Welcome to Help Desk, step into my office! Each week I’ll be answering your queries about making, finding, marketing, buying, selling — or any other activity related to — contemporary art. Together, we’ll sort through some of art’s thornier issues. Email helpdesk@dailyserving.com with your questions, or use a free anonymizer like Anonymouse.org to send an email to the same address. Comments are enabled, but be good or be gone! All submissions will be treated as anonymous and become the property of Daily Serving.
What advice would you have for artists who are separated from the university realm to keep themselves sharp (in terms of criticism and general growth)? Have you found specific groups or events that have helped keep you on track beyond academic circles?
Good for you for wanting to stay sharp! The instantaneous peer network and programming that a school provides helps to keep you on your toes, and once school is over it’s hard to maintain that momentum outside of an institutional setting. Groups and events do different things, so you’ll definitely want both in your life: a group will keep you connected and supported, and events will keep you informed and thinking. For groups, the network you’ve already established is a good start: with any luck, you still have the contact information for some of your old classmates. Why not email them to suggest a get-together? I recommend keeping it short and informal at first if you haven’t seen them in a while — maybe just a one-beer meetup at a bar or even an email list — because too much pressure to commit will drive shyer folks away. When you settle in with some like-minded people you could start a crit group or a reading club, go to openings together, or even just host a few fun, gossipy dinner parties.

First, find a group of people who share your interests.
If that’s no good (you hated everyone, you moved to another state, etc.) and you don’t already have a circle of art friends, you can make one by going to the events in your area and meeting other artists and curators. It will take time and effort, but it can be done. Start by listing the institutional networks that are available to you. If there’s an art school or a university art program in your area, they probably have a lecture series. Ditto for the local art museum and the galleries. Don’t forget to do an internet search for medium-specific groups like Dorkbot, and if you don’t know the name of a particular group try googling search terms in your field (I tried “painters art group Seattle” and got a great list of links to follow). Go to their websites and put yourself on their mailing lists, and then go to every lecture and opening you can possibly muster the energy for, where you will simultaneously look at a lot of art and see the same people over and over again. Put some energy into it, and within three months you’ll be a familiar face to a lot of people and have a good handle on your local art scene. If you feel extra stuck right now, consider taking a class. Most institutions offer noncredit classes where you can get in some studio time and meet other artists. And good luck! Build yourself a network of thoughtful, hard-working people and make sure to get in — and out! — of the studio regularly, and you’ll never have to worry about staying on track.