=\"noopener\">others\u003c/a>.\u003c/p>\n\u003chr>\n\u003ch3>di Rosa’s Sculpture Garden\u003c/h3>\n\u003ch4>\u003ca href=\"http://www.dirosaart.org/outdoor-sculpture-tour/\">More Information\u003c/a>\u003c/h4>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BZZUbJuneyA"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>With over dozens of objects along a long trail on the rolling hills of wine country, \u003ca href=\"http://www.dirosaart.org/outdoor-sculpture-tour/\" target=\"_blank\" rel=\"noopener\">di Rosa’s Outdoor Sculpture Tour \u003c/a>surprises the eager photographer at every turn. Mark di Suvero’s \u003ca href=\"https://www.sculpture.org/documents/parksdir/p&g/dirosa/dirosa6.shtml\" target=\"_blank\" rel=\"noopener\">\u003cem>For Veroniva\u003c/em>\u003c/a> rises like a rubescent monument, while Gordon Huether’s aluminum \u003ca href=\"https://www.gordonhuether.com/aluminum-yucca\" target=\"_blank\" rel=\"noopener\">\u003cem>Yucca\u003c/em>\u003c/a> cuts through the soil like an offering to supernatural beings. And full disclosure, the di Rosa Outdoor Sculpture Tour isn’t quite “free, public art,” but supporting an arts organization that \u003ca href=\"https://www.kqed.org/arts/13815773/the-di-rosa-embraces-community-after-a-brush-with-disaster\" target=\"_blank\" rel=\"noopener\">served as a refuge\u003c/a> for the community after the North Bay fires should be considered $18 well spent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13832785/summertime-snaps-where-to-find-instagrammable-public-art","authors":["11357"],"series":["arts_4821"],"categories":["arts_1","arts_70"],"tags":["arts_2225","arts_2647","arts_1118","arts_903","arts_7455","arts_2098","arts_1143","arts_2628","arts_4894","arts_1381","arts_4903","arts_4824","arts_901"],"featImg":"arts_13858406","label":"arts_4821"},"arts_13832873":{"type":"posts","id":"arts_13832873","meta":{"index":"posts_1591205157","site":"arts","id":"13832873","score":null,"sort":[1527015641000]},"guestAuthors":[],"slug":"weird-roadside-attractions-2018","title":"Clown Graves and Humpty's Head: The Bay's Weirdest Roadside Attractions","publishDate":1527015641,"format":"image","headTitle":"Clown Graves and Humpty’s Head: The Bay’s Weirdest Roadside Attractions | KQED","labelTerm":{"term":4821,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Don’t have the time or the funds to make a pilgrimage to the World’s Largest Skillet or the \u003ca href=\"https://weekiwachee.com/\" rel=\"noopener\" target=\"_blank\">Weeki Wachee Mermaid Show\u003c/a> this year? Don’t despair! There are plenty of weird wonders of the world to behold in the San Francisco Bay Area. No matter how much of a grizzled world-weary townie you may be, there’s always something special left to discover around here. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp> \u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>Crockett Historical Museum\u003c/h3>\n\u003cp>For the ultimate tour of Bay Area roadside attractions, you need to start in Crockett. That’s right, I said Crockett. Once known primarily for its chief exports — sugar and meth — the tiny town just below the Carquinez Bridge boasts not one but TWO opportunities for roadside marveling. \u003c/p>\n\u003cfigure id=\"attachment_13832949\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Crockett-Museum.jpeg\" alt=\"Dudes showing off sweet Hawaiian shirts found at the Crockett Museum\" width=\"640\" height=\"615\" class=\"size-full wp-image-13832949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum.jpeg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-160x154.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-240x231.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-375x360.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-520x500.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-32x32.jpeg 32w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Dudes showing off sweet Hawaiian shirts found at the Crockett Museum \u003ccite>(Janelle Hessig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first is the \u003ca href=\"http://crockettmuseum.org/\" rel=\"noopener\" target=\"_blank\">Crockett Historical Museum\u003c/a>. Tucked away in the shadow of the glorious C & H Sugar Factory, you won’t find any pompous “vahhhses” or uppity marble statues in this museum. The permanent collection boldly blurs the line of what constitutes a valuable historical artifact and what is a box of your grandma’s yard sale leftovers. Some of the exhibits include: a photo of a ’70s man in short shorts standing next to an enormous fish, creepy toys, a charcoal portrait of Oliver North, a busted-up old switchboard (the last one used in California, actually), Hawaiian shirts from the sugar factory, and a whole room full of old yearbooks from John Swett High School. Each exhibit is lovingly displayed on a shelf, in a drawer, or in a curating style that could best be described as “piles.” If you want an unpretentious and authentic representation of a town, this museum has got you covered.