A sampling of the socks kept in rotation through the power of darning. (Sarah Hotchkiss/KQED)
This week, as we near the end of 2025, the writers and editors of KQED Arts & Culture are reflecting on One Beautiful Thing from the year.
“Y
ou’re entering your homemaker era,” my mother said earlier this year, mostly joking.
She’d been teasing me for finally getting into cooking about 20 years later than I probably should have, as a self-sufficient adult. For too long, I’d done the bare minimum, more of a “combiner” of ingredients than a chef de cuisine. Sometimes, on long walks or bike rides, I’d marvel that I was actually able to keep this body moving and in semi-good order, considering how little care I put into feeding it.
But it wasn’t just that I’d graduated from chief dishwasher to chief dinner-maker. My mother was astonished by my mania for darning my household’s socks, something even she — a woman who once sewed her own clothes and makes an incredible beef bourguignon — absolutely does not do. She looked at me as if I might be a pod person.
I didn’t get into darning out of any nesting impulse. It was probably the Oakland artist Kate Rhoades who most inspired me to pick up a needle and thread. Her dedication to visible mending is ad hoc and colorful, a true delight.
Sponsored
Kate’s patched and mended clothes have character. And thanks to my very capable mother, I knew how to thread a needle. I watched a YouTube tutorial and made my first attempt.
It snowballed from there. I bought a book, mastered the first few approaches and left the more advanced techniques to others. The basket weave is my jam: an orderly, square grid of warp and weft, under and over. It sturdily bridges a hole, buying purchase in undamaged fabric and sealing off loose ends. The fun comes from combinations of colored thread, patches that contrast against the surrounding material, or else the challenge of making a mend as invisible as possible.
Eventually, I worked my way up to shirts and sweaters. (I’m still building the confidence to mend jeans.) But socks, the original low-stakes testing ground, remain my favorite thing to darn. Thankfully, holey socks are an endlessly renewable resource. As soon as one hole is covered, or a thin zone reinforced, a toe will poke through elsewhere. So long as we wear socks and walk around this hard-crusted city, we will rub away the material that provides comfort and protection, step after step.
Tools of the trade, clockwise from top left: a ‘Speedweve’-like hand loom, a wooden darning egg, a tin of needles and thread, and a trusty soup ladle. (Sarah Hotchkiss/KQED)
This is a hobby that requires very little in the way of equipment. In the early days, I used a soup ladle, stretching socks over the rounded scoop to create a stable surface to stitch against. (While I have been cooking more elaborate dishes, there hasn’t been much soup on the menu.)
Material experimentation is inexpensive. I tried out embroidery floss (too thick and brittle), sewing thread (too thin, had to double it up) and eventually landed on bobbins of wool reinforcement thread. Also a favorite: cotton sashiko thread, which comes in variegated strands that add an element of chance to the whole endeavor.
As my obsession progressed, I found myself shopping at San Francisco’s ImagiKnit. A punny business name tells you you’re on the right track: peak enjoyment, zero striving, comfort with the built-in cringe.
Whenever I finished a darn, I would send close friends pictures of myself grinning maniacally, holding up a socked foot to show off a freshly mended heel. Soon, their accolades via chat weren’t enough. I began talking about my newfound love in public. After I mentioned it in an artist talk, a kind person even gifted me a wooden darning egg, passed down through their family.
The hobby really kicked into high gear with a small, handheld loom, a birthday present from a dear friend. This thing is next level. A darn that might have taken me over an hour is now done in 30 minutes. My mends have gotten tighter, even more uniform. The pile of holey socks dwindles with astonishing rapidity. I find myself inspecting clothes more closely while folding laundry. Is this pocket coming unstitched? Is this heel getting thin? It couldn’t hurt to preemptively reinforce it …
I have become, I fear, a bit insufferable. “Look what I did!” I say to my boyfriend, thrusting a sock in his face. “I know. I watched you do it,” he replies.
