While watching the likes of Digable Planets, the Dogg Pound and Souls of Mischief this Saturday at the first annual SF Hip-Hop Festival, Bay Area rap fans will also get something more: a lesson in Black displacement.
That’s due to the efforts of Hodari Davis, who’s curated an art- and data-driven project, Exhibit A, to be projected onscreen during performers’ sets at the Midway in San Francisco. The exhibit addresses anti-Black policies — urban renewal, overpolicing, redlining — that have caused San Francisco’s Black population to decline consistently from 13.5% in 1970 to just 5.4% in 2025.
“The goal is to kind of get these data points in front of people so we can start pressuring the city to make some different policy choices,” Hodari says.

Naturally, the day-long festival’s primary draw is the musical lineup, with San Francisco hip-hop icons like Mix Master Mike, San Quinn, the Invisibl Skratch Piklz and RBL Posse alongside up-and-comers like Paris Nights and Seiji Oda from across the Bay Bridge.
The intersection of civic policy and hip-hop may seem less prominent in San Francisco than in the East Bay, home of political rappers like Paris and the Coup. But Davis points to the long tradition of San Francisco graffiti, and the ways it’s challenged political norms in prominent spots around the city to make visible “the kinds of social justice resistance that we sometimes hear in rap from the East Bay.”