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13832944\" class=\"wp-caption alignleft\" style=\"max-width: 605px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Clayton-Bailey.jpg\" alt=\"\" width=\"605\" height=\"406\" class=\"size-full wp-image-13832944\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey.jpg 605w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-520x349.jpg 520w\" sizes=\"(max-width: 605px) 100vw, 605px\">\u003cfigcaption class=\"wp-caption-text\">Clayton Bailey \u003ccite>(Lewis Stewart)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Bailey Art Museum\u003c/h3>\n\u003cp>Just two blocks away is the crown jewel of Crockett, \u003ca href=\"http://www.claytonbailey.com/rolph.htm\" rel=\"noopener\" target=\"_blank\">the Bailey Art Museum.\u003c/a> Equal parts artist, inventor, and mustache, Clayton Bailey is a Wisconsin expat who settled in the rolling Carquinez Straits with artist wife (and high school sweetheart) Betty in the late ’60s. As his mad scientist alterego Dr. Gladstone, Bailey used to sculpt life-sized skeletons of cryptozoological creatures and then bury them in the hills above his house. He would then invite groups of unsuspecting school children on archaeological digs and wait for tiny minds to be blown forever as they unearthed Cyclops or Bigfoot. Other Bailey creations include gargoyles, cartoon face jugs, pop guns, “the urn of the unconceived,” gelatinous blob creatures, and — perhaps most noteworthy — robots. Bailey’s robots have appeared in a \u003cem>Playboy\u003c/em> television special, the Sylvester Stallone film \u003cem>Cobra\u003c/em>, and the dreams (or nightmares) of the many children lucky enough to catch sight of one of Bailey’s creations wandering the streets back in the ’70s and ’80s. \u003c/p>\n\u003cp>Once only a lucky few were granted a front row seat to Bailey’s creations, but in a Willy Wonka-esque gesture, the general public was finally allowed a peek behind the curtain in 2013 with the grand opening of the Bailey Art Museum. If you plan to visit, be sure to call ahead and if you’re lucky, Clayton and Betty Bailey will be there to walk you through their mad laboratory.\n\u003c/p>\u003c/div>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>Pet’s Rest Cemetery\u003c/h3>\n\u003cfigure id=\"attachment_13832951\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/dongdong.jpg\" alt=\"One of many unique gravestones at Pet's Rest\" width=\"640\" height=\"614\" class=\"size-full wp-image-13832951\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-160x154.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-240x230.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-375x360.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-520x499.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-32x32.jpg 32w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">One of many unique gravestones at Pet’s Rest \u003ccite>(Janelle Hessig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You wouldn’t think there would be much happening in Colma considering the majority of the \u003ca href=\"http://allthatsinteresting.com/colma-california\" rel=\"noopener\" target=\"_blank\">population is dead\u003c/a> but a visit to \u003ca href=\"http://www.petsrest.com/home.php\" rel=\"noopener\" target=\"_blank\">The Pet’s Rest Cemetery\u003c/a> may change your mind. This pet cemetery is still in use and is nicely maintained. There is even at least one celebrity canine: Tina Turner’s dog is rumored to have been buried here, swaddled in one of the singer’s fur coats. Wander amongst the tiny tombs and remembrances of Rex, Spot, and Goldie, and let yourself ponder how a dog who lived for two years wound up in a nicer resting place than you likely will.\u003c/p>\n\u003cp>But don’t leave Colma yet. Be sure to swing by the Circus Showfolks of America Memorial at \u003ca href=\"https://www.roadsideamerica.com/story/19371\" rel=\"noopener\" target=\"_blank\">Olivet Memorial Park\u003c/a> and visit clown graves with inscriptions like “There’s nothing left but empty popcorn sacks and wagon tracks – the circus is gone.” \u003c/p>\n\u003cp>Cinephiles will want to take a detour to the Holy Cross cemetery to find a couple of key shooting locations from adored ’70s cult film \u003cem>Harold and Maude\u003c/em>. Thanks to the excellent website \u003ca href=\"http://reelsf.com/harold-and-maude-1971/\">Reel SF\u003c/a>, even the most navigationally-challenged can locate the site where Maude sat on a tombstone and cruised young proto-goth Harold.