I desperately want to share with others the personal thrill that comes from completing a mend — of making an unusable thing useful once again. Yet only I am doing that work; the thrill is decidedly nontransferable. What is this impulse, then?
We worry about our screen time, we install app limits and buy Bricks and sign up for Phone-Free February. We try to distract ourselves from time-sucking, glowing devices by doing things with our hands. In-person experiences are up, workshops are full, people want tangible skills in an intangible world. And darning can absolutely be one of those skills, with the added benefit of keeping clothes in circulation and out of the waste stream.
Darning is also teaching me to enjoy a private, personal satisfaction. Concealed within shoes, undetectable (I hope) to feet, these are functional fixes. Each mend contains its own small beauty, but it’s a beauty glimpsed only by those wearing the socks.
Slowly, I’m getting rid of this impulse to share it all — she writes, doing just that. Well, two steps forward, one step back. It’s a good thing more friction means more mending.
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"slug": "mending-darning-socks-one-beautiful-thing-2025",
"title": "The Personal Satisfaction of Darning a Pile of Holey Socks",
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"content": "\u003cp>\u003ci>This week, as we near the end of 2025, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year.\u003c/i>\u003c/p>\n\u003cp>[dropcap]“Y[/dropcap]ou’re entering your homemaker era,” my mother said earlier this year, mostly joking.\u003c/p>\n\u003cp>She’d been teasing me for finally getting into cooking about 20 years later than I probably should have, as a self-sufficient adult. For too long, I’d done the bare minimum, more of a “combiner” of ingredients than a chef de cuisine. Sometimes, on long walks or bike rides, I’d marvel that I was actually able to keep this body moving and in semi-good order, considering how little care I put into feeding it. \u003c/p>\n\u003cp>But it wasn’t just that I’d graduated from chief dishwasher to chief dinner-maker. My mother was astonished by my mania for darning my household’s socks, something even she — a woman who once sewed her own clothes and makes an incredible beef bourguignon — absolutely does not do. She looked at me as if I might be a pod person.\u003c/p>\n\u003cp>I didn’t get into darning out of any nesting impulse. It was probably the Oakland artist Kate Rhoades who most inspired me to pick up a needle and thread. Her dedication to visible mending is ad hoc and colorful, a true delight. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Kate’s patched and mended clothes have character. And thanks to my very capable mother, I knew how to thread a needle. I watched a YouTube tutorial and made my first attempt.\u003c/p>\n\u003cp>It snowballed from there. I bought a book, mastered the first few approaches and left the more advanced techniques to others. The basket weave is my jam: an orderly, square grid of warp and weft, under and over. It sturdily bridges a hole, buying purchase in undamaged fabric and sealing off loose ends. The fun comes from combinations of colored thread, patches that contrast against the surrounding material, or else the challenge of making a mend as invisible as possible.\u003c/p>\n\u003cp>Eventually, I worked my way up to shirts and sweaters. (I’m still building the confidence to mend jeans.) But socks, the original low-stakes testing ground, remain my favorite thing to darn. Thankfully, holey socks are an endlessly renewable resource. As soon as one hole is covered, or a thin zone reinforced, a toe will poke through elsewhere. So long as we wear socks and walk around this hard-crusted city, we will rub away the material that provides comfort and protection, step after step.\u003c/p>\n\u003cfigure id=\"attachment_13984769\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000.jpg\" alt=\"objects on green desktop\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13984769\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tools of the trade, clockwise from top left: a ‘Speedweve’-like hand loom, a wooden darning egg, a tin of needles and thread, and a trusty soup ladle. \u003ccite>(Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This is a hobby that requires very little in the way of equipment. In the early days, I used a soup ladle, stretching socks over the rounded scoop to create a stable surface to stitch against. (While I have been cooking more elaborate dishes, there hasn’t been much soup on the menu.)\u003c/p>\n\u003cp>Material experimentation is inexpensive. I tried out embroidery floss (too thick and brittle), sewing thread (too thin, had to double it up) and eventually landed on bobbins of wool reinforcement thread. Also a favorite: cotton sashiko thread, which comes in variegated strands that add an element of chance to the whole endeavor.\u003c/p>\n\u003cp>As my obsession progressed, I found myself shopping at San Francisco’s \u003ca href=\"https://imagiknit.com/\">ImagiKnit\u003c/a>. A punny business name tells you you’re on the right track: peak enjoyment, zero striving, comfort with the built-in cringe.\u003c/p>\n\u003cp>Whenever I finished a darn, I would send close friends pictures of myself grinning maniacally, holding up a socked foot to show off a freshly mended heel. Soon, their accolades via chat weren’t enough. I began talking about my newfound love in public. After I mentioned it in an artist talk, a kind person even gifted me a wooden darning egg, passed down through their family. \u003c/p>\n\u003cp>The hobby really kicked into high gear with a small, handheld loom, a birthday present from a dear friend. This thing is next level. A darn that might have taken me over an hour is now done in 30 minutes. My mends have gotten tighter, even more uniform. The pile of holey socks dwindles with astonishing rapidity. I find myself inspecting clothes more closely while folding laundry. Is this pocket coming unstitched? Is this heel getting thin? It couldn’t hurt to preemptively reinforce it …\u003c/p>\n\u003cp>I have become, I fear, a bit insufferable. “Look what I did!” I say to my boyfriend, thrusting a sock in his face. “I know. I watched you do it,” he replies. \u003c/p>\n\u003cp>I desperately want to share with others the personal thrill that comes from completing a mend — of making an unusable thing useful once again. Yet only I am doing that work; the thrill is decidedly nontransferable. What is this impulse, then?\u003c/p>\n\u003cp>We worry about our screen time, we install app limits and buy Bricks and sign up for \u003ca href=\"https://phonefreefebruary.com/\">Phone-Free February\u003c/a>. We try to distract ourselves from time-sucking, glowing devices by doing things with our hands. In-person experiences are up, workshops are full, people want tangible skills in an intangible world. And darning can absolutely be one of those skills, with the added benefit of keeping clothes in circulation and out of the waste stream. \u003c/p>\n\u003cp>Darning is also teaching me to enjoy a private, personal satisfaction. Concealed within shoes, undetectable (I hope) to feet, these are functional fixes. Each mend contains its own small beauty, but it’s a beauty glimpsed only by those wearing the socks. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Slowly, I’m getting rid of this impulse to \u003ci>share\u003c/i> it all — she writes, doing just that. Well, two steps forward, one step back. It’s a good thing more friction means more mending.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>This week, as we near the end of 2025, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">“Y\u003c/span>\u003c/p>\u003cp>ou’re entering your homemaker era,” my mother said earlier this year, mostly joking.\u003c/p>\n\u003cp>She’d been teasing me for finally getting into cooking about 20 years later than I probably should have, as a self-sufficient adult. For too long, I’d done the bare minimum, more of a “combiner” of ingredients than a chef de cuisine. Sometimes, on long walks or bike rides, I’d marvel that I was actually able to keep this body moving and in semi-good order, considering how little care I put into feeding it. \u003c/p>\n\u003cp>But it wasn’t just that I’d graduated from chief dishwasher to chief dinner-maker. My mother was astonished by my mania for darning my household’s socks, something even she — a woman who once sewed her own clothes and makes an incredible beef bourguignon — absolutely does not do. She looked at me as if I might be a pod person.\u003c/p>\n\u003cp>I didn’t get into darning out of any nesting impulse. It was probably the Oakland artist Kate Rhoades who most inspired me to pick up a needle and thread. Her dedication to visible mending is ad hoc and colorful, a true delight. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kate’s patched and mended clothes have character. And thanks to my very capable mother, I knew how to thread a needle. I watched a YouTube tutorial and made my first attempt.\u003c/p>\n\u003cp>It snowballed from there. I bought a book, mastered the first few approaches and left the more advanced techniques to others. The basket weave is my jam: an orderly, square grid of warp and weft, under and over. It sturdily bridges a hole, buying purchase in undamaged fabric and sealing off loose ends. The fun comes from combinations of colored thread, patches that contrast against the surrounding material, or else the challenge of making a mend as invisible as possible.