\n\u003c/p>\u003c/div>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13832948\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/PNATB-800x800.jpg\" alt=\"Magic show at Playland Not At The Beach\" width=\"800\" height=\"800\" class=\"size-medium wp-image-13832948\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Magic show at Playland Not At The Beach \u003ccite>(Jesska Hughes )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Playland-Not-at-the-Beach\u003c/h3>\n\u003cp>The struggle is real at \u003ca href=\"http://www.playland-not-at-the-beach.org/\" rel=\"noopener\" target=\"_blank\">Playland Not at the Beach\u003c/a> (PNATB). An ode to Playland, San Francisco’s beloved amusement park that offered decades of thrills before closing in 1972, curator Richard Tuck began scoping out a location to house his tribute collection, finally settling in 2008 at a fairly non-descript former grocery store in El Cerrito. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At PNATB, original amusement park artifacts and memorabilia live alongside modern homemade replicas, and like most roadside attractions there is something endearingly janky about the place. In one room, sliding cabinet doors reveal recreations of sideshow classics such as the headless chicken and Fiji mermaid. Another room hosts miniature diorama tributes to the circus and Halloween. There are also three rooms full of pinball machines, including a dayglo room that houses only monster-themed games. \u003c/p>\n\u003cp>Like many other cultural institutions in the Bay Area, Playland Not at the Beach faces an uncertain future. So if you haven’t been, get down there soon.\u003c/p>\n\u003chr>\n\u003ch2>There’s More\u003c/h2>\n\u003cfigure id=\"attachment_13832950\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/shockG-800x1195.jpeg\" alt=\"Statue of Shock G in Oakland\" width=\"800\" height=\"1195\" class=\"size-medium wp-image-13832950\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-800x1195.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-160x239.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-768x1147.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-1020x1524.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-803x1200.jpeg 803w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-1920x2868.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-1180x1763.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-960x1434.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-240x359.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-375x560.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-520x777.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG.jpeg 1371w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Statue of Shock G in Oakland \u003ccite>(Branwyn Bigglestone)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This list has barely scratched the surface but hopefully has given you the itch to search out more. There are private roadside attractions you can only witness from afar, like \u003ca href=\"https://www.mercurynews.com/2018/03/18/famous-flintstone-house-gets-yabba-dabba-doo-makeover/\" rel=\"noopener\" target=\"_blank\">the Flintstone House\u003c/a> and the \u003ca href=\"https://youtu.be/1SPwoSKTXPg\" rel=\"noopener\" target=\"_blank\">Niles backyard monorail\u003c/a> (now defunct); tiny \u003ca href=\"http://www.gsmrm.org/\" rel=\"noopener\" target=\"_blank\">trains in Richmond\u003c/a> and \u003ca href=\"http://www.wrm.org/\" rel=\"noopener\" target=\"_blank\">big ones in Suisun\u003c/a>; classic attractions like the \u003ca href=\"http://bigfootdiscoveryproject.com/\" rel=\"noopener\" target=\"_blank\">Bigfoot Museum in Felton\u003c/a> and the \u003ca href=\"https://www.burlingamepezmuseum.com/\" rel=\"noopener\" target=\"_blank\">Pez Museum in Burlingame\u003c/a>; and many historical treasures in San Francisco like \u003ca href=\"http://www.museemecaniquesf.com/\" rel=\"noopener\" target=\"_blank\">Musee Mecanique\u003c/a> and \u003ca href=\"https://www.sfchronicle.com/thetake/article/Life-within-the-San-Francisco-Columbarium-6647073.php?t=c3c4e84332\" rel=\"noopener\" target=\"_blank\">the Columbarium\u003c/a> (I suggest seeking out the Chinese takeout container the doubles as an urn). There are even unintentional attractions, like the enormous sculpture of Digital Underground frontman Shock G’s head that has sat in a \u003ca href=\"https://oaklandnorth.net/2012/08/31/giant-head-prop-from-digital-underground-tour-stored-in-east-oakland-parking-garage/\" rel=\"noopener\" target=\"_blank\">private parking lot in East Oakland\u003c/a> for decades. In spite of numerous attempts to find a new home for the Sphinx-like statue, the prop continues to sit in the lot, collecting dust.\u003c/p>\n\n","blocks":[],"excerpt":"There are a surprising amount of weird wonders to behold in the San Francisco Bay Area -- you just have to go looking for them.","status":"publish","parent":0,"modified":1705027807,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1134},"headData":{"title":"Clown Graves and Humpty's Head: The Bay's Weirdest Roadside Attractions | KQED","description":"There are a surprising amount of weird wonders to behold in the San Francisco Bay Area -- you just have to go looking for them.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13832873/weird-roadside-attractions-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/summer-guide-2018\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignright size-medium wp-image-13832925\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/HotSummer_300x300px-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Don’t have the time or the funds to make a pilgrimage to the World’s Largest Skillet or the \u003ca href=\"https://weekiwachee.com/\" rel=\"noopener\" target=\"_blank\">Weeki Wachee Mermaid Show\u003c/a> this year? Don’t despair! There are plenty of weird wonders of the world to behold in the San Francisco Bay Area. No matter how much of a grizzled world-weary townie you may be, there’s always something special left to discover around here. \u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003chr>\n\u003cp> \u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>Crockett Historical Museum\u003c/h3>\n\u003cp>For the ultimate tour of Bay Area roadside attractions, you need to start in Crockett. That’s right, I said Crockett. Once known primarily for its chief exports — sugar and meth — the tiny town just below the Carquinez Bridge boasts not one but TWO opportunities for roadside marveling. \u003c/p>\n\u003cfigure id=\"attachment_13832949\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Crockett-Museum.jpeg\" alt=\"Dudes showing off sweet Hawaiian shirts found at the Crockett Museum\" width=\"640\" height=\"615\" class=\"size-full wp-image-13832949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum.jpeg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-160x154.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-240x231.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-375x360.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-520x500.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Crockett-Museum-32x32.jpeg 32w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Dudes showing off sweet Hawaiian shirts found at the Crockett Museum \u003ccite>(Janelle Hessig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first is the \u003ca href=\"http://crockettmuseum.org/\" rel=\"noopener\" target=\"_blank\">Crockett Historical Museum\u003c/a>. Tucked away in the shadow of the glorious C & H Sugar Factory, you won’t find any pompous “vahhhses” or uppity marble statues in this museum. The permanent collection boldly blurs the line of what constitutes a valuable historical artifact and what is a box of your grandma’s yard sale leftovers. Some of the exhibits include: a photo of a ’70s man in short shorts standing next to an enormous fish, creepy toys, a charcoal portrait of Oliver North, a busted-up old switchboard (the last one used in California, actually), Hawaiian shirts from the sugar factory, and a whole room full of old yearbooks from John Swett High School. Each exhibit is lovingly displayed on a shelf, in a drawer, or in a curating style that could best be described as “piles.” If you want an unpretentious and authentic representation of a town, this museum has got you covered.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_13832944\" class=\"wp-caption alignleft\" style=\"max-width: 605px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Clayton-Bailey.jpg\" alt=\"\" width=\"605\" height=\"406\" class=\"size-full wp-image-13832944\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey.jpg 605w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Clayton-Bailey-520x349.jpg 520w\" sizes=\"(max-width: 605px) 100vw, 605px\">\u003cfigcaption class=\"wp-caption-text\">Clayton Bailey \u003ccite>(Lewis Stewart)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Bailey Art Museum\u003c/h3>\n\u003cp>Just two blocks away is the crown jewel of Crockett, \u003ca href=\"http://www.claytonbailey.com/rolph.htm\" rel=\"noopener\" target=\"_blank\">the Bailey Art Museum.