\u003c/p>\n\u003cp>Eventually, I worked my way up to shirts and sweaters. (I’m still building the confidence to mend jeans.) But socks, the original low-stakes testing ground, remain my favorite thing to darn. Thankfully, holey socks are an endlessly renewable resource. As soon as one hole is covered, or a thin zone reinforced, a toe will poke through elsewhere. So long as we wear socks and walk around this hard-crusted city, we will rub away the material that provides comfort and protection, step after step.\u003c/p>\n\u003cfigure id=\"attachment_13984769\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000.jpg\" alt=\"objects on green desktop\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13984769\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/Darning-tools-2000-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tools of the trade, clockwise from top left: a ‘Speedweve’-like hand loom, a wooden darning egg, a tin of needles and thread, and a trusty soup ladle. \u003ccite>(Sarah Hotchkiss/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This is a hobby that requires very little in the way of equipment. In the early days, I used a soup ladle, stretching socks over the rounded scoop to create a stable surface to stitch against. (While I have been cooking more elaborate dishes, there hasn’t been much soup on the menu.)\u003c/p>\n\u003cp>Material experimentation is inexpensive. I tried out embroidery floss (too thick and brittle), sewing thread (too thin, had to double it up) and eventually landed on bobbins of wool reinforcement thread. Also a favorite: cotton sashiko thread, which comes in variegated strands that add an element of chance to the whole endeavor.\u003c/p>\n\u003cp>As my obsession progressed, I found myself shopping at San Francisco’s \u003ca href=\"https://imagiknit.com/\">ImagiKnit\u003c/a>. A punny business name tells you you’re on the right track: peak enjoyment, zero striving, comfort with the built-in cringe.\u003c/p>\n\u003cp>Whenever I finished a darn, I would send close friends pictures of myself grinning maniacally, holding up a socked foot to show off a freshly mended heel. Soon, their accolades via chat weren’t enough. I began talking about my newfound love in public. After I mentioned it in an artist talk, a kind person even gifted me a wooden darning egg, passed down through their family. \u003c/p>\n\u003cp>The hobby really kicked into high gear with a small, handheld loom, a birthday present from a dear friend. This thing is next level. A darn that might have taken me over an hour is now done in 30 minutes. My mends have gotten tighter, even more uniform. The pile of holey socks dwindles with astonishing rapidity. I find myself inspecting clothes more closely while folding laundry. Is this pocket coming unstitched? Is this heel getting thin? It couldn’t hurt to preemptively reinforce it …\u003c/p>\n\u003cp>I have become, I fear, a bit insufferable. “Look what I did!” I say to my boyfriend, thrusting a sock in his face. “I know. I watched you do it,” he replies. \u003c/p>\n\u003cp>I desperately want to share with others the personal thrill that comes from completing a mend — of making an unusable thing useful once again. Yet only I am doing that work; the thrill is decidedly nontransferable. What is this impulse, then?\u003c/p>\n\u003cp>We worry about our screen time, we install app limits and buy Bricks and sign up for \u003ca href=\"https://phonefreefebruary.com/\">Phone-Free February\u003c/a>. We try to distract ourselves from time-sucking, glowing devices by doing things with our hands. In-person experiences are up, workshops are full, people want tangible skills in an intangible world. And darning can absolutely be one of those skills, with the added benefit of keeping clothes in circulation and out of the waste stream. \u003c/p>\n\u003cp>Darning is also teaching me to enjoy a private, personal satisfaction. Concealed within shoes, undetectable (I hope) to feet, these are functional fixes. Each mend contains its own small beauty, but it’s a beauty glimpsed only by those wearing the socks. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Slowly, I’m getting rid of this impulse to \u003ci>share\u003c/i> it all — she writes, doing just that. Well, two steps forward, one step back. It’s a good thing more friction means more mending.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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