\u003c/a> Equal parts artist, inventor, and mustache, Clayton Bailey is a Wisconsin expat who settled in the rolling Carquinez Straits with artist wife (and high school sweetheart) Betty in the late ’60s. As his mad scientist alterego Dr. Gladstone, Bailey used to sculpt life-sized skeletons of cryptozoological creatures and then bury them in the hills above his house. He would then invite groups of unsuspecting school children on archaeological digs and wait for tiny minds to be blown forever as they unearthed Cyclops or Bigfoot. Other Bailey creations include gargoyles, cartoon face jugs, pop guns, “the urn of the unconceived,” gelatinous blob creatures, and — perhaps most noteworthy — robots. Bailey’s robots have appeared in a \u003cem>Playboy\u003c/em> television special, the Sylvester Stallone film \u003cem>Cobra\u003c/em>, and the dreams (or nightmares) of the many children lucky enough to catch sight of one of Bailey’s creations wandering the streets back in the ’70s and ’80s. \u003c/p>\n\u003cp>Once only a lucky few were granted a front row seat to Bailey’s creations, but in a Willy Wonka-esque gesture, the general public was finally allowed a peek behind the curtain in 2013 with the grand opening of the Bailey Art Museum. If you plan to visit, be sure to call ahead and if you’re lucky, Clayton and Betty Bailey will be there to walk you through their mad laboratory.\n\u003c/p>\u003c/div>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>Pet’s Rest Cemetery\u003c/h3>\n\u003cfigure id=\"attachment_13832951\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/dongdong.jpg\" alt=\"One of many unique gravestones at Pet's Rest\" width=\"640\" height=\"614\" class=\"size-full wp-image-13832951\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-160x154.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-240x230.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-375x360.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-520x499.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/dongdong-32x32.jpg 32w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">One of many unique gravestones at Pet’s Rest \u003ccite>(Janelle Hessig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You wouldn’t think there would be much happening in Colma considering the majority of the \u003ca href=\"http://allthatsinteresting.com/colma-california\" rel=\"noopener\" target=\"_blank\">population is dead\u003c/a> but a visit to \u003ca href=\"http://www.petsrest.com/home.php\" rel=\"noopener\" target=\"_blank\">The Pet’s Rest Cemetery\u003c/a> may change your mind. This pet cemetery is still in use and is nicely maintained. There is even at least one celebrity canine: Tina Turner’s dog is rumored to have been buried here, swaddled in one of the singer’s fur coats. Wander amongst the tiny tombs and remembrances of Rex, Spot, and Goldie, and let yourself ponder how a dog who lived for two years wound up in a nicer resting place than you likely will.\u003c/p>\n\u003cp>But don’t leave Colma yet. Be sure to swing by the Circus Showfolks of America Memorial at \u003ca href=\"https://www.roadsideamerica.com/story/19371\" rel=\"noopener\" target=\"_blank\">Olivet Memorial Park\u003c/a> and visit clown graves with inscriptions like “There’s nothing left but empty popcorn sacks and wagon tracks – the circus is gone.” \u003c/p>\n\u003cp>Cinephiles will want to take a detour to the Holy Cross cemetery to find a couple of key shooting locations from adored ’70s cult film \u003cem>Harold and Maude\u003c/em>. Thanks to the excellent website \u003ca href=\"http://reelsf.com/harold-and-maude-1971/\">Reel SF\u003c/a>, even the most navigationally-challenged can locate the site where Maude sat on a tombstone and cruised young proto-goth Harold.\n\u003c/p>\u003c/div>\n\u003chr>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cfigure id=\"attachment_13832948\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/PNATB-800x800.jpg\" alt=\"Magic show at Playland Not At The Beach\" width=\"800\" height=\"800\" class=\"size-medium wp-image-13832948\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/PNATB-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Magic show at Playland Not At The Beach \u003ccite>(Jesska Hughes )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Playland-Not-at-the-Beach\u003c/h3>\n\u003cp>The struggle is real at \u003ca href=\"http://www.playland-not-at-the-beach.org/\" rel=\"noopener\" target=\"_blank\">Playland Not at the Beach\u003c/a> (PNATB). An ode to Playland, San Francisco’s beloved amusement park that offered decades of thrills before closing in 1972, curator Richard Tuck began scoping out a location to house his tribute collection, finally settling in 2008 at a fairly non-descript former grocery store in El Cerrito. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At PNATB, original amusement park artifacts and memorabilia live alongside modern homemade replicas, and like most roadside attractions there is something endearingly janky about the place. In one room, sliding cabinet doors reveal recreations of sideshow classics such as the headless chicken and Fiji mermaid. Another room hosts miniature diorama tributes to the circus and Halloween. There are also three rooms full of pinball machines, including a dayglo room that houses only monster-themed games. \u003c/p>\n\u003cp>Like many other cultural institutions in the Bay Area, Playland Not at the Beach faces an uncertain future. So if you haven’t been, get down there soon.\u003c/p>\n\u003chr>\n\u003ch2>There’s More\u003c/h2>\n\u003cfigure id=\"attachment_13832950\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/shockG-800x1195.jpeg\" alt=\"Statue of Shock G in Oakland\" width=\"800\" height=\"1195\" class=\"size-medium wp-image-13832950\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-800x1195.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-160x239.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-768x1147.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-1020x1524.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-803x1200.jpeg 803w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-1920x2868.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-1180x1763.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-960x1434.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-240x359.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-375x560.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG-520x777.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/shockG.jpeg 1371w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Statue of Shock G in Oakland \u003ccite>(Branwyn Bigglestone)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This list has barely scratched the surface but hopefully has given you the itch to search out more. There are private roadside attractions you can only witness from afar, like \u003ca href=\"https://www.mercurynews.com/2018/03/18/famous-flintstone-house-gets-yabba-dabba-doo-makeover/\" rel=\"noopener\" target=\"_blank\">the Flintstone House\u003c/a> and the \u003ca href=\"https://youtu.be/1SPwoSKTXPg\" rel=\"noopener\" target=\"_blank\">Niles backyard monorail\u003c/a> (now defunct); tiny \u003ca href=\"http://www.gsmrm.org/\" rel=\"noopener\" target=\"_blank\">trains in Richmond\u003c/a> and \u003ca href=\"http://www.wrm.org/\" rel=\"noopener\" target=\"_blank\">big ones in Suisun\u003c/a>; classic attractions like the \u003ca href=\"http://bigfootdiscoveryproject.com/\" rel=\"noopener\" target=\"_blank\">Bigfoot Museum in Felton\u003c/a> and the \u003ca href=\"https://www.burlingamepezmuseum.com/\" rel=\"noopener\" target=\"_blank\">Pez Museum in Burlingame\u003c/a>; and many historical treasures in San Francisco like \u003ca href=\"http://www.museemecaniquesf.com/\" rel=\"noopener\" target=\"_blank\">Musee Mecanique\u003c/a> and \u003ca href=\"https://www.sfchronicle.com/thetake/article/Life-within-the-San-Francisco-Columbarium-6647073.php?t=c3c4e84332\" rel=\"noopener\" target=\"_blank\">the Columbarium\u003c/a> (I suggest seeking out the Chinese takeout container the doubles as an urn). There are even unintentional attractions, like the enormous sculpture of Digital Underground frontman Shock G’s head that has sat in a \u003ca href=\"https://oaklandnorth.net/2012/08/31/giant-head-prop-from-digital-underground-tour-stored-in-east-oakland-parking-garage/\" rel=\"noopener\" target=\"_blank\">private parking lot in East Oakland\u003c/a> for decades. In spite of numerous attempts to find a new home for the Sphinx-like statue, the prop continues to sit in the lot, collecting dust.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13832873/weird-roadside-attractions-2018","authors":["11333"],"series":["arts_4821"],"categories":["arts_1"],"tags":["arts_4900","arts_1118","arts_1006","arts_4824"],"featImg":"arts_13832937","label":"arts_4821"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. 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